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From: Johan Dada Vis <Quiet@village.uunet.be>
Subject: (exotica) For trade: Lydia Kavina: Music From The Ether
Date: 31 Jul 1999 19:33:59 +0200
if anyone wants to trade something for this CD, send an offer to
Quiet@village.uunet.be
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From: Johan Dada Vis <Quiet@village.uunet.be>
Subject: (exotica) confusing twofers
Date: 31 Jul 1999 19:33:23 +0200
the titles of the 2 Mandingo twofers Jill mentioned confuse me:
Mandingo/ Sacrifice - EMI 5209652
Story of Survival/ Savage Rite - 5209662
(i copied these from German Music Express and Cheap Or What.)
i have - and enjoy tremendously - these LP albums:
The Primeval Rhythm Of Life
Sacrifice
Savage Rite
and I know that at least a fourth exists, called I think "Mandingo III"
i hadn't heard of an LP called "Story of Survival" yet, and what is that LP
called "Mandingo" on the first twofer? is it "Mandingo III"?
Jill?
anyhow, i can recommend these very hard! they're all killers. Fake
Africana-like stuff, created by studio musicians, mixing African rhythms
and percussion, 70's funk-rock with screamin' electric guitars, and cool
electronics. Wild! a recent Groove Attack update called it very aptly:
"voodoo funk"!
Johan
quiet@village.uunet.be
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From: Jill Mingo <mingo@easynet.co.uk>
Subject: Re: (exotica) confusing twofers
Date: 01 Aug 1999 18:49:16 +0100 (BST)
>Mandingo/ Sacrifice - EMI 5209652
>Story of Survival/ Savage Rite - 5209662
>i have - and enjoy tremendously - these LP albums:
>
>The Primeval Rhythm Of Life
>Sacrifice
>Savage Rite
The Primeval Rhythm of Life IS MANDINGO - that is the subtitle of the LP
apparently.
>
>and I know that at least a fourth exists, called I think "Mandingo III"
This one I don't know about. I only know about the reissued LPs.
>anyhow, i can recommend these very hard! they're all killers. Fake
>Africana-like stuff, created by studio musicians, mixing African rhythms
>and percussion, 70's funk-rock with screamin' electric guitars, and cool
>electronics. Wild! a recent Groove Attack update called it very aptly:
>"voodoo funk"!
Exactly. These LPs are simply wonderful. I can't get enough of them. I know
they've been in the collector market for a while,but these cheap twofers
really make them super essential buying. Especially for people on this list!
Jill "Mingo-go"
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From: "Ron Grandia" <rgrandia@xtabay.com>
Subject: (exotica) Macamp/spongebob
Date: 02 Aug 1999 10:06:40 -0700
Funs stuff for exoticats!
First off, Mac owners rejoice! Macamp, the shareware MP3 player now receives
live streams. I get a lot of questions from mac owners about MP3 players and
streaming... looks as if our prayers have finally been answered. Word of
caution though: This is an ALPHA release, and probably buggy - if it has
problems, it should not screw-up the rest of your system, since it does not
install any extensions. Please let me know if it works as I have not had
time to check it out.
Also, those of you emailing about the current Feelthymonkey program, It's
back up after sever hours of go-round with my ISP. Aaaargh!
Lastly, "Sponge Bob Square Pants," The newest Nicktoon is worth a peek.
Aside from being quite clever and funny, it's full of tiki imagery, babmboo
furniture and Hawaiian uke n' steel guitar. Wooohooo!
Ron
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-------------------------------------------------------------------------------
From: "Irwin Chusid/Raymond Scott Archives" <ghostown@ix.netcom.com>
Subject: (exotica) Raymond Scott NEWS 8/99
Date: 31 Jul 1999 17:00:26 -0400
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
RAYMOND SCOTT NEWS UPDATE
-- 1999 AUGUST --
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
CARTOON MEDLEY CD
This new release from Rhino features 38 instantly recognizable themes
from the Cartoon Network. The album opens with a newly recorded "short
version" of Raymond Scott's "POWERHOUSE," and closes with a new "long
version" of the same tune.
Hear a clip via RealAudio on the Raymond Scott NEWS page:
http://RaymondScott.com
* * * * * * *
RECKLESS NIGHTS AND TURKISH TWILIGHTS
-- remastered edition set for US release September 99 --
Sony Legacy is set to release the remastered edition of the landmark
1992 Raymond Scott CD, RECKLESS NIGHTS AND TURKISH TWILIGHTS. The US
version has a street date of September 21.
This 22-track CD features the original 78 rpm tracks by the Raymond
Scott Quintette, including the major RSQ titles (esp. those used in WB
cartoons) such as "Powerhouse," "The Toy Trumpet," "The Penguin," "In
an 18th Century Drawing Room," "Twilight in Turkey," etc. The
compilation was produced by Irwin Chusid, with Hal Willner as
Executive Producer.
On the new version, all tracks were 24-bit remastered at Sony Studios,
NYC (i.e., the latest technology was used to extract better sound from
the original 1937-40 metal master discs). Two tracks ("Oil Gusher" and
"At An Arabian House Party") have been replaced by different, newly
discovered -- and better -- performances. The liner notes have been
corrected, updated, and expanded, and the inside booklet has been
redesigned and given a new typeface for easier legibility.
This album was released outside the US on Basta in late 1998. Liner
notes for the Sony Legacy release have been further revised since the
Basta edition.
* * * * * * *
TOM PETTY & THE HEARTBREAKERS
TP & the Heartbreakers rented the only existing Raymond Scott CLAVIVOX
to use on sessions for the band's most recent album, ECHO.
The Clavivox was designed by Scott in the 1950s. Originally intended
to be a keyboard theremin, it evolved into a multi-featured electronic
sound generator -- i.e., a synthesizer. The lone surviving Clavivox
(Scott built at least three) is owned by the Audities Foundation
(http://Audities.org), of Los Angeles.
It is not known which tracks on ECHO feature the Clavivox. David Kean,
proprietor of Audities, will provide more details to us when Petty's
keyboardist returns from touring.
* * * * * * *
RAYMOND SCOTT CHESTERFIELD ARRANGEMENTS
performed by the Metropole Orchestra
featuring the Beau Hunks Saxtette
to be released on Basta Records, October 1999
On a 1997 US research expedition, Beau Hunks leader Gert-Jan Blom
discovered a collection of large-scale orchestral arrangements for 17
Scott Quintet titles. These had been commissioned by noted bandleader
Paul Whiteman for his late 1930s Chesterfield radio program. The
catalog included two very different treatments of "Powerhouse," along
with familiar RS tunes like "War Dance for Wooden Indians" and "The
Toy Trumpet." Blom also found scores for an unknown and never-recorded
tune called "Suicide Cliff," and charts for the rarely heard "Tia
Juana" and "Mexican Jumping Bean." These works were performed on the
Chesterfield series from late 1937 to late 1938, but Whiteman recorded
just a few of them.
Blom has now recorded these works with the Metropole Orchestra, one of
the finest large jazz ensembles in Europe. (The Metropole has worked
with Brian Eno, among others). The Chesterfield arrangements called
for a virtuoso saxophone sextet, so Blom added the sax sections from
the Beau Hunks Orchestra. Unlike the Beau Hunks Sextette replications
of the original RSQ versions, the Chesterfield versions are radically
re-arranged. They are CARL STALLING-like in some ways
Will Friedwald writes in the liner notes: "Even Raymond would have had
to admit that the Whiteman Orchestra was, in some instances, better
equipped to carry out his artistic vision than his Quintette. Where
the six-piece group can simulate only a handful of "wooden Indians,"
the full band gives you the entire tribe. The Whitemanites expand
"Dinner Music for a Pack of Hungry Cannibals," "Twilight In Turkey,"
and "Egyptian Barn Dance" to Cecil B. DeMille-like proportions. What's
remarkable is that all this unique music was written, performed once
or twice on the air and then forgotten, all within a one-year period."
* * * * * * *
RAYMOND SCOTT ORCHESTRETTE
The seven-man RAYMOND SCOTT ORCHESTRETTE (RSO) played an acclaimed
show at Central Park SummerStage opening for They Might Be Giants in
June. The band, which performed modernistic arrangements of eight RS
tunes, made its debut at the Jewish Museum in February 1999.
The RSO consists of Wayne Barker (piano, arrangements); Brian Dewan
(electric zither, piano, accordion, electronics); Michael Hashim
(saxes); Will Holshouser (accordion, arrangements); George Rush
(bass); Rob Thomas (violin); and Clem Waldmann (drums). These
musicians (and dozens of others) first performed Raymond's music at
the Bottom Line tribute shows in 1996 and '97.
The RSO hopes to record an album demo later this summer and seek a
record deal. Performance dates in NYC and a possible tour are being
explored.
For booking info, contact Irwin Chusid <ghostown@ix.netcom.com>
* * * * * * *
SOOTHING SOUNDS FOR BABY
Scott's groundbreaking 1964 three-volume set of electronic lullabies
for infants (now considered a forerunner of modern electronica) is
still in stock. The price is $30 total for 3 individually packaged CDs
(plus $3.00 for US shipping). For ordering by mail (check & MO only),
contact: <ghostown@ix.netcom.com>.
To purchase via credit card, we suggest CDNow.com or Amazon.com.
If you would like obtain the limited vinyl edition of SSFB, contact
Forced Exposure: http://www.ForcedExposure.com
* * * * * * *
MANHATTAN RESEARCH, INC.
2-CD set of Raymond Scott unreleased electronica
In late 1999, Basta will unveil MANHATTAN RESEARCH, INC: A DIVISION OF
RAYMOND SCOTT ENTERPRISES, a 2-CD edition of Raymond Scott's
unreleased electronic recordings. This collection, produced by Beau
Hunks leader Gert-Jan Blom, will feature first-time releases of
archival Scott recordings from the 1950s-1970s.
These works feature such RS inventions as the Electronium,
Clavivox, Circle Machine (early sequencer), Rhythm Modulator, Bassline
Generator and more. The album will include collaborative works with
Jim Henson, and a 96-page booklet featuring interviews with people who
knew and worked with Scott (e.g., Mitzi Scott, Robert Moog, Tom Rhea,
Motown's Guy Costa), along with countless previously unseen photos,
documents, and RS scrapbook items.
* * * * * * *
This mailing list has been compiled from those who have inquired about
RAYMOND SCOTT over the past few years. Occasional news about RS will
be issued, but this list will not be given to *anyone* for *any*
reason. Let us know if you do not want to be included in our
infrequent mailings.
Best regards,
Irwin Chusid
Director, Raymond Scott Archives
<ghostown@ix.netcom.com>
_____________________________________
Visit the Raymond Scott website
http://RaymondScott.com
created and maintained by Jeff Winner
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-------------------------------------------------------------------------------
From: Rcbrooksod@aol.com
Subject: (exotica) A Rhino Hand Job
Date: 31 Jul 1999 22:25:13 EDT
so what do you think about this guys???
there are an assload of tracks!!!!
tiki bob
Subj: Rhino Handmade Early Warning
Sender: MrHand@list.pageplanet.com
Reply-to: MrHand@list.pageplanet.com (Rhino Handmade)
Greetings Earthling!
This Monday, 2 August 1999, at 6:00PM Pacific Daylight Time [0100 UTC
3 August 1999], we will begin taking orders for Rhino Handmade's Grand
Opening release:
WILD MAN FISCHER "The Fischer King".
It is a fully-packed 2-CD set which includes a 20-Page Booklet and a
9.5 x 14.25 inch [24 x 36 cm] mini-poster.
"The Fischer King" compiles the masters from all three
long-out-of-print Rhino albums and both long-out-of-print Rhino
singles along with about 40-minutes of previously unreleased Rhino-era
material and rarities.
Three complete albums (each never before on compact disc anywhere)
plus about an album's worth of previously unissued tracks and rarities
(most never before on any CD), from Larry's first Rhino 45RPM 7-inch
single in 1975 to his final recording sessions with Barnes & Barnes in
1989, in a spiffily-packaged butterfly-cased 2-CD set.
"The Fischer King" is available in an individually-numbered limited
edition of 1,000 (one thousand) copies.
Available only from Rhino Handmade.
Available only on The Internet at:
http://www.rhinohandmade.com
You will find the complete track listing for WILD MAN FISCHER "The
Fischer King" at the bottom of this e-mail.
Our second Rhino Handmade release, SWEETWATER "Cycles: The Reprise
Collection", a compilation of their Reprise album tracks hand-selected
by the band as well as several previously unreleased tracks will be
orderable on Monday 16 August 1999. I'll tell you all about it in my
next e-mail.
It's One Small Step For A Compact Disc.
One Giant Leap For Collectors.
Always Digitally Yours,
R W Hand
Chief Curator
Rhino Handmade Institute Of Petromusicology
----------
WILD MAN FISCHER
"The Fischer King"
Catalogue Number:
RHM2 7701
ALL TIMES APPROXIMATE
DISC ONE
[Approximately 76:30 Total Time]
1. A WORD FROM LARRY :15
2. GO TO RHINO RECORDS 1:00
TRACK 2 FROM THE RHINO SINGLE RNOP-001
3. MY NAME IS LARRY 3:22
4. JIMMY DURANTE 1:11
5. I LIGHT THE PILOT :36
6. JOSEPHINE :33
7. DO THE WILDMAN (FANCY VERSION) 1:39
8. I'M A TRUCK :35
9. SIR LARRY 1:02
10. WHO'S YOUR FAVORITE SINGER? 1:24
11. GO TO RHINO RECORDS (LIVE VERSION) 1:57
12. HANDY MAN 2:51
13. DISCO IN FRISCO 2:50
14. DO THE WILDMAN (AND OTHER DANCES) 2:12
15. I'M SELLING PEANUTS FOR THE DODGERS 1:12
16. I'M THE MEANY 1:21
17. WILD MAN FISCHER IMPERSONATION CONTEST :49
18. GUITAR LICKS 1:41
19. WHAT DO YOU THINK OF LARRY? :40
20. YOUNG AT HEART 1:39
21. MY NAME IS LARRY (REPRISE) 1:38
TRACKS 3 TO 21 FROM THE RHINO ALBUM RNLP001 'WILDMANIA'
22. A FEW MINUTES WITH LARRY AT DODGER STADIUM [INCLUDES PERFORMANCES
OF "MERRY GO ROUND"/"I'M SELLING PEANUTS FOR THE DODGERS" AND "MONKEYS
VERSUS DONKEYS"] 9:20
PREVIOUSLY UNRELEASED
23. PRONOUNCED NORMAL 2:59
24. DON'T BE A SINGER 1:53
25. IT'S NICE TO HAVE THINGS 2:25
26. I SWEAR TO GOD MY LOVE WAS TRUE :36
27. TALKING 3:05
28. WATCH OUT FOR THE SHARKS :48
29. WHEN YOU'RE YOUNGER :47
30. YESTERDAY 1:54
31. FISH HEADS :35
32. MISTAKES :31
33. FRANK 2:38
34. IT'S A MONEY WORLD 2:38
35. THE MOPE (PART 2) 1:01
36. THE RIGHTEOUS :47
37. OH LINDA, NO LAURIE 2:17
38. THE BOUILLABAISSE 2:19
39. ONE MINUTE :12
40. IN MY ROOM 2:20
41. I'M A CHRISTMAS TREE :24
42. LET US LIVE AS ONE 1:12
43. PRONOUNCED NORMAL (REPRISE) 1:07
44. MY SWEET LITTLE CATHY 3:21
TRACKS 23 TO 44 FROM THE RHINO ALBUM RNLP021 'PRONOUNCED NORMAL'
45. I GOT A CAMERA (SINGLE VERSION) 1:06
46. DO THE SALVO 0:28
TRACKS 45 AND 46 FROM THE RHINO SINGLE RNOR-009
47. ANOTHER WORD FROM LARRY :07
DISC TWO
[APPROXIMATELY 76:30 TOTAL TIME]
1. YET ANOTHER WORD FROM LARRY :07
2. I'M A CHRISTMAS TREE 1:08 DUET WITH DR DEMENTO
FROM RHINO ALBUM RNLP825 'DR DEMENTO PRESENTS THE GREATEST NOVELTY
RECORDS OF ALL TIME VOLUME VI: CHRISTMAS'
3. A FEW MORE MINUTES WITH LARRY AT DODGER STADIUM [INCLUDES
PERFORMANCES OF "JIMMY DURANTE"/"MERRY GO ROUND"/"MY NAME IS
LARRY"/"OH TINA TINA MY LITTLE SCHLEMINA"/"ANSWER ME LORD ABOVE"/"LOVE
ME TENDER"/"THE ROCKET ROCK"/"I'M LOOKING OVER A FOUR LEAF CLOVER"/"GO
TO RHINO RECORDS" AND "I'M A TRUCK"] 10:16
PREVIOUSLY UNRELEASED
4. GOD, SEND ME LEONARD AND SANDRA :27
PREVIOUSLY UNRELEASED
5. HELLO EILEEN, IT'S LARRY 1:12
PREVIOUSLY UNRELEASED
6. TEEN AGE IDOL 2:30
PREVIOUSLY UNRELEASED
7. PEOPLE 2:18
PREVIOUSLY UNRELEASED
8. INTRO :34
9. DERAILROADED 1:03
10. LARRY AND THE NEW WAVE 1:53
11. SPARKLING DIAMONDS 1:00
12. MUSIC BUSINESS SHARK 1:15
13. DON'T EVER GET MAD AT ME 1:17
14. MY FRIEND ROBERT 1:03
15. THE OMAR WALK :48
16. I LOOKED AROUND YOU 1:22
17. OH GOD, PLEASE SEND ME A KID 1:15
18. BACK IN TIME 2:24
19. TRACK STAR :45
20. I GOT A CAMERA :36
21. SCOTTY'S GOT A CAKE 1:12
22. WALKING THROUGH THE UNDERGROUND 1:21
23. MERRY GO ROUND 1:35
24. YOU'RE A LIAR AND A THIEF :43
25. ALL I THINK ABOUT IS YOU 1:57
26. OUTSIDE THE HOSPITAL 3:34
27. BIG BOOTS :54
28. PING PONG BALL HEAD 1:30
29. REAL COOL COWBOY 1:45
30. ONE OF A KIND MIND :46
31. THE RECORD PLAYER SONG :36
32. WHEN YOU RECORD SINGERS :54
33. WILD MAN FISCHER RECORDS 1:39
34. GIMME A RIDE DOWN THE HILL 1:45
35. BAD LEG 1:17
36. I WORRY ABOUT MY FRIENDS :34
37. THE RAIN SONG 1:40
38. THE PEP :34
39. LOVE LOVE LOVE IN EVERYTHING YOU DO :58
40. LARRY IN LAS VEGAS 4:20
41. OUTRO
TRACKS 8 TO 41 FROM THE RHINO ALBUM RNLP022 'NOTHING SCARY'
42. SCOTTY'S GOT A CAKE [ALTERNATE VERSION] 1:08
PREVIOUSLY UNRELEASED
43. I'M SORRY, FRANK ZAPPA :42
PREVIOUSLY UNRELEASED
44. MY MOTHER WAS RIGHT :08
PREVIOUSLY UNRELEASED
45. DON'T EVER GET MAD AT ME [ORIGINAL DRUM VERSION] 1:08
PREVIOUSLY UNRELEASED
46. LAST MAN IN THE CITY 1:22
PREVIOUSLY UNRELEASED
47. I WISH I WAS A COMIC BOOK :31
48. NORMAN 2:39
TRACKS 47 AND 48 ORIGINALLY APPEARED ON BEAT BROTHERS RECORDINGS ALBUM
BBRLP5002 'WORSE THAN SLIME NUMBER ONE'
49. I GOTTA QUIT THE MUSIC BUSINESS, BYE ART, BYE HAROLD :29
PREVIOUSLY UNRELEASED
50. IT'S A HARD BUSINESS 2:42 DUET WITH ROSEMARY CLOONEY
PREVIOUSLY UNRELEASED
51. FLAMING CARROT THEME SONG 1:18
PREVIOUSLY UNRELEASED
52. GREAT BIG MAN :59
PREVIOUSLY UNRELEASED
53. A FINAL WORD FROM LARRY :10
----------
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-------------------------------------------------------------------------------
From: Michael Zadoorian <mzadoori@cecom.com>
Subject: (exotica) voodoo funk
Date: 02 Aug 1999 02:36:38 +0000
Jill-
> These sound incredible. Any suggestions on the best way to
possibly acquire them? You say they're re-issued. Do you mean in some
other format beside LP?
> Michael Z
>
> Jill Mingo wrote:
>
> > >Mandingo/ Sacrifice - EMI 5209652
> > >Story of Survival/ Savage Rite - 5209662
> >
> > >i have - and enjoy tremendously - these LP albums:
> > >
> > >The Primeval Rhythm Of Life
> > >Sacrifice
> > >Savage Rite
> >
> > The Primeval Rhythm of Life IS MANDINGO - that is the subtitle of
the LP
> > apparently.
> > >
> > >and I know that at least a fourth exists, called I think "Mandingo
III"
> >
> > This one I don't know about. I only know about the reissued LPs.
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-------------------------------------------------------------------------------
From: kevin@astsoft.com (kevin leeeeee)
Subject: (exotica) soft hippie rock / hard rock
Date: 01 Aug 1999 11:59:35 -0700 (PDT)
so we seem to have a good handle on the soft pop sound,
but what about that upbeat happy hippie sound? the stuff that's got lyrics
about tripping out on sunshine or whatever, but features lots of peppy
vocal harmonies and pleasing arrangements which get "weird" or "rocking"
only in a very safe groovy manner.
recently came across some of this type of thing with bands like the
sunshine company, the three ring circus, sweetwater.
btw, i think stephen worth's comments most neglected by you all were those
about rock dying around the time the beatles invaded the US. in some ways
i agree that something "went wrong" when everything all of a sudden had to
appeal to screaming teens. but think of all the amazing, and i mean
mindblowing rock that came out of the 60's and 70's... this is sort of off
topic, but some of my favorite music is rock or rock-influenced stuff from
this period. here's just a random listing of a few "mind-blowing"
rocksters for you to consider before throwing out the trash:
hendrix, pink floyd, the ramones, rolling stones, mc5, the stooges,
funkadelic, black sabbath, can, chrome, zepplin, motorhead...
laugh if you want, but this stuff is pretty darn cool in my book. i think
it's easy to get caught up in all this trendy/anti-trendy
hip/hip-to-be-unhip self-awareness. i'm guilty of it. but try to see the
big picture. fashion, shoes, hair, whatever floats your boat, in the end
good music is gonna stand the test of time and dedicated audiences, like
those on exotica, will keep it alive.
that said,i agree with stephen that rock really hasn't gone anywhere for
the most part since the 70's, however lest us not forget punk, post-punk,
hardcore, sonic youth, butthole surfers, pussy galore, birthday party...
i'd say rock actually started to get really good in the late 60's was
killed by disco and then got all fucked up (in a good way) in the
underground 80's. and now we're in limbo.
keep i mind that i'm really not into rock these days. just felt compelled
to defend it (it's an old friend of mine).
hope this wasn't too off topic.
kevin leeeeee
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-------------------------------------------------------------------------------
From: kevin@astsoft.com (kevin leeeeee)
Subject: (exotica) paris music shopping
Date: 01 Aug 1999 15:02:17 -0700 (PDT)
hi,
if anyone has any suggestions on where to go shopping for new and used
vynil and cd's please come forth. going to paris in a few days.
i hear there's a store that's dedicated to Tin Tin paraphenalia and books.
anyone know where this might be? or where the best comic book shopping
could be at?
thanks,
kevin leeeeee
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-------------------------------------------------------------------------------
From: DaveHiFi@aol.com
Subject: (exotica) Re:The Three Suns Sound
Date: 01 Aug 1999 18:50:44 EDT
According the liner notes for The Three Suns "My Reverie", which by
chance I just happened to spin last night, "The boys were the first musicians
ever to employ their combination of guitar, accordion and organ. Their
success has produced many imitators, but none have managed to duplicate the
sure touch and feeling for melody which has made them such a hit."
While I don't believe for a minute that they were the first, they
certainly were the first trio to have such sucess both artistically and in
terms of popularity. The liner notes for that lp, by the way, also explains
the reason for their success - " They play the kind of music most people want
to hear and they play it the way most people want to hear it." This odd
explanation, for some reason, just cracks me up.
I have one album which is a blatant Three Suns imitation - Mood Rhapsody
by The Three Tops. Organ - Guitar - Accordion. I don't know how much closer
in name they could've gotten! The Three Planets maybe? On the Crown label.
It sounds like an imitation of the suns at their lamest, but at least there's
no string section.
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-------------------------------------------------------------------------------
From: SLarry3595@aol.com
Subject: Re: (exotica) A Rhino Hand Job
Date: 01 Aug 1999 19:25:56 EDT
What do I think? I was expecting something a little more exciting than
latter day Wild Man Fischer for their big first release. If this is the
amazingly exciting collectors material they are going to be releasing I think
that limited edition pressings of 1000 may be TOO MANY.
Someone had said that the second release was rumored to be early singles only
and unreleased Devo. That stuff has been on bootleg for years and is
actually very good. Much better, to me, than the official Devo recordings.
However, it looks as if that will not be the second release. Too bad.
I have serious doubts about "Beneath The Planet Of The Apes" or Frank
Comstock being on the list of potential future releases. Seems more likely
we'll get CD reissues of the early Rhino wrestling albums.
Best wishes,
Larry
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From: Lou Smith <lousmith@pipeline.com>
Subject: (exotica) obituaries roundup
Date: 01 Aug 1999 19:31:34 -0400 (EDT)
Obituaries roundup for the week ending 31 July 1999:
Saturday, 17 July
Harrison Holt Richardson, polar explorer, 80.
Tuesday, 27 July
Harry "Sweets" Edison, jazz trumpeter, 83.
Wednesday, 28 July
Simon Nkabinde a.k.a. Mahlathini, Zulu singer, after a long illness, 62.
Thursday, 29 July
Anita Carter, country singer, 66.
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From: recliner <recliner@maine.rr.com>
Subject: (exotica) Istanbul
Date: 01 Aug 1999 20:43:06 -0500
Once again I turn to the list to remind me of what records I own.
I'm trying to come up with some versions of the song Istanbul. So far I
have four, but I'm certian that I have some more. Please let me know
what you can add to my list...
Artist _______album_____________
Santo & Johnny - Around the world with
Enoch Light - Far Away Places vol.2
Joe/fingers Carr/80 Drums... - UL vol.3
The Champs - Wing Ding (Ace CD)
Thanks,
Frank
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From: Indulis R Rutks <rutks002@tc.umn.edu>
Subject: Re: (exotica) Istanbul
Date: 01 Aug 1999 22:01:58 -0500 (CDT)
On Sun, 1 Aug 1999, recliner wrote:
>
> Once again I turn to the list to remind me of what records I own.
> I'm trying to come up with some versions of the song Istanbul. So far I
> have four, but I'm certian that I have some more. Please let me know
> what you can add to my list...
>
>
> Artist _______album_____________
> Santo & Johnny - Around the world with
> Enoch Light - Far Away Places vol.2
> Joe/fingers Carr/80 Drums... - UL vol.3
> The Champs - Wing Ding (Ace CD)
They Might Be Giants - Flood
BTW, did anyone catch "Nightline - Brave New World" on ABC last Thurday
night? It looks like TMBG will be regular fixtures on this 7-week series.
-Indy Rutks (rutks002@tc.umn.edu)
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From: Michael Toth <mtoth@neo.lrun.com>
Subject: (exotica) Enoch/Command 1999 info
Date: 01 Aug 1999 21:38:33 -0500
(Please forward to anyone you think might give a hoot...)
The King Dapper Combo, Enoch Light, & Federico Fellini Present...
AN EVENING FOR THE JET SET!
At the luxurious Highland Theater
826 W. Market St., Akron, Ohio USA
Saturday August 14, 1999, 7:30 PM
Admission:
$5.00 for the fabulously and stylishly dressed jet setter
$7.00 for the common cur
* YOUR LAST CHANCE TO SEE THE KING DAPPER COMBO? - Maybe, as Zombo and
the gang begin a rest from their exciting lifestyle. Or, maybe not.
Definitely your last chance to see NE Ohio's zany hipsters any time in
the near future, and perhaps *ever*. And that's not a risk anyone should
take.
* THE FINEST AND FELLINIEST IN EUROPEAN CINEMA! - Fellini's 1963
cosmopolitan classic _8 1/2_ on the Highland's gargantuan screen.
* DANCE TO THE INTERNATIONAL BEATS OF ENOCH LIGHT! - Incorporating the
4th Annual (and probably final -- these things are a lot of work!)
regional birthday memorial celebrations of late Canton-born music legend
Enoch Light and the 40th anniversary of his swingin' Command Records
label. Prepare to Twist, Cha Cha, Frug, Hully Gully, Rhumba, Mashed
Potato, Merengue, Bossa Nova, and Bostella as DJ Tothar transforms the
Highland into a transcontinental Discotheque with the hi-fi sounds of
Light and his contemporaries.
NOTE: After its humble beginnings in Canton in 1996, the first Enoch
Light memorial birthday-a-go-go party spawned simultaneous Enoch Light
events the next two years in Minneapolis, Boston, Columbus, New York
City, Cleveland, San Francisco, Kent, and Edinburgh, Scotland. True Jet
Setters will also want to experience the 1999 Light synchronicity in the
San Francisco bay area at the Beauty Bar on Tuesday August 17th.
Something special may happen at midnight, as Light's actual birthdate was
August 18th. For information on the San Francisco event, contact Otto Von
Stroheim at Ottotemp@aol.com
We might be doing a small run of Command 40th Anniversary commemorative
T-shirts this time around. Shirts were something I didn't have time for
last year, and *maybe* I'll pull it off this year. If you definitely want
one and you're from out of town, tell me what shirt sizes and what
quantity and I'll get back with you with a file attachment with the
design. Figure $12 post-paid per shirt, with lower prices on shipments of
multiple shirts.
Contact me at the address below, or Zombo at zombo@apk.net , with any
questions about this event.
Michael David Toth
mtoth@neo.lrun.com
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From: Michael Toth <mtoth@neo.lrun.com>
Subject: (exotica) Three Suns site updates 8/1/99
Date: 01 Aug 1999 23:20:28 -0500
Hey folks:
Thanks *so much* to everybody who sent me compliments and contributions
for my Three Suns Web site. You ain't seen nuthin yet! I just wanted to
let you know I finally put the site through a big overhaul, still at:
http://members.tripod.com/~ThreeSuns/
The most significant development is the new site navigation. Other
addtions/areas:
* "ON A MAGIC CARPET" - a page of Three Suns and Space Age Pop related
links; let me know if I should have your site listed but I left it out.
* "THE THINGS I LOVE IN HI-FI" - a forum for Movers & Groovers everywhere
to submit their fan comments for posterity (or just for my personal
amusement if they don't want them posted)
* A bare-bones, as-complete-as-possible discography page, until the areas
other than the "Living Stereo Era" get all their scans, track listings,
and liner notes together. Additions and corrections very much welcome!
Any RCA reel-to-reel or 8-track historians out there who can supplement
with other format information?
* Recording session log info and musician rosters in the Living Stereo
discography area for _Twilight Memories_ and the two albums probably of
most interest to most of us here: _Fever & Smoke_ and _Movin' &
Groovin'_. Thanks, Irwin!!!
* A couple of news items on the new main menu page.
FYI, the site should be respectably viewable in most browser
environments, but it definitely looks best in a Javascript-compatible,
4.x version Netscape/Explorer browser on an 800x600 monitor with at least
thousands of colors.
Thanks everybody for your support!
Michael D. Toth
mtoth@neo.lrun.com
threesuns@neo.rr.com
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From: Nat Kone <bruno@yhammer.com>
Subject: Re: (exotica) soft hippie rock / hard rock
Date: 02 Aug 1999 03:40:43 -0400
At 11:59 AM 8/1/99 -0700, kevin leeeeee wrote:
>
>so we seem to have a good handle on the soft pop sound,
>but what about that upbeat happy hippie sound? the stuff that's got lyrics
>about tripping out on sunshine or whatever, but features lots of peppy
>vocal harmonies and pleasing arrangements which get "weird" or "rocking"
>only in a very safe groovy manner.
Back when we started this thread, this was the stuff I was mostly talking
about. And it's still the stuff I'm mostly interested in. I can see how
they're actually two semi-distinct categories but for me they go together.
I believe this whole discussion began with The Free Design and even though
they don't have much happening instrumentally, I can't imagine anything
much more "psychedelic" than "Kites are Fun".
>recently came across some of this type of thing with bands like the
>sunshine company, the three ring circus, sweetwater.
Buying a Free Design compilation and then finding a Sunshine Company LP was
what started this thing for me. Then there were the records I already had
or the bands I was familiar with but didn't have the records anymore. I
had the Three Ring Circus LP for a while but mostly listened to the
instrumental side. Then this thread started and I fell in love with their
tune "Lovin Machine".
And I rebought the first Association LP, which had been one of the first
records I ever owned and loved.
Some of the psychedelic hippy rock veers away from "soft rock" and actually
rocks. Some of the soft rock was made by certified psychedelic hippies.
And some of it was folk-rock.
Then there's the Fifth Dimension's version of "Sunshine of your Love".
And has anyone heard any of Keith Textor's NON-Stereo Action records? You
could probably even squeeze an "Up with People" cut onto a soft rock/hippie
rock tape.
And then there are those two classic Toronto bands The Paupers and The
Kensington Market. Surviving members of those bands would hate to be
included in this category I'm sure. At some point in every show, the two
Paupers guitarists would play percussion and the bass player would play a
long "solo" in front of three percussionists.
But they have tunes that fit for me. Same with Every Mother's Son.
When I make my definitive tape, it'll be all over the place. I'll probably
even include some Ultimate Spinach.
Besides, what could be more psychedelic, more like an acid trip, more
liable to bring on acid flashbacks (or homicidal hallucinations) than the
Free Design's "Kites are Fun"?
Nat
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From: "n.e.u." <exotica@munich.netsurf.de>
Subject: Re: (exotica) what is cheese, again
Date: 02 Aug 1999 11:28:23 +0200
Looks like all questions answered about "cheese".... it was a short but
very interesting discussion, in my opinion. Let me just add this:
Although I understand Nat's point (of defining what "cheesy" means), I
tend to see it like Frank. I remember this time in the late 70s, when
all things "cheesy" (B-movies, weird clothes) suddenly became hip.
Values were twisted. At that time you could still say, I like something,
*because* it is cheesy. It was the time of Punk, in fact it was what
Punk was all about.
But today? Any stupid talk-show tries so hard to feature oh-so-cheesy
things, because they are *so* "funny"... I must admit: I can't stand it
anymore. If this It's-cheesy-that's-why-I-like-it-game is so
predictable, it has lost its entire irritainment-factor. It's neither
cool, nor funny, nor does it open any new door of tabu worlds. So I
arrive at Frank's point of view:
>The key is that things I like I don't consider as cheesy, kitsch, camp,
etc. .
>If I like it it's damned good and it would hardly matter if the
consensus
>opinion told me otherwise. I would challenge others to take this point
of
>view.
nothing to add to this
Mo
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From: "n.e.u." <exotica@munich.netsurf.de>
Subject: (exotica) Mati Klarwein
Date: 02 Aug 1999 11:58:08 +0200
Exotic Art - Mati Klarwein
The psychedelic hyper-realism of Mati Klarwein is legendary. This
completely under-rated painter has created the most beautiful exotic
landscapes and manic erotic mandalas in art history. Friend of Dali he
belongs to the first generation of psychedelic art. The record covers he
designed are world-famous, unlike the man who has made them: Miles
Davis' "Bitches Brew" and Santana's "Abraxas", to mention just two.
http://www.art-bin.com/art/aklarwein.html
This gallery seems to sell the "Abraxas" painting! If any of you is
rich, BUY this painting. I guarantee, one day Mati will be seen as one
of the top artists of the 20th century:
http://khyal.com/boxer.htm
Mo
P.S.: If you can't afford the "Abraxas" painting, go here:
=95=95=95=95=95=95=95=95=95=95=95=95=95=95=95=95=95=95=95=95=95=95=95=95=95=
=95=95=95=95=95=95=95=95=95=95=95=95=95=95=95=95
http://home.munich.netsurf.de/Moritz.Reichelt
tiki@europe.com
=95=95=95=95=95=95=95=95=95=95=95=95=95=95=95=95=95=95=95=95=95=95=95=95=95=
=95=95=95=95=95=95=95=95=95=95=95=95=95=95=95=95
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-------------------------------------------------------------------------------
From: dan hill <dan@state51.co.uk>
Subject: Re: (exotica) paris music shopping
Date: 02 Aug 1999 11:29:34 +0100
hi kevin and others,
>if anyone has any suggestions on where to go shopping for new and used
>vynil and cd's please come forth. going to paris in a few days.
the motion specialist record shop finder lists the following for paris ...
the genre definitions are probably a little looser than this, so they'd be
worth checking out ... u-bahn and rough trade seem to have closed down -
i've always been acutely aware that there must be more record shops in
paris than this, so if people are aware of more, please could you let me
know, or update the record shop finder (http://motion.state51.co.uk/) ...
there must be more!?!?!
1.BPM (Paris)
Techno | Ambient (Dance) Paris, France
2.Bimbo Tower
Experimental | Jazz Paris, France
3.Wave
Dance | Paris, France
4.Odd Size
Hardcore | Industrial Paris, France
cheers,
dan.
---+ dan hill [state51]
---+ new reviews on motion [2.7.99]:
< arab strap | rachel's | lee hazlewood | elizabeth schimana | paul schutze
| out in worship | flanger >
http://motion.state51.co.uk/ +---
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From: G.R.Reader@bton.ac.uk
Subject: (exotica) Studio2 on the web
Date: 02 Aug 1999 11:36:11 +0100
Someone called Rob/Moog90 e-mailed me about Peter Hipwells Studio2
discography. Its working again at
http://www.cogsci.ed.ac.uk/~petehip/Studio_Two.txt
But I can't get through to your address now..........
Sorry for the interruption
El Maestro Con Queso
djcheesemaster@yahoo.com
grr@brighton.ac.uk
http://www.sgillitt.dircon.co.uk/cheese/cheese.htm
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From: G.R.Reader@bton.ac.uk
Subject: (exotica) cheese
Date: 02 Aug 1999 13:05:51 +0100
Now theres a tricky one, should we embrace the word, rob it of its power
(cf the N-word, that other C-word). I myself had the C-word foisted on me,
and have come up with the exotic variation below to feebly try and add some
mystery. I think its a complete loser though. It does have the bad
connotations, but for me, its music that makes me happy. I love the sound
of Organs, Farfisas, Hammonds, I just love 'em. Now its hard to describe
a lot of it as anything but Cheesy, overblown, silly melodied, fun,
happy, music. And a lot of my friends listen to it and say, 'Well, this
is all a bit cheesy, isn't it?'.
And I can't deny it.
I could go on. But really, ...... I want to go on, but it just turns into
dribble and matters of taste. Which is the problem.
El Maestro Con Queso
djcheesemaster@yahoo.com
grr@brighton.ac.uk
http://www.sgillitt.dircon.co.uk/cheese/cheese.htm
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From: G.R.Reader@bton.ac.uk
Subject: (exotica) return to peter thomas pt V
Date: 02 Aug 1999 14:06:01 +0100
After posting the question on peter Thomas a couple of weeks ago I now have
a copy of Space Patrol (Raumpatrouille(?)), courtesy of Jill Mingo, Thanks
Jill. Its funny the difference between responses you get posted to the list
and those sent directly, Through the list the consensus was 'Warp back to
Earth is not very good, Space Patrol is better' and off list it was more
'I like Warp Back to Earth, don't care for the remixes, like Moonflowers
and Miniskirts and not too sure about Space Patrol'.
I can see that Space Patrol more fits the idea of 'what the list would
like', its more traditionally 'Space Music', with strings and noises and
spookiness, with a couple of tracks of the type of go-go music I'm enjoying
so much at the moment. Whereas Warp back to earth is much more combo based
music, almost embryonic Kraut Rock, acoustically reminiscent of Can in
places. On both LPs most of the tracks are about 2 minutes, and there are
very few structured songs on either, as you'd expect from soundtrack LPs.
I think its interesting that (previous to the new look, controversy loving
list) people seemed to send offlist responses that wouldn't reflect the
lists perceived status quo. I don't know if it would be conscious or not.
I'd say that of its time the music from the Warp back to Earth LP was the
more exotic and unworldly, and the Space Patrol stuff was quite
conventional (for the Science fiction/outer space genre). I still wish
'Moonflowers and Miniskirts' would come out on Vinyl though.
Not Cheesy, neither of 'em.
Thanks for your indulgence
El Maestro Con Queso
djcheesemaster@yahoo.com
grr@brighton.ac.uk
http://www.sgillitt.dircon.co.uk/cheese/cheese.htm
ps also got a copy of one of Jills tapes. Excellent stuff. Great summer
listening.
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From: "n.e.u." <exotica@munich.netsurf.de>
Subject: Re: (exotica) return to peter thomas pt V
Date: 02 Aug 1999 15:56:46 +0200
...and did you hear that the title melody of Space Patrol is based
entirely on only one chord?
Mo
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From: "Arjan Plug" <ajplug@bart.nl>
Subject: (exotica) Add N to (X)
Date: 02 Aug 1999 17:38:06 +0200
http://www.addntox.com/2.0/home.html
is the very impressive website by this English electronic band
Arjan
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From: Johan Dada Vis <Quiet@village.uunet.be>
Subject: (exotica) Re: Laurent Lombard (was: Neeefty CD's)
Date: 02 Aug 1999 14:49:32 +0200
Ron Grandia wrote:
>First, Laurent Lombard, "Happy Land" (Kosinus 58) Very JJ =
>Perrey-flavored production music with 99 tracks!
he has another cd on the same production music label:
Hi-Fi Stereo Remixes - CD, Kosinus KOS 48, France
quote from Kosinus catalog:
Vinyl remixes. A kitsch space cocktail from the London
and Paris pop galaxy.
i haven't heard it yet, but it sounds intruiging...
Johan
quiet@village.uunet.be
| ) / \ | ) / \ | ) / \ | ) / \
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-------------------------------------------------------------------------------
From: Marco \"Kallie\" Kalnenek <weirdomusic@wxs.nl>
Subject: Re: (exotica) Istanbul
Date: 02 Aug 1999 19:20:02 +0200
recliner wrote:
> Please let me know
> what you can add to my list...
- The Ramblers - CD: Farewell blues
(The Ramblers are a Dutch jazz orchestra)
Marco
--
Marco "Kallie" Kalnenek
+------------------------------------------+
Record Collector's Heaven
http://weirdomusic.freeservers.com/
+------------------------------------------+
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-------------------------------------------------------------------------------
From: Marco \"Kallie\" Kalnenek <weirdomusic@wxs.nl>
Subject: Re: (exotica) A Rhino Hand Job
Date: 02 Aug 1999 19:19:56 +0200
SLarry3595@aol.com wrote:
> What do I think? I was expecting something a little more exciting than
> latter day Wild Man Fischer for their big first release.
Yes, me too. Fischer's Rhino albums become a bit irritating after a while. And
besides, I don't think they are really rare. I see them quite often at record
fairs.
Just stick to the Frank Zappa production 'An evening with Wild Man Fischer' from
the late sixties.
Marco
--
Marco "Kallie" Kalnenek
+------------------------------------------+
Record Collector's Heaven
http://weirdomusic.freeservers.com/
+------------------------------------------+
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-------------------------------------------------------------------------------
From: "Arjan Plug" <ajplug@bart.nl>
Subject: (exotica) The Mad Daddy
Date: 02 Aug 1999 19:43:29 +0200
upcoming from Norton Records apparently:
>FALL 1999 RELEASES
>Here=92s what=92s coming up during the second half of the year.
>=95 THE MAD DADDY - WAVY GRAVY Finally! Totally legit package of insanel=
y
wild
>50=92s deejay The Mad Daddy! Incl. his only 45 release Pfisterris/What I=
s A
>Practical Joke plus tons of mad hep aircheck banter! Lush packaging, ton=
s
of
>notes, fotos, clippings! Wiiild!
Arjan
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From: Jane Fondle <jane_fondle_69@yahoo.com>
Subject: (exotica) Fay Lovsky on WFMU/Arling&Cameron
Date: 02 Aug 1999 11:47:16 -0700 (PDT)
Yo', exotica! I am forwarding this for a friend...
Jane Fondle
I got this note from a prominent WFMU DJ! Fay lovsky
is the
theremin player who will be performing with Arling and
Cameron
this evening at Brownies.
Hey, Jack:
Can you also tell your A&C network that Fay Lovsky
will be performing
live on WFMU on Monday, August 2, on Irene Trudel's
program, sometime
between 3 and 6 pm.
WFMU is at 91.1 FM in the NY metro area, and
broadcasts worldwide on
the web: http://www.wfmu.org
I have been struggling with WFMU reception forever. If
anyone out there
manages to tape this show, I would really appreciate a
copy!
I just found out that the show at Brownies is
scheduled to begin at
9:00. Arling
and Cameron go on at 10:30.
===
"It's just my nature to do weird stuff." - Les Baxter
Astroslut website: cuming soon!
_____________________________________________________________
Do You Yahoo!?
Free instant messaging and more at http://messenger.yahoo.com
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-------------------------------------------------------------------------------
From: Jane Fondle <jane_fondle_69@yahoo.com>
Subject: (exotica) collecting
Date: 02 Aug 1999 09:06:32 -0700 (PDT)
--
> > laura.taylor@us.pwcglobal.com wrote:
> > >>>>Brad and BasciHip make me yearn for the "old
> days"
> > of this list, when it
> > >was filled with the moooovers and shakers of both
> the
> > music industry and
> > >also of just record collecting.
> > > This list has really become
> > >sorta The Jerry Springer Show Mit Birdcalls
> lately.
Nat:
> > >>>How do you get to be a mover or a shaker in
> record
> > collecting? The two
> > concepts almost seem mutually exclusive. "Oh,
> he's a
> > very important record
> > collector". Yeah I guess there are the dealers
> and
> > the the
> > compilation/researcher types.
Jane:
> > >Well, you basically just answered your own
> question.
> > And that's what I meant!
Nat:
> >
> > Having interviewed well over a hundred record
> > collectors for my last
> > project, I actually find the Jerry Springer image
> > fairly appropriate.
> > Except most of us wouldn't break a chair over a
> guy's
> > head for his opinion
> > about Spanky McFarlane. Then again, if he was
> > sleeping with my records...
> >
> > Nat
> >
> > This sounds like yer gonna have a helluva movie!
> > Jane Fondle
===
"It's just my nature to do weird stuff." - Les Baxter
Astroslut website: cuming soon!
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From: chuck <chuckmk@yahoo.com>
Subject: (exotica) The Gentle People "simply faboo"
Date: 02 Aug 1999 12:33:44 -0700 (PDT)
The more I hear this the more I like it. The Gentle People have made one of my
favorite albums of the year. Unbelievable mix of the Gentle People sound with
electronica that will pack the dance floors in the Shibuya distict of Tokyo.
Marketed for the Shibya-kei fan this has me hoping they put together another Gentle
People compilation like "Music To Watch Comets By" that set me off in search of more
shibuya styled pop years ago.
Easy listening in the Big Easy
Chuck
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From: chuck <chuckmk@yahoo.com>
Subject: (exotica) Fay Lovsky
Date: 02 Aug 1999 12:38:01 -0700 (PDT)
--- Mail Delivery System wrote:
> This message was created automatically by mail delivery software.
>
> A message that you sent could not be delivered to all of its recipients. The
> following address(es) failed:
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Fay Lovsky
Yeah for Fay! She is great! Love her Jopo in Mono Cd. Totally fun jovial teenie
pop. Her other albums are also good. She's generaly pop vocals, but the Jopo in Mono
is some kiddie show music and really exotic off the wall. Recommended for those who
like Tin Tin Au Cinema.
Easy listening in the Big Easy
Chuck
--- Jane Fondle wrote:
I got this note from a prominent WFMU DJ! Fay lovsky
> is the theremin player who will be performing with Arling and
> Cameron this evening at Brownies.
>
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From: "Arjan Plug" <ajplug@bart.nl>
Subject: (exotica) Breakbeat compilations
Date: 02 Aug 1999 22:19:47 +0200
I borrowed a bunch of compilation albums from my brother (he dj's, which
explains a lot) the other week and like to mention a couple which might be
of interest
* Groovy Soundtracks : it's a hip thang... (Beathead)
A dozen soundtrackthemes from various sixties and seventies movies I never
heard of. Lots of funk and Hammond instrumentals by Dave Crusin, Tedd Smith,
Artie Butler, Kenyon Hopkins and more. Also contains Un Homme de Mort by
Michel Legrand
* Escape from the Planet of the Apes (ES?)
Mostly funky librarymusic on this one. Has a nice version of the old "Tramp"
plus a lot of erotic moaning on "Love Sounds" by the Intimate Strangers
* Kaleidoscope Vibrations : the exciting sounds of tomorrow (Scope Records)
Filled with 60s/70s high powered big band brass and jazz sounds by the Harry
Roche Constellation, Stan Reynolds Orchestra ("Spinning Wheel"), Peter Moore
Orchestra etc. A long version of Stevie Wonder's "Superstition" by the
Button Down Brass and some blistering guitarwork on Chico Lopez "Trouble
Spot".
* Batteria for the Beatheads (Idem)
More rare groove/funk of obscure origin by the likes of Nexus, Jazz Quartet
and a bunch of Italians. Also has the excellent "Ballet Photo Rouge' by
Jacques Lossier .
* A Study in Hi-Fidelity (Pure Records)
From France on blue vinyl. More decent obscure funk and funky instrumentals.
Two African influenced tracks, amongst them a version of Soul Makossa
* Blow Up presents Exclusive Blend vol.2 (Blow Up)
Excellent collection of library music form 1968-1974
* La Guepe vol.2 : deep inside the French Library Music (Pulp Flavor
Recordings)
"Soul, jazz, funk, afro & easy tunes from the vault" As someone mentioned a
few days earlier on the list this is an excellent compilation of early
seventies library music. Roger Roger's "Rugbymen" is an incredible
drumtrack.
* OST - Get Carter
* OST - Blow Up both excellent
Arjan
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From: Jane Fondle <jane_fondle_69@yahoo.com>
Subject: (exotica) tv party!
Date: 02 Aug 1999 14:15:16 -0700 (PDT)
NEW YORK (AP) _ Count Diana Rigg, Tom Selleck and
Farrah Fawcett among TV's 10 hottest stars of all
time. So says TV Guide, which teamed with
``Entertainment Tonight'' to compile the list.
Ms. Rigg played Emma Peel on ``The Avengers'' in the
1960s. Selleck was the title character in ``Magnum,
P.I.'' in the '80s, and Ms. Fawcett was Jill Munroe
on ``Charlie's Angels'' from 1976 to '81.
Richard Chamberlain also made the list in TV Guide's
upcoming issue. The others are Loni Anderson, Pierce
Brosnan, Angie Dickinson, David Cassidy, Peggy Lipton
of ``The Mod Squad,'' and Grant Goodeve from ``Eight
is Enough.''
===
"It's just my nature to do weird stuff." - Les Baxter
Astroslut website: cuming soon!
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From: lousmith@pipeline.com
Subject: (exotica) [obit] Simon Nkabinde,Porfirio Delgado,Harry 'Sweets' Edison,Bastiaan J.D. Meeuse
Date: 02 Aug 1999 14:30:49 -0700
S. African Singer Simon Nkabinde Dies
Popularized Zulu Music, Played with Stevie
Wonder, Sting
Associated Press
Sunday, August 1, 1999; Page C06
JOHANNESBURGùSimon Nkabinde, 61, a singer who
became a
legend in South Africa while popularizing Zulu
music internationally, died of
diabetes July 28 at a hospital here.
Mr. Nkabinde, better known as Mahlathini, was
the gravel-voiced lead
singer for his group, Mahlathini and the Mahotella
Queens. He had
performed his music alongside such internationally
known artists as Stevie
Wonder and Sting.
Mr. Nkabinde grew up in a township in Johannesburg
and began singing at
an early age, performing at weddings and parties.
He began his association with the Gallo Music
Co. in the 1960s and, in the
1970s, popularized Mbaqanga music, a fusion
of dominant African
rhythms, pop and jazz that started in the black
township of Soweto outside
Johannesburg.
President Thabo Mbeki said Friday that Mr.
Nkabinde's death was a
tragic loss and paid tribute to his contribution
to South African culture. The
president said Mr. Nkabinde would always be
remembered through his
music.
Mbeki's office called Nkabinde a legend in
South African music and
culture who was seminal in the development
of indigenous music.
Mahlathini and the Mahotella Queens produced
hit after hit in the 1960s
and 1970s, becoming one of the most popular
bands in Africa. The group
often was regarded as South Africa's first
superband. Although the group
disbanded in the late 1970s, it reformed to
record the hit Yebo in 1984.
Mr. Nkabinde's death comes at a time when Mbaqanga
music is
experiencing a revival, with pop groups remixing
it in various forms.
Porfirio Delgado
Guitar Maker
Porfirio Delgado, 85, whose Candelas Guitars
made instruments for such
Hispanic stars as Los Panchos, Los Diamantes,
Los Lobos, Jose Feliciano
and Andres Segovia, died July 28 at his home
in East Los Angeles after a
heart attack.
He and older brother, Candelario, who died
in 1983, opened Candelas
Guitars in East Los Angeles in 1948. It is
currently run by Mr. Delgado's
grandsons, Tomas and Manuel.
--------------------------
Harry 'Sweets' Edison, Jazz Musician, Dies
at 83
Trumpeter Played With Sinatra, Fitzgerald
Thursday, July 29, 1999
Harry "Sweets" Edison, 83, a master of the
jazz trumpet who was a
mainstay of the Count Basie Orchestra and who
accompanied singers such
as Frank Sinatra, Ella Fitzgerald and Billie
Holiday, died of prostate cancer
July 27 in his native Columbus, Ohio.
Mr. Edison joined the Count Basie Orchestra
in the mid-1930s when he
was 18 and became a featured soloist. Basie
saxophonist Lester Young
dubbed him "Sweets" because of the pleasing
tone of his horn.
Mr. Edison stayed with Basie until about 1950
before heading off to
perform with his own quintet. He recorded his
own albums--notably
"Sweets for the Sweet Taste Of Love"--accompanied
Frank Sinatra as a
studio musician and worked with Benny Carter
on movie soundtracks.
Over the years, he played with most of the
famous big bands, including
those of Buddy Rich, Quincy Jones, Louis Bellson,
Henry Mancini and
Nelson Riddle.
He taught music seminars at Yale University
in the Duke Ellington
Fellowship Program, and he was honored as a
"master musician" with a
1991 National Endowment for the Arts Award.
Mr. Edison was known among jazz fans for his
individual style, phrasing
and articulation. A few riffs were so closely
associated with his playing that
other musicians waited for their appearance
whenever he stood up to solo.
He rarely disappointed them, always recasting
the brief, familiar
melodies--especially his trademark riff, a
phrase that usually began with
eight repeated notes followed by a slithery
descending line--with a new
twist.
After working with Basie, he toured with Jazz
at the Philharmonic in the
1950s and was musical director for entertainer
Josephine Baker. He
traveled to Europe and South America with Rich
and then settled in Los
Angeles. It was then that he started working
for Riddle and his top client,
Sinatra. He is heard on many Sinatra albums,
such as "Songs for Swinging
Lovers."
In the 1960s and '70s, Mr. Edison did scores
for television shows and
films. His work was prominently featured in
the soundtrack of "Lady Sings
the Blues," the story of Billie Holiday.
From 1973 on, he frequently acted as musical
director for Redd Foxx on
theater dates, at concerts and in Las Vegas.
In the '70s, he also teamed
with saxophonist Eddie "Lockjaw" Davis for
a number of dates.
Mr. Edison worked right up until last month.
He traveled to Europe in the
spring and was scheduled to perform next weekend
in Long Beach, Calif.
Survivors include a daughter.
-----------------------
SEATTLE (AP) - Bastiaan J.D. Meeuse, a professor emeritus of
botany at the University of
Washington who researched a particularly malodorous type of lily
for more than 50 years, died
Tuesday of pneumonia. He was 83.
Meeuse wrote more than 200 articles on the voodoo lily, a relative
of the ``corpse flower'' that
came into rare bloom last month at the university, and other
plants.
He discovered a moss enzyme that oxidizes oxalic acid. Now the
enzyme helps monitor blood in
people who produce excess oxalic acid, which can cause deadly
crystals in their kidneys.
But his passion remained researching the heat-and-stench generating
pollination phase of the
voodoo lily.
-----
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From: "The Brimstones" <len@brimstones.com>
Subject: Re: (exotica) Istanbul
Date: 02 Aug 1999 15:35:05 -0400
-----Original Message-----
<exotica@xmission.com>
>
>recliner wrote:
>
>> Please let me know
>> what you can add to my list...
Let's not forget The Phantom Surfers' Istanbul 7"
Len
The Brimstones
http://www.brimstones.com
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From: chuck <chuckmk@yahoo.com>
Subject: (exotica) soft hippie rock / psychedelic pop
Date: 02 Aug 1999 15:13:23 -0700 (PDT)
There was a compilation on Buddah records I beleive called "Psychedelic Pop"
Part of the pop/top forty scene and bubbling underneath in 1967/68 was psychedelic
pop. It still had harmonies, it was still aimed to sell on the top forty pop charts,
but the arrangements got a bit more psycheldelic. There were lots of songs done by
rock bands back then that were pschedelic pop songs released as singles for the pop
charts/pop market (or at least they could have been). Off the top of my head I can
think of "Dandiliens" and She comes in Colors" by the Rolling Stones( a band that
rolled with every trend in music).
"See Emily Play" by Pink Floyd, "Armenia City in the Sky" by the Who, "Little Miss
Strange" by The Jimi Hendrix Experience, "Itchycoo Park" by the Small Faces, "Here
We Go Round the Mulberry Bush" by Traffic and "Pictures of Matchstick Men" by the
Status Quo.
These songs are a little more psychedelic than the sunshine pop hits of the
Association, Harpers Bizarre, or the Fifth Dimension. The whole pschedelic pop scene
was enormous with local bands from around the world tying to capture the pschedelic pop
sound.
To confuse the situation more in 1967/68 we also saw the rise of power pop by bands
like the Nazz (Open My Eyes), Spirit (Got A Line On You), and the Bubble Puppy (Hot
Gas and Sassafrass). Power pop has continued on through out the years. NotLame Records
out of Colorado specializes with modern and comp online salws of almost exclusicely
power pop.
To confuse the situation even more, along comes bubble gum music.
There is one song that crosess over to psychedelic pop, bubble gum and sunshine pop,...
Green Tamborine.
To add to the rock side of Creme and Jimi Hendrix along comes Blue Cheer and Led
Zepplilin to give us hard rock.You gotta love the 60's.
But the 70's were great in their own way. The sophisticated "on the one" of the JBs
and James Brown and P Funk. The beautiful fushion of Miles Davis, Weather Report and
Mahavishnu. The Philly sound, early disco and finally Punk screaming out and back to
the garage rock sounds of 1965/66.
For me Abba, Elton John and Wings were the main proponets of the 60's pop sounds in the
1970's and they were very weak imitations. I generally ignored pop and soft rock hits
of the 70's but there were some winners in there.
Easy listening in the Big Easy
Chuck
kevin leeeeee wrote:
>
> so we seem to have a good handle on the soft pop sound,
> but what about that upbeat happy hippie sound? the stuff that's got lyrics
> about tripping out on sunshine or whatever, but features lots of peppy
> vocal harmonies and pleasing arrangements which get "weird" or "rocking"
> only in a very safe groovy manner.
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From: Brian Phillips <hagar@mindspring.net>
Subject: (exotica) The Mad Daddy
Date: 02 Aug 1999 18:33:42 -0400
>=95 THE MAD DADDY - WAVY GRAVY Finally! Totally legit package of insanely
Now THIS is great news. I have heard some small clips of this fellow and=20
he was a true original. You can listen to him here:
http://earthstation1.simplenet.com/Mad_Daddy_Meyers.html
And a great article about him is here:
http://www.cleveland.com/ultrafolder/music/cle/3x/
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From: "Mark D. Head" <mdhbene@airmail.net>
Subject: (exotica) RE: The Gentle People "simply faboo"
Date: 02 Aug 1999 17:03:29 -0500
<chuckmk@yahoo.com> wrote:
>The more I hear this the more I like it. The Gentle People have made
one of my
>favorite albums of the year. Unbelievable mix of the Gentle People
sound with
>electronica that will pack the dance floors in the Shibuya distict of
Tokyo.
>Marketed for the Shibya-kei fan this has me hoping they put together
another Gentle
>People compilation like "Music To Watch Comets By" that set me off in
search of more
>shibuya styled pop years ago.
Chuck - I agree - the more I listen the more I like it. "Shopping" and
"Groovin With You"
and "Mr. Whiskey" are very listenable and, of course, "Gentle People Are
Love" is clearly
dancefloor material. I actually just now got off the phone with Dougee
Dimensional in London;
they've got a big gig coming up this Friday night (did I ask where - no!
- I'm in Dallas), but he
said they've got UK distribution for SIMPLY FABOO in the works, and
possibly US
distribution through Caroline, but nothing confirmed.
GP is moogy, this release is a little more "poppish," and the cuts
toward the end of the album
retain the loungy ambience of their first release. BTW, Chuck - where
did you find your copy?
I got mine through Medium Rare in SF, but had to shell out $30 for it!
BTW, I also loved the "Comets" comp and finally got my copy of Lindberg
Hemmer Foundation
which is a pure listening delight, to my ears....
--
Mark D. Head
The Captain
mdhbene@airmail.net
_______________________________________
TANSTAAFL!
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From: Wayno <studio@wayno.com>
Subject: (exotica) Istanbul (Not Constantinople)
Date: 02 Aug 1999 19:15:17 -0400
The Four Lads scored something of a hit with their 1953 version of
"Istanbul." It's on their Columbia "Greatest Hits" LP.
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From: HOUSEOBOB@aol.com
Subject: Re: (exotica) RE: The Gentle People "simply faboo"
Date: 02 Aug 1999 20:50:54 EDT
In a message dated 8/2/99 6:58:03 PM, you wrote:
<<finally got my copy of Lindberg
Hemmer Foundation>>
And what is that ? Another compilation?
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From: "Stephen W. Worth" <bigshot@spumco.com>
Subject: (exotica) Cheeze vs Kitsch
Date: 02 Aug 1999 18:24:45 -0700
>Date: Sat, 31 Jul 1999 12:13:18 +0200
>From: Moritz R <exotica@munich.netsurf.de>
>Subject: Re: (exotica) Bring on the "Lounge", Don't Bother They're Here
>
>Perhaps I misunderstand "cheesy". I can't find it in my dictionary. I
>think it means something like cheap, fake or so, no? Kitsch....
Cheezy and tacky mean about the same thing... poorly made knockoffs...
not well planned... cheap imitations. When I use it to describe music,
I usually use it to describe something that uses crass effect over
real musicianship. Ping pong stereo, fake bird calls, sound effects,
and heavy use of reverb all are elements that I consider to be cheezy.
All of these techniques can be used tastefully, but only in sparing
doses.
Kitsch is something that pretends to be "high class" or meaningful,
but is actually in poor taste or a cheap imitation... Wood grain
wallpaper, marblized plastic busts of Beethoven, and salt and pepper
shakers in the shape of praying hands all fall into that category.
In music, pseudo-classical ornamentation and trills, overblown
emotional histrionics and bad light-operatic singing all fall into
the category of kitsch.
Camp is a subset of kitsch... something that was intended to be
serious by its creator, but is now perceived as being funny. The
Shaggs are a perfect example of Camp Music.
I wouldn't label all "lounge" music as camp, kitsch or cheezy.
But there certainly is a lot of it that does fit in that category.
When I taunted the ire of Pele by saying that I much prefer
Arthur Lyman to Martin Denny, it was because of Denny's songs
like "March of the Siamese Children" or "Tse Tse Fly" which
use cheezy effects to extreme. I can't listen to songs like
this over and over. They grate on me the more I hear them.
In contrast, Arthur Lyman's version of "March of the Siamese
Children" (which admittedly isn't one of his best numbers)
is much more tolerable on repeat listenings because Lyman in
this case didn't put effect ahead of the musicality of
the arrangement.
It seems that a lot of the "lounge" comps have picked the
stupidest and least listenable cuts of the artists they cover.
For the life of me, I can't imagine anyone listening to "Zounds
What Sounds" more than once, but cuts from it are sprinkled
through the Capitol collections along with many equally annoying
novelty cuts. It's like the people who assemble these things
don't really like the music, they are just picking the cuts
that jump out at them as sounding "unique".
Arthur Lyman isn't spared either... the "Sonic Sixties" CD
skillfully assembles every descent into "keeping up with the
kids" camp that Lyman ever put to wax, and Xavier Cugat's
indescresions are doomed to haunt the stacks for a long time
to come in the dreadful "Cugie A-Go Go" collection. I would
like to hear the more serious Esquivel album that someone
mentioned, because there are times squeezed in between
the goofy boy-girl choruses and ping pong clatter that I
hear something I really like in his music. There isn't a
lot of that in the Esquivel compilation CDs though. There
is a lot of "POW! POW! POW!" however...
See ya
Steve
Stephen Worth
bigshot@spumco.com
The Web: http://www.spumco.com
Usenet: alt.animation.spumco
Palace: cartoonsforum.com:9994
Spumco International
415 E. Harvard St. Ste. 204
Glendale, CA 91205
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From: "Carl Russo" <c_russo@email.msn.com>
Subject: Re: (exotica) Istanbul (Not Constantinople)
Date: 02 Aug 1999 17:42:32 -0700
Don't forget the Residents' version--entitled "Constantinople" from the Duck
Stab album (1978).
C. "Ratso" Russo
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From: "Elisabeth Vincentelli" <teppaz@panix.com>
Subject: (exotica) Arling & Cameron show
Date: 02 Aug 1999 23:10:42 -0500
I saw Arling & Cameron's live show yesterday (as opposed to their DJ gig)
and I highly recommend it to exoticats who have a weakness for the "club
pop" strand. Oh heck, I recommend the show to everybody out there. Imagine a
roomful of New Yorkers grinning like fools and *dancing*, and on a Sunday
night at that, and you'll get an idea of the miracle our Dutch pals pulled
off.
Highlights:
- bird slides, bird calls by guest Herr Doktor Klug, ornithology course by
Richard Cameron
- guest Fay Lovsky performed one of the Queen of the Night's arias from The
Magic Flute (can't remember the title, it's the second one) in its entirety,
note for note, *on a theramin*. It was a virtuoso performance that made the
entire room realize how badly people usually play that instrument.
Absolutely incredible.
- Richard and Fay limply punching their fists in the air during the "rock"
moments
- the excerpts from the upcoming album, Soundtracks from Unreleased Movies.
Horror, beach, 60s action caper: these guys can do it all.
- Richard, after the show was over: "This proves that it pays to rehearse!"
The A&C express is making its way to the West Coast. Don't miss it.
Elisabeth, still dazzled
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From: Rcbrooksod@aol.com
Subject: Re: (exotica) Istanbul (Not Constantinople)
Date: 02 Aug 1999 23:30:33 EDT
In a message dated 8/2/99 6:40:21 PM Pacific Daylight Time,
c_russo@email.msn.com writes:
<< Don't forget the Residents' version--entitled "Constantinople" from the
Duck
Stab album (1978).
C. "Ratso" Russo
>>
and the obvious one on UL Space Capades --- sorry if this has been
mentioned.
tb
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From: "n.e.u." <exotica@munich.netsurf.de>
Subject: Re: (exotica) Cheeze vs Kitsch (Lyman vs Denny)
Date: 03 Aug 1999 12:49:34 +0200
Stephen W. Worth,
thanks for your definitions of "cheesy", "camp" and "kitsch". I will add them
to my dictionary. Still I don't understand, how you arrive to see Martin Denny
and Arthur Lyman in the light of these definitions. We had this controverse
discussion when I was new in the Exotica list; I recieved my first flames when
I wrote, I see Lyman as nothing more than an epigone of Denny. I corrected and
modified my judgement later, but I still say that the basic idea for the
Exotica sound is Denny's. So, if cheesy has anything to do with imitation, as
in your definition, it can't be on Denny's side. I don't say Arthur Lyman's
version of Exotica is cheap, just not breathtaking original. Compare to what
Julius Wechter did after he left the Denny group: Baja Marimba Band....
If we talk about the interpretations of certain "classics", and wether they
are near to Kitsch or "cheese", I would say: at least never cheesy. Some tunes
of Denny are extremely "sweet", as titles like "Hypnotique" or "Kiss In A
Shadow" (both on Hypnotique), and I'm sure, there are a lot of people, who
would consider them as Kitsch. To me they never were. I would call these songs
painfully beautiful. Maybe I'm just tougher in the way I can stand these
emotions than other people. To me they are almost Blues. Deeply felt music.
And masterfully played. And spiced with interesting unique sounds. Too much
for you perhaps, "rich" and inventive to me. There's nothing like it in
Lyman's repertoire.
But that's not all what Martin Denny is about: Exotica 1/ Mono, is a different
cup of tea: It's the rough, wild, primitive Denny, I really wish there were
more records in this style. Maybe the Exotica movement became too elaborate
too soon, but Arthur Lyman doesn't have a record like that (except that he
played on it) and he certainly doesn't stand for keeping Exotica wild. Riding
the bird call concept to death? Arthur Lyman is as guilty of that crime as
Denny. But while Martin Denny was able to go into many other directions later,
Arthur more or less stuck to the original Exotica idea. His thing are these
lonesome calls ... "Bwana Hey"... lonely flute (he took them from Perez
Prado's Voodoo Suite though), I really like those for their melancholic
loneliness, but the rest of the credits go to Martin Denny. He's the more
versatile. Much more. Just think of Hypnotique, the jazzy Exotica 3, Latin
Village, A Taste Of India (with this Sitar version of "Hypnotique" and
"Incense and Peppermints")....
Denny himself has to give credits to Cal Tjader, who invented the kind of Jazz
that we hear on Martin's first recordings. Mambo By Tjader is the album. But
that did have neither bird calls nor chimes nor any other exotic instruments,
just the basic jazz quartet sound. But this's getting too far now...
Hey, as long as we can still talk about M.D. and A.L., this list cannot go
under. Thanks anyway for having a different opinion, without which this entire
exchange wouldn't have become possible!
Mo
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From: "Robert McKenna" <rmckenna@hotmail.com>
Subject: RE: (exotica)Prez and Stay Awake (Was New eXotica Releases Overview Update)
Date: 03 Aug 1999 04:47:01 PDT
i have to say, as a kabaret lover and regular attendee, that the hal willmer
weill disc is simply not very good. sting's mac the knife is not that bad,
at least compared to the bowdlerised abomination that was perpetrated on the
world by louis armstrong. unforgiveable.
dagmar krause did some nice contenmporary brecht/ weill and brecht / eisler
albums. bowie's baal (umlauft / brecht) is possibly the best 'pop star'
doing kabaret i've heard. way better than the willmer one. if you're looking
for a cheap introduction to the genre in english there's an absolutely
cracking cd in the hmv classics series, called i think cabaret songs, it's a
couple of 80s chamber albums of weill/eisler/umlauft music. only about 6
quid and more than worth it.
i saw an ad in the wire for a compilation of contemporary electronic
versions of brecht's songs. has anyone heard any of this?
> > -----Original Message-----
> > From: owner-exotica@lists.xmission.com
> > [mailto:owner-exotica@lists.xmission.com]On Behalf Of Mimi Mayer
> > Sent: Friday, July 30, 1999 11:49 AM
> > But
> > >doesn't St-ng sing "Mack the Knife" on it or something?
> >
> > AAAAIIIIIIIIEEEEE! I'd erased that bad memory -- completely
> > obliterated it!
>
>Didn't mean to spoil your weekend, sorry. =) For the record, I really did
>like him when he was still a snotty young punk in probably the best
>power-pop trio ever. I think that oh-so-clever reference to "Lolita" did
>him
>in, though...
>
>Later,
>Ben
>
>np: gak, "gak"
>
>http
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From: LTepedino@aol.com
Subject: Re: (exotica) Cheeze vs Kitsch
Date: 03 Aug 1999 08:56:06 EDT
In a message dated 8/2/99 8:23:07 PM EST, bigshot@spumco.com writes:
<< I wouldn't label all "lounge" music as camp, kitsch or cheezy.
But there certainly is a lot of it that does fit in that category.
When I taunted the ire of Pele by saying that I much prefer
Arthur Lyman to Martin Denny, it was because of Denny's songs
like "March of the Siamese Children" or "Tse Tse Fly" which
use cheezy effects to extreme. I can't listen to songs like
this over and over. They grate on me the more I hear them.
In contrast, Arthur Lyman's version of "March of the Siamese
Children" (which admittedly isn't one of his best numbers)
is much more tolerable on repeat listenings because Lyman in
this case didn't put effect ahead of the musicality of
the arrangement. >>
Sorry stephen,
I gotta join Mo here. Don't just use "cheezy" to conveniently point your
feeling that Lyman is superior to Denny. You even mention Lyman's awful '60s
cover versions which Denny never crassly launched into to the extent that
Lyman did. And when Denny did with tunes like "Incense and Peppermints" he
pulled it off with far greater panache than Lyman.
While you may find "Tse Tse Fly" and "March Of the Siamese Children" as
grating, I must direct this dabate with Lyman's really awful Sousa style
marching band numbers. While Denny had his share of these he kept them far
more in check and had fewer of them. And how can we forget Lyman's extremely
cheezy decison to include a cover version of "Hava Negila" (a tune which
Denny also recorded but showed more tasteful resrve not to release.
To use your definition of cheezy, I believe Lyman is the clear winner in this
fromage department.
when Denny uses effects like bird calls etc. he is fully aware he is having a
little fun with the music. It is a sly wink that you can have fairly
sophisticated jazz combo arrangements and have some fun with it, have a
knowing, sly wink to the audience knowing full well why you are throwing
these effects in. Nothing Lyman ever did in the arrangement department ever
matched what Denny did with "Quiet Village" or "Jungle Madness" and I will
chime in with Mo's argument that Julius Wechter was furthermore a far
superior arranger and songwriter to Lyman.
Ashley
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From: mimim@texas.net (Mimi Mayer)
Subject: (exotica) Sun Ra Space
Date: 03 Aug 1999 08:34:18 -0500
Marco, bless his heart, sent a URL for a meaty, beaty Sun Ra site with an
enormous discography. Lovely photo of our high lord here. Put on your space
suits and head to Saturn!
http://www.dpo.uab.edu/~moudry/index.htm
Sorry if I repeat old news here. Marco, sappig site! Danke, Herr Weirdomusic=
!
Mimi
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From: "Lou Smith" <lousmith@pipeline.com>
Subject: (exotica) [obit] Gilbert Barclay Mustin
Date: 03 Aug 1999 06:41:47 -0700
BRYN MAWR, Pa. (AP) -- Gilbert Barclay Mustin, the president
of Fleer Corp., one of the largest baseball trading card companies
in the country and creator of Dubble Bubble chewing gum, died
July 28 of pneumonia. He was 78.
Mustin was the grandson of Frank Fleer, who
founded Fleer in Philadelphia in the 1880s. The company made
confections including Chiclets gum.
Fleer is believed to have invented bubble gum
in 1928. Company accountant Walter Diemer is often credited with
accidentally inventing the product, which Fleer sold under the
name Dubble Bubble.
Mustin started at Fleer in 1949 and became
its president in 1959. By then, the company was in stiff competition
with Topps, makers of Bazooka bubble gum. Topps dominated the
baseball trading card business because the Federal Trade Commission
had upheld Topps' exclusive contracts with pro baseball players
for the use of their pictures on cards packaged with the gum.
Fleer, which had long sold trading cards of
movie stars and other personalities with its gum, began a long
antitrust suit against Topps in 1975. In 1983, the companies
reached an out of court settlement that allowed Fleer to sell
baseball cards but not with gum.
Mustin retired in 1989, the year Fleer was
sold to Marvel Entertainment. Fleer was sold again this year
to a group of private investors and renamed Fleer Skybox of Mount
Laurel, N.J.
-----
MailStart Plus - http://www.mailstartplus.com
Consolidate Your Mailboxes Into an Organized, Filtered, Spell-Checked,
Anywhere, Anytime WebBox
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From: "Charles Moseley" <Charles_Moseley@MCKINSEY.COM>
Subject: (exotica) More finds
Date: 03 Aug 1999 14:48:34 +0100
I forgot to mention that I found The Ray McVay Roadshow LP that I've been
searching for for so long with that superb version of 2001 featured on the
Further In Flight compilation and
Bedazzled OST - another Harkit Records bootleg (although I'm not sure what
else they've bootlegged, I just know I've got something else on their
label). This soundtrack is not really my cup of tea. Whoever described it
as now sound (Laura?) fooled me into expecting it to be something else. I
am definately into the title track but there seems to be a lot of noodling
throughout the LP. Still nice to have it though.
Charlie
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From: "Charles Moseley" <Charles_Moseley@MCKINSEY.COM>
Subject: (exotica) Foreign finds
Date: 03 Aug 1999 14:53:49 +0100
After a brief sojourn in Italy, I return with the following new
possessions:
Goblin - Suspira OST - Found at last, moog and prog rock style frenzy in a
superb cover with pop-up graphics on inner sleeve and lots of goulish
imagery.
Roy Budd - Diamonds (Colpo di Millionari Di Dollari) Proper bass heavy jazz
soundtrack mentioned here many times before.
Brigitte Bardot - Disque D'Or compilation - 1981 and far from original but
still an excellent collection of tunes - Harley Davidson, St Tropez,
Contact, Marselleis Generique, etc etc.
Incredible Bongo Band - Bongo Rock - The original LP in perfect working
order, found in a bargain bin for a couple of quid - laughing!
Johnny Harris - Movements - A very nice easy listening LP with a couple of
breaks and some very well done tunes. One very fast rocking tune with flute
and all the right elements. Very pleasing!
All in all, some good finds!
Charlie
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From: mimim@texas.net (Mimi Mayer)
Subject: Re: (exotica) Cheeze vs Kitsch (Lyman vs Denny)
Date: 03 Aug 1999 10:06:39 -0500
A chunk from an interview with Martin Denny seems appropriate here. It's
from _Incredibly Strange Music_, RE/SEARCH PUBLICATIONS, 1993. The book is
remaindered now so people in the States should be able to pick it up cheap.
V: What's your musical background?
MD: Well, I have a classical background. At the age of ten in New York
City, I studied piano under Lester Spitz and Isadore Gorn--I was kind of a
child prodigy. When I was quite young I went to South America with a
six-piece band and spent over four years there. As a result you can detect
a lot of Latin rhythmic signatures in my music. If you take Hawaiian music
alone, it lulls you to sleep--whereas Latin music has exciting rhythms; it
has a BEAT!
When I started my group I didn't limit myself to Hawaiian songs; I
used popular tunes as well as the ones I'd composed. My group included
piano (I'm the pianist), vibes, bass,drums, and Latin percussion. Everybody
doubled on their instruments; the vibes person played marimba and bells (or
whatever), and I leaned heavily on this interplay of percussion. Together
we achieved the "Martin Denny sound," which was a blend of all these
instruments. And the HOOK was these exotic bird calls.
V: Who thought of that?
MD: Well, I did--I put 'em in there. But it began quite accidentally. I
opened at the Shell Bar in Henry J. Kaiser's Hawaiian Village in 1956. By
this time we had four people including Arthur Lyman on vibes (later
replaced by Julian Wechtler, who went on to form the Baja Marimba Band) and
Augie Colon (who did the bird calls) on bongos and congas. The Hawaiian
Village was a beautiful open-air tropical setting. There was a pond with
some very large bullfrogs right next to the bandstand. One night we were
playing a certain song and I could hear the frogs going [deep voice]
"Rivet! Rivet! Rivet!" When we stopped playing, the frogs stopped croaking.
I thought, "Hmm--is that a coincidence?" So a little while later I said,
"Let's repeat that tune," and sure enough the frogs started croaking again.
And as a gag, some of the guys started spontaneously doing these bird
calls. Afterwards we all had a good laugh: Hey, that was fun!" But the
following day one of the guests came up and said, "Mr. Denny, you know that
song you did with the birds and the frogs? Can you do that again?" I said,
"What are you talking about?" -- then it dawned on me he'd thought that was
part of the arrangement.
At our next rehearsal I said, "OK, fellas, how about if each one of
you does a different bird call? I'll do the frog..." ... We played it the
next night, and all evening people kept coming up and saying, "We want to
hear the one with the frogs and the birds again!" We must have played that
song THIRTY times. It turned out to be "Quiet Village."
As a result of playing in that tropical setting, I began to
incorporate instruments from the South Pacific and the Orient into our act.
We'd build a different arrangement around each instrument, experimenting to
give each tune a different feel. Gradually the sound evolved. After a year
I was ready to do _Exotica_....
***
Elsewhere in the article, Denny describes the Hawaiian Village as "a big
laboratory where I could experiment..." He praises every musican he worked
with, including Arthur Lyman, and gives Les Baxter his due as composer of
"Quiet Village." The interview and his records leave me with the impression
that the performing Martin Denny was an adventurous, generous, and
immensely talented musician who, yes, wanted very much to delight his
audiences -- but perhaps even more he wanted to stretch his chops and those
of his players, and take music where it hadn't been before. No question:
some of Denny's stuff falls squarely into the cheese category. Yet I think
through his hybrid musicianship and deep melodic and rhythmic senses, he
transcended most of the kitsch content of his tunes. Won't take on the
debate, Who's better: Lyman or Denny? Let the experts duke that out.
Instead I'll savor how lucky accidents can sometimes lead to original art.
Mimi
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From: Rcbrooksod@aol.com
Subject: Re: (exotica) Cheeze vs Kitsch and Denny vs. Lyman
Date: 03 Aug 1999 11:32:03 EDT
In a message dated 08/03/99 8:58:03 AM Eastern Daylight Time,
LTepedino@aol.com writes:
<< Nothing Lyman ever did in the arrangement department ever
matched what Denny did with "Quiet Village" or "Jungle Madness" and I will
chime in with Mo's argument that Julius Wechter was furthermore a far
superior arranger and songwriter to Lyman.
Ashley >>
OK, here I go.
I am on board with the above statement too. I think most that judge Denny in
the proper light refer to his early years where his style was never
associated with cheesy. One of the problems that many have in discussing
Denny is that they refer to comps put out by Ultra Lounge or Pair or any of
the other half dozen Denny comps. It is my opinion that these comps don't
really reflect the true Denny style.
I feel one needs to listen carefully and closely to the first 10 or so albums
that Denny did to get a true representation of what Denny was about. The
problem is that many of the people interested in the world of Exotica like so
many types of music loosely lumped in this category. They do not have the
time (or take the time) to listen all the cuts from the albums mentioned
above. Admittedly this is a timely (not to mention coslty) process and some
just don't have the dedication to Denny to do it. And I can understand that.
Admittedly, songs like Tse Tse Fly and Hawaiian Tattoo do have a campy nature
to them, but this is no different for other "serious" performers of the time
having a "fun" cut on their albums. This was more common 40 years ago than
it is today because today's pop performers are all to serious about their
music because it usually has some agenda.
And how about all those birdcalls and animal noises? Denny happened on this
by accident when an audience guest asked about the "song with the frog
noises". The band had fun with this and incorporated it into the music
because the people liked it -- not because they wanted to be funny (or if you
will, cheesy).
Denny's music, in the original time setting, sold millions of records based
more on his composures and unique slants on Polynesian themes with jazzy
styles --- not because it was cheesy. The public would have identified this
early on and Quiet Village would have been a one hit wonder.
Or think about it this way: people don't buy second, third and forth follow
up albums based one an original album that was cheesy. Think of Elliot's
Zounds! I love it and it is a great novelty but I would not then buy a
second or third follow up. The fact that Denny sold so many follow up albums
is testimony to his style not being cheesy.
Oh well, just a few comments from anobviously died in the wool Denny fan.
Like you couldn't guess which side I would be on.
Tiki Bob
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From: Rcbrooksod@aol.com
Subject: Re: (exotica) Cheeze vs Kitsch (Lyman vs Denny)
Date: 03 Aug 1999 11:51:59 EDT
In a message dated 08/03/99 10:58:07 AM Eastern Daylight Time,
mimim@texas.net writes:
<< "Mr. Denny, you know that
song you did with the birds and the frogs? Can you do that again?" I said,
"What are you talking about?" -- then it dawned on me he'd thought that was
part of the arrangement. >>
Great testimony. Had the animal and bird noises not lended themselves to the
composure Denny would not have included them. I also know that Mr. Denny has
commented that if he thought that for one moment that people would have
thought of him as being silly or campy with the addition of the noises he
would have never included them.
Tiki Bob
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From: Jane Fondle <jane_fondle_69@yahoo.com>
Subject: (exotica) Bedazzled...
Date: 03 Aug 1999 08:57:51 -0700 (PDT)
cc:
>>>Bedazzled OST - another Harkit Records bootleg
(although I'm not sure what
else they've bootlegged, I just know I've got
something else on their
label). This soundtrack is not really my cup of tea.
Whoever described it as now sound (Laura?) fooled me
into expecting it to be something else. I
am definately into the title track but there seems to
be a lot of noodling
throughout the LP. Still nice to have it though.
Charlie
Well, Mr. Charlie, I don't know if I mislead you..
Sadly, I CAN'T because I don't have it! I vaguely
remember the backings, but of course the vocal numbers
are great, too. ( Astroslut has recorded a version of
"Bedazzled" that's pretty dang faitful...but
different,if that makes sense.)
Still, I wouldn't complain about it not being "your
cup of tea" to have such a rarity, unless that tea is
reallllllyyyyy nasty!
Green(tea) with envy,
Jane Fondle
===
"It's just my nature to do weird stuff." - Les Baxter
Astroslut website: cuming soon!
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From: Nat Kone <bruno@yhammer.com>
Subject: Re: (exotica) Cheeze vs Kitsch
Date: 03 Aug 1999 12:05:51 -0400
At 06:24 PM 8/2/99 -0700, Stephen W. Worth wrote:
>
>For the life of me, I can't imagine anyone listening to "Zounds
>What Sounds" more than once,
Start imagining a guy in his mid forties who lives in Toronto and has
played that record more than twenty times, has put it on tapes for other
people who have also played it more than once etc etc.
Nat
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From: "Charles Moseley" <Charles_Moseley@MCKINSEY.COM>
Subject: Re: (exotica) Bedazzled...
Date: 03 Aug 1999 17:11:08 +0100
The bootleg in question came from Intoxica (they're in Notting Hill and on
the www).
I'm not complaining. I just had expectations...
Charlie
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From: quiet@village.uunet.be
Subject: (exotica) mandingo CD's
Date: 02 Aug 1999 19:44:15 +0200
just 1 place where you can get them for GBP 9 (and postage is low):