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- Rev.97/06/29 01:43
-
-
- "Hackers" Movie Script
- Typed by Lo Wang
-
-
- UNITED ARTISTS PICTURES
-
- presents
-
- an IAIN SOFTLEY film
-
- "HACKERS"
-
- JONNY LEE MILLER
-
- ANGELINA JOLIE
-
- FISHER STEVENS
-
- and LORRAINE BRACCO
-
- music by SIMON BOSWELL
-
- edited by CHRISTOPHER BLUNDEN MARTIN WALSH
-
- production designer JOHN BEARD
-
- director of photography ANDRZEJ SEKULA
-
- executive producer IAIN SOFTLEY
-
- co-producer JANET GRAHAM
-
- written by RAFAEL MOREU
-
- produced by MICHAEL PEYSER RALPH WINTER
-
- directed by IAIN SOFTLEY
-
-
-
-
-
- SEATTLE 1988
-
-
- EXT. FRONT YARD. DAY.
-
- Slow motion. Armed troops in black uniforms pour out of
- unmarked vans and swarm across a lawn in a middle class
- residential neighborhood. Yuppie neighbours look on in
- shock, confused. Two of the troops carry a battering ram
- to the front door of a white two-storey house. A leashed
- Rottweiler snarls and barks. In position, their comrades
- point M-16s into first-floor windows, ready to be
- ambushed. Pan into a window in the kitchen. An
- attractive woman in her thirties is making breakfast.
-
- Now, in regular motion, the battering ram breaks open the
- front door. The woman, startled, drops her spatula.
-
- INT. MURPHY RESIDENCE. DAY.
-
- WOMAN
- (screams)
- Oough! Ahhh!
-
- SECRET SERVICE AGENT
- (to others)
- Upstairs.
-
- Troops pour into the house.
-
- WOMAN
- What's going on? What's the matter?
- Who are you?
-
- The troops, and one or two trenchcoated agents, continue
- entering the house and heading upstairs, still with rifles
- ready.
-
- WOMAN
- Hey!
-
- Upstairs, crowded in the narrow hallway, the troops
- descend on a bedroom.
-
- WOMAN
- (off camera)
- Dade! Dade!
-
- AGENT
- Knock it down.
-
- The battering ram knocks down a bedroom door.
-
-
- INT. COURTROOM.
-
- The prosecutor, a woman of about forty, gives her closing
- argument blandly. She'd rather be somewhere else.
-
- PROSECUTOR
- The defendant, Dade Murphy, who calls
- himself "Zero Cool", has repeatedly
- committed criminal acts of a malicious
- nature. This defendant possesses a
- superior intelligence, which he uses to a
- destructive and antisocial end. His
- computer virus crashed one thousand five
- hundred and seven computer systems,
- including Wall Street trading systems,
- single handedly causing a seven point drop
- in the New York Stock Market.
-
- As she speaks, the camera pans across the court, panning
- down and stopping on the defendant: eleven year old Dade
- Murphy.
-
- Fast forward to the sentencing.
-
- JUDGE
- Dade Murphy, I hereby fine your family
- forty-five thousand dollars...
-
- The court gasps, Dade's father winces
-
- JUDGE
- ...and sentence you to probation, under
- which you are forbidden to own or operate
- a computer or touch tone telephone, until
- the day of your eighteenth birthday.
-
- Now Dade winces, in fact we almost expect him to cry.
-
- Opening credits roll to a backdrop of Dade and his family
- and lawyer fighting through a gaggle of journalists and
- photographers, in slow motion, and driving away.
-
-
-
-
- SEVEN YEARS LATER.
-
-
-
-
- Aboard a jetliner, Dade Murphy is staring blankly out the
- window, wearing headphones. Exterior view from the
- aircraft of approaching New York City. The view becomes a
- direct overhead of the buildings and streets of the city,
- which then metamorphoses (through animation) into chips
- and digital signals on a stylised computer board. The
- title logo.
-
- INT. DADE'S ROOM.
-
- Segue to Dade Murphy, now 18, wearing mirrorshades indoors
- and at night, working on his new computer. His mother
- calls him.
-
- MRS. MURPHY
- (off camera)
- Dade?
-
- DADE
- Yeah, mom?
-
- MRS. MURPHY
- What are you doing?
-
- DADE
- (after a semi-pregnant pause)
- I'm taking over a TV network.
-
- MRS. MURPHY
- Finish up, honey, and get to sleep. And happy
- birthday.
-
- INT. OTV STUDIOS.
-
- In the OTV Studios security department, a phone rings, a
- man answers nervously.
-
- NORM
- Security, uh Norm, Norm speaking.
-
- DADE
- Norman? This is Mr. Eddie Vedder, from
- Accounting. I just had a power surge here at
- home that wiped out a file I was working on.
- Listen, I'm in big trouble, do you know
- anything about computers?
-
- NORM
- Uhhmmm... uh gee, uh...
-
- DADE
- Right, well my BLT drive on my computer just
- went AWOL, and I've got this big project due
- tomorrow for Mr. Kawasaki, and if I don't get
- it in, he's gonna ask me to commit Hari
- Kari...
-
- NORM
- Uhhh.. ahahaha...
-
- DADE
- Yeah, well, you know these Japanese management
- techniques.
- (pause)
- Could you, uh, read me the number on the
- modem?
-
- NORM
- Uhhhmm...
-
- DADE
- It's a little boxy thing, Norm, with switches
- on it... lets my computer talk to the one
- there...
-
- NORM
- 212-555-4240.
-
- Dade goes to work on OTV. He closes his eyes and a flurry
- of half-second video clips from old TV shows flashes by.
- He opens his eyes. His screen says ENTERING ARPS 331 and
- then wipes to another screen. Automated Record Playback
- System. There is a graphic representation of the
- station's automatic videotape changer. Dade turns on his
- TV set and turns to OTV. It is running a Rush-Limbaugh
- type TV show.
-
- COMMENTATOR
- (on TV)
- ...so-called American Indians, Latinos and
- Blacks come from a genetically mediocre
- stock...
-
- DADE
- Yak yak yak. Get a job!
-
- Dade presses a key on his keyboard. The Video Changer
- diagram lights up in red. At the station, a robotic arm
- selects a videotape from a huge rack of thousands of
- tapes. The "America First" tape slides out of the VTR and
- is replaced by an episode of "The Outer Limits" as Dade
- watches, drinks Coke and smiles, full of himself.
-
- TV
- You are about to experience the awe and
- mystery, which reaches from the inner mind,
- to... The Outer Limits.
-
- DADE
- Yesssss!
-
- Suddenly, the ARPS screen is replaced by an ominous
- message:
-
- U HAVE TREAD
- UPON MY DOMAIN &
- MUST NOW SUFFER
- WHO R U?
-
- DADE
- Hey! What?
-
- He starts to type ZERO...
-
- DADE
- No, wait.
-
- Dade types:
-
- CRASH OVERRIDE.
- WHO WANTS TO KNOW?
-
- Dade's screen dissolves into:
-
- ACID BURN
-
- DADE
- Unbelievable. A hacker!
-
- Then the screen changes again:
-
- ACID BURN
- SEZ LEAVE B 4
- U R EXPUNGED
-
- "The Outer Limits" suddenly flashes off.
-
- DADE
- Yeah, okay "Acid Burn", that's enough.
-
- Dade starts hacking. Apparently so does Acid Burn. The
- tape changer machines at OTV are swamped, sometimes
- fighting over the same tape. The program on TV keeps
- changing.
-
- The message comes up on Dade's computer screen:
-
- I WILL
- SWAT U LIKE
- THE FLY U R
-
- More dueling tape changers, more half second video clips.
- Another message.
-
- I WILL
- SNAP YOUR BACK
- LIKE A TOOTHPICK
-
- As the duel continues, Dade types back a taunt of his own:
-
- MESS WITH THE BEST
- DIE LIKE THE REST
-
- One last from Acid Burn:
-
- YOU ARE
- TERMINATED
-
- Then his own computer confirms for him that the connection
- is terminated.
-
- DADE
- Shit on me!
-
-
-
- Next morning. Mrs. Murphy is unpacking. Dade emerges
- from his room in a housecoat. He makes a beeline (dodging
- moving boxes) for the fridge.
-
- MRS. MURPHY
- Good morning. You unpack your stuff yet?
-
- DADE
- Mm-hmm.
-
- MRS. MURPHY
- Up all night again, huh?
-
- DADE
- Can this wait until both my eyes are open,
- please?
-
- Dade's mom picks up the phone, mocking a call to the
- building superintendent.
-
- MRS. MURPHY
- Can I cut the electricity to his room so he'll
- sleep normal hours? He's been playing with
- his computer all night for a solid week.
- (pause)
- Well yes, he could be playing with himself.
- Mmm hmm. Yes I'll ask. Dade, you like girls,
- don't you?
-
- DADE
- Well, yeah, I just haven't found one as
- charming as you yet.
-
- MRS. MURPHY
- You haven't been doing anything stupid, right,
- Dade?
- (louder)
- Right, Dade?!
-
- DADE
- Right, mom. And I'm still a virgin!
-
- Dade slams the bathroom door. Mrs. Murphy quickly checks
- his room. Dade is showering.
-
- MRS. MURPHY
- (angry, through the bathroom door)
- You hooked it up to the phone, didn't you?
- Dade! Turn the shower off! You screw up
- again and you won't get into college!
-
- She pauses and regains some of her cool.
-
- MRS. MURPHY
- I'm sorry we had to move in your senior year.
- I didn't want to sell the house but I had to
- take this new job, you know that. You're
- going to love New York, it's the city that
- never sleeps!
-
-
- EXT. NEW YORK CITY.
-
- We enjoy several views of New York, the morning sun
- shining between skyscrapers, neon signs that stay lit day
- and night. Dade emerges from the ground-floor apartment
- on rollerblades and skates down the street to school.
-
- INT. HIGH SCHOOL.
-
- At school, hundreds of teenagers converse, move around,
- head to class. Dade looks lost among them. He walks up
- to a skinny latino kid in a faux leopard-skin muscle
- shirt. The kid is on a pay-phone, speaking in Spanish.
-
- DADE
- Excuse me.
-
- KID
- Yo, chill man, I'm talking to Venezuela.
-
- DADE
- Yeah, I'm sorry, I was just looking for the
- principal's office.
-
- KID
- Sorry, I can't help you, okay?
-
- Now Dade really looks lost. He heads off in search of the
- office.
-
-
- INT. OFFICE.
-
- Dade is filling out a form.
-
- GIRL
- Do you have your transfer forms?
-
- Dade stares at her, stunned. The girl has a decidedly
- unconventional appearance, yet is a first-rate beauty.
-
- GIRL
- It's a relatively straightforward question.
-
- Dade notices her lips, and in his imagination launches
- into a flurry of half-second video clips and art bites,
- all involving lips and kissing.
-
- GIRL
- Do you speak English?
-
- DADE
- Sorry, you wanted...?
-
- GIRL
- I wanted transfer forms.
-
- He gives them to her.
-
- GIRL
- Thank you.
-
- She starts leaving. He doesn't.
-
- GIRL
- Are you coming?
-
- Dade clues in, gets up and follows her. She takes him on
- a brief tour.
-
- INT. HIGH SCHOOL CORRIDOR.
-
- GIRL
- The gym is through there, and the cafeteria is
- through there.
-
- DADE
- Great. Cool.
- (pause)
- What's your name?
-
- GIRL
- Kate. Kate Libby.
-
- They arrive at a classroom.
-
- KATE
- Here's your class.
-
- DADE
- My... class. You mean I'm not in your class?
-
- KATE
- No, you're not in my class.
-
- Kate starts away.
-
- DADE
- Give me time!
-
- A guy in the halls notices Dade.
-
- GUY
- Hey, you new?
-
- DADE
- Yeah.
-
- GUY
- Tell him about the pool, Kate.
-
- DADE
- Pool?
-
- KATE
- Yeah, there's an Olympic size swimming pool up
- on the roof. Take the stairs over there.
-
- DADE
- Yeah! Sure.
-
- Kate starts away again.
-
- DADE
- Thanks!
-
-
- EXT. SCHOOL ROOFTOP.
-
- Dade enters, and lets the door slam behind him. Across the
- roof, a dozen or so geeky looking kids are looking over
- the edge, apparently trying to get someone's attention.
- One of them notices Dade.
-
- GEEK
- Hey! Hold the door!
-
- He's too late. The geeks look pretty angry. There is no pool.
-
- Dade
- (realizing he's been had)
- No pool.
-
- Dade tries the door but it's locked. He hammers it with
- his palm, furious. Above, thunder roars and it begins
- raining.
-
-
- INT. SCHOOL CORRIDOR.
-
- Dade is soaking wet, and trudges among his classmates
- leaving a muddy trail. A three-second video clip rolls
- through his mind: it is a screaming woman being strangled
- in an old movie. He walks past Kate, who giggles.
-
- KATE
- Oh my God! He found the pool.
-
- INT. SCHOOL COMPUTER LAB.
-
- The kids are all seated at computer workstations. Dade
- is hacking, the latino kid who was on the phone to
- Venezuela is running a demo involving dirty-dancing
- skeletons.
-
- TEACHER
- I'm Mr. Simpson. And I'm subbing for Ms.
- Bayliss who was arrested at the anti-fur
- rally. I know some of you kids got computers
- at home. But these are school property,
- people, and I don't want to see any gum stuck
- to 'em. Chapter 1. Designing graphical
- interface...
-
- Meanwhile, the latino kid notices that Dade has been
- looking up Kate Libby's school records. And hacking
- himself into her advanced English class.
-
- EXT. SCHOOL QUAD.
-
- It's after school, kids are heading home, Dade too. The
- latino kid notices Dade and catches up with him.
-
- KID
- So, um, what's your interest in Kate Libby,
- eh? Academic? Purely sexual?
-
- DADE
- Homicidal?
-
- KID
- What's up, man? I'm the Phreak!
-
- The name rings no bells with Dade.
-
- PHREAK
- The Phantom Phreak? The king of Nynex? I
- know you play the game.
-
- Another kid, younger and a little geeky looking, runs up
- to Dade and The Phantom Phreak.
-
- JOEY
- Phreakphreakphreakphreakphreak,
- dudedudedudedudedudedude... I gotta...
-
- PHREAK
- (slaps Joey)
- Joey, Joey...
-
- JOEY
- What? whatwhatwhat?
-
- PHREAK
- One more "dude" out of you and I'm gonna slap
- the shit outa you, okay? Now I'm trying to
- save you from yourself but you gotta stop
- letting your mama dress you, man!
- (To Dade):
- Check it...
-
- Phreak starts to hand Dade a flyer.
-
- JOEY
- (interrupting)
- I need a handle, man. I don't have an
- identity until I have a handle.
-
- PHREAK
- You know, you're right about that.
- (to Dade)
- Check it, Friday.
-
- Phreak hands Dade a flyer for Cyberdelia.
-
- JOEY
- Alright. How about the Master of Disaster,
- huh?
-
- PHREAK
- You're hopeless, man, utterly hopeless.
-
- Phreak walks away.
-
- JOEY
- Ultra Laser.
- (desperate)
- Doctor Doom!
-
- EXT. NEW YORK CITY STREET VILLAGE. NIGHT.
-
- Dade rolls in on rollerblades. Street vendors hawk
- computer parts and bootleg software. A bootleg music
- vendor catches Dade's attention.
-
- CEREAL
- Check this out, each and every one of you.
- Compilation tape, of my own making. I call
- this the "Greatest Zooks Album". Featuring
- artists like, well I got some Hendrix on
- there, some Joplin, Mama Cass, Belushi... all
- great artists that asphyxiated on their own
- vomit!
-
- The small crowd around him finally gets the joke.
-
- CEREAL
- Can't get this in stores, man, I made it!
-
- Dade wheels into Cyberdelia, which just happens to be
- equipped with a ramp down to its main floor for the
- benefit of skaters. The place pounds with loud, bassy
- techno music and coloured light. Video monitors with
- psychedelic patterns complete the atmopshere. There is a
- video game with a huge screen. Phreak is at a pay phone.
-
- OPERATOR
- (on phone)
- Please deposit five dollars for the first
- minute.
-
- Phreak holds a small box up to the receiver, presses a
- button, and the box emits a series of tones.
-
- OPERATOR
- Thank you.
-
- PHREAK
- Nonono, thank YOU!
-
- Dade checks out the scene. Kate is playing the big video
- game. Dade skates up to her. She loses her last man.
- She's got the high score, in fact her name dominates the
- top-10 list.
-
- DADE
- That's a nice score for a girl.
-
- KATE
- (irritated by Dade's presence)
- Think you can do better?
-
- DADE
- I'll give it a shot.
-
- Kate yields the controls to Dade, who begins playing.
- Kate's boyfriend looks on from a mezzanine several feet
- above.
-
- CURTIS
- Is this kid bothering you, Kate?
-
- DADE
- Sorry, can I get some room here?
-
- CURTIS
- Yeah.
- (to Kate)
- Why don't you come up here?
-
- Kate obliges and joins Curtis. Dade continues playing.
- He plays brilliantly. The game is a flashy 3-D high-speed
- chase game with lots of surprises. Dade loses, but his
- high score is about to come up.
-
- CURTIS
- He's good!
-
- Dade's score comes up. He's in the #1 position. Phreak
- is amazed.
-
- DADE
- (to Kate)
- Well, it looks like I'm on top.
-
- Kate, defeated, leaves. Curtis follows.
-
- PHREAK
- Congratulations. No one's ever beat her
- before. You just made an enemy for life.
- (to someone else)
- Boy meets world. Let's go?
-
- EXT. OUTSIDE CYBERDELIA. NIGHT.
-
- Kate and Curtis are sucking face, oblivious to the busy
- world around them. Dade and Phreak watch, more than a
- little disgusted.
-
- DADE
- Who's that?
-
- PHREAK
- Curtis.
-
- DADE
- And what's he do?
-
- PHREAK
- That's it, you're looking at it, he just looks
- slick all day.
-
- Kate and Curtis start to take off on Curtis' motorcycle.
- Kate and Dade make eye contact briefly. The motorcycle
- speeds off into the night.
-
- INT. DADE'S ROOM.
-
- The clock says it's 4:16. As the camera pans up to Dade,
- it changes to 4:17. Dade is hacking again. It's the
- school's administration system. Dade schedules a test of
- the school sprinkler system for 9:30am.
-
- INT. HIGH SCHOOL CORRIDIR.
-
- Dade stands alone in the hall, watching the time closely.
- Phreak rounds a corner and meets Dade.
-
- PHREAK
- What's up?
-
- Dade doesn't answer. He watches the time a couple of more
- seconds, then opens an umbrella. Immediately the fire
- sprinklers turn on. Phreak starts getting drenched. He
- realizes what is happening.
-
- PHREAK
- (amused and highly impressed)
- Oh my God. You...
-
- A bell rings and students pour out into the halls by the
- hundreds. They're all being showered on. A tall
- cheerleader bounces by Phreak, pushing her pom-pom in his
- face.
-
- PHREAK
- Way cool!
- (to Dade)
- You saw that?
-
- Dade nods in the affirmative.
-
- Kate walks up to Dade, also understanding what has
- happened.
-
- KATE
- What the hell is going on?
-
- DADE
- Pool on the roof must have a leak.
-
- Kate gives Dade a look that could kill and skulks away.
-
- Dade walks away under his umbrella, smug and dry.
-
- PHREAK
- Man, oh man, this is gonna be good.
-
- INT. HIGH SCHOOL CLASSROOM.
-
- Dade, Kate, and a couple of other students are writing on
- the chalkboard. Kate finishes first.
-
- KATE
- God gave men brains bigger than dogs' so
- they wouldn't hump womens' legs at cocktail
- parties.
-
- The class giggles.
-
- KATE
- Ruth Libby.
-
- TEACHER
- I'm not so sure your mother qualifies as a
- significant author of the twentieth century.
-
- KATE
- Her last book sold two million copies.
-
- CLASS
- (almost in unison)
- Woooooo!
-
- The teacher reads Dade's quotation.
-
- TEACHER
- "Angel-headed hipsters burning for the ancient
- heavenly connection to the starry dynamo in
- the machinery of the night."
-
- DADE
- That's Ginsburg.
-
- TEACHER
- Nice. Very nice.
-
- KATE
- He's not in this class.
-
- DADE
- I said give me time.
-
- KATE
- He's not enrolled in this class.
-
- TEACHER
- Well, he's on my list.
-
- Kate leaps across a desk and snatches the list from the
- teacher. Dade is on it. She gives Dade another filthy
- look, both Dade and the teacher just shrug. The teacher
- moves on to Cereal.
-
- TEACHER
- "Of all the things I've lost, I miss my mind
- the most?"
-
- CEREAL
- Ozzy Osbourne!
-
- TEACHER
- You. What is your name?
-
- The teacher grabs the list back from Kate.
-
- CEREAL
- Uh, Emmanuel Goldstein, sir?
-
- TEACHER
- You, however, are not on my list.
-
- CEREAL
- (in mock shock)
- Whoa, this isn't wood shop class?
-
- The class cracks up. Kate and Dade exchange looks as the
- teacher escorts Cereal to the door.
-
- INT. DADE'S PLACE.
-
- MRS. MURPHY
- How was school?
-
- DADE
- (eating)
- Hmmm.
-
- MRS. MURPHY
- What did we learn in school today?
-
- DADE
- Revenge.
-
- MRS. MURPHY
- Aaaah. Did we meet someone special?
-
- DADE
- No. No one special.
-
- MRS. MURPHY
- Okay, I gotta get back to work. I'm gonna be
- home late. And would you try and please fill
- these out?
-
- She indicates a pile of college applications.
-
- MRS. MURPHY
- Oh don't worry, it's only the rest of your
- life.
-
- She starts to the door.
-
- DADE
- Right. Anything else, you want me to mow the
- lawn? Oops, forgot. New York. No grass.
-
- MRS. MURPHY
- And unpack.
-
- She leaves. Dade looks over the college applications for
- a second, and pushes them away. He'd rather not do this
- now.
-
-
- INT. CYBERDELIA.
-
- Dade, Phreak and Joey are sitting at a table. Joey is
- giving a dull account of his hacking adventures. Enter
- Cereal.
-
- CEREAL
- (about his street hawking outside)
- ...buy and sell, my life story.
- (to the guys)
- FYI, alright man, you can sit at home, and do
- like absolutely nothing and...
-
- Cereal pauses, notices Dade, whom he has never met
- formally but seen around, and then continues.
-
- CEREAL
- ...and your name goes through like seventeen
- computers a day. 1984, yeah right man, that's
- a typo. Orwell's here and now, he's living
- large. We have no names, man, no names. We
- are nameless. Can I score a fry? Thanks.
-
- PHREAK
- Meet Cereal Killer. As in Froot Loops? But
- he does know things.
-
- Dade and Cereal acknowledge each other.
-
- JOEY
- Anyways, guys, guys, listen, listen to me.
- I'm in this computer right? So I'm looking
- around...
-
- PHREAK
- (to Cereal)
- D'you bring those Crayola books?
-
- CEREAL
- Oh yeah, technicolor rainbow.
-
- Cereal brings a book out of his bag.
-
- CEREAL
- Green one.
-
- JOEY
- What is that, what is that? Lemmie see. What
- are these?
-
- DADE
- International Unix Environments.
-
- Cereal pulls out another book.
-
- CEREAL
- Luscious orange?
-
- Cereal hands the orange book to Phreak.
-
- DADE
- Computer security criteria, DOD standards.
-
- Another book comes out.
-
- DADE
- The Pink Shirt Book, Guide to IBM PCs. So
- called due to the nasty pink shirt the guy
- wears on the cover.
-
- Another one.
-
- CEREAL
- What's that?
-
- DADE
- Devil book. The Unix Bible.
-
- Another one.
-
- CEREAL
- What's that?
-
- DADE
- Dragon book. Compiler design.
-
- Cereal brings out a large red book.
-
- CEREAL
- Oh yeah? What's that?
-
- DADE
- The Red Book. NSA Trusted Networks.
- Otherwise known as the Ugly Red Book that
- won't fit on a shelf.
-
- By now Phreak has made a pile of the books, and the Red
- Book looks wholly out of place on the top of the pile.
-
- JOEY
- Anyway, anyway, guys guys guys, come on. I'm
- in this computer, right. So I'm looking
- around, looking around, you know, throwing
- commands at it, I don't know where it is or
- what it does or anything. It's like, it's
- like choice, it's just beautiful, okay. Like
- four hours I'm just messing around in there.
- Finally I figure out, that it's a bank.
- Right, okay wait, okay, so it's a bank. So, this
- morning, I look in the paper, some cash
- machine in like Bumsville Idaho, spits out
- seven hundred dollars into the middle of the
- street.
-
- CEREAL
- That's kinda cool.
-
- JOEY
- That was me. That was me. I did that.
-
- DADE
- You did this from your house.
-
- Joey takes a drag from his cigarette and just nods, with a
- big grin on his face.
-
- PHREAK
- What are you, stoned or stupid? You don't
- hack a bank across state lines from your
- house, you'll get nailed by the FBI. Where
- are your brains, in your ass? Don't you know
- anything?
-
- CEREAL
- Stupid, man. It's universally stupid.
-
- JOEY
- You guys always think I should know
- everything, and you never tell me anything.
- Am I right?
-
- PHREAK
- Alright, what are the three most commonly used
- passwords?
-
- JOEY
- Love, secret, and uh, sex. But not in that
- order, necessarily, right?
-
- CEREAL
- Yeah but don't forget God. System operators
- love to use God. It's that whole male ego
- thing.
-
- PHREAK
- Look, you wanna be elite? You gotta do a
- righteous hack. None of this accidental shit.
-
- CEREAL
- Oh yeah, you want a seriously righteous hack,
- you score one of those Gibsons man. You know,
- supercomputers they use to like, do physics,
- and look for oil and stuff?
-
- PHREAK
- Ain't no way, man, security's too tight. The
- big iron?
-
- DADE
- Maybe. But, if I were gonna hack some heavy
- metal, I'd, uh, work my way back through some
- low security, and try the back door.
-
- CEREAL
- Yeah but oh man,
- (starts rubbing one of his
- own nipples in mock sexual
- excitement)
- wouldn't you just love to get one of those
- Gibsons, baby? Ooooh!
-
- PHREAK
- Yo, who ate all of my fries?
-
- Cereal pauses a second.
-
- CEREAL
- (pretending to be enraged)
- Joey?!
-
- JOEY
- What, no, nonononono, I didn't touch your
- fries. I did not touch your fries.
-
- PHREAK
- Cereal, man, you owe me a pack.
-
- CEREAL
- It was him, man!
-
- PHREAK
- You're psyched. You need to lay off of that
- shit.
-
- CEREAL
- (to Joey)
- I'm gonna hit you!
-
-
-
- INT. JOEY'S ROOM. NIGHT.
-
- Joey is hacking. A Gibson. He gets in. Using GOD as a
- password. Nice graphics represent the machine's vast
- systems.
-
- JOEY
- YES! Home run, home run. You and me Lucy.
- We're gonna show em baby.
-
- INT. COMPUTER ROOM, ELLINGSON MINERAL.
-
- A system operator at Ellingson Mineral Corporation, a
- large oil company, notices the intrusion. He gets on the
- phone.
-
- INT. PLAGUE'S LOFT.
-
- The place is a mess, typical of the hacker bachelor pad.
- Empty chinese food boxes and Jolt Cola cans litter the
- place.
-
- Plague's phone is ringing, waking him.
-
- HAL
- (on phone)
- Mr. Belford?
-
- PLAGUE
- (sleepily)
- My name is the Plague.
-
- HAL
- Uh, Mr. The Plague, uh, something weird's
- happening on the net.
-
- PLAGUE
- As in what, you hapless techno-weenie?
-
- HAL
- Uh, the accounting subdirectory in the Gibson
- is working really hard. We got one person
- online, the workload is enough for like ten
- users. I think we've got a hacker.
-
- INT. JOEY'S ROOM.
-
- JOEY
- Okay, okay, we need proof that we were here.
- Right, uh...
-
- Joey starts looking for something to download as proof he
- was there.
-
- JOEY
- Yeah, Garbage, okay, give me Garbage.
-
- He selects a Garbage file and starts the download. His
- screen becomes a psychedelic mind trip.
-
- INT. COMPUTER ROOM, ELLINGSON MINERAL.
-
- The Plague glides in on a skateboard. Short and thin,
- bearded, about 35 but still trying to be a teenage
- anarchist, yet not consciously realizing he sold out that
- ideal years ago.
-
- PLAGUE
- Never fear. I is here.
-
- HAL
- I've narrowed the activity to terminal 23.
-
- PLAGUE
- Let's echo 23, see what's up.
-
- The huge monitor lights up with the display of the
- Gibson's resources. Hal and the Plague watch. Plague
- starts "surfing" around.
-
- PLAGUE
- "God" wouldn't be up this late.
-
- He sees what Joey is downloading. A file called
- "Garbage".
-
- PLAGUE
- Shit! Get me the switching control center.
-
- He puts on a telephone headset. Hal dials for him.
-
- PLAGUE
- (into the headset)
- I need to trace a call that's in progress.
-
- INT. JOEY'S ROOM.
-
- Joey is sneaking a cigarette while his computer downloads.
- There is a knock at the door. It's his mother.
-
- JOEY
- (whispering)
- Shit!
- (loudly, panicked)
- Uh yeah... hold on, mom. Hold on one second.
-
- He puts out the cigarette and sprays the room with air
- freshener.
-
- JOEY'S MOM
- I mean it! Open the door, Joseph.
-
- JOEY
- Yeah, uh, yeah, okay.
-
- He unlocks the door. Joey's mom bursts in. He's still
- clambering into bed.
-
- JOEY
- There you go.
-
- JOEY'S MOM
- Bed. Sleep. Now!
-
- She turns off the computer. It wasn't finished
- downloading.
-
- JOEY'S MOM
- Sweet dreams, Joey.
-
- INT. COMPUTER ROOM, ELLINGSON MINERAL.
-
- HAL
- He's gone!
-
- PLAGUE
- Did you get a trace?
-
- OPERATOR
- (on phone)
- Yeah, we got him.
-
- PLAGUE
- (smiling)
- Good.
-
- INT. JOEY'S ROOM. DARK.
-
- Joey takes a disk out of his computer and stashes it in an
- air vent in the cieling.
-
- INT. TENEMENT HALLWAY.
-
- Phreak, Dade and Cereal are rollerblading through the
- halls of an apartment building that is filled with
- graffiti. It appears that most of the spray-bomb art was
- created by the residents.
-
- CEREAL
- Nice place, huh.
-
- Cereal knocks on a door spray-painted "Hackstock"
-
- DADE
- You heard of a hacker called Acid Burn? You
- know who he is?
-
- PHREAK
- (surprised)
- No, don't know who he is.
- (to Cereal)
- Do you?
-
- Cereal shrugs.
-
- A hooded black man in his early twenties answers the door.
-
- PHREAK
- Nikon! Lord Nikon this is...
-
- Phreak motions to Dade.
-
- DADE
- (finishing)
- Crash Override.
-
- NIKON
- Never heard of you. Done anything?
-
- DADE
- No.
-
- Nikon slams the door.
-
- PHREAK
- Come on!
-
- Phreak knocks the door again. Nikon opens again.
-
- NIKON
- What, your mom buy you a 'Puter for Christmas?
- (to Phreak)
- Does he know anything?
-
- PHREAK
- Sure man, he's elite.
-
- NIKON
- (pausing, checking Dade out)
- Come in.
-
- CEREAL
- Uh... Nikon, can I... can I crash at your
- place tonight?
-
- NIKON
- (removing his hood)
- Again?
- (pauses, then grins broadly)
- Yeah sure.
-
- Nikon and Cereal do a fake Kung-fu move together.
-
- BOTH
- Ooka-pow!
-
- INT. NIKON'S PLACE.
-
- Later, the four are watching TV. On TV is a secret
- service agent giving a news interview.
-
- GILL
- (on TV)
- Hackers penetrate and ravage delicate public
- and privately owned computer systems,
- infecting them with viruses, and stealing
- materials for their own ends. These people,
- they are terrorists.
-
- CEREAL
- Agent Richard Gill, You're hacker enemy number
- one, man. You're a boner!
-
- NIKON
- Yo, showtime, showtime!
-
- DADE
- What's going on?
-
- ALL BUT DADE
- (in unison)
- 4...3...2...1...
-
- Cheesy music plays. Razor and Blade, androgynous asian
- brothers, have a community access TV show. "Wayne's World"
- in eye liner.
-
- RAZOR
- Welcome to our show!
-
- BLADE
- Hack the Planet!
-
- ALL BUT DADE
- Hack the Planet!
-
- RAZOR
- For those late night hacks...
-
- BLADE
- Jolt Cola! The soft drink of the elite
- hacker.
-
- DADE
- Who are these guys?
-
- NIKON
- That's Razor and Blade.
-
- DADE
- Razor and Blade.
-
- Now Razor and Blade have a disconnected payphone in their
- studio.
-
- RAZOR
- That's right, this IS a payphone.
-
- RAZOR AND BLADE
- (in unison)
- Don't ask.
-
- BLADE
- As you can see, this is just a simple
- microcassette recorder. (shows the
- microcassette recorder) Hook it up to the
- phone and drop in five bucks in quarters.
-
- RAZOR
- Record the tones that the coins make. And
- hang up and get your money back!
-
- BLADE
- And never again have to pay for a service that
- would be dirt cheap...
-
- RAZOR
- ...IF it weren't run by a bunch of
- profiteering gluttons!
-
- BLADE
- Remember, hacking is more than just a crime.
- It's a survival trait!
-
- INT. JOEY'S PLACE.
-
- Joey is taking a shower, wearing walkman headphones,
- singing along with the music. Joey finishes, turns off
- the shower, still singing. He draws open the shower
- curtain to find two secret service agents with shotguns
- pointed at him.
-
-
- SS AGENT
- FREEZE!
-
- JOEY
- What? What? What did I do? What?
-
- The agents drag Joey, still naked and wet, out of the
- shower and into the living room. His mother is
- hysterical..
-
- JOEY'S MOM
- Joey!
-
- AGENT
- Get in there! Sit down!
-
- ANOTHER AGENT
- Stay down there. Don't move.
-
- Joey is pushed into a sofa. He sees his computer, "Lucy",
- being carried away.
-
- JOEY
- Lucy!
-
- Joey dives onto the agent carrying Lucy away, losing his
- towel. His mother, seeing his exposed buttocks, is
- shocked.
-
- JOEY'S MOM
- JOEY!!!
-
- EXT. OUTSIDE JOEY'S PLACE.
-
- A police-type vehicle pulls up. It's Agent Richard Gill
- of the Secret Service. He stops a young agent for an
- update.
-
- GILL
- How's it going, Ray?
-
- AGENT RAY
- It looks good, sir. We've got an uncorrupted
- hard drive.
-
- GILL
- In English, please. I didn't spend ten years
- protecting the president so I could finish my
- career feeling like an idiot.
-
- AGENT RAY
- I'm sorry, sir. We caught him by surprise, so
- we don't think he had time to erase his
- computer files.
-
- GILL
- Good. Good man. Alright, let's finish up
- here, and take him in for interrogation.
-
- AGENT RAY
- Alright sir.
-
- They split up. A reporter and her sound man run up to
- Gill.
-
- REPORTER
- Agent Gill, can you spare a moment of your
- time?
-
- GILL
- Why of course, Jennifer.
-
- While Jennifer conducts the interview, agents lead Joey
- into an unmarked car. His mother is behind him, still
- hysterical.
-
- JOEY'S MOM
- Joey!
-
- JOEY
- Mom...
-
- JENNIFER
- Just how dangerous are hackers?
-
- GILL
- Well, hackers penetrate and ravage delicate
- public and privately owned computer systems,
- infecting them with viruses...
-
- JOEY'S MOM
- Joey!
-
- GILL
- ...and stealing sensitive materials for their
- own ends. These people, they're terrorists...
-
- JOEY'S MOM
- Joey!
-
- INT. ELLINGSON MINERAL CORPORATION.
-
- A tall, impressive building. A cavernous atrium filled
- with busy people.
-
- INT. ELLINGSON BOARDROOM.
-
- A handsome looking woman in her late thirties walks in.
-
- MARGO
- Good morning, Gentlemen. Please be seated. I
- see we're still dressing in the dark, Eugene.
-
- PLAGUE
- (to Margo)
- Once again, don't call me Eugene.
- (to the board)
- A recent unknown intruder penetrated, using a
- superuser acount, giving him access to our
- whole system.
-
- MARGO
- Precisely what you're paid to prevent.
-
- PLAGUE
- Someone didn't bother reading my carefully
- prepared memo on commonly used passwords.
- Now, as I so meticulously pointed out, the for
- most used passwords are love,
- (gesturing lewdly)
- sex, secret and...
- (eyeing Margo)
- ...God. So would your holiness care to change
- her password?
-
- Margo just blinks prettily.
-
- PLAGUE
- A hacker planted the virus.
-
- MARGO
- Virus?
-
- PLAGUE
- Yesterday, the ballast program for a
- supertanker training model mistakenly thought
- the vessel was empty, and flooded its tanks.
-
- MARGO
- Excuse me?
-
- PLAGUE
- (as if to a child)
- The little boat flipped over. A virus planted
- in the Gibson computer system claimed
- responsibility.
-
- MARGO
- What, it left a note?
-
- Plague hits a button on a remote control, and the virus -
- a long haired male model - appears on a large screen, in
- psychedelic colors. The virus speaks in a hammy Italian
- accent.
-
- VIRUS
- Unless five million dollars are transferred to
- the following numbered account in seven days,
- I will capsize five tankers in the Ellingson
- fleet.
-
- BOARD MEMBER
- Is that...
-
- PLAGUE
- (interrupting)
- That is the virus. Leonardo da Vinci. The
- problem is we have twenty six ships at sea and
- we don't know which ones are infected.
-
- DUKE ELLINGSON
- Well then, put the ships' ballasts under
- manual control.
-
- PLAGUE
- There's no such thing anymore, Duke. These
- ships are totally computerized. They rely on
- satellite navigation, which links them to our
- network, and the virus, wherever they are in
- the world.
-
- MARGO
- So what are we supposed to do?
-
- PLAGUE
- Well luckily, you have a gifted and talented
- security officer. I traced the hacker's call.
- The secret service picked him up this morning.
- I'll just search his files for the original
- virus code, and then I can eliminate it.
-
- INT. ELLINGSON MINERAL ATRIUM.
-
- Plague, Margo and two suits from the boardroom are riding
- down an escalator.
-
- SUIT #1
- Now look, now we expect you to get onto this
- right away, yeah?
-
- PLAGUE
- Yeah!
-
- SUIT #1
- Well, how soon?
-
- PLAGUE
- Well, we're working on it as fast as we can.
- This is a very common occurrence in
- corporations as large as ours. You have
- nothing to worry about.
-
- SUIT #2
- Yeah, right.
-
- SUIT #1
- Now, you're sure about that, Mr. The Plague?
-
- PLAGUE
- Yeah, the Secret Service is helping us out 100
- percent. Okay?
-
- SUIT #2
- Yeah.
-
- SUIT #1
- Okay.
-
- PLAGUE
- We'll be in touch. Talk to you later.
-
- The suits get off the escalator, Plague and Margo take the
- next one down.
-
- MARGO
- What the hell was that all about?
-
- PLAGUE
- I had to move fast. The hacker copied my
- garbage file.
-
- MARGO
- What?
-
- PLAGUE
- I created Mister da Vinci so we could call in
- the Secret Service. So they'd arrest the
- hacker, sieze his equipment, things that we
- can't do on our own.
-
- MARGO
- I don't want to go to jail for this.
-
- PLAGUE
- Relax. Think about the 25 million dollars.
-
- MARGO
- But you've created a virus that's going to
- cause a worldwide ecological disaster, just to
- arrest some hacker kid?
-
- PLAGUE
- Basically, uhmm, yeah. Mmm hmmm.
-
- MARGO
- Jesus. You know, you're sick, Eugene. You...
-
- PLAGUE
- Sh, sh sh sh sh.
-
- Plague stops a passing secretary and snatches a piece of
- paper from her hand.
-
- PLAGUE
- I'll take care of this.
-
- SECRETARY
- Alright, sir.
-
- PLAGUE
- I can cancel it any time. I don't need any
- program code. But it's the perfect cover, to
- confiscate the disc and find out how much of
- that garbage file has been copied.
-
- MARGO
- Get it!
- (walking away)
- Why did I ever trust you?
- (going back up the escalator)
- Get the file. Otherwise you'll lose all your
- toys.
-
-
- INT. SECRET SERVICE INTERROGATION ROOM.
-
- Joey is distraught over the dismantling of Lucy. Agent
- Ray examines the Mac's innards.
-
- GILL
- Did you find the program for the virus on any
- of the discs we confiscated?
-
- PLAGUE
- No. He's either very smart or very stupid.
-
- GILL
- Then he stashed it somewhere, or he has an
- accomplice. We'll release him until his
- indictment, keep tight surveillance, and see
- if he leads us to your disc.
-
- EXT. OUTSIDE JOEY'S PLACE.
-
- Joey's apartment building is an L-shaped skyscraper about
- 30 storeys high, unimpressive by New York City standards.
- Two Secret Service agents are staking Joey out in a car
- outside.
-
- SECRET SERVICE AGENT BOB
- Unit 3 outside suspect Joey Pardella's
- apartment. Nothing to report. Suspect still
- grounded... by his mother.
-
- His radio crackles.
-
- AGENT BOB
- Listen to this bullshit.
- (he reads)
- "This is our world now. The world of the
- electron and the switch, the beauty of the
- baud. We exist without nationality, skin
- color, or religious bias. You wage wars,
- murder, cheat, lie to us and try to make us
- believe it's for our own good, yet we're the
- criminals. Yes, I am a criminal. My crime is
- that of curiosity. I am a hacker and this is
- my manifesto." Huh, right, manifesto? "You
- may stop me, but you can't stop us all."
-
- AGENT RAY
- Now that's cool.
-
- AGENT BOB
- Cool?
-
- AGENT RAY
- Yeah, cool.
-
- AGENT BOB
- You think it's cool?
-
- AGENT RAY
- (not caring for where Bob is going
- with this)
- It's cool!
-
- AGENT BOB
- It's not cool. It's commie bullshit!
-
- INT. HIGH SCHOOL BOYS' ROOM.
-
- Dade, Cereal and Phreak check their faces. Cereal brushes
- his teeth.
-
- CEREAL
- (to Phreak)
- So what do you think, can I crash at your
- place tonight?
-
- DADE
- What is it with this guy?
-
- PHREAK
- His parents missed Woodstock and he's been
- making up for it since. Hey, you hear about
- Joey's bust?
-
- CEREAL
- Yeah. Probably had something to do with that
- bank in Idaho.
-
- PHREAK
- Do you think he could hack a Gibson?
-
- DADE
- Did you talk to him?
-
- PHREAK
- Nope. His mom said he's grounded for his next
- three lifetimes.
- (imitating her)
- He isn't to consort with his computer friends.
- (himself again)
- The secret service is really out to get him.
- (changes the subject)
- Hey there's a big party tonight, you wanna go?
-
- Dade shakes his head.
-
- PHREAK
- It's at Kate's...
-
- Dade just smiles.
-
- PHREAK
- Thought so!
-
- Cereal and Phreak leave, Cereal dancing.
-
-
- INT. PLAGUE'S OFFICE.
-
- Plague is wearing a VR helmet and gloves, playing some
- sort of action game. He is unaware that Gill has just
- entered the room.
-
- GILL
- What the hell are you doing? Plague!
-
- He thumps the VR pedestal.
-
- GILL
- PLAGUE!
-
- Plague finally notices, and takes off the helmet.
-
- PLAGUE
- Gill.
-
- GILL
- I think we've got something.
-
- Gill hands Plague a folder. It has the logo of Stanton High.
-
- PLAGUE
- Uuugh, hard copy.
-
- Plague looks it over and recognizes a name.
-
- PLAGUE
- Dade Murphy.
-
-
- INT. DADE'S PLACE.
-
- It's after school. Dade's just unlocking the front door,
- only to find a Secret Service agent behind it. And one
- behind him in the hallway. Both point pistols at him.
-
- AGENT RAY
- Secret Service!
-
- AGENT BOB
- Don't move!
-
- They slam Dade against a wall and start frisking him.
-
- DADE
- Christ! What is the...
-
- AGENT BOB
- Shut up!
-
- DADE
- What are you doing, man? Get off me!
-
- They lead him into his room and throw him down on the bed.
- Plague is there.
-
- AGENT BOB
- Just sit in the bed and keep your hands where we can see
- them.
-
- PLAGUE
- The year was 1988. And this nasty virus
- crashed fifteen hundred systems in one day.
-
- Dade has a flashback.
-
- DADE
- Fifteen hundred and seven.
-
- AGENT RAY
- (astounded)
- Wow, huh!
-
- GILL
- It got you seven years probation. No
- computer, couldn't even use a touch tone
- phone.
-
- PLAGUE
- Must have been hell, huh? Zero Cool?
- (getting to the point)
- A virus has been planted in the Ellingson
- Mineral computer system. You were our prime
- suspect, till we trashed your stuff and found
- no trace of it.
-
- GILL
- However, we have come to believe that one Joey
- Pardella is involved in this Ellingson virus.
- He or perhaps his accomplice has a disk that
- Mr. Belford needs to disable that virus. We
- want you to help us find it.
-
- PLAGUE
- Gill.
-
- The three secret service agents leave Plague and Dade
- alone. Plague shuts the door behind them.
-
- PLAGUE
- (of Gill)
- Loser.
- (continues)
- I can't believe you were only eleven when you
- wrote this. It's quite an impressive virus.
- Dade, I know how you might feel about narking
- on your friends, but, we're hackers. For us,
- there's no such thing as family and friends.
- We're each our own country, with temporary
- allies and enemies. I'd like to make a treaty
- with you.
-
- DADE
- I'm sorry. Who are you?
-
- PLAGUE
- I'm the one who understands you. Now, can we
- be allies?
-
- DADE
- Nah. I don't play well with others.
-
- Plague is holding Dade's baseball bat. He shrugs, turns
- around, and smashes Dade's stereo to smithereens.
-
- DADE
- Shit! Come on!
-
- PLAGUE
- Watch which friends you do play with. A
- record like yours could land you in jail, get
- you kicked out of school, no colleges would
- take you. No future. Exiled from everyone and
- everything you love.
-
- Plague replaces the baseball bat.
-
- PLAGUE
- I'll be in touch.
-
- Plague leaves.
-
- PLAGUE
- (to agents)
- I'm fine.
- (to Dade)
- Oh, and Dade, try to stay out of trouble, okay?
-
- DADE
- Blow me.
-
- PLAGUE
- (smiles)
- Thank you!
-
- INT. DADE'S ROOM. LATER.
-
- Dade is lying in bed. A door opens. It's Kate. She opens
- her motorcycle jacket, revealing her bare breasts. Dade
- starts to get up, she pushes him back own on the bed and
- starts kissing him passionately. He responds in kind.
- Then, Gill, Agent Ray and Agent Bob burst into the room,
- handcuff him, break the two up and haul them away as
- Plague looks on smugly.
-
- Then Dade wakes up in a sweat. It was only a dream. He
- regains his composure. The sound of New York City at
- night surrounds him. He goes back to sleep.
-
-
- INT. KATE'S PLACE.
-
- The party. A large, well-furnished apartment in an
- elegant old skyscraper in the fashionable part of town.
- Teenagers dance and writhe to loud, bassy music. Dade and
- Phreak arrive.
-
- PHREAK
- Her mom makes big bucks writing self-help
- books for women. Stuff like "Women Who Love
- Men Who Are Emotional Amoebae"
-
- Phreak shows Dade the book.
-
- DADE
- That explains a lot.
-
- Kate, the lovely and gracious hostess, mingles and greets
- her many guests, not noticing Dade or Phreak. Cereal
- offers Dade a drink from a plastic bottle. Dade, not
- knowing what he's in for, drinks. Nikon is the Deejay.
-
- PHREAK
- (loudly)
- Yo, what's up Nikon!
-
- NIKON
- Yo Phreak! Dade, man, you made it.
- (to Cereal)
- Houston, we have liftoff, 3 o'clock,
- check it... don't look right away, what's
- wrong with you! Look at her man...
-
- Nikon and Cereal are checking out a truly fine babe.
-
- NIKON
- (concentrating)
- Look out, man. Lisa Blair, 26 East 7th St.,
- apartment 16, 555-4817, BOOM!
-
- DADE
- How did you know that?
-
- NIKON
- I got photographic memory.
- (Smiling)
- It's a curse!
- (Into the crowd)
- Lisa!
-
- LISA
- Hey, how do you know my name?
-
- Cereal and Phreak move through the crowd. Cereal notices
- something.
-
- CEREAL
- Oooo, look at that pooper man. Spandex, it's
- a privilege, not a right!
-
-
-
- INT. MEETING HALL.
-
- A 12-step recovery group. Addicts, including Joey
- Pardella, sit in a semi-circle.
-
- VICKIE
- Hi, my name is Vickie, and I'm an addict.
-
- HANK
- Hi, my name is Hank, and uh, I'm an addict.
-
- JOEY
- (smoking)
- Uh, my name's Joey but, uh, I'm not an addict.
-
- Joey takes a drag. The group reacts indignantly.
-
- JOEY
- Nono, really, really, listen, listen to this.
- I got in trouble with my computer, right,
- okay, and my lawyer told the judge that I'm an
- addict, but I'm not addicted to my computer!
- No really, really,
-
- Joey takes another drag.
-
- JOEY
- I'm not an addict. I'm not, I'm not.
-
- Joey downs his coffee.
-
- JOEY
- Can I get some more coffee?
-
-
- INT. KATE'S BEDROOM.
-
- Phreak is checking out Kate's computer.
-
- PHREAK
- Yo. Check this out guys, this is insanely
- great, it's got a 28.8 BPS modem!
-
- DADE
- Yeah? Display?
-
- CEREAL
- Active matrix, man. A million psychedelic
- colors. Man, baby, sweet, ooo!
-
- NIKON
- I want it.
-
- PHREAK
- I want it to have my children!
-
- CEREAL
- Yeah, I bet it looks crispy in the dark.
-
- PHREAK
- Yo, hit the lights.
-
- Dade hits the lights. The four ooo and ahh at
- its graphics. Kate and Curtis walk into the
- room and hit the bed, unaware of the hackers
- in the corner by her laptop.
-
- DADE
- (whispering)
- Shit!
-
- CEREAL
- Shh!
-
- DADE
- Was that her top?
-
- PHREAK
- One-handed!
-
- CEREAL
- Difficulty rating?
-
- NIKON
- Seven. Wow! Burn's wetware matches her
- software!
-
- DADE
- (loudly)
- Burn!
-
- Their cover is blown.
-
- NIKON
- What the f...
-
- Cereal hides under the desk.
-
- KATE
- Hey! What are you guys doing in here?
-
- PHREAK
- I'm sorry, we're sorry, just checking out your
- fly laptop!
-
- NIKON
- Yeah, it's hyped, you know... you're in the
- butter zone now, baby.
-
- PHREAK
- (smiling)
- Uh-huh!
-
- KATE
- (her tone changing)
- Yeah, it is...
- (she comes over to it)
- I wanna triple the RAM...
-
- CURTIS
- Oooh, Leopard Boy... AND the Decepticons. Uh,
- Kate, Kate, you're not going into that
- computer shit now, right?
-
- Kate barely acknowledges him.
-
- CURTIS
- (cynically)
- Humm, yeah.
-
- Curtis leaves.
-
- CEREAL
- (mockingly)
- Right.
-
- DADE
- The sensitive type.
-
- Kate finally notices that Dade, whom she didn't invite, is at her
- party and in her bedroom.
-
- KATE
- What is he doing in here?
-
- PHREAK
- Relax, Burn, he's my guest.
-
- DADE
- Burn. You're Acid Burn. You booted me out of
- OTV!
-
- KATE
- What?
-
- DADE
- I'm Crash Override.
-
- KATE
- You're the moron that's been invading my turf?
-
- CEREAL
- Whoa, whowhowhowhoa.
- (motioning to Dade)
- Crash...
- (motioning to Kate)
- and Burn!
-
- Cereal breaks into hysterics.
-
-
- INT. PLAGUE'S LOFT.
-
- Plague is hacking.
-
- MARGO
- Murphy kid turn you down?
-
- PLAGUE
- (in a hammy southern accent)
- I disguised myself as an Alabama State Trooper
- and penetrated the FBI NCIC.
-
- MARGO
- Pervert! What are you talking about?
-
- She turns her back to him. He does up the zipper on her
- dress. Their relationship becomes apparent.
-
- PLAGUE
- The FBI computer holds files on twenty million
- Americans. I just hacked into it.
-
- MARGO
- Congratulations.
-
- PLAGUE
- From here I got access to every piece of data
- ever stored on Dade Murphy's parents. His
- parents separated five years ago, reconciled
- two years later, filed for divorce last year,
- custody battle, boy chose to go with his
- mother. Hmm.
-
- MARGO
- So?
-
- PLAGUE
- So, we get the mother, we get the boy.
-
-
-
- INT. KATE'S ROOM.
-
- Kate's room is empty, and Dade can't resist going back in
- to play with her laptop, which far outclasses his own,
- some more. On the balcony, Kate notices and comes back
- in.
-
- KATE
- What the hell are you doing?
-
- DADE
- It's cool, I'm just looking.
-
- KATE
- It's too much machine for you.
-
- DADE
- Yeah?
-
- Dade starts working furiously on it.
-
- KATE
- I hope you don't screw like you type.
-
- Dade slows to a two-finger keypoke, not missing a beat.
-
- DADE
- It has a killer refresh rate.
-
- KATE
- P6 chip. Triple the speed of the Pentium.
-
- DADE
- Yeah. It's not just the chip, it has a PCI
- bus. But you knew that.
-
- KATE
- Indeed. RISC architecture is gonna change
- everything.
-
- DADE
- Yeah. RISC is good.
-
- They uncomfortably exchange glances.
-
- DADE
- You sure this sweet machine's not going to
- waste?
-
- KATE
- Crash Override. What was it. "Mess with the
- Best, Die Like the Rest?"
-
- DADE
- Yeah.
-
- KATE
- Are you challenging me?
-
- DADE
- Name your stakes.
-
- KATE
- If I win, you become my slave.
-
- DADE
- (intrigued)
- Your slave?
-
- KATE
- (realizing his mind is in the
- gutter)
- You wish. You'll do shit work, scan, crack
- copyrights, whatever I want.
-
- DADE
- And if I win?
-
- KATE
- (giggles)
- Make it my first born.
-
- DADE
- Make it our first date.
-
- KATE
- You're not gonna win.
-
- DADE
- And you have to smile.
-
- KATE
- I don't do dates. But I don't lose either, so
- you're on.
-
-
- MONTAGE: Scenes of Dade and Kate preparing for the challenge.
-
- PHREAK
- (voice over)
- So here's the deal. The chosen contest: To
- hassle Secret Service Agent Richard Gill, and
- get one back for Joey.
-
- Dade spray paints camouflage onto his keyboard.
-
- NIKON
- Our decisions are final, by a vote of 2 to 1.
- No appeals.
-
- Kate rifles through her address book.
-
- CEREAL
- The duel will last until we declare a winner.
-
- Dade plays quick-draw with disks.
-
- PHREAK
- Use only the dialups, access codes and
- passwords in your collection. Can't ask for
- any help from us.
-
- Dade, having mastered the quick-disk-draw in the mirror,
- looks satisfied.
-
- DADE
- (into mirror)
- Talking to me?
-
- All five are together at the beginning of the challenge.
-
- PHREAK
- Any questions?
-
- KATE
- Yeah. Whose gonna notify his next of kin?
-
- Dade and Kate shake hands and the challenge begins.
-
- EXT. NEW YORK CITY PUBLIC PHONE.
-
- At a public phone, Kate hacks into Concourse Bank, looks
- up Richard Gill, and has his credit card maxed out.
- "Destroy Card" is the final instruction. The other
- hackers look on.
-
- INT. RESTAURANT.
-
- A waiter runs a credit card through a validation machine,
- sees the message and returns to the patron's table. It is
- Richard Gill. Right there, the waiter chops the
- MasterCard in two with a pair of scissors, to Gill's
- horror.
-
- EXT. NEW YORK CITY PUBLIC PHONE.
-
- Dade hacks into an electronic personal ads system and
- changes an ad.
-
- KATE
- Alright, he's in the personal ads.
- (reading Dade's ad)
- "Disappointed white male, crossdresser, looking
- for discreet friend to bring dreams to
- reality. Leather, lace, and water sports.
- Transvestites welcome."
-
- INT. GILL'S OFFICE.
-
- At his office, Gill is on the speaker phone with someone
- responding to the ad.
-
- GILL
- I... I... I know where you can stick it... I
- know where you can stick it...
-
- Gill punches a button on the phone, another caller comes
- on.
-
- CALLER
- ...wanna lick your earlobes... I wanna lick
- your lips... I wanna lick your toes... I
- wanna lick your ankles...
-
- GILL
- Awww, yeah, you wanna lick something? Lick this.
-
- Gill punches another button, another caller comes on.
-
- CALLER
- That's why they call me Stallion...
-
- GILL
- Aw, that's disgusting!
-
- Gill punches another button.
-
- CALLER
- My heart is steaming for you...
-
- Gill punches another button. He is becoming quite flustered.
-
- CALLER
- ...spank you with my...
-
- GILL
- Aww, Spank your ass...
-
- He punches another button.
-
- Another caller comes on, and Gill hangs up the phone,
- disgusted, offended, and distraught. The Plague is there,
- witnessing the whole thing.
-
- PLAGUE
- Animal!
-
-
- EXT. EMPIRE STATE BULDING OBSERVATION DECK.
-
- It's Kate's turn. Kate is hacking into the Department of
- Motor Vehicles. She adds 113 traffic violations and DUI
- offender status to Gill's record.
-
- EXT. NEW YORK CITY, BUSY STREET.
-
- Gill is being arrested quite forcefully by a NYC police
- grunt. He is thrown onto the hood of his car and
- handcuffed.
-
- GILL
- Hey! Hey, ow! Do you know who I am? Do you
- know who I am?
-
- EXT. CHINATOWN, PUBLIC PHONE.
-
- Dade's turn. He hacks into the Secret Service's personnel
- file, and changes Gill's status to "Deceased."
-
-
- INT. GILL'S OFFICE.
-
- EMPLOYEE
- (on phone)
- This is accounting, sir. You enquired about
- an employee of ours, an Agent Richard Gill?
-
- GILL
- Yes.
-
- EMPLOYEE
- Our records indicate he's deceased.
-
- GILL
- I'm what?
-
-
- INT. CYBERDELIA.
-
- The five are playing pool.
-
- DADE
- Dead.
-
- PHREAK
- Dead?
-
- DADE
- Yeah. Like Rigor Mortis, Habeas Corpus.
-
- NIKON
- Very impressive.
-
- CEREAL
- Super hero like even.
-
- KATE
- Yeah, whatever. What's the score?
-
- Phreak clicks the pool scoreboard so it says 60 - 60.
-
- PHREAK
- Tie.
-
- The other four protest.
-
- PHREAK
- Due to Mr. Gill's untimely demise and
- everything, I guess you two will have to
- improvise the next round.
-
- DADE
- Right. If I win, you wear a dress on our
- date.
-
- KATE
- And if I win, so do you.
-
- Dade thinks about it a second.
-
- DADE
- Deal.
-
- Kate gives Dade a look that says "I'm going to hold you to
- that."
-
-
- INT. KATE'S BED. NIGHT.
-
- A shapely figure wearing a red leather legless suit with a
- zipper that goes all the way around the crotch. Hands
- caress the sultry figure as the camera pans up. The body
- belongs to Dade Murphy.
-
- Kate wakes up gasping. It was only a dream. She pants
- and regains her breath. Then she smiles. She enjoyed
- that dream.
-
- KATE
- Oooohhhh...
-
-
-
- INT. HIGH SCHOOL HALLWAY.
-
- Kate, at her locker, stops Dade.
-
- KATE
- Dade. I didn't know your size, so I guessed.
-
- She opens her locker to reveal a red leather bustier and
- bikini bottom.
-
- KATE
- You are man enough to stick with the deal,
- aren't you?
-
- Dade walks off.
-
-
- INT. DADE'S PLACE.
-
- Dade signs an electronic pad for a package from UPS. He
- takes the package.
-
- DADE
- Thanks.
-
- He closes the door and opens the package. It is a laptop
- computer, clear plastic shell, full colour screen. Very
- high-end, perhaps the equal to Kate's machine. He turns
- it on. The Plague's face, distorted, appears. It speaks.
-
- PLAGUE
- You wanted to know who I am, Zero Cool? Well
- let me explain the New World Order.
- Governments and corporations need people like
- you and me. We are samurai. The keyboard
- cowboys. And all those other people out there
- who have no idea what's going on are the
- cattle. Mooo! I need your help, you need my
- help. Let me help you earn your spurs. Ahh,
- think about it. Enjoy the laptop, "Cool"!
- Tell me where the disk is.
-
- Plague's face vanishes.
-
-
- INT. JOEY'S ROOM.
-
- Joey lies on his bed with a comic book, looking
- despondent. His mother enters.
-
- JOEY'S MOM
- You look pitiful. Okay, okay, you're not
- grounded anymore.
-
- She kisses his forehead and leaves. He springs back to
- life, gets up and gets the disc from where he stashed it
- in the air vent.
-
-
- EXT. PARK.
-
- Joey is nervously waiting on a park bench. Phreak arrives.
- Agents Ray and Bob still have Joey staked out.
-
- PHREAK
- Yo, what's up?
-
- JOEY
- Dude dude dude, I gotta talk to you a minute,
- listen listen listen. I copied a garbage file
- from...
-
- PHREAK
- Big deal. A garbage file's got shit in it,
- Joey, come on.
-
- JOEY
- Nono, it's like hot or something. I don't know.
-
- PHREAK
- Joey, a garbage file holds miscellaneous data.
- Junk. Bits of stuff that's been erased, man.
-
- JOEY
- I copied it from Ellingson, okay? They're
- asking me about it, alright? Will you take a
- look for me?
-
- Joey hands Phreak the disc. Agent Bob is taking pictures,
- and Phreak notices.
-
- PHREAK
- Oh shit, Joey, you've got a tail.
-
- Joey sees, and runs for it.
-
- JOEY
- Shit!
-
- The agents split up, one runs after Joey, the other after
- Phreak.
-
-
- INT. HIGH SCHOOL BOYS' ROOM.
-
- Phreak has lost his tail. He puts Joey's disc behind a
- condom machine in the boys' room at school, and sticks it
- there with gum.
-
-
- INT. PHREAK'S ROOM.
-
- Phreak frantically destroys all records of his hacking
- career. He knows he's about to be busted.
-
-
- DREAM SEQUENCE.
-
- The Secret Service is about to burst in on Phreak. He
- still hasn't destroyed any records, and starts manically
- going through everything. Gill is on his laptop screen.
-
- GILL
- I'm watching you...
-
- INT. PHREAK'S ROOM. MORNING.
-
- A knock on the door. Phreak awakes. It's his mother.
-
- PHREAK'S MOM
- Ramon? Wake up. Ramon! Wake up! Vamano.
- Time for school, come on.
-
- The secret service bursts in through the window just as
- Phreak's mom opens the blind. She screams, Phreak leaps
- to his feet.
-
- AGENT
- Secret Service, don't move!
-
- PHREAK
- Deja vu!
-
- AGENT BOB
- Ray Sanchez, you are under arrest, under the
- Computer Fraud and Abuse Act of 1986.
-
- Phreak's mom becomes very angry and starts slapping
- Phreak, cursing in Spanish.
-
- PHREAK
- What are you waiting for, arrest me already!
-
-
- INT. POLICE STATION LOCKUP.
-
- The undersized Phreak is just a morsel to the hardened
- thugs behind these bars and they taunt him viciously as he
- is led to his one phone call.
-
- COP
- You get one call. Uno. Understand?
-
- The cop locks the dial on the phone.
-
- Phreak waits for the cop to leave, and hangs up. He
- starts rapidly pushing the hangup hook, and he hears a
- ringing tone.
-
- OPERATOR
- Hello, operator services.
-
- PHREAK
- Hello, operator? I'm having trouble dialing a
- number.
-
- OPERATOR
- What number please?
-
- PHREAK
- 555-4202.
-
- OPERATOR
- Just one moment.
-
- PHREAK
- Thank you.
-
- Kate answers.
-
- KATE
- Hello?
-
- PHREAK
- Hey, it's me.
-
- KATE
- Phreak?
-
- PHREAK
- I'm freaking! Joey wasn't making it up! He
- really hacked into Ellingson! He gave me the
- disc with a file he copied and now I'm in
- jail! They're charging me with some serious
- shit! And there's stuff I didn't even do,
- like inserting some virus called Da Vinci, and
- they keep asking about you guys.
-
- KATE
- You think they're going to bust us?
-
- PHREAK
- Yeah! You better figure out what's on that
- disc, cause we're being framed. It's in that
- place where I put that thing that time?
-
- He hangs up just as the cop returns.
-
-
- INT. SCHOOL BOYS' ROOM.
-
- Kate is entirely out of place in the boys' room, as the
- boys look on amusedly. She finds the disc behind the
- condom machine and pockets it. Then she buys a condom from
- the machine and struts out, smiling sweetly, hot as fire.
-
- INT. DADE'S PLACE.
-
- Kate knocks. Mrs. Murphy lets Kate and Cereal in.
-
- MRS. MURPHY
- Hi!
- (looking Kate over)
- Well, now I see what all the fuss is about.
- (she shows them to Dade's room)
- Dade... you have company.
-
- CEREAL
- It's a nice room.
-
- KATE
- We need your help.
-
- DADE
- Do my ears deceive me?
-
- Kate starts to leave.
-
- CEREAL
- Nonononono. Truce, you guys. Listen, we got
- a higher purpose here, alright? A wake up
- call for the Nintendo Generation. We demand
- free access to data, well, it comes with some
- responsibility. When I was a child, I spake
- as a child, I understood as a child, I thought
- as a child, but when I became a man I put away
- childish things.
- (pause)
- What... It's Corinthians I, Chapter 13, verse
- 11, no duh. Come on.
-
- KATE
- Phreak and Joey are being framed. We need
- your help to figure out what's on this disc.
-
- DADE
- I can't. Everybody who touches that thing
- gets busted, I can't afford to get arrested,
- I'm sorry.
-
- CEREAL
- Maybe I should just go to the bathroom or
- something.
-
- Cereal leaves the room.
-
- KATE
- What is it with you? I know we've been
- playing games, but, we're supposed to be on
- the same side and we really need your help. I
- really need your help.
-
- DADE
- I'm sorry, I can't.
-
- KATE
- Well, could you just make a copy of the disc?
- And just hide it in case we get busted, so we
- have something to give our lawyers, something
- that hasn't been tampered with? Can you do
- that?
-
- A knock on the door. Dade's mom peeks in.
-
- MRS. MURPHY
- Listen you guys, help yourself to anything in
- the fridge. Cereal has.
-
- She leaves.
-
- KATE
- (to Mrs. Murphy)
- Thank you.
-
- DADE
- Okay. I'll copy it.
-
- KATE
- Okay, thank you.
-
-
- Later. Plague phones Dade. Plague has Lauren Murphy's
- records on his screen.
-
- PLAGUE
- The girl. The girl has the disc I need.
-
- DADE
- I told you, I don't play well with others.
-
- PLAGUE
- Turn on your laptop. Set it to receive a
- file.
-
- Dade does.
-
- An extensive criminal record with a strange woman's
- picture comes up. The strange woman transforms into
- Dade's mother.
-
- PLAGUE
- Lauren Murphy is now a wanted felon in the
- state of Washington. Forgery, Embezzlement,
- two drug convictions, plus she jumped parole.
- When she's arrested, she will not have a
- trial, she will not pass go, she will go
- directly to jail. Then I change this file
- back to the original, and your mom disappears.
-
- DADE
- That's bullshit.
-
- PLAGUE
- What can I tell you. Computers never lie,
- kid. Your mom will be arrested at work,
- she'll be handcuffed, and later, strip
- searched.
-
- DADE
- You lay a finger on her and I'll kill you.
-
- PLAGUE
- Kid, don't threaten me. There are worse
- things than death and, uh, I can do all of
- them!
-
- Dade emerges from his room. His exhausted, overworked
- mother is asleep on the couch. He pulls a blanket over
- her.
-
-
- EXT. PUBLIC PHONE, WET STREET, NIGHT.
-
- Shortly after, Dade is outside on a payphone.
-
- PLAGUE
- Talk to me.
-
- DADE
- I got it. But listen, Kate didn't know what's
- on it. I mean, she came to me to figure it
- out. She's not the one who planted the virus.
- You leave her alone.
-
- PLAGUE
- Hey, don't worry, kid. If she's innocent,
- she'll be fine. Your mommy's safe now, okay?
-
- Dade hangs up and waits for some time. A limousine drives
- by, with a skateboarder tailing. Plague grabs the disc,
- jumps in the limo and speeds away. Dade tries to chase
- but gives up quickly.
-
-
- INT. KATE'S ROOM.
-
- Dade shows up. Kate, Nikon, and Cereal are working on the
- disc.
-
- DADE
- Kate, listen.
-
- KATE
- Uh, hold on...
-
- DADE
- I have to tell you something.
-
- CEREAL
- Hold on a second!
-
- NIKON
- Look at this, it's so lean and clean.
-
- CEREAL
- Looks like a hacker wrote it.
-
- KATE
- Come here, look at this. This thing is dense.
-
- Nikon points out part of the code.
-
- NIKON
- But that's ill, man. It's incomplete. This
- is taking forever and a day to figure out.
- I'm gonna make some coffee.
-
- Dade takes Nikon's place.
-
- CEREAL
- Tag, you're in.
-
- Hours pass. Dade studies and reverse engineers the
- garbage file. The other hackers watch, and do just about
- anything but be hackers. Finally, over boxes of
- half-finished pizza, Dade makes an announcement.
-
- DADE
- This isn't a virus. It's a worm!
-
- NIKON
- What's this one eat?
-
- DADE
- It nibbles. You see this?
-
- Dade indicates a rapidly scrolling data display.
-
- DADE
- This is every financial transaction Ellingson
- conducts, yeah? From million dollar deals to
- the ten bucks some guy pays for gas.
-
- KATE
- The worm eats a few cents from each transaction.
-
- DADE
- And no one's caught it because the money isn't
- really gone. It's just data being shifted
- around.
-
- KATE
- Right. And when the worm's ready, it zips out
- with the money and erases its tracks.
-
- DADE
- Joey got cut off before he got to that part.
- Check it out. By this point, it's already
- running at, what, twice the speed as when it
- started.
-
- KATE
- Right, and at this rate it ends its run in...
-
- NIKON
- Two days.
-
- DADE
- And judging by this segment alone, it's
- already eaten about...
-
- CEREAL
- 21.8 million bucks, man.
-
- Nikon whistles.
-
- KATE
- Whoever wrote this needs somebody to take the
- fall. And that's Phreak, and that's Joey, and
- that's us. We've got to get the rest of the
- file, so we can find out where the money is
- going before the worm disappears, so we can
- find out WHO created it.
-
- DADE
- I know, I know who wrote it.
-
- KATE
- What?
-
- DADE
- This Ellingson security creep. I gave him a
- copy of the disc you gave me.
-
- KATE
- You what?
-
- DADE
- I didn't know what was on it.
-
- CEREAL
- (agitated)
- Oh man. That's universally stupid, man!
-
- NIKON
- Yo, man, you an amateur, man.
-
- KATE
- Why did he come to you?
-
- DADE
- I got a record. I was Zero Cool.
-
- NIKON
- Zero Cool? Crashed fifteen hundred and seven
- systems in one day?
-
- Nikon closes his eyes and access his photographic memory.
-
- NIKON
- Biggest crash in history, front page, New
- York Times, August 10th, 1988. I thought
- you was black, man! Yo, man, this is Zero
- Cool! Oh, shit!
-
- CEREAL
- That's far out!
-
- NIKON
- This is Zero Cool, man! Whooo, haha!
-
- KATE
- (coldly)
- Well that's great. There goes MIT.
-
- DADE
- I'll make it up!
-
- KATE
- Yeah? How?
-
- DADE
- I'll hack the Gibson.
-
- NIKON
- They'll trace you like that
- (snaps his fingers)
- man, cops are gonna find you, they're
- gonna find you with a smoking gun.
-
- DADE
- Fucked if I care, man.
-
- NIKON
- Look, even if you had the passwords, it'll
- take you ten minutes to get in, and you've
- still gotta find the files, man, I mean, the
- cops will have you in... five minutes.
-
- CEREAL
- Oh wow, we are fried.
-
- KATE
- (suddenly lighter-hearted)
- Never send a boy to do a woman's job. With
- me, we can do it in seven.
-
- CEREAL
- You're both screwed. I help, we can do it in six.
-
- NIKON
- Jesus, I gotta save all your asses. I help,
- we can do it in five minutes, man.
-
- DADE
- Okay. Let's go shopping.
-
- CEREAL
- Woo hoo! Boom!
-
-
- EXT. OUTSIDE ELLINGSON BUILDING.
-
- Dade and Kate cut through a chain link fence and jump into
- a dumpster at Ellingson. Kate lands on Dade.
-
- DADE
- You know, if I didn't live by a strict code of
- honor, I might take advantage of this
- situation. Erotically, as it were.
-
- Kate fishes around in her pants, never breaking eye
- contact with Dade. She pulls out a flashlight. They
- start trashing. They get up to leave and are spotted by a
- security guard.
-
- GUARD
- Alright, hold it right there!
-
- Kate pulls out a flare gun and fires it at the security
- guard. He ducks.
-
- DADE
- Shit!!
-
- KATE
- It's my subway defense system.
-
-
- EXT. NEW YORK CITY STREET.
-
- Nikon is staring down a manhole, Cereal is fishing through
- an adjacent phone company truck.
-
- NIKON
- He's way down there.
-
- Cereal emerges with a beltload of equipment and a hard hat.
- But he forgot the most important thing.
-
- CEREAL
- Ta-da!
-
- NIKON
- Yo, brain dead, the manual!
-
- Cereal goes back to the truck and gets a thick manual. The
- phone company technician comes up from the manhole.
-
- PHONE COMPANY TECH
- Hey!
-
- CEREAL AND NIKON
- (in unison, pointing down the street)
- TRUCK!!!
-
- The phone company tech jumps back in the hole, Cereal and
- Nikon take off.
-
-
- INT. SECRET SERVICE BULDING.
-
- A woman is seated at the desk. Agent Gill walks by.
-
- WOMAN
- Find it?
-
- Cereal emerges from the desk, between her legs. His tool
- belt dangles obscenely from his crotch.
-
- CEREAL
- Phone's alright. The problem must be
- somewhere else.
-
- Cereal walks away with his buttcrack seriously showing.
-
-
- INT. ELLINGSON MINERAL OFFICES.
-
- Nikon poses as a flower delivery boy. He winds his way
- through the offices of Ellingson Mineral, "shoulder
- surfing", watching the workers entering passwords. His
- photographic memory captures everything. The Plague walks
- past him, noticing briefly but not making the connection.
-
- INT. PLAGUE'S LOFT.
-
- The Da Vinci virus' launch/cancel prompt is up.
-
- MARGO
- (pacing)
- They had a large chunk of the garbage file?
- How much do they know?
-
- PLAGUE
- Not everything. But enough to implicate us.
-
- MARGO
- You said the worm was untreaceable!
-
- PLAGUE
- Yeah. To civilians. But they're hackers.
- But don't worry. All we have to do is launch
- the Da Vinci virus, and then they'll all be
- put away.
-
- MARGO
- Launch the Da Vinci virus? You can't do that!
-
- PLAGUE
- No one believes the guilty. Besides, by the
- time they realize the truth, we'll be long
- gone with all of our money.
-
- Margo starts to protest.
-
- PLAGUE
- Look, there is no right and wrong. There is
- only fun and boring. A thirty year prison
- sentence sounds pretty dull to me. Who do you
- prefer serves it, us? Or them?
-
- Plague clicks on "Launch". The virus repeats its demand.
-
- VIRUS
- Unless five million dollars are transferred to
- the following numbered account in seven days,
- I will capsize five tankers in the Ellingson
- fleet.
-
- EXT. OPEN SEA.
-
- As the virus speaks, a supertanker sails on a choppy sea.
-
- INT. PLAGUE'S LOFT.
-
- Plague leaves a message on Gill's answering machine.
-
- PLAGUE
- (sternly)
- The virus goes off tomorrow morning at 10:30,
- and those hackers tried to get into our system
- again. At this point I insist you take more
- strenuous action, or Ellingson Mineral will
- hold the Secret Service responsible.
-
- Gill gets on the phone.
-
- GILL
- (grimly)
- Get me arrest warrants on Kate Libby, alias
- Acid Burn, Emmanuel Goldstein, alias Cereal
- Killer, Dade Murphy, alias Crash Override,
- also known as Zero Cool, and Paul Cook, alias
- Lord Nikon. We pick them up tomorrow morning
- at nine o'clock.
-
- As Gill gives the order, a mysterious device under his
- desk blinks. Cereal put it there.
-
-
- INT. NIKON'S PLACE.
-
- Nikon and Cereal taped Gill's orders.
-
- CEREAL
- Snoop onto them...
-
- NIKON
- ...as they snoop onto us.
-
- Nikon calls Kate.
-
- KATE
- Yeah, it's Kate.
-
- NIKON
- Hey, Burn. We got a little problem here.
-
-
- INT. SUBWAY.
-
- Cereal, Nikon, Dade and Kate skate through a run down
- subway platform and get on the "A" Train. They go over
- the results of their password gathering spree.
-
- KATE
- Alright, so what have we got?
-
- DADE
- Well, we have fifty passwords, plus whatever
- Polaroid head here got inside Ellingson.
-
- NIKON
- Well, I got a lot, alright? I don't know how
- many but... my head hurts.
-
- CEREAL
- Yo, everyone check this out. Hey, what's the
- Da Vinci virus?
-
- DADE
- What?
-
- CEREAL
- Check this out. It's a memo about how they're
- gonna deal with those oil spills that happened
- on the fourteenth.
-
- KATE
- What oil spills?
-
- NIKON
- Whoa, whoa. Yo, brain-dead, today is the
- thirteenth.
-
- CEREAL
- Well this hasn't happened yet.
-
- KATE
- Wait a minute, the fourteenth, that's the same
- day the worm ends its run. I mean... Da Vinci
- virus, didn't Phreak say that's what he was
- being charged with? Look...
- (quotes the memo)
- "Infecting ballast programs of Ellingson
- tankers" - they blame hackers!
-
- NIKON
- (angry)
- Damn!
-
- CEREAL
- A worm AND a virus? The plot thickens.
-
- Kate gets ready to get off the subway.
-
- NIKON
- Whoa, whoa whoa whoa, where are you going,
- huh?
-
- KATE
- I got an idea. We've got a few hours, right,
- till we get arrested. So just stay low. I'm
- gonna go get some help. I'll beep you, okay?
- (to Dade)
- Are you coming?
-
- Dade gets up.
-
- CEREAL
- May the Force be with you, man.
-
-
- INT. INDUSTRIAL DANCE CLUB.
-
- Weird music plays, lots of weird people dance. Razor and
- Blade are on stage, dancing in front of a huge speaker.
-
- KATE
- There they are!
-
- DADE
- (incredulous)
- Razor and Blade! They're flakes!
-
- KATE
- They're elite! Let's get 'em.
-
- Dade and Kate push through the crowd. The song changes to
- a fast industrial rap number, Razor and Blade leave the
- stage, and Dade starts getting moshed. He climbs on the
- stage to follow Razor and Blade. For his trouble, he is
- thrown back onto the crowd, who pass him around overhead.
-
- Finally the crowd lets him go. He catches up with Kate.
-
- KATE
- I lost 'em. Where were you?
-
- Dade tries to explain, but is at a loss for words.
-
- They make their way to the entrance to Razor and Blade's
- lair. Video monitors are everywhere.
-
- DADE
- I don't like this.
-
- A robotic arm with a revolver swings around to point at
- Dade.
-
- DADE
- AAAAAUGH! I definitely don't like this!
-
- BLADE
- (through video intercom)
- What do you want?
-
- DADE
- Ummm... we come in peace?
-
- Dade winces at his own corniness.
-
- KATE
- We need your help. If you're up to it.
-
- RAZOR
- She's buff. Ballsy.
-
- BLADE
- Let's keep her.
-
- RAZOR
- Waste the dude.
-
- The gun goes off. It's only a cigarette lighter! No one
- can accuse Razor and Blade of not having a sense of humor.
-
-
- INT. RAZOR AND BLADE'S PLACE.
-
- KATE
- A virus called Da Vinci will cause oil spills
- at 10:30 AM Eastern Time tomorrow.
-
- DADE
- It's somehow connected with the worm that's
- stealing the money.
-
- KATE
- We need your help to overload the Gibson so we
- can kill the Da Vinci virus and download the
- worm program.
-
- RAZOR
- She's rabid, but cute.
-
- BLADE
- See, we're very busy. A TV network that
- wishes to remain nameless has expressed an
- interest in our show.
-
- DADE
- (noticing the stench of sellout)
- Let's go, Kate.
-
- RAZOR
- Wait. Nobody said no. But you are going to
- need more than just two media icons like us.
- You need an army.
-
- BLADE
- That's it! An electronic army! If I were us,
- I'd get on the internet, send out a major
- distress signal.
-
- RAZOR
- Hackers of the World, Unite!
-
- BLADE
- How are you going to take care of the cops?
-
- Dade just smiles.
-
- INT. DADE'S ROOM.
-
- Dade hacks into the city traffic light control system.
- Suddenly there is gridlock on the streets of New York
- City.
-
- EXT. CENTRAL PARK.
-
- Nikon is playing chess against two Hassidic Jews.
- Cereal's beeper goes off. It displays the message:
-
- GRAND CENTRAL
- HACK THE PLANET
-
- CEREAL
- Yo. I'm blowing up. It's Kate, Grand
- Central. Let's hit it!
-
- Nikon checkmates his opponent and the two leave.
-
- Dade, Cereal, Nikon, and Kate skate through the streets.
- Dade's program to freeze all the traffic lights on green,
- runs on schedule at 9:00:00 precisely. Picture New York City in
- morning rush hour, and every traffic light is green. Instant
- gridlock ensues. The four skate through the traffic easily, while
- the Secret Service, now pursuing them, is stuck. Gill punches a
- parked car in frustration. Its alarm goes off.
-
- INT. GRAND CENTRAL STATION.
-
- The four hackers skate into Grand Central Station and head
- to the lowest level. They meet up with Joey.
-
- CEREAL
- Hey Joey, you made it!
-
- INT. GRAND CENTRAL PUBLIC PHONES.
-
- The hackers are now setting up laptops at a bank of pay
- phones. Dade is wearing a "Pirate Eye" eyepiece.
-
- KATE
- Now listen up, use your best viruses to buy us
- time, we have to get into Plague's file and
- copy the worm.
-
- Cereal screams.
-
- CEREAL
- Ai! Boom boom aiaiaiaiaee! Alright, that was
- a little tension breaker, that had to be done,
- alright?
-
- KATE
- Cereal.
-
- CEREAL
- Yeah?
-
- KATE
- Go fix the phones.
-
- CEREAL
- Roger.
-
- Cereal takes off to fix the phones.
-
- KATE
- Joey, take his place.
-
- JOEY
- What, me?
-
- KATE
- Take his place, man, do it. You can do it.
-
- Joey takes Cereal's place.
-
- KATE
- Ready?
-
- DADE
- Yeah.
-
- KATE
- Alright, let's boot up.
-
- The four boot up their machines. Various vanity screens
- come up on the laptops. They begin to hack. We see the
- inside of the Gibson. Viruses of all kinds begin to pour
- in. In the offices and data processing rooms, the
- Ellingson staff are in pandemonium. Happy faces with eye
- patches appear on their screens. "Sit on my interface."
- "Shit for Brains." "Arf Arf Arf!" Cookie monsters.
-
-
- INT. COMPUTER ROOM, ELLINGSON MINERAL.
-
- The big monitor shows the attack in progress.
-
- MARGO
- What is it? What's wrong?
-
- PLAGUE
- Nothing, it's just a minor glitch.
-
- MARGO
- "Minor glitch" with you seems to turn into a
- major catastrophe.
-
- The main screen is filled with:
-
- I WANT A COOKIE. GIVE ME A COOKIE NOW!
-
- HAL
- There's a new virus in the database.
-
- MARGO
- What's happening?
-
- HAL
- It's replicating, eating up memory. What do I
- do?
-
- PLAGUE
- Type "Cookie", you idiot. I'll head 'em off at
- the pass.
-
- Another virus appears.
-
- HAL
- We have a Zero Bug attacking all the login and
- overlay files.
-
- PLAGUE
- Run anti-virus. Give me a systems display!
-
- The systems display comes up. Red flashes everywhere,
- signifying new attacks. Plague presses a key.
-
- PLAGUE
- Die, dickweeds!
-
- HAL
- A rabbit is in the administration system.
-
- Rabbit icons start to fill the systems display.
-
- PLAGUE
- Send a Flu-shot.
-
- MARGO
- Rabbit, Flu-shot, someone talk to me.
-
- HAL
- A rabbit replicates till it overloads a file,
- then it spreads like cancer.
-
- MARGO
- Cancer?
-
- The Da Vinci Virus sings "Row Row Row Your Boat".
- Tanker ballasts start filling - for real.
-
-
-
- INT. GRAND CENTRAL PUBLIC PHONES.
-
- KATE
- It's the Gibson, it's finding us too fast.
-
- DADE
- Man, there's too many garbage files, I need
- more time.
-
-
-
- INT. COMPUTER ROOM, ELLINGSON MINERAL.
-
- PLAGUE
- They're at Grand Central Station, lower level.
- Don't screw up.
-
-
-
- EXT. GRIDLOCKED STREETS.
-
- The Secret Service and NYPD are stuck. They turn around
- and head for Grand Central Station.
-
- INT. GRAND CENTRAL PUBLIC PHONES.
-
- The public phone next to Dade's rings. Dade answers.
- It's The Plague.
-
- INT. COMPUTER ROOM, ELLINGSON MINERAL.
-
- PLAGUE
- Game's over. Last chance to get out of this
- without a prison sentence. You're not good
- enough to beat me, you little shit.
-
- INT. GRAND CENTRAL PUBLIC PHONES.
-
- DADE
- Yeah, maybe I'm not. But we are, you asshole.
-
-
- INT. COMPUTER ROOM, ELLINGSON MINERAL.
-
- PLAGUE
- Give it up! Just give it up.
-
-
- INT. GRAND CENTRAL PUBLIC PHONES.
-
- Kate's phone rings. It's Razor.
-
- RAZOR
- Are we fashionably late?
-
-
- Hackers in England, Italy, Japan, Russia, everywhere
- mobilize and start attacking the Ellingson Gibson. The
- English hacker looks and talks suspiciously like Annie
- Lennox's husband. Our heroes relentlessly search for
- the right garbage file.
-
-
- INT. COMPUTER ROOM, ELLINGSON MINERAL.
-
- SYSOP
- We have massive infection. Multiple GPI and
- FSI viruses.
-
- HAL
- They're coming in from remote nodes. They're
- going after the Kernal!
-
- MARGO
- Colonel who?
-
- HAL
- The System Command Processor, it's the brain.
-
- MARGO
- Cancer, brain... Brain Cancer?
-
- Duke Ellingson arrives.
-
- DUKE ELLINGSON
- Belford, what's going on?
-
- PLAGUE
- In short, Duke, a shit storm.
-
-
- INT. GRAND CENTRAL STATION.
-
- Dozens of armed Secret Service and SWAT troops push
- through the crowded station looking for the hackers.
-
-
- INSIDE THE COMPUTER.
-
- The garbage file lights up. The familiar psychedelic
- swirl of equations and fractal graphics returns.
-
-
- INT. GRAND CENTRAL PUBLIC PHONES.
-
- DADE
- I found it! I found it!
-
-
- INT. COMPUTER ROOM, ELLINGSON MINERAL.
-
- PLAGUE
- This is the end, my friend.
- (smiling sickly)
- Thank you for calling!
-
-
- INT. GRAND CENTRAL PUBLIC PHONES.
-
- Dade is disconnected.
-
- DADE
- Oh, shit! He got me.
-
- NIKON
- Joey's getting stupid busy.
-
- The SS and SWAT are still closing in on the hackers.
-
- DADE
- Joey. I need you to drop your viruses, go
- after the worm. You're the closest.
-
- The SS and SWAT push through crowds.
-
- DADE
- It's root slash period workspace slash
- period garbage period.
-
- The SS are nearly there.
-
- Joey has found the file.
-
- The SS arrive. Gill himself has his .357 drawn.
-
- GILL
- Freeze!
-
- It's an empty bank of payphones, the receivers are linked
- together and taped up. No hackers. They keep going.
-
- GILL
- (pissed off but determined)
- Ahhh Come on!
-
- Joey completes the download.
-
- KATE
- (to Razor and Blade)
- Kill the Gibson.
-
- RAZOR
- Roger that.
-
-
- INT. COMPUTER ROOM, ELLINGSON MINERAL.
-
- PLAGUE
- Come on you son of a bitch, is that all you
- got, huh? Come on, let's see what else you
- can do! You talking to me? Huh? Hahahaha.
- Are you nuts? Come at me!
-
- Margo and Duke are awed by Plague's imminent failure and
- total unprofessionalism.
-
- HAL
- They're in the kernal.
-
- DA VINCI VIRUS
- Help... me...
-
- The Da Vinci virus dies. The tankers stop capsizing and
- right themselves.
-
- WOMAN
- (off screen)
- The tankers have stopped capsizing.
-
- SOMEONE ELSE
- (off screen)
- Ballast tanks are emptying. It'll be okay.
-
-
- The main screen lights up:
-
- ARF ARF!
- WE GOTCHA!
-
- MESS WITH THE BEST
- DIE LIKE THE REST
-
-
- PLAGUE
- Little pissant!
-
- The Gibson dies in a flash of light.
-
- INT. GRAND CENTRAL PUBLIC PHONES.
-
- The hackers cheer and congratulate each other.
-
- NIKON
- Yes!
-
- DADE
- We did it!
-
- KATE
- Let's get out of here!
-
- GILL
- FREEZE!
-
- The SS have caught up with the hackers. Agent Bob seems to
- be choosing which pore on which hacker's face to blow away
- first. Only Joey thinks to put his hands up.
-
- As they are led away, a handcuffed Dade surrreptitiously
- tosses the disc with the worm into a trashcan.
-
- EXT. GRAND CENTRAL STATION.
-
- Outside, he notices Cereal, who wasn't present to be
- arrested. He yells to the crowd, but really is
- addressing Cereal.
-
- DADE
- They're TRASHING our rights, man! They're
- TRASHING the flow of data! They're TRASHING!
- TRASHING! TRASHING! HACK THE PLANET! HACK
- THE PLANET!
-
- GILL
- Shut up and get in the car!
-
- CEREAL
- (understanding the hidden message)
- HACK THE PLANET! HACK THE PLANET!
-
-
- INT. GRAND CENTRAL STATION.
-
- Later, Cereal is trashing through the garbage cans in
- Grand Central Station. Eventually he finds the disc.
- To Cereal's disgust, it has gum stuck to it.
-
-
-
- INT. GILL'S OFFICE.
-
- Gill phones The Plague to report the successful takedown.
-
- PLAGUE
- Hello?
-
- GILL
- We caught 'em.
-
- PLAGUE
- Good.
-
- GILL
- Red handed! You won't be having any more
- trouble from them.
-
- INT. PLAGUE'S LOFT.
-
- At Plague's place, Plague and Margo toast with champagne,
- giggle, and then scurry off to bed...
-
-
- INT. GILL'S OFFICE.
-
- Dade and Kate are there.
-
- DADE
- Me, alright? I did it. She knows shit about
- computers. She... she's just my girlfriend.
-
- GILL
- (laughing)
- I suggest you modify your attitude. Because
- you are floating! And I'm about to flush your
- ass.
-
- The intercom beeps.
-
- AGENT
- You've got a Mrs. Murphy to see you, sir.
-
- Gill leaves.
-
- KATE
- Are you crazy? What are you doing?
-
- DADE
- I'm trying to help you.
-
- She pauses, realizing his gesture.
-
- KATE
- Dade.
-
- DADE
- What?
-
- KATE
- Thanks for your help.
-
- Dade turns on the intercom. Gill can be heard through it.
-
- GILL
- (grimly)
- Your son is in big trouble. He has violated
- his probation and he has engaged in criminal
- activity.
-
- MRS. MURPHY
- My son happens to be a genius. He understands
- something happening today that you won't
- comprehend if you live to be a hundred, and he
- would never use what he knows to harm a living
- soul.
-
- Agent Bob enters.
-
- AGENT BOB
- The news crew you requested is here.
-
- MRS. MURPHY
- Oh good. Cause I have a few things to tell
- them.
-
- GILL
- Your son is facing thirty felony counts in an
- ongoing investigation. You face possible
- arrest if you do that.
-
- MRS. MURPHY
- Mister, I don't care if I face certain death.
-
- GILL
- Mrs. Murphy stays right here.
-
- KATE
- Oh, wow, she's great.
-
- DADE
- Yeah.
-
- INT. SECRET SERVICE OFFICES.
-
- The news crew interviews Gill.
-
- REPORTER
- ...and attacked the Ellingson's computer
- network. Is the last we've seen of this type
- of high-tech espionage?
-
- GILL
- Well, I'm afraid not. Hackers are a grave
- threat to the national security. This
- incident just proves without a doubt that we
- need increased funding to stop...
-
- Nikon and Joey are led in.
-
- The monitors cut into static, then Cereal appears.
-
- SOMEONE
- We're getting interference.
-
- SOMEONE ELSE
- That kid cut him off!
-
- CEREAL
- (on TV)
- Hold on, boys and girls. It is I, the Cereal
- Killer, making my first coast to coast, world
- wide, global television appearance. Yes,
- that's right, I'm here to tell you about this
- heinous scheme hatched from within Ellingson
- Mineral.
-
- Razor and Blade busily work on keeping him on the air.
-
- CEREAL
- But for what, you ask? World domination?
- Nay. Something far more tacky. A virus called
- Da Vinci, that when launched, would cause
- Ellingson Mineral tankers to capsize was to be
- blamed on innocent hackers. But this virus was
- really the smokescreen, right. What could be
- so vitally important to protect that someone
- would create such a nasty, antisocial, very
- uncool virus program?
-
- Cereal is now seen and heard on the big screen in Times
- Square.
-
- CEREAL
- But why? Could it be to cover the tracks for
- this worm program? A worm that was to steal 25
- million bucks. The password for this hungry
- little sucker belongs to Margo Wallace, head
- of public relations at Ellingson Mineral...
-
-
- INT. PLAGUE'S LOFT.
-
- Margo watches this and sits bolt upright in bed.
-
- MARGO
- Oh my God!
-
- CEREAL
- (continuing)
- ...and Eugene Belford, Computer Security
- Officer.
-
-
- INT. SECRET SERVICE OFFICE
-
- GILL
- (finally understanding what's been
- going on all along)
- Son of a BITCH!
-
- CEREAL
- (continuing)
- What's this? Is this the unnamed account in the
- Bahamas where the money was to be stashed? I
- think so! I'm lucky!
-
- An account number scrolls below Cereal's chin.
-
- CEREAL
- Yo. I kinda feel like God!
-
- His voice echoes across the earth and among the
- satellites.
-
- MARGO
- Plague?
-
- She looks around, worriedly.
-
- MARGO
- Eugene???
-
- Almost supernaturally, Plague is already gone. He was
- right next to her, stark naked in bed a second ago.
-
- INT. SECRET SERVICE OFFICES.
-
- The hackers embrace and congratulate each other again,
- Lauren Murphy hugs her son.
-
- INT. POLICE STATION, WOMEN'S LOCKUP.
-
- Margo Wallace has been arrested, and is being led into the
- women's lockup. Some of the other women grab at her
- expensive Italian leather jacket as she is led to her cell.
-
- MARGO
- I don't even know how to work a VCR, let alone
- a computer! Get off! Look, listen, I'll make
- a deal. Eugene Belford! I know where his
- mother is, I promise you. Get offa me! I need
- a lawyer!
-
-
- INT. AIRLINER CABIN. IN FLIGHT.
-
- STEWARDESS
- Here you are, Mr. Babbage. Flight time to
- Tokyo should be about 14 hours today. Can I
- get you anything else?
-
- "Babbage" is The Plague in disguise; he now appears about
- 60 years old.
-
- PLAGUE
- Just a pillow please.
-
- The pillow slides in behind his head, he reaches up to
- adjust it.
-
- PLAGUE
- Thank you.
-
- A handcuff snaps onto his wrist. It's Agent Gill.
-
- GILL
- You're welcome.
-
- PLAGUE
- What's going on? Let go of me! Stewardess!
- I'll never fly this airline again!
-
-
- EXT. NEW YORK CITY SIDEWALK. NIGHT.
-
- Dade and Kate are on their date. Dade is smartly,
- somewhat androgynously dressed. Kate is heavily made up,
- and yes, she is wearing a dress.
-
- DADE
- You look good in a dress.
-
- KATE
- You would have looked better.
-
- DADE
- Wanna go for a swim?
-
-
- EXT. ROOFTOP SWIMMING POOL.
-
- Dade and Kate swimming, fully clothed. Ironically, in a
- pool on a roof.
-
- KATE
- I can't believe they decided you won.
-
- DADE
- They didn't. The guys felt it was the only
- way I'd get a date. Anyway, you're pretty
- good. You're elite.
-
- KATE
- Yeah? You know if you would have said so in
- the beginning, you would have saved yourself
- a whole lot of trouble.
-
- They look out at the skyline. Suddenly, the lights in
- three buildings change. They spell out:
-
- C B
- R A U
- A N R
- S D N
- H
-
-
- Kate laughs, honestly impressed.
-
- DADE
- Beat that!
-
- Kate continues laughing.
-
- DADE
- You know, I've been having these really
- weird..
-
- KATE
- (finishing his sentence)
- Dreams?
-
- They kiss passionately.
-
- The credits roll.
-
- Associate Producer
- Selwyn Roberts
-
- Penn Jillette as Hal
-
- London Casting
- Michelle Guish
-
- Unit Production Manager
- Selwyn Roberts
-
- First Assistant Director
- Simon Hinkly
-
- Second Assistant Directors
- Jerry Daly
- Steve Robinson
-
- Music Supervisor
- Bob Last
-
- Visual Effects Supervisor
- Peter Chiang
-
- Supervising Sound Editor
- Glenn Freemantle
-
- Re-Recording Mixer
- John Hayward, A.M.P.S.
-
-
- Dade and Kate emerge from their underwater kiss, the view
- rises above the pool and into the night. Fade to black.
-
-
- CAST
- ----
- Dade Jonny Lee Miller
- Kate Angelina Jolie
- Joey Jesse Bradford
- Cereal Matthew Lillard
- Nikon Laurence Mason
- Phreak Renoly Santiago
- The Plague Fisher Stevens
- Lauren Murphy Alberta Watson
- Razor Darren Lee
- Blade Peter Y. Kim
- Curtis Ethan Browne
- Margo Lorraine Bracco
- Agent Dick Gill Wendell Pierce
- Agent Bob Michael Gaston
- Agent Ray Marc Anthony
- Hal Penn Jillette
- Lisa Liza Walker
- Mr. Ellingson Bob Sessions
- S.S. Agent, Seattle Blake Willett
- Young Dade Max Ligosh
- Attorney Felicity Huffman
- Michael Murphy Paul Klementowicz
- Judge Richard Ziman
- Norm Bill Maul
- Jock William DeMeo
- Denise Denise George
- Freshmen on Roof Jeb Handwerger
- Mitchell Nguyen-McCormick
- Mr. Simpson Gary Klar
- Joey's Mom Terry Porter
- 1st Sysops Technician Johnny Myers
- 2nd Sysops Technician Kevin Brewerton
- English Teacher Sam Douglas
- 1st V.P. Kal Weber
- 2nd V.P. Jeff Harding
- 2nd S.S. Agent Tom Hill
- Reporter Jennifer Rice
- Addict Hank Douglas W. Iles
- Addict Vickie Annemarie Zola
- Tow Truck Driver Michael Potts
- Phreak's Mom Nancy Ticotin
- Ellingson Guard Mike Cicchetti
- Phone Repairman Mick O'Rourke
- London Hacker Dave Stewart
- Tokyo Hacker Naoko Mori
- Italian Hacker Roberta Gotti
- Russian Hackers Ravil Isyanov
- Olegario Fedoro
- News Technician Eric Loren
- Flight Attendant Kristin Moreu
- Second Reporter Ricco Ross
- Jail Guard Tony Sibbaldi
- Talk Show Host Richard Purro
- Da Vinci Virus Enzo Junior
- 3rd V.P. Yoshimori Yamamoto
- 4th V.P. Ralph Winter
- Receptionist Kimbra Standish
- Rollerblader Steven Angiolini
-
-
-
-
-
- Descriptive text (C) 1997 Lie*Cheat*Steal Productions
- Tommy's Holiday Camp BBS
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