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fractint-digest       Thursday, October 7 1999       Volume 01 : Number 417




----------------------------------------------------------------------

Date: Mon, 27 Sep 1999 18:50:39 -0600
From: Phil McRevis <[e-mail]>
Subject: Re: (fractint) PARS: inside=fmod

In article <001301bf0948$7e07d100$3a85f6c8@winnetou>,
    "Fernando Henrique Bresslau" <[e-mail]>  writes:

> They didn't work in Ultrafractal, though. Does anybody know why?

Cool!  That feature I put in to break ultrafractal worked!* ;-)

They probably didn't work because ultrafractal isn't compatible with
fractint 20.0, its only compatible with some previous version.

* -- of course, I'm kidding.
- --
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    ``Ain't it funny that they all fire the pistol,
      at the wrong end of the race?''--PDBT
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------------------------------

Date: Mon, 27 Sep 1999 22:51:09 -0400
From: Lee Skinner <[e-mail]>
Subject: (fractint) PARS: inside=

Hello Iain,

>> It has taken me nearly 5 hours to produce EACH of the 9 images in this=

collection! I'm sure that is awfully long <<

>> iains01              {; (C) Iain G. Stirling t=3D6:39.64
                      ; P133 1024 x 768 <<

The longest running one took only 6 + 2/3 minutes on your system accordin=
g
to the above calculation time.  I generated all 9 in far less than a
half-hour. Were you perhaps running under Win95 with the Always Suspend
property checked on this task while running other applications?

By the way, periodicity=3D-256 makes no sense.  (Read your Fractint.doc f=
ile
about how to use periodicity.)

Lee

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Date: Tue, 28 Sep 1999 17:50:13 +1200
From: "Morgan L. Owens" <[e-mail]>
Subject: Re: (fractint) PARS: inside=fmod

At 18:48 27/09/1999 -0600, Phil McRevis wrote:
>
>
>--- Use solid guessing or tesseral rendering styles from the 'x' menu
>even when you know that its inaccurate for the specific fractal type.
>You'll pick up the lost detail upon final rendering.
>
>--- When solid guessing or tesseral rendering is too egregiously
>erroneous for one's sensibilities, use passes=3.  Passes=3 does all
>the same things passes=1 does, but it gives you three progressively
>refined scans instead of one fully-defined scan.
>

And of course now there's passes=d which is as accurate as passes=1 but
gives you a decent preview much faster than any other pass method.

Morgan
"Done. No! 50%?"



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------------------------------

Date: Tue, 28 Sep 1999 10:05:43 -0600
From: Phil McRevis <[e-mail]>
Subject: Re: (fractint) PARS: inside=fmod

In article <[e-mail]>,
    "Morgan L. Owens" <[e-mail]>  writes:

> And of course now there's passes=d which is as accurate as passes=1 but
> gives you a decent preview much faster than any other pass method.

Yep, I noticed this as new with fractint 20 so it slipped my mind when
I wrote that message ;-).
- --
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    ``Ain't it funny that they all fire the pistol,
      at the wrong end of the race?''--PDBT
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------------------------------

Date: Tue, 28 Sep 1999 18:12:11 -0400
From: davides <[e-mail]>
Subject: Re: (fractint) Parameter Explorer question

> Say I have generated a screenful of image windows, and there are two or
three that I desperately wish to
> see and/or save. As far as I can tell, I only have the option of looking
> at and saving one small window, and the others are gone for all time. Is
> there a way to investigate more than one window per screen?
>
>Good news (and bad news)...
>
>Just save the Evolver screen as you would a normal image. When you restore
the
>image you can carry on and explore any of the cells you wish.
>
>The bad news, however, is that sometimes (in my experience) the restored
screen
>starts mutating all over again and there is no chance of getting back any
of the
>images! This happens to about one in four of the evolver screens that I
save. I
>should report this as a bug (Robin are you reading??).
>
>cheers, Les

FWIW, there are a couple of work arounds to the above mentioned bug - in
case anyone else has not yet figured it out.

1. When opening the restored screen, have a finger hovering over the zoom
box (page up) key. As soon as the image is on screen, hit the zoom box,
that will freeze the evolver program, so to speak, and the zoom box may
then be moved to where ever you want to go as normal.

2. I do not think the image is completely lost even if evolver is allowed
to run "losing" the info which was there. Exiting Fractint, then looking at
the saved .gif files shows the image is still there as originally placed,
and the original reappears on starting over. If you want the image which
evolver wants to replace, go back to option one and practice your fast draw.

3. You can also note the saved image thumbnail screen, exit Fractint, copy
the image to another folder, and if you do lose the image for whatever
reason, it can be recopied back into Fractint and run as normal. But again,
you finger might have to hit the zoom box fast.

I have done all three, including completely deleting the evolver thumbnail
image from Fractint, exiting, restarting Fractint, pasting the image back
in, and it works fine.

Again, the above FWIW and until the bug is fixed.




















[e-mail]
[e-mail]
Back up my hard drive?
How do I put it in reverse?

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------------------------------

Date: Tue, 28 Sep 1999 22:04:50 -0700
From: "Angela Wilczynski" <[e-mail]>
Subject: Re: (fractint) PARS: inside=fmod

Phil McRevis wrote:
>
> In article <[e-mail]>,
>     "Iain G. Stirling" <[e-mail]>  writes:
>
> > This is my first attempt at the art side of fractals (I usually stick to the
> > mathematics). It has taken me nearly 5 hours to produce EACH of the 9
> > images in this collection! I'm sure that is awfully long - could any of the
> > regular PAR contributers give me an idea of their average image creation
> > time?
>

Phil...

I'm an art type...so I'll take a stab at answering.  A fractal I REALLY like usually
takes me anywhere from 1-3 hours.  The shorter time reflects starting with an
existing image...and the latter, starting from a formula and puttering.

My collection of Fractint stuff is at

http://wizzle.simplenet.com/fractals/fractalintro.htm

One of the real keys to Fractint for me is a good color map, and I have some hints at
my site in that area that may be of help.

Angela aka wizzle

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------------------------------

Date: Wed, 29 Sep 1999 14:59:44 -0300
From: "Fliguer, Miguel" <[e-mail]>
Subject: (fractint) First music PARs

A couple of music PARs for v20 (my first attempt).

peart01 is a drum solo ;-), Sounds like Neil Peart of Rush.
td01 reminds me of some Tangerine Dream compositions.

Let me know if you like it.
Miguel Fliguer
Buenos Aires, Argentina
- ----

peart01            { ; Drum solo, Neil Peart's style
                     ; by Miguel Fliguer 1999
                     ; [e-mail]
  reset=2000 type=popcornjul function=sin/tan/sin/tan passes=1
  corners=-3/3/-2.25/2.25 params=1/2/3/2 float=y maxiter=20 bailout=64
  inside=3 viewwindows=4.2/0.75/yes/0/0 hertz=100 sound=y/fm/quant
  polyphony=3 attack=1 decay=6 sustain=7 srelease=14
  scalemap=1/2/1/3/1/4/1/5/1/6/1/7 orbitdelay=1100 showorbit=yes
  colors=00000e0e00eee00e0eeL0eeeLLLLLzLzLLzzzLLzLzzzLzzz000555<3>HHHKKKOO\
  O<3>ccchhhmmmssszzz00z<3>z0z<3>z00<3>zz0<3>0z0<3>0zz<2>0GzVVz<3>zVz<3>zV\
  V<3>zzV<3>VzV<3>Vzz<2>Vbzhhz<3>zhz<3>zhh<3>zzh<3>hzh<3>hzz<2>hlz00S<3>S0\
  S<3>S00<3>SS0<3>0S0<3>0SS<2>07SEES<3>SES<3>SEE<3>SSE<3>ESE<3>ESS<2>EHSKK\
  S<2>QKSSKSSKQSKOSKMSKK<2>SQKSSKQSKOSKMSKKSK<2>KSQKSSKQSKOSKMS00G<3>G0G<3\
  >G00<3>GG0<3>0G0<3>0GG<2>04G88G<2>E8GG8GG8EG8CG8AG88<2>GE8GG8EG8CG8AG88G\
  8<2>8GE8GG8EG8CG8AGBBG<2>FBGGBGGBFGBDGBCGBB<2>GFBGGBFGBDGBCGBBGB<2>BGFBG\
  GBFGBDGBCG000<6>000
  }

td01               { ; Tangerine Dream, circa 1976
                     ; by Miguel Fliguer 1999
                     ; [e-mail]
  reset=2000 type=kamtorus3d passes=1
  corners=-5.28169/5.28169/-2.113922/5.808613 params=3/0.5/2/64
  float=y maxiter=20 bailout=64 inside=3 rotation=60/30/0
  perspective=0 xyshift=0/0 viewwindows=4.2/0.75/yes/0/0 hertz=330
  sound=z/fm/quant polyphony=8 wavetype=2 attack=9 decay=9 sustain=11
  srelease=11 scalemap=1/2/1/3/1/4/1/5/1/6/1/7 orbitdelay=1200
  showorbit=yes
  colors=00000e0e00eee00e0eeL0eeeLLLLLzLzLLzzzLLzLzzzLzzz000555<3>HHHKKKOO\
  O<3>ccchhhmmmssszzz00z<3>z0z<3>z00<3>zz0<3>0z0<3>0zz<2>0GzVVz<3>zVz<3>zV\
  V<3>zzV<3>VzV<3>Vzz<2>Vbzhhz<3>zhz<3>zhh<3>zzh<3>hzh<3>hzz<2>hlz00S<3>S0\
  S<3>S00<3>SS0<3>0S0<3>0SS<2>07SEES<3>SES<3>SEE<3>SSE<3>ESE<3>ESS<2>EHSKK\
  S<2>QKSSKSSKQSKOSKMSKK<2>SQKSSKQSKOSKMSKKSK<2>KSQKSSKQSKOSKMS00G<3>G0G<3\
  >G00<3>GG0<3>0G0<3>0GG<2>04G88G<2>E8GG8GG8EG8CG8AG88<2>GE8GG8EG8CG8AG88G\
  8<2>8GE8GG8EG8CG8AGBBG<2>FBGGBGGBFGBDGBCGBB<2>GFBGGBFGBDGBCGBBGB<2>BGFBG\
  GBFGBDGBCG000<6>000
  }


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------------------------------

Date: Wed, 29 Sep 1999 15:13:42 -0400
From: Sylvie Gallet <[e-mail]>
Subject: (fractint) First music PARs

Hi Miguel,

>> A couple of music PARs for v20 (my first attempt).

  Very nice, especially td01!

  Cheers,

        - Sylvie

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Date: Wed, 29 Sep 1999 21:35:42 PDT
From: "laszlo toth" <[e-mail]>
Subject: (fractint) Movie?

Hi everybody, hi fractal-fanatics!
Can anybody advise me a simple program with I can make a film to jump into
the deepest part of the Mandelbrot? I have fractfly, and anifra, but these
(my version) can't work with arbitrary prec. or with the 20.0 Fractint. Is
it possible to add a random number parameter to the lsystems witch make from
the Koch curve a "seacoast" like curve? Something like plasma but in 1 (and
a little) dimension. Thanks: Laszlo

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Date: Thu, 30 Sep 1999 13:42:52 +0200
From: Randall Britten <[e-mail]>
Subject: RE: (fractint) Movie?

Fractal filmer (written in Java) worked well for me to do just that, link on
the fractint pages.


> -----Original Message-----
> From: laszlo toth [mailto:[e-mail]]
> Sent: Thursday 30 September 1999 06:36
> To: [e-mail]
> Subject: (fractint) Movie?
>
>
> Hi everybody, hi fractal-fanatics!
> Can anybody advise me a simple program with I can make a film
> to jump into
> the deepest part of the Mandelbrot? I have fractfly, and
> anifra, but these
> (my version) can't work with arbitrary prec. or with the 20.0
> Fractint. Is
> it possible to add a random number parameter to the lsystems
> witch make from
> the Koch curve a "seacoast" like curve? Something like plasma
> but in 1 (and
> a little) dimension. Thanks: Laszlo
>
> ______________________________________________________
> Get Your Private, Free Email at http://www.hotmail.com
>
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>

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Date: Thu, 30 Sep 1999 17:53:41 +0200 (MET DST)
From: Lionel Poeffel <[e-mail]>
Subject: (fractint) Test, Test

Sorry, this is just a test,
because I have problems with my
account.

Don't be angry. thanks,

Lionel.

|
|
|    ___
|   |   \       "Talente finden Loesungen - Genies entdecken Probleme."
|   |    |      (Krailshaimer)
|___|___/
    |
    |           Mail me at [e-mail].
    |


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Date: Fri, 1 Oct 1999 12:22:00 +0200 (MET DST)
From: Lionel Poeffel <[e-mail]>
Subject: [none]

|
|
|    ___
|   |   \       "Talente finden Loesungen - Genies entdecken Probleme."
|   |    |      (Krailshaimer)
|___|___/
    |
    |           Mail me at [e-mail].
    |


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Date: Fri, 01 Oct 1999 22:19:56 PDT
From: "Eleanor Adika" <[e-mail]>
Subject: (fractint) newbaby

I am new to using fractint and am looking for very basic, easy to understand
1st steps to using the program?  Where is a good place to start.

Thanks
Eleanor

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Date: Fri, 01 Oct 1999 22:59:32 -0700
From: "Angela Wilczynski" <[e-mail]>
Subject: Re: (fractint) newbaby

Eleanor...

Try the tutorials at

http://wizzle.simplenet.com/linda/lindas_lessons.htm

Angela aka wizzle

Eleanor Adika wrote:
>
> I am new to using fractint and am looking for very basic, easy to understand
> 1st steps to using the program?  Where is a good place to start.
>
> Thanks
> Eleanor

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Date: Sat, 02 Oct 1999 07:39:12 -0400
From: davides <[e-mail]>
Subject: (fractint) Re: eCrazy_00 evolver pars

I finally took some time to look at Les StClair's eCrazy pars recently
posted. Taking the first one I zoomed into it a bit, did a color change,
then cycled a little for ds100. I then proceeded to crank up evolver and
the following (ds101 - 104) are examples. As I seem to be having some
trouble with my email client I hope this gets through ok.

============================================================================
===========


ds100              { ;  (c) David Shanholtzer Oct 02, 1999 t=  0:00:30.70
                     ;  P200 MMX 1024x768
                     ; Zoom into eCrazy_00 (c) Les StClair, 1999
                     ; Color map: dsblgld2, color cycled ds99
  reset=2000 type=formula formulafile=_g.frm formulaname=gallet-5-01
  passes=1 center-mag=-0.250244/0.43807/1.449275
  params=0.51/0/1.75/0.8/0.5/-0.6 float=y maxiter=255 inside=0
  decomp=256 periodicity=0 cyclerange=0/255
  colors=VOA<6>jbOldQofS<3>xn_<8>cXJaVH_TF<2>TN9RL7PJ7PK8<8>ddaefdgih<3>nr\
  u<9>JLMGHIDEF<3>000<27>8LZ9M`9Na9NbAOdAPeAQfBRh<22>28F27E26C15B14A138138\
  238339<3>113112000<22>00C00C00D<2>00E01F02H<5>05S06U07W<3>1Ab2Ad2Be<5>9H\
  nBIpCJqDKr<3>IOxKPzKPy<8>EGlEFjDEi<2>BBeAAcAA`<8>44F33D33A<3>000<5>LNOPQ\
  SSUWWX_Z`c<3>los<8>_XSYVPXTL<2>SNCQL9PK8QK6SM8
  }

ds101              { ;  (c) David Shanholtzer Oct 02, 1999 t=  0:00:33.07
                     ;  P200 MMX 1024x768
                     ; Zoom into eCrazy_00 (c) Les StClair, 1999
                     ; cycled via evolver
  reset=2000 type=formula formulafile=_g.frm formulaname=gallet-5-01
  passes=1 center-mag=-0.250244/0.43807/1.449275
  params=0.3607034516434217/0.4738914151432844/0.8891338847010711/0.985064\
  241462447/0.4821161534470657/-0.9945432905056917 float=y maxiter=255
  inside=0 decomp=256 periodicity=0 cyclerange=0/255
  colors=h`M<3>qhUtjWvlYxn_<8>cXJaVH_TF<2>TN9RL7PJ7PK8<8>ddaefdgih<3>nru<9\
  >JLMGHIDEF<3>000<27>8LZ9M`9Na9NbAOdAPeAQfBRh<22>28F27E26C15B14A138138238\
  339<3>113112000<22>00C00C00D<2>00E01F02H<5>05S06U07W<3>1Ab2Ad2Be<5>9HnBI\
  pCJqDKr<3>IOxKPzKPy<8>EGlEFjDEi<2>BBeAAcAA`<8>44F33D33A<3>000<5>LNOPQSSU\
  WWX_Z`c<3>los<8>_XSYVPXTL<2>SNCQL9PK8QK6<6>eZK
  }

ds102              { ;  (c) David Shanholtzer Oct 02, 1999 t=  0:00:33.94
                     ;  P200 MMX 1024x768
                     ; Zoom into eCrazy_00 (c) Les StClair, 1999
                     ; cycled via evolver
  reset=2000 type=formula formulafile=_g.frm formulaname=gallet-5-01
  passes=1 center-mag=-0.0847703/0.43807/1.449275
  params=0.3246610919522691/-0.0511185033722953/1.63753929258095/1.7960325\
  9376812/0.5526444288460951/-1.329117709891049 float=y maxiter=255
  inside=0 decomp=256 periodicity=0 cyclerange=0/255
  colors=VOA<6>jbOldQofS<3>xn_<8>cXJaVH_TF<2>TN9RL7PJ7PK8<8>ddaefdgih<3>nr\
  u<9>JLMGHIDEF<3>000<27>8LZ9M`9Na9NbAOdAPeAQfBRh<22>28F27E26C15B14A138138\
  238339<3>113112000<22>00C00C00D<2>00E01F02H<5>05S06U07W<3>1Ab2Ad2Be<5>9H\
  nBIpCJqDKr<3>IOxKPzKPy<8>EGlEFjDEi<2>BBeAAcAA`<8>44F33D33A<3>000<5>LNOPQ\
  SSUWWX_Z`c<3>los<8>_XSYVPXTL<2>SNCQL9PK8QK6SM8
  }

ds103              { ;  (c) David Shanholtzer Oct 02, 1999 t=  0:00:34.28
                     ;  P200 MMX 1024x768
                     ; Zoom into eCrazy_00 (c) Les StClair, 1999
                     ; cycled via evolver
  reset=2000 type=formula formulafile=_g.frm formulaname=gallet-5-01
  passes=1 center-mag=-0.154917/0.43807/1.449275
  params=0.3225247962889493/-0.005157628101443526/2.165387432477798/0.8628\
  376110110783/0.4591967528305917/-0.5424726096377452 float=y
  maxiter=255 inside=0 decomp=256 periodicity=0 cyclerange=0/255
  colors=VOA<6>jbOldQofS<3>xn_<8>cXJaVH_TF<2>TN9RL7PJ7PK8<8>ddaefdgih<3>nr\
  u<9>JLMGHIDEF<3>000<27>8LZ9M`9Na9NbAOdAPeAQfBRh<22>28F27E26C15B14A138138\
  238339<3>113112000<22>00C00C00D<2>00E01F02H<5>05S06U07W<3>1Ab2Ad2Be<5>9H\
  nBIpCJqDKr<3>IOxKPzKPy<8>EGlEFjDEi<2>BBeAAcAA`<8>44F33D33A<3>000<5>LNOPQ\
  SSUWWX_Z`c<3>los<8>_XSYVPXTL<2>SNCQL9PK8QK6SM8
  }

ds104              { ;  (c) David Shanholtzer Oct 02, 1999 t=  0:00:30.97
                     ;  P200 MMX 1024x768
                     ; Zoom into eCrazy_00 (c) Les StClair, 1999
                     ; cycled via evolver
  reset=2000 type=formula formulafile=_g.frm formulaname=gallet-5-01
  passes=1 center-mag=-0.185494/0.43807/1.449275
  params=0.2794631794183172/1.19479964598529/1.636349070711386/0.988421277\
  5048067/0.8137302774132511/-0.2428113650929288 float=y maxiter=255
  inside=0 decomp=256 periodicity=0 cyclerange=0/255
  colors=VOA<6>jbOldQofS<3>xn_<8>cXJaVH_TF<2>TN9RL7PJ7PK8<8>ddaefdgih<3>nr\
  u<9>JLMGHIDEF<3>000<27>8LZ9M`9Na9NbAOdAPeAQfBRh<22>28F27E26C15B14A138138\
  238339<3>113112000<22>00C00C00D<2>00E01F02H<5>05S06U07W<3>1Ab2Ad2Be<5>9H\
  nBIpCJqDKr<3>IOxKPzKPy<8>EGlEFjDEi<2>BBeAAcAA`<8>44F33D33A<3>000<5>LNOPQ\
  SSUWWX_Z`c<3>los<8>_XSYVPXTL<2>SNCQL9PK8QK6SM8
  }




[e-mail]
[e-mail]
Back up my hard drive?
How do I put it in reverse?

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Date: Sat, 02 Oct 1999 08:39:43 PDT
From: "Eleanor Adika" <[e-mail]>
Subject: Re: (fractint) newbaby

thanks for the tutorials you suggested.  I have my work cut out for me
Eleanor


>From: "Angela Wilczynski" <[e-mail]>
>Reply-To: [e-mail]
>To: [e-mail]
>Subject: Re: (fractint) newbaby
>Date: Fri, 01 Oct 1999 22:59:32 -0700
>
>Eleanor...
>
>Try the tutorials at
>
>http://wizzle.simplenet.com/linda/lindas_lessons.htm
>
>Angela aka wizzle
>
>Eleanor Adika wrote:
> >
> > I am new to using fractint and am looking for very basic, easy to
>understand
> > 1st steps to using the program?  Where is a good place to start.
> >
> > Thanks
> > Eleanor
>
>--------------------------------------------------------------
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>

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

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------------------------------

Date: Sun, 3 Oct 1999 13:04:11 -0400
From: Lee Skinner <[e-mail]>
Subject: (fractint) First music P

Hi Miguel,

I liked your 2 music pars.  In particular, I loved the TD01 (Tangerine
Dream) which is a great music par.   It has the quality of violins, and i=
s
quite different from other Fractint music pars that I've heard.

  Cheers,

Lee

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------------------------------

Date: Sun, 3 Oct 1999 08:59:33 -0300
From: "Alejandro Gustavo Kainer" <[e-mail]>
Subject: (fractint) First music PARs

This is a multi-part message in MIME format.

- ------=_NextPart_000_0182_01BF0D7D.9C5EE100
Content-Type: text/plain;
    charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

Hi, Miguel!

Nice music! First one really made me think of Peart, specially when =
playing Scars (from Presto) (I get this feeling...), or his last drum =
solo in Different Stages. I do love that drummer (to me, The Best). =
Second reminded me of TD, of course, but in a way merged with Fripp and =
his frippertronics as I saw him playing down here some time ago... Good =
job! Keep on playing!


@le

- ------=_NextPart_000_0182_01BF0D7D.9C5EE100
Content-Type: text/html;
    charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META content=3D'"MSHTML 4.72.3110.7"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#d8d0c8>
<DIV><FONT color=3D#000000 size=3D2>Hi, Miguel!</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT> </DIV>
<DIV><FONT color=3D#000000 size=3D2>Nice music! First one really made me =
think of=20
Peart, specially when playing Scars (from Presto) (<EM>I get this=20
feeling...</EM>), or his last drum solo in Different Stages. I do love =
that=20
drummer (to me, The Best). Second reminded me of TD, of course, but in a =
way=20
merged with Fripp and his frippertronics as I saw him playing down here =
some=20
time ago... Good job! Keep on playing!</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT> </DIV>
<DIV> </DIV>
<DIV><FONT size=3D2>@le</FONT></DIV></BODY></HTML>

- ------=_NextPart_000_0182_01BF0D7D.9C5EE100--


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------------------------------

Date: Wed, 6 Oct 1999 09:18:45 -0300
From: "Fliguer, Miguel" <[e-mail]>
Subject: (fractint) Five music PARs - Let's boogie !

First of all, thanks to Sylvie Gallet, Lee Skinner and Alejandro Kainer
for their encouraging comments on my first music PAR.

And now, let's boogie !! ;-)


TB01               { ; Turbulent Bells ;-)
                     ; by Miguel Fliguer 1999
                     ; [e-mail]
  reset=2000 type=kamtorus3d passes=1
  corners=0.57029239/-1.2430917/-0.77019032/3.2329819/-2.0040485/2.6622642
  params=3/0.5/2/128 float=y maxiter=20 bailout=64 inside=3
  rotation=60/30/0 perspective=0 xyshift=0/0
  viewwindows=4.2/0.75/yes/0/0 hertz=110 sound=x/fm/quant polyphony=2
  wavetype=1 attack=9 decay=9 sustain=11 srelease=11
  scalemap=1/3/5/6/8/10/12/10/8/6/5/3 orbitdelay=1200
  colors=00000c<35>004003002000000000<25>00d00f00h00i00k00m<26>0ew0fx0hx0i\
  y0ky0mz<25>nwzpwzrxz<3>zzz<42>7zz6zz4zz3zz2zz0zz<42>07z06z04z03z02z00z<2\
  1>00d
  }

meditation_1       {
                     ; by Miguel Fliguer 1999
                     ; [e-mail]
  reset=2000 type=kamtorus3d passes=1
  corners=-3.5777312/2.0447017/1.660808/4.207695/-2.7761615/0.5920479
  params=3/0.5/2/128 float=y maxiter=20 bailout=64 inside=3
  rotation=60/30/0 perspective=0 xyshift=0/0
  viewwindows=4.2/0.75/yes/0/0 hertz=165 sound=x/fm/quant polyphony=4
  attack=2 decay=4 sustain=11 srelease=11
  scalemap=1/3/5/6/8/10/12/10/8/6/5/3 orbitdelay=2000
  colors=00000e0e00eee00e0eeL0eeeLLLLLzLzLLzzzLLzLzzzLzzz000555<3>HHHKKKOO\
  O<3>ccchhhmmmssszzz00z<3>z0z<3>z00<3>zz0<3>0z0<3>0zz<2>0GzVVz<3>zVz<3>zV\
  V<3>zzV<3>VzV<3>Vzz<2>Vbzhhz<3>zhz<3>zhh<3>zzh<3>hzh<3>hzz<2>hlz00S<3>S0\
  S<3>S00<3>SS0<3>0S0<3>0SS<2>07SEES<3>SES<3>SEE<3>SSE<3>ESE<3>ESS<2>EHSKK\
  S<2>QKSSKSSKQSKOSKMSKK<2>SQKSSKQSKOSKMSKKSK<2>KSQKSSKQSKOSKMS00G<3>G0G<3\
  >G00<3>GG0<3>0G0<3>0GG<2>04G88G<2>E8GG8GG8EG8CG8AG88<2>GE8GG8EG8CG8AG88G\
  8<2>8GE8GG8EG8CG8AGBBG<2>FBGGBGGBFGBDGBCGBB<2>GFBGGBFGBDGBCGBBGB<2>BGFBG\
  GBFGBDGBCG000<6>000
  }

meditation_2       {
                     ; by Miguel Fliguer 1999
                     ; [e-mail]
  reset=2000 type=kamtorus3d passes=1
  corners=-5.541483/0.08661088/10.44699/-1.977424/2.448348/-0.2061209
  params=3/1/2/128 float=y maxiter=20 bailout=64 inside=3
  rotation=60/30/0 perspective=0 xyshift=0/0
  viewwindows=4.2/0.75/yes/0/0 hertz=220 sound=x/fm/quant polyphony=3
  attack=2 decay=4 sustain=11 srelease=11
  scalemap=2/4/7/9/11/9/7/4/2/4/7/9 orbitdelay=2200
  colors=00000e0e00eee00e0eeL0eeeLLLLLzLzLLzzzLLzLzzzLzzz000555<3>HHHKKKOO\
  O<3>ccchhhmmmssszzz00z<3>z0z<3>z00<3>zz0<3>0z0<3>0zz<2>0GzVVz<3>zVz<3>zV\
  V<3>zzV<3>VzV<3>Vzz<2>Vbzhhz<3>zhz<3>zhh<3>zzh<3>hzh<3>hzz<2>hlz00S<3>S0\
  S<3>S00<3>SS0<3>0S0<3>0SS<2>07SEES<3>SES<3>SEE<3>SSE<3>ESE<3>ESS<2>EHSKK\
  S<2>QKSSKSSKQSKOSKMSKK<2>SQKSSKQSKOSKMSKKSK<2>KSQKSSKQSKOSKMS00G<3>G0G<3\
  >G00<3>GG0<3>0G0<3>0GG<2>04G88G<2>E8GG8GG8EG8CG8AG88<2>GE8GG8EG8CG8AG88G\
  8<2>8GE8GG8EG8CG8AGBBG<2>FBGGBGGBFGBDGBCGBB<2>GFBGGBFGBDGBCGBBGB<2>BGFBG\
  GBFGBDGBCG000<6>000
  }

growth             { ; by Miguel Fliguer 1999
                     ; [e-mail]
  reset=2000 type=kamtorus passes=1
  corners=-0.4630166/0.4630166/-2.527888/2.527888/-3.480162/0.2331549
  params=1.3/0.1/128/16 float=y maxiter=20 bailout=64 inside=3
  viewwindows=4.2/0.75/yes/0/0 hertz=240 sound=x/fm/quant polyphony=2
  wavetype=1 attack=2 decay=12 sustain=11 srelease=11
  scalemap=11/2/9/4/7/2/11/9/7/2/11/4 orbitdelay=2200
  colors=00000e0e00eee00e0eeL0eeeLLLLLzLzLLzzzLLzLzzzLzzz000555<3>HHHKKKOO\
  O<3>ccchhhmmmssszzz00z<3>z0z<3>z00<3>zz0<3>0z0<3>0zz<2>0GzVVz<3>zVz<3>zV\
  V<3>zzV<3>VzV<3>Vzz<2>Vbzhhz<3>zhz<3>zhh<3>zzh<3>hzh<3>hzz<2>hlz00S<3>S0\
  S<3>S00<3>SS0<3>0S0<3>0SS<2>07SEES<3>SES<3>SEE<3>SSE<3>ESE<3>ESS<2>EHSKK\
  S<2>QKSSKSSKQSKOSKMSKK<2>SQKSSKQSKOSKMSKKSK<2>KSQKSSKQSKOSKMS00G<3>G0G<3\
  >G00<3>GG0<3>0G0<3>0GG<2>04G88G<2>E8GG8GG8EG8CG8AG88<2>GE8GG8EG8CG8AG88G\
  8<2>8GE8GG8EG8CG8AGBBG<2>FBGGBGGBFGBDGBCGBB<2>GFBGGBFGBDGBCGBBGB<2>BGFBG\
  GBFGBDGBCG000<6>000
  }

changes            { ; A change of mood
                     ; by Miguel Fliguer 1999
                     ; [e-mail]
  reset=2000 type=kamtorus3d passes=1
  corners=12.22269/-15.23608/6.452078/16.78962/-2.624487/26.24831
  params=-3/0.7/2/64 float=y maxiter=20 bailout=64 inside=3
  rotation=60/30/0 perspective=0 xyshift=0/0
  viewwindows=4.2/0.75/yes/0/0 hertz=110 sound=z/fm/quant polyphony=7
  wavetype=1 attack=9 decay=9 sustain=11 srelease=11
  scalemap=11/2/9/4/7/2/9/4/11/7/4/2 orbitdelay=1200
  colors=00000c<35>004003002000000000<22>00_00a00b<3>00i00k00m<25>0cw0ew0f\
  x<2>0ky0mz2mz<24>nwzpwzrxz<3>zzz<42>7zz6zz4zz3zz2zz0zz<42>07z06z04z03z02\
  z00z<21>00d
  }


I hope you like them. Let me know !

Regards,
Miguel Fliguer - Buenos Aires, Argentina
http://members.xoom.com/fliguer/franktal.html (I'll update soon, I
promise...)


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------------------------------

Date: Wed, 6 Oct 1999 17:00:54 -0400
From: Sylvie Gallet <[e-mail]>
Subject: (fractint) Five music PARs - Let's boogie !

Hi Miguel,

>> And now, let's boogie !! ;-)

  WOW!!!  I loved them all, but I particularly loved Changes and Growth.

  Cheers,

        - Sylvie

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Date: Wed, 06 Oct 1999 19:32:00 -0500
From: "Damien M. Jones" <[e-mail]>
Subject: (fractint) Fractal-Art '99 Contest Update

Greetings folks,

Votes are flowing in steadily, there are about seventy currently. However,
as has been observed, the voting deadline is coming up fast and most people
have not received their CDs yet, nor have downloadable files been made
available.

I can assure everyone that this has been for a variety of good reasons, but
the details would likely bore everyone here. CDs are being made and sent,
and I've posted downloadable versions of the contest site here:

    http://www.fractalus.com/contest99/download.htm

The site may be downloaded in a single 76M gulp, or as several smaller files.

Due to the delay in getting CDs and download packs out, I want to extend
voting one more week. I know people are anxious to see the results, but
this seems like the fairest thing to do for people who have waited for
their CD or downloadable site before trying to cast votes. It took me
several hours of looking through images to make my decisions, I don't
expect anyone to finish the job in one sitting (although if they do that's
great).

Damien M. Jones   \\
[e-mail]  \\  Fractalus Galleries & Info:
                    \\  http://www.fractalus.com/

Please do not post my e-mail address on a web site or
in a newsgroup.  Thank you.

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Date: Wed, 6 Oct 1999 20:42:20 -0400
From: Lee Skinner <[e-mail]>
Subject: (fractint) Five music PA

Miguel,

     Gwowth and Changes are both phenominal. They sound very much like
listening to a Windham Hill CD.

Lee

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Date: Tue, 5 Oct 1999 11:13:55 -0300
From: "Alejandro Gustavo Kainer" <[e-mail]>
Subject: RE: (fractint) Five music PARs - Let's boogie !

Miguel,

The more you listen to them the better they sound. I liked very much
meditation _1, it has a melody you can sing along. And I laughed at
Turbulent Bells... It really seems like Oldfield's leit motif... but drunk
;-)
And growth has a rhythm that accompanies the tidal waves that this fractal
generates. It's very nice :))
There will be a time when I can devote to fractals as much as you ALL do,
but today it seems a little difficult to me to make room for all... Instead
I enjoy YOURS, and I mean it :))

As "someone" said before: ... (clap! clap!) Good Show!
Keep on amazing us, and thank you!


@le


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Date: Thu, 7 Oct 1999 09:49:31 GMT
From: "Andrew Coppin" <[e-mail]>
Subject: (fractint) Source Code Enquiry

I have a copy of the FractInt (for DOS) v19.6 source code. I was
wondering if anyone can tell me where I can find:
  a) The Arbitary Math code
  b) The GIF load/save code
I've written this ray-tracer (inspired by POV-Ray) and I want to add
a GIF output option. Thanks.

P. S. I always seem to recieve mail from this list over night (except
the echos of my own mail, which arrive in a matter of 5 minuites). Is
everyone else in a different time zone to me or something? I'm over
here in Britan, currently im GMT. What's everyone else on?

- ---------------------------------
Nam et ipsa scientia potestus est!
(Sir Francis Bacon)
Andrew Orphi Coppin
DMU MK.

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Date: Thu, 7 Oct 1999 10:05:47 +0100
From: Bruce Haxton <[e-mail]>
Subject: (fractint) Illustrator

Hi,

I have a friend of mine who has just completed a BA (Hons) in illustration
and is looking for work. I wondered if any one on the list had any contacts
in the UK who may be able to help.

Thanks

Bruce Haxton

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Date: Thu, 7 Oct 1999 21:29:03 +1000
From: "succubus" <[e-mail]>
Subject: Re: (fractint) Fractal-Art '99 Contest Update

>Due to the delay in getting CDs and download packs out, I want to extend
>voting one more week. I know people are anxious to see the results, but
>this seems like the fairest thing to do for people who have waited for
>their CD or downloadable site before trying to cast votes. It took me
>several hours of looking through images to make my decisions, I don't
>expect anyone to finish the job in one sitting (although if they do that's
>great).
It is impossible to decide at one sitting, as you will realise the more you
look the more you see in each. And you may not realise it but after several
hours at the screen you see more than is there! I know that if I rush my
decision may be faulty.
Make that extra week so.
Regina


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End of fractint-digest V1 #417
******************************