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OCR: and this sophomore effort, almost all elements of conventional song structu en arrangement-distinguishable choruses, beginnings and endings-have wed to pulverized and chucked out the studio window. Not that Maxinquaye convention; it's just that Tricky lays on the tempo change-ups, the rand er, alternately entropic and atmospheric sound snippets a bit th making "I Be the Prophet," with its nimble string-plucking, the most "straightforward" song of this stony, largely somnambulate set David Wollock