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fractint-digest        Tuesday, August 11 1998        Volume 01 : Number 269




----------------------------------------------------------------------

Date: Tue, 11 Aug 1998 05:07:00 EDT
From: <[e-mail]>
Subject: (fractint) 1 par(Gallet-7-07)

Here's a lakeside view.......sort of!   Enjoy~

Jimbo

*********************************************************************

Lakeside           { ; 0:00:41.68 75mhz 800x600
                     ; 8/6/98 image(c) JamesWeaver
  reset=1960 type=formula formulafile=fractint.frm
  formulaname=Gallet-7-07 function=cotanh/cos passes=t
  center-mag=3.6276/0.731607/0.4241677 params=1/0/0.5/0 float=y
  maxiter=25 inside=bof60
  colors=000fff<10>000<12>TN0WO0YQ0`S0aU0<14>zz0<14>jB0i70f70<14>000<15>S5\
  N<15>zz0<14>ZZ8XX8VW8TU8RS8<2>LM6JK6HI6FG6DF5<2>795574354033077<10>3nn3r\
  r5nr7jr9frBbr<3>Qzb<9>zz0<6>z_S<5>zD4z90x87<3>m3bj1jf1f<10>000<15>0f0<15\
  >zz0<15>zzz<3>jjj
  }


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------------------------------

Date: Tue, 11 Aug 1998 09:42:24 -0400
From: Sylvie Gallet <[e-mail]>
Subject: Re: (fractint) Corrupt save / return to picture - display mode??

Regina, Paul, Christian et al,

  Vesa2cfg.exe is a small freeware that was distributed with the DOS imag=
e
viewer QPV386 and was designed to create the .cfg file for this program. =

This .cfg file is a text file that describes all the VESA modes available=

with the video card, the entries are not in the same format as in
fractint.cfg, but they are easy to use.

  I have uploaded vesa2cfg.zip to my web site, the URL is:

  <http://ourworld.compuserve.com/homepages/Sylvie_Gallet/vesa2cfg.zip>

  While I was at it, I've also updated my "Fractal of the Week":

  <http://ourworld.compuserve.com/homepages/Sylvie_Gallet/homepage.htm>

  Cheers,

        - Sylvie

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------------------------------

Date: Tue, 11 Aug 1998 10:58:15 -0400 (EDT)
From: [e-mail] (Michael Traynor)
Subject: Re: (fractint) plagiarism

Responding to Bud's response to Paul N. Lee:

It is interesting the extent to which commercial, quasi-commercial and
proprietary interests pre-dominate over an interest in seeing fractals
explored.  If a person is considered to be ripping-off another (Bud's
words) in coming up with an image the original artist never envisioned
(to avoid incremental type arguments, I am talking about something that
would make the original artist go "Wow! I had no idea that was there.") then
you rule out large areas for exploration on the basis that these things are
the quasi-property of someone else.  Will folk who want to assert some
sort of exclusionary zone (what property is really about - not a right to
something but a right to exclude others from it) around their images
accept the burden of exhaustive exploration of the area they fence off.
The alternative is that in the interests of I'm not sure what, chunks of
fractal space would be left barren.

Now, in all this, if I were to 'find' something startlingly different
with a couple of simple mods to someone else's image, I'd make sure to
acknowledge the origins of the work, and not claim that I was working from
a blank slate.  The question of acknowledgement is separate from that of
"ownership".  For instance, I do not feel that a person who develops a
neat formula 'owns' all the images that may result, but their contribution
of the formula should be acknowledged where possible.  Even if the results
of a couple of simple transformations would never have occurred to the
original artist, that artist deserves credit for the underlying image.

So, on exactly what basis would a properly acknowledged, truly new
(in the sense of presenting some aspect strikingly different from the
original) derived image be excluded from any contest?

>
>At 09:01 PM 8/10/98 -0500, Paul N. Lee wrote:
>>...
>>So I guess the Campbell's Soup Can artwork by Andy Warhol should really
>>have the credit given to the artist/s that did the original layout for
>>Campbell's??
>
>I would agree with that.  Besides, I think we all know
>Andy was a hack! (and a cult phenomenon peculiar to those
>free-thinking times)
>
>>What about the artist that takes someone else's photograph and
>>manipulates the colors or "posterizes" it with a graphic editor, who
>>gets the credit there??
>
>I think it would depend on the subject matter.  For example,
>a cropped and "posterized" photo of Yosemite, by Ansel Adams
>or anyone else, would be virtually indistinguishable from another
>taken at the same place in the same season and similarly
>processed.  As with fractals, one can claim that the art already
>existed in nature, and that we humans are merely interpreting it.
>
>On the other hand, each fractal space is multidimensional and
>infinite, and (with the possible exception of a lot of gravijul and
>gravijul variant images which produce satisfactory results with
>very obvious parameters) the odds of two people "stumbling"
>onto the exact same locale are slim indeed.  And, as
>Angela pointed out, no doubt the original artist will recognize
>his/her ripped off creation.  Besides, anyone who rips off
>someone else's work is really desperate to win and has little
>or no pride or artistic drive.  It's like stealing a term paper and
>changing a few words to make identification of the fraud more
>difficult, or copying the smart kid's quiz answers.  With all of the
>swollen egos (let's face it, we're *all* digital exhibitionists) and
>creative energy around here, I find it hard to fathom why anyone
>would *want* to feature another's work or take credit for same.
>Members of this list frequently reinterpret posted works and use
>palettes developed by others, but usually give proper credit.
>
>BTW, if this thread continues, couldn't we at least correct the
>spelling (rather than point out that the original was in error)?
>
>
>Bud
>
>
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>
>

- --
Mike Traynor

People who like this sort of thing will find this the sort of thing they like.
    Abraham Lincoln

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------------------------------

Date: Tue, 11 Aug 1998 11:14:45 -0400 (EDT)
From: [e-mail] (Kragen)
Subject: Re: (fractint) plagiarism

On Tue, 11 Aug 1998, Michael Traynor wrote:
> Now, in all this, if I were to 'find' something startlingly different
> with a couple of simple mods to someone else's image, I'd make sure to
> acknowledge the origins of the work, and not claim that I was working from
> a blank slate.  The question of acknowledgement is separate from that of
> "ownership".  For instance, I do not feel that a person who develops a
> neat formula 'owns' all the images that may result, but their contribution
> of the formula should be acknowledged where possible.

Yes, this is what I was trying to say in the first place.

Copyright is the right to copy something, which can be licenced to
others -- or not -- as the original holder sees fit, and can be sold.
It's a way of helping artists make money.  (It has been twisted into a
way for record company execs to make money, but that's another story.)

Moral rights are different, and I think they are what is at issue
here.  If you create an artistic work, you have the moral right to be
identified as its author wherever it ends up, and you have the moral
right to prevent it from being used in ways that are odious to you.
This right is inalienable -- you can't sell it or contract it away,
although you can neglect to exercise it if you want, and it can't be
inherited.

Moral rights are not recognized under US law, but they make more sense
in this context than copyright.

Kragen


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------------------------------

Date: Tue, 11 Aug 1998 09:57:00 -0700
From: "Angela Wilczynski" <[e-mail]>
Subject: Re: (fractint) plagiarism

I have to disagree that moral rights are at issue in the original
question which is
(my paraphrase)

Is color cycling and rotating a fractal image sufficient to transfer
"ownership" to the person who makes these minimal changes for purposes
of the contest?

My position is ........no.  As I stated, I can usually recognize color
maps (particularly my own) even when cycled and I think I'm astute
enough to see what a rotation may or may not accomplish.  Therefore, the
postulation that "the original artist says 'wow'" because he/she can't
recognize this stupendous "new" work, don't, I believe, apply.

Angela

Kragen wrote:
>
> On Tue, 11 Aug 1998, Michael Traynor wrote:
> > Now, in all this, if I were to 'find' something startlingly different
> > with a couple of simple mods to someone else's image, I'd make sure to
> > acknowledge the origins of the work, and not claim that I was working from
> > a blank slate.  The question of acknowledgement is separate from that of
> > "ownership".  For instance, I do not feel that a person who develops a
> > neat formula 'owns' all the images that may result, but their contribution
> > of the formula should be acknowledged where possible.
>
> Yes, this is what I was trying to say in the first place.
>
> Copyright is the right to copy something, which can be licenced to
> others -- or not -- as the original holder sees fit, and can be sold.
> It's a way of helping artists make money.  (It has been twisted into a
> way for record company execs to make money, but that's another story.)
>
> Moral rights are different, and I think they are what is at issue
> here.

<<snipped>>
> Kragen
>

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------------------------------

Date: Tue, 11 Aug 1998 09:54:00 -0700
From: "Mike and Linda Allison" <[e-mail]>
Subject: Re: (fractint) plagiarism

I agree with Angela.  And just to set the record straight, the code says
that copyright is still violated whether you charged money or not.  Only
damages are affected by that.  And section 106 of the Copyright Act
gives the owner of copyright the exclusive right to prepare and to
authorize others "to prepare derivative works  based upon the
copyrighted work."

What you are describing is a derivation based upon the copyrighted work.
That work would have to be unrecognizable as a derivative work in order
to be exempt.  Or, if the original author granted permission for the
derivation, there would be no problem.  (None of us know whether Warhol
had permission or not, but his work was created prior to March 1, 1989.
Prior to that time, the copyright laws were much more lenient, in which
case.)

Copyright has rights under the law.  Even "fair use" has some rights
under the law.

Linda



>Michael Traynor wrote:
>>
>> Angela writes:
>>
>> >Copyright questions aside, if someone merely color cycled (from a
map
>> >*-*I*-* developed) and rotated one of my fractals I would cry foul
and
>> >ask that the image be disqualifed from the contest and removed from
a
>> >web site if posted.
>> ...
>> >Elaina Tillinghast wrote:
>> >>
>> >> Ok I give. One of the neatest fractals I've had a hand in making
is just
>> >> a rotation and a color palette change from a fractint distribution
>> >> example in the par file. How many people will be screaming "off
with her
>> >> head" if I claim its "mine"? It was the first one I thought of
when I
>> >> started looking through my stuff for the contest. <sigh> My
impulse to
>> >> have people look at the 2 and tell me if they are different enough
to be
>> >> different would kill it for the contest. At the very least I have
other
>> >> stuff that is very mine.
>>
>> Angela,
>>
>> If on seeing the new image you felt that you had not seen the
potential
>> for that image in your original (i.e. except for use of the monkeys
typing
>> Hamlet route you'd not have found it), would you still cry foul?
>>
>> --
>> Mike Traynor
>
>
>Mike....
>
>Yes.......while someone may hang the Mona Lisa upside down and
>illuminate it with cyan lights......an unrealized "potential" .....it's
>still a work done by da Vinci and not by the person who hung it another
>way. Change the frame and it's also still the same work.
>
>Now.....if someone superimposes the Mona Lisa onto an image of the
earth
>and then combines it with some fractals, this to me is original and no
>longer a "da Vinci."  As I stated, it's a matter of degrees.
>
>Angela



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------------------------------

Date: Tue, 11 Aug 1998 13:30:44 EDT
From: <[e-mail]>
Subject: (fractint) plagiarism

Hi everyone,

I read over much of the previous posts that Linda has edited on copyright, and
a question has emerged I am hoping someone can answer for me.  In one of Tim's
early posts on the subject he explains it is possible to acsess the parameters
and extract any copyright information that may have been encoded into the par.
I can see obviously where this is when looking at a par itself, but if you
JUST have the Fractint produced image, what do you "press" to see the original
par that generated that image?

Thanks in adavance for your help.

Julian

~~~~~~~~~~~
Julian Adamaitis

Fractelligent Designs
visit "Julian's Fractal Page"
http://members.aol.com/julianpa
[e-mail]


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------------------------------

Date: Tue, 11 Aug 1998 13:38:46 -0400 (EDT)
From: [e-mail] (Michael Traynor)
Subject: Re: (fractint) plagiarism

Angela writes:
>
>I have to disagree that moral rights are at issue in the original
>question which is (my paraphrase)
>
>Is color cycling and rotating a fractal image sufficient to transfer
>"ownership" to the person who makes these minimal changes for purposes
>of the contest?
>
>My position is ........no.  As I stated, I can usually recognize color
>maps (particularly my own) even when cycled and I think I'm astute
>enough to see what a rotation may or may not accomplish.  Therefore, the
>postulation that "the original artist says 'wow'" because he/she can't
>recognize this stupendous "new" work, don't, I believe, apply.

Angela,

My whole point in putting the question as I did was that obvious
alterations that still retained the character of the original would
'obviously' not be enough for the modifier to claim any credit.  The idea
was specifically to test things in an abstract way.  It would be unlikely
that a simply derived image would be startlingly new looking, but what
would the case be if this unlikely event occurred?



- --
Mike Traynor

People who like this sort of thing will find this the sort of thing they like.
    Abraham Lincoln

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------------------------------

Date: Tue, 11 Aug 1998 15:06:43 -0400
From: "RJ Corradino" <[e-mail]>
Subject: RE: (fractint) plagiarism

Lord, I like the idea of having a contest, but aren't we getting a little
extreme?  In the few months I've been on the list, it's all been about
having fun.  We exchange pars just for the sake of showing them off to
friends.  We are generally happy when people find something cool in our
pars.  When we find something cool, we give credit where credit is due.

IMHO, the contest is here for the same reason: so we can have fun sharing
images.  It isn't that big a deal.  I don't see any reason for consulting
copyright law, or having a long discussion about how and why we should be
prosecuting each other!

I really don't see this as a copyright issue.  I think it's more of an
intelligence issue than anything else.  The question "Can I enter an image
that is only a rotation and color cycle away from some one else's?" has
already been asked and answered: "No, you can't."  We are all intelligent
people, and I doubt anyone would be dumb enough to disregard that 'no.'

If some one does, it isn't the end of the world.  If the author of the
original image speaks up, then I'm sure they're name will appear next to the
image when the time comes.

- -RJ

> -----Original Message-----
> From: [e-mail]
> [mailto:[e-mail]]On Behalf Of Mike and Linda
> Allison
> Sent: Tuesday, August 11, 1998 12:54 PM
> To: [e-mail]
> Subject: Re: (fractint) plagiarism
>
>
> I agree with Angela.  And just to set the record straight, the code says
> that copyright is still violated whether you charged money or not.  Only
> damages are affected by that.  And section 106 of the Copyright Act
> gives the owner of copyright the exclusive right to prepare and to
> authorize others "to prepare derivative works  based upon the
> copyrighted work."
>
> What you are describing is a derivation based upon the copyrighted work.
> That work would have to be unrecognizable as a derivative work in order
> to be exempt.  Or, if the original author granted permission for the
> derivation, there would be no problem.  (None of us know whether Warhol
> had permission or not, but his work was created prior to March 1, 1989.
> Prior to that time, the copyright laws were much more lenient, in which
> case.)
>
> Copyright has rights under the law.  Even "fair use" has some rights
> under the law.
>
> Linda


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------------------------------

Date: Tue, 11 Aug 1998 16:45:09 -0400 (EDT)
From: [e-mail] (Michael Traynor)
Subject: RE: (fractint) plagiarism

>I really don't see this as a copyright issue.  I think it's more of an
>intelligence issue than anything else.  The question "Can I enter an image
>that is only a rotation and color cycle away from some one else's?" has
>already been asked and answered: "No, you can't."  We are all intelligent
>people, and I doubt anyone would be dumb enough to disregard that 'no.'

The answer came, no doubt from God almighty?

As to the idea that intelligent persons cannot differ, implicit in the
last line, that is an essentially totalitarian notion.  In the incredibly
unlikely event that anyone used a par I posted here (quite some time ago)
and rotated and cycled it and produced something they wanted to enter, I'd
consider whether it was different enough to be theirs and not mine.  If we
differed, I'd be inclined to submit them for comment from the list.  I do
consider myself intelligent but am quite prepared for others to differ
without calling their intelligence into question (Wizzle for example in
this discussion - we seem to have a different take, but I do not for an
instant question her intelligence, and especially not her ability).


- --
Mike Traynor

People who like this sort of thing will find this the sort of thing they like.
    Abraham Lincoln

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------------------------------

Date: Tue, 11 Aug 1998 16:53:30 EDT
From: <[e-mail]>
Subject: (fractint) 35 pars(fn*z+z)kroth map

Here's a lot of similiar images, yet quite nice to look at and fast to draw. I
used a colormap from one of Kathy Roths pars that seemed to fit these images
perfectly.

Enjoy~

Jimbo

******************************************************************************
*****

nusnaps01          { ; 0:00:21.02 75mhz 800x600
                     ; 8/2/98 image(c) JamesWeaver
                     ; colormap from Kathy Roth
  reset=1960 type=fn*z+z function=cotanh passes=t
  center-mag=-4.26326e-014/3.01981e-014/0.04795151
  params=-0.95/0.775/0.875/0.6 float=y bailout=32 bailoutest=and
  potential=255/600/0 invert=1/1.1/0 symmetry=xyaxis
  colors=I8FkE7<2>c20<7>zaV<7>F00<7>sog<7>I8F<6>unr<7>8F8<7>lyl<7>05A<7>cr\
  u<7>444<7>mmz<7>I8F<7>zmm<7>A00<7>zzg<7>N13<7>z_K<7>g50<7>zvn<7>I8F<7>gh\
  l<7>08C<7>ata<7>A0A<7>Zrk<7>C40<7>zii<7>F00<7>zrc<7>N57<7>yZJ<3>nJA
  }

Zoom_of_nusnaps01  { ; 0:00:20.10 75mhz 800x600
                     ; 8/2/98 image(c) JamesWeaver
                     ; colormap from Kathy Roth
  reset=1960 type=fn*z+z function=cotanh passes=t
  center-mag=-6.03961e-014/4.26326e-014/0.1568702
  params=-0.95/0.775/0.875/0.6 float=y bailout=32 bailoutest=and
  potential=255/600/0 invert=1/1.1/0 symmetry=xyaxis
  colors=I8FkE7<2>c20<7>zaV<7>F00<7>sog<7>I8F<6>unr<7>8F8<7>lyl<7>05A<7>cr\
  u<7>444<7>mmz<7>I8F<7>zmm<7>A00<7>zzg<7>N13<7>z_K<7>g50<7>zvn<7>I8F<7>gh\
  l<7>08C<7>ata<7>A0A<7>Zrk<7>C40<7>zii<7>F00<7>zrc<7>N57<7>yZJ<3>nJA
  }

nusnaps03          { ; 0:00:15.82 75mhz 800x600
                     ; 8/2/98 image(c) JamesWeaver
                     ; colormap from Kathy Roth
  reset=1960 type=fn*z+z function=cotanh passes=t
  center-mag=-3.19744e-014/2.30926e-014/0.03712173
  params=-0.9/0.875/0.975/0.7 float=y bailout=32 bailoutest=and
  potential=255/600/0 invert=1/1.1/0 symmetry=xyaxis
  colors=I8F`PP<3>A00<7>zzg<7>N13<7>z_K<7>g50<7>zvn<7>I8F<7>ghl<7>08C<7>at\
  a<7>A0A<7>Zrk<7>C40<7>zii<7>F00<7>zrc<7>N57<7>yZJ<7>c20<7>zaV<7>F00<7>so\
  g<7>I8F<6>unr<7>8F8<7>lyl<7>05A<7>cru<7>444<7>mmz<7>I8F<7>zmm<2>fVV
  }

nusnaps04          { ; 0:00:15.21 75mhz 800x600
                     ; 8/2/98 image(c) JamesWeaver
                     ; colormap from Kathy Roth
  reset=1960 type=fn*z+z function=cotanh passes=t
  center-mag=-5.86198e-014/4.26326e-014/0.1000564
  params=-0.75/0.975/0.975/0.7 float=y bailout=32 bailoutest=and
  potential=255/600/0 invert=1/1.1/0 symmetry=xyaxis
  colors=I8FYV_<2>ghl<7>08C<7>ata<7>A0A<7>Zrk<7>C40<7>zii<7>F00<7>zrc<7>N5\
  7<7>yZJ<7>c20<7>zaV<7>F00<7>sog<7>I8F<6>unr<7>8F8<7>lyl<7>05A<7>cru<7>44\
  4<7>mmz<7>I8F<7>zmm<7>A00<7>zzg<7>N13<7>z_K<7>g50<7>zvn<7>I8F<3>VRW
  }

Zoom_of_nusnaps04  { ; 0:00:44.60 75mhz 800x600
                     ; 8/2/98 image(c) JamesWeaver
                     ; colormap from Kathy Roth
  reset=1960 type=fn*z+z function=cotanh passes=t
  center-mag=-7.17204e-014/1.54467/1.15203
  params=-0.75/0.975/0.975/0.7 float=y bailout=32 bailoutest=and
  potential=255/600/0 invert=1/1.1/0 symmetry=xyaxis
  colors=I8FoKG<3>zaV<7>F00<7>sog<7>I8F<6>unr<7>8F8<7>lyl<7>05A<7>cru<7>44\
  4<7>mmz<7>I8F<7>zmm<7>A00<7>zzg<7>N13<7>z_K<7>g50<7>zvn<7>I8F<7>ghl<7>08\
  C<7>ata<7>A0A<7>Zrk<7>C40<7>zii<7>F00<7>zrc<7>N57<7>yZJ<7>c20<2>lGC
  }

nusnaps06          { ; 0:00:27.68 75mhz 800x600
                     ; 8/2/98 image(c) JamesWeaver
                     ; colormap from Kathy Roth
  reset=1960 type=fn*z+z function=cotanh passes=t
  center-mag=-1.5099e-014/4.72521/0.2112557
  params=-0.75/0.825/0.975/0.66 float=y bailout=32 bailoutest=and
  potential=255/600/0 invert=1/1.1/0 symmetry=xyaxis
  colors=I8FNGB<5>zzg<7>N13<7>z_K<7>g50<7>zvn<7>I8F<7>ghl<7>08C<7>ata<7>A0\
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  }

nusnaps09          { ; 0:00:17.08 75mhz 800x600
                     ; 8/2/98 image(c) JamesWeaver
                     ; colormap from Kathy Roth
  reset=1960 type=fn*z+z function=cotanh passes=t
  center-mag=-2.4869e-014/1.77636e-014/0.06892377
  params=-0.75/0.825/0.475/0.66 float=y maxiter=25 bailout=4
  bailoutest=and inside=epsiloncross potential=255/1000/0
  invert=1/1.1/0 symmetry=xyaxis
  colors=I8Ff62c20<7>zaV<7>F00<7>sog<7>I8F<6>unr<7>8F8<7>lyl<7>05A<7>cru<7\
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  }

nusnaps14          { ; 0:00:15.60 75mhz 800x600
                     ; 8/2/98 image(c) JamesWeaver
                     ; colormap from Kathy Roth
  reset=1960 type=fn*z+z function=cotanh passes=t
  center-mag=-2.75335e-014/2.13163e-014/0.1128903
  params=-0.95/0.775/0.875/0.6 float=y bailout=32 bailoutest=and
  potential=255/600/0 invert=1/1.2/0 symmetry=xyaxis
  colors=I8FwYRzaV<7>F00<7>sog<7>I8F<6>unr<7>8F8<7>lyl<7>05A<7>cru<7>444<7\
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  }

nusnaps16          { ; 0:00:12.53 75mhz 800x600
                     ; 8/2/98 image(c) JamesWeaver
                     ; colormap from Kathy Roth
  reset=1960 type=fn*z+z function=cotanh passes=t
  center-mag=-1.84741e-013/9.9476e-014/0.01804013
  params=-0.9350000000000001/0.78/0.875/0.6 float=y bailout=32
  bailoutest=and potential=255/600/0 invert=1/1.2/0 symmetry=xyaxis
  colors=I8FtXR<6>F00<7>sog<7>I8F<6>unr<7>8F8<7>lyl<7>05A<7>cru<7>444<7>mm\
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  }

nusnaps17          { ; 0:00:39.11 75mhz 800x600
                     ; 8/2/98 image(c) JamesWeaver
                     ; colormap from Kathy Roth
  reset=1960 type=fn*z+z function=cotanh passes=t
  center-mag=-4.21885e-015/5.44881/2.360578
  params=-0.9350000000000001/0.78/0.875/0.6 float=y bailout=32
  bailoutest=and potential=255/600/0 invert=1/1.2/0 symmetry=xyaxis
  colors=I8FTe_<5>C40<7>zii<7>F00<7>zrc<7>N57<7>yZJ<7>c20<7>zaV<7>F00<7>so\
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  }

nusnaps18          { ; 0:00:13.73 75mhz 800x600
                     ; 8/2/98 image(c) JamesWeaver
                     ; colormap from Kathy Roth
  reset=1960 type=fn*z+z function=cotanh passes=t
  center-mag=-2.13163e-013/1.20792e-013/0.02986777
  params=-0.9350000000000001/0.78/0.875/0.6 float=y bailout=32
  bailoutest=and potential=255/600/0 invert=1/1.35/0 symmetry=xyaxis
  colors=000trhlqddm_XhVQbQ<2>2FC000CFC<5>l`hm`h<6>7C7000JBCRMGXWKbcOgjQjo\
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  }

nusnaps19          { ; 0:00:16.10 75mhz 800x600
                     ; 8/2/98 image(c) JamesWeaver
                     ; colormap from Kathy Roth
  reset=1960 type=fn*z+z function=cotanh passes=t
  center-mag=-2.84217e-014/1.42109e-014/0.01219512
  params=-0.9350000000000001/0.8120000000000001/-0.775/-0.2 float=y
  bailout=32 bailoutest=and potential=255/600/0 invert=1/1.35/0
  symmetry=xyaxis
  colors=I8FXDA<5>yZJ<7>c20<7>zaV<7>F00<7>sog<7>I8F<6>unr<7>8F8<7>lyl<7>05\
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  }

nusnaps20          { ; 0:00:16.42 75mhz 800x600
                     ; 8/2/98 image(c) JamesWeaver
                     ; colormap from Kathy Roth
  reset=1960 type=fn*z+z function=cotanh passes=t
  center-mag=-1.43885e-013/1.01252e-013/0.0883647
  params=-0.9350000000000001/0.88/-0.775/-0.2 float=y bailout=32
  bailoutest=and potential=255/600/0 invert=1/1.35/0 symmetry=xyaxis
  colors=I8Fsrbzzg<7>N13<7>z_K<7>g50<7>zvn<7>I8F<7>ghl<7>08C<7>ata<7>A0A<7\
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  }

nusnaps21          { ; 0:00:15.16 75mhz 800x600
                     ; 8/2/98 image(c) JamesWeaver
                     ; colormap from Kathy Roth
  reset=1960 type=fn*z+z function=cotanh passes=t
  center-mag=-2.04281e-013/1.47438e-013/0.08960892
  params=-0.9350000000000001/0.88/-0.7/-0.35 float=y bailoutest=and
  potential=255/600/0 invert=1/1.35/0 symmetry=xyaxis
  colors=I8Fsrbzzg<7>N13<7>z_K<7>g50<7>zvn<7>I8F<7>ghl<7>08C<7>ata<7>A0A<7\
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  }

nusnaps22          { ; 0:00:16.59 75mhz 800x600
                     ; 8/2/98 image(c) JamesWeaver
                     ; colormap from Kathy Roth
  reset=1960 type=fn*z+z function=cotanh passes=t
  center-mag=-2.2915e-013/1.72307e-013/0.114178
  params=-0.85/0.88/-0.7/-0.35 float=y bailoutest=and
  potential=255/600/0 invert=1/1.35/0 symmetry=xyaxis
  colors=I8Furb<6>N13<7>z_K<7>g50<7>zvn<7>I8F<7>ghl<7>08C<7>ata<7>A0A<7>Zr\
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  }

nusnaps23          { ; 0:00:18.18 75mhz 800x600
                     ; 8/2/98 image(c) JamesWeaver
                     ; colormap from Kathy Roth
  reset=1960 type=fn*z+z function=cotanh passes=t
  center-mag=-2.84217e-013/2.16716e-013/0.01760578
  params=-0.85/0.83/-0.7/-0.35 float=y bailoutest=and
  potential=255/600/0 invert=1/1.35/0 symmetry=xyaxis
  colors=I8FfKD<3>yZJ<7>c20<7>zaV<7>F00<7>sog<7>I8F<6>unr<7>8F8<7>lyl<7>05\
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  }

nusnaps24          { ; 0:00:16.15 75mhz 800x600
                     ; 8/2/98 image(c) JamesWeaver
                     ; colormap from Kathy Roth
  reset=1960 type=fn*z+z function=cotanh passes=t
  center-mag=-3.33955e-013/2.55795e-013/0.02358491
  params=-0.85/0.8100000000000001/-0.73/-0.29 float=y bailoutest=and
  potential=255/600/0 invert=1/1.35/0 symmetry=xyaxis
  colors=I8FfJC<3>z_K<7>g50<7>zvn<7>I8F<7>ghl<7>08C<7>ata<7>A0A<7>Zrk<7>C4\
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  }

nusnaps25          { ; 0:00:12.69 75mhz 800x600
                     ; 8/2/98 image(c) JamesWeaver
                     ; colormap from Kathy Roth
  reset=1960 type=fn*z+z function=cotanh passes=t
  center-mag=-2.84217e-014/2.30926e-014/0.03521127
  params=-0.85/0.7800000000000001/-0.74/-0.33 float=y bailoutest=and
  potential=255/600/0 invert=1/1.35/0 symmetry=xyaxis
  colors=I8FXDA<5>yZJ<7>c20<7>zaV<7>F00<7>sog<7>I8F<6>unr<7>8F8<7>lyl<7>05\
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  }

nusnaps26          { ; 0:00:14.83 75mhz 800x600
                     ; 8/2/98 image(c) JamesWeaver
                     ; colormap from Kathy Roth
  reset=1960 type=fn*z+z function=cotanh passes=t
  center-mag=-3.19744e-014/2.4869e-014/0.06016568
  params=-0.8100000000000001/0.8149999999999999/0.75/0.6400000000000001
  float=y bailout=32 bailoutest=and potential=255/600/0 invert=1/1.1/0
  symmetry=xyaxis
  colors=I8FN13<7>z_K<7>g50<7>zvn<7>I8F<7>ghl<7>08C<7>ata<7>A0A<7>Zrk<7>C4\
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  }

nusnaps27          { ; 0:00:12.68 75mhz 800x600
                     ; 8/2/98 image(c) JamesWeaver
                     ; colormap from Kathy Roth
  reset=1960 type=fn*z+z function=cotanh passes=t
  center-mag=-8.52651e-014/7.81597e-014/0.04064048
  params=-0.8100000000000001/0.8149999999999999/0.88/0.5100000000000001
  float=y bailout=32 bailoutest=and potential=255/600/0 invert=1/1.1/0
  symmetry=xyaxis
  colors=I8F`WM<3>zzg<7>N13<7>z_K<7>g50<7>zvn<7>I8F<7>ghl<7>08C<7>ata<7>A0\
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  }

nusnaps28          { ; 0:00:11.04 75mhz 800x600
                     ; 8/2/98 image(c) JamesWeaver
                     ; colormap from Kathy Roth
  reset=1960 type=fn*z+z function=cotanh passes=t
  center-mag=-7.4607e-014/6.39488e-014/0.06027547
  params=-0.8100000000000001/0.8879999999999999/0.88/0.5100000000000001
  float=y bailout=32 bailoutest=and potential=255/600/0 invert=1/1.1/0
  symmetry=xyaxis
  colors=I8FkE7<2>c20<7>zaV<7>F00<7>sog<7>I8F<6>unr<7>8F8<7>lyl<7>05A<7>cr\
  u<7>444<7>mmz<7>I8F<7>zmm<7>A00<7>zzg<7>N13<7>z_K<7>g50<7>zvn<7>I8F<7>gh\
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  }

nusnaps29          { ; 0:00:10.82 75mhz 800x600
                     ; 8/2/98 image(c) JamesWeaver
                     ; colormap from Kathy Roth
  reset=1960 type=fn*z+z function=cotanh passes=t
  center-mag=-8.52651e-014/7.10543e-014/0.02710624
  params=-0.8200000000000002/0.8279999999999998/0.97/0.5100000000000001
  float=y bailout=32 bailoutest=and potential=255/600/0 invert=1/1.1/0
  symmetry=xyaxis
  colors=I8FyZJ<7>c20<7>zaV<7>F00<7>sog<7>I8F<6>unr<7>8F8<7>lyl<7>05A<7>cr\
  u<7>444<7>mmz<7>I8F<7>zmm<7>A00<7>zzg<7>N13<7>z_K<7>g50<7>zvn<7>I8F<7>gh\
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  }

nusnaps30          { ; 0:00:17.36 75mhz 800x600
                     ; 8/2/98 image(c) JamesWeaver
                     ; colormap from Kathy Roth
  reset=1960 type=fn*z+z function=cotanh passes=t
  center-mag=-8.52651e-014/7.10543e-014/0.02000024
  params=-0.8700000000000002/0.8579999999999998/0.88/0.4600000000000001
  float=y bailout=32 bailoutest=and potential=255/600/0 invert=1/1.1/0
  symmetry=xyaxis
  colors=I8Ff62c20<7>zaV<7>F00<7>sog<7>I8F<6>unr<7>8F8<7>lyl<7>05A<7>cru<7\
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  }

nusnaps31          { ; 0:00:20.76 75mhz 800x600
                     ; 8/2/98 image(c) JamesWeaver
                     ; colormap from Kathy Roth
  reset=1960 type=fn*z+z function=cotanh passes=t
  center-mag=-1.19016e-013/9.54792e-014/0.1482599
  params=0.5/0.8579999999999998/0.98/0.2600000000000001 float=y
  bailout=32 bailoutest=and potential=255/600/0 invert=1/1.1/0
  symmetry=xyaxis
  colors=I8FndUtkZzrc<7>N57<7>yZJ<7>c20<7>zaV<7>F00<7>sog<7>I8F<6>unr<7>8F\
  8<7>lyl<7>05A<7>cru<7>444<7>mmz<7>I8F<7>zmm<7>A00<7>zzg<7>N13<7>z_K<7>g5\
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  }

nusnaps32          { ; 0:00:14.56 75mhz 800x600
                     ; 8/2/98 image(c) JamesWeaver
                     ; colormap from Kathy Roth
  reset=1960 type=fn*z+z function=cotanh passes=t
  center-mag=-1.40332e-013/1.1191e-013/0.04719317
  params=0.82/0.8179999999999998/0.8200000000000001/0.1000000000000001
  float=y bailout=32 bailoutest=and potential=255/600/0 invert=1/1.1/0
  symmetry=xyaxis
  colors=I8FqWQ<3>zvn<7>I8F<7>ghl<7>08C<7>ata<7>A0A<7>Zrk<7>C40<7>zii<7>F0\
  0<7>zrc<7>N57<7>yZJ<7>c20<7>zaV<7>F00<7>sog<7>I8F<6>unr<7>8F8<7>lyl<7>05\
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  }

nusnaps33          { ; 0:00:11.43 75mhz 800x600
                     ; 8/2/98 image(c) JamesWeaver
                     ; colormap from Kathy Roth
  reset=1960 type=fn*z+z function=cotanh passes=t
  center-mag=-1.52767e-013/1.22569e-013/0.07143991
  params=0.88/0.8179999999999998/0.8200000000000001/0.1000000000000001
  float=y bailout=32 bailoutest=and potential=255/600/0 invert=1/1.1/0
  symmetry=xyaxis
  colors=I8FxWI<6>g50<7>zvn<7>I8F<7>ghl<7>08C<7>ata<7>A0A<7>Zrk<7>C40<7>zi\
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  }

nusnaps34          { ; 0:00:19.00 75mhz 800x600
                     ; 8/2/98 image(c) JamesWeaver
                     ; colormap from Kathy Roth
  reset=1960 type=fn*z+z function=cotanh passes=t
  center-mag=-1.9007e-013/1.47438e-013/0.09963898
  params=0.55/0.5179999999999998/0.7700000000000001/-0.2 float=y
  bailout=32 bailoutest=and potential=255/600/0 invert=1/1.1/0
  symmetry=xyaxis
  colors=I8FuSF<5>g50<7>zvn<7>I8F<7>ghl<7>08C<7>ata<7>A0A<7>Zrk<7>C40<7>zi\
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  }

nusnaps35          { ; 0:00:13.51 75mhz 800x600
                     ; 8/2/98 image(c) JamesWeaver
                     ; colormap from Kathy Roth
  reset=1960 type=fn*z+z function=cotanh passes=t
  center-mag=-2.16716e-013/1.66978e-013/0.07287319
  params=0.75/0.5579999999999998/0.6700000000000002/-0.2 float=y
  bailout=32 bailoutest=and potential=255/600/0 invert=1/1.1/0
  symmetry=xyaxis
  colors=I8FsOD<4>g50<7>zvn<7>I8F<7>ghl<7>08C<7>ata<7>A0A<7>Zrk<7>C40<7>zi\
  i<7>F00<7>zrc<7>N57<7>yZJ<7>c20<7>zaV<7>F00<7>sog<7>I8F<6>unr<7>8F8<7>ly\
  l<7>05A<7>cru<7>444<7>mmz<7>I8F<7>zmm<7>A00<7>zzg<7>N13<7>z_KxWIuSF
  }

nusnaps36          { ; 0:00:12.20 75mhz 800x600
                     ; 8/2/98 image(c) JamesWeaver
                     ; colormap from Kathy Roth
  reset=1960 type=fn*z+z function=cotanh passes=t
  center-mag=-2.41585e-013/1.91847e-013/0.0461153
  params=0.5825/0.5579999999999998/0.8200000000000002/-0.2 float=y
  bailout=32 bailoutest=and potential=255/600/0 invert=1/1.1/0
  symmetry=xyaxis
  colors=I8FqLA<3>g50<7>zvn<7>I8F<7>ghl<7>08C<7>ata<7>A0A<7>Zrk<7>C40<7>zi\
  i<7>F00<7>zrc<7>N57<7>yZJ<7>c20<7>zaV<7>F00<7>sog<7>I8F<6>unr<7>8F8<7>ly\
  l<7>05A<7>cru<7>444<7>mmz<7>I8F<7>zmm<7>A00<7>zzg<7>N13<7>z_K<2>sOD
  }

nusnaps37          { ; 0:00:14.56 75mhz 800x600
                     ; 8/2/98 image(c) JamesWeaver
                     ; colormap from Kathy Roth
  reset=1960 type=fn*z+z function=cotanh passes=t
  center-mag=-2.41585e-013/1.91847e-013/0.0200003
  params=-0.7/0.7979999999999999/0.8265400000000001/0.5600000000000001
  float=y bailout=32 bailoutest=and potential=255/600/0 invert=1/1.1/0
  symmetry=xyaxis
  colors=I8FUOH<4>zzg<7>N13<7>z_K<7>g50<7>zvn<7>I8F<7>ghl<7>08C<7>ata<7>A0\
  A<7>Zrk<7>C40<7>zii<7>F00<7>zrc<7>N57<7>yZJ<7>c20<7>zaV<7>F00<7>sog<7>I8\
  F<6>unr<7>8F8<7>lyl<7>05A<7>cru<7>444<7>mmz<7>I8F<7>zmm<7>A00H86NGB
  }

nusnaps38          { ; 0:00:12.52 75mhz 800x600
                     ; 8/2/98 image(c) JamesWeaver
                     ; colormap from Kathy Roth
  reset=1960 type=fn*z+z function=cotanh passes=t
  center-mag=-2.84217e-013/2.20268e-013/0.04917461
  params=-0.72/0.7979999999999999/0.8265400000000001/0.5600000000000001
  float=y bailout=32 bailoutest=and potential=255/600/0 invert=1/1.1/0
  symmetry=xyaxis
  colors=I8FnH8<2>g50<7>zvn<7>I8F<7>ghl<7>08C<7>ata<7>A0A<7>Zrk<7>C40<7>zi\
  i<7>F00<7>zrc<7>N57<7>yZJ<7>c20<7>zaV<7>F00<7>sog<7>I8F<6>unr<7>8F8<7>ly\
  l<7>05A<7>cru<7>444<7>mmz<7>I8F<7>zmm<7>A00<7>zzg<7>N13<7>z_K<3>qLA
  }

nusnaps39           { ; 0:00:19.45 75mhz 800x600
                     ; 08/08/98 image(c) JamesWeaver
  reset=1960 type=fn*z+z function=cotanh passes=t
  center-mag=-3.14415e-013/2.41585e-013/0.0883089
  params=-0.74/0.7979999999999999/0.8265400000000001/0.5800000000000001
  float=y bailout=32 bailoutest=and potential=255/600/0 invert=1/1.1/0
  symmetry=xyaxis
  colors=I8FnJA<3>c20<7>zaV<7>F00<7>sog<7>I8F<6>unr<7>8F8<7>lyl<7>05A<7>cr\
  u<7>444<7>mmz<7>I8F<7>zmm<7>A00<7>zzg<7>N13<7>z_K<7>g50<7>zvn<7>I8F<7>gh\
  l<7>08C<7>ata<7>A0A<7>Zrk<7>C40<7>zii<7>F00<7>zrc<7>N57<7>yZJ<2>qNC
  }


nusnaps40          { ; 0:00:17.35 75mhz 800x600
                     ; 8/2/98 image(c) JamesWeaver
                     ; colormap from Kathy Roth
  reset=1960 type=fn*z+z function=cotanh passes=t
  center-mag=-3.71259e-013/2.80664e-013/0.1028943
  params=-0.74/0.7979999999999998/0.7865400000000001/0.5800000000000001
  float=y bailout=32 bailoutest=and potential=255/600/0 invert=1/1.1/0
  symmetry=xyaxis
  colors=I8FqWQ<3>zvn<7>I8F<7>ghl<7>08C<7>ata<7>A0A<7>Zrk<7>C40<7>zii<7>F0\
  0<7>zrc<7>N57<7>yZJ<7>c20<7>zaV<7>F00<7>sog<7>I8F<6>unr<7>8F8<7>lyl<7>05\
  A<7>cru<7>444<7>mmz<7>I8F<7>zmm<7>A00<7>zzg<7>N13<7>z_K<7>g50<2>nPJ
  }

nusnaps41          { ; 0:00:11.26 75mhz 800x600
                     ; 8/2/98 image(c) JamesWeaver
                     ; colormap from Kathy Roth
  reset=1960 type=fn*z+z function=cotanh passes=t
  center-mag=-2.73559e-013/2.20268e-013/0.07339208
  params=0.5825/0.5479999999999997/0.8300000000000002/-0.2 float=y
  potential=255/800/100 invert=1/1.1/0 symmetry=xyaxis
  colors=I8FuSF<5>g50<7>zvn<7>I8F<7>ghl<7>08C<7>ata<7>A0A<7>Zrk<7>C40<7>zi\
  i<7>F00<7>zrc<7>N57<7>yZJ<7>c20<7>zaV<7>F00<7>sog<7>I8F<6>unr<7>8F8<7>ly\
  l<7>05A<7>cru<7>444<7>mmz<7>I8F<7>zmm<7>A00<7>zzg<7>N13<7>z_KxWI
  }

nusnaps42          { ; 0:00:10.98 75mhz 800x600
                     ; 8/2/98 image(c) JamesWeaver
                     ; colormap from Kathy Roth
  reset=1960 type=fn*z+z function=cotanh passes=t
  center-mag=-2.94875e-013/2.30926e-013/0.07161076
  params=0.6125/0.5479999999999997/0.8050000000000002/-0.2 float=y
  potential=255/800/100 invert=1/1.1/0 symmetry=xyaxis
  colors=I8FuSF<5>g50<7>zvn<7>I8F<7>ghl<7>08C<7>ata<7>A0A<7>Zrk<7>C40<7>zi\
  i<7>F00<7>zrc<7>N57<7>yZJ<7>c20<7>zaV<7>F00<7>sog<7>I8F<6>unr<7>8F8<7>ly\
  l<7>05A<7>cru<7>444<7>mmz<7>I8F<7>zmm<7>A00<7>zzg<7>N13<7>z_KxWI
  }


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End of fractint-digest V1 #269
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