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Date: Wed, 30 Jan 2002 20:26:00 EST
From: SonataPathetique@aol.com
Subject: re: slayer
If you saw Slayer at convention hall, then that explains the poor sound. I
have been to hundreds of concert venues all around the world and I can
honestly say that Convention Hall in Asbury Park, NJ has the worst sound in
the world. All you can hear is reverb.
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Date: Wed, 30 Jan 2002 20:31:51 -0500
From: "Zachary Steiner" <zsteiner@butler.edu>
Subject: RE: slayer
>> If you saw Slayer at convention hall, then that explains the poor
sound. I have been to hundreds of concert venues all around the world
and I can
honestly say that Convention Hall in Asbury Park, NJ has the worst sound
in
the world. All you can hear is reverb.
I saw Slayer at the Egyptian Room in Indy...sound was awesome. You
could feel the bass drums (I shuddered in pure ecstasy when they tested
the drums). My ears hated the quality of the sound, though. The
ringing finally stopped.
Zach
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Date: Wed, 30 Jan 2002 21:05:49 -0500
From: "Caleb T. Deupree" <cdeupree@erinet.com>
Subject: Re: Stockhausen (was spectral muzik.)
At 10:21 AM 1/30/02 -0800, Scott Handley wrote:
>
>Last time I visited the site, I couldn't tell if the
>SEVEN DAYS recordings released by Stockhausen Verlag
>(the music on the 7cd set) were "original" recordings
>or more recent. Just curious.
In general, you can assume that whatever you see in the Stockhausen Verlag
catalog that was originally on DGG is the same recording, although not
everything that was on DGG has been reissued. I have a couple of the
original 7 Days lps, and they're all the same as the cds, and all the ones
I didn't have were recorded with the same group during the same period.
The only other recording of the intuitive music that springs to mind is a
recording of Set Sail for the Sun by the Negative Band, although I read
somewhere that the British group Morphogenesis recorded one of the
intuitive pieces but couldn't get the licensing worked out, so they
released it anyway under a separate name (like someone could tell).
Speaking of Morphogenesis, British improv and Stockhausen, has anyone heard
the new EMF set Not Necessarily English Music, which includes the only
release I've ever seen by the improv ensemble Gentle Fire, including Hugh
Davies? Gentle Fire took part in the park music Sternklang, but it's hard
to pick them out of the crowd on that recording. This new set also
includes early recordings of AMM, the Spontaneous Music Orchestra, Parker &
Lytton, etc. Comments appreciated.
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Caleb Deupree
cdeupree@erinet.com
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Date: Wed, 30 Jan 2002 19:08:07 -0700 (MST)
From: Corey Marc Fogel <mecorey@imap3.asu.edu>
Subject: festival anyone ?
http://www.wayahead.com/atp/sy2001.htm
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Date: Wed, 30 Jan 2002 22:06:36 EST
From: Dgasque@aol.com
Subject: Re: music theory...
In a message dated Wed, 30 Jan 2002 8:18:20 PM Eastern Standard Time, "thomas chatterton" <chatterton23@hotmail.com> writes:
> >From: UFOrbK8@aol.com
>
> > > ). Talking about musical theory is like phone sex...
> >
> >
> >or talking about music is like dancing about architecture... ;)
>
> Thanks to Xenakis we can listen to architecture, never really tried dancing
> to his music, although anything's possible (in theory!)
>
Add too, electronic musician Tetsu Inoue, who coded a program that turns blueprints into music, documented on his album _Waterloo Terminal_, part of the Caipirinha label's Architettura Series.
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=dg=
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Date: Wed, 30 Jan 2002 22:09:29 -0500
From: Lang Thompson <wlt4@mindspring.com>
Subject: Wreckers of Civilization
Has anybody read this history of COUM Transmissions? It looks good & I've
always thought reading about Throbbing Gristle more interesting than
hearing them but it's fairly expensive.
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Date: Wed, 30 Jan 2002 22:15:49 EST
From: Dgasque@aol.com
Subject: Re: punk jazz
A few more to add to the list...
Chainsaw Jazz
X-Legged Sally
Cruel Fredrick
And one French outfit that I can't quite squeeze out...
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=dg=
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Date: Wed, 30 Jan 2002 20:03:38 -0800
From: Skip Heller <velaires@earthlink.net>
Subject: Re: As for jazz punk
> From: "Arthur Gadney" <a_gadney@hotmail.com>
> Date: Wed, 30 Jan 2002 23:47:10 +0000
> To: zorn-list@lists.xmission.com
> Subject: As for jazz punk
>
> Hey.
>
> I remember Weather Report having a song called "Jazz Punk" as early as 1977.
> It was total crap, like the rest of their stuff though.
"A Remark You made" was crap?
skip h
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Date: Wed, 30 Jan 2002 23:13:24 EST
From: TagYrIt@aol.com
Subject: Re: As for jazz punk
- --part1_125.b10b9f9.298a1e64_boundary
Content-Type: text/plain; charset="US-ASCII"
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In a message dated 1/30/02 7:15:05 PM Eastern Standard Time,
a_gadney@hotmail.com writes:
> I remember Weather Report having a song called "Jazz Punk" as early as 1977.
>
> It was total crap, like the rest of their stuff though.
>
>
That was Punk Jazz, a Jaco Pastorius song, and by no means total crap, nor
was any of the rest of their material.
Dale.
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<HTML><FONT FACE=arial,helvetica><FONT COLOR="#0000a0" style="BACKGROUND-COLOR: #c0c0c0" SIZE=2 FAMILY="SCRIPT" FACE="Comic Sans MS" LANG="0">In a message dated 1/30/02 7:15:05 PM Eastern Standard Time, a_gadney@hotmail.com writes:<BR>
<BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">I remember Weather Report having a song called "Jazz Punk" as early as 1977. <BR>
It was total crap, like the rest of their stuff though.<BR>
<BR>
</BLOCKQUOTE><BR>
</FONT><FONT COLOR="#0000a0" style="BACKGROUND-COLOR: #c0c0c0" SIZE=2 FAMILY="SCRIPT" FACE="Comic Sans MS" LANG="0">That was Punk Jazz, a Jaco Pastorius song, and by no means total crap, nor was any of the rest of their material.<BR>
<BR>
Dale.<BR>
</FONT></HTML>
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Date: Wed, 30 Jan 2002 20:47:25 -0800
From: "D Dvb" <d_dvb@hotmail.com>
Subject: Flying Vandermarks
>My favorite "jazz punk metal" thingy is still easily "Destroy All Music" by
>Flying Luttenbachers (at this moment with Ken Vandermark). Kind of a
Uhh...what's this? The Flying Luttenbachers are currently on tour here on
the west coast and if Vandermark's with them, I need to go check them out
