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- Newsgroups: alt.usage.english
- Path: sparky!uunet!cs.utexas.edu!torn!nott!bnrgate!bcars267!bcars267!emcoop
- From: emcoop@bnr.ca (hume smith)
- Subject: Re: Is there an actor
- In-Reply-To: greg.grainger@rose.com's message of Fri, 15 Jan 1993 11:13:54 GMT
- Message-ID: <EMCOOP.93Jan22112609@bcars148.bnr.ca>
- Sender: news@bnr.ca (usenet)
- Nntp-Posting-Host: bcars148
- Organization: Bell-Northern Research, Ottawa, Canada
- References: <1993Jan15.111356.25678@rose.com>
- Date: Fri, 22 Jan 1993 16:26:09 GMT
- Lines: 32
-
- In article <1993Jan15.111356.25678@rose.com> greg.grainger@rose.com (greg grainger) writes:
-
- Date Entered: 01-15-93 06:07
- On Jan. 13, cizrc@unicorn.nott.ac.uk (Roy Candler) wrote:
-
- CI>An evening class in Eng Lit/Language is having a problem. The course
- CI>includes the play 'Rosencrantz and Guildenstern are Dead' by Tom
- CI>Stoppard, and we are puzzled by one of the stage directions, which is
-
- free plug(?) - i saw the film on A&E, and it's a great piece.
-
- CI>'beat.' None of us has any theatrical experience and we are, well,
- CI>beat. Can anyone shed some light on the meaning of the word in this
- CI>context? I am assuming it is some kind of standard instruction to the
- CI>actors, such as 'pause'.
-
- Bingo! Got it in one!
-
- That's *exactly* what it means. A short pause, as it were to allow the
- import of the line to sink in, or to allow the audience to get the joke.
-
- Of course, the *length* of the beat is variable, but usually one breath is
- maximum.
-
- i suspect it falls into the "comic timing" sort of stuff. gotta find the
- right length within a few milliseconds tolerance :-). i think there's
- a few [beat] instructions in the Fawlty Towers scripts, if you want
- more examples.
- --
- Hume Smith Honour sick and davey cris-cross
- hume.smith@acadiau.ca McTruloff sentimie
- emcoop@bnr.ca A parsnip inner pair threes.
-