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- the works that hang
- in the gallery
- this month are by
- the dutch-born gra-
- phic artist m.c.
- escher (b.1898,d.
- 1972). escher spent
- his early career on
- the move around the
- small towns of
- italy and sicily.
- but in 1941, after
- living in rome for
- over a decade, he
- returned to his
- native netherlands
- where he spent the
- rest of his life.
-
- ^s:PRESSANY
- escher worked
- primarily with
- woodcut, wood
- engraving, and
- lithography. his
- style is very
- realistic and
- detailed, and
- features complex
- geometrical pat-
- terns and unusual
- perspectives that
- fool the eye and
- create optical
- illusions.
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-
-
-
- escher's tech-
- nique and artistic
- ability transports
- the viewer into a
- magical world where
- the impossible be-
- comes commonplace.
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-
- our gallery has
- four walls, each
- displaying a detail
- of one of escher's
- works.
-
-
- ^g:GIVEOPTS
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- well, i do hope
- you found that
- piece interesting.
-
- ^@GIVEOPTS
- you may view the -
-
- n)orth wall
- s)outh wall
- w)est wall
- e)ast wall
-
- or, you may
- q)uit for now.
-
- well?...
- ^i:n,s,w,e,q:NORTH,SOUTH,WEST,EAST,BYE
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-
-
- this piece is a
- 1935 wood engraving
- entitled "dream".
- here, the artist
- experiments with
- creating a gradual
- transition from
- light to dark in
- woodcuts and wood
- engravings.
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-
- thematically, in
- the mystical sub-
- ject of the praying
- mantis and bishop's
- tomb, escher unites
- widely divergent
- forms of prayer--
- the praying form of
- the bishop's effigy
- and the prayerful
- attitude of the
- mantis.
-
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- this piece is a
- wood cut, "sky and
- water 1.", done in
- 1938. in this work
- escher uses a tech-
- nique that has
- become an escher
- trademark.
-
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-
- the subject of this
- print is not just
- birds and fish but
- the transformation
- that occurs between
- background and
- foreground. escher
- uses this meta-
- morphosis in the
- majority of his
- work and always
- seems to find the
- perfect harmony of
- space and subject.
-
-
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-
-
- "drawing hands", a
- lithograph done in
- 1948,shows escher's
- attention to detail
- and expert drafts-
- manship. the sub-
- ject is two hands
- emerging from a
- sheet of paper,
- each drawing the
- other.
-
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-
- this type of fine
- detail and line
- variation can be
- achieved in
- lithography because
- of the exacting
- nature of the proc-
- cess. the artist
- creates a litho-
- graph by drawing
- on a stone slab
- with a wax crayon
- and then etching
- the stone with
- acid. the drawn
- lines will accept
- ink and the rest
- will resist ink
- when printed on
- paper.
-
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- this selection is
- also a lithograph,
- "portrait of g.a.
- escher", a por-
- trait of escher's
- father (1935). in
- this lithograph,
- like the other one
- in this gallery,
- escher achieves
- fine detail and
- very subtle vari-
- ations in tone in
- the face and hand.
-
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- ^@BYE
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-
-
- i trust you've
- enjoyed your visit
- to my fine gallery.
- i am expecting a
- new collection in
- at any time now.
-
- i'll be letting
- you know about it
- soon.
-
- 'til then,
-
- au revoir!
- ^s:PRESSANY
- ^x
-
- ^@PRESS2SEE
- press any key to
- view the work!
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- - press any key -
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