Here's a list of the far-rest out electronic work I can think of...
Jack Diamond I am sure can supplement this, as well as some other folks?
Jean-Jacques Perrey - anything by this grandfather of applied Moog and Musique
Concrete is worthwhile, I call it the "bonky-bonk" sound
Gershon Kingsley - not as interesting alone as with Perrey
Emil Richards - only one electronic record I can think of, "Stones: The New
Sound Element" It is a mindbender, a must have. All in odd time
signatures, very beautiful and frenetic, I've seen it as a 2-fer CD
Mort Garson - The Zodiac Series is great Moog, "Black Mass Lucifer" is one of
the more intresting Moog works, like Emil Richards, utilizes the
electronic instruments for something more than covers of pop songs
with silly sound effects
Dick Hyman - both "Electronic Eclectics" and "Age of Electronicus" are very
musical, groovy too
Dick can PLAY, which helps...
Richard Hayman - "Genuine Electric Latin Love Machine" is cool, I think he has
others? Anyone know?
Walter Sear - Copper Plater Integrated Circuit, it's o.k. only IMHO
Dick Hyamn - forgot this one - "Moongas" only heard it once at a friend's h
house, non-moog electronic coolness
Gil Melle - "Tome IV" totally cool, the Jazzzz Song with electronics cuttin'
it up... He's a genius, also did "Andromeda Strain."
Moog Orchestra - "Close Encounters of the Third Kind" really weird, neato sounds
i am leaving out most of the really insipid Moog covers of pop songs albums
which I think are interesting, but unfortunately, don't explore the abilities
of the instruments the way some of these other guys do...
Also of interest:
anything using the EMS Synthi A/KS or VCS3 synthesizers...
Anything by Pierre Schaeffer, the inventor of "Musique Concrete" (good luck
finding it..., a CD retrospective is out for big $$$)
Karlheinz Stockhausen's electronic work, especially "Gesang der Junglinge" which is an amazing Musique Concrete work..., and "Stockhausen / Beethoven" also
weird...
Goldang, there are so many others and I write to you from work where I can't
see my records... These one's I've listed though, are to me the most
intersting (and therefore easily remembered). Stay away from that Walter/Wendy
guy/chick, he/she's common and unoriginal.
Clark
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> Here's a list of the far-rest out electronic work I can think of...
> Jack Diamond I am sure can supplement this, as well as some other folks?
>
> Jean-Jacques Perrey - anything by this grandfather of applied Moog and Musique
> Concrete is worthwhile, I call it the "bonky-bonk" sound
> Gershon Kingsley - not as interesting alone as with Perrey
> Emil Richards - only one electronic record I can think of, "Stones: The New
> Sound Element" It is a mindbender, a must have. All in odd time
> signatures, very beautiful and frenetic, I've seen it as a 2-fer CD
> Mort Garson - The Zodiac Series is great Moog, "Black Mass Lucifer" is one of
> the more intresting Moog works, like Emil Richards, utilizes the
> electronic instruments for something more than covers of pop songs
> with silly sound effects
> Dick Hyman - both "Electronic Eclectics" and "Age of Electronicus" are very
> musical, groovy too
> Dick can PLAY, which helps...
> Richard Hayman - "Genuine Electric Latin Love Machine" is cool, I think he has
> others? Anyone know?
> Walter Sear - Copper Plater Integrated Circuit, it's o.k. only IMHO
> Dick Hyamn - forgot this one - "Moongas" only heard it once at a friend's h
> house, non-moog electronic coolness
> Gil Melle - "Tome IV" totally cool, the Jazzzz Song with electronics cuttin'
> it up... He's a genius, also did "Andromeda Strain."
>
> Moog Orchestra - "Close Encounters of the Third Kind" really weird, neato sounds
Yes, I've had all of these at one time or other and used to play
a lot of it on my radio show in the 70's. In a way, electronic music
is what got me into radio. Some friends of mine were brokering time
on a local station (Chicago) and playing your basic rock of the
period like Hendrix, Jeff. Airplane, Country Joe, Janis, Chicago,
Blodwyn Pig, Jethro Tull. They new I was into making musique concrete
tapes and had a pretty good knowledge of the electronic and a/g music
of the time like Stockhausen, Xennakis, Schaeffer, Henry, Subotnick,
Walter Carlos, Steve Reich, Terry Riley, Sal Martirano......they had
me come up to the station with some of my records to use for musical
beds for announcing over. Well, eventually I got into programming the
show and playing this music as selections in addition to backgrounds.
I was mixing this up with the rock of the day, avant jazz like Sun Ra,
Albert Ayler, Burton Greene, Gunter Hampel, almost everything that
ws out on the ESP label. That label got a lot of play on the show,
along with stuff on Impulse (Coltrane, Shepp, Sanders....), Limelight
(lots of good electronics and 50ft Hose), DGG avant series with
Stockhausen, Ferrari, Xennakis...Some listeners turned me on to
Faust, I already had been playing German music like Amon Duul 1 & 2,
Birth Control, Can. Eventually the Brain and Ohr labels started getting
played a lot. I actively sought this stuff out and made contact with
some of the bands who I corresponded with. I established contact a
German record dealer who would trade me German stuff for lame American
stuff and he put me in touch with a writer from Germany's Sounds magazine
who traded records with me regularly. Well, I think you get the idea.
That's enough babbling for now.
>
> Also of interest:
> anything using the EMS Synthi A/KS or VCS3 synthesizers...
> Anything by Pierre Schaeffer, the inventor of "Musique Concrete" (good luck
> finding it..., a CD retrospective is out for big $$$)
One of my prized pieces of vinyl is "Panorama of Musique Concrete"
works by Henry, Schaeffer and Arthuys London DTL93090 (British Pressing)
which I got around 1972. an interesting story about this record. A
grade shcool teacher who was also a listener to the show asked me to
come to her school and give her students and illustrated talk about
electronic music. This was one of the records I took along. I didn't
have a car at the time so she gave me a ride out to the shcool and
back. On the way home I slipped the records under the seat. When I
got home I didn't notice that that record was missing, still in her
car. By the time I noticed it was missing a few weeks later it was
summer vacation time and the teacher had left for a long vacation.
When I tried calling a couple of months later her phone was disconnected.
Now here's the funny part, ablut 10 or 12 years later I'm at Chicago's
famous public market, Maxwell Street. I'm browsing through a box of
vinyl and the very same record is in the box. Boy, was I surprised
to be reunited with a long lost friend. The exact same record, I
recognized the tape on the back cover that I had applied years before.
The freakiest part is that this is not the only thing that has come
back to me on Maxwell Street after leaving my possession for many years.
Sort of like the cat came back but not the very next day:-)
> Karlheinz Stockhausen's electronic work, especially "Gesang der Junglinge" which is an amazing Musique Concrete work..., and "Stockhausen / Beethoven" also
> weird...
>
as I mentioned above this stuff used to get played on my show.