PAN L |
Pans the left input speaker. If this knob is turned fully left, the speaker connected to the left input is placed close to the left wall of
the room. If the knob is turned fully right, the speaker is placed near the right wall. |
PAN R |
Pans the right input speaker. If this knob is turned fully left, the speaker connected to the right input is placed close to the left wall
of the room. If the knob is turned fully right, the speaker is placed near the right wall. To simulate a mono input signal, turn both pan knobs to the same position. |
DISTANCE |
Controls the distance between speakers and microphones. Both microphones have a fixed distance from the front wall, while the distance
between speakers and microphones can be adjusted. If this knob is turned fully left, the speakers are close to the microphones. If turned right, the speakers are close to the front wall which means that the
distance to the microphones is large. |
STEREO |
Controls the distance between left and right microphone. If this knob is turned fully left, the distance is zero which results in a mono
output signal. If the knob is turned right, the left microphone is close to the left wall, while the right microphone is close to the right wall. In other words, this knob controls the stereowidth of the
output. |
SIZE |
Sets the size of the room. The room size can be adjusted from a length of 3 meters to 150 meters. The width of the room is set to approx.
70% of room length. |
DECAY |
Controls how fast sound decays over time. If this knob is turned fully left, only a small decay applies. If knob is turned fully right,
sound decays very fast. |
DAMPING |
Controls how much of the sound is absorbed by walls. If knob is turned left, walls absorb hardly any sound. If knob is turned right,
absorbtion is high and only a small fraction of the signal gets reflected from walls. |
COLOR |
Controls high frequency damping. If turned fully left, most of the high frequencies are absorbed at walls. If turned right, damping of low
and high frequencies at walls is equal. |
DRY |
Sets the output gain of the dry signal. The output signal is a mix of the unprocessed input signal (dry) and the signal from the room
microphones (wet). If this knob is turned left, no dry signal is in the output. If it is turned right, the full input signal appears at the output. |
WET |
Sets the output gain of the microphone signals. The output signal is a mix of the unprocessed input signal (dry) and the signal from the
room microphones (wet). If this knob is turned left, no room signal is in the output. If it is turned right, the full microphone signal appears at the output. |
