| Latest CDs: Collaborations/ All Souls http://www.mp3.com/josephzitt |
| Comma: Voices of New Music Silence: the John Cage Discussion List |
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Date: Wed, 14 Nov 2001 15:21:13 EST
From: Jeffcalt@aol.com
Subject: Black Lions on sale (NZ)
I picked up a number of Black Lion releases (Hemphill, Ayler, Braxton, Lake,
AEC) yesterday for $2.99 a piece(!) at www.broinc.com . I've ordered from
them before, and they are certainly slow, but at these prices you can be
patient. Also got a few albums from Prestige, RTE, and New World. Bear in
mind that most of their catalog is classical, but if you really search,
you'll find some good stuff.
jeff caltabiano (who's not affiliated with broinc)
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Date: Wed, 14 Nov 2001 15:22:01 EST
From: Dgasque@aol.com
Subject: Kinda OT: ICP Orchestra Sunday Special, etc.
etc. = upcoming music in Atlanta. Dig in...
- --
=dg=
=====================
>
> ICP Orchestra Sunday Special, etc.
>
>
>
>
> Please tune into WREK (91.1FM or www.wrek.org) from 7-9pm this Sunday evening (November 18th) for the Sunday Special featuring the music of the Instant Composers Pool Orchestra. We will be playing selections from their entire catalog including some vinyl rarities, plus their brand new release Oh, My Dog! The ICP Orchestra will be performing at 8:30pm on Friday, November 23rd at the First Existentialist Congregation in Candler Park. Full details forthcoming. A pair of tickets will be given away during the radio show.
>
>
>
>
>
> NOTED...
>
>
>
> Dave Gross - saxophones
>
> Liz Tonne vocals
>
> plus Ian Epps & Dan Walsh - electronics
>
> 9pm, Wednesday, November 14th
>
> Eyedrum
>
> 290 MLK Jr. Drive
>
> 404-522-0655 or www.eyedrum.org
>
> (jazz/improv/electronic)
>
>
>
>
>
> Lie & Swell
>
> featuring
>
> Alex Lambert drums
>
> Bill Nittler baritone sax
>
> Jeff Smith bass clarinet, electronics
>
> Mixed Recipes from the Exhibition Kitchen
>
> 9pm, Thursday, November 15th
>
> MJQ Concourse
>
> 736 Ponce de Leon Place
>
> 404-870-0575 or artattackatlanta@hotmail.com
>
>
>
>
>
> memprods, Low Yo Yo Stuff & Clocked! Restaurant
>
> present
>
> Eugene Chadbourne guitar, banjo, vocals, etc.
>
> 8:30pm, Friday, November 16th
>
> $6 advance (at Low Yo Yo Stuff), $7 at the door
>
> Flicker Theatre & Bar (Athens)
>
> 706-227-6199 or gkmm@earthlink.net
>
> (country/jazz/improv/etc)
>
>
>
>
>
> Pasin Flamenca
>
> featuring
>
> Carmen Deal vocals
>
> Ulrika Frank dance
>
> Mike Cady bass guitar
>
> Witold Tulodziecki guitar
>
> 8pm, Saturday, November 17th
>
> $17 advance, $20 at the door
>
> Cannon Chapel at Emory University
>
> 515 Kilgo Street
>
> 770-641-6673 or atlantaflamenco@mindspring.com
>
> (world)
>
>
>
>
>
> Magicicada
>
> 11:30pm, Monday, November 19th
>
> Nomenclature Museum
>
> 44 12th Street
>
> 404-874-6344
>
> (electronic)
>
>
>
>
>
> Gold Sparkle Retro Trio
>
> featuring
>
> Roger Ruzow trumpet
>
> Andrew Burnes bass
>
> Andrew Barker drums
>
> 9pm, Wednesday, November 21st
>
> Eyedrum
>
> 290 MLK Jr. Drive
>
> 404-522-0655 or www.eyedrum.org
>
> (jazz/improv)
>
>
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Date: Wed, 14 Nov 2001 12:29:55 -0800 (PST)
From: jason tors <jasontors@yahoo.com>
Subject: Re: gamepieces
they would be a great music video, esp if shot and edited by the right
camera man, could really enhance the experience of cobra and other
gamepieces.
There were a few cobras at tonic where I couldnt see a thing, just
because you are there doesnt mean you get the full effect.
| Latest CDs: Collaborations/ All Souls http://www.mp3.com/josephzitt |
| Comma: Voices of New Music Silence: the John Cage Discussion List |
- -
------------------------------
Date: Wed, 14 Nov 2001 15:56:45 -0500
From: wlt4@mindspring.com
Subject: Re: Black Lions on sale
> I picked up a number of Black Lion releases (Hemphill, Ayler, >Braxton, Lake, AEC) yesterday for $2.99 a piece(!) at broinc.com
I meant to post this info earlier and forgot. I've been ordering off and on from Berkshire for about ten years and haven't had any problems with them; they can be a tad slow but heck isn't life too fast anyway? At times they've had some good inexpensive overstocks from Hat Art (McPhee's Tenor!), New World, Ocora, ASV, Harmonia Mundi, New Albion, ECM, Nonesuch, etc. Too bad I haven't found anything like this for rock/pop albums.
One thing to be careful about, though, is that some of the items may be imports that don't match your or at least my first conception. Some Charly reissues, for instance, were not the usual British Charly albums with good notes but bare-bones budget releases hardly worth even a few bucks. Also, some of the Prestige albums they've listed are similarly European budget compilations and not US Prestige releases. On the other hand, I got some dirt-cheap German Comedian Harmonist albums and a tango set that have practically no notes but some great music.
LT
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Date: Wed, 14 Nov 2001 22:26:19 +0100
From: "Francesco Martinelli" <fmartinelli@tin.it>
Subject: Re: gamepieces
I do not think it's officially/commercially available somewhere.
> Wow. Is it available anywhere?
>
>> > a 4hours tv series on improvisation based on derek bailey's book
> > >
> > > What is "On the Edge"?
Francesco Martinelli
Lungarno Mediceo 10
56127 PISA ITALY
http://space.tin.it/musica/upsma/
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Date: Wed, 14 Nov 2001 14:15:22 -0800
From: "Jim McLoughlin" <jim@webmind.com>
Subject: RE: gamepieces
- ---
> a 4hours tv series on improvisation based on derek bailey's book
> fm
Wow. Is it available anywhere?
- ---
They screened it at Tonic a couple of years ago, but I missed it. I think
it was during a month that Bailey was curating/featured. If anyone has
leads to a copy of it, I'd love to see it (it also focuses a bit on Latin
jazz great Eddie Palmieri).
Jim M
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Date: Wed, 14 Nov 2001 16:40:12 -0600
From: Matthew Ross Davis <regis@sounding.com>
Subject: Re: gamepieces
On Wed, Nov 14, 2001 at 02:42:31PM -0600, Joseph Zitt wrote:
> So for the most part, the number pieces provide a well-defined sonic
> world, and are actually the Cage pieces that I listen to most. Unlike
> the Zorn works, different performances of the same piece should be
> pretty identifiable and consistent.
Yes, most certainly... though in concept and function, I believe they're more
related than they are different.
Of course, the real point is that recordings are always only a vestage of
what's happened, a snapshot of one version. Zorn's game pieces and Cage's
indeterminate scores are the extreme, but it applies equally as well to ANY
recorded piece of music (with the possible exception of some (most?) electronic
music - though, still, the way in which electronic music is "performed" by a DJ
blurs even this boundary).
m
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------------------------------
Date: Wed, 14 Nov 2001 16:42:36 -0600
From: Matthew Ross Davis <regis@sounding.com>
Subject: Re: gamepieces
On Wed, Nov 14, 2001 at 04:40:12PM -0600, Matthew Ross Davis wrote:
> On Wed, Nov 14, 2001 at 02:42:31PM -0600, Joseph Zitt wrote:
> > So for the most part, the number pieces provide a well-defined sonic
> > world, and are actually the Cage pieces that I listen to most. Unlike
> > the Zorn works, different performances of the same piece should be
> > pretty identifiable and consistent.
>
> Yes, most certainly... though in concept and function, I believe they're more
> related than they are different.
I should relate this to the discussion about recordings, not the concept and
function of the pieces themselves.
m
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------------------------------
Date: Wed, 14 Nov 2001 17:49:47 -0500
From: "Caleb T. Deupree" <cdeupree@erinet.com>
Subject: Re: Mike Patton
At 03:50 PM 11/14/01 EST, Samerivertwice@aol.com wrote:
>For you Patton completists, there's a small article on Mike in the current
>CMJ (Ryan Adams is on the cover). New deal with Warner Bros.....
I hate to ask, but the most recent issue of Computer Music Journal has
nothing about Mike Patton, so could you please spell out your acronym?
- --
Caleb Deupree
cdeupree@erinet.com
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------------------------------
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