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- HOW CD-ROM Discs are Made
-
- by Lorri Haney
- Marketing Manager Nimbus Information Systems
-
-
- CD-ROM is fast becoming one of the most important tools of this century.
- As the compact disc format for computers grows in acceptance, an
- increasing number of software publishers have found themselves venturing
- into the brave new world of CD-ROM, taking advantage of its unprecedented
- capacity and options for information delivery. Yet for many publishers,
- the production process of physically manufacturing a compact disc is
- still a mystery, full of complicated technology and foreign terminology.
- In reality, the world of CD-ROM manufacturing is highly technical and
- complex, but like other elements of software production, such as printing
- and packaging, it is a step-by-step, incremental process.
-
- The first step in CD-ROM manufacturing, is receipt of the publisher's
- software application. Most replicators can accept your project as either
- raw computer files or pre-formatted CD image files on input media ranging
- from CD-Recordable and SyQuest cartridges, to older backup media such as
- 9 track tapes. CD-Recordables or "CD-Rs" have become a popular source
- media because of their ability to provide publishers with a working CD
- prototype before going to large scale replication. Supplying a CD-R also
- means that data is "CD ready" for manufacturing, thus eliminating the
- need for further formatting. The growing affordability of desktop CD-
- Recordable technology has given rise to a growing multitude of service
- bureaus (including almost all replicators) who offer this service
- inexpensively. It has also allowed many publishers with a large number
- of new titles to justify bringing the work in-house.
-
-
- Premastering
-
- If raw computer files (those not yet formatted for CD) are submitted,
- information must go through a pre-production step called premastering.
- This process involves converting files into a standardized, logical
- format required for compact disc manufacturing. This standardization
- ensures universal readability of any CD-ROM disc, created for a given
- platform, by all CD-ROM drives. ISO 9660 is the international standard
- for the CD-ROM logical format in that it can be universally read and
- interpreted on Mac, PC, UNIX and VAX platforms. Apple HFS (Hierarchial
- File System) formatting is specifically designed to support the custom
- features of the Macintosh operating environment on compact disc. Other
- CD data formats available to publishers are CD-I (Compact Disc
- Interactive), CD-XA (Compact Disc Extended Architecture -- a mixed mode
- format where data and audio files are interleaved) and hybrid formatting
- which allows multiple file systems (such as ISO and HFS) to be placed on
- a single, shared CD-ROM.
-
- During premastering, a bit for bit verification is usually also performed
- to insure error-free conversion. Once the logically formatted data is
- approved, manufacturing can begin. Disc manufacturing involves five
- steps including mastering, electroforming, replication, printing and
- packaging.
-
-
- Mastering
-
- Since the quality of any CD-ROM disc is only as good as the master used
- to create it, mastering is considered the most critical step in the
- manufacturing process. CD pits, created in the mastering process, are
- among the smallest of all manufactured formations -- each is about the
- size of a particle of smoke. Which means that even the most microscopic
- forms of contamination can obscure large amounts of data. A clean room
- environment, where the size and number of particles in the air are
- strictly controlled, is therefore, a key requirement in both mastering
- and manufacturing CD-ROMs.
-
- Although there are several methods currently available for CD mastering,
- a photoresist system is most commonly used. This method produces a glass
- master by applying a photoresist (a light sensitive chemical that acts
- similarly to emulsions used to print black and white photos) to a
- specially prepared glass substrate. The photoresist is generally applied
- in a spin coating process in a thickness equal to approximately 1/8th of
- a micron; 640 times thinner than a human hair. Data is recorded in the
- photoresist layer through a laser encoding process where a computer
- translates the formatted input media into a series of "on" and "off"
- pulses of a laser beam recorder. In a spiral track, the laser beam
- recorder exposes portions of the photoresist with a blue light, creating
- the disc contents. If stretched linearly, this spiral track can run as
- long as three miles from the inner hub to the outer edge of the disc.
- Much like a photographic process, the glass master is then developed by
- applying a chemical developing fluid. The exposed areas of the
- photoresist are etched away resulting in the formation of millions of
- microscopic pits in the resist surface. After developing, a metal
- coating, usually silver, is evaporated onto the photoresist surface to
- provide a conductive surface for electroforming the glass master.
-
-
- Electroforming
-
- The ultimate goal of electroforming is to generate metal stampers used to
- replicate CDs. In this stage of production the glass master, which is
- now electrically conductive with its silvered surface, is submerged into
- a chemical bath containing nickel ions. By running current through an
- electrical circuit, nickel ions are attracted to the exposed surface of
- the glass master containing the disc image. As this coating of nickel
- grows, it conforms to the contours of the pits and lands (the space
- between pits) etched in the exposed photoresist surface. The end result
- is the formation of a thick, durable piece of nickel plating containing
- a negative impression of the compact disc in its metallic surface. This
- initial piece of metalwork is known as a metal master or "father". It is
- called a father because it is used to generate a family of two additional
- pieces of metalwork called a mother and a stamper. Mothers and stampers
- are successively grown in additional electroforming processes; mothers
- from fathers and stampers from mothers -- each piece an opposite image of
- the other. The stamper, an exact replicate of the metal master, is the
- end product of this stage of production and the "metal template" from
- which plastic CD replicates will be mass produced.
-
-
- CD Replication
-
- The first step in replication is to transfer the image of the compact
- disc from the metal stamper to a plastic substrate. A high-precision
- injection molding press injects a molten resin made of optical grade
- plastic into a mold cavity, containing the stamper on one of its faces.
- This process, which takes only a few seconds, results in the formation of
- a clear plastic disc with the pits impressed on one side. The plastic
- substrate is then metalized by applying a very thin layer of pure
- aluminum over the data pits molded into its surface. This metalization
- process provides reflective surface required for disc playback and gives
- the CD its distinctive, mirror-like appearance. A typical method of
- metalizing is through a sputtering process where discs are individually
- bombarded with aluminum atoms providing a uniform coverage. A final step
- in manufacturing is the application of durable lacquer coating on top of
- the aluminized surface. This coating protects the aluminum from
- scratches, oxidation and provides a platform for label art printing.
-
-
- Printing and packaging
-
- Graphic images are applied to the lacquered disc surface via high speed
- silk screening or offset printing. Depending on your replicator's label
- printing capabilities, artwork incorporating as many as 8 colors can be
- reproduced. Silkscreen printing, the most widely used method, involves
- transferring artwork to a porous screen through which inks are applied in
- a process similar to stenciling. Offset printing, which uses ink rollers
- and printing plates to transfer images, is widely used in traditional
- commercial printing and now also available for compact disc labels.
- Offset printing allows for the reproduction of images with higher quality
- resolution; its benefit over silkscreening is its ability to produce
- enhanced 4-color process images and other complex graphics.
-
- After printing, discs are either automatically or manually packaged.
- Although there has been growing availability and use of alternative
- options, the plastic jewel case remains the most commonly used packaging
- choice for CD-ROM. This trend has emerged due to its durability and
- universal availability of automated assembly. Other popular packaging
- options, which may require manual assembly depending upon the option and
- replicator, include lightweight alternatives such as TYVEK and cardboard
- sleeves, transparent plastic sleeves such as Viewpaks, and
- environmentally-friendly cardboard versions of jewel cases like DIGIPAKs,
- and ECOPAKs.
-
-
- Quality Control
-
- Disc quality is strictly controlled at every step of production to assure
- conformity to industry specifications. This ensures that all disc
- tolerances, which are acceptable ranges of variance, are within the
- design limits of all CD-ROM drives. Although all CD-ROM disc
- manufacturers are governed by the universal quality standards set forth
- by Sony and Philips in the Yellow Book specifications (the standards
- document for ROM), each manufacturer typically has their own quality
- control philosophy. The best replicators have internal standards which
- go beyond industry requirements. In mastering and replication critical
- parameters include signal quality measured by Block Error Rates --
- commonly known as BLERs, adherence to electronic standards, material
- stress and other physical defects that can affect disc playability.
-
-
- Turnaround time
-
- Turnaround time, also known as turn time, is the time it takes for a
- replication facility to complete all the stages of CD-ROM production
- mentioned above. The faster the turnaround required for finished
- product, the more expensive the service. Rush jobs, such as one- and
- two-day turns, are available but at significantly higher costs than
- standard seven-day turns, with premiums varying among manufacturers. Turn
- time can be a confusing issue for publishers, because CD-ROM replicators
- often vary in their definition. Some quote strictly on a business day
- basis, while others quote based on calendar days. Some consider the day
- data arrives at the plant day zero and do not apply it to days quoted in
- a turn, and others consider it day one. The best strategy for a
- publisher obtaining quotations based on a given turn time, is to clarify
- each replicator's definition to ensure an apples to apples comparison.
- It is also important to note that CD-ROM production is a scheduled,
- multi-faceted manufacturing process which involves more than just
- pressing discs. A quoted turn time is a promised date based on the
- assumption that all required parts including data, disc artwork and
- packaging materials are "workable" and at the factory at the necessary
- time. Any delay in receipt of workable parts, such as print which
- arrives late or label art which is out of the manufacturer's
- specification, will usually add critical days to turnaround time. While
- some manufacturers will go to great lengths to meet delivery deadlines
- under less than perfect conditions, their ability to do so depends upon
- several critical factors such as the nature of the delay, operating
- capacity and their own in-house capabilities.
-
- As the CD-ROM software industry grows, so does the demand for superior
- disc replicators. Although disc manufacturing is a standardized process,
- the quality of your total CD-ROM production experience, including
- flexible scheduling, technical expertise and one-stop-shopping to name a
- few, can vary greatly from company to company. Finding the right long
- term partner to meet your requirements is a task which involves research
- beyond basic price comparisons.
-
-
- Lorri Haney
- Marketing Manager, Nimbus Information Systems
-
- As marketing manager for Nimbus Information Systems, Lorri Haney is
- responsible for CD-ROM strategic marketing and technical communication
- programs. Her background prior to Nimbus includes an MBA in marketing
- and extensive experience in high technology marketing management for
- industries including telecommunications and database publishing services.
-
- For those readers interested in viewing the manufacturing process, a
- multimedia tour on CD-ROM for Macintosh and Windows platforms is now
- available. Call Lorri Haney, Marketing Manager at (800) 231-0778 x457 to
- receive your free copy.
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