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- From: ALI00ERW@UNCCVM.UNCC.EDU
- Subject: Re: Coppola's DRACULA
- Message-ID: <168CEA15C.ALI00ERW@UNCCVM.UNCC.EDU>
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- Organization: UNC Charlotte
- References: <1992Dec24.225326.6478@Princeton.EDU> <1992Dec24.234108.14833@linus.mitre.org> <Bzyp9s.A24@news.iastate.edu> <1992Dec28.164354.13538@cbnewse.cb.att.com>
- Date: Thu, 31 Dec 1992 16:28:22 GMT
- Lines: 27
-
- In article <1992Dec28.164354.13538@cbnewse.cb.att.com>
- gmark@cbnewse.cb.att.com (gilbert.m.stewart) writes:
-
- >
- >In article <Bzyp9s.A24@news.iastate.edu> s1mbm@isuvax.iastate.edu writes:
- >
- >What is the real definition of "deconstructionist"? Anyone know for
- >sure?
-
- Yeah, its the Marxist version of speaking in tongues.
-
- >>By the way, the opening of Dracula coincided almost to the day with the
- >>German government's decision to encourage Gypsies living in Germany to
- >>"return" to Romania. If you don't think there's a connection between
- >>such political decisions and the way the Gypsies have been and are
- >>depicted in works of "culture," I frankly pity you.
- >
-
- The connection predates Francis Ford Coppola by quite a few hundred years.
- Plus, there are much stronger and more direct links between cultural arti-
- facts *produced and consumed in Central Europe* and persecution of an ethnic
- in Central Europe.
-
- Sincerely,
-
- Erin
-
-