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- From: monta@image.mit.edu (Peter Monta)
- Newsgroups: rec.photo
- Subject: Re: Degrees Kelvin
- Message-ID: <MONTA.92Nov24003651@image.mit.edu>
- Date: 24 Nov 92 05:36:51 GMT
- References: <1992Nov20.190250.3825@sci.ccny.cuny.edu> <1992Nov24.052440.1@cc.curtin.edu.au>
- <By6zKw.1KA@news.cso.uiuc.edu>
- Sender: news@news.media.mit.edu (USENET News System)
- Organization: MIT Advanced Television Research Program
- Lines: 37
- In-Reply-To: peltz@cerl.uiuc.edu's message of Mon, 23 Nov 1992 23:21:59 GMT
-
- peltz@cerl.uiuc.edu (Steve Peltz) writes:
-
- > What is the basis for defining different light temperatures by degrees
- > Kelvin?
- >
- > Can you recommend a decent book for understanding light/optics/photochemistry
- > that doesn't require a major theoretical background?
-
- A light source described as, say, 5000 K, means that the spectrum of
- a blackbody at that temperature is the closest thermal match to the
- light source. A blackbody is pretty much what it sounds like:
- something which absorbs (and emits) perfectly. A tungsten filament
- comes close to this (it's more gray than black), and it's
- for tungsten sources that these temperatures are most useful.
- Xenon flashlamps at high pressure are also pretty much thermal.
-
- As a rough guide, 3200 K might be a typical light bulb, 3400 K a
- "photoflood", 5500 K daylight, and anything hotter on the blue-white
- side of white.
-
- Nonthermal sources, like fluorescent lamps and CRTs, are badly
- approximated by blackbodies. They can't be characterized by
- a single parameter; you have to give the whole spectrum.
- I'm not really sure how the "best match" is computed: best
- psychovisual match? Best least-squares match?
-
- Minor nit: the SI folks say that the unit is the "Kelvin", so
- that it's 300 Kelvin, not 300 "degrees Kelvin".
-
- For references, probably a book on color printing would have the
- best practical discussions of light sources and filtering.
- Pratt's digital image processing book has a nice chapter on
- color vision. Kodak's film literature explains in fair detail
- the way color films are "balanced" for different sources.
-
- Peter Monta monta@image.mit.edu
- MIT Advanced Television Research Program
-