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- Newsgroups: rec.music.beatles
- Path: sparky!uunet!cs.utexas.edu!swrinde!emory!gatech!mailer.cc.fsu.edu!huey.met.fsu.edu!faciane
- From: faciane@huey.met.fsu.edu (Dave Faciane)
- Subject: Re: unheard Beatles alternates
- Message-ID: <1992Dec25.124214.5502@mailer.cc.fsu.edu>
- Sender: news@mailer.cc.fsu.edu (Usenet News File Owner)
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- Organization: Department of Meteorology
- References: <Bz97Ey.7v@usenet.ucs.indiana.edu> <8756.9212241505@csparc12.scs.leeds.ac.uk>
- Date: Fri, 25 Dec 92 12:42:14 GMT
- Lines: 26
-
- In article <8756.9212241505@csparc12.scs.leeds.ac.uk> ross-c@scs.leeds.ac.uk writes:
- >In article <randall.724551344@seashore> you write:
- >>I always wondered where the bootleg material comes from. The
- >>various alternate takes on the Yellow Dog CDs sound like they
- >>came from the master tapes. Did someone at EMI leak the tapes?
- >
- >According to articles on bootlegging published this year in the UK press,
- >the security used to be very lax, and the tapes used to be "borrowed" at
- >night, and returned the next morning. One magazine claimed that the
- >nightwatchman (note singular) at one studio (possibly EMI) was very easily
- >bribed (the magazine described how, I won't :-) ). Also, they said that
- >"house hippies" associated with recording companies were involved in
- >"liberating" unreleased sound recordings and artwork.
- >
- >I'm starting to think I should hunt this article up and type it in. This
- >is at least the second time I've described it here.
- >
- Please do, if you get the chance!
-
-
-
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