txtCommentary1=During the 1770s and 80s, {\uldb Haydn}{\v 132423} and Mozart created a new, liberated style of {\uldb chamber music}{\v 76679}. Their secret was {\i flexibility}\'97a single {\uldb line}{\v 85915} might function as a {\uldb theme}{\v 99088} one moment and as an {\uldb accompaniment}{\v 16698} the next. Or, a single line might fulfill both roles. Listen, for example, to this {\uldb passage}{\v 90954} from the slow second {\uldb movement}{\v 151907}.
txtCommentary2=\par\par\par Is the {\uldb cello}{\v 76489} playing an accompaniment or a theme? Both! The {\uldb pedal point}{\v 91350} provides the basis of the {\uldb harmony}{\v 84040}\'97an accompanimental role\'97but the cello {\uldb rhythm}{\v 94537}, picked up by the {\uldb violin}{\v 105626}, is clearly thematic.{\fs24\uldb \'80}{\v next}
