HaCKeRz KrOnIcKLeZ 3/HaCKeRz_KrOnIcKLeZ.iso/ufo2/andrews.txt

Text File | 1996-04-30 | 6KB | 128 lines

PUBLIC RELEASE

Meeting at the Museum of London
London, UK - Friday 5th May 1995

Mr. Ray Santilli invited media and researchers to a showing of the
Roswell film at the Museum of London, on 5th May 1995. Colin Andrews
flew to London from his Connecticut home to attend, having been
invited to an earlier private viewing of some of the material in
January this year.

Colin has just returned to his UK office from London and sent this
report: The meeting started at 1.00 PM, in the lecture theatre. We
arrived at 12.30 PM. Many familiar faces were there, some as follows:

George Wingfield
Robert Irving
Bob Kiviat (Fox/Paramount Films)
Phillip Mantel (BUFORA)
Michael Hesemann (Germany)
Nick Pope (MOD - Ministry of Defence - UK Government)
Carlton TV - UK
BBC radio 1 - UK
Daily Express UK
NBC - USA
Many other media
Reg Presley (Troggs pop group and friend of Colin)
Pete (Troggs)
Ray Santilli (Film owner)
Harry.... (Santilli's accountant)
His office staff
Researcher from Italy and Germany
John Holman - UK
Kent Jeofries - USA
total approx. 100

Everybody was frisked and NO cameras or recorders, etc. were allowed
inside the theatre.

The showing started at 5 mins. past one with no introduction; the
lights were simply turned off. The film started by saying:

     "The film you are about to see is taken from 16 mm original films
     on 3 minute-long canisters and was purchased from the person who
     filmed it. All copyright is with Merlin Communications Ltd."

[Description of film:]

At a table in a well-equipped [operating] theatre, two people in white
outfits and hoods and visors over eyes (all-in-one suits) were
inspecting the being. A third person was observing from behind a
glass screen in the wall of the theatre; he/she was also wearing an
outfit with a larger glass visor.

One of the surgeons looked closely at the body and was gesturing where
he/she would be cutting and pulling the legs apart inspecting the
vagina.  The female being had no breasts. It had five fingers and a
thumb [6 digits] on each hand and RP says he counted six toes also
(I could only see 5.) The ears were smaller than ours and located
lower on the head than ours, level with the mouth. The head was
larger (especially behind) and the eyes were larger, at least as big
as golf balls. It had a small nose and small mouth, which was open.
The body was very muscle-bound with very short, stocky legs and larger
human-looking feet. The belly was very large and looked 8 month's
pregnant, which it was not. The ears had the same major spiral trough
as ours but was smooth and featureless above, more simple and basic
than ours.

The surgeon cut from below the neck/chin down to the vagina and I
believe a tee-line outwards across the lower stomach. The chest and
stomach were exposed and the heart removed and placed into a tray
with other substances from around that immediate area. The lungs were
removed from behind into another tray. The camera was handheld, and
would on occasion move in close, losing focus in so doing. The flesh
and attachments to the organs being removed were moving and responding
to those actions in a very convincing manner -- as if real. There
were small amounts of fluids running down the side of the body when
the body was opened and organs removed. The colour of the liquid was
dark and bloodlike.

After the organs were cut out with a scalpel the surgeon cut a
continuous line around the middle of the head and I think over the top,
and peeled back the skin from rear to front over the eyes, revealing
the scalp. He took a saw and cut across the head and removed the
brain with other material and placed it into another tray. Before the
brain procedure started the surgeon removed a black lens layer from
each eye, revealing white eyes just like ours under it. The eyes had
pupils like ours which were looking up into the head (as a deceased
human would.) The single black layer of material was slightly
disc-shaped to fit over the eye pupil. It was as if a filter
lens/contact lens had been fitted into the eye.

The right leg had a serious open wound, exposing the major bones from
the lower part of the upper leg to middle calf area. The surgeon moved
the leg, inspecting the joint.

A large clock was on the wall to the side of the table and time I
believe began at 10.30 and was seen again around 11.25. A wall-mounted
telephone was visible, as were glass bottles and medical instruments.

The body and procedures looked very authentic and in my opinion would
have been hard to fake, but perhaps not impossible with current
techniques. At the end of the film, the lights came on and with no
comment people were expected to leave. I was talking with Nick Pope
(MOD) when a large group gathered at the rear of the theatre around
Ray Santilli and minders who were already saying he will not answer
questions and [that] the photographer is 80 odd [years old] and does
not want the questions and exposure. No other questions were answered
and he was whisked out with the media and myself staying with him. I
shook his hand earlier and he acknowledged me. I asked him as we all
crowded around him, "Will you be seeing us in your office?" He said,
"Yes, later." A TV interviewer said, "How am I supposed to interview
you without being given access to any other material?" When I was
interviewed by BBC radio 1 outside, they told me that BBC TV had
purchased a small amount of film and would be showing it next month.
It is believed that a major U.S. media company has made a bid. A fax
bid was received on 3rd May from a group of Attornies in Washington
representing an unnamed client (possibly U.S. Government) offering
1.8 million dollars for all materials to be returned to the USA. Mr.
Takano (CA contact in Japan) faxed me in USA thanking me for my help
putting them in touch with Santilli and said Santilli was going to
fly to Hong Kong on ... May to show them the film.
Update to follow later.

6th May 1995
- Colin Andrews UK.