txtCommentary1=The range of individual expression demanded by {\uldb chamber music}{\v 76679} is consequently much broader than that in {\uldb ensemble music}{\v 123936}. The {\uldb cellist}{\v 76489} in an {\uldb orchestra}{\v 134419} who decides to play a {\uldb passage}{\v 90954} in a markedly different style from that of the other cellists in the {\uldb section}{\v 95736} will first be scolded by the {\uldb conductor}{\v 143090} and then be looking for other work. The pinnacle of orchestral playing is achieved when all
txtChapterHead=A Rationale
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txtCommentary2=\par\par\par\par members of the section play exactly alike. This is why most orchestral players are only too eager to play chamber music. For once they can, in direct communication with other equally liberated individuals, nourish rather than repress their own musical\par instincts.{\fs24\uldb \'80}{\v next}
