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- REVIEWS, Page 69BOOKSMurder Midst The Ferns
-
-
- By MARTHA DUFFY
-
- TITLE: THE SECRET HISTORY
- AUTHOR: Donna Tartt
- PUBLISHER: Knopf; 524 pages; $23
-
- THE BOTTOM LINE: The novel that has everything: chills,
- thrills, campus scandals, literary jokes.
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-
- What are you doing up here? said Bunny, surprised, when he
- found the four of us waiting for him.
-
- Why, looking for new ferns, said Henry.
-
-
- Then, with Henry leading the ambush, Bunny's buddies push
- him down to his death in a ravine. A quick look round for
- dropped keys or glasses. "Everybody got everything?"
-
- This little shocker is just the beginning of a long,
- ambitious first novel by a young Mississippian. The publisher
- has ordered up a 75,000-copy first printing. Director Alan
- Pakula (Klute, All the President's Men) has bought it for the
- movies. What Donna Tartt has attempted -- and largely brought
- off -- is a challenging combination of a mystery (will they get
- caught or won't they?), an exploration of evil, both banal and
- bizarre, and a generous slice of the world as seen by the
- author, a brainy graduate of Bennington who has mastered Greek
- and English literature and doesn't care who knows it. It all
- adds up to confidence verging on bravura.
-
- The little band of murderous fern seekers are students at
- Hampden, a small, very liberal arts college in Vermont. Acute,
- cerebral and tasteful to a fault, the group have become acolytes
- of an eccentric Greek scholar who demands that what few pupils
- he takes study only his curriculum. There is Henry, rich,
- seductive, depraved; Francis, a homosexual with a very
- convenient house in the nearby hills; Athena-like Camilla and
- her twin Charles. Charles drinks too much, but then they all do,
- including Bunny, the feckless, unreliable odd man out.
-
- This cabal is crashed by the narrator, Richard Papen, a
- penniless transfer student who had taken some Greek. He is as
- close as the book comes to an objective center, but the device
- gets shaky because Richard is a facile, silly liar, boasting
- about an imaginary family oil well. He will do anything to be
- accepted by these sophisticates. Anything.
-
- What he gradually learns is that four of the five,
- excluding Bunny, have already killed, in the course of what they
- are pleased to call a Greek bacchanal. A luckless farmer strayed
- into the path of their late-night revels, and, chitons aflap,
- fueled by booze and drugs, they butchered him. For Charles it
- was a doomed awakening of conscience. For Henry it was a
- revelation of quite another sort. Before, he explains to the
- perpetually horrified Richard, he "lived too much in the mind."
- After, "I know that I can do anything that I want."
-
- Well, there is one necessity on Henry's agenda. Bunny --
- the unserious one, the blabbermouth, the buffoon -- begins to
- suspect the quartet of the killing in the field. In general
- Tartt shows a superior sense of pace, playing off her red
- herrings and foreshadowings like an old hand at the suspense
- game. The book's only lag occurs in her needlessly elaborate
- effort to turn Bunny from a likable pest into someone obnoxious
- enough for Richard to want to kill (for the others, fear of
- detection is enough). The cause of Bunny's mounting hysteria,
- of course, is simple: he is going from suspicion to terror.
-
- The Secret History offers the zest of the author's energy
- and the pleasure of seeing a young mind tackle classic forms.
- Is Vermont, or a microcollege, a stand-in for the author's
- native South? No, the shaggy, druggy ways of small schools
- around the country are sharply, and often humorously, captured
- here. But in its large-scale concept and its shell-game view of
- plotting, The Secret History distinctly evokes the Southern
- tradition.
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