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v02.n003
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1996-07-09
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From: zorn-list-owner@xmission.com
To: zorn-list-digest@xmission.com
Subject: zorn-list Digest V2 #3
Reply-To: zorn-list@xmission.com
Errors-To: zorn-list-owner@xmission.com
Precedence:
zorn-list Digest Wednesday, 10 July 1996 Volume 02 : Number 003
In this issue:
READ ME: acting list owner
"Live In China 100 CD set"
BaronDown
Re: "Live In China 100 CD set"
RE: "Live In China 100 CD set"
Frisell acoustic group
Masada in Central Park
Filmworks 2
Re: BaronDown
Re: Masada in Central Park
Re: Masada in Central Park
live in china
Mike Patton and such
Re: live in china
Null and Tzadik
Filmworks/Trespass
Fred Frith
Re: Filmworks/Trespass
Eyvind Kang
Re: Null and Tzadik
Re: Fred Frith
Re: Fred Frith
See the end of the digest for information on subscribing to the zorn-list
or zorn-list-digest mailing lists and on how to retrieve back issues.
----------------------------------------------------------------------
From: rizzi@netcom.com (m. rizzi)
Date: Thu, 4 Jul 1996 14:54:14 -0700 (PDT)
Subject: READ ME: acting list owner
Hello Zorn List
I'm hitting the road for the summer and will be leaving
the zorn-list in the capable hands of Sean Naes. He will
be running the list while I am gone.
If there are any problems with the list (or you are
having a hard time unsubscribing) drop him a note
at
owner-zorn-list@xmission.com
Any messsages sent to me directly at rizzi@netcom.com
will sit in my message queue gathering digital dust.
So make sure you use the above address.
Have a good summer talking zorn.
mike rizzi
------------------------------
From: Knutboy@aol.com
Date: Sat, 6 Jul 1996 13:53:06 -0400
Subject: "Live In China 100 CD set"
This just in from the 7/96 issue of the Wire. Page 63, 1/4 page ad:
John Zorn + Yamantaka Eye "Live in China" 100 CDs set"
The most ambitious and profound project recorded live during their 95
Chinatour: personally arranged & edited by Zorn, to be released as 100 CDs
sets in an limited edition of 1000 with different length of music on each CD.
Available on 5th September 96 from Sound Factory Records, 3/F, Seaview
Centre, 139-141 Hoi Bun Road, Kwun Tong, Kowloon, Hong Kong. Tel (852) 2345
8678 Fax (852) 2763 5755 e-mail: sfactory@speednet.net. pre-release mail
order: US $250 (inc. P&P registered) after release mail order: US $350 (inc.
P&P registered).
1000 box sets of 100 cds is a lot. Good luck Sound Factory. Perhaps a "best
of" will be released on Tzadik or Avant in 2000. In any case Zorn heads, save
those pennies! See ya'll in Central Park!
------------------------------
From: Tom Benton <rancor@ccwf.cc.utexas.edu>
Date: Sun, 7 Jul 1996 23:15:13 -0500 (CDT)
Subject: BaronDown
I just wanted to see if perhaps anyone out there in the rest of the world
happenned to have taped Barondown at the What Is Jazz fest last Sunday.
I've heard glorious things about this show and just thought I would ask.
If that's the case then drop me a line, I'll send over a list..
- -T
------------------------------
From: Barry Gilbert <barry.gilbert@internetmci.com>
Date: Mon, 08 Jul 1996 07:12:20 -0500
Subject: Re: "Live In China 100 CD set"
- -- [ From: Barry Gilbert * EMC.Ver #2.3 ] --
I just received back an e-mail from Sound Factory. They said that the set
will be delayed until at least next spring. Oh well. It gives me more
time to "save those pennies"!
- -------- REPLY, Original message follows --------
Date: Saturday, 06-Jul-96 01:53 PM
From: Knutboy@aol.com \ America On-Line: (Knutboy)
To: Zorn List \ Internet: (zorn-list@xmission.com)
Subject: "Live In China 100 CD set"
This just in from the 7/96 issue of the Wire. Page 63, 1/4 page ad:
John Zorn + Yamantaka Eye "Live in China" 100 CDs set" The most ambitious
and profound project recorded live during their 95 Chinatour: personally
arranged & edited by Zorn, to be released as 100 CDs sets in an limited
edition of 1000 with different length of music on each CD. Available on 5th
September 96 from Sound Factory Records, 3/F, Seaview Centre, 139-141 Hoi
Bun Road, Kwun Tong, Kowloon, Hong Kong. Tel (852) 2345 8678 Fax (852) 2763
5755 e-mail: sfactory@speednet.net. pre-release mail order: US $250 (inc.
P&P registered) after release mail order: US $350 (inc. P&P registered).
1000 box sets of 100 cds is a lot. Good luck Sound Factory. Perhaps a "best
of" will be released on Tzadik or Avant in 2000. In any case Zorn heads,
save those pennies! See ya'll in Central Park!
- -------- REPLY, End of original message --------
------------------------------
From: simon <simon@isys.king.ac.uk>
Date: 8 Jul 1996 16:14:50 +0100
Subject: RE: "Live In China 100 CD set"
I understand that this 100 CD set comes on a stick, threaded through the =
cd's. I also understand that 'various lengths' means that some CD's may =
be only 5 seconds long! I want one.
simon
------------------------------
From: Torsten Nielsen <zoopsi@inet.uni-c.dk>
Date: Mon, 8 Jul 1996 17:20:24 +0200 (METDST)
Subject: Frisell acoustic group
What's the lineup for the Bill Frisell Acoustic Group?
------------------------------
From: RichardLadew <ladew29@idt.mainstream.net>
Date: Mon, 8 Jul 1996 13:04:07 -0400
Subject: Masada in Central Park
How 'bout a report from those of you who saw Masada in Central Park?
due to extremely bad planning and poor timing, I missed Masada's opening
set, arriving in time to see Douglas and Zorn play one brief tune with Cibo
Matto. I am deathly curious about what they played, said etc... Could
anyone help me out?
------------------------------
From: RichardLadew <ladew29@idt.mainstream.net>
Date: Mon, 8 Jul 1996 13:15:20 -0400
Subject: Filmworks 2
Just picked up the John Zorn Filmworks 2: music for an untitled film by
Walter Hill cd on Tzadik. So, what do you other Zorniacs think? Has anyone
seen this film? Aside from interesting instrumentation (didjeridu, banjo,
harps, turntables, the great
variations of musical styles (somber to dance mixes), and musicians we all
love including David Shea, Marc Ribot, Anthony Coleman, and others, I was
REALLY impressed with
the packaging and the artwork. Like Filmworks 1 (not suprisingly) and Naked
City's ABSINTHE, the paper had that rough-grained texture to it. Ikue Mori
is credited with the cover design, but who did all of the different
paintings. I have always been impressed with the artwork/layout of AVANT,
TZADIK, and DIW releases, but this is one of the best I have seen in awhile:
Cross-sections of heads showing intrinsic nose bones, parts of the brain
(you can see grey matter and white matter, the corpus calossum, etc) and
many other details remind me of all the very well drawn medical and
anatomical diagrams and pictures I have studied at college.
Anyway, just wanted to get other people's opinions on this one. Also:
what do people think of some of the other new, recent, and older tzadik
releases (no one seems to be discussing Mike Patton Evyand (sp?) Kang,
Tatsyua Yoshida, the Zorn archival releases (First recordings, Red Bird
etc...), Ground Zero (Otomo Yoshidie is amazing), Ikue Mori, David Shea,
etc.. So lets talk about more recordings!
Much respect,
Rich
P.s. Have any of you gotten to listen to the New Melt Banana cd on
Skin>graft? Albini recorded, KK Null of Zeni Geva and Jim O'Rourke are guests,
and the songs are all-out assaults on your senses that, pardon the
expression, fucking rock!
------------------------------
From: scott mclemore <sam@frontier.wilpaterson.edu>
Date: Mon, 8 Jul 1996 13:51:10 -0400 (EDT)
Subject: Re: BaronDown
Good luck finding a tape, Tom. I guess for me the memory of that
night will do. I was very impressed with the What is Jazz? that I saw.
But to be honest, Ray Anderson doesn't really do it for me in that group.
He seemed to get in the way at times. Ellery is such an incredible
player, but I definately dug him more with Steve Swell next to him. I
heard that they did a tour with Josh Roseman, which would've been cool to
hear.
Biblio's, the bookstore down the street, was housing Human Feel
that night. I was very glad to hear those guys again. Their music makes
me feel good. It's so textural.
That's all.
- ------------------------------------------------------------------------------
Scott McLemore - Drummer/Composer
------------------------------
From: scott mclemore <sam@frontier.wilpaterson.edu>
Date: Mon, 8 Jul 1996 13:59:28 -0400 (EDT)
Subject: Re: Masada in Central Park
Well, it was like this, "SquuuuuaaaaaaaaaaaKYYYYYYYYY!" Just kidding.
I don't know the names of the tunes they played. But, it was a wonderful
set. Unfortunately, I was having a migrane headache and had to split
halfway through Cibbo Matto. Joey wasn't playing, which at first made me
frown, but later didn't matter, becuase Micheal Sarin is a good drummer.
The last thing they played rocked the house. It was seemingly completely
free, and very intense. They sounded like a great band that has fun
playing music.
- ------------------------------------------------------------------------------
Scott McLemore - Drummer/Composer
On Mon, 8 Jul 1996, RichardLadew wrote:
>
> How 'bout a report from those of you who saw Masada in Central Park?
> due to extremely bad planning and poor timing, I missed Masada's opening
> set, arriving in time to see Douglas and Zorn play one brief tune with Cibo
> Matto. I am deathly curious about what they played, said etc... Could
> anyone help me out?
>
>
------------------------------
From: Knutboy@aol.com
Date: Mon, 8 Jul 1996 19:12:13 -0400
Subject: Re: Masada in Central Park
Being a snob that hates outdoor concerts (it was hot as hell Saturday) I was
pleasantly surprised. Masada were very good ( although not as good as sitting
inside the Knitting Factory 2 feet from the musicians), their set was pretty
straight ahead (don't ask me about titles), and recognizable from their
recorded repotoire. Much to Mr. Zorn's displeasure, Summerstage concerts are
videotaped. He spent part of the first song flipping them off and finally,
kicking them off the stage. Wow, what integrity! Actually it was very funny.
Dave Douglas is/was amazing, Joey wasn't there. Gregg Cohen rocked. 60
minutes of free bliss. Dave & John were guests of Cibo Matto for one song.
Cibo Matto are cute and good for a few songs but overall very tedious. Yoko
Ono was a little disapointing. I saw her at the Knit a few months ago and it
was one of my favorite shows ever. This one was less intense with Sean
playing more keyboards and less guitar. I left early because of the heat but
as I was leaving John and Dave joined Yoko and IMA for "Rise" which sounded
beautiful ringing through Central Park. Next Saturday is the Mr. Bill show.
Bill Laswell with a cast of many, all for free in Central Park 3PM. I can't
go and I am pissed!!!!
------------------------------
From: mattg@mail.io.org (matt galloway)
Date: Mon, 8 Jul 1996 19:32:07 -0400
Subject: live in china
this "special limited offer" was the source of unlimited hilarity here over
the weekend. 100 CDs of various lengths... for $350!!! i'm dying. please
stop.
mg
------------------------------
From: lamerikx@win.tue.nl (Frankco Lamerikx)
Date: Tue, 9 Jul 1996 10:13:39 +0200 (MET DST)
Subject: Mike Patton and such
I want to kick in on the suggestion that more Tzadik records should be
discussed on this list.
Although I only have a couple, I feel free to comment on the following:
The Mike Patton album is a product of sheer brilliance. All those who still
thought Mike was a popstar prankster pulling the avant-garde joke sometimes
are set straight by this record. 34 themes of unrivalled ingenuity. Although
the liner notes say it was recorded with the aid of voice and microphone only,
I suspect there is a stack of sound effects involved as well. The most amazing
thing is the way the titles reflect the feel of each theme. Thus, "Inconsolable
Widows in Search of Distraction" actually sounds like a bunch of widows hunting
down a bachelor, and "Porno Holocaust" sounds just like, well, you get the
picture. The concepts of voice and language taken to an extreme.
Although I read in a review that Phil Minton has done this before and better,
I think the album is a classic in its own right. It is by no means easy
listening, but to me it is thoroughly enjoyable.
John Zorn's Redbird - I probably find this the best Zorn solo record I own.
(with solo I mean solo composition, as opposed to a band setting such as Naked
City). Although the two compositions on it can only be fully appreciated if
you own high-end audio equipment, it guarantees moments of beauty on any set.
The first track is an 8:52 piece for 4 bass drums, very, very low, pulsating.
This acts as a natural entry phase for the 41:01 second track, a minimal
composition for traditional instruments. Very relaxing, and not a second too
long in my opinion. It has some kind of Feldman-like feel to it. Redbird is
quite the opposite of Naked City, so people who are into that should listen to
it first before buying.
If you like Redbird, you'll most surely enjoy Jim O'Rourke's "Terminal Pharmacy"
as well. Electro-acoustic music of stunning quality. Especially the first
track, Cede, a 41:30 voyage through realms of beautifully crafted sounds.
The music constantly fades in and out, much like Mr. Bungle's "The Bends".
While most of the sounds make you wonder where O'Rourke got them from, there's
snippets of guitar and intercepted telephone conversations (a concept Scanner
has taken to the extreme) flying around. I only got this record, with its
references to minimal music and musique concrete, recently, and it has
quickly turned into one of my favorites of the past year.
Mystic Fugu Orchestra - Zohar. Nice listening if you wade through the crackle of
the 78 rpm records that dominates this mini album. I wouldn't care for a full
length album of such material, but since this only lasts 23:40 I find it quite
enjoyable to put on every once in a while. In a way, it is a very relaxing
album. The only instruments used are a harmonium, played by Zorn, and Yamatsuka
Eye's voice, who for once does not scream. Enjoyable, but not essential.
Does anyone have anything to say about the Eyvind Kang album?
Frankco.
------------------------------
From: temptation <tkorpipa@siba.fi>
Date: Tue, 9 Jul 1996 12:50:40 +0200 (GMT+0200)
Subject: Re: live in china
On Mon, 8 Jul 1996, matt galloway wrote:
> this "special limited offer" was the source of unlimited hilarity here over
> the weekend. 100 CDs of various lengths... for $350!!! i'm dying. please
> stop.
>
> mg
Well, I saw an advert for the set at the latest edition of Wire, so
somebody sure is taking the set seriously :) :) :)
teemu
from: Teemu ---> tkorpipa@siba.fi
- ---------------------------------------------------------------------------
'I can't forget...
but I don't remember what'
-Leonard Cohen-
------------------------------
From: Torsten Nielsen <zoopsi@inet.uni-c.dk>
Date: Tue, 9 Jul 1996 16:18:55 +0200 (METDST)
Subject: Null and Tzadik
> While most of the sounds make you wonder where O'Rourke got them from,
> there's snippets of guitar and intercepted telephone conversations flying
> around.
He thanks "everyone with a cellular phone at harlem and laurence"
I haven't heard the new Melt-Banana record, did KK Null also produce that one?
I was a bit disappointed by "Nai-Ha" by Zeni Geva. I heard Null was a "extreme
guitar noise terror god" (or something like that), but "Nai-Ha" sounds like
a not-to-special metal album to me (a pretty good one, though...). Is his
"Guitar Organism" album better? He plays with Jim O'Rourke, Fred Frith and the
guy from Melt-Banana on it. Is it improvised?
To bad that none of Nulls concerts with Zorn were recorded.
I heard that Melt-Banana were going to work with Elliot Sharp, annybody know
about that? A Zorn/Melt-Banana collarboration would be nice...
Who is Jon and Yuka Honda? I saw that they have upcomming cds on Tzadik.
> Mystic Fugu Orchestra: Zohar
I like "Zohar". Only problem is that the record noise stops between the songs.
I think the concept would have worked better, if there had been record noise,
all the way trough it.
> Ground Zero: Null and Void
"Null and Void" is also great. It has a lot of different music, from quiet
backwards piano, to noise.
On a few of the songs, it seems like Otomo is stretching his ideas a bit to
much. They would have been better if they were a few minutes shorter...
Jonas
BTW Zorn and David Shea wrote the music for a film called "Pleasure For The
One", is that the one also know as "The Elegant Spanking" or are they two
different films?
------------------------------
From: RichardLadew <ladew29@idt.mainstream.net>
Date: Tue, 9 Jul 1996 10:52:37 -0400
Subject: Filmworks/Trespass
Does anyone know more about this film "Trespass?" It isn't that movie with
Ice-T and Ice Cube is it? I guess that would be a sort of interesting bit
of trivia.
------------------------------
From: Torsten Nielsen <zoopsi@inet.uni-c.dk>
Date: Tue, 9 Jul 1996 17:03:52 +0200 (METDST)
Subject: Fred Frith
Can anybody recommend me some of Fred Friths records (other than Naked
City) ?
Jonas
------------------------------
From: Torsten Nielsen <zoopsi@inet.uni-c.dk>
Date: Tue, 9 Jul 1996 17:49:41 +0200 (METDST)
Subject: Re: Filmworks/Trespass
On Tue, 9 Jul 1996, RichardLadew wrote:
> Does anyone know more about this film "Trespass?" It isn't that movie with
> Ice-T and Ice Cube is it? I guess that would be a sort of interesting bit
> of trivia.
Trespass (1992)
USA 1992 Color
* * * * *
Sound Mix: Dolby SR
Genre(s)/keyword(s): Thriller / Action / ghetto
Language(s): English
Certification: USA:R
Also Known As:
Looters (1992)
_________________________________________________________________
Directed by
Walter Hill
Cast (in credits order) probably complete
Bill Paxton .... Vince
Ice-T .... King James
William Sadler .... Don
Ice Cube .... Savon
Art Evans .... Bradlee
De'voreaux White .... Lucky
Bruce A. Young .... Raymond
Glenn Plummer .... Luther
Stoney Jackson .... Wickey
T.E. Russell .... Video
John Toles-Bey .... Goose
Byron Minns .... Moon
Tico Wells .... Davis
Hal Landon Jr. .... Eugene DeLong
James Pickens Jr. .... Police Officer Reese
L. Warren Young .... Police Officer Foley
rest of cast listed alphabetically
Tom 'Tiny' Lister Jr.
Written by
Bob Gale
Robert Zemeckis
Production Design by
Jon Hutman
Produced by
Bob Gale (executive)
Copyright 1990-1996 The Internet Movie Database Ltd
------------------------------
From: steven <bindeman@erols.com>
Date: Tue, 9 Jul 1996 12:20:27 -0400 (EDT)
Subject: Eyvind Kang
Hey,
Eyving Kang's "7 NADEs" is amazing!!! Especially "Angel With Wings torn
off." For those of you who like Eyvind Kang, he plays violin on a 35 minute
song on the Sun City Girls 2CD 330,003 Crossdresser From Beyond The Rig
Veda, which is also great, just thought I'd point that out. I listened to
the new Melt Banana and did'nt think much of it. I kept hearing so many
great things about it and was very dissapointed. WheneverI go to a tape
trading place on the Net that has Zorn tapes and videos they never will
trade for what I have, that's because I don't have anything, will anyone do
a 2 for 1 or work out some sort of deal with me, all I've got two KF shows,
Saal Felden Festival and a show in Germany.
Thanks
Jed
bindeman@pop.erols.com
------------------------------
From: scott mclemore <sam@frontier.wilpaterson.edu>
Date: Tue, 9 Jul 1996 12:51:55 -0400 (EDT)
Subject: Re: Null and Tzadik
I think Yuka Honda is one of the girls from Cibbo Matto...but I could
always be wrong.
- ------------------------------------------------------------------------------
Scott McLemore - Drummer/Composer
------------------------------
From: Christopher Hamilton <chhst9+@pitt.edu>
Date: Tue, 9 Jul 1996 19:33:01 -0400 (EDT)
Subject: Re: Fred Frith
On Tue, 9 Jul 1996, Torsten Nielsen wrote:
> Can anybody recommend me some of Fred Friths records (other than Naked
> City) ?
>
> Jonas
Well, I imagine that there are more knowledgable Frith fans on this list
than me, but I'll give it a shot:
Henry Cow's _Unrest_ is the finest improv-rock record I've ever heard.
It's currently available on East Side Digital, along with Cow's other
studio records. All of these are worth buying, with the exception of _In
Praise of Learning_, which comes off way too mannered for my taste.
The Art Bears' _Winter Songs_ is much more song-oriented and is very much
a studio construct. Great songs, though, and the music is powerfully
disturbing. I'm not sure if this is in print.
Skeleton Crew's _The Country of Blinds_ is a nice song-oriented trio
record with Tom Cora and Zeena Parkins. Not as powerful a piece of work
as either of the above but still very, very well done. Again, I'm not
sure if this one's in print.
Finally, Zorn/Frith's _The Art of Memory_ on Incus is, in my opinion, an
excellent duo free improv record in the vein of early Derek Bailey/Evan
Parker collaborations.
Happy hunting!
Chris Hamilton
Christopher J. Hamilton
Dept. of Philosophy
University of Pittsburgh
USA
------------------------------
From: Stephane Vuilleumier <svuilleu@micro.biol.ethz.ch>
Date: Wed, 10 Jul 1996 08:33:31 +0200
Subject: Re: Fred Frith
>
>On Tue, 9 Jul 1996, Torsten Nielsen wrote:
>
>> Can anybody recommend me some of Fred Friths records (other than Naked
>> City) ?
>>
>> Jonas
>
At 19,33 9.07.96 -0400, Chris Hamilton wrote:
>Well, I imagine that there are more knowledgable Frith fans on this list
>than me, but I'll give it a shot:
>
I agree with what Chris Hamilton said! A few additions:
>Henry Cow's _Unrest_ is the finest improv-rock record I've ever heard.
>It's currently available on East Side Digital, along with Cow's other
>studio records. All of these are worth buying, with the exception of _In
>Praise of Learning_, which comes off way too mannered for my taste.
>
>The Art Bears' _Winter Songs_ is much more song-oriented and is very much
>a studio construct. Great songs, though, and the music is powerfully
>disturbing. I'm not sure if this is in print.
this should still be available as a ReR CD reissue:
103 - WINTER SONGS/THE WORLD AS IT IS TODAY: Art Bears
1988 - ReR Megacorp (UK), ReR abCD (CD)
>Skeleton Crew's _The Country of Blinds_ is a nice song-oriented trio
>record with Tom Cora and Zeena Parkins. Not as powerful a piece of work
>as either of the above but still very, very well done. Again, I'm not
>sure if this one's in print.
This is available as a CD reissue from RecRec together with the other
Skeleton Crew album:
128 - LEARN TO TALK/COUNTRY OF BLINDS: Skeleton Crew
1990 - RecRec Music (Switzerland), ReCDec 5-12 (CD)
Note: compilation re-issue CD minus 1 song from each LP
>Finally, Zorn/Frith's _The Art of Memory_ on Incus is, in my opinion, an
>excellent duo free improv record in the vein of early Derek Bailey/Evan
>Parker collaborations.
>
>Happy hunting!
>
>Chris Hamilton
>
Old favourites of mine:
Massacre "Killing Time" as a CD reissue on RecRec (with extra tracks)
045 - KILLING TIME: Massacre
1993 - RecRec Music (Switzerland), ReCDec 906 (CD)
Akqsak Maboul / un peu de l'ame des bandits, just reissued
(1996) on Crammed records (Belgium)
with one bonus track from les tueurs de la lune de miel:
026 - UN PEU DE L'AME DES BANDITS: Aqsak Maboul
1979 - Kamikaze (Belgium), private pressing (LP)
1979 - Crammed Discs (Belgium), Atem/Crammed 002 (LP)
XXX - cram 002 (CD)
Frith played with so many people - Patrice told me recently
the number of records he plays on now reaches 200!..
The soundtrack to the great documentary film on Frith
"Step Across The Border" has him featured with many different people:
129 - STEP ACROSS THE BORDER: Fred Frith
1990 - RecRec Music (Switzerland), reCDec 30 (CD)
1991 - East Side Digital (USA), EAS80462 (CD)
Recent very good stuff:
Especially "Death Ambient" with Ikue Mori on Tzadik,
XXX - DEATH AMBIENT: Kato Hideki, Ikue Mori, Fred Frith.
1995 - Tzadik (USA) TZ7207 (CD)
and also "Nil" with Kowald/Niggli/many others on Unit Records (Switzerland):
XXX - NIL: Scholl/Erismann/Niggli & Frith/Koch/Kowald
1995 - UNIT RECORDS (Switzerland) UTR 4083 CD
His latest:
- ----------------------------------------------------------------
XXX - ALLIES: Fred Frith
1/ Rifka 9:36
2/ Small Mercy I 4:25
3/ Nenad 7:52
4/ A rock and a hard place 6:17
5/ Davor and Dzeneta 6:24
6/ Small Mercy II 6:02
Joey Baron: drums; George Cartwright: alto sax; Tom Cora:
cello; Fred Frith: other instruments and drum programmes.
Commissioned by Bebe Miller and Dancers, composed and recorded
at
BC Studios in the summer of 1989, premiered at the Brooklyn
Academy of Music's "Next Wave" series in november 1989.
Revised
and remixed at the Fabrik, Munich, in August, 1995.
Note: dedicated to Daniel Waldner, "For Daniel, with love and
gratitude".
Note: subtitled "Music for Dance, Vol. 2". No idea what Vol. 1
was...
1996 - RecRec Music (Switzerland) RecDec 70 (CD)
- ------------------------------------------------------------------
Happy listening,
Stephane
- -----------------------------------------------------------------
Stephane Vuilleumier
Mikrobiologisches Institut
ETH-Zurich Tel: (+41) 1 632 33 57
ETH-Zentrum/LFV Fax: (+41) 1 632 11 48
8092 Zurich email: svuilleu@micro.biol.ethz.ch
Switzerland http://www.micro.biol.ethz.ch/sv1.htm
- -----------------------------------------------------------------
------------------------------
End of zorn-list Digest V2 #3
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