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- From: HADCRJAM@admin.uh.edu (MILLER, JIMMY A.)
- Newsgroups: alt.vampyres
- Subject: Review of FFC'c _Dracula_ (small spoilers)
- Date: 16 Nov 1992 17:54:38 GMT
- Organization: University of Houston Administrative Computing
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- This is a review for Francis Ford Coppola's _Dracula_. There are a few
- spoilers, so bail out now.
- .
-
- Hrmm. This film has some *MAJOR* problems during the first act. I honestly
- felt like getting up and walking out for a while. Keanau (sp) Reeves was pain-
- ful to watch as the proper Englishman Jonathan Harker, and the usually engaging
- Winona Ryder seemed quite stilted as Mina. There were bizarre effects invol-
- ving shadows, movements, and visuals which seemed not only out of place but
- frankly quite stupid. Many of the visual effects also seemed so utterly cheesy
- as to elicit laughter. The use of diary-style narration was jarring in the
- early going, and the movie was quite slow to develop (Let's leave out the
- bizarre armor they hung on Vlad Dracul going out to battle the Turks). The
- only characters worth watching at all were Vlad himself and Mina's friend Lucy,
- who were both interesting, engaging, and even sympathetic (especially as the
- movie wore on).
-
- Then Vlad come to England, leaving Reeves to the tender mercies of his vamp-
- iric harem (no joke, and I wish I had a bed like that). Slowly, an entirely
- different movie begins to appear. Ryder's Mia becomes much more real, and the
- young version of Vlad manages to be both menacing and seductive. The other
- characters, though still lacking much depth, at least begin to seem real in
- their words and deeds, and quit acting like they just memorized their lines
- ten minutes beforehand. Lucy, in fact, almost steals the show from Ryder (who
- in all truth doesn't have much to do) in her portrayal of the girl being
- tranformed into a vampire. Her seductiveness, sudden fears and fits made her
- real and sympathetic, and made her eventual death(s) that much more emotionally
- engaging.
-
- Before Lucy finally fades, however, Antony Hopkins enters as Otto Van
- Helsing, and quite thoroughly takes command of the screen. His very enjoy-
- able, sometimes campy, sometimes foreboding performance lifts the entire movie.
- Reeve's reappearance after his escape from Vlad's castle (why he is left alive
- is not really explained) seems to take heart from Hopkins, and he actually
- turns in a credible performance after this point.
-
- The focus now on her character, Ryder does fine, though I honestly felt some-
- thing lacking. This I found dissappointing, as I'm a fan of Ryder, and felt
- she could have done a better job. Still, it suffices.
-
- Things really start to move at the end, which a chase scene and fight, plus
- a wry twist on things when Vlad chooses to be slain rather than condemn Mina
- to life of the damned.
-
- The sets and costuming (with some jarring exceptions) were very nice, and
- added to the feel of the film. This movie has its problems, most of which I'm
- tempted to plop into Coppola's lap. Ridley Scott could have done much better.
- That this movie succeeds at all would seem to me to be in spite of FFC, not
- due to any great vision of his.
-
- I would not pay full price for this movie. The first 1/3 is pretty much
- drek. Then things get fairly enjoybale. Try a matinee or some other cut-rate
- time (and try not to squirm too much for the first 30 minutes or so), or wait
- for video and fast-forward to the point where Reeves is seduced by the female
- vampires. You'll be happy you did.
-
- This flick is rated R for nudity and some gore.
-
-
- semper fi,
-
- Jammer Jim Miller
- Texas A&M University '89 and '91
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