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Text File  |  1992-12-29  |  983 b   |  21 lines
  1. Newsgroups: rec.music.compose
  2. Path: sparky!uunet!spool.mu.edu!umn.edu!umeecs!zip.eecs.umich.edu!fields
  3. From: fields@zip.eecs.umich.edu (Matthew Fields)
  4. Subject: Re: // 5ths & 8ves
  5. Message-ID: <1992Dec29.143543.8265@zip.eecs.umich.edu>
  6. Sender: news@zip.eecs.umich.edu (Mr. News)
  7. Organization: University of Michigan EECS Dept., Ann Arbor
  8. References: <w2N9VB2w165w@dorsai.com> <1992Dec29.021154.25210@cucs5.cs.cuhk.hk> <1992Dec29.142923.8042@zip.eecs.umich.edu>
  9. Date: Tue, 29 Dec 1992 14:35:43 GMT
  10. Lines: 9
  11.  
  12. In article <1992Dec29.142923.8042@zip.eecs.umich.edu> fields@zip.eecs.umich.edu (Matthew Fields) writes:
  13. ...
  14. >are moving along more or less independently, but suddenly in the middle
  15. >they just slip into one isolated instance of parallel octaves, you might
  16. >consider adjusting one of them so this doesn't happen.  In the case of the
  17.  
  18. The general compositional lesson from this: subtlety is very tricky to
  19. use.  Consider being assertive and clear, rather than wishy-washy.
  20. -Matt
  21.