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Date: Thu, 21 Mar 2002 11:47:08 EST
From: Licenz2Egon@aol.com
Subject: Stockhausen's Light
Hey,
I was just wondering if any of you knew where I could find videos of the parts of Light that have been already performed that don't cost 50 kazillion dollars. KS only sells parts of Thursday and Monday on his site.
Thanks,
Ryan
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Date: Thu, 21 Mar 2002 11:56:32 EST
From: UFOrbK8@aol.com
Subject: Re: Stockhausen's Light
In a message dated 03.21.02 11.48.05, Licenz2Egon@aol.com writes:
>I was just wondering if any of you knew where I could find videos of the
>parts of Light that have been already performed that don't cost 50 kazillion
>dollars. KS only sells parts of Thursday and Monday on his site.
if it's not on the stockhausen website, it's probably not available
commercially - stockhausen-verlag is the only publisher handling scores and
recordings (including video) of stockhausen's stuff currently, to my
knowledge.
(i love stockhausen so much)
love,
k8.
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[.n0thing.is.what.is.sAid.]
k a t e p e t e r s o n
c o m p o s e r / p e r f o r m e r
http://www.geocities.com/uforbk8/kate.html
http://www.icefoundation.org (roundtable)
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Date: Thu, 21 Mar 2002 10:56:21 -0600 (CST)
From: Whit Schonbein <whit@twinearth.wustl.edu>
Subject: Re: Arcado string trio
"Arthur Gadney" <a_gadney@hotmail.com> wrote:
1) How many Arcada String Trio CDs are there? As of right now, I can only
manage to track down the "Live In Europe" CD, but it's an import so rather
expensive. Is it worth it??
I have 'live in europe' and 'double trio' (the latter is actually a band
called 'double trio', the title of the album is 'green dolphy suite', it's
on ENJA, and consists in the arcado trio and the trio de clarinettes
(sclavis, angster, di donato) combined). I think the latter is great.
Live in europe has never grabbed me like the double trio disc. One reason
is that the compositions (one from each member) on the double disc are
very nice - i especially enjoy mark feldman's 'cold water music'. another
is that the sound on the live in europe is more distant, with 'concert
hall echo'. the end result is that, when i go to play a disc with arcado,
it tends to be the double trio disc. perhaps i need to listen to live in
europe again soon...but i don't hesitate to endorse the double trio disc
over live in europe.
whit
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Date: Thu, 21 Mar 2002 09:01:53 -0800
From: "Patrice L. Roussel" <proussel@ichips.intel.com>
Subject: Re: Sean Lennon/Cibo Matto
On Thu, 21 Mar 2002 10:10:54 +0000 "Arthur Gadney" wrote:
>
> Hello.
>
> >I'd like to know your thoughts on Sean Lennon's "Into
> >the Sun"
>
> Well, it's kind of a pop thing... Nothing too special. I wouldn't pay more
> than $5 for it;
It is a sweet record. Nothing earth shattering like the others said, but
there are some moments that are quite moving by their fragility.
Does anybody know about the fate of the second Sean Lennon record on Grand
Royal (now that the label is dead)?
Also, since we are dealing with the son a famous artist, what happened to
Eric Mingus's TOO MANY BULLETS...NOT ENOUGH SOUL? Should have been out last
year but I have not seen it yet.
Talking about kids of famous people,
> >and Cibo Matto's "Viva La Woman".
>
This is a really fun and upbeat record. It goes well with any kind of
drinks :-).
Patrice.
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Date: Thu, 21 Mar 2002 12:02:21 EST
From: SonataPathetique@aol.com
Subject: stockhausen
what is stockhausen's website?
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Date: Thu, 21 Mar 2002 12:17:13 -0600
From: Joseph Zitt <jzitt@metatronpress.com>
Subject: Re: hip Hop
On Thu, Mar 21, 2002 at 08:25:06AM -0600, James Miller wrote:
> Hip hop's links to disco, dance culture of the 70s-- club culture, etc.
> The Last Poets
> Reggae, dub and stdio technology (Big Youth, etc)
> Amiri Baraka, Black Arts, etc
> Oneness of Juju, other 60s-70s collectives (if they exist?)
> obviously, funk and soul culture
There's one interesting punk/noise link: the hip-hop classic "White
Lines" is apparently derived (there's a decades old argument about it)
from "Cavern" by Liquid Liquid. Liquid Liquid (did I just type "Liquid
Liquid. Liquid Liquid"? Oy.) started out as a punk/noise band at
Rutgers named Liquid Idiot, who revelled in being utterly unable to
play their instruments -- IIRC, they would switch when they started
getting competent. I think I was the first to play their stuff on the
radio, on our college station; the small number of complaints i got
was probably due to the miniscule on-campus audience :-)
