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1992-12-18
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Path: menudo.uh.edu!menudo.uh.edu!usenet
From: cbenson@computer-science.strathclyde.ac.uk (Calum Benson)
Newsgroups: comp.sys.amiga.reviews
Subject: REVIEW: Final Copy II (UK version)
Followup-To: comp.sys.amiga.applications
Date: 18 Dec 1992 17:19:52 GMT
Organization: The Amiga Online Review Column - ed. Daniel Barrett
Lines: 447
Sender: amiga-reviews@math.uh.edu (comp.sys.amiga.reviews moderator)
Distribution: world
Message-ID: <1gt17oINNdrj@menudo.uh.edu>
Reply-To: cbenson@computer-science.strathclyde.ac.uk (Calum Benson)
NNTP-Posting-Host: karazm.math.uh.edu
Keywords: word processor, graphics, commercial
PRODUCT NAME
Final Copy II, Release 1 (UK VERSION)
BRIEF DESCRIPTION
Final Copy II ("FCII") is a "document publisher"; in other words, a
"what-you-see-is-what-you-get" (WYSIWYG) word processor with some
graphical facilities.
AUTHOR/COMPANY INFORMATION
Name: SoftWood Inc.
Address: PO Box 50178
Phoenix, Arizona 85076
USA
Telephone: (602) 431-9151
DISTRIBUTED IN UK BY:
Gordon Harwood Computers
New Street
Alfreton
Derbyshire DE55 7BP
Telephone: (0773) 836781
LIST PRICE
99.95 UK sterling (or as little as 59.99 mail-order).
SPECIAL HARDWARE AND SOFTWARE REQUIREMENTS
HARDWARE
Requires 1Mb (or 1.5Mb on an A600HD).
I recommend at least another half megabyte of RAM
Two disk drives or a hard drive are also needed.
SOFTWARE
Runs on any Amiga running Workbench 1.3.3 or higher.
COPY PROTECTION
None. Hard-drive installation program provided, with
three levels of automation -- novice, intermediate and
expert.
MACHINE USED FOR TESTING
Amiga 500+
2MB Chip RAM, no fast RAM
Workbench 2.04
REVIEW
FCII is billed as "the final word in word processing with perfect
printing." It is a WYSIWYG word-processor that will print outline fonts on
any Workbench-supported printer connected to any Amiga (including WB 1.3.3)
at its highest resolution, as well as provide structured drawing tools and
facilities for importing IFF, HAM and 24-bit graphics into your documents.
It certainly sounds an attractive proposition... but is it really the "final
word," or is it stuck somewhere nearer the "middle of the page?"
The first task FCII performs on invocation (it can be run from
Workbench or CLI, incidentally) is to ask what sort of screen you want it to
run on -- Workbench or Custom, interlace or hi-res, and with 2, 4, 8 or 16
colours. Once you have to decided, you can either save your preference or
have FCII ask you every time it is run. Unfortunately, you can't change
screen formats once you've opened a document; you have to save your work and
restart the program.
Text Editing
============
Each document you edit (and there can be more than one
simultaneously, memory permitting) occupies its own window. Along the top
of each one is an array of gadgets for specifying text justification, tab
stops, hyphenation, line spacing, master/body pages (more about these later),
ruler formats, page number selection and the various graphics tools
available to you. These gadgets are reasonably clear, but on an interlace
screen they are a little too small; it's not the first time I've either
clicked on the wrong one or missed altogether! The justification gadgets
(left, right, centre and full) also tend to look a bit similar to each
other: the latter two in particular.
Horizontal and vertical rulers are available, with measurements in
inches, centimetres or picas. Either or both rulers can be switched off,
but you'll need the horizontal one if you're planning to set your own tab
stops. Horizontal and vertical scroll bars are provided for panning through
your document. The rest of FCII's features are accessed from the customary
menu strip along the top of the screen.
So, let's start typing. Text initially appears in the default
"SoftSans" font, which is pleasant enough but a little too informal for
business letters and the like. SoftSans isn't a recognised PostScript font
either, so if you're planning to print out to a PostScript device, you'll
have to use one or more of the twenty other fonts supplied with FCII.
Actually, "twenty" is a little misleading -- only courier, Times, Helvetica
and schoolbook are supplied, each in their standard, bold, italic and
bold-italic styles, making up twenty in all. Having bold and italic fonts
which have been designed from scratch, though, is far preferable to
simulating them by slanting or doubling up the standard font. Extra font
disks are available from SoftWood, incidentally, although I was unable to
find out the price.
It's worth pointing out that Final Copy fonts are a law unto
themselves, ignoring all Compugraphic, Intellifont, Adobe and any other sort
of standard. While this means that SoftWood has a monopoly on the creation
and sale of any new fonts, they do take up much less memory than the
aforementioned standard formats, and consequently load and scale much
quicker too.
The properties of any text you type can be readily altered by
highlighting the text concerned and making a selection from the "Font"
menu. This provides for changing the font, size, underlining style (if
any), width (50-150% of normal), case (normal, all capitals or small
capitals), colour and obliqueness (slant).
All the usual clipboard facilities (cut, copy, paste and clear)
are available, again by highlighting text and making a menu selection.
Naturally, keyboard shortcuts are available for these and other common
functions. One unusual clipboard feature is "column addition"; if you
highlight a column of numbers (while holding down the ALT key), FCII will
add them up and store the result in the clipboard, ready to be pasted
somewhere. Almost totally useless, but novel, nonetheless !
Word-wrapping is automatic, and justification (left, right, centre
or full) can be set separately for each paragraph, as can most of FCII's
other style features. Hyphenation can be switched on or off (again, for
each individual paragraph, if you wish), and the point along a line of text
at which a word should be considered for hyphenation is also
user-definable. FCII uses the Collins/PROXIMITY hyphenation system,
incidentally, so you shouldn't need to worry about it hyphenating your words
on the wrong syllables. Margins and tab stops are set by dragging markers
along the ruler at the top of the page, and again this can be a little
fiddly on an interlace screen. This is true of the left margin in
particular, since its marker is half the size of the right margin's to
accommodate yet another marker -- the "first line indent" marker, which is
used to set the amount that the first line of each paragraph should be
indented. As a result, this and the left margin marker look very similar;
they are both small, right-facing arrows, and although one sits slightly
above the other, they can be easily confused.
Left and right master pages can be defined, acting as templates
for each page of your document. Any graphics or text you place on these
will be placed on each of your document before you even start typing; the
most common use for these is for page numbers and suchlike. Not
surprisingly, the left master page acts as a template for all the
even-numbered pages in your document, and the right master page as a
template for the odd-numbered pages. There is no easy way of copying the
right master page to the left or vice-versa, though, so if you want the
same graphics and text to appear at the same place on every page, you will
have to rely on your skill and judgement to set up both master pages
identically.
Graphics
========
Where FCII pulls away from the rest of the competition is in its
ability to handle graphics -- not just IFF and HAM, but 24-bit as well,
not to mention its own structured drawing tools.
Importing an IFF/HAM/24-bit graphic into a document is simply a case
of selecting the "insert IFF ILBM" option from the graphics menu. A few
seconds later, the graphic will appear on your screen, either in grey scale
or colour according to your preference, ready to be moved, rescaled or
cropped. If you wish, a box of use