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- Newsgroups: rec.music.early
- Subject: RE: Recordings of Bach's harpsichord concertos
- Message-ID: <01GSKW1NPR740007OE@GONZAGA.EDU>
- From: JAMES QUINN <QUINN@GONZAGA.BITNET>
- Date: 21 Dec 1992 13:56:00 -0700 (PDT)
- Sender: Early Music List <EARLYM-L@AEARN.BITNET>
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-
- > Date: Mon, 21 Dec 1992 21:12:47 GMT
- > From: Lee Ridgway <ridgway@ATHENA.MIT.EDU>
- > Subject: RE: Recordings of Bach's harpsichord concertos
- >
- > I contend that J. S. Bach, being first and foremost a keyboard player, having
- > sons who were first and foremost keyboard players, as well as teaching other
- > keyboard players, would have had no trouble composing original keyboard
- > concertos. Sure, they may sound stylistically similar to what other instrument
- s
- > might do, but face it, most music of that period does - even JSB's!
-
- I second this -- I was visiting a friend out of town once, where the
- only keyboard available to us at the time was a pretty sophisticated
- sampling keyboard -- can't remember exactly what, but it loaded all the
- programs off 3 1/2" floppies, and he had hundreds of separate programs
- for the thing. Anyway for fun we did the g min. sonata for flute and
- obligato with a very convincing choir in the keyboard, and we were both
- astounded at how much it sounded like a cantata. I don't think it is
- possible to deduce much from any superficial similarities between Bach's
- keyboard music and techniques he might employ in writing for voices and
- other instruments.
-
- James Quinn
- Quinn@Gonzaga.edu
-