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From: tom@newalbion.com (Tom Welsh)
Subject: anyone in Colorado?
Date: 03 Feb 1997 19:51:16 -0800
A note for the Coloradans:
STEPHEN SCOTT's Bowed Piano Ensemble will perform "Vikings of the Sunrise"
live in two concerts on February 21: 7:30 & 10:00pm, Packard Hall, Colorado
College, Colorado Springs. The shows are free and definitely worth the
trip, I think. I was lucky enough to *see* this piece performed and it's
truly a sight to behold: 10 musicians inside the body of a grand piano..
"It's hypnotic like light on rolling water, and it leaves you filled not so
much with wonder as with peace." - LA Weekly (so there's yer ambient
connection, if ya don't already know it..)
See you,
Tom
PS: Hey, whoever posted that Electric Eels reunion piece from their gig in
Atlanta - can you send me that again? I had it but trashed it... thanks.
New Albion Records
584 Castro #525
San Francisco, CA 94114 USA
t: 415.621.5757
f: 415.621.4711
e: tom@newalbion.com
http://newalbion.com
-------------------------------------------------------------------------------
From: pm.carey@utoronto.ca (Patrick Carey)
Subject: INCAPACITANTS For Sale
Date: 05 Feb 1997 01:52:14 -0500
Hi,
I have a spare copy of the following CD for sale, if anyone is interested:
* Incapacitants - "Quietus" CD (Alchemy) ARCD-059 (1993) $18 US ppd
This price is postage paid to anywhere in North America. Add an extra $1
for shipping elsewhere.
The disc is in mint condition (as are the sleeve & case) and plays fine.
It has only been played once or twice anyway.
Email if interested ...
-Patrick
pm.carey@utoronto.ca
-------------------------------------------------------------------------------
From: Manny <manny@dhp.com>
Subject: Threshold List 2/5
Date: 05 Feb 1997 18:46:41 -0500 (EST)
Threshold is an experimental music show Weds 3-6 pm on WRCT 88.3 FM
Pittsburgh hosted by Manny Theiner. Direct all inquiries to manny@dhp.com.
Wed 2/5
Contrastate - Green Sheets of Aggression
Roach/Kent/Newby - Snake Brothers
IAM Umbrella - Masque from Blind Man's Gallery of Mirrors comp
Stars of the Lid - Better Angels
Sandoz Lab Technicians - Light Wave
Ryoji Ikeda - Untitled from Statics comp
Harry Bertoia - Here and Now I
Hafler Trio - A Series of Living Presences
Smegma/Merzbow - Merzbow's World
K2/RLW - Junk on the Parameters
Bullet in the Head - Xia Xia
Brian Lavelle/Richard Youngs - Radios 3
Aube - Suppression
Klangkrieg - Tokkata
Nurse With Wound - Nitpick from Durtro 033 comp
Nurse With Wound - Yagga Blues
Edward Ka-Spel - Fuse
Noisemakers Fifes - Anubis
Angst Hase Pfeffer Nase - Jackal
MSBR/Telepherique - Untitled from Contact #1 comp
-------------------------------------------------------------------------------
From: tom@newalbion.com (Tom Welsh)
Subject: Rova tours Europe
Date: 10 Feb 1997 15:47:51 -0800
Is this list still extant?
Rova Saxophone Quartet is headed to Europe, with dates as follows:
****
February
________
22 Bergamo, Italy : Teatro Donizetti tel:+39.742.355588
25 Bologna, Italy : Club Livello 57 tel:+39.51.372172
27 Paris, France : Les Instants Chevires tel:+33.1.42.87.2591
28 Paris, France : Les Instants Chevires
March
_____
1 Bielefeld, Germany : Bunker Ulmenwall tel:+49.521.512576
2 Munster, Germany : C.U.B.A. tel:+49.251.54892
3 Vienna, Austria : Porgy and Bess tel:+43.1.512.8438
4 Linz, Austria : Galerie Maerz tel:+43.732.77.5697
6 Vienna, Austria : ORF Kunstradio tel:+43.1.504.3110
7 Venice, Italy : Istituto Universitario di Architettura di Venezia
tel:+39.41.2571806
8 Torino, Italy : Ridotto del Teatro Regis tel:+39.11.884477
9 Padova, Italy : Club Banale tel:+39.49.8071370
10 Pisa, Italy : Limonaia tel:+39.50.940111
11 Rome, Italy : Casale Garibaldi tel:+39.6.446.1984
Don't miss..
Best,
Tom
New Albion Records
584 Castro #525
San Francisco, CA 94114 USA
t: 415.621.5757
f: 415.621.4711
e: tom@newalbion.com
http://newalbion.com
-------------------------------------------------------------------------------
From: Manny <manny@dhp.com>
Subject: Arc Device / NWWstapleton FS
Date: 11 Feb 1997 09:31:11 -0500 (EST)
In response to the recent chatter re Arcane Device, I have the following
2 out of print AD items for sale (prices are postpaid):
Arcane Device - Diabolis Ex Machine CD (Korm Plastics) $15
Arcane Device - Feedback Music double 7-inch (RRR) $12 super rare
also I have a United Dairies title:
Stapleton (NWW) / TIbet (C93) - The Sadness of Things CD $15
-------------------------------------------------------------------------------
From: Ed Blake <eblake@sfu.ca>
Subject: (fwd) LP's for sale. (fwd)
Date: 11 Feb 1997 15:06:43 -0800 (PST)
Forwarded message:
From eblake@sfu.ca Mon Feb 10 20:04 PST 1997
Message-Id: <199702110404.UAA08075@fraser>
Newsgroups: alt.noise
Content-Type: text
Content-Length: 1731
Path: news.sfu.ca!eblake
Newsgroups: alt.noise
Organization: Simon Fraser University
Lines: 47
Message-ID: <5dk751$jrm@morgoth.sfu.ca>
NNTP-Posting-Host: fraser.sfu.ca
X-Newsreader: TIN [version 1.2 PL2]
Hey kids, I've got a few pieces of vinyl I'm willing to part with.
E. Lund
AZTALAN/Camp Douglas Quadrangle
Experiments in topography via erroded sound. EX-Boy Dirt Car.
7 inch in 12 inch sleve. Comes with 12 page book, and other stuff.
A-Soma and Eve Libertine
Last One Out Turns Off The Lights
"...a performance of sounds and spoken words with occasional visual
interaction. It is presentes to an audience situated in darkness. This
record which is a document of the event might also be listened to in this
way."
Wasn't Eve Libertine in Crass?
Johanna Went
Hyena
Came out in 82. Is this the same record Boyd Rice was producing. Here it
is produced and composed by Mark Wheaton (why does his name ring a bell)
and Johanna Went.
On Posh Boy records.
M.B. (Maurizio Bianchi)
Das Testament
Produced in 1983 this is an Itallian experiment in accoustics.
Here's the note on the back "It should be an interest in perpetuating
those institutions they protect the freedome of human choices, not only
for today people buy above all for those who will follow to us, those in
the future will experiment their problems, in a different way and they
sure would not verify that we've already prevented, without need and
wisdom, their choices and we irreparable spoilt their natural and social
ambient." Well at least it's all spelled right.
Mectpyo Sounds.
********
If you're interested in any of these reply via e-mail with an offer.
Hasta
-------------------------------------------------------------------------------
From: Manny <manny@dhp.com>
Subject: Threshold 2/12
Date: 12 Feb 1997 18:39:01 -0500 (EST)
Threshold experimental music show
WRCT 88.3 FM Pittsburgh
Wed 2/12 3-6 pm
Arcana - Source of Light
Mauve Sideshow - Dust
Edward Ka-Spel - The Man Who Never Was
Faust - Winds/Liebeswehen 2
Deutsch Nepal - #3 from the Moon Lay Hidden
Sigillum S - Ache & Heaven from Blind Man's Gallery of Mirrors comp
Gerogerigegege - Gay Sex Can Be AIDS
John Duncan - Voice Field
Aube - Mentalite du Metal
No Neck Blues Explosion - I Am Victor Hugo
Nurse With Wound - Woolen Numbness of Anesthesia
Macronympha - Transform Correlation
Xome - Ori-Jem
Runzelstirn & Gurgelstock - Bock
Solmania - Gate
Solid Eye - Student of the Moth
RLW/K2 - Ort de Skepsis
Seed Mouth - Ghost of the Titanic
White Stains - Nela Chela
Dislocation - No. 02 from Coyote's Call
Stimbox - Love & Truth from Enjoy Happiness comp
Speculum Fight - track from copper side of Swimming Pool
Anenzephalia - Thaum
S-Core - String of Beads
Climax Golden Twins - #1 from Imperial Household Orchestra
MSBR - Firewall from Contact #1 compilation
Stars of the Lid - Lactate's Moment
-------------------------------------------------------------------------------
From: burp@mindspring.com
Subject: Richmond Sombience
Date: 13 Feb 1997 00:59:37 -0500
Feb. 28 at the Biograph on Grace St. in wonderful Richmond, VA
-----A night of Sombience!
Ever get so sleepy you just want to set up camp at the concert? Come to
Richmond for an overnight adventure of music, film, free popcorn and
coffee. Bring your sleeping bags, pup tents, and whatever else you need to
stay warm. ENE, Pagua, and guests supply the soundtrack.
P.O. Box 14738 Richmond, VA 23221
-------------------------------------------------------------------------------
From: Craig Kois <CKOIS@wpo.it.luc.edu>
Subject: Journal request...
Date: 13 Feb 1997 10:53:41 -0600
I am very interested in obtaining a copy of the recent TDR (Vol. 40, Issue
3) which focused on radio. Local sources are out and the publisher is
sold out and it is out of print! If anyone knows where a copy is available,
I would be most appreciative. Thanks...Craig Kois / ckois@luc.edu
-------------------------------------------------------------------------------
From: mason@netcom.com (Mason Jones)
Subject: Bay Area shows
Date: 15 Feb 1997 11:10:16 -0800
A calendar reminder for those in the Bay Area:
Kazumoto Endo, Government Alpha, Yau, Radiosonde
Sat, Feb 22, 9pm, $5
7hz, 1814 Illinois St, SF
(directions: south on 3rd st one block past Cesar Chavez; left
on Marin; first right, onto Illinois) - 415-285-2367 for info
JAPANESE PSYCH SHOWCASE
Ruins, Musica Transonic, the Gay Barbarians
Wed, Feb 26, 9pm, $6
Bottom of the Hill, 1233 17th St, SF
Mainliner, Okami no Jikan, SubArachnoid Space
Thu, Feb 27, 9pm, $6
Bottom of the Hill, 1233 17th St, SF
<===================================================================>
Mason Jones Charnel Music
mason@netcom.com P.O. Box 170277, San Francisco, CA
94117-0277 Phone/fax (415) 664-1829
Visit http://www.meer.net/~charnel/ for info on
Charnel Music, Crash Worship, Automatism Press, and more.
<===================================================================>
-------------------------------------------------------------------------------
From: katherine b martineau <kbmartin@umich.edu>
Subject: Subscription
Date: 15 Feb 1997 15:52:40 -0500 (EST)
What is the address for new subscribers to be added to this list? I can't
recall off hand... Perhaps if anyone has the info that would be
great...thanks
-kate
-------------------------------------------------------------------------------
From: Manny <manny@dhp.com>
Subject: Threshold 2/19
Date: 19 Feb 1997 19:40:35 -0500 (EST)
Threshold 3-6 pm Wed on WRCT 88.3 FM Pittsburgh
hosted by Manny Theiner
February 19, 1997
Elliott Sharp/Zeena Parkins - Peregrine
Johanna Beyer - Music of the Spheres from Women in Electronic Music 1977
Leif Elggren - Talking to a Dead Queen
Carl Stone - Cue
Az - Dual-Mono Duet
Dislocation - #3 from Coyote's Call
Nimrod - Asinine Q
Thurston Moore / Tom Surgal - Lydia's Moth
Boxhead Ensemble - The Ravens
Ordo Equilibrio - De Profundis
S-Core - Reproduction
King Chubby - Euronyme
Nurse With Wound - Standard of Table Daddy
Hafler Trio - Series of Living Presences
Contrastate - Extinction
Paul Schutze - Sleep IV from Statics comp
Merzbow - Efface from split 7" w/Xome
Michael Prime - Instar
Brian Lavelle / Richard Youngs - Radios #5
Bacillus - Progressive Area of Necrosis from Music Should Hurt comp
u-Ziq - Let Let
-------------------------------------------------------------------------------
From: thayes@iglou.com (Todd Hildreth)
Subject: Tim Berne in Louisville, KY
Date: 20 Feb 1997 05:07:32 GMT
Tim Berne will be playing in Louisville, KY on March 14th. If anyone
thinks they want to or may be able to attend, email me and I'll send
you more info.
Thanks,
Todd
---=20
http://www.webcom.com/groove/javamen/welcome.html
-------------------------------------------------------------------------------
From: Manny <manny@dhp.com>
Subject: Re: Tim Berne in Louisville, KY
Date: 20 Feb 1997 01:08:45 -0500 (EST)
In addition Berne will be in Pittsburgh at Carnegie Mellon Univ on Mar. 5
in case you are nearby.
Perhaps the Knitting factory should post his entire tour schedule....
On Thu, 20 Feb 1997, Todd Hildreth wrote:
> Tim Berne will be playing in Louisville, KY on March 14th. If anyone
> thinks they want to or may be able to attend, email me and I'll send
> you more info.
>
> Thanks,
>
> Todd
>
> ---
> http://www.webcom.com/groove/javamen/welcome.html
>
-------------------------------------------------------------------------------
From: Felix Buebl <Felix.Buebl@student.uni-ulm.de>
Subject: test
Date: 20 Feb 1997 14:13:41 +0100 (MET)
test -
do not read this text and delete it - it's only for testing.
I send a letter to the list and it didn't bounce back for
3 days. Now I want to find out if it works again.
- felix
-------------------------------------------------------------------------------
From: "david d." <vaps1wd@prism.gatech.edu>
Subject: subscribe/unsubscribe help
Date: 21 Feb 1997 11:48:23 -0500 (EST)
I have changed ISPs and need to re-subscribe to nm-list under a new
e-mail address. However, it looks like Majordomo@xmission.com is
no longer the place to contact for this. Does anyone know what the
current proper subscription address is?
Thanks.
-- david daniell / dwd@pobox.com
http://www.pobox.com/~dwd/
-------------------------------------------------------------------------------
From: Saudi <yu117440@yorku.ca>
Subject: REVIEWS: noise (Underground USA, Incapacitants)
Date: 21 Feb 1997 12:36:40 -0500 (EST)
While the world of noise continues to agonize over delays on the next
Hijokaidan testament, we may as well fill the void with harshead.
Some of the more brilliant noiseworks I've heard have been piling up
unheralded for months now. I offer these few comments more out of
guilt than the more usual perverse need to spite my vent.
Underground USA - V/A C90 (MSNP)
Somewhere deep in the States noise rumbles on. Actually, all over
the States it's been rumbling on for-ever. We need not count
ourselves among the fortunate every time Momma Savage extends her
heartwarming ogle to the fertile bowels of the earth, peaks beneath
the rug and, with only the barest hint of piety, compiles a wide
variety of good bits on tape. On the other hand, where would the
auricular repairment industry be without her? In these dark times of
economic uncertainty, someone at least is doing her part to ensure
lasting stability and fortune; albeit in rather specialized sectors.
Most of the good bits include several noiseheads you probably
haven't heard of before, and several more you - and your flayed-raw
follicular receptors - will probably wish you'd never heard of.
That's the whole point, you see. Underground USA aims to breed
familiarity and renown amongst the deserving ranks of America's more
promising unknown. Unknown such as Michigan disciplinarian Strict,
Shaolin Temple priestess Jennifer Wolski and Cleveland infirmitoid
Bacillus. Well, two out of three ain't bad. The Prince of Pestilence
may be the sickest bastard ever to invade the scene, but Underground?
Nah. Which doesn't make his "Deterioration of the Host," 7.5-minutes
worth of salacious, downtrodden stool, any the less virulent.
Bacillus always prospers where more self-consciously overland scabs
fail. It has a lot to do with his method. Not content to layer on
the cannibalistic deathcrunch and let the carcasses fall where they
may, the Prince opens wide the pulpitated Host and works down.
Condemned at first to full-bodied, foundation-shaking absession, the
overgrown festering mould will inevitably find itself at the mercy of
quite maliciously-inclined microdiodes. Each chooses its own path to
transcendence and starts breaking down the whole frozen cake of
continuous self-immolation, sparing nary a follicle or flagella. For
those with heart conditions, bladder problems, or otherwise tell-tale
signs of fragile constitution, I would recommend terminating your
read NOW. Just because one regularly abuses his earholes to the
abusive sounds of decomposed subway railgrind does not necessitate
glazed-over eyeballs. I've always preferred shellac.
Several thousand carcasses down the celeb factor, Jennifer Wolski
let the good times roll in "Crazy Cooter's House of Blues." But don't
let the title fool you. However overstuffed and suffocating, this
House of Blues is subject to some pretty mean-spirited, thickly
controlled, heavily moulded and modulated grate. Jennifer reign in
the outlying micros and lays it on with the heavy-handed Macros.
Vague ambience shrouds disgruntled topspin and disenfranchised
bloodcurdle almost as an afterthought. The thought always counts,
though. We appreciate it: finally, someone who knows exactly what
they're doing and isn't afraid to show it.
Significantly less subtly rendered, Strict's "Slut Kill" speaks
for itself. One thing I like about these upstart comps is the
pleasant surprises and discoveries one makes along the way. I have
to say I'm pleasantly surprised with this particular discovery:
absolutely ferocious fisting, unequivicably powerful slobbering, and
a great deal of spasmodic hacking and slashing. Brontosaurus abattoir
with all the trimmings. Grating, creaking protest, unbridled rage.
Ingenious articulation. If Mauthausan Orchestra ever got their act
together, started looking at agency - instead of passive necronerdity
and cool titles - they might have managed to sound like this. But I
doubt it. Look out for these guys. Strict show loads of promise and
serious mindfuck potential.
No strangers to the art of brainbugger, Woe is Me dish out a
thoroughly aggravating "Disorient Express." Getting past the "who the
fuck are these people and what gives them the right to record such
grunthappy shite?" stage is tough enough. Actually sitting through
continuous raids on soundeffects libraries and portable pachinko
arcades spells murder for the untreated sanity and significantly ups
the stress factor. Which isn't as bad as it sounds. Where else can
one receive the pointy end of a humorously-shaped cablecar pulled
through a preferred orifice while getting buzzed by lowflying,
propeller-driven cropdusters in more ways than two?
Likewords may be spoken of New York poopshoot pedagogue Orifice
Training. "Nubile Tenderness" addresses the contemporary issue of
intra-youth violence with brokendown amps, overworked sphincters and
a steady commitment to styrofoam freejack. The resulting old-style
whine 'n drone power electronics get bilgepiped through studious
flackjacket accumulation of plasticaster airbomb and then released
into tweeter-unfriendly frequencies that successfully negotiate the
blindside of a dilapidated scrapyard hearse doing 120 on the
Disorient Express. It's not as easy as it looks.
Armenia, a southern American pervert who has slowly but surely
evolved into someone worthy of notice, makes a real case on
"Obsessive Panty Collector, Blood Sniffer, and Ripe-crotch Sex Addict
(Interrogatorio Cientifico)." Yeah, a real case all right. Give the
man some credit: if nothing, his heart is in the right place. Beyond
the heart, dislocated, hierarchical cut-ups repeatedly saw away at
bulging analog filters, sometimes blistering, sometimes bludgeoning
themselves into near nonfidelity with what sound like forlorn,
overdriven moosehorns caught in a rabid chihuahuas gagging yap.
Side B abandons the closed world of pure, powerloadedtronics.
Before one can reach that conclusion though, A.S.M. will doubtless
lull the unwary noisehead into a false sense of security. Outtaken
from the infinitely ambient 'Pure Electronics' sessions (Self Abuse),
"Pure Electronics" very quietly mediates an intimate altercation
between vague, borderline overkill and subtle, minimalist soundscape
psychedelia. If you aren't the noise type, but you're still not
satisfied with ridiculously spacious and 'ominous' darkambient,
complete with Hollywood special effects, A.S.M. might be your thing:
low-end 'power' electronics at one-tenth voltage, surrounded by the
deeply suggestive whisper of cold, waffling, hydro field atmospheres.
Dave Gilden restores harshass integrity with a selection from his
latest pseudonym, Depress/Regress. "Two Packets of Dope" continues to
explore Dave's only subject of interest, but this time effects a
considerably nastier disposition. D/R scrapes the bong of noise to
find a new buzz in its resin: rougher, higher, less acoustic, more
dynamic. The cut-up chunkiness sounds familiar: cascading teflon
sheets slither and shriek their rustproof agony and protest against
the inevitable Macronymphonic riptide. And for once, not entirely in
vain: the whole squealing slaughterhouse succumbs to dull, crumbling,
overloaded bludgeon, but nevertheless, through frozen wastelands of
electronic interference, cracks of metallic daylight repeatedly, and
at last successfully, insert their chirpy, coughing grind.
Not Breathing appear to assuage the perpetually outraged Harshead
by "Swallowing Dry Sand." Crystallized granules of desperate,
spontaneously combustible iron shavings and muddy lead encasings
force their way down demucoused esophogai accompanied by jagged
shards of impure amethyst. Pressure eases off in the stomach and
liver, mostly because the hopeless bastards are still vainly trying
to force oxygen into gravelpacked lungs: blistering harshead insignia
relinquishes its rights to the compacting crunch of overload soup.
Down to the intestines, and all semblance of necessity has
disappeared: lazy, meandering oscillators snake their way around
flustered squeegee backwaters. At long lazy-ass last, the light at
the end: cracks of Daylight approacheth and several layers of long,
stringy, drawn-out drones, flushed with spottycheeked joy; into the
ambient spaciousness of septic heaven.
It's hard to read the follow-up by Daylight Savings Time as
coincidence. "demo #1" takes The New Blockaders, and their quality
assortment of rustcovered scrapmetal, for a brutal trip through
bitchy, kitschy, prissbutt, turbulence. Overstarved tape heads
consume vast quantities of delectable magnetic ribbon, failing
against all odds to consume any sense of fidelity. Yes, the tape deck
is indeed functioning within normal parameters. DST like to fuck with
you that way. I guess they've earned the right. The Harshead is
definitely pleased.
Not for long. In the follow-up, "Miyazu - 1, 2, 3, ...", Bob
Marinelli sings the ABC's according to Maso. This particular
submission was apparently excerpted from a larger work that aims to
educate preschool children in a more user-friendly way. If only
everyone learned their ABC's this way, the dropout rate would surely
diminish. Something seems to get lost in the translation, though,
because we only get to D before Mother Savage, in her infinite wisdom
and compassion, puts the annoying fuck out of his misery. Coming soon
to a kindergarten near you.
Thankfully, a return to form compliments of Corprolith chief
executive Turbulence. The esteemed Mr. Stanton turns out "Spectre of
Dismemberment." Subdued, soothing, fatass drones and some
hollowed-out, overcooked, nasty-ass shishkabob serve up exactly what
you need; and serve similarly to demonstrate MSNP's uncanny gift for
misrepresentation. As it stands, the net results kick ass in the best
way: slow, undulating masses of pure grit cut in, cut out, expand
from end to end, then rise brutally up to the steady slaver of crass,
pinwheeling, rollerderby sleighride. Eventually, metal skis burn
through the tile and shred it into fibreglass noodle leaving a broken
trail of grumbling, paraplegic reindeer amputees and crackling,
freshly-waxed floorboard. Presumably, they at least got the title
right.
Underground USA came in to fuck you over, as they say, but it
goes out through and through with a Bang. A big one. To say "Inside
the Burnt Wreckage" speaks for itself does not do the genius and
creator that is Persn credit. Words rarely achieve anything beyond
space filler and spleen-ventilation, but I'll try by throwing out
'monster harshass killer track thing.' Charred raw, scorched
earholes. Hot hot hot. Yum.
You can see how this is getting us nowhere. If you can't
experience the analogy first hand, it just does not work. Might as
well cut out the middle man, stop reading this spew, hop in a burnt
wreckage yourself.
Incapacitants - New Movements in CMPD CD (Alchemy)
I've never read or given a poor review of the Incapacitants. And
I'm not about to start. For good reason: Mikawa and pal, for all
their flaws, have never once strayed from the Path. They defined it,
they improved it, they perfected it. You too can be perfect if first
you take the necessary coffee break to define what perfection is.
At 70+ minutes, CMPD represents just another chapter in the
continuing history of noise perfection. Am I exaggerating? Hardly.
The Undynamic Duo have been filling hungry earholes like mine to
capacity - and beyond - since before Noise was born. Their sound
consistently achieves a certain unparalleled dual quality: on the one
hand, it washes over at a perfect, frozen, standstill; on the other,
it rushes about at an infinitely, impossibly, fast rate. Continuous
dynamic fluctuation happens way beneath the surface; or it doesn't
happen at all.
No one else has ever come close to achieving the same effect.
And if so, with nowhere near the same degree of consistency. Noise is
all about consistency.
Ironically, as part of what may be Incapitants' best work ever,
their first track fails to produce the abovementioned totalizing
effect. The title itself speaks to us all: "20 Years of Corporate."
Yeah, fucken tell me about it. Unusually fragmented and stripped
down, "20 Years" throws both high-end scathe and low-end rumble into
the background, and foregrounds the concrete sources: voice, shithawk
screeching, single unprocessed feedback waves, unidentifiable
crumbling brick structures, and other crackling intrusions. Harsh
is in your face; not an impermeable wall, but a constant, obnoxious
reminder. I suspect Mikawa's been taking pointers from Borbetomagus.
"High Yield Cult" sounds fucking amazing on a high-quality
system. Elsewhere, it'll sound pretty minimal. Like other recent
Incapacitants, this one equalizes the high/low-end relationship
and attempts to simulate the sound of speakers getting shredded
by overblown, maxed-out, shriekfest. It's a sound all noiseheads
are all-too-familiar with. Crackling overamped blisterscorch makes a
concerted effort at shredding its way through overindulged layers of
cannibalistic low-end compression. Now Mikawa's been taking lessons
from the American noise contingent: total deep shelter holocaust,
confused railing infidels, and a surplus of black 'n decker
drillmongers. Voices are again unusually clear and whiny, matching
simple undriven feedback tone-for-tone; and probably constitute the
low-point of the track.
Which leaves us with the final supplication: an unbelievably
blissful 30-minuter that poses the question "PT Team, what's that?"
First, the usual highly dramatic introduction: whining voices crown
the surface and set the bleechbath tone before the beast awakens,
burbles to life and roars into a furious rage. (Can you blame it?)
Ultra high-end, brutally beatific delirium unloads layer upon layer
upon layer of what amounts to some of the most amazing blowout ever
recorded. Who has Mikawa been taking his cues from this time? Odd as
it may sound, "PT Team" is probably the closest they've ever come to
paralleling CCCC. Kosakai seems to be getting some room to manoeuvre
for once, throwing in shimmering, multilayerd midrange whitewash
while Mikawa provides an intensely brutal high-end perimeter. The
results are astounding. The sound is inescapable, it is truly
overwhelming, massive; and of course, exceedingly 'harsh.' Can one
ask for anything more?
Sure: more of the same. Please.
MOTHER SAVAGE NOISE PRODUCTIONS
c/o Joseph Roemer
1180 Colgate Drive
Monroeville, PA 15146 USA
e-mail: lf01+@andrew.cmu.edu
http://www.mv.com:80/ipusers/selfabuse/msnp.html
ALCHEMY RECORDS
1-15-9-507 Nishi-Shinsaibashi
Chuo-ku
Osaka
542 JAPAN
enjoy!
Jason
---
"I will be under control of The Mikawa,
Anybody helps me, now!"
-- T. Mikawa (T.Sakaguchi)
-------------------------------------------------------------------------------
From: pm.carey@utoronto.ca (Patrick Carey)
Subject: A Few CDs For Sale ...
Date: 22 Feb 1997 23:51:56 -0500
Hi,
I have the following CDs for sale, if anyone is interested:
All prices are in _US dollars_ and are postage paid to anywhere
in North America. Add an extra $1 per CD for shipping elsewhere.
Comments [m = mint, nm = near mint, vg = very good] refer to
the disc first, then the sleeve.
* Cindytalk - "In This World" UK CD (Touched) 1995 $15 [m/m]
* Incapacitants - "Quietus" JAP CD (Alchemy) 1993 $15 [m/m]
* Various Artists - "Paradigm Shift" CAN CD (Nettwerk) 1997 $9 [m/m]
Subconscious Communications (new Nettwerk sublabel) comp. featuring
new & unreleased tracks from Download, Doubting Thomas, Tear Garden,
Dead Voices On Air, Skinny Puppy etc.
Email if interested ...
-Patrick
pm.carey@utoronto.ca
-------------------------------------------------------------------------------
From: burp@mindspring.com
Subject: The Sombient Nightcap in Richmond, VA
Date: 23 Feb 1997 11:59:03 -0500 (EST)
>Date: Sat, 22 Feb 1997 14:23:33 -0500 (EST)
>From: burp@mindspring.com
>To: eerie@crl.com
>Subject: The Sombient Nightcap in Richmond, VA
>Newsgroups:
>mindspring.local.richmond,alt.music.independent,alt.music.tape-culture,rec.
>music.ambient,rec.music.industrial
>Organization: The Compound
>
>(A copy of this message has also been posted to the following newsgroups:
>mindspring.local.richmond,
>alt.music.independent,alt.music.tape-culture,rec.music.ambient,rec.music.in
>dustrial)
>
>The Sombient Nightcap-featuring
>ENE (their set starts at 2am)
>Hurrican Camille
>Dub One
>Steve Williams
>Pagua
>plus experimental film, free popcorn and coffee
>sleeping over is optional, however bring pup tents, sleeping bags, and
>whatever else you need to stay warm!
>only $5
>at the Biograph on lovely Grace St. in beautiful Richmond, VA
>Friday, Feb. 28
>starts at 11pm after The Fresh-o-matics show, goes until ?
>for more info call 804 225 7950
>Thanks
>
P.O. Box 14738 Richmond, VA 23221
-------------------------------------------------------------------------------
From: Felix Buebl <Felix.Buebl@student.uni-ulm.de>
Subject: re: subscribe/unsubscribe help
Date: 24 Feb 1997 13:31:58 +0100 (MET)
hi -
I will try to find out how to become nm-list-administrator at the
end of this week. I think this job is vacant and needs to be done.
I would be glad if anyone else would do it.
> I have changed ISPs and need to re-subscribe to nm-list under a new
> e-mail address. However, it looks like Majordomo@xmission.com is
> no longer the place to contact for this. Does anyone know what the
> current proper subscription address is?
up to my knowledge the adress
nm-list-request@xmission.com
works. please tell me if it does not work.
felix.buebl@student.uni-ulm.de
-------------------------------------------------------------------------------
From: John Struthers <johns@sqf.hp.com>
Subject: test
Date: 24 Feb 1997 15:22:39 GMT
a test msg-
johns@sqf.hp.com
-------------------------------------------------------------------------------
From: John Struthers <johns@sqf.hp.com>
Subject: PLAYLISTS:Mixing It:BBC R3:Nov-Dec96
Date: 24 Feb 1997 15:43:54 GMT
MIXING IT - Playlists, 25 Nov - 09 Dec 1996
===============================================
** Every Monday 2245-2330hrs (GMT) BBC Radio 3 FM
A selection of music mixing stlyes presented by Mark Russell and
Robert Sandall. Produced by Philip Tagney. Production Asst: Jan Hart
Information as supplied by and used with permission from -
BBC Radio 3 Music Department
16 Langham Street
London W1A 1AA
UK
Music used in Mixing It - 25th November 1996
PHOTEK: Third Sequence
album: Wipeout 2097 - the soundtrack
CD: Virgin 7243 8 42226 28 CDV 2815
MEDESKI, MARTIN & WOOD: Is there anybody here that love my Jesus
album: Shack-man
CD: Gramavision GCD 79514
Distributed by Rykodisc
TRICKY: Tricky kid
album: Pre-millennium tension
CD: Island Records BRCD 623/524302-2
PHOTEK: Ni ten ichi ryu
To be released on Science recordings in February
THE 13th TRIBE (Werner Durand): Hawaiian Office
album: Ping Pong Anthropology
CD: Review RERE 174
STINA NORDENSTAM: Under your command
album: Dynamite
CD: Telegram Records 0630 15605 2
Distributed by East West
JOHN CAGE: Sonata 1
album: John Cage - Sonatas and Interludes
CD: CRI American Masters CD 700
JOHN LAW TRIO: Song of the whistful ones
album: Giant Leaves (Autumn steps)
CD: FMR CD32-V0896
FUTURE SOUND OF LONDON: Yage
album: Dead Cities
CD: Virgin CDV2814 7243 842068 2 6
Music used in Mixing It - 2nd December 1996
DEUS: Fell off the floor, man
album: In a bar, under the sea
CD: Island CID 80527524 296-2
LOUIS SCLAVIS: Ceux qui veillent la nuit
album: Ceux qui veillent la nuit
CD: LBLC 6596 HM 83
Distributed by Harmonia Mundi
SQUAREPUSHER: Squarepusher theme
album: Feed me weird things
CD: Rephlex CAT037 CD
ZEIN MUSICAL PARTY: Mtindo Wa Mombasa
album: Rough Guide to Music of Kenya & Tanzania
CD: World Music Network RGNET 1007 CD
World Music Network, PO Box 3633, London NW1 6HQ
E-mail: wldmusic@dircon.co.uk Website: www.users.dircon.co.uk/~wldmusic/
LAMB: Cotton Wool
album: Lamb
CD: Fontana 532 968-2
FRANK ZAPPA: Adventures of Greggery Peccary
album: L_ther
CD: Rykodisc RCD 10574/76
E-mail: info@rykodisc.com Website: www.rykodisc.com
ORANJ SYMPHONETTE: The Inspector Clouseau theme
album: Oranj Symphonette plays Mancini
CD: Gramavision GCD 79515
Music used in Mixing It - 9th December 1996
TARIKA: Tsy Kivy
album: Son Egal
CD: Xenophile XENO 4042
FRED FRITH: 5 short pieces for Radio (No.1: Half-Hearing)
BBC Session - not commercially available
JOHN PARISH & POLLY-JEAN HARVEY: Rope Bridge Crossing
album: dance hall at louse point
CD: Island Records CIDX 8051
FRED FRITH: 5 short pieces for Radio No.2: Memories of Desire
No.3: Lost in the machine
BBC Session - not commercially available
APHEX TWIN: Girl/Boy Song
album: Richard D James album
CD: Warp CD 43
FRED FRITH: 5 short pieces for Radio No.4: A moonlight made of ale
No.5: Third small Mercy
BBC Session - not commercially available
Fred Frith has a couple of albums available:
Fred Frith - Quartets
Rec Rec Music ReCDec 44
Frith/Hodgkinson - Live Improvisations
Woof 013/Megaphone 002
(Woof Records, 46 Spenser Road, London SE24 0NR)
Name: John Struthers Product Designer
Organization: Hewlett-Packard Ltd Queensferry Microwave Division
Address: South Queensferry, West Lothian, EH30 9TG, Scotland, UK
Opinions expressed are my own, and are not intended to be an official
statement by Hewlett-Packard Company
-------------------------------------------------------------------------------
From: mason@netcom.com (Mason Jones)
Subject: Bay Area show
Date: 24 Feb 1997 22:46:50 -0800
Charnel Music presents a
JAPANESE PSYCHEDELIC MUSIC SHOWCASE
Both shows at Bottom of the Hill, 1233 17th St, San Francisco
Wednesday, February 26:
RUINS
MUSICA TRANSONIC
GAY BARBARIANS (S.F.)
Thursday, February 27:
MAINLINER
OKAMI NO JIKAN
SUBARACHNOID SPACE (S.F.)
Both shows $6, doors at 8pm shows at 9pm
<===================================================================>
Mason Jones Charnel Music
mason@netcom.com P.O. Box 170277, San Francisco, CA
94117-0277 Phone/fax (415) 664-1829
Visit http://www.meer.net/~charnel/ for info on
Charnel Music, Crash Worship, Automatism Press, and more.
<===================================================================>
-------------------------------------------------------------------------------
From: JonAbbey@aol.com
Subject: Re: Bay Area show
Date: 25 Feb 1997 02:55:22 -0500 (EST)
In a message dated 2/25/97 2:12:24 AM, nm-list@xmission.com wrote:
>Wednesday, February 26:
> RUINS
> MUSICA TRANSONIC
> GAY BARBARIANS (S.F.)
>
>Thursday, February 27:
> MAINLINER
> OKAMI NO JIKAN
> SUBARACHNOID SPACE (S.F.)
Anyone know how come Mainliner and the Ruins are coming to NYC, but Musica
Transonic isn't? Isn't there at least one overlapping member between
Mainliner and Musica Transonic?
Just curious,
Jon
-------------------------------------------------------------------------------
From: Felix Buebl <Felix.Buebl@student.uni-ulm.de>
Subject: Re: Bay Area show
Date: 25 Feb 1997 16:24:15 +0100 (MET)
jon -
"musica transonic", "mainliner", "okami no jikan" and the not listed band "toho sara"
are trio bands which all consist of the same musicians with the same line up all the time
- sorry that I only can tell you the
name of the drummer right now: tatsya yoshida.
in the december issue of the wire magazin there is a detailed article about them.
"ruins" is a duo band consisting of the bass player and the drummer of these trios.
I recommend you to go to this show! I saw it in germany last autumn.
if you are interested a sampler with music of all these projects has been
release last autumn by the german label "echo beach". the sampler is called
something like "new japan psychedelic underground".. can't remember right now.
>Wednesday, February 26:
> RUINS
> MUSICA TRANSONIC
> GAY BARBARIANS (S.F.)
>
>Thursday, February 27:
> MAINLINER
> OKAMI NO JIKAN
> SUBARACHNOID SPACE (S.F.)
>
> Anyone know how come Mainliner and the Ruins are coming to NYC, but Musica
> Transonic isn't? Isn't there at least one overlapping member between
> Mainliner and Musica Transonic?
- felix
-------------------------------------------------------------------------------
From: John Struthers <johns@sqf.hp.com>
Subject: PLAYLISTS:Mixing It:BBC R3:Dec96-Jan97
Date: 26 Feb 1997 12:52:49 GMT
MIXING IT - Playlists, 23 Dec'96 to 13 Jan 1997
===================================================
** Every Monday 2245-2330hrs (GMT) BBC Radio 3 FM
A selection of music mixing stlyes presented by Mark Russell and
Robert Sandall. Produced by Philip Tagney. Production Assistant
Jan Hart
Information as supplied by and used with permission from -
BBC Radio 3 Music Department
16 Langham Street
London W1A 1AA
UK
Music used in Mixing It - 23rd December 1996 *** pick of the year ***
JOHN LURIE: Demented (excerpt)
played by the Lounge Lizards
LP: EG EGED 8
FUNKI PORCINI: Purrfect
album: Love, pussycats and carwrecks
CD: Ninja Tune ZEN 23/ CD 23
MARTA SEBESTYEN: Devoiko Mome
album: Kismet
CD: Hannibal HNCD 1392
MILES DAVIS: Rated X
album: Jazz Satellites Vol.1
CD: Virgin AMBT 12 7243 8 41902 2 4
PHOTEK: Consciousness
album (Metalheadz): Platinum Breakz
CD: Metalheadz 828.783-2
Distributed by London Records
DREAM SONGS AND HEALING SOUNDS: Cince: M
album: In the forests of Malaysia
CD: Smithsonian Folkways SF CD 40417
SHEILA CHANDRA: AboneCroneDrone 1
album: AboneCroneDrone
CD: RealWorld CDRW 56
ZOVIET FRANCE & EVAN PARKER: Live at New Aura (Conway Hall 23.2.96)
Zoviet France have 4 albums out on Charm, namely:
- Misfits, Loony Tunes and Squalid Criminals,
- Gesture Signal threat,
- A Flock of Rotations
- Assault and Mirage
All available through DOR Infinity, PO Box 1797, London E1 4TX
Also they have worked on an album called Unentitled, available from
These Records, 387 Wandsworth Road, London SW8 2JL
DAVID TOOP: Mixed Blood
album: Pink Noir
CD: Virgin AMBT 18 7243 8 42078 2 3
Music used in Mixing It - 30th December 1996
DANA BRYANT: Heat album: Dana Bryant
CD: Warner Bros PROP 150/9362-45642-2
Promotional copy - not commercially available
DJANGO BATES: Tentle Morments
album: Good Evening.....here is the news
CD: Argo 452 099-2
DEREK BAILEY: Concrete (cement mix)
album: guitar, drums 'n' bass
CD: Avant AVAN 060
ARTO LINDSAY: Unbearable
album: O corpo sutil (the subtle body)
CD: Rykodisc RCD 10369
SHELLEY HIRSCH: States
BBC session - not commercially available
Shelley Hirsch has an album entitled "O little town of East New York", on
the Tzadik label, CD number TZ 7104. (distributed by Cargo)
Music used in Mixing It - 6th January 1997
ALEC EMPIRE: The Peakalbum: Destroyer
LP: DHR LP 4
TANGERINE DREAM: Movements of a Visionary
album: Phaedra
CD: Virgin CDV 2010
ALEC EMPIRE: God told me how to kiss
album: Hypermodern Jazz
CD: EFA 00673-2
Mille Plateaux is a division of Force Records who can be contacted by
E-mail: FORCE@MAIL.POP.FRANKFURT.COM
ALEC EMPIRE: Bang your head!
album: Destroyer
LP: DHR LP 4
ROBERT HENKE: Piercing Music
album: Piercing Music
CD: Imbalance Recordings EFA 11975-2
IRV COTTLER: Caravan
album: The Exotic Trilogy - A Treasury Of Opaque Music (Irritainment)
CD: KBZ 200 Vol.1
MONAHAN: Multiple Machine Matrix
Private recording - not commercially available
CHRIS CUTLER/MARIE GOYETTE: P53 (extracts)
album: P53
CD: ReR p53
ReR are at 79 Beulah Rd, Thornton Heath, Surrey CR7 8JG
GLANDIEN: cut
album: Elektro akusticher Musik
CD: BUSCHFUNK 00229 2 BF
OEHRING: Das D'Amato System (performed by Ensemble Neue Musik Berlin)
Private recording - not commercially available
Music used in Mixing It - 13th January 1997
EINSTURZENDE NEUBAUTEN: Ende Neu
album: Ende Neu
CD: Mute Records LC 5834 BETON 504 CD
Mute Records, 429 Harrow Road, London W10 4RE
EINSTURZENDE NEUBAUTEN: Schmerzen hvren
album: 80 - 83 Strategies against Architecture
CD: Mute Records CD STUMM 14
TON STEINE SCHERBEN: Jenseits von Eden
album: Ton Steine Scherben IV
CD: David Volksmund Produktion 001
EINSTURZENDE NEUBAUTEN: Installation N_.1
album: Ende Neu
CD: Mute Records LC 5834 BETON 504 CD
EINSTURZENDE NEUBAUTEN: Stella Maris
album: Ende Neu
CD: Mute Records LC 5834 BETON 504 CD
EINSTURZENDE NEUBAUTEN: Ende Neu
details as above
40 SEKUNDEN OHNE GEWICHT: Domestic Area
album: 40 Sekunden ohne Gewicht
CD: edition el c. LC 6022 CD1
Helmut Lemke, Bremerstrasse 31, D-33613 Bielefeld
STOL: My favourite landscape
album: Semi Prima Vista
CD: Algen 020
Algen
CASPAR BROTZMANN & PAGE HAMILTON: Dream Date
album: Zulutime
CD: Sub Rosa SR 98
Sub Rosa are disributed by Blast First, 429 Harrow Road, London W10 4RE
FRIEDER BUTZMANN: Two lovers chase each other in spaceships from Juhrob
Private recording - not commercially available
FRIEDER BUTZMANN: Wau slickers from Hvrspiel Wauwau Theorie
Private recording - not commercially available
UTE WASSERMAN: Sirene
Private recording - not commercially available
13th TRIBE: Ping Pong Anthropology
album: Ping Pong Anthropology
CD: Review Records RERE 174 CD
Distributed by Recommended No Man's Land, Postfach 11 04 49, D-8700
Wnrzburg
SALAMAT: Samara
album: Mambo El Soudani
CD: Pi'ra:nha pir 31-2
Free catalogue of Piranha catalogue can be obtained from Kultur & Medien,
Produktion GmbH, Carmerstr.11, D-10623 Berlin, Germany
BAD PHISH: F**ked up in G
album: The Making of Rakija
CD: Moloko PLUS 001
Frieder Butzmann has a CD out called "Dive Bombers", on the Zensor label,
number ZS 123.
Zensor Musikproduktion GmbH, Holsteinische Strasse 39-42, 1000 Berlin 41
Ute Wassermann has no commercial releases
Name: John Struthers Product Designer
Organization: Hewlett-Packard Ltd Queensferry Microwave Division
Address: South Queensferry, West Lothian, EH30 9TG, Scotland, UK
Opinions expressed are my own, and are not intended to be an official
statement by Hewlett-Packard Company
-------------------------------------------------------------------------------
From: Steven Tupper <subterra@hooked.net>
Subject: Re: Disco-Mortem.
Date: 27 Feb 1997 15:54:27 -0800
>
>Just heard that the Disco-Mortem compilation by Laughing Eskimo is out.
>Does anyone know what it looks like, who's on it and how much it is?
>
We already sold thru our first shipment, actually. Waitin' for more.
Who's on it: Grey Wolves, No Festival of Light, Macronympha, Hands To, CCCC,
Merzbow. Three 7", everybody gets a side, and it's all quality noise. The
packaging is not exactly spectacular. Though each is in its own full-color
board sleeve, they're just stuffed inside this green plastic grocery bag
with a couple of stickers on the outside.
Steve / Subterranean Records
subterra@hooked.net
-------------------------------------------------------------------------------
From: Elizabeth J Fox <lf01+@andrew.cmu.edu>
Subject: Disco-Mortem.
Date: 27 Feb 1997 15:47:24 -0500 (EST)
Just heard that the Disco-Mortem compilation by Laughing Eskimo is out.
Does anyone know what it looks like, who's on it and how much it is?
Thanks
Liz