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mobility-digest       Thursday, August 19 1999       Volume 02 : Number 086



(mobility) Austiin bound to see moby
Re: (mobility) Austiin bound to see moby
(mobility) denver again
(mobility) Denver show
(mobility) Sunday, Sunday, Sunday!
(mobility) Memories of Moby
(mobility) going to Austin
Re: (mobility) denver again
(mobility) Run Lola Run

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Date: Thu, 19 Aug 1999 02:04:51 -0500
From: "086" <[e-mail]>
Subject: (mobility) Austiin bound to see moby

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Leaving to see moby in austin and to party to..

Will see him friday, hopefully I can bring my digital camera inside.
If I can I will posting some pics and some info about my time at the show..

I have been waiting for this forever,
ever since I got my first moby cd "early underground" probably over 5 or 6
years ago.

I must be dreaming..

086 aka Todd Sanders






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Date: Thu, 19 Aug 1999 02:17:20 -0500
From: "Daniel Orion Davis" <[e-mail]>
Subject: Re: (mobility) Austiin bound to see moby

> Leaving to see moby in austin and to party to..
>
> Will see him friday, hopefully I can bring my digital camera inside.
> If I can I will posting some pics and some info about my time at the
show..


Cool...where are you coming from?  I'll be at that show (of course)..look
for the guy in the Tomorrowpeople shirt.

Incidentally, if you haven't been there before, La Zona Rosa is a really
nice venue.  They have two stages...I assume he'll be playing the big
room...but even so it is a very intimate little place and a lot of
fun....But the parking is shit...get there early if you want to find a place
to park.  On the other hand, the security at LZR are really nice...at both
the shows I've been to there before I got to meet the artist/hear
soundcheck...so definitely worth showing up early and staying late!

Hope you have a good trip...

Buckoe

------------------------------

Date: Wed, 18 Aug 1999 23:14:16 -0600
From: "dale" <[e-mail]>
Subject: (mobility) denver again

did anyone else that went to the moby show in denver tonight get told to go
home? freaking fire codes. id say more than half of the poeple there got
told to go home. i am rather pissed about that, BUT i did get all my record
flats signed, shook mobys hand. the dj session was simply great. very
intimate. i was standing right infront of him, watching him sync everytihng,
take a break and sign stuff, go back to the turntables, it was amazing. as
good as his live show, almost better in a way. i amm pisssed about missing
the actual live act, but i did see it at woodstock, however chopped it may
have been.   which reminds me. i am going to be getting in contact with one
of the DJs at KTCL (radio station who sponsored the concert and dj session)
and getting a cd copy of what Moby spun at the record store. excellent mix,
he told a rather funny joke too:
There was a man walking down the street and he ran into a guy with a giant
orange for a head. Being rather curious about it, the man asked how he got a
giant orange for a head. 'Well,' said the orangeheaded man, "its a funny
story. You see, i found a genie in a bottle. I had 3 wishes"
"So how did you get the orange for a head?"
"well, first i wished for a pot of never ending money to take care of all my
needs for the rest of my life, and poof, there was a pot full of money, more
than i can imagine"
"Yea! then what happened?"
"then i wished for the most beautiful and perfect wife i could ever want,
and poof, i got my dream wife, perfect in every way."
"What was your third wish?"
"well, my third wish was to have a giant orange for a head"

rather lame, i know. think about it. so stupid its funny. hell, moby told
it.

- -dale-

We just smiled and waved... smiled and waved... smiled and waved...
Sittin on them bags of seeds.

------------------------------

Date: Thu, 19 Aug 1999 03:57:16 -0600
From: Daniel Cerman <[e-mail]>
Subject: (mobility) Denver show

I just got back from Denver, where Moby put on an excellent show that
lasted almost 80 minutes.  KTCL hosted the show at the Ogden Theatre,
and it was free (though you had to sign up to be a "Team Adventure"
member).

I was really surprised by how many people showed up.  The doors didn't
open until 8:00 PM, yet there was a huge line going around the building
when I arrived at around 6:30.  There were no signs of activity from
the tour bus parked out back when I got there.  Moby DJed at the Twist
& Shout record store at 5:00, but I missed it.

Before Moby's performance, we had to endure a long DJ set by Vitamin D
and Miss Audry, who served up largely uninspired minimal house tracks.
Most people were standing or dancing on the ground floor, but I ended
up on the 21-and-over level, with possibly the best view of the stage
short of being right in front of it.  Moby was supposed to start at
9:15, but ten minutes later someone said that he had just woken up.

At about 9:30, Moby's show began, and it was awesome from the get-go.
"My Weakness" started playing as darkness and thick stage fog were
pierced by diffuse moving blue lights.  Moby and his live band (Scott,
Greta, and a blonde guy whose name I missed) appeared and the action
got underway.  There was a ton of variety in the speed and mood of the
songs.  Here's what was played:

   My Weakness
   Find My Baby
   Machete
   Porcelain
   James Bond Theme
   Go
   Next Is The E
   Everloving
   Why Does My Heart Feel So Bad?
   If Things Were Perfect
   Ah Ah
   Bring Back My Happiness
   Natural Blues
   Bodyrock
   Honey
   Feeling So Real
   Thousand

Moby was bursting with energy, sometimes playing various guitars,
drums/percussion, and synths.  The light effects were fantastic, and
greatly enhanced the show.  You really must see it to believe it.  The
sound quality left something to be desired, unfortunately.  The synths
were hard to hear over the drums and general distortion.  According to
some people I talked to, however, it sounded a lot better on the floor.

Most songs were very close to their album/single versions.  "James
Bond Theme" was notable in that it was significantly different from
what I'm used to.  It took me awhile before I even recognized it, as
Moby gave it lyrics and everything.  "Honey" was basically the 118 Mix.

After introducing each member of his backup band toward the end of the
show, Moby dismissed them from the stage and stood still as "Thousand"
played.  As it accelerated, he got on top of a keyboard and stretched
out his arms amidst a spectacular grand finale of strobing lights,
concluding the performance even more dramatically than it began.

After buying a couple cool t-shirts, I went to the tour bus.  Moby was
near it, talking with people and signing autographs.  Some people had
PLAY flats, but I don't know how they got them.  (Anyone?)  I got to
talk with Moby a little bit, and he said 'hi' to me from Damian, whom
he had met the night before in Salt Lake City. :)  I also got to step
onto his bus and converse with Scott (the drummer).

Anyways, it's too bad so many people had to get turned away.  Since the
show was free, any number of people could have shown up, but the venue
doesn't have unlimited capacity.

The show was great, and there is just no way that I can adequately
relate it via email.  Everybody should try to go see Moby, if at all
possible.  His upcoming tourdates are on the moby.org news page.

Daniel
moby.org


P.S.  Thanks to Harry for driving me there and back.

------------------------------

Date: Thu, 19 Aug 1999 08:53:00 -0400
From: [e-mail]
Subject: (mobility) Sunday, Sunday, Sunday!

     Sunday kicks major butt!!  what else can I say? I certainly am not going to
talk about religion. I'm sure there are special lists for that sort of thing.

     - jayson
- -----Original Message-----

But does anyone else find "Sunday" to be a REALLY pretty and moving track?
It's almost like the End of Everything album. Of course, it might as well be
really bad and I don't know it since I'm in one of my depressed moods and I
find weird stuff like this appealing sometimes. I just want to know if anyone
else finds it really good.

Swells

------------------------------

Date: Thu, 19 Aug 1999 10:10:16 -0400
From: "Novotny, Joe" <[e-mail]>
Subject: (mobility) Memories of Moby

Anyone remember the first time they saw Moby? Here's my story. It was May
24, 1995 and I remember that he came to DC on the "Everything is Wrong"
tour. He did a signing at HMV Records in Georgetown (now gone) and I got a
great photo of me and him. We both look great, a rarity for me. He was
incredibly nice and gracious. He signed a flat for my sister (Caterina) and
I remember spelling out her name so that he could address it to her. Then
when he saw her name, he said, "Oh...Caterina. Why didn't you just say her
name?" It was very funny. I never thought he'd actually heard it before.

Anyway, that night he played the Black Cat. Senser opened up. They were
okay. Moby came out and started with "Hymn". It was very quiet and
beautiful, and he just sort of stood there, looking at his feet. Then when
it was over, he looked up and said, "Hi...my name is Moby" and started to
practically wreck the stage by playing "Ah Ah". It was so incredibly
awesome. He had some sound problems that night. He said at one point..."This
is so frustrating. It's like you're about to have sex and you're putting on
the condom and POOF! You lose it." At one point his sound guy tried to
repair something, and Moby played "New Dawn Fades" by Joy Division. He
picked the girl standing next to me in the audience to play keyboards, and
she was terrific.

There were so many great songs that night. But the encore, of course, was
"Thousand" and he did that thing where he stood on the keyboard and looked
not unlike Christ. It was tremendous. It was not even the best show I've
seen him do, but in some ways it was one of the most memorable. It was so
exciting to watch him. I cannot WAIT to see him again in Chicago and DC. See
some of you there, I hope!

XO,
Joe

------------------------------

Date: Thu, 19 Aug 1999 09:15:17 -0500
From: "086" <[e-mail]>
Subject: (mobility) going to Austin

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I am coming in from Space City aka League City/Houston
for the Austin Concert..

I am so ready for friday night.

I am probably walking from my friend's house it is about a mile away to
lzr..

I will keep an eye out for you - Buckoe

What is a another cool place to go after lzr, or on thursdays and saturdays?

"I think this has to be the best birthday for me yet- going to austin to
party and see MOBY"

086 aka Todd Sanders






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Date: Thu, 19 Aug 1999 07:37:39 -0700
From: kimbalina <[e-mail]>
Subject: Re: (mobility) denver again

> which reminds me. i am going to be getting in contact with one
> of the DJs at KTCL (radio station who sponsored the concert and dj session)
> and getting a cd copy of what Moby spun at the record store. excellent mix,

Ok, so the record store there is releaseing a copy of what MOBY was spinning?
Really?  Er, kinda makes you wish you could travle all over the US and have lots
of money and buy every thing MOBY puts out and see him like all the time.  Which
makes me think that seeing MOBY (for us it seems) is kinda like X-Mas.  It's a
once a year celebration (for us) that happens once a year if conditions are
right (think about it, X-Mas is that way :-).  We wait and wait for the day and
when it comes, it seems so brief.  *sigh*

Oh also, I saw a used copy (how is that possible?) of "End of Everything" at a
record store by my place.  It was the import with the track, uh, what is that
track called?  "Animal...." something.  *sigh*  But I saw it and it was $30 for
what looked like a slightly beaten copy but I did find it under "VoodoChild"
instead of MOBY.  I was kinda happy but I couldn't buy it since I was broke and
I could've had it but then my bf would "own" me as he calls it.  He's annoying
when he has money.  *sigh*

- --kimby

------------------------------

Date: Thu, 19 Aug 1999 09:35:50 -0500
From: "Stegenga, Scott" <[e-mail]>
Subject: (mobility) Run Lola Run

Saw this excellent piece of celluloid last night. 90 minutes of wild film.

In German, Its titled 'Lola rennt'. Anyone know German who can loosely
translate?

Like another film I've seen, 'Sliding Doors' this film takes the concept of
'what if she did this...' to a cool level. It showcases 3 'episodes' of a
girl named Lola who must save her boyfriend, Manni, from getting killed by
his mafia boss. He has lost 100,000 Deutche Marks and needs to get that
amount in 20 minutes or his boss will suspect he's stealing from him. The
eposides highlight her running to her father, a bank president, and maybe
asking him for the money, then running to Manni just before he robs a
supermarket at noon. There are alot of running shots. Alot.

It starts with this phone call to Lola, and the rest of the scenes involver
her running to various choices and the outcome for each trek ends
differently, although she encounters the same people, and as she encounters
a certsin person, the film would then pause to show what happens to that
person later on in their life, as if running into Lola has somehow made a
point for a certain direction in their life wether being mugged later on,
married, or even involved in S&M. Each 'rehash' of events starts over with
the shot of a phine receiver coming down on its base thus starting the heavy
techno beats again.

The prologue is very existential and, how else, German. With this artsy
monologue about life's questions and answers all melding onto one or
something, but then in kicks this heavy techno beat and it never stops.

If techno were even made into a film, this would be its incarnation. This
film and 'Lock Stock and Two Smoking Barrels' are my two favorites this
year.

The website which has some cool clips is at
http://www.spe.sony.com/classics/runlolarun/

The soundtrack is very very cool.
- ---------------------------------------------
Scott Stegenga - Internet Engineer
Tunes.com
...same company, more stuff...
312-642-7560 x109
http://www.tunes.com
http://www.rollingstone.com
http://www.thesource.com
http://www.downbeatjazz.com
and many more to come...

------------------------------

End of mobility-digest V2 #86
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