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- Subject: How to Make a Long Distance Call in 1942
- Date: Thu May 25 23:57:32 1995
-
- In my hobby of listening to Old Time Radio programs, I came across
- this gem which I've transcribed below, which gives a fascinating
- insight into what it took to make a long-distance phone call in 1942.
-
- This is an episode of the dramatic series "Suspense". This particular
- broadcast occurred on September 2, 1942, starring Orson Welles and
- entitled "The Hitchhiker". Welles plays a man named Ronald Adams, who
- is traveling alone cross-country in his car, and as the story
- progresses, he is becoming increasingly tormented by a mysterious
- figure he keeps encountering along the way, usually along the side of
- the road. At a tense and dramatic point near the end, he decides to
- call his mother in Brooklyn, New York from a payphone in Gallup, New
- Mexico, several thousand miles to the west. Note that the complexity
- of making the call has nothing to do with the story; it's just
- presented as how things were routinely done. PAT, feel free to jump in
- and clarify, if you can, why it takes at least four operators working
- in sequence to pull this off:
-
- (Adams deposits a coin and waits)
-
- OPERATOR #1: Your call, please...
-
- ADAMS: Long distance.
-
- OPERATOR #1: Long distance... certainly...
-
- (a buzzer is heard on the line...)
-
- OPERATOR #2: This is Long Distance...
-
- ADAMS: I'd like-- *cough* *cough* (louder now:) I'd like to put in a
- call to my home in Brooklyn, New York... I'm Ronald Adams... um, er,
- the number is BEechwood two, oh eight two eight.
-
- OPERATOR #2: Certainly; I will try to get it for you...
-
- (another buzzer, fainter this time)
-
- OPERATOR #3: Albuquerque...
-
- OPERATOR #2: New York, for Gallup...
-
- (two faint electronic beeps heard on the line)
-
- OPERATOR #4: New York...
-
- OPERATOR #2: Gallup, New Mexico calling BEechwood two, oh eight
- two eight.
-
- ADAMS: (talking quietly to himself:) I read somewhere that love
- could banish demons...
-
- (his payphone abruptly swallows the first coin into its box)
-
- ... it was the middle of the morning ... I knew mother'd be home...
- I pictured her, tall and white-haired, in her crisp house dress, going
- about her tasks. It'd be enough, I thought, just to hear the even
- calmness of her voice--
-
- OPERATOR #1: (brisk, sing-song businesslike voice) Will you please
- deposit three dollars and eighty-five cents for the first three
- minutes? When you have deposited a dollar and a half, will you wait
- until I have collected the money ...
-
- (we hear six quarters go in one at a time, each striking the heavy
- bell inside the phone. After the sixth quarter, we hear a slight
- avalanche of coins falling inside the phone.)
-
- OPERATOR #1: (more sing-song business script:) All right, deposit
- another dollar and a half ...
-
- (six more clangs and an avalanche)
-
- OPERATOR #1: Will you please deposit the remaining eighty-five cents ...
-
- (three more clangs, then a ringy-ding from a dime)
-
- OPERATOR #1: Ready with Brooklyn. Go ahead, please ...
-
- ADAMS: Hello?
-
- VOICE ON THE OTHER END: Mrs. Adams' residence ...
-
- Whew! It all moves briskly along, but still takes a full two minutes
- and six seconds of airtime between the time Orson puts his first
- nickel in the phone and the time the phone is answered at his mother's
- house. Contrast that with how little time it takes us today to pick
- up the phone, rip through a speed dial and have someone halfway around
- the world answer in seconds. (And it probably costs less than $3.85!)
-
-
- Andrew C. Green (312) 266-4431
- Frame Advanced Product Services
- 441 W. Huron Internet: acg@frame.com
- Chicago, IL 60610-3498 FAX: (312) 266-4473
-
-
- [TELECOM Digest Editor's Note: The above is mostly accurate. Usually
- if the coin deposit required was more than the collection table inside
- could hold, the operator refrained from asking for payment until the
- called number or party answered. The reason was, if there was no answer
- the money had to be returned, and what had been dumped in the box
- already could obviously not be returned through the coin return slot.
- If it was a small enough amount the operator would ask for it and it
- would be held inside on the table. The operator's switchboard had two
- buttons on it marked 'return' and 'collect' and by pressing one button
- or the other, the money would fall in the box or the table would tip
- in the other direction and dump the coins back out to the caller. If
- the amount or number of coins made it impossible to hold them all (and
- this usually only happened on international calls costing ten or fifteen
- dollars) then the operator would get the distant party on the line,
- tell them to hold on a minute and come back to the caller asking for
- the money. If the caller tried to be smart and talk to the other end
- before the money all got deposited the operator would either tell them
- to shut up and try to talk over them or she would 'split the connection';
- that is, cut off the one party from hearing the other until all the money
- was deposited. Then if she had to collect it in increments of a few
- dollars at a time, tell them to wait while she collected and then ask
- for more, she would. For calls costing less than a couple dollars they
- asked for all the money up front because even with a busy/no answer at
- the other end, this could still be funneled down the return slot by
- tipping the table inside the phone to the left.
-
- It took as many operators as it did because there were apparently (in
- the example on the radio) no direct lines between Gallup and New York.
- Had there been a direct line between Albuquerque and New York then you
- might have heard an operator answer 'Kansas City' or 'Chicago' (or maybe
- both!) along the way, with a request from the earlier operator to please
- extend the call. Had it been in the late 1920's or 1930's, it is likely
- there would have been a half dozen more operators on the line in the
- process of making the connection.
-
- In some places, the operator who collected the money could not return
- it. Here in Chicago as late as about 1970, from some payphones in the
- south end of the downtown area if you called a suburban point which
- required the deposit of extra coins (over and above the five cents needed
- for the local connection) you had to dial '211' and tell the operator
- the number desired (to call Skokie for example). She would ask for the
- additional twenty cents due then ring the number. If there was no answer
- or the line was busy, she would tell you to hold on a minute for the
- return of your money. She plugged in on the switchboard somewhere and
- got another operator who answered 'Wabash' and your operator would then
- say something like 'return on trunk 178'. You would hear a rather rude
- popping noise in the earpiece and the coins would come clattering down
- into the coin return slot. Now and then an accident would occur: the
- operator would collect the coins when she meant to return them or even
- return them when she meant to collect them. In the former case, it was
- handled rather casually. If the customer indicated he would be attempting
- the call again in a few minutes, he would be told "when the operator
- answers, tell her you have ten cents credit coming from your prior call."
- If the coins were returned in error, the operator would ask you politely
- to redeposit them. PAT]
-