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Zorn List Digest        Wednesday, May 30 2001        Volume 03 : Number 451



In this issue:
-
       Re: Schweizer solo in Chicago
       niblock, lopez/sensory immersion/bklyn bridge anchorage
       miles silent way
       sabu brotZ derek
       Re: miles silent way
       cd storage dilema
       Re: cd storage dilema
       Re: cd storage dilema
       RE: cd storage dilema
       =?ISO-8859-1?Q?PROMO:=20Axel=20D=F6rner/Kevin=20Drumm?=
       PROMO: Stilluppsteypa/TV Pow-We Are Everyone In The Room
       Elvis Costello/Jazz Crusaders (Jazz Passengers?)
       TEMPO: Berkeley Festival of Contemporary Performance, June 1-9

----------------------------------------------------------------------

Date: Tue, 29 May 2001 23:34:45 EDT
From: [e-mail]
Subject: Re: Schweizer solo in Chicago

In a message dated 5/29/01 2:21:51 PM Eastern Daylight Time,
[e-mail] writes:

>  > np: Irene Scweizer, chicago piano solo
>
>  How is this??? I saw it in Cadence's new June releases.
>  Is it very similar to the other solo discs on Intakt??

Well, it's quite gripping.  I haven't listened to the older solo records
recently, but what particularly strikes me about this one is the strong - and
yet unstrained - rhythmic drive, its uncluttered melodiousness, and the
"blue" feeling that it taps into.  Schweizer is in absolute command
throughout.  This is not the kind of "free" improvisation that sounds
unplanned.  Dionysius submits to Apollo here, without in any way diminishing
the intensity and passion of the music being created.  For those who like
Schweizer, an essential disk.  (Of course, I think ALL her stuff is
essential...)

David

- -

------------------------------

Date: Tue, 29 May 2001 23:50:53 EDT
From: [e-mail]
Subject: niblock, lopez/sensory immersion/bklyn bridge anchorage

dear friuends,
just got this notice from francisco lopez
want to send the whole thing to the z-list but it's long
instead see : www.creativetime.org
below are just the basics:
love to all
steve koenig
n.p.:  jean-marc fousset  "nouvelles"  potlatch  =20
(audio cd  w/ mac/pc videos)

Creative Time in the Anchorage


Massless Medium: Explorations in Sensory Immersion

May 30 - July 29, 2001  Brooklyn Bridge Anchorage

...vaulted stone chambers of the Brooklyn Bridge Anchorage....
 Massless Medium featuring seven ambitious, site-specific installations
...shift our experience of space and time, blurring=20
body and environment, solid and immaterial, immersion and isolation,=20
disorientation ... the artists reference and expand upon the minimalist

and ambient work of 1960's and 70's artists like John Cage

- ---

Andreas Angelidakis -architect - future homes based on NASA'sBioplex.

Masamichi Udagawa and Sigi Moeslinger, Antenna Design, -Firefly,
 consisting of skeletal, self-illuminated objects staggered

throughout the Anchorage. =20

- ---Erwin Redl- MATRIX IV,- an illusory, radiant space with his grid=20
of thousands of red and blue LED lights. =20

- --Marco Brambilla's Arcadia consists of 2 four meter-high monolithic metal

towers containing plasma screens... soundtrack of mechanical sounds=20

- ---Anney Bonney and Liz Phillips, --Shaded Bandwidths, interactive video=20
and sound environment - interference of radiotransmissions by=20
architectural and geological formations).  ..viewers trigger ghosting=20
with their movements, subtly effecting the projected video and sound.

- --Francisco L=F3pez, presents Buildings [New York]; a sound

installation composed of field recordings of white noise in New York City

buildings.  - e.g. from boiler rooms, light fixtures, and air filters -

- ---Leo Villareal - Firmament, a ceiling-mounted light sculpture

composed of strobe lights arranged in concentric rings. =20
Viewers recline beneath ...


Creative Time's Music in the Anchorage 2001

Thursdays June 7,14, 21, 28  Brooklyn Bridge Anchorage

- ----June 7 Thomas Brinkmann, Jorg Burger aka the Modernist,=20
and Dimbiman aka Zip - minimalist electronic music scene in Germany - will

perform avant-garde dance music in an exclusive New York appearance

June 14 Phill Niblock  with Thomas Buckner, voice; and Guitar Army-
Alan Licht, Robert Poss, Michael Schumacher, Richard Lainhart,=20
Roger Kleier, David First, and David Watson. =20

June 28 Mille Plateaux and Force Inc., commemorate their tenth

anniversary with an evening of performances by artists who have released

groundbreaking work on the labels

Adjunct Events:June 13 music and readings with the Paris Review,
hosted by GeorgePlimpton.

June 20 sonic architect, Francisco L=F3pez,


For more information: www.creativetime.org


- -

------------------------------

Date: Tue, 29 May 2001 23:59:07 EDT
From: [e-mail]
Subject: miles silent way

<< speaking of that, where the is the silent way box? is there even a release
date set? >>

i have an advance copy- 3cd, dont have release date nearby.
great sound.  4 prev unissued, 4 first time in full form
steve koenig

- -

------------------------------

Date: Wed, 30 May 2001 00:04:30 EDT
From: [e-mail]
Subject: sabu brotZ derek

<< D.Bailey -P.Br=F6tzmann -Toyozumi
/Bailey -Sabu -Br=F6tzmann -Live in Okayama 1987 1987.11.16=20
Improvised Company  CD002 >>

dunno abt wallet dent;
bruce from downtown m gallery told me to grab it from assif
who had a few for $30.  i gambled and tho the sound is somewhat
dull, the music is great, and a solid 70 min or so.
one track bailey solo; one brotz and sabu, one trio.
steve koenig*
still playing: jean-marc fousset  'nouvelled'  potlarch

- -

------------------------------

Date: Tue, 29 May 2001 22:42:04 -0500
From: Joseph Zitt <[e-mail]>
Subject: Re: miles silent way

On Tue, May 29, 2001 at 11:59:07PM -0400, [e-mail] wrote:
> << speaking of that, where the is the silent way box? is there even a release
> date set? >>
>
> i have an advance copy- 3cd, dont have release date nearby.
> great sound.  4 prev unissued, 4 first time in full form

Could you let us know what they are, or are you under a sort of
non-disclosure agreement?

n.p. William Paker and Hamid Drake: Volume 1: Piercing the Veil (Good,
but their performance at the DC Vision Fest tonight was amazing,
hypnotic, thunderous, inspiring, and just jaw-droppingly wonderful.
Aum Fidelity simply *must* put out a CD of the show!)
n.r. Paul Tingen: Miles Beyond: The Electric Explorations of Miles
Davis 1967-1991 (Really good history and analysis, though I disagree
with some of the aesthetic judgments. Makes me even more curious as to
what's in the box.)

- --
|> ~The only thing that is not art is inattention~ --- Marcel Duchamp <|
| [e-mail]           http://www.metatronpress.com/jzitt |
| Latest CD: Jerusaklyn                  http://www.mp3.com/josephzitt |
| Comma: Voices of New Music    Silence: the John Cage Discussion List |


- -

------------------------------

Date: Wed, 30 May 2001 08:36:20 -0400
From: "Bob Kowalski" <[e-mail]>
Subject: cd storage dilema

Shortly after the New Yorker article/profile on Zorn (maybe 12-18 months =
back) there ensued on this list an interesting discussion on the storage =
of large music collections.  Anyone have any recommenedations for unique - =
but w/ emphasis on space saving - storage solutions for cds?

Bob


- -

------------------------------

Date: Wed, 30 May 2001 09:17:04 EDT
From: [e-mail]
Subject: Re: cd storage dilema

In a message dated 5/30/01 8:38:23 AM Eastern Daylight Time,
[e-mail] writes:

> Shortly after the New Yorker article/profile on Zorn (maybe 12-18 months
back)
>  there ensued on this list an interesting discussion on the storage of
large
> music collections.  Anyone have any recommenedations for unique - but w/
> emphasis on space saving - storage solutions for cds?
>
>  Bob

I've switched all my CDRs over to slimcases, and I've condensed all two,
four, and six CD sets into smaller jewel cases.  It's saved me HEAPS of
space.  Of course now I fill that space with store bought CDs in regular
cases.

It's a pity more companies don't package discs the way Hatology does.  Three
Hats fit in a single disc space on my shelf.

The great condenser,
Tom

______________________________________________________________________
Phil Spector: "I've been listening to a lot of Andrew Lloyd Webber lately,
and enjoying it. Someday I hope to set his stuff to music."

- -

------------------------------

Date: Wed, 30 May 2001 15:49:29 +0200
From: "Truyens" <[e-mail]>
Subject: Re: cd storage dilema

Yes, get rid of most of them.
Hugo
- ----- Original Message -----
From: "Bob Kowalski" <[e-mail]>
To: <[e-mail]>
Sent: Wednesday, May 30, 2001 2:36 PM
Subject: cd storage dilema


Shortly after the New Yorker article/profile on Zorn (maybe 12-18 months
back) there ensued on this list an interesting discussion on the storage of
large music collections.  Anyone have any recommenedations for unique - but
w/ emphasis on space saving - storage solutions for cds?

Bob


- -




- -

------------------------------

Date: Wed, 30 May 2001 07:57:59 -0700
From: "Benito Vergara" <[e-mail]>
Subject: RE: cd storage dilema

> -----Original Message-----
> From: [e-mail]
> [mailto:[e-mail]]On Behalf Of Bob Kowalski
> Sent: Wednesday, May 30, 2001 5:36 AM

> Anyone have any
> recommenedations for unique - but w/ emphasis on space saving -
> storage solutions for cds?

This I like:

http://www.jewelsleeve.com

The sleeve lets you keep everything except the jewel case. Now all you'll
need is a nice box to keep 'em in (they don't fit in CD shelves, and you'll
need to flip through them).

And if you want something pretty but impractical, try this:
http://www.buycshell.com/

Later,
Ben

http://members.tripod.com/~tamad2/
ICQ: 12832406



- -

------------------------------

Date: Wed, 30 May 2001 11:18:29 EDT
From: [e-mail]
Subject: =?ISO-8859-1?Q?PROMO:=20Axel=20D=F6rner/Kevin=20Drumm?=

sorry for the promotional intrusion, and further apologies if you receive=20
more than one copy of this:

I'm proud to announce the release of the latest CD on my label:

Axel D=C3=B6rner/Kevin Drumm (Erstwhile 015)

Axel D=C3=B6rner and Kevin Drumm are two of the most exciting improvisers in=
 the=20
world. D=C3=B6rner is at the forefront of a handful of young trumpeters who=20=
are=20
reexamining the instrument, approaching it from entirely different=20
perspectives, while Drumm's chameleon-like presence has been documented on a=
=20
handful of projects, each revealing new facets of his wide-ranging and uniqu=
e=20
talents on both guitar and electronics.=20

D=C3=B6rner hails from Cologne, and has been living in Berlin since 1994. He=
 is=20
one of the busiest musicians in the European improv scene, working in=20
projects ranging from free improv ensembles like the Territory Band=20
(Okkadisk) and Hidros One (Caprice) to more abstract work with Annette Krebs=
,=20
G=C3=BCnter M=C3=BCller and Andrea Neumann. He has a solo CD out soon on A B=
ruit=20
Secret, as well as a trio disc with Xavier Charles and John Butcher  on=20
Potlatch. Drumm lives in Chicago, and has quickly risen to prominence since=20
the release of his debut self-titled record (Perdition Plastics) in 1997.=20
He's released superb duo records with Taku Sugimoto (Sonoris) and Martin=20
T=C3=A9treault (Erstwhile), as well as an upcoming one with Ralf Wehowsky=20
(Selektion).=20

D=C3=B6rner and Drumm have performed together many times over the last few y=
ears,=20
both as a duo and as a trio with drummer Paul Lovens. This untitled CD was=20
compiled from two different studio sessions, one in Chicago in February 2000=
,=20
and the second in Vienna in October 2000, and reflects some of the wide rang=
e=20
of the approaches which this duo utilize. D=C3=B6rner and Drumm seamlessly m=
eld=20
the worlds of acoustic and electronic, occasionally teetering on the edge of=
=20
silence, yet always remaining impeccably musical.=20

The arresting cover photos were shot by illustrious Chicago critic and=20
musician John Corbett.=20

"Ever since I first heard about Axel D=C3=B6rner (courtesy of Mats Gustafsso=
n -=20
=E2=80=9CHe=E2=80=99s inhuman!=E2=80=9D), I=E2=80=99ve secretly been waiting=
 for this recording. D=C3=B6rner=E2=80=99s=20
=E2=80=9Cinhuman=E2=80=9D
ability to paradoxically master his instrument=E2=80=99s most unstable areas=
 finds an=20
ideal partner in Drumm=E2=80=99s own sonic destabilizations. Together they c=
reate a=20
complex, mottled web of sound-in-flux. Taut, electric, and thoroughly=20
engaging!"-Greg Kelley

personnel:

Axel D=C3=B6rner-trumpet
Kevin Drumm-guitar, electronics

more info available at the following web sites, or contact Erstwhile Records=
=20
at [e-mail]:

http://www.erstwhilerecords.com
http://www.shef.ac.uk/misc/rec/ps/efi/musician/mdorner.html
http://www.dronedisco.net/drummdisco.html

all Erstwhile CDs can be purchased from numerous worldwide distributors, all=
=20
of which are listed on my web site. also, all Erstwhile releases can be=20
purchased via direct mail order, details of which are also on my web site.=20

- -------------------------------------------------

future releases from Erstwhile will include:

017: Cor Fuhler/Gert-Jan Prins-The Flirts
018: Keith Rowe/Toshimaru Nakamura
019: Greg Kelley/Jason Lescalleet
021: MIMEO/John Tilbury
022: poire_z +
023: Polwechsel/Fennesz

- -

------------------------------

Date: Wed, 30 May 2001 11:18:48 EDT
From: [e-mail]
Subject: PROMO: Stilluppsteypa/TV Pow-We Are Everyone In The Room

sorry for the promotional intrusion, and further apologies if you receive=20
more than one copy of this:

I'm proud to announce the release of the latest CD on my label:

Stilluppsteypa/TV Pow-We Are Everyone In The Room (Erstwhile 016)

Stilluppsteypa and TV Pow are two of the most prominent laptop trios in the=20
world of experimental music. Originally hailing from Iceland, Stilluppsteypa=
=20
was formed in 1992, and the current lineup of Heimir Bj=F6rg=FAlfsson, Sigtr=
yggur=20
Berg Sigmarsson, and Helgi Thorsson has been together since 1995. They've=20
released work on such prestigious labels as Ritornell, meme, and their own=20
FIRE.inc. imprint, but We Are Everyone In The Room is their first improv=20
record. Based in Chicago, TV Pow (Todd Carter, Brent Gutzeit and Michael=20
Hartman) was founded in 1995, and has performed with such prominent musician=
s=20
as Otomo Yoshihide, Erik M, Taku Sugimoto and John Butcher. Gutzeit and=20
Hartman also run the influential labels BoxMedia and Gentle Giant,=20
respectively, where most previous TV Pow material has appeared.=20

In late October 2000, Stilluppsteypa and TV Pow embarked on a week-long tour=
=20
of the US. The two groups, while familiar with each other's output, had neve=
r=20
worked together before, but did so for part or all of each of these=20
performances. We Are Everyone In The Room was compiled from these shows,=20
including their first collaboration ever at Tonic in NYC. Stilluppsteypa and=
=20
TV Pow combine a thorough knowledge and wide range of microscopic sounds wit=
h=20
an uncanny feel for their deployment within an improv context.=20

The captivating cover art was created by Leif Elggren, a Swedish conceptual=20
artist and co-founder of the Kingdoms of Elgaland-Vargaland.

"The more established the contemporary genre of noise music becomes, the mor=
e=20
surprising it is to hear serious creative distinctions. TV Pow and=20
Stilluppsteypa, two long standing outfits in a field known for there-and-gon=
e=20
participation, have proven to be both dedicated and utterly engaging in thei=
r=20
furthering of this most modern of musics. Informed by all concepts of avant=20
garde art music, they successfully transcend any manner of description. In=20
other words this shit full on rocks."--Thurston Moore

personnel:

Stilluppsteypa (Heimir Bj=F6rg=FAlfsson, Sigtryggur Berg Sigmarsson, Helgi=20
Thorsson)- powerbooks and minidisc players
TV Pow (Todd A. Carter, Brent Gutzeit, Michael Hartman)-laptops, CDs, and=20
electronic instruments

more info available at the following web sites, or contact Erstwhile Records=
=20
at [e-mail]:

http://www.erstwhilerecords.com
http://www.fire-inc.demon.nl/stilluppsteypa.html
http://www.tvpow.net
http://www.boxmedia.com
http://www.gentlegiantrecords.com

all Erstwhile CDs can be purchased from numerous worldwide distributors, all=
=20
of which are listed on my web site. also, all Erstwhile releases can be=20
purchased via direct mail order, details of which are also on my web site.=20

- -------------------------------------------------

future releases from Erstwhile will include:

017: Cor Fuhler/Gert-Jan Prins-The Flirts
018: Keith Rowe/Toshimaru Nakamura
019: Greg Kelley/Jason Lescalleet
021: MIMEO/John Tilbury
022: poire_z +
023: Polwechsel/Fennesz

- -

------------------------------

Date: Wed, 30 May 2001 11:36:37 EDT
From: [e-mail]
Subject: Elvis Costello/Jazz Crusaders (Jazz Passengers?)

According to the Elvis Costello online list:

June 23 and 24 2001 the Jazz Crusaders, Roy Nathanson featuring Elvis
Costello will headline the WORLD PORT JAZZFESTIVAL in Rotterdam,
Netherlands. Fire At The Keaton's Bar And Grill will be performed.

______________________________________________________________________
Phil Spector: "I've been listening to a lot of Andrew Lloyd Webber lately,
and enjoying it. Someday I hope to set his stuff to music."

- -

------------------------------

Date: Wed, 30 May 2001 10:38:34 -0700
From: Rimas Avizienis <[e-mail]>
Subject: TEMPO: Berkeley Festival of Contemporary Performance, June 1-9

hope to see some of you all there! and please forward this to anyone who=20
may be interested..

- -rimas


>TEMPO: The Berkeley Festival of Contemporary Performance starts this=20
>Friday, June 1 at 8:00 PM in Hertz Hall on the UC Berkeley campus and runs=
=20
>through June 9. Tickets will be available at the door ($15) for all shows=
=20
>-- the box office opens at 7:00 PM and the doors open at 7:30. Advance=20
>tickets can be purchased from TicketWeb at 1-800-965-4827. For more=20
>information, visit http://www.tempofestival.org
>
>Featured artists include:
>Friday, June 1  Steve Coleman and Five Elements
>Saturday, June 2 -- Roscoe Mitchell with George Lewis, David Wessel,=20
>George Marsh and Thomas Buckner
>Tuesday, June 5 -- Music of Edmund Campion, with Lauren Carley, David=20
>Milnes, Karen Rosenak, William Winant, Vincent David and special guest=20
>choreographer Carol Murotta and dancers
>Wednesday, June 6 -- Shafqat Ali Khan, Pakistani Khyal vocals, with David=
=20
>Wessel, Matthew Wright, and Ali Momeni, live electronics
>Friday, June 8 -- Berkeley Contemporary Chamber Players, David Milnes,=20
>Music Director.  A concert of West Coast and US premieres by Cindy Cox=20
>(US), Atli Ing=F3lfssohn (Iceland), Michael Jarrell (Switzerland), Philippe=
=20
>Leroux (France), Jorge Liderman (Argentina/US), Yan Maresz=20
>(Monaco/Italy),  Martin Matalon (Argentina/France)
>Saturday, June 9 -- John Schott (guitar and live electronics). Also, John=
=20
>Abercrombie, George Marsh, Rich Fudoli, and Mel Graves
>
>
>TEMPO FESTIVAL CONCERTS
>The TEMPO Festival opens Friday, June 1 with The Steve Coleman and Five=20
>Elements. Coleman is a noted composer/saxophonist whose work encompasses a=
=20
>wide cultural and spiritual range, including influences from the music of=
=20
>Ghana, Cuba, Java and the Karnatic tradition of India. He is a leading=20
>figure in jazz and the incorporation of computer technologies in=20
>improvised music -- his work in this area led to a major commission from=20
>IRCAM in Paris, France which resulted in the critically acclaimed=20
>composition Rameses.  Coleman will be presenting the US premiere of=20
>Rameses at the TEMPO festival. He has made over 19 recordings as a leader=
=20
>and has recorded with many of today's leading artists including Cassandra=
=20
>Wilson, Dave Holland, Marvin "Smitty" Smith, Branford Marsalis, Geri Allen=
=20
>and Doug Hammond.
>
>On Saturday, June 2, Roscoe Mitchell, George Lewis, David Wessel, George=20
>Marsh, and Thomas Buckner perform in various combinations. Legendary=20
>multi-instrumentalist and ECM recording artist Roscoe Mitchell, a founding=
=20
>member of the Art Ensemble of Chicago and the AACM (Association for the=20
>Advancement of Creative Musicians) has performed and recorded widely with=
=20
>George Lewis (improviser-trombonist, composer and computer/installation=20
>artist). The concert will feature noted new music baritone Thomas Buckner=
=20
>who is also an important producer/promoter of contemporary music, and will=
=20
>include new interactive works for computer-driven electronics by George=20
>Lewis and David Wessel.
>
>On Tuesday, June 5, TEMPO presents a concert featuring the music of=20
>internationally recognized composer Edmund Campion, whose energetic and=20
>eclectic work employs computer technology in a variety of groundbreaking=20
>ways. The evening will feature five west coast premieres, including the=20
>TEMPO-commissioned work Sons et Lumi=E8res for video projection, player=20
>piano and eight channel tape. The progam also includes the world premiere=
=20
>of Corail (Coral) for roaming saxophone and live electronics performed by=
=20
>the preeminent French saxophonist Vincent David, along with Domus Aurea=20
>for vibraphone and piano, and Natural Selection V for midi-piano and=20
>reactive electronics. The evening concludes with the American premiere of=
=20
>l'Autre for mezzo-soprano, two percussionists, horn, harp, multi-channel=20
>tape and live electronics. L'Autre was commissioned and premiered by Radio=
=20
>France in 1999 and has since been broadcast in over 15 countries=20
>world-wide. Choreographer Carol Murota and her dancers will intervene with=
=20
>a special event during the evening.
>
>On Wednesday, June 6, the extraordinary Pakistani singer Shafqat Ali Khan,=
=20
>an 11th generation classical Khyal vocalist, is joined by David Wessel and=
=20
>Matthew Wright in a concert featuring live interactive electronics. This=20
>trio began collaborating in 1997 and their performances have been=20
>mesmerizing audiences ever since.
>
>The Berkeley Contemporary Chamber Players (BCCP) under conductor David=20
>Milnes continue the festival on Friday, June 8, with a concert of new=20
>works featuring technology and virtuosity. The works represent an=20
>international array of some of today's most prominent young composers=20
>including Cindy Cox (USA) (world premiere, featuring trombonist Abbie=20
>Conant), Atli Ing=F3lfssohn (Iceland), Michael Jarrell (Switzerland),=20
>Philippe Leroux (France), Jorge Liderman (Argentina/US), Yan Maresz=20
>(Monaco/Italy), and Martin Matalon (Argentina/France).
>
>The TEMPO Festival concludes Saturday, June 9, with a two-part concert=20
>featuring innovative guitar technologies developed at CNMAT. John Schott,=
=20
>performing solo guitar and electronics, is well-known as a guitarist and=20
>composer working in the boundaries between jazz and new music.  His 14 CDs=
=20
>include Shuffle Play (New World), In These Great Times (Tzadik), and, with=
=20
>TJ Kirk, If Four Was One, which was nominated for a Grammy Award in 1996.=
=20
>The second half of this concert brings together renowned guitarist and ECM=
=20
>recording artist John Abercrombie, George Marsh on drums, Rich Fudoli on=20
>saxophone and Mel Graves on bass.
>
>All concerts are in Hertz Hall on the UC Berkeley campus and begin at 8=
 p.m.
>
>The Center for New Music and Audio Technologies (CNMAT), founded in 1989,=
=20
>is a multi-disciplinary research center within the Department of Music at=
=20
>UC Berkeley. CNMAT's mission is to explore the creative interaction=20
>between music and technology. The Center's goal is to provide a common=20
>ground where music, cognitive science, computer science, electrical and=20
>mechanical engineering, psychology, statistics and other disciplines meet=
=20
>to investigate, invent and implement creative tools for music making.=20
>CNMAT's programs in education, research, and composition are guided by a=20
>commitment to innovation in live music performance, human/computer=20
>interaction, and improvisational expression. For more information, visit=20
>http://www.cnmat.berkeley.edu.
>
>TEMPO is made possible thanks to the support of The National Endowment for=
=20
>the Arts, Mutable Music, the UC Berkeley Consortium for the Arts and=20
>Department of Music, the Cultural Service of the Consulat G=E9n=E9ral de=20
>France in San Francisco, Gibson Guitar Corp., Apple Computer, Yamaha,=20
>Cycling74, Sherman Clay & Co., and Meyer Sound Labs.
>
>For more information, visit http://www.tempofestival.org.


- -

------------------------------

End of Zorn List Digest V3 #451
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