txtCommentary1=An optional {\uldb section}{\v 95736}, called the {\uldb CODA}{\v 77919} (from the Latin for \'93tail\'94), consists of a series of emphatic {\uldb cadences}{\v 21968} designed to conclude the entire {\uldb movement}{\v 151907}. Mozart includes codas in all movements but the {\uldb minuet}{\v 87243}, investing them with proportions that rival those of the three principal divisions of {\uldb sonata form}{\v 96905}. Mozart also prefaces his first movement with a slow {\uldb introduction}{\v 138212}\'97a technique he
txtChapterHead=Anatomy of a Quartet
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txtCommentary2=\par\par\par\par\par borrowed from the symphony. Mozart did not invent sonata form, nor was he necessarily the most original in its handling. But no one could create more balanced, symmetrical, and smoothly flowing structures that tell a more compelling story.{\fs24\uldb \'80}{\v next}
