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- Path: sparky!uunet!mcsun!news.funet.fi!uta!f1toyl
- From: f1toyl@uta.fi (Topi Ylinen)
- Newsgroups: alt.fan.tolkien
- Subject: Re: Fandom
- Summary: A suggestion...
- Message-ID: <8254@kielo.uta.fi>
- Date: 21 Jan 93 12:26:44 GMT
- Organization: University of Tampere, Finland
- Lines: 68
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- Here's one recommendation for all of you who are interested in music...
- try Richard Wagner's "Der Ring des Nibelungen" opera 'tetralogy' consisting
- of "Das Rheingold", "Die Walk~re", "Siegfried" and "G|tterd{mmerung".
- (don't tell JRRT I said this, he'd strangle me! :) He always hated his Ring
- being compared to Wagner's Ring despite obvious similarities)
-
- The story is based on V|lsungensaga, Nibelungenlied, both Elder and Younger
- Eddas and some other source which I cannot recall. Admittedly, as a story,
- it does not come even near JRRT's genius, but on the other hand, you have
- some of the most ingenious music ever composed here. Even people who scorn
- at the word "opera" (I being one of them) might find Wagner's "Ring" very
- interesting... the music is very different from typical "opera" breed music.
- It has been called chromatic tonal music of the romantic period by some,
- mindless amusical noise by more conservative musicians and so on... (Wagner
- was the one who "destroyed" the "classical" era of art music and laid path
- for atonal music and other newer forms of music). What JRRT achieves by
- superb storytelling, Wagner achieves by music. Following his marvellous
- soundimages one can walk the Rainbow Bridge Bifrost to Valhalla, "see"
- the Valkyries riding with the corpses of dead warriors, "meet" Fafner the
- Dragon and eventually witness the destruction of Valhalla and gods.
- The instrumentation and texture are superb (Wagner's aim was to conjure up
- the supreme dramatism with his music, not caring a sh*t about the general
- bass or other rules of his contemporary music theory and in this he succeeded
- - if not in making up great plotlines). He also composed "leading motives"
- associated with persons, items, events, places and so on ("Valhalla", "the
- Curse", "the Dragon", "the Sword", "the downfall of gods" and so), these
- appear again and again and soon as the listener learns which is which even
- the scenes which move more slowly become interesting to follow - at times
- a "leitmotif" can pop up in a rather surprising context (for example, as
- Siegfried wakes Br~nnhilde with his kiss, we soon after that hear the "Dragon"
- motive - although the Dragon was killed in the previous act).
-
- In the story there is an innumerable lot of connections to Tolkien's works.
- Here also the story is centered around an omnipotent (oh well, very powerful)
- cursed/evil Ring which all covet.
- Oh yes, here too is a mighty broken sword which will be forged anew.
- Wotan posing as the "Wanderer" reminds me of Gandalf in a very definite way,
- and why is it that we have not eight or seven but nine Valkyries just as
- there are nine Ringwraiths? (No answer expected). Both stories end with a
- cataclysmic downfall (of something, old order, gods, Mordor, whatever) and
- the restoration of the Ring into its prime elements (i.e. its destruction
- as a ring).
- The plotline itself is quite complicated and I think even synopsis would
- be too long to post here (I have been writing one, it is 6 pages long and
- incomplete).
- As I said, if you are even nominally interested in music and worship Tolkien's
- LOTR (as I have done since I was 9 years old), you should definitely give
- give a try to with Richard Wagner's "Der Ring des Nibelungen". Or some
- of its orchestral excerpts first, if 15 CD's of music is too much to
- start with :)...
- (It may be
- difficult to find his music in a library, at least in Finland most libraries
- have only a few records of his music and those are never available...)
-
-
- #############################################################################
- #################Topi#Ylinen#(f1toyl@kielo.uta.fi)###########################
- #############################################################################
- "A great while ago the world begun,
- With hey, ho, the wind and the rain,
- But that's all one, our play is done, (W. Shakespeare:
- And we'll strive to please you every day." Twelfth Night)
- #############################################################################
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