"Due to the internal organisation of the musical work, the act of listening
to it
immobilizes passing time: it catches and unfolds it as one catches and enfolds
a
cloth flapping in the wind. It follows that by listening to music, and while we
are
listening to it, we enter a kind of immortality" - The Art Of Noise
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------------------------------
Date: Wed, 23 Jun 1999 17:23:10 +0200
From: Coen van der Geest <CvanderGeest@kpd-groep.nl>
Subject: AW: (ztt) Tower, CNOW List No Bonus CD Info
> Mainly, my concern is whether or not there are going to be restrictions
>to
>how many tracks they will allow to be put on one CD. And, also, what is the
>price tag going to be for such a stunning offer? Maybe now I can get a clean,
What we all can do is, make our own seperate lists with wanted tracks
which are not on the lists of others and make a CD-R copy for others, so
that we all can have unreleased tracks available.
Maybe it's a good idea to spread a list with rare tracks (= not
available anymore now).
Grtz
Coen
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# ZTT discography available at http://www.swcp.com/lazlo-bin/discogs?ztt
------------------------------
Date: Wed, 23 Jun 1999 15:26:49 -0500
From: Dave Cowen <esch@fische.net>
Subject: Re: (ztt) Tower, CNOW List No Bonus CD Info
At 11:57 PM 6/22/99 -0500, James Scott Coward wrote:
> Hey Lazlo! You're the cataloging/playlist guru around here. What was the
>proper title of the Moments cut I'm reffereing to? It's the very last
track on
>side two of the EP. I keep thinking it's called "Moments In Love (shot)" but
>I'm not sure.
I'm not Lazlo, but I can tell you that the title is (all lower case):
moment in love
This track was rather helpful in the creation of my first and only dub track,
Moments in Dub. I can't wait to hear the unreleased Into Battle tracks.
Perhaps these tracks are from the fabled "Sounds of Elephants Fucking" demo?
I certainly hope that's one of the names you can choose for the comp...
Dave Cowen (esch@fische.net)
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# ZTT discography available at http://www.swcp.com/lazlo-bin/discogs?ztt
------------------------------
Date: Thu, 24 Jun 1999 09:08:19 -0700 (PDT)
From: cliff@ablecom.net (Cliff Tuel)
Subject: (ztt) Custom AoN CD info
I just got an e-mail from amplified.com, the company providing the
custom AoN CD's. I ordered Seduction from CDNow about a week ago.
The CD isn't free. It's $5 for 5 tracks, extra tracks $1.25 each.
Here are the selections (sorry for the line wrapping):
A Time to Hear (Who's Listening) - 3:34
The thoughtful compression of an entire Art of Noise album into something vaguely resembling a near song experience. The b-side of the close (to the edit) 7" single.
Beat Box (One Made Earlier) - 2:27
Live in the studio. Art of Noise jamming in a way few could imagine. The bare bones of a virtual favorite. The meat was added later. Such a secret, it has never been previously released.
Who's Afraid (Of Scale) - 4:38
A piece of sheer sense deeply concerned with the size of things. Eventually, scale would be replaced by Art of Noise. If this was a song, and it was about anything, it would be about the love of brackets. A pre-version of who's afraid (of Art of Noise)
Resonance - 2:14
An unreleased sketch for things to come, even if the things never came. From the battle period.
Beat Box (Diverted) - 8:12
Bones rattling in the beat box. If the meat wasn't yet added, the vegetables certainly were. This was used somewhere for a brief moment.
Memory Loss - 1:27
We forgot what we were going to do with this. Perhaps someone might remind us. Previously unreleased.
Structure - 1:14
If the budgie died, we knew that gas had entered the studio and we must put on our masks and evacuate immediately. We named the budgie Structure, for reasons we must deny. We loved that budgie. We remember him fondly on this previously unreleased battle period delusion.
A Time to Clear (Up) - 4:19
Eventually this became A Time To Fear (Who's Afraid), the opening track on the who's afraid album, and the rest was philosophy.
Beat Box (Diversion) - 4:09
A meaty beaty big and flouncy version of Beat Box, which makes you wonder. An inverted song with such sound young boys and girls were known to swoon. Duck rock becomes duck soup. This was once released for a moment or two on a twelve inch.
The Subject Has Moved Left - 1:46
Just how political are Art of Noise? This unreleased battle period rattle explains little, which explains a lot.
Closer (To The Edit) - 6:23
This extra- large size version of a song sung surreal - from a British twelve inch - showed off best how much Art of Noise loved moving mostly through space and time. This kicked off a new dance craze. How many of you remember doing the edit? It was sort of like the twist, without the unpleasant bits.
Resin - 3:20
Sometimes we liked to get real close to the edit. And other times, as on this unreleased battle period meditation, we liked to get so far away from the edit we were cruising close to Saturn.
- --
Cliff Tuel -- cliff@ablecom.net
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# Send the command "info ztt" to majordomo@lists.xmission.com.
# To post, email ztt@lists.xmission.com; replies go to original sender.
# ZTT discography available at http://www.swcp.com/lazlo-bin/discogs?ztt
------------------------------
Date: Thu, 24 Jun 1999 10:34:21 -0700 (PDT)
From: mike@hyperreal.org
Subject: (ztt) Custom AoN CD info (fwd)
Wow, more unreleased than released. I used to dream of trainspottery
bliss like this. What 12" is Closer (to the Edit) from?
I can't find anything even close (er..) to that length in Lazlo's
discography or Joerg's diversion list. I thought maybe it was Beat Box
(Diversion Two), which is Close (to the Edit) with about 20 seconds extra
in the middle, but that would make it only 6:02, a time I believe I
contributed to the discography myself.
And "A Time to Clear (It Up)" was a title that appeared on the 12" picture
disc, but the record contained these 2 tracks on that side: "Close Up
(Hop)" and "A Time to Hear (Who's Listening)"... noting the difference in
times, and the inclusion of ATtH(WL) on the CD, I think perhaps the
picture disc was mislabeled. We will see.
I cancelled my CD Universe order and put in an order at CDNow.
- -Mike
- ----- Forwarded message from Cliff Tuel -----
To: ztt@xmission.com
Date: Thu, 24 Jun 1999 09:08:19 -0700 (PDT)
From: cliff@ablecom.net (Cliff Tuel)
I just got an e-mail from amplified.com, the company providing the
custom AoN CD's. I ordered Seduction from CDNow about a week ago.
The CD isn't free. It's $5 for 5 tracks, extra tracks $1.25 each.
Here are the selections (sorry for the line wrapping):
A Time to Hear (Who's Listening) - 3:34
The thoughtful compression of an entire Art of Noise album into something vaguely resembling a near song experience. The b-side of the close (to the edit) 7" single.
Beat Box (One Made Earlier) - 2:27
Live in the studio. Art of Noise jamming in a way few could imagine. The bare bones of a virtual favorite. The meat was added later. Such a secret, it has never been previously released.
Who's Afraid (Of Scale) - 4:38
A piece of sheer sense deeply concerned with the size of things. Eventually, scale would be replaced by Art of Noise. If this was a song, and it was about anything, it would be about the love of brackets. A pre-version of who's afraid (of Art of Noise)
Resonance - 2:14
An unreleased sketch for things to come, even if the things never came. From the battle period.
Beat Box (Diverted) - 8:12
Bones rattling in the beat box. If the meat wasn't yet added, the vegetables certainly were. This was used somewhere for a brief moment.
Memory Loss - 1:27
We forgot what we were going to do with this. Perhaps someone might remind us. Previously unreleased.
Structure - 1:14
If the budgie died, we knew that gas had entered the studio and we must put on our masks and evacuate immediately. We named the budgie Structure, for reasons we must deny. We loved that budgie. We remember him fondly on this previously unreleased battle period delusion.
A Time to Clear (Up) - 4:19
Eventually this became A Time To Fear (Who's Afraid), the opening track on the who's afraid album, and the rest was philosophy.
Beat Box (Diversion) - 4:09
A meaty beaty big and flouncy version of Beat Box, which makes you wonder. An inverted song with such sound young boys and girls were known to swoon. Duck rock becomes duck soup. This was once released for a moment or two on a twelve inch.
The Subject Has Moved Left - 1:46
Just how political are Art of Noise? This unreleased battle period rattle explains little, which explains a lot.
Closer (To The Edit) - 6:23
This extra- large size version of a song sung surreal - from a British twelve inch - showed off best how much Art of Noise loved moving mostly through space and time. This kicked off a new dance craze. How many of you remember doing the edit? It was sort of like the twist, without the unpleasant bits.
Resin - 3:20
Sometimes we liked to get real close to the edit. And other times, as on this unreleased battle period meditation, we liked to get so far away from the edit we were cruising close to Saturn.
- --
Cliff Tuel -- cliff@ablecom.net
- ----- End of forwarded message from Cliff Tuel -----
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# Send the command "info ztt" to majordomo@lists.xmission.com.
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