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- DESIGN, Page 82BEST OF 1991
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- ADDITION TO NATIONAL GALLERY, LONDON
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- Pioneering Postmodernist Robert Venturi is still given to
- architectural wisecracks -- an ironic use of old-fashioned
- forms, a cartoony application of classical ornament -- but for
- this most important job of his career, he (and partner Denise
- Scott Brown) behaved just enough. The new wing can speak the
- decorous language of the old museum: the facade is the same
- limestone block; the galleries, naturally lit John Soane-ish
- spaces. But the design is also quietly irreverent: pilasters,
- above, pile up on one another like so much extruded Play-Doh,
- and the Tuscan columns inside are impossibly faux.
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- OHRSTROM LIBRARY, ST. PAUL'S SCHOOL
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- Jews were a rarity at St. Paul's when Robert A.M. Stern
- was growing up in the 1950s, but today Stern's son is an
- alumnus of the Wasp citadel in Concord, N.H., and Stern has
- designed its fine new library. Such happy assimilation: the $9
- million structure, which fits into and improves a campus blessed
- with distinguished buildings, is among Stern's best work. It is
- Richardsonian (the arches, the churchlike massing) but not
- slavishly old-fashioned, and the jaunty bits (the eyebrow
- dormers and the tower) mitigate any neo-Victorian
- lugubriousness.
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- MORPHING
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- Once or twice a decade, the geek visionaries at Industrial
- Light & Magic concoct a special effect that wows even jaded,
- high-tech-savvy audiences. The latest is morphing, as in
- metamorphosis, a technique that reduces a film image to a
- numerical code that a computer can manipulate almost endlessly.
- One image can melt into another, for example, as when Linda
- Hamilton turns into Robert Patrick in Terminator 2, right, or
- when disparate races, genders and ages blend together in Michael
- Jackson's video Black or White.
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- ENCORE SPACE HEATERS
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- Ziba Design's heaters are not in production yet, but the
- prototypes have won a prize from the Industrial Designers
- Society of America. While they celebrate simplicity (each
- contains a single screw, and the controls are self-explanatory),
- they avoid both stripped-down K Mart grimness and unsmiling
- Germanic pretension. Just as moderne objects in the '30s
- suggested speed, the curves of these heaters evoke waves of
- warmth: form (metaphorically) follows function.
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- THE SEAMEN'S CHURCH INSTITUTE, MANHATTAN
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- The institute is so little known and so anachronistic --
- a club, chapel and classroom complex for merchant mariners --
- that it seems like a novelistic conceit. Its fey charms
- evidently inspired James Stewart Polshek as he designed its new
- quarters. Instead of creating a boringly deferential pseudo-18th
- century building, he has both respected tradition and done
- something entirely original. From a new, neighborly four-story
- red brick base, Polshek has popped two prow-shaped floors clad
- in a modernist grid of white enameled metal. Such a building
- could be tricky and meretricious, but Polshek, one of the finest
- uncelebrated architects working today, is a master of restraint.
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- TEAM DISNEY OFFICE, LAKE BUENA VISTA, FLA.
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- Disney's patronage of famous architects has produced many
- entertaining buildings. Now it has produced a great one. Arata
- Isozaki's office block at Walt Disney World manages to be both
- utilitarian and whimsical, to convey a sense of gravitas and
- architectural boogie-woogie. For a company that prides itself
- on extreme frugality and makes a virtue of simplemindedness,
- Isozaki's building is happily improbable. After entering via a
- large red granite cube punched with dozens of not exactly
- functional windows, the army of bean counters who work there
- pass through a 120-ft.-tall, open-to-the-sky cylinder --
- actually, a vast sundial -- whose floor is covered in loose
- river stones. Ever been to a cathedral on Venus?
-
- KENTLANDS, MD. "They don't make `em like they used to" has
- become an all-purpose kvetch when confronted by the shoddy and
- the dreary. Andres Duany and Elizabeth Plater-Zyberk, a
- brilliant and relentless husband-and-wife team of architects and
- planners, are devoting their lives to convincing Americans that
- when it comes to neighborhoods and towns, they can make `em like
- they used to. Kentlands, a new town in the suburban Maryland
- countryside outside Washington, is the couple's most ambitious
- project to get under way. Streets are narrow; houses are close
- to one another and to the street; materials and basic styles are
- reassuringly traditional. With any luck, in Kentlands the early
- 21st century will be the good old days.
-
- MALCOLM X HAT
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- Seldom has such a complicated knot of racial politics and
- hagiographic pride been expressed with such economy. Director
- Spike Lee's baseball hat emblazoned with a silver X -- created
- to promote his forthcoming film on Malcolm X -- is grass-roots
- iconography of a high order. Two years ago, the
- ubiquitous-superhero-logo-of-choice was that of a white
- playboy-vigilante who dresses like a bat; now it is a real-life
- black pimp turned philosopher.
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- APPLE COMPUTER POWERBOOKS
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- No large electronics company has set a higher standard for
- product design than Apple. The genius of the Macintosh was that
- it made using a real computer seem like children's fun and
- games. For the new PowerBook 170, Apple and Lunar Design have
- done the converse, creating a toylike object (it weighs 6.8 lbs.
- and has a built-in video-game-style track ball) that has
- serious power and looks more sexy than wholesome. And it's
- practical: because notebook computers are often used away from
- a desk, there are palm-rest surfaces between keyboard and lap
- to prevent wrist cramping.
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- DOUBLE-OR-NOTHING FURNITURE
-
- At last, proof that a product can be thoroughly '90s --
- simple, ingenious and cost- and space-saving -- yet have nothing
- to do with biodegradability. Marco Pasanella has designed a
- handsome, amusing line of furniture in which each piece does
- double duty: an ottoman also serves as a bookshelf, a bench has
- built-in reading lamps, and on the seven-drawer bureau, the
- middle drawer pulls out to become a desktop.
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