txtCommentary1=Mozart uses his {\uldb developments}{\v 79173} to create conflict. Only when the conflict has been resolved does he move to a {\uldb passage}{\v 90954} called the {\uldb \'93retransition\'94}{\v 94249} that prepares the return to the {\uldb tonic}{\v 101048} {\uldb key}{\v 85386}. The development is not obligatory; most frequently it is omitted in slow {\uldb movements}{\v 151907}, as Mozart does in {\uldb K.}{\v 137211} 465. The {\uldb recapitulation}{\v 93484} affords a certain symmetry to the movement as a whole. It
txtChapterHead=Anatomy of a Quartet
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txtCommentary2=\par\par\par\par restates the material of the {\uldb exposition}{\v 81751} (in Mozart, almost always in the original order), but with a crucial difference: {\uldb themes}{\v 99088} that appeared in the exposition in a key other than the tonic now appear in the home key, resolving the large-scale {\uldb harmonic}{\v 84040} conflict set up in the exposition.{\fs24\uldb \'80}{\v next}
