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exotica-digest        Friday, November 12 1999        Volume 02 : Number 541



In This Digest:

Re: Re: (exotica) Didn't RealAudio ask for it?
(exotica) Tabu movie showing at Stanford
Re: (exotica) That early?
Re: (exotica) That early?
Re: (exotica) That early?
(exotica) Wait Until Dark
Re:  (exotica) Wait Until Dark
Re: Re: (exotica) Didn't RealAudio ask for it?
(exotica) Martin Denny/Don Tiki show
Re: Re: Re: (exotica) Didn't RealAudio ask for it?
Re: (exotica) Astroslut cd
Re: Re: (exotica) Didn't RealAudio ask for it?
Re: (exotica) That early?
Re: Re: (exotica) Didn't RealAudio ask for it?
(exotica) stereo vs mono
Re: (exotica) Didn't RealAudio ask for it?
Re: (exotica) Astroslut cd
Re: (exotica) stereo vs mono
(exotica) Re: That early?
Re: (exotica) That early?
Re: (exotica) stereo vs mono
Re: (exotica) Zounds! It's stereo vs mono !
Re: (exotica) stereo vs mono
Re: (exotica) stereo vs mono
Re: (exotica) Re: That early?
Re: (exotica) Martin Denny/Don Tiki show
re:(exotica)that early?
(exotica) Luxuria.com
Re: (exotica) Tabu movie showing at Stanford
Re: (exotica) Didn't RealAudio ask for it?
(exotica) LA area DJs wanted
Re: (exotica) That early?
Re: (exotica)that early?
Re: (exotica)rum! (was: that early?)
Re: (exotica) Didn't RealAudio ask for it?
Re: (exotica) That early?
Re: (exotica)that early?
Re: (exotica) Astroslut cd
Re: (exotica) Didn't RealAudio ask for it?
Re: (exotica) Luxuria.com
Re: (exotica) Luxuria.com
Re: Re: (exotica) Didn't RealAudio ask for it?
(exotica) Re: Mancini
Re: (exotica) Luxuria.com
RE: (exotica) LA area DJs wanted

----------------------------------------------------------------------

Date: Thu, 11 Nov 1999 11:15:35 -0500
From: [e-mail]
Subject: Re: Re: (exotica) Didn't RealAudio ask for it?

> buying used books still
>in print. I remain guilt free only when music or books I buy are not
>otherwise available.

Don't know why you should feel guilty about buying used books or CDs.  The artist has been paid and this is perfectly legal.

LT


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------------------------------

Date: Thu, 11 Nov 1999 08:42:57 -0800
From: "Kevin C." <[e-mail]>
Subject: (exotica) Tabu movie showing at Stanford

1931 Silent movie Tabu filmed in Bora Bora will be showing at the
Stanford Theatre in Palo Alto, CA on Dec. 18-19th. The movie features an
all-Polynesian cast and will be shown with its original musical
soundtrack (not organ).

This in no way makes up for missing Martin Denny and Don Tiki playing
this Saturday at Don Ho's (especially since I was just in Hawaii), but
might be interesting.

http://us.imdb.com/Title?0022458
http://www.swixo.com/stanford/

- -Kevin Crossman


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------------------------------

Date: Thu, 11 Nov 1999 18:16:10 +0000
From: M H Jemmeson <[e-mail]>
Subject: Re: (exotica) That early?

[e-mail] wrote:
>
> In a message dated 11/10/99 2:18:47 PM Pacific Standard Time,
> [e-mail] writes:
>
> <<  I was listening
>  for the first time to Felix Mendelsohn and his Hawaiian Serenaders
>  earlier today, and he was the grandson or great grandson of the other
>  Felix Mendelsohn (as in Fingal's Cave etc)...
>  A bit sunnier in Hawaii than the Hebrides perhaps... >>
>
> I have lots of 78's by Mendelsohn and the Hawaiian Serenaders.  I hate to say
> it but most of them sound the same.  And while I obviously love Exotica
> music, I do not particularly like Hawaiian music (OK, maybe one or two tunes
> occasionally).

I quite enjoyed the stuff I heard, mostly because many tracks had
vocals, which I think fits Hawaiian music well. The other reason I
mentioned him in this thread (besides the "Ooh! famous relative!"
connection) was because I think he's an example of quite early British
Hawaiian music (I forgot to say that).


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------------------------------

Date: Thu, 11 Nov 1999 19:57:08 +0100
From: Mo <[e-mail]>
Subject: Re: (exotica) That early?

Ton Rueckert wrote:

> Here's what MELANIE TANGKAU says about it on the Dutch Pasar Malam
> (traditional Indonesian market) website: krontjong (keroncong in
> Indonesian) is a typically Eurasian music style, with European and Asia=
n
> roots; its birth at the end of the sixteenth century probably makes it
> the first east-west-world music in history. The genre is related to the
> Argentinian tango and the mornas from the Cape Verdi Islands (made famo=
us
> by Ces=E0ria =C9vora). Toegoe, then a small village outside of the capi=
tal
> Batavia, today a district of metropolitan Jakarta called Tugu, was the
> birthplace of krontjong.

Aaah! That's what I wanted to read. New record in tracing back the roots =
of
Exotica. Late 16th century... I wonder how exactely things developed in t=
he
17th, 18th and 19th century!

Mo



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------------------------------

Date: Thu, 11 Nov 1999 13:15:30 -0500
From: [e-mail] (Mimi Mayer)
Subject: Re: (exotica) That early?

At 12:02 PM 11/11/99, Ton Rueckert wrote:

>There are two articles explaining the history of krontjong (it seems to
>have the same roots as Hawaiian music...) in more detail, in Dutch alas,
>but I'm willing to translate if there's any interest...

Please count me interested, Ton, if it won't eat up too much time. A good
summary would do. Thanks! Mimi




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------------------------------

Date: Thu, 11 Nov 1999 13:06:04 -0600
From: "Mark D. Head" <[e-mail]>
Subject: (exotica) Wait Until Dark

There is an absolutely beautiful version of the title cut on Walter
Wanderley's "Kee-Ka-Roo" release, with a female singer whose name
currently escapes me singing in absolutely gorgeous tones!  Highly
recommended!  And generally available these days...

- --

Mark D. Head
The Captain
[e-mail]
_______________________________________________
I thought a movie score was picking up a chick in the balcony!



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------------------------------

Date: Thu, 11 Nov 1999 14:19:24 EST
From: [e-mail]
Subject: Re:  (exotica) Wait Until Dark

I found one more version on Enoch Light's "Film Fame" LP....JB


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------------------------------

Date: Thu, 11 Nov 1999 13:35:10 -0500
From: [e-mail] (Mimi Mayer)
Subject: Re: Re: (exotica) Didn't RealAudio ask for it?

>> buying used books still
>>in print. I remain guilt free only when music or books I buy are not
>>otherwise available.
>
>Don't know why you should feel guilty about buying used books or CDs.  The
>artist has been paid and this is perfectly legal.

I feel guilty cuz I've seen the dismay on my husband's face when he comes
across copies of his novels in the used bookstores. Another royalty he
didn't get, and the bookseller gets all the profit. (Not that begrudge
booksellers their profits. I just know what it's like to see someome else
rakin' in  bucks over my work.) BTW, authors get no royalties on
remaindered books. So even though Jim's latest book is on sale in the
latest Daedelus catalog, he'll get no dough from it. He was pleased that
Daedelus is marketing the remainders. Particulars: Publish and Perish,
James G. Hynes.  Is the similar policy in place for music cutouts?

One other question: Writers get lower royalities on books sold through the
discounters Amazon.com, Barnes and Nobels, and some Borders selections. Is
the same true of CDs sold through music discounters like CDNow?

Thanks for wisdom.
Mimi
Now I really WILL shut up.




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------------------------------

Date: Thu, 11 Nov 1999 11:49:41 -0800
From: "Kevin C." <[e-mail]>
Subject: (exotica) Martin Denny/Don Tiki show

Is there any chance the Martin Denny/Don Tiki appearance will be
video/audio taped?

Given the multi-generational participation at this event (on Saturday at
Don Ho's) it sure seems like a once-in-a-lifetime kind of thing.  Sure
wish I could afford to fly over there to see it...

Lloyd, be sure to report back to us on how things go... :-)

Kevin Crossman
The Search for the Ultimate Mai Tai
http://www.kevdo.com/maitai/


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------------------------------

Date: Thu, 11 Nov 1999 15:09:42 -0500
From: [e-mail]
Subject: Re: Re: Re: (exotica) Didn't RealAudio ask for it?

>across copies of his novels in the used bookstores. Another royalty >he
>didn't get, and the bookseller gets all the profit. (Not that begrudge


But he already got a royalty from the copy; just not from the resale and considering how firmly established the First Sale Doctrine is, this is unlikely to change.  It seems like an equitable arrangement to me--not only in its particulars but because changing it would probably do serious damage to the state of our culture--and yes that's speaking as someone who's had work resold with no further payment to myself.


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------------------------------

Date: Thu, 11 Nov 1999 15:48:46 -0500
From: "m.ace" <[e-mail]>
Subject: Re: (exotica) Astroslut cd

>I'd like to have it to but I do only Vinyls!
>Is that possible ?

I think you'd need one of these:

http://www.voicenet.com/~ecam/home_record_maker.jpg



m.ace  [e-mail]
OOK   http://www.voicenet.com/~ecam/


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------------------------------

Date: Thu, 11 Nov 1999 17:15:26 -0500
From: "m.ace" <[e-mail]>
Subject: Re: Re: (exotica) Didn't RealAudio ask for it?

Just discovered this little item called "Final Exam":
http://www.skyhunter.com/marcs/finalexam.html

It's a series of questions involving possible complications of the web. I
think you'll find that it fits into the complicated nature of this thread.

No copying from your neighbor's paper.


m.ace  [e-mail]
OOK   http://www.voicenet.com/~ecam/


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------------------------------

Date: Thu, 11 Nov 1999 17:28:31 -0500
From: Nat Kone <[e-mail]>
Subject: Re: (exotica) That early?

At 07:16 AM 11/11/99 EST, [e-mail] wrote:

>And of all the different types of songs, tunes, etc. that Denny did,
>"Hawaiian Tattoo" is the only one that really sounds Hawaiian.

What did Hawaiian music sound like before it (presumably) mutated into the
kind of "Pineapple Joe and his Island Serenaders sing Sweet Leilani" stuff
that came to be called "Hawaiian"?
What was the Hawaiian music that mainland musicians heard that influenced
them to incorporate Hawaiian sounds into their music, eventually creating
stuff like "My little grass shack"?
Was it just the sound of the "Hawaiian guitar"?
I know it's dangerous to try and guess someone's origin from their name but
for instance, I see that the composer credits for "Grass shack" seem to be
very "Anglo" whereas there are Hawaiian-looking names on the credits for
"Hawaiian war chant" and "On the beach at Waikiki".
Was traditional Hawaiian music always concerned with beaches, grass skirts,
 grass shacks and the notion of "paradise"?  (Hard to imagine that.)
The only thing that I know which is supposed to resemble traditional
Hawaiian music is that of Gabby Pahinui.  I'm not sure what I can
extrapolate from that.
Did Hawaii have "pop musicians" of its own in the 20's and earlier?  Did
Hawaiian pop musicians help create this mutation of their own traditional
music?
And where did their traditional music come from anyway?  Did it develop in
a vacuum?

Just wondering.

Nat




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------------------------------

Date: Thu, 11 Nov 1999 17:28:34 -0500
From: Nat Kone <[e-mail]>
Subject: Re: Re: (exotica) Didn't RealAudio ask for it?

At 11:15 AM 11/11/99 -0500, [e-mail] wrote:

>Don't know why you should feel guilty about buying used books or CDs.  The
artist has been paid and this is perfectly legal.

Often the used copies were sold by reviewers who obviously didn't pay for
it in the first place.  That doesn't mean I feel guilty buying the used
copy - which I always do if I can find it - but I also don't particularly
feel like I'm supporting the artist.

I've had it happen half a dozen times that I run into some guy whose record
I own and I'm about to tell him "Hey I bought your record" and then I catch
myself, remembering that my purchase didn't exactly contribute to his sales
figures.

Then again, I tell myself that my purchase of the used copy might have
forced some other less lucky consumer to go buy it "new".

But while we're on the subject, it does seem to me that there's a good
analogy between downloading stuff online for free and shopping at used
record and book stores.

It's very very seldom that I go looking for a record (or book) because I
saw an ad for it or heard it on the radio.  (Or because all my friends have
it.)  When I do set foot in a "new" store, it's almost always because I
took a chance on something at a used store, loved it and now I'm looking
for more stuff by the same artist/author.

Some people don't respond well to traditional forms of advertising and
inducement.  They have to experience it for themselves.  (Unfortunately
they're the minority.)

The local HMV store here has an open return policy on CD's.  You can return
anything after you've heard it for a full refund.  Or maybe it's just a
full "exchange".  Either way, even with the advent of CD burning etc, they
get less than two per cent returns.

Of course a true capitalist would be sweating about that one percent.

Nat



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------------------------------

Date: Thu, 11 Nov 1999 17:28:38 -0500
From: Nat Kone <[e-mail]>
Subject: (exotica) stereo vs mono

I just got a stereo copy of "Music from a Surplus Store" to replace my mono
copy.  (Yeah it's no "Zounds" but it's still worth owning...)
Anyway, it reminded me of something I've always wondered.  If stereo
records were playable on mono systems, why did they bother making mono
versions?  Especially on records like this one or Dick Schory stuff or
another one of my faves, "The New Sound America Loves Best" by Sid Ramin
with John Klein?
Records with lots of percussive effects where stereo separation would
obviously have an important role.
On a few occasions, with Dick Schory or others, when I finally heard the
stereo version, I felt like I'd never really heard the record before.
And I'm not a total stereo fan.  I don't think everything has to be stereo
(let alone any of those systems with the "phantom third speaker") but it
seems to me that this kind of stuff - "a basket full of new sounds" - was
made to be heard in stereo?

So what gives?

And are there any lounge/percussion/exotica fans here who actually prefer
the mono versions?

Nat



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------------------------------

Date: Thu, 11 Nov 1999 17:46:22 EST
From: [e-mail]
Subject: Re: (exotica) Didn't RealAudio ask for it?

In a message dated 11/11/99 3:10:14 PM Eastern Standard Time,
[e-mail] writes:

<< >across copies of his novels in the used bookstores. Another royalty >he
 >didn't get, and the bookseller gets all the profit. (Not that begrudge


 But he already got a royalty from the copy; just not from the resale and
considering how firmly established the First Sale Doctrine is, this is
unlikely to change.  It seems like an equitable arrangement to me--not only
in its particulars but because changing it would probably do serious damage
to the state of our culture--and yes that's speaking as someone who's had
work resold with no further payment to myself. >>

To add a final thought as to why the first sale Doctrine should never be
changed:
Would you like to have to pay the owner and the Ford Corp. for a used car.
Or the owner and whoever for a used dryer?  How about the tiki mug you bought
at a yard sale?  And who would set the price that the original manufacturer
would be paid for the resold item?


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------------------------------

Date: Thu, 11 Nov 1999 17:48:19 EST
From: [e-mail]
Subject: Re: (exotica) Astroslut cd

In a message dated 11/11/99 3:47:39 PM Eastern Standard Time,
[e-mail] writes:

<< I think you'd need one of these:

 http://www.voicenet.com/~ecam/home_record_maker.jpg >>

Not long ago I saw one of these at a junk shop, but, alas it no longer
worked.  Otherwise I'd be cutting my debut LP right now!


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------------------------------

Date: Thu, 11 Nov 1999 22:50:13 +0000
From: Hugh Petfield <[e-mail]>
Subject: Re: (exotica) stereo vs mono

Nat wrote:

>Anyway, it reminded me of something I've always wondered.  If stereo
>records were playable on mono systems, why did they bother making mono
>versions?

Stereo records were/are playable on mono systems but only if the cartridge
is equipped with a suitable stylus.  Ordinary mono styli damage stereo
records.

Hugh.



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------------------------------

Date: Thu, 11 Nov 1999 23:58:51 +0100
From: "Kristjan Saag" <[e-mail]>
Subject: (exotica) Re: That early?

[e-mail] wrote (Nov 11):
=20
=20
>And there was a comment that it was hard to record symphonic =
>performances.  I disagree.  A single microphone pick up could be placed =
at >a strategic acoustical point in the concert hall and very easily =
record the >mono version. (BTW, they would often have a few mikes and =
then take the >one they like the best)

>tb
- ----
We were talking about the days before microphones. All music on record =
before 1925 was recorded acoustically, by use of horns. It proved very =
difficult to register all  instruments of a symphony orchestra, =
especially strings, which were often substituted for brass and woodwind. =
That's why Caruso, for instance, never recorded with full orchestra. =
After his death (and when electric recording began) some of his =
recordings were remixed: orchestral accompaniment was added to the =
original recordings.
Kristjan



# Need=20



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------------------------------

Date: Thu, 11 Nov 1999 18:16:40 EST
From: [e-mail]
Subject: Re: (exotica) That early?

In a message dated 11/11/99 5:24:27 PM Eastern Standard Time,
[e-mail] writes:

<< And where did their traditional music come from anyway?  Did it develop in
 a vacuum? >>


Deep man, deep!

TB


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Date: Thu, 11 Nov 1999 18:19:55 EST
From: [e-mail]
Subject: Re: (exotica) stereo vs mono

In a message dated 11/11/99 5:48:52 PM Eastern Standard Time,
[e-mail] writes:

<< Stereo records were/are playable on mono systems but only if the cartridge
 is equipped with a suitable stylus.  Ordinary mono styli damage stereo
 records. >>


true mono has the needle riding up and down on the bumps.  a stereo stylus
"vibrates" back and forth from bumps in the side of the groove.

OK, that was too simplistic so get ready for the tech-no-geek versions.

TB


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------------------------------

Date: Thu, 11 Nov 1999 18:21:36 EST
From: [e-mail]
Subject: Re: (exotica) Zounds! It's stereo vs mono !

In a message dated 11/11/99 5:24:34 PM Eastern Standard Time,
[e-mail] writes:

<< I just got a stereo copy of "Music from a Surplus Store" to replace my mono
 copy.  (Yeah it's no "Zounds" but it's still worth owning...) >>

if you have ever listened to Zounds! with headphones (or widely spearated
speakers) you wonder why they even released a mono version.  no, really.

tb


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Date: Thu, 11 Nov 1999 18:22:21 EST
From: [e-mail]
Subject: Re: (exotica) stereo vs mono

In a message dated 11/11/99 5:24:34 PM Eastern Standard Time,
[e-mail] writes:

<< On a few occasions, with Dick Schory or others, when I finally heard the
 stereo version, I felt like I'd never really heard the record before. >>


thus my Zounds comment.

tb


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Date: Thu, 11 Nov 1999 18:25:48 EST
From: [e-mail]
Subject: Re: (exotica) stereo vs mono

In a message dated 11/11/99 5:24:34 PM Eastern Standard Time,
[e-mail] writes:

 << And are there any lounge/percussion/exotica fans here who actually prefer
  the mono versions?
   >>

 and let's add this to the debate:  which version do of Denny's Quiet Village
do you like better, the original mono version or the updated stereo version
they re-recorded in 1959?

 i could argue both sides.

 TB


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Date: Thu, 11 Nov 1999 18:27:37 EST
From: [e-mail]
Subject: Re: (exotica) Re: That early?

In a message dated 11/11/99 6:00:47 PM Eastern Standard Time,
[e-mail] writes:

<< We were talking about the days before microphones. All music on record
before 1925 was recorded acoustically, by use of horns.  >>

alright, i'm out!

tb


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Date: Thu, 11 Nov 1999 18:30:14 EST
From: [e-mail]
Subject: Re: (exotica) Martin Denny/Don Tiki show

In a message dated 11/11/99 2:48:06 PM Eastern Standard Time, [e-mail]
writes:

<< Given the multi-generational participation at this event (on Saturday at
 Don Ho's) it sure seems like a once-in-a-lifetime kind of thing.  Sure
 wish I could afford to fly over there to see it... >>

All RIGHT AGAIN!!!!!  All this talk about this show (and Tiki Bob's obvious
absence!)  is really PISSING ME OFF ! ! ! ! !

TB !!!!!


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------------------------------

Date: Thu, 11 Nov 1999 15:52:33 -0800
From: The Millionaire <[e-mail]>
Subject: re:(exotica)that early?

Moritz wrote:

> and starts with a wild rum intro that could make Perez Prado turn green.

A "rum intro"?man...that's my kinda record! ;^)

The Millionaire


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------------------------------

Date: Thu, 11 Nov 1999 15:57:39 -0800
From: The Millionaire <[e-mail]>
Subject: (exotica) Luxuria.com

If there are any Los Angeles-based listers (with great record collections!)
who would be interested in being an an online dj at Luxuria, email me
offline and I'll give you more details.


gotta catch 'em all!

The Millionaire
[e-mail]
www.luxuriamusic.com



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Date: Thu, 11 Nov 1999 21:12:11 EST
From: [e-mail]
Subject: Re: (exotica) Tabu movie showing at Stanford

In a message dated 11/11/99 8:42:33 AM Pacific Standard Time, [e-mail]
writes:

<< This in no way makes up for missing Martin Denny and Don Tiki playing
 this Saturday at Don Ho's  >>

AAAAAAARRRRRRRRRRRRGGGGGGGGGGHHHHHHHHHHHHHH ! ! ! ! ! ! !

TB


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Date: Thu, 11 Nov 1999 23:16:15 -0800
From: Paul Moshay <[e-mail]>
Subject: Re: (exotica) Didn't RealAudio ask for it?

on 11/11/99 2:28 PM the incisive Nat Kone scribbled;

> The local HMV store here has an open return policy on CD's.  You can return
> anything after you've heard it for a full refund.  Or maybe it's just a

They *may* simply be re-shrinkwrapping cd's in the back room, if the cd's
were not returned as defective and appear "clean".  Not necessarily a
problem.  Tower used to do this alot.

Paul Moshay



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Date: Fri, 12 Nov 1999 02:21:13 EST
From: [e-mail]
Subject: (exotica) LA area DJs wanted

Wonder What Combustible Edison is up to?

Well they've broken up but the Millioniare has a new venture and you can be
part of it!


If there are any Los Angeles-based listers (with great record collections!)

who would be interested in being an an online dj at Luxuria, email me

offline and I'll give you more details.



gotta catch 'em all!


The Millionaire

[e-mail]

www.luxuriamusic.com

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Date: Fri, 12 Nov 1999 10:41:48 +0100
From: Ton Rueckert <[e-mail]>
Subject: Re: (exotica) That early?


>Aaah! That's what I wanted to read. New record in tracing back the roots of
>Exotica. Late 16th century... I wonder how exactely things developed in the
>17th, 18th and 19th century!

You also might wonder if you can trace back the roots of Exotica even further,
for instance, what could Marco Polo have brought back from his travels, and
the crusaders from theirs, how about the mass migration in the 4th century,
and the heritage of (Roman) Empire? And is there anything left, maybe, from
prehistoric time, when Europe itself was a (sub-)tropical paradise, then
chased away by the ice ages, leaving us stuck in the ice and the rubble and
seemingly searching for its lost soul ever since?

Cheers, Ton



 *** *** *** *** *** *** *** *** *** *** *** *** *** *** *** *** *** ***
 *** Ton Rueckert   Mozartstraat 12  5914 RB Venlo   The Netherlands ***
 *** [e-mail]   http://www.plex.nl/~mojoto   Ph 31/0 773545386 ***
 *** *** *** *** *** *** *** *** *** *** *** *** *** *** *** *** *** ***
 ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~
 ~~~ ~~~     Beware! Your bones are going to be disconnected.    ~~~ ~~~
 ~~~  http://www.geocities.com/BourbonStreet/4264/music/Xbe3975.ram  ~~~
 ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~


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------------------------------

Date: Fri, 12 Nov 1999 11:10:14 +0100
From: Mo <[e-mail]>
Subject: Re: (exotica)that early?

The Millionaire wrote:

> Moritz wrote:
>
> > and starts with a wild rum intro that could make Perez Prado turn green.
>
> A "rum intro"?man...that's my kinda record! ;^)
>

when rural rum ran rumbustious
and rumba rumbled resulting roaring rumpus,
de decent  dumb "d" disengaged disgraceful de drum,
sanctioning sudden scandalous silence scorching surprised scene
regret? rien! remediable rebound, remedy: remnant rum!

Mo



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Date: Fri, 12 Nov 1999 11:24:02 +0100
From: Marco \"Kallie\" Kalnenek <[e-mail]>
Subject: Re: (exotica)rum! (was: that early?)

Mo wrote:

> when rural rum ran rumbustious
> and rumba rumbled resulting roaring rumpus,
> de decent  dumb "d" disengaged disgraceful de drum,
> sanctioning sudden scandalous silence scorching surprised scene
> regret? rien! remediable rebound, remedy: remnant rum!

That's it, Mo. Quit painting and write, baby, write!

Marco

- --
 Marco "Kallie" Kalnenek
+------------------------------------------+
 Record Collector's Heaven
 http://weirdomusic.freeservers.com/
+------------------------------------------+




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Date: Fri, 12 Nov 1999 07:22:43 EST
From: [e-mail]
Subject: Re: (exotica) Didn't RealAudio ask for it?

In a message dated 11/11/99 11:17:30 PM Pacific Standard Time,
[e-mail] writes:

<< > The local HMV store here has an open return policy on CD's.  You can
return
 > anything after you've heard it for a full refund.  Or maybe it's just a

 They *may* simply be re-shrinkwrapping cd's in the back room, if the cd's
 were not returned as defective and appear "clean".  Not necessarily a
 problem.  Tower used to do this alot.

 Paul Moshay
  >>

A great local/regional music store in the Carolinas has a policy where you
can listen to the CD before buying it and return it in a week or so if you do
not like it.

They open the CD jewel boxes by letting the top "hinge" on the little tape
"seal" and instruct you not to break the seal.  They re-shrink wrap if you do
not buy the CD.

They have about 15 to 20 listening stations and you can go and listen to the
CD.

So half the list should like this and the other half will see it as some
infringement on the CD companies ability to pay the cleaning lady a fair wage.

Tiki Bob


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------------------------------

Date: Fri, 12 Nov 1999 07:27:05 EST
From: [e-mail]
Subject: Re: (exotica) That early?

In a message dated 11/12/99 1:42:28 AM Pacific Standard Time, [e-mail]
writes:

<< You also might wonder if you can trace back the roots of Exotica even
further,
 for instance, what could Marco Polo have brought back from his travels, >>


OK, this has gone far enough!

Exotica started in prehistoric times when so early human beat a stick on a
log and "liked the rhythm"

Tiki Bob


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Date: Fri, 12 Nov 1999 07:29:21 EST
From: [e-mail]
Subject: Re: (exotica)that early?

In a message dated 11/12/99 2:10:43 AM Pacific Standard Time,
[e-mail] writes:

<< and starts with a wild rum >>

seriously, what was meant by the term "and starts with a wild RUM"?  was that
just short for RUMba?

TB


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------------------------------

Date: Fri, 12 Nov 1999 13:45:02 +0100
From: Mo <[e-mail]>
Subject: Re: (exotica) Astroslut cd

What's an "astroslut"?

Mo



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------------------------------

Date: Fri, 12 Nov 1999 07:47:05 EST
From: [e-mail]
Subject: Re: (exotica) Didn't RealAudio ask for it?

In a message dated 11/12/99 7:23:33 AM Eastern Standard Time,
[e-mail] writes:

<< They open the CD jewel boxes by letting the top "hinge" on the little tape
 "seal" and instruct you not to break the seal.  They re-shrink wrap if you
do
 not buy the CD. >>

CDs have been previously listened to more than people would imagine.  At a
local shop where several people I know work the employees take home what they
want, open them in the manner Bob mentions, record them or whatever, take
them back and reshrink and sell them as new.  And no one is the wiser.

And this is fine with me.  As long as the booklet has not been removed and
handled a used cd is pretty much the same as a new one.

However, doing this with an album should be sufficient cause for receiving
the death penalty.


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Date: Fri, 12 Nov 1999 09:13:24 -0500
From: "Nathan Miner" <[e-mail]>
Subject: Re: (exotica) Luxuria.com

Wow!  I love this audio l link!

Now tell me - this can't be a continuous feed of entirely different music! =
 How long is the actual program before it repeats???

Just curious.

Makes the living hell known as office cubicle paper-pushing just a *tad* =
more bearable!

- - Nate






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------------------------------

Date: Fri, 12 Nov 1999 14:42:23 +0000
From: <Charles_Moseley/LON/Europe/[e-mail]>
Subject: Re: (exotica) Luxuria.com

Why only LA-based DJs?


Charlie

[e-mail]

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------------------------------

Date: Fri, 12 Nov 1999 09:52:14 -0500
From: [e-mail]
Subject: Re: Re: (exotica) Didn't RealAudio ask for it?

>They *may* simply be re-shrinkwrapping cd's in the back room, if the >cd's
>were not returned as defective and appear "clean".

Of course it's nearly always obvious when that's been done.


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------------------------------

Date: Fri, 12 Nov 1999 09:55:36 -0400
From: lenkei <[e-mail]>
Subject: (exotica) Re: Mancini

I recently saw that Blake Edwards movie "A Shot In The Dark". The funniest
part has to be the scene in the nudist colony, where among other things, an
entire band is in the nude while playing Henry Mancini's theme song to the
movie. Minus Mr. Mancini, as far as I could tell. It was Hilarious. Perhaps
this is where the Red Hot Chili Peppers and Matthew McConaughey got their
recent ideas from.

- - bruce

++++++++++++++++++++

www.lenkeidesign.com

++++++++++++++++++++




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Date: Fri, 12 Nov 1999 09:13:10 -0600
From: [e-mail]
Subject: Re: (exotica) Luxuria.com

>Why only LA-based DJs?


YEAH!   ...?

visit...

  +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
            King Kini's  C L U B  V E L V E T
              http://www.tamboo.com
  +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++



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------------------------------

Date: Fri, 12 Nov 1999 09:05:22 -0500
From: "Rajnai, Charles, NNAD" <[e-mail]>
Subject: RE: (exotica) LA area DJs wanted

>=20
>=20
> Wonder What Combustible Edison is up to?
>=20
> Well they've broken up=20

AAAAAAAAAAAAARRRRRRRRRRRRRRRRRGGGGGGGGGGGGGGGGHHHHHHHHHHHHHHHH!!!!

I am writhing in pain on the floor like Sinatra in "The man With the =
Golden
Arm"=20

visit=20
THE BRIMSTONES Eternal Surf and Garage Damnation=20
at http://www.brimstones.com
=A4=BA=B0`=B0=BA=A4=F8,=B8=B8,=F8=A4=BA=B0`=B0=BA=A4=BA=B0`=B0=BA=A4=F8,=
=B8=B8,=F8=A4=BA=B0`=B0=BA=A4=BA=B0`=B0=BA=A4=F8,=B8=B8,=F8=A4
surfing the chaos,
Charlieman
[e-mail]


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End of exotica-digest V2 #541
*****************************