<DIV>Indeed he did. The 'famous' trio one on which he sped up his piano is called 'Line Up,' I believe. Its a really weird solo, basically a solo played over the changes to A flat. All sorts of really advanced stuff for the time in that one. </DIV>
Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp
- -
------------------------------
Date: Mon, 08 Oct 2001 05:18:33 -0400
From: "Caleb T. Deupree" <cdeupree@erinet.com>
Subject: Re: PSF label
At 12:26 AM 10/8/01 -0700, serge dautricourt wrote:
>
>I've been reading some descriptions of releases from the japanese label PSF
>on Forcedexposure. They all sound really awesome. I wish i could hear
>them all! Is there anybody who could suggest some of the highlights on this
>label? So far I'm looking at Vajra 'Sravaka' and maybe something by
>Fushitsusha, but they all look good. . .
Don't know the Vajra, but the two live Fushitsusha albums (psf 3/4 and psf
15/16) are considered classics. There's a Haino site that has a lot of
reviews at http://www.planetc.com/users/keffer/haino/index.html. If you're
interested in japanese psych generally (and not just Haino), the three
Tokyo Flashback samplers are pretty good too.
>Serge
>
>p.s. what's the 'np:' that everybody puts at the end of their messages. I
>assume it precludes an album they dig.
np = 'now playing'
- --
Caleb Deupree
cdeupree@erinet.com
- -
------------------------------
Date: Mon, 8 Oct 2001 04:52:54 -0700 (PDT)
From: Theo Klaase <river_of_dogs@yahoo.com>
Subject: Frisell w/ Holland and Jones...
- --0-103913914-1002541974=:77874
Content-Type: text/plain; charset=us-ascii
Some tunes on this album really shine through... Although at times it seems Elvin Jones doesn't know the changes that well... The highlights, for me, are Twenty Years, Moon River, Strange Meeting, Smilin' Jones, and Convict 13...
The song "Again" I was a bit disappointed in probably because it sounded so "right" on the "Where in the World" album, not to mention Pigpen's version almost equally as good on the album "V as in Victim..."
Overall the album sounds a lot stronger than Blues Dream and Ghost Town combined...
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- --0-103913914-1002541974=:77874
Content-Type: text/html; charset=us-ascii
<P> Some tunes on this album really shine through... Although at times it seems Elvin Jones doesn't know the changes that well... The highlights, for me, are Twenty Years, Moon River, Strange Meeting, Smilin' Jones, and Convict 13... </P>
<P> The song "Again" I was a bit disappointed in probably because it sounded so "<EM><STRONG>right" </STRONG></EM>on the "Where in the World" album, not to mention Pigpen's version almost equally as good on the album "V as in Victim..."</P>
<P> Overall the album sounds a lot stronger than Blues Dream and Ghost Town combined... </P><p><br><hr size=1><b>Do You Yahoo!?</b><br>
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- -
------------------------------
Date: Mon, 08 Oct 2001 08:59:25 -0400
From: Bob Sweet <bsweet@umich.edu>
Subject: Re: Witness
Dan Frank Kuehn wrote:
> Craig (he looks like some kind of redheaded mulatto) was astounding,
Really? What do you look like?
This is really an offensive, crass, and tasteless comment.
Bob Sweet
- -
------------------------------
Date: Mon, 8 Oct 2001 09:07:12 -0400
From: "Sean Westergaard" <seawes@allmusic.com>
Subject: RE: Atk & Fris
i just saw Kermit playing with Greg Bendian's interzone with the Cline
brothers last friday night. The first few tunes were a bit snoozy for me;
the melodies weren't really memorable, they caught me as more of a
compositional exercise than a good tune, but they really picked up momentum
as the set went on, and the last couple peices were great. Kermit played
upright for about half the set, then proved he's really a better electric
player. sean
- -----Original Message-----
From: owner-zorn-list@lists.xmission.com
[mailto:owner-zorn-list@lists.xmission.com]On Behalf Of Marcin Gokieli
Sent: Sunday, October 07, 2001 6:35 AM
To: Skip Heller; David Egan; zorn-list@lists.xmission.com
Subject: Odp: Atk & Fris
> he'd do that (much as I loved Joey and Kermit), because he's such a
> versatile player.
wait a minute... What is drisoll doingh those days?
- -
- -
------------------------------
Date: Mon, 8 Oct 2001 09:22:49 -0400
From: "patbor" <patbor@buzzle.com>
Subject: Bith-Aneth
Hi,
I'm looking for a live recorded version of
Masada's "Bith-Aneth" that comes close to
the Jerusalem one as for intesity, solo
creativity and interplay. I listened to
the studio version but wasn't satisfied.
I'm trying to find out if JerusalemBith-Aneth
has been a unique performance or if repeated
so intensely somewhere else.
thanks,
Patb
- -
------------------------------
Date: Mon, 8 Oct 2001 09:42:24 -0400
From: "patbor" <patbor@buzzle.com>
Subject: Meanings
Hi,
It's good to listen with intesity
and high involvement and try to
deduce what a composition has been
written for, but sometimes you need
to know the meaning of song titles.
Does anyone know the meaning of
Masada's song titles?
(At least: Bith-Aneth, Tekufah,
Idalah-Abal, Mahshav, Peliyot,
Kanah, Ziphim).
thanks,
patB
- -
------------------------------
Date: Mon, 8 Oct 2001 09:48:49 -0400
From: "David Beardsley" <db@biink.com>
Subject: Re: Frisell w/ Holland and Jones...
- ----- Original Message -----
From: Theo Klaase
> Some tunes on this album really shine through...
>Although at times it seems Elvin Jones doesn't know the changes that
well...
???
Did he play a wrong note on the drums?
* David Beardsley
* http://biink.com
* http://mp3.com/davidbeardsley
- -
------------------------------
Date: Mon, 08 Oct 2001 08:13:17 -0600
From: Dan Frank Kuehn <smokey@laplaza.org>
Subject: Re: Witness
Very sorry for any offense. None was intended. I speak without
thinking. I'd never seen such curly red hair, and the word mulatto came
to mind. I didn't know it was a bad word. I'm an aryan idiot,
occasionally offensive, crass, and tasteless.
Dan
Bob Sweet wrote:
>
> Dan Frank Kuehn wrote:
>
> > Craig (he looks like some kind of redheaded mulatto) was astounding,
>
> Really? What do you look like?
>
> This is really an offensive, crass, and tasteless comment.
>
> Bob Sweet
- -
------------------------------
Date: Mon, 08 Oct 2001 15:25:17 GMT
From: Parry Gettelman <parry@macconnect.com>
Subject: No Depression/Tortoise live
Only saw Tortoise live once -- was dismayed to arrive and find they had
started on time, unheard of for that particular club, so I had missed most
of
the show. But then 20 minutes of them turned out to be plenty. It was
so
dull, it kind of caused me to lose interest in their records, too.
I think the whole "No Depression" "phenomenon" probably grew out of a
bunch of rock journalists pitching roots-rock trend stories to editors
in
order to get a SXSW trip every March. Or maybe I'm just projecting my
own
guilt.... What can I say, the universe owes me vegetarian chorizo breakfast
tacos once a year.
Like most genres, alt-country/roots-rock/ND has a few great artists, a few
good ones and a lot of dreck. And a lot of the best artists, per usual,
never get the exposure they deserve. Charlie Chesterman, for instance, can
write rings around Whiskeytown's much-heralded Ryan Adams. Charlie's '80s
group Scruffy the Cat was a much better band than Wilco (even tho I did like
the first Wilco record - and incidentally, they no longer have a major label
affiliation, they got dumped).
To me, the definitive statement on the sudden trendiness of twangy rock
is Robbie Fulks' "Roots-rock Weirdos," a hilarious send-up of music as
fashion statement that is also a heck of a catchy roots-rock tune. His new
"Couples in Trouble" is a pretty amazing pop record. Which, incidentally,
has a guest spot from Tim Mulvenna of the Vandermark Five.
The Vandermark Five was just here in New Orleans, show was fairly engrossing
but not transcendental. The ensemble work was the best part, although the
solos were nicely crafted.
Parry
- -
------------------------------
Date: Tue, 09 Oct 2001 08:40:34 -0700
From: Skip Heller <velaires@earthlink.net>
Subject: Re: No Depression/Tortoise live
>
> I think the whole "No Depression" "phenomenon" probably grew out of a
> bunch of rock journalists pitching roots-rock trend stories to editors
> in
> order to get a SXSW trip every March.
Largely, yes.
Or maybe I'm just projecting my
> own
> guilt.... What can I say, the universe owes me vegetarian chorizo breakfast
> tacos once a year.
>
> Like most genres, alt-country/roots-rock/ND has a few great artists, a few
> good ones and a lot of dreck. And a lot of the best artists, per usual,
> never get the exposure they deserve. Charlie Chesterman, for instance, can
> write rings around Whiskeytown's much-heralded Ryan Adams. Charlie's '80s
> group Scruffy the Cat was a much better band than Wilco (even tho I did like
> the first Wilco record - and incidentally, they no longer have a major label
> affiliation, they got dumped).
Come to Hollywood, where guys who were playing pizza-metal not so long ago
are now warbling like Neil Young and/or Gram Parsons, except with none of
the character.
>
> To me, the definitive statement on the sudden trendiness of twangy rock
> is Robbie Fulks' "Roots-rock Weirdos," a hilarious send-up of music as
> fashion statement that is also a heck of a catchy roots-rock tune. His new
> "Couples in Trouble" is a pretty amazing pop record.
You heard the Dallas Wayne record he produced? Pretty good.
>
skip h
- -
------------------------------
End of Zorn List Digest V3 #588
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