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From: "Jonas Warstad" <jonwar@algonet.se>
Subject: (yello) album titles etcetera
Date: 01 Jul 1997 06:28:02 +0200
'Stella' is the name of a charachter from the
(still unreleased) 'Snowball' movie (the poor guy
who was a prisoner in the stalactite cave).
The scream you can hear in Stalakdrama is his.
'One Second' is after the one second samples
fatured *within* the songs (not between). This
album was their first to be recorded with the
legendary Fairlight CMS Series III (50,000 ú)
sampler.
'Flag' is a bit more complicated than "because
of the song 'The Race' ". It's actually so complicated
that I can't remember it now, but it had something to
do with an achievement.
'Baby' is simply because the finished album was sort
of their 'baby' - something they'd created.
The glassharp on Stella is heard on Vicious Games
(if you listen carefully).
There is no piano on Stella, only on Blue Nabou,
first featured in a commercial in 1984, then as
the B-side of Vicious Games. Blue Nabou was
probably intended to be included on the album.
Er, I think that's all...
Regards
Jonas Warstad
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From: Niklas Upphed <upphed@homemail.com>
Subject: Re: (yello) singles
Date: 01 Jul 1997 07:31:13 +0100
Minstrel Arts wrote:
> Does anyone know about (or even have) a list of all the Yello-singles?
Lazlo Nibble maintains a "complete discography". You can find it
through my yello page. (http://www.canit.se/~upphed/yello).=20
I also have a HTML version of it on my page. It works with most
browsers.
H=E4lsningar
Nic
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From: "Jonas Warstad" <jonwar@algonet.se>
Subject: (yello) Boris - a father
Date: 01 Jul 1997 18:00:23 +0200
A girl was born on 21st June - could she
ever imagine a better father?
My interview is pstponed (again), new dates
are early October. I will never give up.
Regards
Jonas Warstad
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From: Mark Pulley <z2103039@student.unsw.edu.au>
Subject: Re: (yello) album titles etcetera
Date: 02 Jul 1997 16:46:41 +1000
At 06:28 AM 7/1/97 +0200, you wrote:
>'One Second' is after the one second samples
>featured *within* the songs (not between).
The big question is: what are the samples in the songs? There's plenty of
sampling in them, but very few one-second ones...
>The glassharp on Stella is heard on Vicious Games
>(if you listen carefully).
So that's what that sound was! I assumed that it wasn't as it isn't
credited on the single or the album "Essential" - which reminds me, I
forgot about Essential before. It's presumably called Essential not because
it's essential that you buy it (though the new mix of The Rhythm Divine is
definitely essential), but because it contains the 'essence' of Yello -
'this is what Yello is all about' (or something like that). Does this sound
right?
>There is no piano on Stella, only on Blue Nabou.
Aha, the phantom album sleeve typo strikes again!
Talking about pianos, on One Second a "piano and accordian" is credited. Is
this supposed to be "piano-accordian" or do both instruments appear on the
album? (Accordian appears in Le Secret Farida.)
While I'm on One Second, has anyone translated the words on Le Secret
Farida and Santiago?
...I *think* I've covered everything...
Mark
-------------- Mark Pulley z2103039@student.unsw.edu.au --------------
'Good grief - it's YOU!'
(Wallace, "The Wrong Trousers", just after the Penguin unmasks itself.)
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From: Juhana K Kouhia <kouhia@nic.funet.fi>
Subject: Re: (yello) album titles etcetera
Date: 02 Jul 1997 11:21:11 +0300
>The big question is: what are the samples in the songs? There's plenty of
>sampling in them, but very few one-second ones...
How about, for example, those "Ho"'s Dieter is shouting?
>So that's what that sound was! I assumed that it wasn't as it isn't
>credited on the single or the album "Essential" - which reminds me,
In my Stella CD no other people are mentioned than Dieter and Boris.
But in LP version plenty of people are credited.
Juhana
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From: "Jonas Warstad" <jonwar@algonet.se>
Subject: Re: (yello) album titles etcetera
Date: 02 Jul 1997 23:56:55 +0200
> The big question is: what are the samples in the songs? There's
plenty of
> sampling in them, but very few one-second ones...
The emphasis here is on the word *samples*, not *one second*.
The Fairlight CMS Series III was a novelty in 1986 and Boris
created Goldrush and One Second in a way that was totally
different from all his earlier albums: by using samples to build
up a song. If the samples are exactly one second or not is
of less importance - I mean what should he call the album?
"0.34 Second"? :-)
> forgot about Essential before. It's presumably called Essential not
because
> it's essential that you buy it (though the new mix of The Rhythm
Divine is
> definitely essential), but because it contains the 'essence' of
Yello -
> 'this is what Yello is all about' (or something like that). Does
this sound
> right?
That's correct yes.
> Talking about pianos, on One Second a "piano and accordian" is
credited. Is
> this supposed to be "piano-accordian" or do both instruments appear
on the
> album?
Both instruments. I will make a full musicians credits rundown in my
book.
Regards
JW
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From: Mike Maunz <mm0@servtech.com>
Subject: (yello) Yello T-Shirt?
Date: 06 Jul 1997 23:24:30 -0400 (EDT)
Yesterday while I was walking downtown, I passed a guy who was wearing
what appeared to be a Yello t-shirt. It was a black shirt, with dull grey
text, in no recognizable "Yello" font.
The front had the words:
you gotta say yes
to another excess
There was a symbol underneath, which I recall looked like a "mitten", or a
paw-print, in a circle, perhaps something like a "y": Oo
The back had a few lines of lyrics:
we love it
we need it
excess
I'm not sure if those were the exact lines, but they were definately from
the song.
I wish I had asked the guy about the shirt, as I doubt I will ever see it
again! Has anyone else ever seen/heard of this?
Coincidentally, later that night, "Sweet Thunder" was used as
accompanying music for a fireworks competition (Spain's finale), which I
remember was used exactly 2 years ago in the same fireworks show. :)
--
// Mike Maunz <mm0@servtech.com> (formerly mm0@io.org) \\
\X/ Toronto, Canada RIP Internex Online 1993-1997 \X/
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From: I2CDave@aol.com
Subject: (yello) Yello T Shirts
Date: 07 Jul 1997 15:02:27 -0400 (EDT)
Mike Maunz wrote to the list asking about Yello T shirts. I gave up trying to
find one, so I took several album covers down to my local copy shop and got
them to print me a T shirt. It's got the Baby alum cover on the front and the
Yello logo on the back. It onlt cost #14 (UK pounds).
Regards,
Dave Goodman, England.
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From: yehuda@maltar.org.il (Yehuda Segal)
Subject: (yello) My reaction to Pocket Universe.
Date: 08 Jul 1997 12:02:25 +0300
Yesterday was supposed to be one of the happiest days of my life.
Instead, it turned into a complete embarrasment.
Yesterday was the day when I finally bought the long-expected LP - POCKET
UNIVERSE.
The first impression was: TERRIBLE! (It remained the same after I listened
to it 3 more times).
It seems, that YELLO have completely changed direction into techno music.
There are so few songs that remind us of the old YELLO that we love so much -
(On track, To the sea, and Beyond mirrors) although Beyond mirrors feels
like more of a lecture than
a song (There's some nice background music in it but it's still not the same).
On track reminds me of ZEBRA's Night train with it's nice "rail&road" samples.
And To the sea reminds of course of Rhythm divine (But no-one can really
compare Shirley bassey's
voice to the voice of Stina Nordestam).
But what about songs like Magnetic, Monolith, Celsius, Resistor?
What happened?
It's just painful to hear those songs, much too painful.
They sound just like a random collection of sounds instead of a song with a
meaning.
Where are the emotions?
I'm beginning to think that if this was the first YELLO album I ever heard,
I would have never
become the group's fan, and the thought scares the hell out of me.
Yours,
Yuri Chercasski.
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From: "Tomas Garpenhall" <garpenh@algonet.se>
Subject: (yello) PU
Date: 08 Jul 1997 15:43:13 +0200
I agree
Tomas Garpenhall
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From: Juhana K Kouhia <kouhia@nic.funet.fi>
Subject: Re: (yello) My reaction to Pocket Universe.
Date: 08 Jul 1997 18:42:27 +0300
>From: yehuda@maltar.org.il (Yehuda Segal)
I were too dissappointed in the lecture type songs. But they fit in the
tune of the complete record.
>But what about songs like Magnetic, Monolith, Celsius, Resistor?
Magnetic is quite the same than Musky in Carl Cox's own album. It is
not pure Yello.
Monolith is actually quite good. Celsius is a dark tuned song and
sounds okay. Resistor is good but somehow it disturbs me a bit; is it
lacking of the softness?
Juhana
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From: Andre Seegers <seega@primenet.com>
Subject: Re: (yello) PU
Date: 08 Jul 1997 08:51:51 -0700 (PDT)
On Tue, 8 Jul 1997, Tomas Garpenhall wrote:
>
> I agree
>
> Tomas Garpenhall
>
>
mmmmm ... pity you guys don't like the new album ... give it time ...
For me, I felt the same way about Zebra (still haven't played that album
much), Baby was *GREAT* and in my opinion Pocket Universe is even better.
Maybe its due to the fact tht I've really been into Techno for the last
few years (Carl Cox and some Essential Mix stuff etc.) Did anyone check
out the 'Hands On Yello' compilations ?? Remixes of Yello tracks by
Cosmic Baby, Jam & Spoon, Oliver Lieb, The Grid, Carl Cox, The Orb, Moby
and more...
The liner notes are a really interesting read - these Techno/Trance
artists all mention what an influence Yello has had on their work.
Now it seems Yello is being influenced by their stuff !!!
Anyone else see this ??
cheers,
Andre
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From: scott MacEachern <smace@auracom.com>
Subject: Re: (yello) PU
Date: 08 Jul 1997 13:08:32 -0400 (EDT)
>>
>>
>
>
>mmmmm ... pity you guys don't like the new album ... give it time ...
>
>For me, I felt the same way about Zebra (still haven't played that album
>much), Baby was *GREAT* and in my opinion Pocket Universe is even better.
>
>Maybe its due to the fact tht I've really been into Techno for the last
>few years (Carl Cox and some Essential Mix stuff etc.) Did anyone check
>out the 'Hands On Yello' compilations ?? Remixes of Yello tracks by
>Cosmic Baby, Jam & Spoon, Oliver Lieb, The Grid, Carl Cox, The Orb, Moby
>and more...
>
I agree with you about Zebra, i think it my least favorite yello album. i
hardly ever play it.
Unfortunately my local record stores still don't have a copy of the new cd
yet, i can't wait to pick it up.
I really love the 'Hands On Yello' cd, it is really interesting to hear
their songs done by other artists. It was great to see how many really good
artists had been influenced by yello.
I hope the new cd is a departure from the style of Zebra, of course yello
always seem to make the most interesting music on the planet. i know i'll
like it.
scotty
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From: FGriego@aol.com
Subject: Re: (yello) Yello T Shirts
Date: 08 Jul 1997 16:18:00 -0400 (EDT)
Don't know about the Excess shirt but I can vouch for the existence of a Solid
Pleasure shirt. I have one that is that yellow/orange color used on (some)
of the LP art with the being centered. Odd thing about it is it is a child's
size-maybe one that a 10 year old would fit into.
regards, FG
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From: "Minstrel Arts" <och@dds.nl>
Subject: Re: (yello) PU
Date: 09 Jul 1997 00:17:11 +0000
Usually I have to listen to Yello tracks a few times before I start
to fully appreciate them. Maybe it's because I have certain
expectations (based on the previous albums) wich are mostly quite
different from the new release, so I have to 'adjust'.
That was not the case with 'Pocket Universe' though (except for
'Resistor'). I thought it was pretty good from the start. Maybe also
my techno history has something to do with it.
They chose a new path, they evolved together with the evolution of
music in general, without losing their own particular Yello-sound.
The samples and the way the samples are used are very much Yello as I
experience it. Same goes for the way the songs are build up.
Some great new sounds and good pieces of ambient a.o.
Another masterpiece I would say.
> Did anyone check out the 'Hands On Yello' compilations ??
> Remixes of Yello tracks by Cosmic Baby, Jam & Spoon, Oliver Lieb,
> The Grid, Carl Cox, The Orb, Moby and more...
Also a great album.
Especially 'Dr. Van Steiner' (Cosmic Baby), 'Ciel Ouvert' (Jens) and
'L'Hotel' (Carl Cox).
I'm not so fond of the way Plutone did 'Oh Yeah' (too little
connections with the original) and Ilsa Gold's version of 'Live at
the Roxy'. But the rest's great.
> The liner notes are a really interesting read - these Techno/Trance
> artists all mention what an influence Yello has had on their work.
>
> Now it seems Yello is being influenced by their stuff !!!
>
> Anyone else see this ??
I think I do, but I can't really put my finger on the concrete links
yet (maybe I should take my time and have a closer listen).
Groeten,
Olaf.
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From: "Andrew J. Rozsa" <rozsa@usa.net>
Subject: (yello) Yello watch!
Date: 08 Jul 1997 20:06:16 -0600
From AB-CD's hard-copy catalog:
Yello - Zebra CD - LTD Edition + Wrist Watch in metal case.....
$59.97
Yello - Pocket Universe + Extra Track (To the Sea Remix)
.........$27.97
AB-CD
21 North Main Street
So. Norwalk, CT 06854
(203) 831-8301
http://www.ab-cd.com
I have not dealt with them lately, but, if memory serves, they
were OK.
Andrew
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From: "Jonas Warstad" <jonwar@algonet.se>
Subject: (yello) Yello FAQ
Date: 09 Jul 1997 07:56:19 +0200
Normally the mailing list "operator" (in this case Lazlo)
is the one who makes the FAQ. If no one disagrees
then I will do it instead. I'd like to hear comments on
this from all Yello experts (including Lazlo).
Regards
Jonas Warstad
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From: Andrew Jackson <A.Z.JACKSON@dundee.ac.uk>
Subject: Re: (yello) PU debate
Date: 09 Jul 1997 09:03:34 GMT
> Hey Andy ...
Andre Seegers wrote;
> Maybe its due to the fact tht I've really been into Techno for the last
> few years (Carl Cox and some Essential Mix stuff etc.)
I agree with Andre - it depends on which direction you come to
Yello from, I think. If you have a background of Electropop, PU will
sound pretty hard and techno-oriented. If you are more of a
'hard-faced techno spook', as John Peel puts it, you won't find
anything out of the ordinary in the newer style.
If, like me, you come from both directions you'll probably regard
this as Yello claiming the Intelligent, Artistic Techno crown which
is rightfully theirs. PU is a landmark and a turning point. It's
better than Baby, and different to anything that's gone before. It's
a different kind of Yello, but between the rhythms you can hear the
beauty and quirkiness of Boris's older style in equal measure. I
love it both on its own and as part of the Yello canon of work.
They couldn't just keep remaking Stella ad infinitum. Well done
for keeping an open ear to what's around now, lads. Vive la
difference!
Andy Jackson
"If you tell a joke in the forest, but nobody laughs,
was it a joke?" (Stephen Wright)
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From: Andrew Jackson <A.Z.JACKSON@dundee.ac.uk>
Subject: Re: (yello) PU debate - an erratum
Date: 09 Jul 1997 09:16:58 GMT
>....PU is a landmark and a turning point. It's
> better than Baby, and different to anything that's gone before.
What I meant was 'it's better than Zebra' - not 'Baby'!
Apologies to all - assuming this thread hasn't sent you all off to
sleep!
Andy Jackson
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From: FGriego@aol.com
Subject: Re: (yello) My reaction to Pocket Universe.
Date: 09 Jul 1997 13:56:33 -0400 (EDT)
In a message dated 97-07-08 23:08:44 EDT, you write:
<<
But what about songs like Magnetic, Monolith, Celsius, Resistor?
What happened?
It's just painful to hear those songs, much too painful.
They sound just like a random collection of sounds instead of a song with a
meaning.
Where are the emotions?
I'm beginning to think that if this was the first YELLO album I ever heard,
I would have never
become the group's fan, and the thought scares the hell out of me. >>
Wanna sell it? If you haven't come across a Yello release that you didn't
like to this point, one would have to say they were either really good or you
were due.
Normally I would become defensive about such a reaction but I've come to
realize that opinions are subjective an based entirely on perspective.
As for the emotion issue: maybe your copy was scanned at the post office by x
ray or ultra violet light causing the emotion to be zapped out?
Nondefensively, FG
"It turns out this rock has some rather peculiar chemical characteristics,
which
make it very unlike the other SNC meteorites," said Dr. Hap McSween,
University
of Tennessee, who is a participating scientist on the APXS team. (The SNC
meteorites are those found on Earth that are believed to be of Martian
origin.)
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From: JULZMON@aol.com
Subject: Re: (yello) PU
Date: 09 Jul 1997 19:12:57 -0400 (EDT)
In a message dated 97-07-09 03:18:44 EDT, you write:
<< The liner notes are a really interesting read - these Techno/Trance
artists all mention what an influence Yello has had on their work.
Now it seems Yello is being influenced by their stuff !!! >>
It seems like Boris just wants to have fun and just fit in a little.
And for those of you that do not like the new abum. Its too bad. This abum is
so rich and full of new and old ideas all at the same time. Then its the
recording it self which is fenominal and not like he has done ever before.
And from a techno lovers point of veiw hes just showing the younings just a
thing or two.
Julian
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From: JULZMON@aol.com
Subject: Re: (yello) Yello watch!
Date: 09 Jul 1997 19:16:53 -0400 (EDT)
AB-CD
21 North Main Street
So. Norwalk, CT 06854
(203) 831-8301
http://www.ab-cd.com
I have not dealt with them lately, but, if memory serves, they
were OK.
I highly recommend them
Julian
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From: JULZMON@aol.com
Subject: Re: (yello) PU
Date: 09 Jul 1997 19:21:10 -0400 (EDT)
In a message dated 97-07-09 03:50:46 EDT, you write:
<< I'm not so fond of the way Plutone did 'Oh Yeah' (too little
connections with the original) and Ilsa Gold's version of 'Live at
the Roxy'. But the rest's great. >>
Those are my favorites they were the only one's that kept the feel of it and
were like newer vers of the songs. But my favorite is the Cosmic Baby one too
bad no cdsingle came out for it but the oh yeah single is my fave.
Julian
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From: Bekaert.T@daikin.be (Bekaert.T)
Subject: (yello) Just You Listen
Date: 10 Jul 1997 08:14:00 +0200
I'm not the greatest know it all, certainly not for techno.
All I know is that in '93 "The Art Of Noise" stopped breathing
and left us all alone in the dark. One of the guys just up and
went writing software. As if he wasn't doing something a lot better.
In the beginning, there was Prince and Queen. Freddy died to early,
Prince didn't know you should quit while your ahead.
Jean Michel Jarre liked synthesiser. So did Isao Tomita.
Weirdly enough they use the instrument in a totally different way.
YELLO came and they are still ahead. They use the synth in a different
way entirely. I can defenately hear an Art of Noise influence in some
songs and even some Tomita (but they won't know that). But what is
very weird: At the end, they suddenly go "once upon a time in the
west" on us. Boris has an Enio Moricone in the shelf and that
man never did techno, believe me.
I liked Zebra
I like PU
I like it all but having the same song on more than one CD
I like latin beat without the original instruments
I like speed beat without the nescesary hard core
With Yello, i gotta say yes and it's another ....
Read Ya
Tom
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From: Mark Pulley <z2103039@student.unsw.edu.au>
Subject: Re: (yello) PU
Date: 10 Jul 1997 16:18:23 +1000
At 08:51 8/07/97 -0700, you wrote:
>mmmmm ... pity you guys don't like the new album ... give it time ...
>For me, I felt the same way about Zebra (still haven't played that album
>much), Baby was *GREAT* and in my opinion Pocket Universe is even better.
Didn't someone once say that if you liked Zebra you'll like PU? I guess I
can't comment on that, as PU *still* hasn't been released here (I'm
guessing it won't be :( ). I'm about ready to bite the proverbial bullet
and buy the import. (Polygram, I'm not impressed.)
Anyway, the Yello album that I listen to the most is Zebra. (Closely
followed by all the others. :) )
>Did anyone check
>out the 'Hands On Yello' compilations ??
I personally wasn't very happy with most of the remixes on the 'Hands
On...' CDs. Most of them seemed to be the 'usual techno remix' that I've
mentioned many times that I don't like :). However, I really liked 'Dr van
Steiner'. Lost Again was also good, and The Orb's Excess.
Mark
-------------- Mark Pulley z2103039@student.unsw.edu.au --------------
Beanish: Thank's for saving my life, Mr Spook.
Mr Spook: No problem. Let's eat.
(Tales of the Beanworld #17)
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From: David Mayer <dpmayer@students.wisc.edu>
Subject: Re: (yello) PU debate
Date: 10 Jul 1997 00:13:24 -0500
>> Maybe its due to the fact tht I've really been into Techno for the last
>> few years (Carl Cox and some Essential Mix stuff etc.)
>
>I agree with Andre - it depends on which direction you come to
>Yello from, I think. If you have a background of Electropop, PU will
>sound pretty hard and techno-oriented. If you are more of a
>'hard-faced techno spook', as John Peel puts it, you won't find
>anything out of the ordinary in the newer style.
>
>If, like me, you come from both directions you'll probably regard
>this as Yello claiming the Intelligent, Artistic Techno crown which
>is rightfully theirs. PU is a landmark and a turning point. It's
>better than Baby, and different to anything that's gone before. It's
>a different kind of Yello, but between the rhythms you can hear the
>beauty and quirkiness of Boris's older style in equal measure. I
>love it both on its own and as part of the Yello canon of work.
>
>They couldn't just keep remaking Stella ad infinitum. Well done
>for keeping an open ear to what's around now, lads. Vive la
>difference!
>
And also keep in mind that Yello is considered by many to be the
grandfathers of techno and electronica. So are they following the pack, or
setting the course?
M=E4yer
David Panzerius M=E4yer University of Wisconsin <dpmayer@students.wisc.edu=
>
-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D=
-=3D-=3D-=3D-=3D-=3D--=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-
"A common mistake that people make when trying to design something
completely foolproof is to underestimate the ingenuity of complete fools."
-The Hitchhiker's Guide To The Galaxy
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From: "Jonas Warstad" <jonwar@algonet.se>
Subject: (yello) Yello FAQ - send questions
Date: 11 Jul 1997 18:17:15 +0200
I can't do any FAQ unless you send me some
questions guys. So please do. I will consider
any question that has a general interest.
Special questions (and tricky ones) will be
saved for my book.
Cheers,
Jonas Warstad
PS My Yello site isn't called "The World of Yello"
anymore (for those of you who link to me), there
there are enough Yello worlds and Universes
already. And it's not just a list of "B-sides".
The correct title is: REFERENCE DISCOGRAPHIES
AND LISTS. Sounds cool huh?
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From: BDay0000@aol.com
Subject: Re: (yello) PU debate
Date: 11 Jul 1997 18:56:29 -0400 (EDT)
In a message dated 97-07-10 18:41:19 EDT, you write:
<< And also keep in mind that Yello is considered by many to be the
grandfathers of techno and electronica. So are they following the pack,=
or
setting the course?
=20
M=E4yer
>>
Sadly, it seems as if they are following...... =3D[ =20
Brad Day=20
Atlanta, GA=20
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From: FGriego@aol.com
Subject: (yello) L'Hotel Warzania
Date: 11 Jul 1997 19:27:20 -0400 (EDT)
I'm not one to complain about service but I did notice it took 24 hours
for my last entry to post.
I just played thru the One Second cd and noticed how familiar the song
"L'Hotel" sounds to an instrumental track on a live David Bowie
record-"Stage."
The track is titled "Warzania" and is co-written by Bowie and Brian Eno. The
droning march tempo is what I believe ties them together. Both being
instrumentals,
I've found you can basically mix one atop the other to get a compoiste song.
I don't have a mixer but i played one in the cd drive & the other on the
turntable in the other room.
Anyone else have this Bowie recording? It may also be on the Scary Monsters
(or Low?) release.
Regards, FG
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From: "Jonas Warstad" <jonwar@algonet.se>
Subject: (yello) Yello FAQ is up at
Date: 12 Jul 1997 18:29:06 +0200
http://www.algonet.se/~jonwar/yello-FAQ.html
Jonas Warstad
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From: FGriego@aol.com
Subject: Re: (yello) PU debate
Date: 13 Jul 1997 13:01:09 -0400 (EDT)
In a message dated 97-07-12 20:15:23 EDT, BDay0000@aol.com writes:
<< < And also keep in mind that Yello is considered by many to be the
grandfathers of techno and electronica. So are they following the pack=
, or
setting the course?
=20
M=E4yer
>> >>
I think "Godfathers" might be a more appropriate term. As in James Brown-=
the
Godfather of Soul; or Neil Young- the godfather of grunge.=20
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From: Mark Pulley <z2103039@student.unsw.edu.au>
Subject: (yello) PU lyrics
Date: 14 Jul 1997 15:57:15 +1000
Here's come corrections, additions (and probably a couple of lies
(accidental, of course)) to the lyrics which others have previously posted.
(Capitals indicate additions, not shouting!)
"SOLAR DRIFTWOOD"
If we could communicate from our TINY PIECE of solar driftwood...
The Magic of music is a sign of consciousness that COULD be understood on
far FLUNG worlds MILLIONS of light years from our horizon (NOT 'BILLIONS')
"MORE"
YOU GIVE ME love, YOU GIVE ME fire, YOU GIVE ME more, GIVE ME desire
Love - escape - rhythm - fever
I SEE YOU rise - I can't ESCAPE - A serious case (?)
"ON TRACK"
Life is a ride, like days in A train
Cities RUSH BY like ghosts in the night
The rhythm OF WHEELS, time fades away
Stations of A JOURNEY - destination unknown
YOU never ANSWER I'M alone WHEN I ARRIVE I'VE GOT THE NUMBER
BOY IT'S (suffer(?)) GOT TO ASK ME GOT TO SEE IT WASN'T ME
FOR EVERY DAY AND EVERY NIGHT
BLAST OFF(?) FOR THE _____ NEW YORK TO Chicago MIDNIGHT SPECIAL, LEAVING
FROM CENTRAL ON PLATFORM 9
First class (SEATING) AT THE FRONT OF THE TRAIN, PASSENGERS _______ WAITING
FOR THE SLEEP PODS (?) __ CHECK IN IMMEDIATELY
"MAGNETIC"
Magnetic energetic and... beautiful
"LIQUID MOUNTAIN"
>In Pan Blue, the processed background voice says clearly "Yello"
>and perhaps some times "olley" and "olleyello". What do you think?
What about "Oh yeahllo"?? :)
"PAN BLUE"
Sound at 1:02 "VOICE ROBOT" - seems to be only saying "Oh, oh oh" (part of
the "oh yeahllo" sample?)
I know I NEVER KNEW TILL NOW WHAT love AND LIFE ARE all about
I NEVER COULD AT ANY TIME forget the day THAT you WERE MINE
ANOTHER DAY, ANOTHER NIGHT, I'M LOST AGAIN THE MORNING light
I NEVER COULD AT ANY TIME forget the day THAT you WERE MINE
I want THE OCEAN, I want emotion
I want your HORIZON
GOLDEN LULLABIES (?)
"RESISTOR"
You ARE BEING TAKEN UNDER OUR POWER TO YOUR destination.
Everybody IS A PART of the whole disaster
Faster, faster... to the brink of disaster
WE'RE all here ON this planet to spend a couple of hundred thousand hours...
"BEYOND MIRRORS"
Our most distinguished scientists reluctantly admit...
Rupert Sheldrake... has stated that scientists' attitude towards their
experiments affect the results of their experiments.
Well... that's my two cents worth...
Mark
-------------- Mark Pulley z2103039@student.unsw.edu.au --------------
Beanish: Thank's for saving my life.
Mr Spook: No problem. Let's eat.
(Tales of the Beanworld #17)
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From: Mark Pulley <z2103039@student.unsw.edu.au>
Subject: (yello) PU reaction
Date: 14 Jul 1997 15:55:39 +1000
Well, I finally bit the proverbial bullet and got my grubby little hands on
Pocket Universe. In a word: Wow!
SOLAR DRIFTWOOD
What a wonderful start to the album! The music was anticipatory, expectant,
and some other words which mean the same thing...
CELSIUS
Highlights: the vocal "Ah"s which are a semitone above the bass, the
'African' lyrics, spooky motif at c.3:00.
And now for the big question: are the words real words or are they nonsense
words? (I suspect it's the latter.)
MORE
Now where have I heard this before - oh, I know - it was on Jam & Spoon's
Great Mission (Haus Mix). Did J&S get the music from Boris, or the other
way around? On first listening, this song seemed to be a bit long, not
going anywhere, but I'm getting used to it.
ON TRACK
Highlight: the 'train rattling' samples. Oh I liked the rest of the piece too.
Probably the best song on the album.
MONOLITH
Also the best song on the album. Wonderfully atmospheric.
Highlights: Syrinx, Alhambra vocals & percussion.
TO THE SEA
Highlights: 0:50, 1:32, 3:04 electronic 'drum roll'. Stina's vocals.
Lowlight: the bonus track. It's okay, but didn't fit in with the rest of
the album.
I'm not as bothered by the 'stops and starts' as I was on an earlier posting.
MAGNETIC
I don't hate the song, but I'm not particularly fond of it either. Sorry,
folks.
LIQUID MOUNTAIN / PAN BLUE
Liquid Mountain makes good film music. These are growing on me...
RESISTOR
In a word "relentless" - relentlessly heading towards the end of the - um -
album. It could have been faster, though... :)
Highlights: "Aaaaaaaaah" (that's a scream), "go!" (especially following the
"We're all here on this planet" section), "faster, faster, faster, faster"
Cringe: Why were those arpeggio 'blips' so badly out of tune?
For a minute I thought that the "African" singing in this song was taken
from Celsius, but it wasn't. Oh well...
One song which didn't appear in Resistor was "Magneto", but that's okay,
because that song did appear on...:
BEYOND MIRRORS
Nice music, but shame about the words...
Maybe it's just me, but I find it strange to be told that "there is no such
thing as a definite fact in science", then to be told that "mass is a
physical interpretation of energy" (definite fact), and "Galileo Galilei
was in fact correct".
If "any sufficiently advanced technology is indistinguishable from magic",
it doesn't follow that the technology is magic, or that magic exists at all.
But maybe I just live in the universe next door...
OVERALL
Overall I enjoyed PU. Now I'll have to decide which song I like the most,
for Greg Vialle's survey...
Mark
-------------- Mark Pulley z2103039@student.unsw.edu.au --------------
'Decisions drive me crazy, decisions drive me mad...' (Night Flanger)
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From: ARWales@aol.com
Subject: Re: (yello) PU reaction
Date: 14 Jul 1997 21:02:53 -0400 (EDT)
Mark Pulley wrote:
>Maybe it's just me, but I find it strange to be told that "there is no such
>thing as a definite fact in science", then to be told that "mass is a
>physical interpretation of energy" (definite fact), and "Galileo Galilei
>was in fact correct".
>If "any sufficiently advanced technology is indistinguishable from magic",
>it doesn't follow that the technology is magic, or that magic exists at all.
>But maybe I just live in the universe next door...
I don't wish to appear condescending, but Mr Pulley doesn't seem to
understand what is meant by the word "fact". A fact is defined as a "thing
certainly known to have occurred or be true". The statement "mass is a
physical interpretation of energy" is just that, a statement about the nature
of energy and is no more a fact than stating that it is impossible to be
absolutely certain of anything. Which is in effect what Dieter Meier is
saying. "Beyond Mirrors" is about the idea that the universe is infinitely
complex and is therefore by definition incapable of being fully comprehended.
No matter how far we advance, there will always remain a part that will
remain unknowable. Magic is magic, precisely because we do not know how "A"
and "B" resulted in "C". To a "primitive" tribe, a shotgun will appear to be
magical since they have no understanding of how it functions.
To be confronted by magic is to look at things anew and realise that
everything is not what you thought it to be, it is to be filled with a sense
of wonder and awe. A child views the world in precisely this way: in
adulthood we can all to easily begin to stagnate because we start to take to
many things as given. Dieter Meier has stated that Yello treat the studio as
a child would and therefore view each new endeavour as a voyage of discovery.
This is why Yello have have always retained the ability to re-invent
themselves and stay fresh. Of course they have their influences - Dieter
listed Mahler's Ninth Symphony as a favourite piece in an article in "The
Face" some years ago, so merely looking for clues in the world of Techno is
more than a little limiting. Yello can sound like everything and everybody
while still remaining Yello, its why they're so unique. So when back in
April, on a trip to Budapest, I spied a copy of "Pocket Universe" in a record
store window the feelings of anticipation and excitment that filled me had
that same magical quality that I felt when my mother and I went to buy my
first racing bicycle all those years ago. Yello are fun, yet most of the
postings I've read since I've been on this list seem to be oblivious to this
"fact".
Yours
Andrew Wales
ARWales@aol.com
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From: "Andrew J. Rozsa" <rozsa@usa.net>
Subject: Re: (yello) PU reaction
Date: 14 Jul 1997 21:34:32 -0600
I appreciate your message written at 09:02 PM 7/14/97 -0400,
Andrew. You wrote:
[.... big snip....]
> Yello are fun, yet most of the
>postings I've read since I've been on this list seem to be
oblivious to this
>"fact".
Not only that, but Yello are HAVING fun, making their music. Those
who miss that and can listen to Yello without a smile on their
faces, are blind (deaf?) to the big picture.
Yello have produced good and bad music, but their sense of humor is
so pervasive that I can never resist getting my hot little hands on
ANYTHING they produce.
BTW, Andrew, I wish you allowed me to reproduce your post on the
Tangerine Dream list. I think we can all learn from it.
Appreciate your insights.
Best,
Andrew
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From: Barry <spork@primenet.com>
Subject: Re:(yello) PU lyrics
Date: 15 Jul 1997 01:46:49 -0700
At 3:57 PM +1000 7/14/97, Mark Pulley is rumored to have typed:
>I want your HORIZON
>GOLDEN LULLABIES (?)
How about:
"I want your eyes
and all your lullabies"?
Just my one-and-a-half cents... :)
====================================================================
Some people see things that are and ask "Why?"
Some people dream of things that never were and ask "Why not?"
Some people have to go to work and don't have time for all that shit.
-- George Carlin
====================================================================
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From: Barry <spork@primenet.com>
Subject: Re: (yello) PU reaction
Date: 15 Jul 1997 01:46:57 -0700
At 9:02 PM -0400 7/14/97, ARWales@aol.com is rumored to have typed:
>a shotgun will appear to be
>magical since they have no understanding of how it functions.
"This... is my boom-stick!"
(Sorry, had to throw that movie quote in)
====================================================================
Some people see things that are and ask "Why?"
Some people dream of things that never were and ask "Why not?"
Some people have to go to work and don't have time for all that shit.
-- George Carlin
====================================================================
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From: Tim Coffey <timc@TheMusicStore.co.uk>
Date: 15 Jul 1997 15:27:15 +0100 (BST)
I just noticed something new on eros (uk cat pc)
"Technomajikal" by deiter meier
cd dist by vci
Is this a new release ??????
timc@themusicstore.co.uk
______________________________________________________________________________
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
"The ritual handshake between Stanley Cup combatants is sports' finest
finishing touch - Michael Farber - Sports Illustrated 06/16/97
"I can't believe i shook this guy's friggin' hand" - Dino Ciccarelli
______________________________________________________________________________
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
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From: "Scott R. Cummings" <s.r.cummings@cableinet.co.uk>
Subject: (yello) "On Track" Ltd Edition ?
Date: 15 Jul 1997 19:50:30 +0100
I Noticed on http://www.yello.ch/newschannel/ About A limited Edition
of "On Track" CD, Anybody know if this has been released (i.e. in the
UK) or any Web Site CD Shop got a copy of it ?
Scott Cummings
mailto:s.r.cummings@cableinet.co.uk
Edinburgh,Scotland
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From: Mike Maunz <mm0@servtech.com>
Subject: (yello) ReWATCH
Date: 15 Jul 1997 15:18:55 -0400 (EDT)
I found this at www.rewatch.com/dieter.html:
Dieter Meier
President & C.E.O., ReWATCH
Watchmaker i. a. b.
As lead singer of the techno-rock group YELLO, a celebrated artist, a
feature film-maker, and a columnist for the prestigious New Zurich
Daily, Dieter Meier is a true Renaissance man.
Born in 1945 in Zurich, Switzerland, Meier grew up in one of Zurich's
most accomplished and important banking families. Meier not only
continued his family's success, he renewed it -- taking it in a
colorful, new direction. The first of many notable achievements was
back in 1972, when he was awarded the honor of being the Swiss
representative at the Documenta 5, an annual world renowned
contemporary art exhibit. Later that year, Meier was invited to
participate in other prestigious exhibits and festivals such as,
Cannes Film Festival and Kunstmuseum Lucerne.
It is for a different talent, however, that Meier is often recognized
by people in the street. Through the group YELLO, Meier helped define
techno, bringing it to the forefront of the European and American
music and dance scenes. YELLO's music is a familiar presence on
Hollywood soundtracks -- think "Oh Yeah" from Ferris Bueller's Day
Off, Walt Disney's Santa Clause, and Nuns On The Run, not-to-mention a
common theme to rouse a crowd at many sports events. The creative
videos that Meier has produced have been showcased at New York's
Museum of Modern Art and are listed among the 50 all-time best in
Rolling Stone.
Several albums with over 7 million in sales and 27 music videos later,
Meier once again pushes the envelope with his latest endeavor,
ReWATCH. A line of recycled watches made from crushed soda and beer
cans, ReWATCH serves as further proof that he can transform something
ordinary into something brilliant. Already a cutting-edge trend in
Europe, ReWATCH will make its US debut in New York, in November, 1996.
With Meier's energy and dynamic presence behind this project, ReWATCH
is sure to be a buzz word in the US as well.
Another member of Meier's fashion repertoire is En Soie Sourire, a
Swiss company which designs, manufactures and distributes upscale silk
scarves and clothing, jewelry, small furniture and home accessories.
He has established retail outlets in Palm Beach, Florida; Duesseldorf,
Germany; Zurich, Switzerland; and coming Fall 1996, Madison Avenue,
New York City. Meier is also co-owner of Ulysse Nardin, a company that
produces very high-end luxury watches.
The combination of creativity and sharp business sense is what
distinguishes Dieter Meier in both the art and business worlds. With
four children and so many interests, it's a wonder how he has time to
pursue them all. "It's very hectic trying to keep up with everything I
care about," says Meier. "But I wouldn't have it any other way."
--
// Mike Maunz <mm0@servtech.com> (formerly mm0@io.org) \\
\X/ Toronto, Canada RIP Internex Online 1993-1997 \X/
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From: "Lazlo Nibble" <lazlo@swcp.com>
Subject: (yello) Technomajikal
Date: 15 Jul 1997 14:53:15 -0600 (MDT)
> I just noticed something new on eros (uk cat pc)
>
> "Technomajikal" by deiter meier
>
> cd dist by vci
>
> Is this a new release ??????
Yes, it's the Deiter vs. Lee "Scratch" Perry album. Haven't seen it in shops
yet, though . . .
--
::: Lazlo (lazlo@swcp.com; http://www.swcp.com/lazlo)
::: Internet Music Wantlists: http://www.swcp.com/lazlo/Wantlists
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From: Juhana K Kouhia <kouhia@nic.funet.fi>
Subject: Re: (yello) "On Track" Ltd Edition ?
Date: 16 Jul 1997 00:03:07 +0300
A limited edition On Track contains one original version, and two Doug
Laurent (or such third party remix) versions. And then there is a CD-ROM
track for computer.
I try to get the CD single but maybe it is already sold out; it was quite
cheap used copy with damaged blastic envelope.
At least I have to take the track lengths and remixer infos.
Juhana
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From: Juhana K Kouhia <kouhia@nic.funet.fi>
Subject: Re: (yello) Technomajikal
Date: 16 Jul 1997 00:13:13 +0300
>> "Technomajikal" by deiter meier
>
>Yes, it's the Deiter vs. Lee "Scratch" Perry album.
Argh! It is Dieter!!!!
Is the CD under the letter "M" or "P"?
Juhana
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From: Mark Pulley <z2103039@student.unsw.edu.au>
Subject: Re: (yello) PU reaction
Date: 16 Jul 1997 18:20:01 +1000
At 09:02 PM 14/07/97 -0400, you wrote:
>>Maybe it's just me, but [snipped discourse on facts]...
>>But maybe I just live in the universe next door...
>A fact is defined as a "thing
>certainly known to have occurred or be true". The statement "mass is a
>physical interpretation of energy" is just that, a statement about the nature
>of energy and is no more a fact than stating that it is impossible to be
>absolutely certain of anything.
But stating that it is impossible to be 100% certain of something and
stating that it is impossible to know anything about something are two
separate things. This is probably beyond the scope of the Yello news group.
Fell free to mail me personally if you wish to continue this thread.
>"Beyond Mirrors" is about the idea that the universe is infinitely
>complex... No matter how far we advance, there will always remain a
>part that will remain unknowable.
Also: no matter how far we advance, it will always be amazing!
>Magic is magic, precisely because we do not know how "A"
>and "B" resulted in "C". To a "primitive" tribe, a shotgun will appear to be
>magical since they have no understanding of how it functions.
But if I saw a gun being fired, I would try to find out how it worked. Why?
Because of our different world views: I expect things to follow natural
laws, while the "primitive" tribe may think that there aren't any natural
laws, only "the whim of the gods". (That's what I meant by the 'Universe
next door').
>...Yello treat the studio as
>a child would and therefore view each new endeavour as a voyage
>of discovery... Of course they have their influences...
>so merely looking for clues in the world of Techno is
>more than a little limiting. Yello can sound like everything and everybody
>while still remaining Yello...
When I first started listening to Yello, I was coming from the opposite
direction (from 'Classical' music), and knew virtually nothing about the
top 10, much to the disappointment of my school friends at the time! I've
always liked how they don't write things to a formula - they're free to
experiment with sound and write REAL music, rather than ephemeral music for
the masses. And, I agree, Yello is also fun.
>Yello are fun, yet most of the
>postings I've read since I've been on this list seem to be oblivious to this
>"fact".
As Dieter once said: "We started with a very little circus just with a
donkey and a goose, and Boris and myself are in the arena with the donkey
and the goose, and we had all the fun. With "Flag", for ourselves, I don't
know whether to the world outside we proved that now we have some elephants
and some trapeze artists, and the circus is just bigger--but we still have
all the fun!" ('Ma! I'm on top of the world!', New Musical Express, 12/10/88)
Mark
----------- Mark Pulley mailto:z2103039@student.unsw.edu.au -----------
Beanish: Thank's for saving my life.
Mr Spook: No problem. Let's eat.
(Tales of the Beanworld #16)
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From: Mark Pulley <z2103039@student.unsw.edu.au>
Subject: Re:(yello) PU lyrics
Date: 17 Jul 1997 13:47:45 +1000
At 01:46 AM 15/07/97 -0700, you wrote:
>>I want your HORIZON
>>GOLDEN LULLABIES (?)
>How about:
>"I want your eyes
>and all your lullabies"?
Or 'all *the* lullabies' ?
Just my one Tanzanian Shilling (c. US$0.002)... :)
Mark
----------- Mark Pulley mailto:z2103039@student.unsw.edu.au -----------
Beanish: Thank's for saving my life.
Mr Spook: No problem. Let's eat.
(Tales of the Beanworld #16)
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From: Mike Maunz <mm0@servtech.com>
Subject: (yello) Swiss article
Date: 18 Jul 1997 18:21:56 -0400 (EDT)
Here is an article I found at www.facts.ch/facts08/magazin/m_ges_txt.htm.
Could someone translate it? While I do know German, it's a bit too tough
for me... :)
Dieter Meier
Der Dandy uebernimmt sich als Unternehmer
Der Popmillionaer Dieter Meier steckt in Schwierigkeiten. Seine
Uhrenfabrikation und sein Filmprojekt "Snowball" harzen. Zum Glueck hat
er noch das Technoduo Yello.
Von Philip Wegmueller
Das Seidenfoulard zurechtgerueckt, das spitze Kinn nach vorn gereckt
und die Brauen hochgezogen, bis die Augaepfel fast aus den Hoehlen
treten - Dieter Meier weiss sich stets extravagant in Szene zu setzen.
Nur mit seinem juengsten Auftritt scheint er Muehe zu bekunden. "Ich
muss", sagt der Zuercher Selbstdarsteller, "den Industriellenblick noch
etwas ueben."
Zehn Millionen Uhren wolle er verkaufen, hatte der Besitzer der
Uhrenmarke Crash vor einem Jahr angekuendigt. "Da besteht eine grosse
Nachfrage." Doch bisher ist daraus nichts geworden. In der
Metallfabrik Luedi AG in Flawil, wo Meiers Uhren fabriziert werden,
laufen die Maschinen nur auf niederen Touren. Firmenchef Fritz Luedi:
"Wir warten seit einem Jahr im hoechsten Marschbereitschaftsgrad, aber
Dieter Meier hat uns das Zeichen zur Abfahrt noch nicht gegeben."
Stattdessen hat der umtriebige Bankierssohn Meier, Villenbesitzer am
Zuerichberg und in Hollywood, bei einem Blitzbesuch im Betrieb fleissig
Autogramme unter den Fabrikarbeitern verteilt.
Besser laeuft das Geschaeft mit Yello, Meiers international beruehmter
Popgruppe, die an der Entstehung der Techno-Musik massgeblich
beteiligt war und seit 1980 etwa zehn Millionen Alben und Singles
verkauft hat. Ein vor kurzem veroeffentlichter Comeback-Titel, "To the
Sea", erklimmt derzeit die Hitparaden. Dieter Meier erscheint auf der
Produktion allerdings nur am Rand; Text und Gesang stammen von der
schwedischen Saengerin Stina Nordenstam, komponiert hat die
zurueckhaltend pulsierende House-Nummer sein Partner Boris Blank.
Auch auf dem neuen Yello-Album "Pocket Universe" haelt sich Meier
auffallend zurueck. Er, der frueher mit dadaistischen Parolen die
rhythmisch vertrackten Yello-Hits anpeitschte, ist auf der CD nur noch
vereinzelt zu hoeren - mit philosophischen Kurzbetrachtungen ueber
Rhythmus und Magie, Gott und die Welt.
Verabschiedet sich Dieter Meier mit bald 52 Jahren aus dem
Popbusiness?
Der einstige Golf-Nationalspieler zieht die Brauen noch ein wenig
hoeher und senkt den stechenden Blick zu Boden. "Rein quantitativ habe
ich als Texter und Regisseur seit jeher weniger Zeit mit Yello
verbracht, als es Boris tut", sagt er. "Aber ich stamme aus einer
Familie von Geschaeftsleuten, und ich moechte mich meines klaren
Beduerfnisses, mich geschaeftlich zu betaetigen, nicht mehr laenger
enthalten. Ich will immer noch Neues
lernen."
Bereits hat der Bentleyfahrer schmerzhaft lernen muessen, dass es im
Geschaeftsleben auch ein Profi-Pokerspieler, wie er einst einer war,
nicht leicht hat. In einem ersten Versuch, sich als Industrieller zu
beweisen, hatte Meier die Uhrenmarke Crash uebernommen, eine
Recyclinguhr. Die Gehaeuse sind aus zusammengepresstem Aluminiumabfall
gefertigt, Cola- und Bierdosen, die Lederarmbaender teils aus
ausgedienten Mercedes-Ledersitzen. Die Uhr soll ausser der Zeit
zeigen, sagt Meier, "dass wir in einer Wegwerfgesellschaft leben".
Doch das Geschaeft mit der Uhr tickte von Anfang an nicht richtig.
Gleich nachdem Meier die Crash-Aktienmehrheit uebernommen hatte,
stellten sich die Probleme ein. Meier musste 100 000 Franken Kapital
einschiessen und mit dem mondaenen Uhrenhersteller Cartier einen
Rechtsstreit wegen Patentrechten ausfechten. Insgesamt duerfte er mit
seinem Einstieg ins Uhrenbusiness eine Million Franken verloren haben;
genaue Zahlen mag er nicht nennen, der juristische Kleinkrieg mit
Cartier laeuft noch.
"Mein groesster Fehler war", bekennt er, "dass ich statt einen klaren
Schlussstrich zu ziehen die Firma viel zu lange weitergezogen habe.
Ein schoener Teil der Investitionen ist in dieser Uebergangsphase
verloren gegangen." Am Rechtshaendel aergert ihn weniger der Geldverlust
als die Zeitverschwendung. "Als ich 50 wurde", sinniert er, "habe ich
gelernt, dass man mit der Zeit, die man auf dieser Welt hat, sehr
sorgfaeltig umgehen muss." Haette Meier nicht eine Uhr zu verkaufen, man
wuerde ihm diese Altersweisheit gern abnehmen.
Der Crash mit Crash war nicht das erste Mal, dass Meiers Ideen in der
Umsetzung haperten. So kuendigt der eloquente Parleur seit 1990 seinen
Kunstfilm "Snowball" an. Obwohl die Dreharbeiten schon seit Jahren
abgeschlossen sind, hat noch niemand den Streifen gesehen. "25 Prozent
der Negative wurden durch einen Unfall beschaedigt", gibt Meier an. Mit
ein Grund fuer die mehrjaehrige Verspaetung duerfte aber sein, dass Meier,
Regisseur und Kapitalgeber des ambitioesen Projekts, 160 Stunden
Filmmaterial im Kasten hat und sich auf keine endgueltige Kinofassung
festlegen kann. Dabei waere der Film enorm wichtig fuer sein
unternehmerisches Weiterkommen, besonders fuer die Zukunft seiner
amerikanischen Filmproduktionsgesellschaft. "Mein kommerzielles
Ueberleben haengt davon ab, wie der Film in den USA ankommen wird."
Hollywood, hat er gelernt, "ist ein gewaltiges Kasino mit gewaltigen
Einsaetzen".
Doch so schnell gibt der Filmemacher, Musiker und Dandy, der gerne
auch Industrieller waere, nicht auf. Seinen Vater Walter, den heute
83-jaehrigen Exdirektor der Privatbank Hoffmann, und seinen Bruder
Balthasar, Besitzer der Luxusstrumpf-Marke Fogal, hatte er jahrelang
am Familientisch mit wohlfeilen Ratschlaegen genervt, wie Business zu
machen waere. Jetzt moechte Meier beweisen, dass er nicht nur wie ein
Entrepreneur reden, sondern auch geschaeften kann - koste es, was es
wolle. Das uebrigens kann es auch, da Meier ueber ein stattliches
Vermoegen verfuegt.
Nach der Bruchlandung mit der Crash-Uhr hat sich Dieter Meier fuers
Produkt einen neuen Namen ausgedacht, der keine rechtlichen
Schwierigkeiten mit der Konkurrenz provoziert: ReWatch. Nun freuen den
Unternehmer in spe, der auch das tschechische Pilsnerbier Lobkov in
die Schweiz importiert, schon bescheidene Anfangserfolge. Er redet
nicht mehr davon, zehn Millionen Uhren absetzen zu wollen, sondern bis
Mitte Jahr 50 000; bereits habe er 2500 Stueck verkauft, "was sehr
beachtlich ist". Und gerne erzaehlt er, dass die renommierte "New York
Times" und CNN ausfuehrlich ueber ReWatch berichteten. "Es besteht ein
sehr grosses Interesse an dieser Uhr, und ich behaupte, dass wir in
diesem Jahr auf die Beine kommen werden. Alle Anzeichen sind bestens."
Dass es sein Produkt nur in 14 Laeden in New York zu kaufen gibt und
die Oeko-Uhr mit einer Siliziumbatterie laeuft, haengt er nicht an die
grosse Glocke.
Da meldet sich aus dem Hintergrund ploetzlich die dazugestossene
Yello-Haelfte Boris Blank zu Wort, dem Meiers Eigenpromotion in Sachen
ReWatch etwas ungeheuer wird: "Unsere Band ist kein
Gemischtwarenladen. Mit unserer Musik hat die Uhr nichts zu tun."
Dieter Meier prueft ungeruehrt seine Frisur und reckt sein Pokerface in
die Kamera. Denn was hat der Millionenerbe von seinem Vater gelernt?
"Dass man seine Ideen hartnaeckig verteidigen muss. Und dass man
Zweifel, Kritik und Spott ertragen lernt."
Mitarbeit: Stefan Barmettler
--
// Mike Maunz <mm0@servtech.com>
\X/ Toronto, Canada
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From: "=?ISO-8859-2?Q?Bartosz_Mak=B6wiej?=" <max1972@polbox.com>
Subject: (yello) Searching for help
Date: 20 Jul 1997 12:16:34 +0200
Lookin' 4 full discography of singles. Answer please.=20
Bartek
e-mail: max1972@polbox.com
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From: Niklas Upphed <upphed@homemail.com>
Subject: Re: (yello) Searching for help
Date: 21 Jul 1997 06:53:25 +0100
Bartosz Mak=B6wiej wrote:
> Lookin' 4 full discography of singles. Answer please.
Jonas W=E5rstad has a couple of different lists on his page:
http://www.algonet.se/~jonwar/yello.html
Lazlo Nibble maintains the "complete discography" at:
http://www.swcp.com/lazlo-bin/discog.pl?artist=3DYello
Nic (Swedish Nic)
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From: "Minstrel Arts" <och@dds.nl>
Subject: (yello) Solid Pleasure
Date: 23 Jul 1997 02:40:19 +0000
Hoi!
Could anyone tell me what style I can expect on "Solid Pleasure"?
I'm thinking of buying it, but I haven't found it in the stores yet,
so maybe I'll order it (but then I'ld like to know in advance what to
expect).
Can it be compared to any of the other albums?
I have "1980-1985 The New Mix......."
But I'm not sure as to which songs are taken from "Solid Pleasure"
(because "Claro Que Si" is also still missing from my collection).
Groeten,
Olaf.
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From: ARWales@aol.com
Subject: Re: (yello) Solid Pleasure
Date: 23 Jul 1997 07:59:21 -0400 (EDT)
Olaf wrote:
>Could anyone tell me what style I can expect on "Solid Pleasure"?
Basically "Bananas to the Beat" and "Bostich" are the only tracks from "Solid
Pleasure" on "New Mix" and these are somewhat different from the original
versions. "Daily Disco", "The Evening's Young" and "Pinball Cha Cha" are the
"Claro Que Si" tracks and have also be changed substantially (for instance,
the spoken introduction to the "New Mix" version of "Daily Disco" is not on
the original).
I would say "Claro Que Si" is the better album personally but this is just
because it has one of my all-time favourite Yello tracks "She's Got a Gun".
However, in the UK both are available on mid-price: so I wouldn't imagine you
would break the bank by buying both.
"Solid Pleasure" is (not suprisingly) more like "Claro Que Si" than any other
Yello album (which isn't of much help to you !). Up until and including "You
Gotta Say Yes...", Yello had a third member: Carlos Peron and sounds that are
now produced by samplers were achieved by splicing together tapes. The early
albums therefore sound less "polished" than their successors. However, unlike
many groups Yello established their own distinctive sound very early on and
there is nothing like the gulf that say you get with Kraftwerk when comparing
"Ralf and Florian" to say "Trans Europe Express". It is not difficult to
recognise in "Solid Pleasure" the same group that would go onto make "Pocket
Universe" 17 years later. Only perhaps the guitar in "Blue Green" bears an
obvious debt to Pink Floyd (though this could also be said of "Desire").
Whatever, I do not think you will be disappointed: enjoy!
Andrew Wales
ARWales@aol.com
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From: Andrew Jackson <A.Z.JACKSON@dundee.ac.uk>
Subject: Re: (yello) Solid Pleasure - Night Flanger
Date: 23 Jul 1997 13:12:25 GMT
> Olaf wrote:
>
> >Could anyone tell me what style I can expect on "Solid Pleasure"?
The electronics are certainly rawer, but the sound is unmistakably
Yello. The album's highpoint (and indeed, Yello's) is a track called
'Night Flanger' which is unlike anything else they have ever done -
it's a low-slung, funky pop song which should have sold millions
when released as a single. It has handclaps, backbeat electric piano
chords and a Chico Hablas guitar break which is perfection on a
six-string - piss off Clapton, Knopfler, Hendrix!
Despite everything else they've done - all that followed, all the
classic tracks that get talked about on this group - I think this is
the best thing they ever did.
But that's just my opinion!
Regards
Andy Jackson
"You can't have everything. Where would you put it?"
(Stephen Wright)
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From: "Bruno DURRENBERGER" <bd@sdv.fr>
Subject: (yello) 06-25 YELLO ON CARL COX'S ALBUM
Date: 30 Jul 1997 21:36:39 -0100
to: yello@xmission.com
subject: (yello) 06-25 YELLO ON CARL COX'S ALBUM
I was to my favourite music store last saturday to know if some new reali=
ses
was made by Yello (like MCD) but there is no new items availables (in Fra=
nce)
for now !=B0\
They precise me that a track was published on Cox's album and made with B=
oris
Blank in Yello' studios. In fact, it is MAGNETIC under the name MUSKY (tr=
ack 7)
[6:45] without Dieter's voice. There is no MCD (of MUSKY) about it !
GREG.
.---,
| . .
( \ - You are my sun... -
| ^
\ -
--
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=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D =20
Bruno Durrenberger - A/P - Amiga fan =20
E-Mail: bd@sdv.fr
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From: "Bruno DURRENBERGER" <bd@sdv.fr>
Subject: (yello) 06-25 MPEG3 FILES ?!
Date: 30 Jul 1997 21:41:46 -0100
Open letter to George PLANK (and other MPEG3 users):
Hi,
Really good news to can hear some rare tracks on your site, but it will be hard
for me to listen to them because MPEG3 is not available in France (shops even
doesn't know if it will) !
So, please make WAV files too (no longer that 700ko if possible) !
It's like to show a toy to a child without he can play with it !!!
Merci beaucoup (thanx a lot),
GREG.
.---,
| . .
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| ^ - with: [GREG] subject -
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E-Mail: bd@sdv.fr
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From: "Bruno DURRENBERGER" <bd@sdv.fr>
Subject: (yello) 06-25 MONOLITH LYRICS
Date: 30 Jul 1997 21:40:47 -0100
Dmitry Shtilerman wrote Wed, 11 Jun:
> Is anybody here interested in deciphering the words spoken in "Monolith"? I
> guess, a few Russian-speaking persons from this list (at least Serge Popov
> and me) might provide a substantial help on this subject.
>
> Of course, don't take me to serious... :-)
Write us the words in english if you want !!! It could be cool !
GREG.
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From: "Bruno DURRENBERGER" <bd@sdv.fr>
Subject: (yello) 06-25 DIETER'S REFERENCES OR HOW TO MAKE A STORY
Date: 30 Jul 1997 21:43:30 -0100
Hi there,
"We are all here, on this planet..."
There was a UFO night friday, the 13th Juny on a French channel (Canal+)
because of the 50th anniversary.
A lot of reports, amateurs videos and extracts was showed about the phenomenon.
One was referenced ARTHUR C. CLARKE'S MYSTERIOUS UNIVERSE - YORKSHIRE TV, 1994
and was talking about those circles seen on some UK fields after UFO's
Magic visites !
The more... "funny" was when I saw a Y surrounded of a circle -
UNBELIEVABLE !
(Y)
---- / !)!:/ ----
-- \!!\!.\! --
- Special Investigator -
--
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
Bruno Durrenberger - A/P - Amiga fan
E-Mail: bd@sdv.fr
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From: "Bruno DURRENBERGER" <bd@sdv.fr>
Subject: (yello) 06-25 KEEP THE SHUAVAHNA !!!
Date: 30 Jul 1997 21:42:32 -0100
Hi,
Everybody is asking what is hided behind those words, aren't YOU !?!
The complete words are:
Your future : mad !
Keep the Shuavahna,
Keep them gone !
<< - Inc... comprehensible !!! >>
Okay... Let's light you ! One of my favourites tracks on PU is MAGNETIC -=
just
sample 3:57 to 4:05 and backward it - just to see! :=B0. (It's Mad-gic!)
--- / !)!:/ ---
-- \!!\!.\! --
The Analyser
--
-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=
=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D =20
Bruno Durrenberger - A/P - Amiga fan =20
E-Mail: bd@sdv.fr
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From: "Bruno DURRENBERGER" <bd@sdv.fr>
Subject: (yello) 06-25 MAGNETIC, ENERGETIC...
Date: 30 Jul 1997 21:39:54 -0100
Wed, 04 Jun 1997 John Angstrom wrote:
> Fri, 23 May 1997 Greg Vialle wrote via Bruno DURRENBERGER
> > Does anybody can help me to light my way through my supposed
> > transcribing?
> > By connectic
> > And authentic
> > And... beautiful
> > Magnetic
> > And little check
> > And... beautiful
>
> In my ears i have no doubt about what Dieter is saying in "MAGNETIC":
> Magnetic
> Energetic
> And... beautiful
Good for you, and thank you for your help, but you think well that everybody
can't have the same level in english (especially aliens), that's why I'm asking
for some help to the list - you think well !!!
> I also make music (some of it is, of course, inspired by Yello).
Is it computer releases ? I think it should be interresting to listen to it,
isn't it ?! .MOD format ?
Regards,
GREG.
.---,
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From: "Bruno DURRENBERGER" <bd@sdv.fr>
Subject: (yello) SALUT, I MUST LEAVE !
Date: 30 Jul 1997 21:38:27 -0100
to: yello@xmission.com
subject: (yello) SALUT, I MUST LEAVE !
(Y)hello there,
It's time for me to leave the list for some months - must do my military
service.
Before that I would like to precise that this mailing list was really
interesting for me because it's full of (good) news about Yello.
First, I thought I was the only heavy fan of YELLO (because of non adds
in France!) and then I was happy to know that it was wrong !
I can personnaly listen to Yello all days (that I do!) without to be sick
of it. Boris and Dieter are the best in their category. I love their work
and I hope that they will do long and long way in music yet.
I made some finals subjects with 06-25 in the biginning - it is the date I
planed to send them to XMISSION but because of my fast departure to the M.S.
I'd never could to send it !
Hi everybody,
GREG.
Long life to this mailing list and...
A YELL HELLO TO YELLO,
------ / !)!:/ ------
--- \!!\!.\! ---
*I'm riding a Night Train...*
.---,
| . .
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From: "Bruno DURRENBERGER" <bd@sdv.fr>
Subject: (yello) 06-25 VOTES ON YELLO...
Date: 30 Jul 1997 21:44:24 -0100
Hi everyboby,
Please... Go on to send me your vote - there are a lot of people who haven't
done it yet! It would seem that nobody is interesting in this idea ?! Can't
believe it ! Just answer to the following points and send me it, I will do a
recap for the beginning of the next year !!!
1) FAVORITE ALBUM: ALBUM
2) FAVORITE TRACK: TRACK
3) SOLID PLEASURE: SONG
CLARO QUE SI: SONG
YOU GOTTA SAY YES: SONG
STELLA: SONG
ONE SECOND: SONG
FLAG: SONG
BABY: SONG
ZEBRA: SONG
POCKET UNIVERSE: SONG
I NEED ABOUT 30 ANSWERS (AT LEAST) - write now!
GREG.
.---,
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From: Juhana K Kouhia <kouhia@nic.funet.fi>
Subject: Re: (yello) 06-25 YELLO ON CARL COX'S ALBUM
Date: 31 Jul 1997 12:11:46 +0300
The Carl Cox's Musky is in "ftp://ftp.funet.fi/pub/culture/music/
western/Yello".
It is better that users take the MPEG layer 3 audioprograms (from the
network) instead of using WAV format. Look at "http://www.eunet.fi/tucows"
or at any other Tucows site for a MS Win program 'winamp'.
Georg Plank's MP3 files are somehow mac-enveloped and will not play
generally.
Juhana
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From: Georg Plank <a9103394@unet.univie.ac.at>
Subject: Re: (yello) 06-25 MPEG3 FILES ?!
Date: 31 Jul 1997 11:36:37 +0100
>Date: Thu, 31 Jul 1997 11:18:21 +0100
>To: "Bruno DURRENBERGER" <bd@sdv.fr>
>From: Georg Plank <a9103394@unet.univie.ac.at>
>Subject: Re: (yello) 06-25 MPEG3 FILES ?!
>Cc:
>Bcc:
>X-Attachments:
>
>Hi Greg !
>
>>Really good news to can hear some rare tracks on your site, but it will
>>be hard
>>for me to listen to them because MPEG3 is not available in France (shops e=
ven
>>doesn't know if it will) !
>
>Mpeg3 is not available in computer-stores. It is freeware and easy
>available in the internet.
>You can get your hands on it by downloading the software.
>It depends on whitch platform you are working (WinPC or PowerMac)
>You can find many links on my homepage:
>
>http://unet.univie.ac.at/~a9103394
>
>>So, please make WAV files too (no longer that 700ko if possible) !
>
>That is the big success of doing mp3.
>For example a 1MB wav file in high-quality stereo has a length of about 10
>seconds
>A 1MB mp3 file in nearly the same quality has one minute playlength !!!
>
>>It's like to show a toy to a child without he can play with it !!!
>
>Sure, it is a little software installation to be done.
>But I promise it is worth it and absolutly freeware !!!
>
>
Yours,
G E O R G
=B0^=B0^=B0^=B0^=B0^=B0^=B0^=B0^=B0^=B0^=B0^=B0^=B0^=B0^=B0^=B0^=B0^=B0^=B0^=
=B0^=B0^=B0^=B0^=B0^=B0^=B0^=B0^=B0^=B0^=B0
visit PLANET G at: http://unet.univie.ac.at/~a9103394
=B0^=B0^=B0^=B0^=B0^=B0^=B0^=B0^=B0^=B0^=B0^=B0^=B0^=B0^=B0^=B0^=B0^=B0^=B0^=
=B0^=B0^=B0^=B0^=B0^=B0^=B0^=B0^=B0^=B0^=B0
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From: yehuda@maltar.org.il (Yehuda Segal)
Subject: (yello) I.T SPLASH/[GLUE/BLUE] HEAD
Date: 31 Jul 1997 12:44:09 +0300
Does anyone have some of YELLO's first songs:
1) I.T SPLASH
2)[GLUE/BLUE] HEAD
If you do, what do they sound like?
Yuri.
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From: Matthias Egerland <Matthias.Egerland@post.rwth-aachen.de>
Subject: Re: (yello) 06-25 MPEG3 FILES ?!
Date: 31 Jul 1997 12:40:25 +0100
Am 31-Jul-97 bug Georg Plank an einer Workstation und folgendes kam dabei=
heraus:
>>Hi Greg !
>>
>>>Really good news to can hear some rare tracks on your site, but it wil=
l
>>>be hard
>>>for me to listen to them because MPEG3 is not available in France (sho=
ps
>even
>>>doesn't know if it will) !
>>
>>Mpeg3 is not available in computer-stores. It is freeware and easy
>>available in the internet.
>>You can get your hands on it by downloading the software.
>>It depends on whitch platform you are working (WinPC or PowerMac)
>Bruno Durrenberger - A/P - Amiga fan =
As I guess from your signature, you are - like me - one of the rare
Amiga-users on the net. Even for our computer there is a very good
mp3-decoding-utility available, which is CLI-based, but I think there als=
o
exists a graphical user-interface for it. I even heard rumours, that you =
can
download a plugin for "DeliTracker". All these freeware, shareware or pub=
lic
domain software can easily be found at an Aminet mirror. For example one =
is at
"ftp.uni-paderborn.de/aminet". The program I use to play mp3-samples with=
, is
located at "mus/play" and is called "mpeg3play". Other players can be fou=
nd in
the archives "mp3.lha" and "mpg123.lha" in the directory "mus/misc". And =
even
if you want to encode a mp3-sample, you can do that with the "mp3enc.lha"=
package in the same directory. But be warned: Even with a 68060 CPU this =
takes
quiete some hours.
>>Sure, it is a little software installation to be done.
Don't worry. it is absolutely no problem on the Amiga.
>>But I promise it is worth it and absolutly freeware !!!
Yes, that's correct.
By the way: I didn't say "hello" to the mailinglist, yet, because I thoug=
ht I
made something wrong, because I didn't get any massages for more than one=
week. OK, here we go:
Hello mailinglist members!
I am new in this list and want to say a few words about myself first. My =
name
is 'Matthias' and I am nearly 23 years old. I study at the "Rheinisch
Westf=E4lische Technische Hochschule Aachen" since 2 years. I do like the=
yellos
music-style very much since many years (I think it is about 8 years. Thos=
e
days my brother used to listen to Yello's records). Besides I am a great =
fan
of the following other artists: "Bj=F8rn Lynne", "Vangelis", "Christopher=
Franke", "Tangerine Dream" and "Allister Brimble".
Have a nice day!
-- =
Tschau,
Matthias
************************************
This mail was written on
Amiga68060-Renderfarm
;-)
Where Do You Want To Be Tomorrow?
************************************
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From: "Wolfgang Schwarz" <johannes@cip.ub.uni-muenchen.de>
Subject: (Fwd) Re: (yello) I.T SPLASH/[GLUE/BLUE] HEAD
Date: 31 Jul 1997 15:30:21 +1100
> 1) I.T SPLASH
> 2)[GLUE/BLUE] HEAD
>
> If you do, what do they sound like?
I don't care much about Gluehead, but I really consider I.T.Splash
being one of the best songs in the world: it's pumping in a very hard
and dirty electronical groove with weird vocals more spoken than sung
- pretty cool.
Is this track rare?
(wanna say: shall I make it available as MP3? ;-)
Bytheway - does anyone apart from me have rare Yello-stuff and a
CD-R? ;-))
wolfgang
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