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1998-12-16
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From: owner-movies-digest@lists.xmission.com (movies-digest)
To: movies-digest@lists.xmission.com
Subject: movies-digest V2 #144
Reply-To: movies-digest
Sender: owner-movies-digest@lists.xmission.com
Errors-To: owner-movies-digest@lists.xmission.com
Precedence: bulk
movies-digest Wednesday, December 16 1998 Volume 02 : Number 144
[MV] Movie News - 12/15/98
[MV] Sci-Fi Movie News - 12/15/98
[MV] REVIEW: GODS AND MONSTERS
[MV] Hollywood Online Weekly Dispatch
[MV] REVIEW: THE PRINCE OF EGYPT
[MV] Movie News - 12/16/98
[MV] The Movie Report#171, 12/16/98
----------------------------------------------------------------------
Date: Tue, 15 Dec 1998 13:08:29 -0700 (MST)
From: The Reporter <gregorys@xmission.com>
Subject: [MV] Movie News - 12/15/98
Trekkies boldly went to the theaters over the weekend as
"Star Trek: Insurrection" debuted in the top spot at the box
office, replacing Disney's animated insect adventure "A
Bug's Life." The ninth installment of the sci-fi franchise
grossed $22.4 million, twice the ticket sales of "A Bug's
Life," industry estimates showed. "Jack Frost," with Michael
Keaton as a father who comes back to life as a snowman,
opened to rotten reviews and chilly business, grossing a
mediocre $7 million for third place. The novelty of a
scene-by-scene color remake of the classic "Psycho" wore off
quickly. The film lost 62% of its business in its second
week and plummeted from 2nd to 7th place with an estimated
take of $3.8 million.
-=> * <=-
A shirt Leonardo DiCaprio wore in "Titanic" and Michael
Keaton's Batman suit each fetched thousands of dollars at a
Hollywood memorabilia auction, but neither came close to the
price garnered by the Cowardly Lion costume worn by Bert
Lahr in "The Wizard of Oz," which sold for $250,000. Leo's
shirt brought $10,000 at the auction Saturday. The Batman
suit went for $60,000. The Cowardly Lion costume included
the original body of lion pelts plus a remade headpiece, an
event publicist said. Another "Oz" item, the Wicked Witch's
hat used in the scene where she exclaims "I'm melting!,"
sold for $50,000.
-=> * <=-
South Africa native Charlize Theron was born to play
opposite a cuddly 15-foot-tall gorilla in the remake of
"Mighty Joe Young." "I chased and chased after this part,
because it reminded me so much of my own life," Theron said
in Sunday's New York Daily News. "I was an only child raised
on a farm in South Africa. I entertained myself through my
relationships with animals, particularly my pet goat, Bok.
He used to sleep with me in my bed." The 23-year-old actress
(whose film credits include "That Thing You Do," "The
Devil's Advocate" and "Celebrity") was a Milan model and
aspiring ballet dancer before moving to Hollywood. She
appears nude on the cover of this month's Vanity Fair,
draped only by a white mink coat. Theron's South African
accent was seen as a liability by casting agents. She said
she got rid of it "by leaving the TV on 24 hours a day. A
constant diet of 'The Love Boat' and 'Dallas' will do the
trick."
-=> * <=-
Lew Grade, the cigar-chomping entertainment tycoon who
founded Britain's first commercially funded television
company, died in London Sunday, two weeks after undergoing
surgery. He was 91. Grade, whose projects included the TV
series "The Saint" and the movie "On Golden Pond," gave up
an early dancing career and started a small showbiz agency
in 1934. Twenty-one years later, he founded Associated
Television, the first commercially funded channel launched
in Britain to compete with the British Broadcasting Corp.
Muppet fans will recall Jim Henson's references to him as
"Lord Lew" on "The Muppet Show."
* John Addison, a composer best known for his Oscar- and
Emmy-winning scores for movies and TV, including the music
to "Tom Jones," died Dec. 7 after suffering a stroke. He was
78. His movie scores include those for "Sleuth," "A Bridge
Too Far" and "Swashbuckler." His was also the TV score that
accompanied Angela Lansbury on "Murder, She Wrote." He was
very big on harpsichords.
-=> * <=-
* A trio of fall hits continued to do well. The Will
Smith-Gene Hackman thriller "Enemy of the State" had $6.6
million for fourth place, followed by "The Rugrats Movie"
with $4.5 million and "The Waterboy" with $4.3 million.
"Psycho" joined two other disappointments for Universal
Studios: "Babe: Pig in the City," which had $1.8 million for
eighth place, and "Meet Joe Black," with $1.6 million for
ninth. "Elizabeth" rounded out the top 10 list with $1.3
million, and "Shakespeare in Love," a critically hailed
fictional tale of the young Bard finding his muse in Gwyneth
Paltrow, had a strong debut in limited release.
-=> * <=-
* In still more movie news, the Los Angeles Film Critics
Association saluted Steven Spielberg's epic World War II
film "Saving Private Ryan" Saturday, naming it 1998's best
movie. The movie also earned Spielberg the best director's
award and Janusz Kaminski the honor for best cinematography.
Ian McKellen won the best actor award for "Gods and
Monsters." Ally Sheedy picked up the best actress honor for
"High Art." So far "Private Ryan" and "Gods" are leading the
pack in the weeks leading up to February's Oscar
nominations. The New York-based National Board of Review
last week named "Gods" as the best movie of the year, with
"Private Ryan" in second place. McKellen was named best
actor -- meaning he's the one who'll give Tom Hanks a run
for his money come Oscar time.
-=> * <=-
The marriage of Linda Hamilton and James Cameron appears to
have sunk. The actress cited irreconcilable differences in
her divorce petition filed in Los Angeles Monday. She is
seeking custody of their 5-year-old daughter, Josephine,
although she is willing to allow visits with the
Oscar-winning director of "Titanic." The Superior Court
filing also seeks spousal and child support, and requests
their assets be divided. The couple married June 24, 1997,
and split shortly after this past March's Academy Awards
ceremony. Hamilton starred in Cameron's 1984 "The
Terminator" and the 1991 sequel "Terminator 2: Judgment
Day," as well as the "Beauty and the Beast" TV series.
-=> * <=-
* In other news of James Cameron, MAD magazine's special
year-end issue names his "Titanic" Oscar speech -- in which
he solemnly asked for a moment of silence to remember those
who perished on the real Titanic, then happily shouted, "Now
let's go party till dawn!" -- among the "dumbest people,
events and things of 1998." The speech ranked No. 2 silly
thing of the year, one place ahead of Jerry Seinfeld's
seemingly endless TV farewell. No. 1 dumbest thing? "A
no-brainer," said MAD coeditor Nick Meglin. "Even by
Washington DC standards, the level of dumbness achieved by
(President Bill) Clinton, (independent counsel Kenneth)
Starr and (former White House intern Monica) Lewinsky was
unparalleled."
-=> * <=-
Oscar-winning actor Anthony Hopkins is claiming he's
retiring from films. The surprise announcement came in Rome
over the weekend, when he told reporters, "Acting is bad for
mental health. I can't take it anymore ... I have wasted my
life." Friends reportedly believe that the bad reviews of
"Meet Joe Black," in which Hopkins costars with Brad Pitt,
and the strain of having just filmed Shakespeare's "Titus
Andronicus" in Rome contributed to Hopkins' remarks. But as
one Hopkins pal told the New York Post: "This has happened
before, and it'll happen again. He's just going through one
of his moments."
-=> * <=-
* DIED: Actor Norman Fell, 74, of cancer, at the Motion
Picture Home in California. He was best known for his
portrayal of a peeping landlord on TV's "Three's Company"
and its spin-off, "The Ropers." In movies, he played Dustin
Hoffman's landlord in "The Graduate" and was in "Bullitt,"
"Catch-22," "Inherit the Wind" and others.
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------------------------------
Date: Tue, 15 Dec 1998 14:21:55 -0700 (MST)
From: The Reporter <gregorys@xmission.com>
Subject: [MV] Sci-Fi Movie News - 12/15/98
Six actors have joined the cast of Mindfire
Entertainment's independent superhero film The
Specials, according to The Hollywood Reporter. Rob
Lowe, Jamie Kennedy, Thomas Haden Church, Judy Greer,
Kelly Coffield and Melissa Joan Hart have agreed to lend
their talents to the film, which was written by James
Gunn.
Gunn, whose credits include Tromeo and Juliet and the
upcoming Spy vs. Spy, will also star in the film, which is
being directed by Craig Mazin. The Specials is about a
group of dysfunctional superheroes whose problems
include jealousy, infighting and insecurity.
-=> * <=-
DreamWorks SKG and Twentieth Century Fox
announced that they will jointly produce the film
Minority Report, which is a based on the Philip K.
Dick story of the same name and which will star
Tom Cruise under the direction of Steven Spielberg.
-=> * <=-
Prufrock Pictures has agreed to produce All Fall
Down for New Line Cinema, a film about sexual
temptation and the supernatural, according to
Variety.
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------------------------------
Date: Tue, 15 Dec 1998 15:11:28 -0700 (MST)
From: Scott Renshaw <renshaw@inconnect.com>
Subject: [MV] REVIEW: GODS AND MONSTERS
GODS AND MONSTERS
(Lions Gate)
Starring: Ian McKellen, Brendan Fraser, Lynn Redgrave.
Screenplay: Bill Condon, based on the book "Father of Frankenstein" by
Christopher Pram.
Producers: Paul Colichman, Gregg Fienberg and Mark R. Harris.
Director: Bill Condon.
MPAA Rating: R (profanity, nudity, adult themes, sexual situations)
Running Time: 105 minutes.
Reviewed by Scott Renshaw.
Ian McKellen -- who has already won two year-end critics' awards as
of this writing -- has a sinfully great time in GODS AND MONSTERS. He
stars as James Whale, the director of 1930s horror classics like
FRANKENSTEIN and THE INVISIBLE MAN. When we meet him in the film,
however, it is the late 1950s, a tough time to be an openly gay man even
in Hollywood. Twenty years removed from his film-making peak and
suffering the after-effects of a stroke, Whale has been left to putter
in his Los Angeles home, accompanied by his memories and housekeeper
Hannah (Lynn Redgrave). That doesn't mean he won't try to seduce the
occasional film student who comes to interview him, or even new gardener
Clay Boone (Brendan Fraser). Growling innuendo and wrapping his lips
around a cigar that's not just a cigar, McKellen fashions Whale early on
as a dirty old man with little left to embrace but his own lasciviousness.
There's no question that McKellen's work is a great time...great
acting, not necessarily. It is McKellen's misfortune that GODS AND
MONSTERS is the second film of 1998 in which an older gay man tries to woo
a young heterosexual. The first was called LOVE AND DEATH ON LONG ISLAND,
and starred John Hurt as the older man. In every other way the characters
are completely dissimilar -- Hurt played a timid professor who had lived
his entire life as a straight husband, while McKellen takes on a
flamboyant artist utterly at ease with his lifestyle. Hurt's was the more
difficult role, one in which a small man confronted upheaval and potential
humiliation; McKellen got a part full of punch lines and haunted
recollections, the stuff actors turn into audition monologues. James
Whale isn't a role that requires a great performance. It's a role that
requires an _entertaining_ performance.
And entertaining it is, particularly in service of Whale's intriguing
biography. That biography comes both in spoken recollections and
scattered flashbacks, revealing Whale's rise from impoverished youth to
soldier to stage designer to film director. Writer/director Bill Condon
makes it evident that Whale's affinity for creating screen monsters was
born of sympathy, one outcast giving voice and soul to other outcasts. He
even makes the sly suggestion that Whale was also the father of camp,
creating intentionally humorous films from horror stories as a sop to his
own amused sensibilities. McKellen makes Whale far too inventive to be
pathetic, yet also shows him fighting with the shadow of his former self.
As Whale's mind deteriorates, he becomes an ever-sadder figure, a living
relic who has begun thinking of himself in the same past tense others
think of him.
But there's another character gobbling up chunks of screen time, and
that's Brendan Fraser as the wrong-side-of-the-tracks gardener. Clay is
set up as a kindred spirit to Whale, another outcast from a disapproving
family who turns to sex when he needs to define himself. It's a solid
enough performance by Fraser, but there's something trite about the entire
structure of Clay's friendship with Whale, nearly as trite as Lynn
Redgrave's fussy German housekeeper. It reaches the point where the story
actually appears to be about Clay, which is a big mistake. McKellen's
performance may not be perfect, but it's still the best thing about GODS
AND MONSTERS. It's not incredibly touching, and it's not incredibly
profound. It is, however, quite a lot of fun for a while. There are
worse places to cast your lot than with the year's second best performance
as an older gay man trying to woo a young heterosexual.
On the Renshaw scale of 0 to 10 killer Whales: 6.
- --------------------------------------------------------------------------
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http://www.inconnect.com/~renshaw/
***
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------------------------------
Date: Wed, 16 Dec 1998 07:53:28 -0800 (PST)
From: dispatch@listserv.hollywood.com (Hollywood Online)
Subject: [MV] Hollywood Online Weekly Dispatch
Hollywood Online Weekly Dispatch
Hello movie fans!
Welcome yet again to the Hollywood Online Weekly Dispatch, delivered
FREE OF CHARGE to your e-mail box every week. Instructions for
unsubscribing appear at the bottom.
The Hollywood Online Weekly Dispatch is THE source for detailed news
about the latest movie and video releases, Hollywood events, special
movie site features, exclusive interviews and audio clips. The web's
number one information source for movie soundtrack news, premiere
coverage, and much more.
*****************************************************************
ADVERTISEMENT
*****************************************************************
CAM Original Soundtracks Offers Hollywood Online users the following
CD Special Offers at: http://www.cam-ost.it/special/offer.htm
Also check out our new "Award Winning Titles Collection" at:
http://www.cam-ost.it/news/news.htm and contact us to receive our
Free CD Catalogs!
*****************************************************************
If any movie can open against DreamWorks' "The Prince of Egypt,"
it would have to be Tom Hanks and Meg Ryan's "You've Got Mail."
Prepare for a breakneck box-office race; these are two wonderful movies.
Oh yeah, and there are other films opening this week ...
****************************************
NEW MOVIES RELEASED THIS WEEK
****************************************
(in chronological and alphabetical order)
Movies Opening
December 15, 1998
"Jinnah"
http://www.hollywood.com/cgi-bin/TARGET/indexmg.cgi?jinnah
Drama: Christopher Lee stars as Mohammad Ali Jinnah, a
contemporary of Mahatma Gandhi and the founder of Pakistan.
Popular Indian actor Shashi Kapoor co-stars as an otherworldly
scholar who narrates a flashback of the leader's life, from his
achievement in liberating the Muslims from British rule to his
guilt about neglected responsibilities as a husband and father.
December 15, 1998 - LA release
December 16, 1998
"Skin & Bones"
http://www.hollywood.com/cgi-bin/TARGET/indexmg.cgi?skinbones
Comedy: A look at the occupational hazards faced by three young
men who enact sexual fantasies for a wealthy clientele.
December 16, 1998 - LA release
"Tango"
http://www.hollywood.com/cgi-bin/TARGET/indexmg.cgi?tangomovie
Drama: Cinematographer Vittorio Storaro won a Special Technical
Award at Cannes for his work on this story of a director whose
film about the fiery dance entangles him with a dangerous dancer.
December 16, 1998 - LA release
December 18, 1998
"Dish Dogs"
http://www.hollywood.com/cgi-bin/TARGET/indexmg.cgi?dishdogs
Drama: Matthew Lillard and Sean Astin are best friends and
good dishwashers. They count on their bond and paycheck to
get them from town to town. But their lifestyle begins to
change as they become involved with girlfriends who draw them
down different paths. Co-starring Shannon Elizabeth,
Lorissa McComas and Brian Dennehy.
December 18, 1998 - LA release
"The Emperor's Shadow"
http://www.hollywood.com/cgi-bin/TARGET/indexmg.cgi?emperorshadow
Art/Foreign: "The Emperor's Shadow" follows two stepbrothers in
200 B.C. who grow up to be extreme opposites. One is a talented
musician. The other is a ruling warlord determined to reunify China.
The emperor plots to have his disabled, spoiled daughter convince her
uncle to be the military composer. Instead, the peaceful artist becomes
the conscience shadowing both of them.
December 18, 1998 - NY release
"The General"
http://www.hollywood.com/cgi-bin/TARGET/indexmg.cgi?thegeneral
Drama: The title character is a robber (Brendan Gleeson) who's
a hero to his fellow denizens of a Dublin slum and prey for
investigator Jon Voight.
December 18, 1998 - LA/NY release
"George B"
http://www.hollywood.com/cgi-bin/TARGET/indexmg.cgi?georgeb
Comedy: A borderline loser's lucky day in Reno leads to
brighter prospects, but there's a big betrayal looming.
David Morse and Nina Siemaszko star.
December 18, 1998 - LA release
"Lena's Dreams"
http://www.hollywood.com/cgi-bin/TARGET/indexmg.cgi?lenasdreams
Drama: Lena the actress has to make a choice: a life of "waiting
tables, poverty and rejection" or "children, marriage, a real home
and health insurance." Confounding her decision is a Broadway part
offered hours after the thirtysomething vows to quit the business.
Throughout one long day of casting calls and interesting encounters,
she's forced to reexamine her options.
December 18, 1998 - NY release
"Outside Ozona"
http://www.hollywood.com/cgi-bin/TARGET/indexmg.cgi?outsideozona
Drama: Robert Forster stars as a good-natured truck driver brought
together with a group of strangers who share a common experience. Among
the people that all listen to the same radio station are Swoozie Kurtz,
Kevin Pollak, Sherilyn Fenn, Meat Loaf and Penelope Ann Miller.
December 18, 1998 - limited release
"The Prince of Egypt"
http://www.hollywood.com/cgi-bin/TARGET/indexmg.cgi?princeegypt
Family: Val Kilmer, Sandra Bullock, songwriter Stephen Schwartz and others
tell the animated story of Moses. In Egypt, a desperate mother defies the
Pharaoh's command that male Hebrew babies be drowned. God guides her son
to the Queen, where he is raised as the brother to the heir of the throne.
Eventually, Moses discovers his true identity as God's messenger.
December 18, 1998 - national release
"A Simple Plan"
http://www.hollywood.com/cgi-bin/TARGET/indexmg.cgi?simpleplan
Drama: Bill Paxton, Billy Bob Thornton, and Brent Briscoe stumble upon the
wreckage of a small plane holding a dead pilot and a duffel bag stuffed with
four million dollars in cash. Unemployed and out of luck, the trio decides to
keep the money. Gradually, the need to conceal their crime threatens to destroy
their loyalty.
December 18, 1998 - expanded release
"You've Got Mail"
http://www.hollywood.com/cgi-bin/TARGET/indexmg.cgi?youvegotmail
Comedy: Tom Hanks and Meg Ryan team up in the romantic comedy set
in the age of e-mail. Hank stars as an enterprising bookstore owner
who owns one of the largest chains in Manhattan. Ryan plays a young
woman who operates a small children's bookstore. The two booksellers
face off in real life, but unwittingly fall in love in cyberspace.
December 18, 1998 - national release
****************************************
SHOWTIMES MOVIE LISTINGS
****************************************
http://showtimes.hollywood.com/
Now that you've seen what's coming out this week, here's the best way
to find out where it's playing in your neighborhood, and when! Plus,
get maps, theater information, and much more -- everything about movies
at Hollywood Online!
****************************************
NEW VIDEOS RELEASED THIS WEEK
****************************************
(in alphabetical order)
Videos Released
December 15, 1998
"Halloween: H20"
http://www.hollywood.com/cgi-bin/TARGET/indexmg.cgi?h20
Horror: Guess who's killing the neighborhood? Michael Myers
returns to dispatch original scream queen Jamie Lee Curtis.
Twenty years after their first bout, Curtis' Laurie Strode
has disappeared and become a dean at a secluded private school.
She and her teenage son are hidden from the outside world. This
Halloween, something evil's headed their way.
"Hav Plenty"
http://www.hollywood.com/cgi-bin/TARGET/indexmg.cgi?havplenty
Comedy: Chris Cherot writes, directs and stars as Lee Plenty, a man who
possesses nothing but love. Chenoa Maxwell is Havilland Savage, a woman
who possesses everything but love. A fateful New Year's weekend brings
together these polar opposites in a romantic comedy about relationships
in the '90s.
"Lethal Weapon 4"
http://www.hollywood.com/cgi-bin/TARGET/indexmg.cgi?lethalweapon4
Action/Adventure: Mel Gibson and Danny Glover are back together fighting
the Asian mob. Jet Li, the series' latest villain, and Gibson go head
to head to create some highly intense action sequences. Glover is left
to deal with their new partner Chris Rock, who finds a love interest in
the detective's daughter. Rene Russo and Joe Pesci also return to the
starting line-up.
"Madeline"
http://www.hollywood.com/cgi-bin/TARGET/indexmg.cgi?madeline
Family: Hatty Jones takes eleven little girls on a misguided adventure
full of girl power, based on Ludwig Bemelman's 1939 children's book.
Jones and her companions journey through the streets of Paris surviving
a kidnapping, a near drowning in the Seine and other crazy mishaps.
Frances McDormand co-stars as the mothering Sister who tries to lead
them from their mischievous predicaments.
****************************************
HOLLYWOOD NEWS
****************************************
HOLLYWOOD ROUNDTABLE
http://www.hollywood.com/news/roundtable/
Weekly columns on a variety of subjects, from underground
film to foreign film to film zeitgeist.
ART ATTACK: A Firestorm of Controversy Over India's 'Fire'
http://www.hollywood.com/news/roundtable/Thursday/12-10-98/index.html
THE PRESSROOM
http://www.hollywood.com/pressroom
The best premiere coverage, celebrity photos and interviews on the web!
New this week:
"Shakespeare in Love" Premiere
http://www.hollywood.com/pressroom/premieres/shakespearelove/shakespearelove.html
Spelling Christmas
http://www.hollywood.com/pressroom/events/spelling/award_spelling.html
Hollywood Spectacles
http://www.hollywood.com/pressroom/events/glasses/award_glasses.html
****************************************
HOLLYWOOD ONLINE: FEATURES
****************************************
HOLLYWOOD ONLINE'S FIRST ANNUAL TRAILER AWARDS
http://sites.hollywood.com/trailerawards/
Vote now for your favorite movie trailers from 1998.
We've picked the nominees, YOU pick the winners!
Maybe you'll win a trip to the premiere of "Austin Powers II."
"YOU'VE GOT MAIL" SPECIAL FEATURE
Videos, Photos, Fun Stuff - Win a poster!
http://hollywood.com/sites/youvegotmail/index.html
DIGITAL REVOLUTION
http://digital.hollywood.com/digital/
Everything you could want to know about DVDs, laser
discs, industry developments, and all the latest titles.
Pick of the Week:
"Fear and Loathing in Las Vegas"
http://digital.hollywood.com/digital/movies/moviepage/0,1133,134,00.html
*****************************************************************
ADVERTISEMENT
*****************************************************************
NetFlix.com (http://www.netflix.com/default.asp?promoid=15785950)
Looking for that hard-to-find DVD? With over 2,000 titles, NetFlix.com
has what you want. Simply select your rental, receive it within 2-3
business days - watch it as often as you like for a full 7 days! Return
it using the prepaid, pre-addressed return-mailer. No hassles, no long
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*****************************************************************
MOVIE CRITIC
http://www.hollywood.com/critic/index.html
"A Simple Plan" and "Shakespeare in Love" charm the nation's critics.
Check out what they're saying about the movies opening this week!
MOVIETALK
http://www.hollywood.com/movietalk/
Hear your favorite celebs in their own words, behind the scenes,
unrehearsed, and in glorious RealAudio! This week:
Gwyneth Paltrow, Geoffrey Rush, Joseph Fiennes, John Madden,
Colin Firth ("Shakespeare In Love"); Michael Keaton ("Jack Frost");
Bridget Fonda, Billy Bob Thornton, Bill Paxton ("A Simple Plan").
MOVIETUNES
http://www.movietunes.com
MovieTunes at Hollywood Online is the best source for movie music
news and coverage -- audio clips, interviews, art, forums, and more.
Soundtrack of the week:
"The Fifth Element"
http://www.movietunes.com/soundtracks/1997/fifthelement/
Also:
"A Bug's Life"
http://www.movietunes.com/soundtracks/1998/bugslife/
"The Prince of Egypt"
http://www.movietunes.com/soundtracks/1998/egypt/
"Star Trek: Insurrection"
http://www.movietunes.com/soundtracks/1998/insurrection/
NEW TRAILERS AT HOLLYWOOD ONLINE:
http://www.hollywood.com/multimedia/index5.html
Austin Powers II
Jack Frost
Rushmore
A Simple Plan
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------------------------------
Date: Wed, 16 Dec 1998 10:17:23 -0700 (MST)
From: Scott Renshaw <renshaw@inconnect.com>
Subject: [MV] REVIEW: THE PRINCE OF EGYPT
THE PRINCE OF EGYPT
(DreamWorks)
Voices: Val Kilmer, Ralph Fiennes, Michelle Pfeiffer, Sandra Bullock,
Jeff Goldblum, Patrick Stewart, Steve Martin, Martin Short.
Screenplay: Philip LaZebnik.
Producers: Penny Finkelman Cox and Sandra Rabins.
Directors: Brenda Chapman, Steve Hickner and Simon Wells.
MPAA Rating: PG (adult themes)
Running Time: 97 minutes.
Reviewed by Scott Renshaw.
There's precaution, and then there's what DreamWorks has done to
insure that THE PRINCE OF EGYPT would not become a lightning rod for
controversy. Religious leaders were consulted on early drafts of the
script; word went forth that this would be a serious, respectful dramatic
film with no Disney-style animals for comic relief. The film-makers even
attached an opening disclaimer about "artistic license" taken with the
story, which also referred viewers to the Book of Exodus for the Biblical
story of Moses. The public relations message has been strong and
consistent: befitting its subject matter, THE PRINCE OF EGYPT would be a
different sort of animated film.
In some very important ways, that message was completely accurate.
THE PRINCE OF EGYPT is a visually spectacular and impressively faithful
account of the first 14 chapters of Exodus, beginning with Moses' mother
placing him in a basket on the Nile to save him from Pharaoh's order to
slay Hebrew newborns. The basket reaches the palace of the Pharaoh, where
Moses is found by the Queen (Helen Mirren) and raised as a brother to
Rameses, heir apparent to the Pharaoh Seti (Patrick Stewart). As adults,
Moses (Val Kilmer) and Rameses (Ralph Fiennes) are close companions,
little concerned with the plight of Hebrew slaves. That's before a chance
encounter with his birth sister Miriam (Sandra Bullock) informs Moses of
his true lineage, and sends him on a course which will set him against
Rameses as liberator of his people.
Some viewers may be troubled by the fact that the key relationship in
THE PRINCE OF EGYPT is that between Moses and Rameses, not that between
God and His chosen people. While God is certainly present in the film,
the religious elements have been subsumed to the human elements. The
result is still an extremely strong story of two men both troubled by
their destinies. Moses laments when he realizes that his calling must
take him from his luxurious life as a prince, while Rameses struggles with
the mantle of leadership. Rameses' character actually ends up the more
compelling of the two, with Ralph Fiennes giving expressive voice to the
ruler tormented by the fact that the only friend he has known has become
his only enemy. It's a tricky element to introduce -- that we should care
about a personal tragedy in this tale of God's commitment to the Hebrews
- -- but it works to give the film the feel of a mature drama rather than
just another animated fairy tale.
With such a strong foundation, it becomes distracting when THE PRINCE
OF EGYPT adopts the rhythms and songs of a typical animated musical.
Stephen Schwartz's tunes are generally solid, but it becomes too easy to
think of the film as nothing special when the structure ventures into such
familiar territory. There's no need for a Biblical epic to turn into "Les
Miserables," or the Old Testament equivalent of "Jesus Christ Superstar",
particularly when the images unaccompanied by music are so compelling.
The slaying of the Egyptians' newborns unfolds with a chilly silence; the
trek across the floor of the Red Sea is set against brief lightning-strike
illuminations of whale silhouettes behind walls of water. There's enough
story to this story, and enough vision to the animation, not to require a
tune every 10 minutes.
In a way, the inclusion of musical numbers could have been an attempt
to make THE PRINCE OF EGYPT a transitional form of feature animation. It
was no surprise to find a screening audience filled with children; it was,
however, something of a surprise to notice them so engaged in such a
somber, challenging story. Perhaps the songs, and the occasional flashes
of humor, served to ease younger viewers into something not so far removed
from the videos that line their parents' shelves. DreamWorks tackled an
incredibly challenging task in THE PRINCE OF EGYPT, the task of turning
scripture into family entertainment. It's about as successful a
conclusion to that task as I can imagine, one which combines tradition and
imagination into a powerful animated experience.
On the Renshaw scale of 0 to 10 Pharaoh assessments: 8.
- --------------------------------------------------------------------------
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http://www.inconnect.com/~renshaw/
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------------------------------
Date: Wed, 16 Dec 1998 11:57:29 -0700 (MST)
From: The Reporter <gregorys@xmission.com>
Subject: [MV] Movie News - 12/16/98
A third installment of the "Terminator" franchise is quickly
taking shape with Arnold Schwarzenegger in talks with 20th
Century Fox to reprise his role as the indestructible
cyborg. James Cameron is planning to write and produce. At
present he's not planning to direct, but sources say that
could change. Variety says none of the deals has been
completed, but enthusiasm is high enough among the
participants that the film will move forward. Schwarzenegger
is currently starring in "End of Days" for Universal.
-=> * <=-
Jennifer Lopez is looking at a potential $5 million payday
to join Eddie Murphy in the Castle Rock film "Pluto Nash,"
reports Variety. Not long ago, Lopez became the first Latina
actress to break the seven-figure barrier on a film, when
she got $1 million to star in "Selena." Though no deal is in
place at this point, Castle Rock and Underwood clearly want
her to make "Pluto Nash" her next film after she stars in
"The Hollow Man" at Columbia.
-=> * <=-
Greg Kinnear, who stars (as the smug boyfriend) in the new
movie "You've Got Mail" with Meg Ryan and Tom Hanks, is
enjoying his success on the silver screen. But he tells the
upcoming issue of USA Weekend magazine that he's a little
apprehensive about stardom. "Being out with Harrison (Ford)
or Jack (Nicholson), seeing the public constantly wanting a
piece of them -- there's a side of that that's really
scary," Kinnear said. One thing that doesn't frighten
Kinnear is fatherhood. He plans to marry longtime girlfriend
Helen Labdon sometime next year, and Kinnear says they plan
to have a family. "I say 16 (kids). Helen says two. So we're
just trying to work that out."
-=> * <=-
* CAST: Sophie Marceau, edging out Sharon Stone, for the
role of the evil Electra to Pierce Brosnan's 007, for the
next James Bond movie, according to France's Le Parisien.
Marceau, 32, costarred in "Braveheart" and a version of
"Anna Karenina." She also appears in fragrance adds.
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[ movies (without the quotes) to majordomo@xmission.com ]
------------------------------
Date: Wed, 16 Dec 1998 16:37:28 -0800
From: Michael Dequina <michael_jordan@geocities.com>
Subject: [MV] The Movie Report#171, 12/16/98
T H E
M O V I E
R E P O R T
#171
DECEMBER 16, 1998
PLEASE HELP...
...keep the MR and Mr. Brown's Movie Site alive. I am undergoing a
serious funding and resource crisis. Please send any donations (every
little bit does help) to:
Michael Dequina
3650 Denver Avenue
Long Beach, CA 90810-2205
You can also help by renting or purchasing videos and DVDs from Reel.com!
Do some holiday gift shopping by visiting:
http://www.reel.com/cgi-bin/nph-reel.exe?COBRAND=MRBR&OBJECT=welcome.html
Thank you very much.
=>T H I S W E E K<=
M O V I E S
- -_The_Prince_of_Egypt_
- -_You've_Got_Mail_
- -_Shakespeare_in_Love_
- -_The_Celebration_(Festen)_
- -_Central_Station_
- -_Gods_and_Monsters_
V I D E O
- -_Halloween:_H20--20_Years_Later_
- -_Hav_Plenty_
- -_High_Art_
- -_Lethal_Weapon_4_
Mr. Brown's Movie Site is down once again (damn server). However, a
full-service mirror will be operational in a couple of days at:
http://mrbrown.webjump.com or
http://welcome.to/mrbrown
But, hopefully, within a few days (if not less) you can find links to the
official websites of all the current films, past reviews, exclusive
Hollywood event photos, movie discussion board, movie theme MIDI files, a
comprehensive link section, and more at the regular URL:
http://www.godamongdirectors.com/mrbrown
Please don't forget to sign the guestbook...
I am always up for a good live chat. Feel free to message me on ICQ at
#25289934 (nickname "NY152"), or on AOL Instant Messenger under the handle
"MrBrown23."
If you are reading this on Usenet, you can subscribe to the MR at:
http://mrbrown.webjump.com/moviereport.html
Select reviews are available at CompuServe Hollywood Hotline:
http://www.HollywoodHotline.com
...and the Eyepiece Network at:
http://www.eyepiece.com
...and Albany Online at:
http://www.AlbanyOnline.com
...and Film Frenzy at:
http://www.filmfrenzy.com
all movies graded out of four stars (****)
~~~
=>M O V I E S<=
N E W R E L E A S E S
Hollywood Hotline Featured Review
_The_Prince_of_Egypt_ (PG) ****
"It's unlike anything you've seen before"--words that have been intoned
many times by many a studio chief trying to wrap a veneer of freshness
around another stale assembly-line product. But coming from Jeffrey
Katzenberg, the "K" in DreamWorks SKG, in reference to the company's first
traditional animated feature, _The_Prince_of_Egypt_, the statement is,
well, gospel. _Prince_ is unlike any animated feature ever made, a musical
drama that just _happens_ to be completely drawn. It's epic in every sense
of the word, from subject, spectacle, sentiment, and, most of all,
seriousness--and, as such, I have no idea how it will be received by the
public.
_Prince_'s larger-than-animated-life intentions are clearly--and most
memorably--spelled out by directors Brenda Chapman, Steve Hickner, and
Simon Wells in the prologue. "Deliver us to the promised land," pray the
Hebrews held in bondage by the Egyptian pharaoh Seti (voice of Patrick
Stewart) as Yocheved (Ofra Haza) sets her infant son Moses adrift on a
river in an attempt to spare him the life of a slave--and possibly free his
people in the future. Moses is rescued from the sea by the Queen (spoken
by Helen Mirren, sung by Linda Dee Shayne), who takes Moses in as her own.
This sequence is truly astonishing, from the visuals to the haunting song
that scores it, "Deliver Us," composed by Stephen Schwartz.
The opening is just one in a long line of spectacular sequences in this
treatment of the Book of Exodus, in which Moses's (spoken as an adult by a
full-voiced Val Kilmer, sung by Amick Byram) bond with adoptive brother and
eventual pharaoh Rameses (Ralph Fiennes, well-cast) is broken after he
discovers his true identity--and calling--and crusades for his people's
freedom. The animators exploit all that the medium currently offers and
then elevate it to the next level: a harrowing nightmare scene is made even
more chilling by being told in pantomime through hieroglyhics; and
computer-generated effects are effectively, and unobtrusively, used to
enhance such crucial scenes as Moses's encounter with the burning bush, the
deaths of the firstborns, and the dazzling parting of the Red Sea.
Artistically speaking in the literal sense, _Prince_ is easily the most
impressive animated feature ever made.
But there's more to the film than awesome visuals, which would be empty
without an absorbing story and characters. _Prince_ has both, regardless
of the viewer's religious beliefs; the themes of brotherhood, freedom, and
faith (in oneself) are universal, and they resonate strongest in the film's
quieter scenes. In fact, these quieter scenes hold the most lasting
impact: simple moments like Moses feeling the desert sand blow over his
entire body, or, my personal favorite, the song number "When You Believe,"
which is currently out as an overblown pop single performed by Whitney
Houston and Mariah Carey. The film version, sung to Moses by his sister
Miriam (spoken by Sandra Bullock, sung by Sally Dworsky) and wife Tzipporah
(spoken _and_ sung by Michelle Pfeiffer, in fine vocal form) is beautiful
and transcendent, building a muted yet no less powerful crescendo of
complex emotion; in the pop version, any and all emotion is lost under all
the diva bluster.
Schwartz, a veteran lyricist for Disney animated efforts (the two most
underrated, _Pocahontas_ and _The_Hunchback_of_Notre_Dame_), also writes
the melodies here, and his song score is not without a couple of missteps.
"Playing with the Big Boys," sung by Rameses's court magicians Hotep (Steve
Martin) and Huy (Martin Short) is a throwaway, and the just-OK "Through
Heaven's Eyes," sung by Tzipporah's father Jethro (spoken by Danny Glover,
sung by Brian Stokes Mitchell), is redeemed by the dramatic importance of
the scene it accompanies. By and large, Schwartz does a more than adequate
job, exemplified by his two standout compositions, the aforementioned
"Deliver Us" and "When You Believe." However, Schwartz's work comes close
to being overshadowed by Hans Zimmer's towering score, which is sure to win
an Oscar nomination.
As superlative as _The_Prince_of_Egypt_ is, in all likelihood, it will not
receive its just due from the moviegoing masses weaned on the
tried-and-true Disney animated recipe of singing animals and easy comic
relief; there is neither here, and the religious themes will undoubtedly
keep many away. And that is a shame, for not only _Prince_ is a landmark
cinematic achievement, the entire fate of its medium is dependent on its
financial success. Robust box office would not only pose a long-overdue
animation threat to Disney, but it would also erase the medium's "kids'
movie" stigma, allowing filmmakers to explore the medium's heretofore
untapped potential through more complex, serious, and adult themes. But,
as the film's signature song goes, "There can be miracles when you
believe"--a statement that does hold some water in the fickle movie
marketplace.
_You've_Got_Mail_ (PG) ****
Of all the delights to be had while watching the enchanting romantic
comedy _You've_Got_Mail_, none gave me more joy than the performance of
co-lead Meg Ryan. The reigning queen of romantic comedy, Ryan, not so
surprisingly, delivers another turn of irresistible charm as bookstore
owner Kathleen Kelly. But what I paid conscious attention to this time
around was the ease with which she tackles the deceptively simple-looking
job of romantic comedienne. It's no easy task to project a natural blend
of sweetness, strength, wit, and genuine, hard-earned heart, yet Ryan has
effortlessly pulled it off year after year, in movie after movie--without
ever receiving her rightful recognition from the critics.
Sadly, _You've_Got_Mail_ will likely not change that, but that's mostly
because so much of the film is so good. The film reunites Ryan with her
_Sleepless_in_Seattle_ partners Tom Hanks and director/co-writer (with
sister Delia) Nora Ephron in a plot that, not so coincidentally, appears to
be a variation of that 1993 blockbuster. Ryan's Kathleen owns the small
children's bookstore The Shop Around the Corner, whose long life as a
Manhattan neighborhood staple is threatened by the nearby opening of a
Barnes and Noble-like superstore called Fox Books, owned by wealthy Joe Fox
(Hanks). Naturally, it's hate at first sight for Joe and Kathleen, but
little do they know that appears to be their first meeting really
isn't--they have anonymously been conducting a romance over the Internet as
"NY152" (Joe) and "Shopgirl" (Kathleen).
Now, it would have been easy--and completely understandable--for the
Ephrons to completely mirror _Sleepless_'s proven formula to the letter,
but they manage to come up with some wrinkles that are often as
unpredictable as they are funny. The biggest deviation from _Sleepless_ is
the increased interaction of Hanks and Ryan, who spent most of their last
collaboration apart--which called into question if the two truly had any
chemistry. _Mail_ proves once and for all that Hanks and Ryan are a screen
duo for the ages, equally convincing trading comic barbs or longing
glances. Their sparring sessions have real bite, and their more mellow
moments are so warmly tender that only the coldest hearts won't be at least
slightly moved.
This isn't to say that the film doesn't make a concession to what has
become the Ryan romantic comedy formula--namely, a man she is already
attached to, here in the form of Greg Kinnear's politically-minded reporter
Frank Navasky. The new rub here is that Frank, while a bit stuck on
himself, is a nice guy and a much more appealing romantic choice than
ruthless businessman Joe, who, in turn, already has a partner of his own:
Patricia Eden (Parker Posey), who works at a publishing house. While the
nice and perky Kathleen is clearly better than the ever-frantic Patricia,
it is easy to see why Joe would be with her; her high social station makes
for a "comfortable" choice, and it is in line with his hard-as-nails
attitude--which, of course, hides the truly gentle soul that he bears only
to "Shopgirl."
Similarly, Hanks does a bang-up job playing (to use Joe's term) a "pill,"
but he has a natural gentleness that he buries just deep enough and
gradually brings to surface as the film progresses. Ephron has said that
_Mail_'s central question is "Can Mr. Wrong turn out to be Mr. Right?" and
that evolution is made involving and convincing by Hanks, who instead of
making Joe's progression from black to white, makes it a more realistic
shift between opposite shades of grey.
Again, though, _Mail_ is ultimately the glowing Ryan's show. Her Kathleen
is fun and more than a little (hilariously) pathetic at times, but her
flightiness is grounded in real, complex emotion. This is especially the
case in one late shot of her face, which displays surprise, disgust, anger,
and ecstatic, teary delight--all in a matter of seconds. If that's not a
difficult acting task, I don't know what is--and it comes to Ryan as second
nature.
Cynics will probably dismiss _You've_Got_Mail_ as disposable fluff for
suckers for shamelessly romantic hokum. If that truly is the case--and,
admittedly, there's no evidence to suggest otherwise--then I wear the title
of "sucker" with pride.
IN BRIEF
_Shakespeare_in_Love_ (R) *** 1/2
This Brit-set period romantic comedy had been in the development stages
since 1990, with star pairings ranging from the promising (Kenneth Branagh
and Winona Ryder, currently displaying a nice rapport in Woody Allen's
_Celebrity_) to the potentially ghastly (Daniel Day-Lewis and...
accent-challenged Julia Roberts?!) attached. _Shakespeare_ has now
finally arrived onscreen, and, I am glad to report, in the right
hands--those of director John Madden and stars Joseph Fiennes and Gwyneth
Paltrow.
If Fiennes and Paltrow's charming lead turns as, respectively, the Bard
and Lady Viola, the woman who melts away his writer's block and inspires
_Romeo_and_Juliet_, is the lifeblood of this film, then its vigorous body
is the deliciously witty script by Marc Norman and Tom Stoppard, full of
great lines (most delivered by Judi Dench's Queen Elizabeth) and peppered
with intelligent details (sly allusions to Shakespeare's _Twelfth_Night_).
Madden is the film's spirit, coaxing memorable work from his cast--or,
rather, _most_ of his cast (co-star Ben Affleck is too contemporary to
convince as a pompous Elizabethan stage actor)--and striking a nice blend
of light and heavy, achieving true emotion in its finale. However, the
scale is definitely tipped toward the "light" side, for this fine film is
frothy fun.
I N C U R R E N T R E L E A S E
_The_Celebration_(Festen)_ (R) ****
The title of this Danish import couldn't be more ironic. First, there's
the literal level, in the plot: the sixtieth birthday bash of a wealthy
patriarch Helge (Hennig Moritzen) becomes something decidedly less festive
when his successful eldest son Christian (Ulrich Thomsen) disrupts the
event with some shocking allegations about him and Christian's dead twin
sister. On a deeper level, there's the irony of tone: while the charges
being made by Christian are as serious as they can get, the situation is
played for some gleefully venomous laughs--making the overall mood sort of
a "celebration" of everyone's misery.
It's a fine line to walk, that between comedy and misery, but
director/co-writer (with Mogens Rukov) Thomas Vinterberg handle the
balancing act magnificently. While one is often laughing at and with
Christian's shamelessly disruptive antics, one can feel the pain that
compels him to do so. The real balancing act, though, is how Vinterberg
keeps the truth largely ambiguous through his characters; they are
portrayed equal parts bad and good, so it's often up to question whether or
not Christian is telling the truth or merely spiting his father. It's that
heightened sense of reality--in accordance with the Danish film movement
called "Dogme 95," which sets standards for realism and "purity"--that
lends _Festen_ an uncommon power, even if some "realist" techniques become
somewhat irksome (i.e. shaky, cinema-verite hand-held camera work).
_Central_Station_ (R) *** 1/2
By all outward appearances, this Brazilian drama is a standard road
movie--and to a certain extent, it is. Central Station in Rio is what
brings together the film's unlikely traveling duo: Dora (Fernanda
Montenegro), former schoolteacher, now letter-writer; and Josue (Vinicius
de Olveira), an orphaned 10-year-old boy, whose mother was one of the
Dora's customers before her untimely death. The two set off on a rough
journey across the country to find Josue's long-lost father.
_Central_Station_'s travellers follow the beaten cinematic path, but the
film is made unusually compelling by the lead characters. This is because
they are so recognizably human; neither Dora nor Josue are the most likable
of characters. Dora is, at times, unbearably bitter; Josue is often
unnecessarily cruel to his de facto guardian, often ridiculing her haggard
appearance. What keeps the audience involved in the plight of this prickly
pair are the actors. de Olveira, a shoeshine boy who was discovered by
director Walter Salles after the boy asked him for change, is a remarkable
find, exuding the right balance of toughness and vulnerability. The same
can be said, but to a greater degree, about Montenegro (who has been named
Best Actress of the year by both the National Board of Review and the Los
Angeles Film Critics Association); she rightfully sees Dora's bitter anger
as less a weariness with the world than with herself, a desperate,
self-destructive mechanism to keep the world even more distant than it
already is. The nuances of Montenegro's work--and the film--are too subtle
to notice along the way, but by the film's poignant yet understated
conclusion, they are powerfully felt.
_Gods_and_Monsters_ *** 1/2
The first Best Picture winner of the year is Bill Condon's speculative
account of _Frankenstein_ director James Whale's final days, which won said
honor from the National Board of Review. Ian McKellen plays Whale, and his
performance is undoubtedly what made the film pull off the upset victory
over _Saving_Private_Ryan_. His Whale is a fascinating figure, a man at
the end of his rope literally and figuratively, whose body is slowly dying
though his spirit has long left him. The film's focus is how Whale tries,
in vain, to find a concrete reason to either continue living or die--either
of which may come in the form of his young gardener Boone (Brendan Fraser),
for whom he has a strong physical attraction. From this description, Whale
may sound like a passive character, but as played by McKellen, he is very
much a man in charge of his ultimate destiny--which is the only power he
has left. In the film's other key roles, a surprisingly composed Fraser
erases (make that _mostly_ erases) memories of _George_of_the_Jungle_, and
Lynn Redgrave is a scene-stealing hoot as Whale's devoted maid. But the
film clearly belongs to McKellen, whose presence is what makes the film as
affecting at it is; he is truly the man to beat for Oscar gold in March.
(full reviews of the following in past MRs and at the listed URLs)
- -_American_History_X_ (R) *** <MR#162, 10/16/98>
http://www.godamongdirectors.com/mrbrown/movierpt40.html#historyx
- -_Antz_ (PG) *** 1/2 <MR#159, 9/25/98>
http://www.godamongdirectors.com/mrbrown/movierpt39.html#antz
- -_Babe:_Pig_in_the_City_ (G) ** 1/2 <MR#169, 12/3/98>
http://www.godamongdirectors.com/mrbrown/movierpt42.html#babe
- -_A_Bug's_Life_ (G) *** 1/2 <MR#167, 11/20/98>
http://www.godamongdirectors.com/mrbrown/movierpt42.html#bugs
- -_Celebrity_ (R) ** <MR#169, 12/3/98>
http://www.godamongdirectors.com/mrbrown/movierpt42.html#celebrity
- -_Elizabeth_ (R) *** 1/2 <MR#162, 10/16/98>
http://www.godamongdirectors.com/mrbrown/movierpt40.html#elizabeth
- -_Enemy_of_the_State_ (R) *** 1/2 <MR#168, 11/24/98>
http://www.godamongdirectors.com/mrbrown/movierpt42.html#enemy
- -_Happiness_ **** <MR#162, 10/16/98>
http://www.godamongdirectors.com/mrbrown/movierpt40.html#happiness
- -_Home_Fries_ (PG-13) ** <MR#168, 11/24/98>
http://www.godamongdirectors.com/mrbrown/movierpt42.html#home
- -_I_Still_Know_What_You_Did_Last_Summer_ (R) * <MR#165, 11/6/98>
http://www.godamongdirectors.com/mrbrown/movierpt41.html#istillknow
- -_Jack_Frost_ (PG) ** 1/2 <MR#170, 12/11/98>
http:///www.godamongdirectors.com/mrbrown/movierpt43.html#frost
- -_Life_Is_Beautiful_(La_Vita_E_Bella)_ (PG-13) **** <MR#162, 10/16/98>
http://www.godamongdirectors.com/mrbrown/movierpt40.html#vitabella
- -_Little_Voice_ (R) *** <MR#164, 10/29/98>
http://www.godamongdirectors.com/mrbrown/movierpt41.html#lv
- -_Living_Out_Loud_ (R) *** <MR#164, 10/29/98>
http://www.godamongdirectors.com/mrbrown/movierpt41.html#living
- -_Meet_Joe_Black_ (PG-13) *** <MR#167, 11/20/98>
http://www.godamongdirectors.com/mrbrown/movierpt42.html#joe
- -_Pleasantville_ (PG-13) *** 1/2 <MR#162, 10/16/98>
http://www.godamongdirectors.com/mrbrown/movierpt40.html#pleasantville
- -_Psycho_ (R) ** <MR#170, 12/11/98>
http://www.godamongdirectors.com/mrbrown/movierpt43.html#psycho
- -_Ringmaster_ (R) no stars <MR#169, 12/3/98>
http://www.godamongdirectors.com/mrbrown/movierpt42.html#ringmaster
- -_The_Rugrats_Movie_ (G) *** <MR#166, 11/12/98>
http://www.godamongdirectors.com/mrbrown/movierpt42.html#rugrats
- -_The_Siege_ (R) ** 1/2 <MR#164, 10/29/98>
http://www.godamongdirectors.com/mrbrown/movierpt41.html#siege
- -_A_Simple_Plan_ (R) **** <MR#167, 11/20/98>
http://www.godamongdirectors.com/mrbrown/movierpt42.html#plan
- -_Star_Trek:_Insurrection_ (PG) ** <MR#170, 12/11/98>
http://www.godamongdirectors.com/mrbrown/movierpt43.html#insurrection
- -_Two_Girls_and_a_Guy_ (R) ** <MR#137, 4/10/98>
http://www.godamongdirectors.com/mrbrown/movierpt31.html#2girls
- -_Very_Bad_Things_ (R) **** <MR#167, 11/20/98>
http://www.godamongdirectors.com/mrbrown/movierpt42.html#bad
- -_Waking_Ned_Devine_ (PG) *** <MR#164, 10/29/98>
http://www.godamongdirectors.com/mrbrown/movierpt41.html#ned
- -_The_Waterboy_ (PG-13) ** <MR#165, 11/6/98>
http://www.godamongdirectors.com/mrbrown/movierpt41.html#waterboy
- -_The_Wizard_of_Oz_ (G) ****
F U T U R E F I L M S
- -_Rushmore_ (R) **** <MR#170, 12/11/98>
http://www.godamongdirectors.com/mrbrown/movierpt43.html#rushmore
(February)
- -_Stepmom_ (PG-13) *** <MR#170, 12/11/98>
http://www.godamongdirectors.com/mrbrown/movierpt43.html#stepmom
(December 25)
- -_Still_Crazy_ (R) ** <MR#169, 12/3/98>
http://www.godamongdirectors.com/mrbrown/movierpt42.html#crazy
(January 22)
O N T H E H O R I Z O N
FRIDAY
_The_General_ (R)
John Boorman won the Best Director Award at this year's Cannes Film
Festival for this drama about an Irish robber (Brendan Gleeson) who's
doggedly pursued by an investigator (Jon Voight).
_Playing_by_Heart_ (R)
Gillian Anderson, Sean Connery, Angelina Jolie, Dennis Quaid, Gena
Rowlands, Jon Stewart, and Madeleine Stowe in writer-director Willard
Carroll's drama (until recently known as _Dancing_About_Architecture_)
about the romantic lives of three sisters and their mother.
_The_Prince_of_Egypt_ (PG) **** <see above review>
DreamWorks makes a spectacular entrance into the traditional animation
field with this stirring musical epic based on Exodus. Val Kilmer, Ralph
Fiennes, Michelle Pfeiffer, and Sandra Bullock lead the star-studded voice
cast.
_You've_Got_Mail_ (PG) **** <see above review>
The _Sleepless_in_Seattle_ team of Tom Hanks, Meg Ryan, and director Nora
Ephron reteam for another absolutely enchanting romantic comedy about two
business rivals (Hanks and Ryan) who are unwittingly romancing each other
over the Internet.
~~~
=>V I D E O<=
N E W T H I S W E E K
_Halloween:_H20--20_Years_Later_ (R) ***
Full review in MR#152, 7/30/98; and at:
http://www.godamongdirectors.com/mrbrown/movierpt37.html#h20
Rent or buy at Reel.com:
http://www.reel.com/cgi-bin/nph-session.exe?COBRAND=MRBR&OBJECT=moviepage.as
p?MMID=42286
The long-running horror franchise's final chapter is a formulaic but
undeniably fun thrill ride, energized by Jamie Lee Curtis, who returns as
presumed-dead heroine Laurie Strode, sister of masked killer Michael Myers.
(Dimension Home Video)
_Hav_Plenty_ (R) ** 1/2
Full review in MR#148, 6/26/98; and at:
http://www.godamongdirectors.com/mrbrown/movierpt36.html#hav
Rent or buy at Reel.com:
http://www.reel.com/cgi-bin/nph-session.exe?COBRAND=MRBR&OBJECT=moviepage.as
p?MMID=41644
Likable, if overly broad, by-the-numbers romantic comedy about a homeless
aspiring writer (Christopher Scott Cherot, who also wrote, directed, and
edited) and the wealthy, engaged friend (Chenoa Maxwell) for whom he
secretly carries a torch. (Miramax Home Entertainment)
_High_Art_ (R) **
Rent or buy at Reel.com:
http://www.reel.com/cgi-bin/nph-session.exe?COBRAND=MRBR&OBJECT=moviepage.as
p?MMID=41572
Ally Sheedy recently won (along with _Central_Station_'s Fernanda
Montenegro) this year's Best Actress award from the Los Angeles Film
Critics Association for this film, and her understated work as a
self-destructive photographer is a standout performance. That said, it's
not too hard to stand out in this warmed-over _Red_Shoe_Diaries_ episode
(one of which, perhaps not so coincidentally, guest starred Sheedy)
wrapped in a blanket of pretension by first-time writer-director Lisa
Cholodenko. Young photo magazine assistant editor Syd's (an unimpressive
Radha Mitchell) rigid lifestyle becomes more free when she meets upstairs
neighbor Lucy Berliner (Sheedy). A professional interest in Lucy and her
work soon becomes a romantic one, which leads to some unforeseen emotional
fallout. Along the way, I believe Cholodenko hoped to make some points
about life, love, and the pursuit of happiness (suggested by Sheedy's
subtly anguished turn), but anything resembling those points takes a back
seat to some overheated lesbian sex scenes--which are all anyone is likely
to remember about this dull film. (October Home Entertainment)
_Lethal_Weapon_4_ (R) *** 1/2
Full review in MR#150, 7/10/98; and at:
http://www.godamongdirectors.com/mrbrown/movierpt36.html#lethal4
Rent or buy at Reel.com:
http://www.reel.com/cgi-bin/nph-session.exe?COBRAND=MRBR&OBJECT=moviepage.as
p?MMID=41900
More fast and frenetic fun with Los Angeles police
detectives-turned-captains Riggs (Mel Gibson) and Murtaugh (Danny Glover),
who this time out do battle with an Asian crime lord (Hong Kong superstar
Jet Li, making a spectacular American debut). Joe Pesci and Rene Russo (in
a sadly diminished role) also return, and Chris Rock joins the cast in what
is likely to be the franchise's final installment. (Warner Home Video)
A L S O N E W T H I S W E E K
_Madeline_ (PG)
Rent or buy at Reel.com:
http://www.reel.com/cgi-bin/nph-session.exe?COBRAND=MRBR&OBJECT=moviepage.as
p?MMID=41878
Big screen family adventure starring the titular coat- and hat-wearing
orphan (Hatty Jones) of Ludwig Bemelmans's celebrated children's books.
Frances McDormand and Nigel Hawthorne also star. (Columbia TriStar Home
Video)
~~~
=>C O R R E C T I O N S<=
to #170, 12/11
With the holiday movie madness inevitably come the gaffes: the title of
_My_Best_Friend's_Wedding_ was incorrect in the _Stepmom_ review (Movies);
the correct star rating for _Six_Days,_Seven_Nights_ is *** (Video).
~~~
=>N E X T W E E K<=
Holiday movie madness continues with more reviews, including:
- -_A_Civil_Action_
- -_Mighty_Joe_Young_
- -_The_Thin_Red_Line_
'til then...
__________________________________________________________
Michael Dequina
mrbrown@ucla.edu | michael_jordan@geocities.com | mj23@the18thhole.com
mrbrown@michaeljordanfan.com | mj23@michaeljordanfan.com
mrbrown@iname.com | mst3k@digicron.com
Mr. Brown's Movie Site: http://welcome.to/mrbrown
Personal Page: http://welcome.to/w3md
CinemaReview Magazine: http://www.CinemaReview.com
Michael Jordan Beyond the Court:
http://fly.to/michaeljordan
A Michael Jordan Fan's Heartbreak:
http://fly.to/mj23
"I can accept failure. Everyone fails at something. But I can't accept
not trying.
It doesn't matter if you win as long as you give everything in your heart."
- --Michael Jordan
__________________________________________________________
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