ftp.xmission.com/2014.06.ftp.xmission.com.tar/ftp.xmission.com/pub/lists/zorn-list/archive/v03.n602

Internet Message Format | 2001-10-29 | 27KB

From: [e-mail] (Zorn List Digest)
To: [e-mail]
Subject: Zorn List Digest V3 #602
Reply-To: zorn-list
Sender: [e-mail]
Errors-To: [e-mail]
Precedence: bulk


Zorn List Digest       Tuesday, October 30 2001       Volume 03 : Number 602



In this issue:
-
       RE: Slan (was: Slam)
       Speaking of Kutis
       RE: Speaking of Kutis
       Re: Rhodri Davies
       re: fela & laswell
       Overseas trip to Tokyo and Rome advice..
       re: fela & laswell
       Re: fela & laswell
       Re: Slan (was: Slam)
       New music in RealAudio on Mappings, week beginning Oct 30, 2001
       Re: Slan (was: Slam)
       Maybe Monday
       Zorn's composition on Ken Schaphorst's WHEN THE MOON JUMPS?
       [off-topic] denver
       Re: [off-topic] denver
       Fwd: Seattle Chamber Players: November 11 season opener

----------------------------------------------------------------------

Date: Mon, 29 Oct 2001 14:20:54 +0100
From: =?iso-8859-1?Q?Efr=E9n_del_Valle?= <[e-mail]>
Subject: RE: Slan (was: Slam)

Hi!

Yes Pat, there were two themes by Slan in "Live at The Knitting Factory Vol.
3" (KFWorks- Enemy, 90)

I also think that Zorn probably made some appeareances in the U.K before
1990. His recorded collaborations with Bailey go back to at least 1981, with
"Improvised Music New York" and he visited Spain in May of 1990 to perform
Alex North's compositions. I can't believe he didn't visit Great Britain
first :). He also participated in the 87' edition of October Meeting in
Holland with Total Loss, performing MIsha Mengelberg's pieces.

Best,

EfrΘn
n.p: Ikue Mori "Labyrynth"
n.r: Timburlane Wetenbaker "New Anatomies" (theatrical work)

> Hi Anne!
>
> >
> >
> > ..... "His (Zorn's) initial introduction to the British audiences was in
> > 1990 at the Outside-In Festival in Crawley,
>
> If I'm not mistaken, he'd been introduced to British audiences earlier
than
> that.
> Didn't he appear during Derek Bailey's Company Week prior to 1990?
>
> > he presented his (then) new
> > group Slam. In the programme, he claimed that this was a 'Jewish heavy
metal
> > band' and in joining forces with Sharp and Epstein he endorsed the
> > point.".....
> >
> > Does anybody know more about this band?
>
> They were called "Slan".
> I've never seen them live, and there's no album available.
> They did however appear on a Knitting Factory compilation. (Was it "Live
at the
> K.F. Vol. 3"?)
>
> Yours,
> patRice
>
> np: Henry Mancini, Charade OST
> nr: Yoshitoshi's 100 Aspects Of The Moon
>
>
> -


_________________________________________________________
Do You Yahoo!?
Get your free @yahoo.com address at http://mail.yahoo.com


- -

------------------------------

Date: Mon, 29 Oct 2001 15:56:24 GMT
From: Parry Gettelman <[e-mail]>
Subject: Speaking of Kutis

Femi Kuti was just here in New Orleans.  Terrific performer, charismatic
vocalist -- wisely just played sax here and there.  The band was wonderful,
actually made me forget I was in a House of Blues part of the time. However,
the mix didn't really leave quite enough room for Femi's vocals, so some of
the lyrics got lost.   His first album (first U.S. album?) didn't do much
for me, but I may check out the second now.... Anybody heard it?

Parry

- -

------------------------------

Date: Mon, 29 Oct 2001 10:50:32 -0500
From: "Sean Westergaard" <[e-mail]>
Subject: RE: Speaking of Kutis

i haven't full digested it, but the bits i've heard around the office here
sounded pretty good.  The first album didn't do much for me either.  This
new one sounds more "Fela" than the first one, which is a good thing, in my
opinion.  sean


- -----Original Message-----
From: [e-mail]
[mailto:[e-mail]]On Behalf Of Parry Gettelman
Sent: Monday, October 29, 2001 10:56 AM
To: [e-mail]
Subject: Speaking of Kutis


Femi Kuti was just here in New Orleans.  Terrific performer, charismatic
vocalist -- wisely just played sax here and there.  The band was wonderful,
actually made me forget I was in a House of Blues part of the time. However,
the mix didn't really leave quite enough room for Femi's vocals, so some of
the lyrics got lost.   His first album (first U.S. album?) didn't do much
for me, but I may check out the second now.... Anybody heard it?

Parry

- -



- -

------------------------------

Date: Mon, 29 Oct 2001 12:36:09 -0600 (CST)
From: Charles Gillett <[e-mail]>
Subject: Re: Rhodri Davies

On Sat, 27 Oct 2001 15:57:04, [e-mail] wrote:
> Is Rhodri Davies, the wild improvising harpist who plays with Derek
> Bailey, John Butcher and Simon Fell, the same person as Rhodri Davies,
> the harpist who plays with Welsh "popera" warbler Charlotte Church?

   Other folks have already confirmed this, but I wanted to direct your
attention to this web page--and the photos in particular:

http://www.thedormgroup.com/rhodridavies/rhodridavies.htm

There does appear to be another Rhodri Davies out there, attending the
University of Manchester.  That's nothing compared to the hundreds of
Mats Gustafssons there are on the planet.


- -- Charles

PS: My e-mail will soon become [e-mail], in case it matters to
anyone.


- -

------------------------------

Date: Mon, 29 Oct 2001 20:43:30
From: "William York" <[e-mail]>
Subject: re: fela & laswell

>yeah, his sax playing's not technically good, but so what? I'd take >any
>two fela discs over laswell's entire career, anything he's ever >been
>involved with in any capacity. emotion over technique, baby.

a) i like fela's sax playing and never thought there was much problem w/
technique. but what do i know about playing the sax ...

b) i never thought laswell was technically the greatest bass player, and am
not a fan (to put it lightly) of a lot of what he has done, especially some
of his production (not all, though).

but, as far as things he has been involved w/ in one capacity or another
that i think are great:

blind idiot god - cyclotron CD (a masterpiece)
last exit - s/t CD (also a masterpiece), noise of trouble CD
several henry threadgill CDs
first golden palominos album
massacre - 'legs', 'bones'
herbie hancock - 'rockit'
sonny sharrock - ask the ages CD
zorn - archery
laswell/mick harris - somnific flux
appearances on crooklyn dub consortium CDs
etc.

also, i find the word "emotion" to be a curious choice especially
considering that (at least to my ears) so much of the laptop/"dangerous
improv" stuff is lacking precisely that quality. to each his own.

wy



_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp


- -

------------------------------

Date: Tue, 30 Oct 2001 12:06:54 +1030
From: "Case" <[e-mail]>
Subject: Overseas trip to Tokyo and Rome advice..

Hi all,
 In the past I have see others request advice on cool music related
sites/shops and venues to check out while on holiday.
I am hoping some people may choose to give me their spin on sights and
sounds of  Tokyo and Rome, from the avant-garde music enthusiast point of
view.
Also any little tips that might make a relatively innocent Australian lad's
adventure that little bit more memorable or simple would also be greatly
appreciated.
Oh, and also if anyone is interested in meeting up, and giving a personal
tour. how could I refuse..
Keep in mind I will be in Tokyo for only 24 hours, but in Rome for 14 days.
Case


- -

------------------------------

Date: Tue, 30 Oct 2001 02:39:07 +0000
From: "thomas chatterton" <[e-mail]>
Subject: re: fela & laswell

>From: "William York" <[e-mail]>

>
>but, as far as things he has been involved w/ in one capacity or another
>that i think are great:

>last exit - s/t CD (also a masterpiece), noise of trouble CD

Along with Massacre, this was the group where Laswell was able to transcend
his limitations on the bass; I would also recommend 'Headfirst Into The
Flames' as the Last Exit album that features good playing AND sound...

np: Saariaho Private Gardens (now coupled with the Prisma CDROM)



_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp


- -

------------------------------

Date: Mon, 29 Oct 2001 21:43:18 EST
From: [e-mail]
Subject: Re: fela & laswell

well, I like some of the records that William mentioned, particularly
Cyclotron, and I'd forgotten entirely that Laswell was involved in Archery.
I'd still rather own any two Fela discs than Laswell's whole catalog, though,
if I was forced to choose.

maybe my choice of words, emotion vs. technique, wasn't quite right. a large
percentage of Laswell's work seems half-assed and superficial to my ears, and
his attitude towards consumers, with constant repackaging of the same
material, not to mention the same groove, is condescending at best. for him
to talk smack about Fela, one of the greatest artists of the last thirty
years in my mind, is pretty ridiculous/hilarious.

<<i find the word "emotion" to be a curious choice especially
considering that (at least to my ears) so much of the laptop/"dangerous
improv" stuff is lacking precisely that quality. >>

I think there's plenty of emotion there, as well as personal expression. it's
just subtler and expressed in a different manner. it's certainly typically
not overtly expressionistic, however, I can agree with that. nevertheless,
it's as personal a music as anything coming out of the jazz tradition,
although possibly not always as immediate an experience.

<<to each his own.>>

agreed.

Jon
www.erstwhilerecords.com

NP: Jandek-Nine-Thirty (Corwood Industries) (am I the only Jandek completist
on the list? not the LPs, but I have all eighteen CDs, including both solo
acapella ones. not for everyone, but I'm a fan, and a sucker for the $8
pricetags.)

- -

------------------------------

Date: Mon, 29 Oct 2001 22:47:07 EST
From: [e-mail]
Subject: Re: Slan (was: Slam)

<< > Does anybody know more about this band?

 They were called "Slan".
 I've never seen them live, and there's no album available.
 They did however appear on a Knitting Factory compilation. (Was it "Live at
the
 K.F. Vol. 3"?)

 Yours,
 patRice >>

    There was also a Knitting Factory tour in the states about the time of
that compilation release.  I saw the San Francisco date and it was the 1st in
a series (in SF) of KF tours. I thought Slan was just OK since they were very
loud and 1 dimensional.  Zorn either screamed at the top of his lungs or his
sax did the piercing shreak thing over and over  while Sharp did his low
rumblings.  They were the last act after Curlew and the Jazz Passengers(with
Mark Ribot) who were both magnificent.  JP was around the time of the
"Implement Yourself" cd which I think was their best.  It was the one and
only time I saw Curlew and they were in fine form especially Tom Cora and
Davey Williams.  So, to anyone who missed Slan, it was no big deal.(IMHO)
    John Threadgould



- -

------------------------------

Date: Mon, 29 Oct 2001 23:01:00 -0600
From: Herb Levy <[e-mail]>
Subject: New music in RealAudio on Mappings, week beginning Oct 30, 2001

Hi y'all,

This week on Mappings <http://www.antennaradio.com/avant/mappings/>,
you'll hear music of the World Soundscape Project by Sabine
Breitsameter, Darren Copeland, Claude Schryer, Barry Truax, Hans
Ulrich Werner, and Hildegard Westerkamp.

The show went online Monday evening around 10:00 PM (-0500 GMT) and
will remain online at the above URL for a week. Last week's program
(featuring music by Gerard Grisey, Alvin Lucier, and Olga Neuwirth)
is still available in the Mappings archive
<http://www.antennaradio.com/avant/mappings/index1.htm>, where you
can also find play lists for the program since it began in March 1998.

Hope you tune in to the program.

Bests,

Herb

- -

------------------------------

Date: Tue, 30 Oct 2001 18:46:01 +0100
From: "Andreas Dietz" <[e-mail]>
Subject: Re: Slan (was: Slam)

There┤s a video of this tour:

SLAN VIDEO: A Slan video exists of a Knitting Factory tour in SF

From: William Hsu ([e-mail])

Andreas

><< > Does anybody know more about this band?
>
>     There was also a Knitting Factory tour in the states about the time of
>that compilation release.  I saw the San Francisco date and it was the 1st
>in
>a series (in SF) of KF tours. I thought Slan was just OK since they were
>very
>loud and 1 dimensional.  Zorn either screamed at the top of his lungs or
>his
>sax did the piercing shreak thing over and over  while Sharp did his low
>rumblings.

_________________________________________________________________
Downloaden Sie MSN Explorer kostenlos unter http://explorer.msn.de/intl.asp


- -

------------------------------

Date: Tue, 30 Oct 2001 13:03:11 -0800
From: hatta <[e-mail]>
Subject: Maybe Monday

Well I saw the first of two Earshot Jazz shows that I'm going to
catch this festival: Stackpole/Maybe Monday.  I'm sure I'll later
regret missing the Frisell stuff, but one has to budget ones shows.
Anyway I thought I'd give a brief rundown of the show.

Alas for the artists the show was far from sold out.  Too many
homebodys in these times it seems, unwilling to go out for a night of
uncertainty with Avant Jazz.  Anyone could have bought tickets at the
door and gotten great seats.  Oh well.

Seattle Local free jazz outfit 'Stackpole' opened the show.
'Stackpole' is Wally Shoup on sax, Dennis Rea on guitar, Gregg
Keplinger on drums and Geoff Harper on Double Bass. They  played 3
10-20min improvs, and were actually quite enjoyable.  I seem to
recall getting a bad review or two of this outfit, but I found them
very entertaining.  Shoup was as restrained as I have ever seen him,
nowhere near his wailings of 'Project W' and  'Ghidri' I liked Rea's
soundscapeing with the guitar quite a bit.  Lots of ebow and slide
and odd sounds.  Textural soundscapes with varying levels of energy
was how I would describe their improvs.  They played one longish
improv and then 2 shorter ones.  All told I'd say they played 45min.

'Maybe Monday' is Fred Frith Guitar, Miya Masaoka on Koto and
Electronics and Larry Ochs on Sax's.  Miya's electronics included a
Powerbook running MAX, and a custom MIDI interface to the Koto.  She
also had "towers" on each end of the koto with a number of lasers in
them.  She was able to use this as a MIDI controller, playing in the
"air"  Oddly enough she chose to use Koto sounds for this.  I liked
her playing a lot, the koto is fantasic, and a lot bigger than I'd
always thought.  She bowed it, pounded on it and rubbed sticks on it,
getting lots of great sounds.  Fred was playing a hollow body with
that odd top of the neck pick up.  He played it on his lap most of
the time utilizing various objects and effects.  He provided a near
continuous wash of sound.  He used delays, echoes and loops most of
the time.  Several times he would do dramatic de-tuning to great
effect. He did a lot of very percussive stuff with the guitar.  Also
he played barefoot.  Larry Ochs played tenor and alto saxes, mostly
the tenor.  He played a lot of low washes of sound.  He layed out
more than anyone else, but did do several almost solos, that were
quite nice.   They played for 45-60min and it was quite entrancing.
I found the koto playing particularly engrossing as I've never seen
one played and I loved the sound.  Frith though was also very
entertaining, dropping chains on his strings and brushing them with
various brushes.  All in all they kind of fell between "Nameless
Uncarved Block" 'AMM' (due to the sax) + 'Such' (due to the oriental
flavor)  Of course no percussion made it totally different.

A final note, they were introduced as "from San Francisco" to which
Fred replied "Where's San Francisco"  I must say they really looked
like a bunch of old San Fran hippies, appropriately playing with a
much younger women.  Frith has that kind of Timothy Leary look, and
Ochs has super sparse long white hair.  If they could get Terry Riley
on piano/organ it would be perfect!

All in all an evening worth seeing.  With 'Konk Pack' on Friday, this
is maybe the best Earshot for modern pure improv.

- -Robert

- --
ennui.

- -

------------------------------

Date: Tue, 30 Oct 2001 13:03:57 -0800
From: "Patrice L. Roussel" <[e-mail]>
Subject: Zorn's composition on Ken Schaphorst's WHEN THE MOON JUMPS?

    Does anybody have the following record and could check if either Zorn
is on it or one of his compositions is?

    Thanks,

    Patrice.

- ------------------------------------------------------------------------------

*** - WHEN THE MOON JUMPS: Ken Schaphorst Ensemble

    1/ When The Moon Jumps
    2/ Checkered Blues
    3/ All The Things You Are
    4/ Con Alma
    5/ Stomping Ground
    6/ Perfect Machine
    7/ Flowing
    8/ Standing Still
    9/ Flying

    Produced by Ken Schaphorst

  Doug Yates: alto, bass clarinet; Donny McCaslin: tenor, soprano; John
  Carlson: trumpet; Bob Levy: trumpet; Curtis Hasselbring: trombone; John
  Dirac: guitar; John Medeski: piano; Chris Wood: baritone saxophone; Dane
  Richeson: percussion; Billy Martin: percussion.

    1994 - Accurate Records (USA), AC-4203 (CD)

- ------------------------------------------------------------------------------

- -

------------------------------

Date: Tue, 30 Oct 2001 17:08:14 -0600
From: "Ben Axelrad" <[e-mail]>
Subject: [off-topic] denver

hi,

i will be in denver for a week starting thursday.  i would appreciate notice
of any good concerts/shows, and also good bookstores, cd shops, etc.

please reply off-list.

thanks in advance,
ben

_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp


- -

------------------------------

Date: Tue, 30 Oct 2001 15:23:21 -0800
From: William Crump <[e-mail]>
Subject: Re: [off-topic] denver

It occurs to me that I should put in a list-wide plug for Pollstar, which has
come in handy for me in finding out about upcoming gigs in the Bay Area, and
for finding out if a particular band is on tour. For instance, I entered Denver
and found out that you can take in the fantabulous Neil Diamond this coming
Sunday at the Pepsi Center.

William Crump
Soon to be out of California and back in Mississippi

Ben Axelrad wrote:

> hi,
>
> i will be in denver for a week starting thursday.  i would appreciate notice
> of any good concerts/shows, and also good bookstores, cd shops, etc.
>
> please reply off-list.
>
> thanks in advance,
> ben
>


- -

------------------------------

Date: Tue, 30 Oct 2001 17:46:20 -0600
From: Herb Levy <[e-mail]>
Subject: Fwd: Seattle Chamber Players: November 11 season opener

When I sent preliminary publicity about Seattle Chamber Players
2001/02 season to the list earlier, there was some unanswerable
questions about what music by Zorn they'd be playing. Here's the
answer: Chimeras.

>The Seattle Chamber Players will open its 2001-2002 season on November 11,
>7:00 at the Nordstrom Recital Hall of Benaroya Hall, in a program entitled
>American Mavericks.
>
>Guest artists Stephen Drury, pianist;  soprano Sarah Coburn, soprano Amy
>Bils, and percussionist Matthew Kocmieroski will join the core members of
>the SCP: Laura DeLuca, clarinet; David Sabee, cello; Mikhail Shmidt,
>violin; and Paul Taub, flute.
>
>New works by John Zorn and Laura Kaminsky will be performed, as well as
>music by Charles Ives and Paul Elwood.
>
>Tickets are $25/$19 students and seniors. You may call our voice mailbox
>286-5052 to order tickets or purchase them in person at the Benaroya Hall
>Box Office (215-4747) or at Wall of Sound in Belltown (2237 Second Avenue,
>206-441-9880). Tickets can be purchased at Benaroya or Wall of Sound for
>cash or check during regular business hours. Credit cards may be used at
>Wall of Sound but a surcharge will be applied.
>
>What follows is a description of the concert and bios of the principal
>guest artists. Read on, or if you wish, open the attachment to this
>message for a copy of our press release.
>
>***************
>
>Seattle Chamber Players
>
>Laura DeLuca=97clarinet
>David Sabee=97cello
>Mikhail Schmidt=97violin
>Paul Taub=97flute
>
>with guests
>
>Stephen Drury=97piano
>Sarah Coburn=97soprano
>Amy Bils=97soprano
>Matthew Kocmieroski=97percussion
>
>Date and time of concert: November 11, 2001, 7:00 PM with a pre-concert
>talk with composer Laura Kaminsky at 6:15, hosted by Fred Hauptman
>
>Location: Illsley Ball Nordstrom Recital Hall at Benaroya Hall, Third and
>Union, Seattle
>
>Individual tickets: $25 regular /$19 students/seniors
>
>For tickets and further concert information: call 286-5052
>
>***************
>
>John Zorn=92s Chimeras is scored for the SCP quartet plus piano, percussion
>and a virtuosic wordless soprano line. Its twelve short movements include
>organ, celesta, bass flute, bass clarinet and an astonishing array of
>percussion instruments, creating a beautiful palette of musical color.
>
>Laura Kaminsky=92s The Full Range of Blue was commissioned by SCP and will
>be receiving its world premiere. Scored for flute, clarinet, violin and
>cello, the work was inspired by the grandeur of the Canadian Rockies.
>
>Charles Ives=92 Piano Trio is a major work of this original American
>=93maverick.=94 Drawing as Ives often does on hymns, American folk music an=
d
>his own idiosyncratic style, the Trio is an irreverent tour de force.
>
>North Carolinian Paul Elwood often draws on American folk music for his
>inspiration: his Vigil for solo piano will be performed.
>
>**************
>
>Pianist Stephen Drury, named 1989 Musician of the Year by the Boston
>Globe, has concertized throughout the world with a repertoire that
>stretches from Bach to Liszt to the music of today. He has given solo
>performances at the Kennedy Center in Washington, D.C., New York=92s
>Symphony Space, and from Arkansas to California to Hong Kong to Paris. A
>champion of twentieth-century music, Drury=92s performances of music rangin=
g
>from the piano sonatas of Charles Ives to works by John Cage and Gy=F6rgy
>Ligeti have received the highest critical acclaim. He has appeared at the
>MusikTriennale K=F4ln in Germany, the Subtropics Festival in Miami, the
>Festival of New American Music in Sacramento, and the North American New
>Music Festival in Buffalo as well as at Roulette and the Knitting Factory
>in New York. At Spoleto USA and at the Angelica Festival in Bologna he
>performed as both conductor and pianist. In 1992 Drury directed the world
>premiere of George Russell's Time Line for orchestra, chorus, jazz band
>and soloists. In 1988=971989 he organized a year-long festival of the music
>of John Cage which led to a request from the composer to perform the solo
>piano part in Cage's 1O1, premiered with the Boston Symphony Orchestra in
>April, 1989. Drury has commissioned new works for solo piano from John
>Cage, John Zorn, Terry Riley, and Chinary Ung. In March of 1995 he gave
>the first performance of John Zorn=92s concerto for piano and orchestra
>Aporias with Dennis Russell Davies and the Cologne Radio Symphony
>Orchestra. He has recorded the music of John Cage, Elliott Carter, Charles
>Ives, Karlheinz Stockhausen, Colin McPhee, John Zorn and Frederic Rzewski,
>as well as works of Liszt and Beethoven, for Mode, New Albion, Catalyst,
>Tzadik, MusicMasters and Neuma. He teaches at the New England Conservatory
>in Boston.
>
>Soprano Sarah Coburn has worked with such conductors as Paul Nadler, Jerry
>Junkin, Dean Williamson, and Roberto Paternostro. She is currently singing
>the roles of Pamina in Mozart=92s The Magic Flute and Clorinda in La
>Cenerentola with the Seattle Opera Young Artists Program. Ms. Coburn was a
>2001 Metropolitan Opera National Council Grand Finalist and has won first
>place in such competitions as the Naftzger Young Artist Auditions and the
>Texoma Regional NATS competition. She recently appeared with the Dallas
>Wind Symphony and Turtle Creek Chorale in Carmina Burana and was featured
>in the German televsion program =93Stars von Morgen.=94 Ms. Coburn can be
>heard in the Bach Society of St. Louis' performance of Handel=92s Messiah
>this December.
>
>Laura Kaminsky is an active composer, producer of cultural events and
>innovative educator whose music has been widely performed in the US and
>abroad, from West Africa to Eastern Europe and throughout South America.
>She is the recipient of grants and awards from the National Endowment for
>th  Arts, Meet The Composer, Seattle Arts Commission, King County Arts
>Council,  New York State Council on the Arts, Serage Foundation, Boosey &
>Hawkes, USIA  Cultural Ambassador Program, ASCAP-Chamber Music America,
>and others. Her music is recorded on the CRI and Mode labels. Kaminsky is
>currently chair of the Music Department at Cornish College of the Arts in
>Seattle.
>
>The Seattle Chamber Players enters its twelfth season as Seattle=92s leadin=
g
>resident chamber group specializing in contemporary music. Recently
>recognized for its outstanding contribution to musical life in Seattle
>with generous grants from Meet the Composer, the Port of Seattle, the Paul
>Allen Foundation, the Bossak-Heilbron Charitable Foundation and the
>Seattle, Washington State and King County Arts Commissions, SCP has an
>ambitious season of seven concerts planned for 2001-2002. Included in the
>season will be the ensemble=92s first festival=97Icebreaker: Voices from Ne=
w
>Russia=97as well as concerts featuring British, French and American music.
>Guests for the season include tenor John Duykers, theremin virtuoso Lydia
>Kavina, and pianists Anton Nel and Uri Caine.


- --
Herb Levy
P O Box 9369  Forth Wort, Texas  76147
817  377-2983
[e-mail]

- -

------------------------------

End of Zorn List Digest V3 #602
*******************************


 To unsubscribe from zorn-list-digest, send an email to
       "[e-mail]"
 with
       "unsubscribe zorn-list-digest"
 in the body of the message.

 For information on digests or retrieving files and old messages send
 "help" to the same address.  Do not use quotes in your message.

 A non-digest (direct mail) version of this list is also available; to
 subscribe to that instead, replace all instances of "zorn-list-digest"
 in the commands above with "zorn-list".

 Back issues are available for anonymous FTP from ftp.xmission.com, in
 pub/lists/zorn-list/archive.  These are organized by date.

 Problems? Email the list owner at [e-mail]