txtCommentary1=Like those of his contemporaries, Mozart\'92s {\uldb instrumental}{\v 84565} {\uldb finales}{\v 82354} are lighter in {\uldb tone}{\v 100650} and fleeter of foot than his opening {\uldb movements}{\v 151907}. Unlike the finales of many of his contemporaries, Mozart\'92s round out the entire work.
txtCommentary2=\par In sheer joy and manic energy, few of Mozart\'92s own finales surpass this one. The {\uldb upbeats}{\v 104697} that announce the {\uldb primary area}{\v 93113}, {\uldb transition}{\v 101441}, and {\uldb secondary area}{\v 95388} give the movement an audible coherence.{\fs24\uldb \'80}{\v next}