txtCommentary1=In {\uldb K.}{\v 137211} 465, Mozart coordinates {\uldb theme}{\v 99088}, {\uldb harmony}{\v 84040}, and {\uldb rhythm}{\v 94537} to an unprecedented degree. It was this coordination that made the {\uldb Viennese}{\v 135870} {\uldb Classical}{\v 131766} style possible. Mozart\'92s rhythms are never static; they always seem to be accumulating or discharging energy, whether at the level of the theme, the {\uldb section}{\v 95736}, or the {\uldb movement}{\v 151907}. If the steady, driving rhythms of late {\uldb Baroque}{\v 139635} music
txtChapterHead=Rhythmic Play
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txtCommentary2=\par\par\par\par\par reflected the rigid social structure of the fading monarchies, then the restless, shifting rhythms of Mozart signal the dawn of a new era\'97one that Mozart would not live to see but one that would be unthinkable without his contribution.{\fs24\uldb \'80}{\v next}
