Chunk: 0 << 8 14 1 \0 1 4 248 50 >><< 7 4 >><< 12 4 1 >><< 7 0 >>You're about to meet Joe Lucky, a guy with a crazy dream -- to be a Hollywood star --<< 7 1 >><< 15 1 60 50 1 >><< 3 1 68 39 >><< 5 1006 >><< 7 4 >><< 12 4 2 >> Looking for someone?<< 7 1 >>Yes. I have an audition with Steven Spillbug at 3:20. What was that creepy music for? What is this place?<< 5 112 >><< 7 4 >><< 2 4 1 >>Relax, man. This is just one of the sets in Hollywood -- the Monster Lab set.<< 1 4 6 >>You're early. You must be Lucky, huh?<< 7 1 >><< 2 1 1 >>Right! Joe Lucky, that's me! But who are you? You look very familiar. Have I seen you on T.V. or something?<< 7 4 >>You bet you have--I'm Cecil B. DeBoy, one of the Hollywood Nine. Nine exclusive major talents appearing in just about every production that comes out of Hollywood -- from features to shorts to sit coms, news, commercials, stand-up, you name it -- whatever the writers write.<< 5 112 >>But today I'm not working. Just helping Mr. S. with auditions.<< 7 1 >><< 2 1 8 >>Cool! Who are the writers?<< 7 4 >>People out there.<< 2 4 14 >><< 7 1 >>Huh. Out there on the other side of the screen? Far out. Maybe Steven Spillbug will cast me in a Sci Fi adventure flick set on Mars if some writer out there writes a script like that.<< 2 1 1 >><< 7 4 >>You never know. Writers write all kinds of studd in Hollywood.<< 5 112 >>And they get to choose all kinds of sets and scenery -- like this place << 7 1 >><< 12 1 2 >><< 12 1 1 >><< 7 4 >>It;s a jungle out there, or a spaceship, a diner, an operating room--- about 20 sets in all.<< 2 4 1 >>Very inspiring, if you ask me.<< 7 8 >><< 12 8 1 >><< 15 8 60 50 1 >><< 5 1015 >>Oops! Wrong set!<< 2 8 1 >>They're waiting for me in the alley. Later, dudes!<< 12 8 2 >><< 16 8 1 >>
Chunk: 0 << 8 14 1 \0 1 4 248 50 >><< 7 4 >><< 12 4 1 >><< 7 0 >>You're about to meet Joe Lucky, a guy with a crazy dream -- to be a Hollywood star --<< 7 1 >><< 15 1 60 50 1 >><< 3 1 68 39 >><< 5 1006 >><< 7 4 >><< 12 4 2 >> Looking for someone?<< 7 1 >>Yes. I have an audition with Steven Spillbug at 3:20. What was that creepy music for? What is this place?<< 5 112 >><< 7 4 >><< 2 4 1 >>Relax, man. This is just one of the sets in Hollywood -- the Monster Lab set.<< 1 4 6 >>You're early. You must be Lucky, huh?<< 7 1 >><< 2 1 1 >>Right! Joe Lucky, that's me! But who are you? You look very familiar. Have I seen you on T.V. or something?<< 7 4 >>You bet you have--I'm Cecil B. DeBoy, one of the Hollywood Nine. Nine exclusive major talents appearing in just about every production that comes out of Hollywood -- from features to shorts to sit coms, news, commercials, stand-up, you name it -- whatever the writers write.<< 5 112 >>But today I'm not working. Just helping Mr. S. with auditions.<< 7 1 >><< 2 1 8 >>Cool! Who are the writers?<< 7 4 >>People out there.<< 2 4 14 >><< 7 1 >>Huh. Out there on the other side of the screen? Far out. Maybe Steven Spillbug will cast me in a Sci Fi adventure flick set on Mars if some writer out there writes a script like that.<< 2 1 1 >><< 7 4 >>You never know. Writers write all kinds of studd in Hollywood.<< 5 112 >>And they get to choose all kinds of sets and scenery -- like this place << 7 1 >><< 12 1 2 >><< 12 1 1 >><< 7 4 >>It;s a jungle out there, or a spaceship, a diner, an operating room--- about 20 sets in all.<< 2 4 1 >>Very inspiring, if you ask me.<< 7 8 >><< 12 8 1 >><< 15 8 60 50 1 >><< 5 1015 >>Oops! Wrong set!<< 2 8 1 >>They're waiting for me in the alley. Later, dudes!<< 12 8 2 >><< 16 8 1 >><< 7 1 >><< 1 1 3 >>Is he an actor too? Who does casting around here?<< 7 4 >><< 2 4 14 >>They do. The Big Shots. The writer/director/producers out there.<< 7 1 >><< 2 1 8 >>Them again. Huh.<< 7 4 >>Yes they might pack a whole bunch of us to be in their shows, or just me.<< 5 221 >>I might be cast as a superhero, spy, vampire, whatever. There's this little old lady who's into bungy jumping<< 7 1 >><< 2 1 13 >>Weird. And this place sure is noisy. Is that your dog out there?<< 7 4 >>No, just a sound effect. There are hundreds of them in Hollywood.<< 7 7 >><< 15 7 60 50 1 >><< 7 1 >><< 3 1 209 5 >><< 12 1 2 >><< 3 1 287 3 >><< 7 4 >><< 3 4 348 65 >><< 5 1012 >><< 7 4 >>
Chunk: 0 << 8 14 1 \0 1 4 248 50 >><< 7 4 >><< 12 4 1 >><< 7 0 >>You're about to meet Joe Lucky, a guy with a crazy dream -- to be a Hollywood star --<< 7 1 >><< 15 1 60 50 1 >><< 3 1 68 39 >><< 5 1006 >><< 7 4 >><< 12 4 2 >> Looking for someone?<< 7 1 >>Yes. I have an audition with Steven Spillbug at 3:20. What was that creepy music for? What is this place?<< 5 112 >><< 7 4 >><< 2 4 1 >>Relax, man. This is just one of the sets in Hollywood -- the Monster Lab set.<< 1 4 6 >>You're early. You must be Lucky, huh?<< 7 1 >><< 2 1 1 >>Right! Joe Lucky, that's me! But who are you? You look very familiar. Have I seen you on T.V. or something?<< 7 4 >>You bet you have--I'm Cecil B. DeBoy, one of the Hollywood Nine. Nine exclusive major talents appearing in just about every production that comes out of Hollywood -- from features to shorts to sit coms, news, commercials, stand-up, you name it -- whatever the writers write.<< 5 112 >>But today I'm not working. Just helping Mr. S. with auditions.<< 7 1 >><< 2 1 8 >>Cool! Who are the writers?<< 7 4 >>People out there.<< 2 4 14 >><< 7 1 >>Huh. Out there on the other side of the screen? Far out. Maybe Steven Spillbug will cast me in a Sci Fi adventure flick set on Mars if some writer out there writes a script like that.<< 2 1 1 >><< 7 4 >>You never know. Writers write all kinds of studd in Hollywood.<< 5 112 >>And they get to choose all kinds of sets and scenery -- like this place << 7 1 >><< 12 1 2 >><< 12 1 1 >><< 7 4 >>It;s a jungle out there, or a spaceship, a diner, an operating room--- about 20 sets in all.<< 2 4 1 >>Very inspiring, if you ask me.<< 7 8 >><< 12 8 1 >><< 15 8 60 50 1 >><< 5 1015 >>Oops! Wrong set!<< 2 8 1 >>They're waiting for me in the alley. Later, dudes!<< 12 8 2 >><< 16 8 1 >><< 7 1 >><< 1 1 3 >>Is he an actor too? Who does casting around here?<< 7 4 >><< 2 4 14 >>They do. The Big Shots. The writer/director/producers out there.<< 7 1 >><< 2 1 8 >>Them again. Huh.<< 7 4 >>Yes they might pack a whole bunch of us to be in their shows, or just me.<< 5 221 >>I might be cast as a superhero, spy, vampire, whatever. There's this little old lady who's into bungy jumping<< 7 1 >><< 2 1 13 >>Weird. And this place sure is noisy. Is that your dog out there?<< 7 4 >>No, just a sound effect. There are hundreds of them in Hollywood.<< 7 7 >><< 15 7 60 50 1 >><< 7 1 >><< 3 1 209 5 >><< 12 1 2 >><< 3 1 287 3 >><< 7 4 >><< 3 4 348 65 >><< 5 1012 >><< 7 7 >><< 2 7 5 >><< 3 7 203 70 >><< 1 7 2 >><< 4 7 2 >>Are you lucky or what?<< 7 1 >><< 2 1 1 >>I sure am. Joe Lucky, one lucky guy.<< 7 7 >>Well, Mr. Lucky, I'm April Knowes, and Steven sent me down to coach you on delivering lines - you'll be reading the part of Larry in THE BIG MESS, Mr. Spillbug's upcoming blockbuster which is shooting as we speak over in Studio B. Problem is none of the Hollywood 9 can handle Larry.<< 1 7 5 >>It's an extremely sensitive, challenging role. It requires masterful body language<< 4 7 1 >>and a range of facial expressions.<< 7 1 >><< 2 1 7 >><< 7 7 >>What we call poses and moods here in Hollywood.
Chunk: 0 << 8 14 1 \0 1 4 248 50 >><< 7 4 >><< 12 4 1 >><< 7 0 >>You're about to meet Joe Lucky, a guy with a crazy dream -- to be a Hollywood star --<< 7 1 >><< 15 1 60 50 1 >><< 3 1 68 39 >><< 5 1006 >><< 7 4 >><< 12 4 2 >> Looking for someone?<< 7 1 >>Yes. I have an audition with Steven Spillbug at 3:20. What was that creepy music for? What is this place?<< 5 112 >><< 7 4 >><< 2 4 1 >>Relax, man. This is just one of the sets in Hollywood -- the Monster Lab set.<< 1 4 6 >>You're early. You must be Lucky, huh?<< 7 1 >><< 2 1 1 >>Right! Joe Lucky, that's me! But who are you? You look very familiar. Have I seen you on T.V. or something?<< 7 4 >>You bet you have--I'm Cecil B. DeBoy, one of the Hollywood Nine. Nine exclusive major talents appearing in just about every production that comes out of Hollywood -- from features to shorts to sit coms, news, commercials, stand-up, you name it -- whatever the writers write.<< 5 112 >>But today I'm not working. Just helping Mr. S. with auditions.<< 7 1 >><< 2 1 8 >>Cool! Who are the writers?<< 7 4 >>People out there.<< 2 4 14 >><< 7 1 >>Huh. Out there on the other side of the screen? Far out. Maybe Steven Spillbug will cast me in a Sci Fi adventure flick set on Mars if some writer out there writes a script like that.<< 2 1 1 >><< 7 4 >>You never know. Writers write all kinds of studd in Hollywood.<< 5 112 >>And they get to choose all kinds of sets and scenery -- like this place << 7 1 >><< 12 1 2 >><< 12 1 1 >><< 7 4 >>It;s a jungle out there, or a spaceship, a diner, an operating room--- about 20 sets in all.<< 2 4 1 >>Very inspiring, if you ask me.<< 7 8 >><< 12 8 1 >><< 15 8 60 50 1 >><< 5 1015 >>Oops! Wrong set!<< 2 8 1 >>They're waiting for me in the alley. Later, dudes!<< 12 8 2 >><< 16 8 1 >><< 7 1 >><< 1 1 3 >>Is he an actor too? Who does casting around here?<< 7 4 >><< 2 4 14 >>They do. The Big Shots. The writer/director/producers out there.<< 7 1 >><< 2 1 8 >>Them again. Huh.<< 7 4 >>Yes they might pack a whole bunch of us to be in their shows, or just me.<< 5 221 >>I might be cast as a superhero, spy, vampire, whatever. There's this little old lady who's into bungy jumping<< 7 1 >><< 2 1 13 >>Weird. And this place sure is noisy. Is that your dog out there?<< 7 4 >>No, just a sound effect. There are hundreds of them in Hollywood.<< 7 7 >><< 15 7 60 50 1 >><< 7 1 >><< 3 1 209 5 >><< 12 1 2 >><< 3 1 287 3 >><< 7 4 >><< 3 4 348 65 >><< 5 1012 >><< 7 7 >><< 2 7 5 >><< 3 7 203 70 >><< 1 7 2 >><< 4 7 2 >>Are you lucky or what?<< 7 1 >><< 2 1 1 >>I sure am. Joe Lucky, one lucky guy.<< 7 7 >>Well, Mr. Lucky, I'm April Knowes, and Steven sent me down to coach you on delivering lines - you'll be reading the part of Larry in THE BIG MESS, Mr. Spillbug's upcoming blockbuster which is shooting as we speak over in Studio B. Problem is none of the Hollywood 9 can handle Larry.<< 1 7 5 >>It's an extremely sensitive, challenging role. It requires masterful body language<< 4 7 1 >>and a range of facial expressions.<< 7 1 >><< 2 1 7 >><< 7 7 >>What we call poses and moods here in Hollywood. Everybody works on this constantly, Joe. Except the Narrator, of course. The Narrator's just an offscreen voice that writers use once in a while, who knows why. Anyhow, let's get started.<< 7 4 >>See you later, April. Good luck, Lucky.<< 16 4 1 >><< 7 7 >><< 3 7 248 70 >><< 7 1 >><< 3 1 89 -8 >><< 7 7 >><< 12 7 2 >>
Chunk: 0 << 8 14 1 \0 1 4 248 50 >><< 7 4 >><< 12 4 1 >><< 7 0 >>You're about to meet Joe Lucky, a guy with a crazy dream -- to be a Hollywood star --<< 7 1 >><< 15 1 60 50 1 >><< 4 1 0 >><< 15 1 60 50 1 >><< 3 1 68 39 >><< 5 1006 >><< 7 4 >><< 12 4 2 >> Looking for someone?<< 7 1 >>Yes. I have an audition with Steven Spillbug at 3:20. What was that creepy music for? What is this place?<< 5 112 >><< 7 4 >><< 2 4 1 >>Relax, man. This is just one of the sets in Hollywood -- the Monster Lab set.<< 1 4 6 >>You're early. You must be Lucky, huh?<< 7 1 >><< 2 1 1 >>Right! Joe Lucky, that's me! But who are you? You look very familiar. Have I seen you on T.V. or something?<< 7 4 >>You bet you have--I'm Cecil B. DeBoy, one of the Hollywood Nine. Nine exclusive major talents appearing in just about every production that comes out of Hollywood -- from features to shorts to sit coms, news, commercials, stand-up, you name it -- whatever the writers write.<< 5 112 >>But today I'm not working. Just helping Mr. S. with auditions.<< 7 1 >><< 2 1 8 >>Cool! Who are the writers?<< 7 4 >>People out there.<< 2 4 14 >><< 7 1 >>Huh. Out there on the other side of the screen? Far out. Maybe Steven Spillbug will cast me in a Sci Fi adventure flick set on Mars if some writer out there writes a script like that.<< 2 1 1 >><< 7 4 >>You never know. Writers write all kinds of studd in Hollywood.<< 5 112 >>And they get to choose all kinds of sets and scenery -- like this place << 7 1 >><< 12 1 2 >><< 12 1 1 >><< 7 4 >>It;s a jungle out there, or a spaceship, a diner, an operating room--- about 20 sets in all.<< 2 4 1 >>Very inspiring, if you ask me.<< 7 8 >><< 12 8 1 >><< 15 8 60 50 1 >><< 5 1015 >>Oops! Wrong set!<< 2 8 1 >>They're waiting for me in the alley. Later, dudes!<< 12 8 2 >><< 16 8 1 >><< 7 1 >><< 1 1 3 >>Is he an actor too? Who does casting around here?<< 7 4 >><< 2 4 14 >>They do. The Big Shots. The writer/director/producers out there.<< 7 1 >><< 2 1 8 >>Them again. Huh.<< 7 4 >>Yes they might pack a whole bunch of us to be in their shows, or just me.<< 5 221 >>I might be cast as a superhero, spy, vampire, whatever. There's this little old lady who's into bungy jumping<< 7 1 >><< 2 1 13 >>Weird. And this place sure is noisy. Is that your dog out there?<< 7 4 >>No, just a sound effect. There are hundreds of them in Hollywood.<< 7 7 >><< 15 7 60 50 1 >><< 7 1 >><< 3 1 209 5 >><< 12 1 2 >><< 3 1 287 3 >><< 7 4 >><< 3 4 348 65 >><< 5 1012 >><< 7 7 >><< 2 7 5 >><< 3 7 203 70 >><< 1 7 2 >><< 4 7 2 >>Are you lucky or what?<< 7 1 >><< 2 1 1 >>I sure am. Joe Lucky, one lucky guy.<< 7 7 >>Well, Mr. Lucky, I'm April Knowes, and Steven sent me down to coach you on delivering lines - you'll be reading the part of Larry in THE BIG MESS, Mr. Spillbug's upcoming blockbuster which is shooting as we speak over in Studio B. Problem is none of the Hollywood 9 can handle Larry.<< 1 7 5 >>It's an extremely sensitive, challenging role. It requires masterful body language<< 4 7 1 >>and a range of facial expressions.<< 7 1 >><< 2 1 7 >><< 7 7 >>What we call poses and moods here in Hollywood. Everybody works on this constantly, Joe. Except the Narrator, of course. The Narrator's just an offscreen voice that writers use once in a while, who knows why. Anyhow, let's get started.<< 7 4 >>See you later, April. Good luck, Lucky.<< 16 4 1 >><< 7 7 >><< 3 7 248 70 >><< 7 1 >><< 3 1 89 -8 >><< 7 7 >><< 12 7 2 >><< 7 1 >><< 12 1 1 >><< 7 7 >><< 3 7 301 69 >>You know, lean forward<< 7 1 >>
Chunk: 0 << 8 14 1 \0 1 4 248 50 >><< 7 4 >><< 12 4 1 >><< 7 0 >>You're about to meet Joe Lucky, a guy with a crazy dream -- to be a Hollywood star --<< 7 1 >><< 15 1 60 50 1 >><< 4 1 0 >><< 15 1 60 50 1 >><< 3 1 104 27 >><< 5 1006 >><< 7 4 >><< 12 4 2 >> Looking for someone?<< 7 1 >>Yes. I have an audition with Steven Spillbug at 3:20. What was that creepy music for? What is this place?<< 5 112 >><< 7 4 >><< 2 4 1 >>Relax, man. This is just one of the sets in Hollywood -- the Monster Lab set.<< 1 4 6 >>You're early. You must be Lucky, huh?<< 7 1 >><< 2 1 1 >>Right! Joe Lucky, that's me! But who are you? You look very familiar. Have I seen you on T.V. or something?<< 7 4 >>You bet you have--I'm Cecil B. DeBoy, one of the Hollywood Nine. Nine exclusive major talents appearing in just about every production that comes out of Hollywood -- from features to shorts to sit coms, news, commercials, stand-up, you name it -- whatever the writers write.<< 5 112 >>But today I'm not working. Just helping Mr. S. with auditions.<< 7 1 >><< 2 1 8 >>Cool! Who are the writers?<< 7 4 >>People out there.<< 2 4 14 >><< 7 1 >>Huh. Out there on the other side of the screen? Far out. Maybe Steven Spillbug will cast me in a Sci Fi adventure flick set on Mars if some writer out there writes a script like that.<< 2 1 1 >><< 7 4 >>You never know. Writers write all kinds of studd in Hollywood.<< 5 112 >>And they get to choose all kinds of sets and scenery -- like this place << 7 1 >><< 12 1 2 >><< 12 1 1 >><< 7 4 >>It;s a jungle out there, or a spaceship, a diner, an operating room--- about 20 sets in all.<< 2 4 1 >>Very inspiring, if you ask me.<< 7 8 >><< 12 8 1 >><< 15 8 60 50 1 >><< 5 1015 >>Oops! Wrong set!<< 2 8 1 >>They're waiting for me in the alley. Later, dudes!<< 12 8 2 >><< 16 8 1 >><< 7 1 >><< 1 1 3 >>Is he an actor too? Who does casting around here?<< 7 4 >><< 2 4 14 >>They do. The Big Shots. The writer/director/producers out there.<< 7 1 >><< 2 1 8 >>Them again. Huh.<< 7 4 >>Yes they might pack a whole bunch of us to be in their shows, or just me.<< 5 221 >>I might be cast as a superhero, spy, vampire, whatever. There's this little old lady who's into bungy jumping<< 7 1 >><< 2 1 13 >>Weird. And this place sure is noisy. Is that your dog out there?<< 7 4 >>No, just a sound effect. There are hundreds of them in Hollywood.<< 7 7 >><< 15 7 60 50 1 >><< 7 1 >><< 3 1 209 5 >><< 12 1 2 >><< 3 1 287 3 >><< 7 4 >><< 3 4 348 65 >><< 5 1012 >><< 7 7 >><< 2 7 5 >><< 3 7 203 70 >><< 1 7 2 >><< 4 7 2 >>Are you lucky or what?<< 7 1 >><< 2 1 1 >>I sure am. Joe Lucky, one lucky guy.<< 7 7 >>Well, Mr. Lucky, I'm April Knowes, and Steven sent me down to coach you on delivering lines - you'll be reading the part of Larry in THE BIG MESS, Mr. Spillbug's upcoming blockbuster which is shooting as we speak over in Studio B. Problem is none of the Hollywood 9 can handle Larry.<< 1 7 5 >>It's an extremely sensitive, challenging role. It requires masterful body language<< 4 7 1 >>and a range of facial expressions.<< 7 1 >><< 2 1 7 >><< 7 7 >>What we call poses and moods here in Hollywood. Everybody works on this constantly, Joe. Except the Narrator, of course. The Narrator's just an offscreen voice that writers use once in a while, who knows why. Anyhow, let's get started.<< 7 4 >>See you later, April. Good luck, Lucky.<< 16 4 1 >><< 7 7 >><< 3 7 248 70 >><< 7 1 >><< 3 1 89 -8 >><< 7 7 >><< 12 7 2 >><< 7 1 >><< 12 1 1 >><< 7 7 >><< 3 7 301 69 >>You know, lean forward<< 7 1 >>
Chunk: 0 << 8 14 1 \0 1 4 248 50 >><< 7 4 >><< 12 4 1 >><< 7 0 >>You're about to meet Joe Lucky, a guy with a crazy dream -- to be a Hollywood star --<< 7 1 >><< 15 1 60 50 1 >><< 4 1 0 >><< 15 1 60 50 1 >><< 3 1 104 27 >><< 5 1006 >><< 7 4 >><< 12 4 2 >> Looking for someone?<< 7 1 >>Yes. I have an audition with Steven Spillbug at 3:20. What was that creepy music for? What is this place?<< 5 112 >><< 7 4 >><< 2 4 1 >>Relax, man. This is just one of the sets in Hollywood -- the Monster Lab set.<< 1 4 6 >>You're early. You must be Lucky, huh?<< 7 1 >><< 2 1 1 >>Right! Joe Lucky, that's me! But who are you? You look very familiar. Have I seen you on T.V. or something?<< 7 4 >>You bet you have--I'm Cecil B. DeBoy, one of the Hollywood Nine. Nine exclusive major talents appearing in just about every production that comes out of Hollywood -- from features to shorts to sit coms, news, commercials, stand-up, you name it -- whatever the writers write.<< 5 112 >>But today I'm not working. Just helping Mr. S. with auditions.<< 7 1 >><< 2 1 8 >>Cool! Who are the writers?<< 7 4 >>People out there.<< 2 4 14 >><< 7 1 >>Huh. Out there on the other side of the screen? Far out. Maybe Steven Spillbug will cast me in a Sci Fi adventure flick set on Mars if some writer out there writes a script like that.<< 2 1 1 >><< 7 4 >>You never know. Writers write all kinds of stuff in Hollywood.<< 5 112 >>And they get to choose all kinds of sets and scenery -- like this place << 7 1 >><< 12 1 2 >><< 12 1 1 >><< 7 4 >>It;s a jungle out there, or a spaceship, a diner, an operating room--- about 20 sets in all.<< 2 4 1 >>Very inspiring, if you ask me.<< 7 8 >><< 12 8 1 >><< 15 8 60 50 1 >><< 5 1015 >>Oops! Wrong set!<< 2 8 1 >>They're waiting for me in the alley. Later, dudes!<< 12 8 2 >><< 16 8 1 >><< 7 1 >><< 1 1 3 >>Is he an actor too? Who does casting around here?<< 7 4 >><< 2 4 14 >>They do. The Big Shots. The writer/director/producers out there.<< 7 1 >><< 2 1 8 >>Them again. Huh.<< 7 4 >>Yes they might pack a whole bunch of us to be in their shows, or just me.<< 5 221 >>I might be cast as a superhero, spy, vampire, whatever. There's this little old lady who's into bungy jumping<< 7 1 >><< 2 1 13 >>Weird. And this place sure is noisy. Is that your dog out there?<< 7 4 >>No, just a sound effect. There are hundreds of them in Hollywood.<< 7 7 >><< 15 7 60 50 1 >><< 7 1 >><< 3 1 209 5 >><< 12 1 2 >><< 3 1 287 3 >><< 7 4 >><< 3 4 348 65 >><< 5 1012 >><< 7 7 >><< 2 7 5 >><< 3 7 203 70 >><< 1 7 2 >><< 4 7 2 >>Are you lucky or what?<< 7 1 >><< 2 1 1 >>I sure am. Joe Lucky, one lucky guy.<< 7 7 >>Well, Mr. Lucky, I'm April Knowes, and Steven sent me down to coach you on delivering lines - you'll be reading the part of Larry in THE BIG MESS, Mr. Spillbug's upcoming blockbuster which is shooting as we speak over in Studio B. Problem is none of the Hollywood 9 can handle Larry.<< 1 7 5 >>It's an extremely sensitive, challenging role. It requires masterful body language<< 4 7 1 >>and a range of facial expressions.<< 7 1 >><< 2 1 7 >><< 7 7 >>What we call poses and moods here in Hollywood. Everybody works on this constantly, Joe. Except the Narrator, of course. The Narrator's just an offscreen voice that writers use once in a while, who knows why. Anyhow, let's get started.<< 7 4 >>See you later, April. Good luck, Lucky.<< 16 4 1 >><< 7 7 >><< 3 7 248 70 >><< 7 1 >><< 3 1 89 -8 >><< 7 7 >><< 12 7 2 >><< 7 1 >><< 12 1 1 >><< 7 7 >><< 3 7 301 69 >>You know, lean forward<< 7 1 >>
Chunk: 0 << 8 14 1 \0 1 4 248 50 >><< 7 4 >><< 12 4 1 >><< 7 0 >>You're about to meet Joe Lucky, a guy with a crazy dream -- to be a Hollywood star --<< 7 1 >><< 15 1 60 50 1 >><< 4 1 0 >><< 15 1 60 50 1 >><< 3 1 104 27 >><< 5 1006 >><< 7 4 >><< 12 4 2 >> Looking for someone?<< 7 1 >>Yes. I have an audition with Steven Spillbug at 3:20. What was that creepy music for? What is this place?<< 5 112 >><< 7 4 >><< 2 4 1 >>Relax, man. This is just one of the sets in Hollywood -- the Monster Lab set.<< 1 4 6 >>You're early. You must be Lucky, huh?<< 7 1 >><< 2 1 1 >>Right! Joe Lucky, that's me! But who are you? You look very familiar. Have I seen you on T.V. or something?<< 7 4 >>You bet you have--I'm Cecil B. DeBoy, one of the Hollywood Nine. Nine exclusive major talents appearing in just about every production that comes out of Hollywood -- from features to shorts to sit coms, news, commercials, stand-up, you name it -- whatever the writers write.<< 5 112 >>But today I'm not working. Just helping Mr. S. with auditions.<< 7 1 >><< 2 1 8 >>Cool! Who are the writers?<< 7 4 >>People out there.<< 2 4 14 >><< 7 1 >>Huh. Out there on the other side of the screen? Far out. Maybe Steven Spillbug will cast me in a Sci Fi adventure flick set on Mars if some writer out there writes a script like that.<< 2 1 1 >><< 7 4 >>You never know. Writers write all kinds of stuff in Hollywood.<< 5 112 >>And they get to choose all kinds of sets and scenery -- like this place << 7 1 >><< 12 1 2 >><< 12 1 1 >><< 7 4 >>It;s a jungle out there, or a spaceship, a diner, an operating room--- about 20 sets in all.<< 2 4 1 >>Very inspiring, if you ask me.<< 7 8 >><< 12 8 1 >><< 15 8 60 50 1 >><< 5 1015 >>Oops! Wrong set!<< 2 8 1 >>They're waiting for me in the alley. Later, dudes!<< 12 8 2 >><< 16 8 1 >><< 7 1 >><< 1 1 3 >>Is he an actor too? Who does casting around here?<< 7 4 >><< 2 4 14 >>They do. The Big Shots. The writer/director/producers out there.<< 7 1 >><< 2 1 8 >>Them again. Huh.<< 7 4 >>Yes they might pack a whole bunch of us to be in their shows, or just me.<< 5 221 >>I might be cast as a superhero, spy, vampire, whatever. There's this little old lady who's into bungy jumping<< 7 1 >><< 2 1 13 >>Weird. And this place sure is noisy. Is that your dog out there?<< 7 4 >>No, just a sound effect. There are hundreds of them in Hollywood.<< 7 7 >><< 15 7 60 50 1 >><< 7 1 >><< 3 1 209 5 >><< 12 1 2 >><< 3 1 287 3 >><< 7 4 >><< 3 4 348 65 >><< 5 1012 >><< 7 7 >><< 2 7 5 >><< 3 7 237 70 >><< 12 7 2 >><< 1 7 2 >><< 12 7 1 >><< 4 7 2 >>Are you lucky or what?<< 7 1 >><< 2 1 1 >>I sure am. Joe Lucky, one lucky guy.<< 7 7 >>Well, Mr. Lucky, I'm April Knowes, and Steven sent me down to coach you on delivering lines - you'll be reading the part of Larry in THE BIG MESS, Mr. Spillbug's upcoming blockbuster which is shooting as we speak over in Studio B. Problem is none of the Hollywood 9 can handle Larry.<< 1 7 5 >>It's an extremely sensitive, challenging role. It requires masterful body language<< 4 7 1 >>and a range of facial expressions.<< 7 1 >><< 2 1 7 >><< 7 7 >>What we call poses and moods here in Hollywood. Everybody works on this constantly, Joe. Except the Narrator, of course. The Narrator's just an offscreen voice that writers use once in a while, who knows why. Anyhow, let's get started.<< 7 4 >>See you later, April. Good luck, Lucky.<< 16 4 1 >><< 7 7 >><< 3 7 248 70 >><< 7 1 >><< 3 1 89 -8 >><< 7 7 >><< 12 7 2 >><< 7 1 >><< 12 1 1 >><< 7 7 >><< 3 7 301 69 >>You know, lean forward<< 7 1 >><< 4 1 1 >><< 7 7 >>Lean back<< 7 1 >><< 4 1 2 >><< 7 7 >>Stand up straight.<< 7 1 >><< 4 1 0 >><< 7 7 >>Good.<< 7 1 >><< 2 1 1 >>I'm warming up! Tell me something else to do!<< 7 7 >><< 2 7 1 >>O.K., let's see you lip sync some lines.<< 7 1 >><< 2 1 13 >>Uh, do what?
Chunk: 0 << 8 14 1 \0 1 4 248 50 >><< 7 4 >><< 12 4 1 >><< 7 0 >>You're about to meet Joe Lucky, a guy with a crazy dream -- to be a Hollywood star --<< 7 1 >><< 15 1 60 50 1 >><< 4 1 0 >><< 15 1 60 50 1 >><< 3 1 104 27 >><< 5 1006 >><< 7 4 >><< 12 4 2 >> Looking for someone?<< 7 1 >>Yes. I have an audition with Steven Spillbug at 3:20. What was that creepy music for? What is this place?<< 5 112 >><< 7 4 >><< 2 4 1 >>Relax, man. This is just one of the sets in Hollywood -- the Monster Lab set.<< 1 4 6 >>You're early. You must be Lucky, huh?<< 7 1 >><< 2 1 1 >>Right! Joe Lucky, that's me! But who are you? You look very familiar. Have I seen you on T.V. or something?<< 7 4 >>You bet you have--I'm Cecil B. DeBoy, one of the Hollywood Nine. Nine exclusive major talents appearing in just about every production that comes out of Hollywood -- from features to shorts to sit coms, news, commercials, stand-up, you name it -- whatever the writers write.<< 5 112 >>But today I'm not working. Just helping Mr. S. with auditions.<< 7 1 >><< 2 1 8 >>Cool! Who are the writers?<< 7 4 >>People out there.<< 2 4 14 >><< 7 1 >>Huh. Out there on the other side of the screen? Far out. Maybe Steven Spillbug will cast me in a Sci Fi adventure flick set on Mars if some writer out there writes a script like that.<< 2 1 1 >><< 7 4 >>You never know. Writers write all kinds of stuff in Hollywood.<< 5 112 >>And they get to choose all kinds of sets and scenery -- like this place << 7 1 >><< 12 1 2 >><< 12 1 1 >><< 7 4 >>It;s a jungle out there, or a spaceship, a diner, an operating room--- about 20 sets in all.<< 2 4 1 >>Very inspiring, if you ask me.<< 7 8 >><< 12 8 1 >><< 15 8 60 50 1 >><< 5 1015 >>Oops! Wrong set!<< 2 8 1 >>They're waiting for me in the alley. Later, dudes!<< 12 8 2 >><< 16 8 1 >><< 7 1 >><< 1 1 3 >>Is he an actor too? Who does casting around here?<< 7 4 >><< 2 4 14 >>They do. The Big Shots. The writer/director/producers out there.<< 7 1 >><< 2 1 8 >>Them again. Huh.<< 7 4 >>Yes they might pack a whole bunch of us to be in their shows, or just me.<< 5 221 >>I might be cast as a superhero, spy, vampire, whatever. There's this little old lady who's into bungy jumping<< 7 1 >><< 2 1 13 >>Weird. And this place sure is noisy. Is that your dog out there?<< 7 4 >>No, just a sound effect. There are hundreds of them in Hollywood.<< 7 7 >><< 15 7 60 50 1 >><< 7 1 >><< 3 1 209 5 >><< 12 1 2 >><< 3 1 287 3 >><< 7 4 >><< 3 4 348 65 >><< 5 1012 >><< 7 7 >><< 2 7 5 >><< 3 7 237 70 >><< 12 7 2 >><< 1 7 2 >><< 12 7 1 >><< 4 7 2 >>Are you lucky or what?<< 7 1 >><< 2 1 1 >>I sure am. Joe Lucky, one lucky guy.<< 7 7 >>Well, Mr. Lucky, I'm April Knowes, and Steven sent me down to coach you on delivering lines - you'll be reading the part of Larry in THE BIG MESS, Mr. Spillbug's upcoming blockbuster which is shooting as we speak over in Studio B. Problem is none of the Hollywood 9 can handle Larry.<< 1 7 5 >>It's an extremely sensitive, challenging role. It requires masterful body language<< 4 7 1 >>and a range of facial expressions.<< 7 1 >><< 2 1 7 >><< 7 7 >>What we call poses and moods here in Hollywood. Everybody works on this constantly, Joe. Except the Narrator, of course. The Narrator's just an offscreen voice that writers use once in a while, who knows why. Anyhow, let's get started.<< 7 4 >>See you later, April. Good luck, Lucky.<< 16 4 1 >><< 7 7 >><< 3 7 248 70 >><< 7 1 >><< 3 1 89 -8 >><< 7 7 >><< 12 7 2 >><< 7 1 >><< 12 1 1 >><< 7 7 >><< 3 7 301 69 >>You know, lean forward<< 7 1 >><< 4 1 1 >><< 7 7 >>Lean back<< 7 1 >><< 4 1 2 >><< 7 7 >>Stand up straight.<< 7 1 >><< 4 1 0 >><< 7 7 >>Good.<< 7 1 >><< 2 1 1 >>I'm warming up! Tell me something else to do!<< 7 7 >><< 2 7 1 >>O.K., let's see you lip sync some lines.<< 7 1 >><< 2 1 13 >>Uh, do what?<< 7 7 >>Down there. You say whatever words the writer writes in the script.<< 7 1 >><< 2 1 11 >><< 7 7 >><< 2 7 7 >> Your stage directions are down there, too. It's THE BIG MESS. Just read your lines.<< 7 1 >>O.k., here goes. Uh << 13 1 >><< 2 1 4 >>Maybe you got the wrong number.<< 7 7 >><< 2 7 5 >>Not bad. How about some feeling this time? Some excitement.<< 7 1 >>I'm having trouble concentrating. All that barking is throwing me off.<< 7 7 >>Focus, Joe -- find your motivation. Now, let's see happy.<< 7 1 >><< 2 1 1 >>Maybe you got the wrong number!
Chunk: 0 << 8 14 1 \0 1 4 248 50 >><< 7 4 >><< 12 4 1 >><< 7 0 >>You're about to meet Joe Lucky, a guy with a crazy dream -- to be a Hollywood star --<< 7 1 >><< 15 1 60 50 1 >><< 4 1 0 >><< 15 1 60 50 1 >><< 3 1 104 27 >><< 5 1006 >><< 7 4 >><< 12 4 2 >> Looking for someone?<< 7 1 >>Yes. I have an audition with Steven Spillbug at 3:20. What was that creepy music for? What is this place?<< 5 112 >><< 7 4 >><< 2 4 1 >>Relax, man. This is just one of the sets in Hollywood -- the Monster Lab set.<< 1 4 6 >>You're early. You must be Lucky, huh?<< 7 1 >><< 2 1 1 >>Right! Joe Lucky, that's me! But who are you? You look very familiar. Have I seen you on T.V. or something?<< 7 4 >>You bet you have--I'm Cecil B. DeBoy, one of the Hollywood Nine. Nine exclusive major talents appearing in just about every production that comes out of Hollywood -- from features to shorts to sit coms, news, commercials, stand-up, you name it -- whatever the writers write.<< 5 112 >>But today I'm not working. Just helping Mr. S. with auditions.<< 7 1 >><< 2 1 8 >>Cool! Who are the writers?<< 7 4 >>People out there.<< 2 4 14 >><< 7 1 >>Huh. Out there on the other side of the screen? Far out. Maybe Steven Spillbug will cast me in a Sci Fi adventure flick set on Mars if some writer out there writes a script like that.<< 2 1 1 >><< 7 4 >>You never know. Writers write all kinds of stuff in Hollywood.<< 5 112 >>And they get to choose all kinds of sets and scenery -- like this place << 7 1 >><< 12 1 2 >><< 12 1 1 >><< 7 4 >>It;s a jungle out there, or a spaceship, a diner, an operating room--- about 20 sets in all.<< 2 4 1 >>Very inspiring, if you ask me.<< 7 8 >><< 12 8 1 >><< 15 8 60 50 1 >><< 5 1015 >>Oops! Wrong set!<< 2 8 1 >>They're waiting for me in the alley. Later, dudes!<< 12 8 2 >><< 16 8 1 >><< 7 1 >><< 1 1 3 >>Is he an actor too? Who does casting around here?<< 7 4 >><< 2 4 14 >>They do. The Big Shots. The writer/director/producers out there.<< 7 1 >><< 2 1 8 >>Them again. Huh.<< 7 4 >>Yes they might pack a whole bunch of us to be in their shows, or just me.<< 5 221 >>I might be cast as a superhero, spy, vampire, whatever. There's this little old lady who's into bungy jumping<< 7 1 >><< 2 1 13 >>Weird. And this place sure is noisy. Is that your dog out there?<< 7 4 >>No, just a sound effect. There are hundreds of them in Hollywood.<< 7 7 >><< 15 7 60 50 1 >><< 7 1 >><< 3 1 209 5 >><< 12 1 2 >><< 3 1 287 3 >><< 7 4 >><< 3 4 348 65 >><< 5 1012 >><< 7 7 >><< 2 7 5 >><< 3 7 237 70 >><< 12 7 2 >><< 1 7 2 >><< 12 7 1 >><< 4 7 2 >>Are you lucky or what?<< 7 1 >><< 2 1 1 >>I sure am. Joe Lucky, one lucky guy.<< 7 7 >>Well, Mr. Lucky, I'm April Knowes, and Steven sent me down to coach you on delivering lines - you'll be reading the part of Larry in THE BIG MESS, Mr. Spillbug's upcoming blockbuster which is shooting as we speak over in Studio B. Problem is none of the Hollywood 9 can handle Larry.<< 1 7 5 >>It's an extremely sensitive, challenging role. It requires masterful body language<< 4 7 1 >>and a range of facial expressions.<< 7 1 >><< 2 1 7 >><< 7 7 >>What we call poses and moods here in Hollywood. Everybody works on this constantly, Joe. Except the Narrator, of course. The Narrator's just an offscreen voice that writers use once in a while, who knows why. Anyhow, let's get started.<< 7 4 >>See you later, April. Good luck, Lucky.<< 16 4 1 >><< 7 7 >><< 3 7 248 70 >><< 7 1 >><< 3 1 89 -8 >><< 7 7 >><< 12 7 2 >><< 7 1 >><< 12 1 1 >><< 7 7 >><< 3 7 301 69 >>You know, lean forward<< 7 1 >><< 4 1 1 >><< 7 7 >>Lean back<< 7 1 >><< 4 1 2 >><< 7 7 >>Stand up straight.<< 7 1 >><< 4 1 0 >><< 7 7 >>Good.<< 7 1 >><< 2 1 1 >>I'm warming up! Tell me something else to do!<< 7 7 >><< 2 7 1 >>O.K., let's see you lip sync some lines.<< 7 1 >><< 2 1 13 >>Uh, do what?<< 7 7 >>Down there. You say whatever words the writer writes in the script.<< 7 1 >><< 2 1 11 >><< 7 7 >><< 2 7 7 >> Your stage directions are down there, too. It's THE BIG MESS. Just read your lines.<< 7 1 >>O.k., here goes. Uh << 13 1 >><< 2 1 4 >>Maybe you got the wrong number.<< 7 7 >><< 2 7 5 >>Not bad. How about some feeling this time? Some excitement.<< 7 1 >>I'm having trouble concentrating. All that barking is throwing me off.<< 7 7 >>Focus, Joe -- find your motivation. Now, let's see happy.<< 7 1 >><< 2 1 1 >>Maybe you got the wrong number!<< 7 7 >>Good. Now I want angry.<< 7 1 >><< 2 1 3 >>Maybe you got the wrong number ---<< 7 7 >>Very nice. << 7 1 >><< 2 1 5 >><< 7 7 >>Now do whatever it says in the script.<< 7 1 >>But what if the script stops? What if the writer runs out of things for me to say and do? Is that it? End of story?<< 7 7 >><< 1 7 4 >>No, no, not at all
Chunk: 0 << 8 14 1 \0 1 4 248 50 >><< 7 4 >><< 12 4 1 >><< 7 0 >>You're about to meet Joe Lucky, a guy with a crazy dream -- to be a Hollywood star --<< 7 1 >><< 15 1 60 50 1 >><< 4 1 0 >><< 15 1 60 50 1 >><< 3 1 104 27 >><< 5 1006 >><< 7 4 >><< 12 4 2 >> Looking for someone?<< 7 1 >>Yes. I have an audition with Steven Spillbug at 3:20. What was that creepy music for? What is this place?<< 5 112 >><< 7 4 >><< 2 4 1 >>Relax, man. This is just one of the sets in Hollywood -- the Monster Lab set.<< 1 4 6 >>You're early. You must be Lucky, huh?<< 7 1 >><< 2 1 1 >>Right! Joe Lucky, that's me! But who are you? You look very familiar. Have I seen you on T.V. or something?<< 7 4 >>You bet you have--I'm Cecil B. DeBoy, one of the Hollywood Nine. Nine exclusive major talents appearing in just about every production that comes out of Hollywood -- from features to shorts to sit coms, news, commercials, stand-up, you name it -- whatever the writers write.<< 5 112 >>But today I'm not working. Just helping Mr. S. with auditions.<< 7 1 >><< 2 1 8 >>Cool! Who are the writers?<< 7 4 >>People out there.<< 2 4 14 >><< 7 1 >>Huh. Out there on the other side of the screen? Far out. Maybe Steven Spillbug will cast me in a Sci Fi adventure flick set on Mars if some writer out there writes a script like that.<< 2 1 1 >><< 7 4 >>You never know. Writers write all kinds of stuff in Hollywood.<< 5 112 >>And they get to choose all kinds of sets and scenery -- like this place << 7 1 >><< 12 1 2 >><< 12 1 1 >><< 7 4 >>It;s a jungle out there, or a spaceship, a diner, an operating room--- about 20 sets in all.<< 2 4 1 >>Very inspiring, if you ask me.<< 7 8 >><< 12 8 1 >><< 15 8 60 50 1 >><< 5 1015 >>Oops! Wrong set!<< 2 8 1 >>They're waiting for me in the alley. Later, dudes!<< 12 8 2 >><< 16 8 1 >><< 7 1 >><< 1 1 3 >>Is he an actor too? Who does casting around here?<< 7 4 >><< 2 4 14 >>They do. The Big Shots. The writer/director/producers out there.<< 7 1 >><< 2 1 8 >>Them again. Huh.<< 7 4 >>Yes they might pack a whole bunch of us to be in their shows, or just me.<< 5 221 >>I might be cast as a superhero, spy, vampire, whatever. There's this little old lady who's into bungy jumping<< 7 1 >><< 2 1 13 >>Weird. And this place sure is noisy. Is that your dog out there?<< 7 4 >>No, just a sound effect. There are hundreds of them in Hollywood.<< 7 7 >><< 15 7 60 50 1 >><< 7 1 >><< 3 1 209 5 >><< 12 1 2 >><< 3 1 287 3 >><< 7 4 >><< 3 4 348 65 >><< 5 1012 >><< 7 7 >><< 2 7 5 >><< 3 7 237 70 >><< 12 7 2 >><< 1 7 2 >><< 12 7 1 >><< 4 7 2 >>Are you lucky or what?<< 7 1 >><< 2 1 1 >>I sure am. Joe Lucky, one lucky guy.<< 7 7 >>Well, Mr. Lucky, I'm April Knowes, and Steven sent me down to coach you on delivering lines - you'll be reading the part of Larry in THE BIG MESS, Mr. Spillbug's upcoming blockbuster which is shooting as we speak over in Studio B. Problem is none of the Hollywood 9 can handle Larry.<< 1 7 5 >>It's an extremely sensitive, challenging role. It requires masterful body language<< 4 7 1 >>and a range of facial expressions.<< 7 1 >><< 2 1 7 >><< 7 7 >>What we call poses and moods here in Hollywood. Everybody works on this constantly, Joe. Except the Narrator, of course. The Narrator's just an offscreen voice that writers use once in a while, who knows why. Anyhow, let's get started.<< 7 4 >>See you later, April. Good luck, Lucky.<< 16 4 1 >><< 7 7 >><< 3 7 248 70 >><< 7 1 >><< 3 1 89 -8 >><< 7 7 >><< 12 7 2 >><< 7 1 >><< 12 1 1 >><< 7 7 >><< 3 7 301 69 >>You know, lean forward<< 7 1 >><< 4 1 1 >><< 7 7 >>Lean back<< 7 1 >><< 4 1 2 >><< 7 7 >>Stand up straight.<< 7 1 >><< 4 1 0 >><< 7 7 >>Good.<< 7 1 >><< 2 1 1 >>I'm warming up! Tell me something else to do!<< 7 7 >><< 2 7 1 >>O.K., let's see you lip sync some lines.<< 7 1 >><< 2 1 13 >>Uh, do what?<< 7 7 >>Down there. You say whatever words the writer writes in the script.<< 7 1 >><< 2 1 11 >><< 7 7 >><< 2 7 7 >> Your stage directions are down there, too. It's THE BIG MESS. Just read your lines.<< 7 1 >>O.k., here goes. Uh << 13 1 >><< 2 1 4 >>Maybe you got the wrong number.<< 7 7 >><< 2 7 5 >>Not bad. How about some feeling this time? Some excitement.<< 7 1 >>I'm having trouble concentrating. All that barking is throwing me off.<< 7 7 >>Focus, Joe -- find your motivation. Now, let's see happy.<< 7 1 >><< 2 1 1 >>Maybe you got the wrong number!<< 7 7 >>Good. Now I want angry.<< 7 1 >><< 2 1 3 >>Maybe you got the wrong number ---<< 7 7 >>Very nice. << 7 1 >><< 2 1 5 >><< 7 7 >>Now do whatever it says in the script.<< 7 1 >>But what if the script stops? What if the writer runs out of things for me to say and do? Is that it? End of story?<< 7 7 >><< 1 7 4 >>No, no, not at all. Writers get stuck. It happens. Then they use the Idea Machine to get started again. They just push the old Lightbulb Button << 12 7 1 >><< 12 7 2 >>and voila! Ideas, ideas, ideas. Ideas for lines, for actions, even for what the whole show might be about. O.k., back to work, Joe. Let's see some action.<< 1 7 5 >><< 1 7 4 >>
Chunk: 0 << 8 14 1 \0 1 4 248 50 >><< 7 4 >><< 12 4 1 >><< 7 0 >>You're about to meet Joe Lucky, a guy with a crazy dream -- to be a Hollywood star --<< 7 1 >><< 15 1 60 50 1 >><< 4 1 0 >><< 15 1 60 50 1 >><< 3 1 104 27 >><< 5 1006 >><< 7 4 >><< 12 4 2 >> Looking for someone?<< 7 1 >>Yes. I have an audition with Steven Spillbug at 3:20. What was that creepy music for? What is this place?<< 5 112 >><< 7 4 >><< 2 4 1 >>Relax, man. This is just one of the sets in Hollywood -- the Monster Lab set.<< 1 4 6 >>You're early. You must be Lucky, huh?<< 7 1 >><< 2 1 1 >>Right! Joe Lucky, that's me! But who are you? You look very familiar. Have I seen you on T.V. or something?<< 7 4 >>You bet you have--I'm Cecil B. DeBoy, one of the Hollywood Nine. Nine exclusive major talents appearing in just about every production that comes out of Hollywood -- from features to shorts to sit coms, news, commercials, stand-up, you name it -- whatever the writers write.<< 5 112 >>But today I'm not working. Just helping Mr. S. with auditions.<< 7 1 >><< 2 1 8 >>Cool! Who are the writers?<< 7 4 >>People out there.<< 2 4 14 >><< 7 1 >>Huh. Out there on the other side of the screen? Far out. Maybe Steven Spillbug will cast me in a Sci Fi adventure flick set on Mars if some writer out there writes a script like that.<< 2 1 1 >><< 7 4 >>You never know. Writers write all kinds of stuff in Hollywood.<< 5 112 >>And they get to choose all kinds of sets and scenery -- like this place << 7 1 >><< 12 1 2 >><< 12 1 1 >><< 7 4 >>It;s a jungle out there, or a spaceship, a diner, an operating room--- about 20 sets in all.<< 2 4 1 >>Very inspiring, if you ask me.<< 7 8 >><< 12 8 1 >><< 15 8 60 50 1 >><< 5 1015 >>Oops! Wrong set!<< 2 8 1 >>They're waiting for me in the alley. Later, dudes!<< 12 8 2 >><< 16 8 1 >><< 7 1 >><< 1 1 3 >>Is he an actor too? Who does casting around here?<< 7 4 >><< 2 4 14 >>They do. The Big Shots. The writer/director/producers out there.<< 7 1 >><< 2 1 8 >>Them again. Huh.<< 7 4 >>Yes they might pack a whole bunch of us to be in their shows, or just me.<< 5 221 >>I might be cast as a superhero, spy, vampire, whatever. There's this little old lady who's into bungy jumping<< 7 1 >><< 2 1 13 >>Weird. And this place sure is noisy. Is that your dog out there?<< 7 4 >>No, just a sound effect. There are hundreds of them in Hollywood.<< 7 7 >><< 15 7 60 50 1 >><< 7 1 >><< 3 1 209 5 >><< 12 1 2 >><< 3 1 287 3 >><< 7 4 >><< 3 4 348 65 >><< 5 1012 >><< 7 7 >><< 2 7 5 >><< 3 7 237 70 >><< 12 7 2 >><< 1 7 2 >><< 12 7 1 >><< 4 7 2 >>Are you lucky or what?<< 7 1 >><< 2 1 1 >>I sure am. Joe Lucky, one lucky guy.<< 7 7 >>Well, Mr. Lucky, I'm April Knowes, and Steven sent me down to coach you on delivering lines - you'll be reading the part of Larry in THE BIG MESS, Mr. Spillbug's upcoming blockbuster which is shooting as we speak over in Studio B. Problem is none of the Hollywood 9 can handle Larry.<< 1 7 5 >>It's an extremely sensitive, challenging role. It requires masterful body language<< 4 7 1 >>and a range of facial expressions.<< 7 1 >><< 2 1 7 >><< 7 7 >>What we call poses and moods here in Hollywood. Everybody works on this constantly, Joe. Except the Narrator, of course. The Narrator's just an offscreen voice that writers use once in a while, who knows why. Anyhow, let's get started.<< 7 4 >>See you later, April. Good luck, Lucky.<< 16 4 1 >><< 7 7 >><< 3 7 248 70 >><< 7 1 >><< 3 1 89 -8 >><< 7 7 >><< 12 7 2 >><< 7 1 >><< 12 1 1 >><< 7 7 >><< 3 7 301 69 >>You know, lean forward<< 7 1 >><< 4 1 1 >><< 7 7 >>Lean back<< 7 1 >><< 4 1 2 >><< 7 7 >>Stand up straight.<< 7 1 >><< 4 1 0 >><< 7 7 >>Good.<< 7 1 >><< 2 1 1 >>I'm warming up! Tell me something else to do!<< 7 7 >><< 2 7 1 >>O.K., let's see you lip sync some lines.<< 7 1 >><< 2 1 13 >>Uh, do what?<< 7 7 >>Down there. You say whatever words the writer writes in the script.<< 7 1 >><< 2 1 11 >><< 7 7 >><< 2 7 7 >> Your stage directions are down there, too. It's THE BIG MESS. Just read your lines.<< 7 1 >>O.k., here goes. Uh << 13 1 >><< 2 1 4 >>Maybe you got the wrong number.<< 7 7 >><< 2 7 5 >>Not bad. How about some feeling this time? Some excitement.<< 7 1 >>I'm having trouble concentrating. All that barking is throwing me off.<< 7 7 >>Focus, Joe -- find your motivation. Now, let's see happy.<< 7 1 >><< 2 1 1 >>Maybe you got the wrong number!<< 7 7 >>Good. Now I want angry.<< 7 1 >><< 2 1 3 >>Maybe you got the wrong number ---<< 7 7 >>Very nice. << 7 1 >><< 2 1 5 >><< 7 7 >>Now do whatever it says in the script.<< 7 1 >>But what if the script stops? What if the writer runs out of things for me to say and do? Is that it? End of story?<< 7 7 >><< 1 7 4 >>No, no, not at all. Writers get stuck. It happens. Then they use the Idea Machine to get started again. They just push the old Lightbulb Button << 12 7 1 >><< 12 7 2 >>and voila! Ideas, ideas, ideas. Ideas for lines, for actions, even for what the whole show might be about. O.k., back to work, Joe. Let's see some action.<< 1 7 5 >><< 1 7 4 >><< 7 1 >><< 2 1 11 >>Just like that? No jokes first or anything?<< 7 7 >><< 1 7 4 >>Take it easy. Just throw yourself into it. Emote! Draw from your past.<< 7 1 >><< 2 1 9 >><< 13 1 >><< 1 1 3 >><< 13 1 >><< 2 1 5 >>Was that o.k.?<< 7 7 >>It was great. Three stars. Now cry.<< 7 1 >><< 2 1 11 >>Uh, well,<< 13 1 >><< 1 1 1 >><< 1 1 1 >><< 7 7 >>Excellent! In Tense! << 7 1 >><< 1 1 4 >><< 2 1 1 >><< 7 7 >>Gee --- nice action, Joe. The pizza, I mean. All the Hollywood 9 have actions they can do like laughing and crying and some actors can do totally special things<< 1 7 2 >>--- like me, for instance << 2 7 1 >><< 1 7 1 >><< 7 1 >>Wow. You're amazing, April.<< 7 7 >><< 1 7 4 >>It's nothing. It's all in the script.
Chunk: 0 << 8 14 1 \0 1 4 248 50 >><< 7 4 >><< 12 4 1 >><< 7 0 >>You're about to meet Joe Lucky, a guy with a crazy dream -- to be a Hollywood star --<< 7 1 >><< 15 1 60 50 1 >><< 4 1 0 >><< 15 1 60 50 1 >><< 3 1 104 27 >><< 5 1006 >><< 7 4 >><< 12 4 2 >> Looking for someone?<< 7 1 >>Yes. I have an audition with Steven Spillbug at 3:20. What was that creepy music for? What is this place?<< 5 112 >><< 7 4 >><< 2 4 1 >>Relax, man. This is just one of the sets in Hollywood -- the Monster Lab set.<< 1 4 6 >>You're early. You must be Lucky, huh?<< 7 1 >><< 2 1 1 >>Right! Joe Lucky, that's me! But who are you? You look very familiar. Have I seen you on T.V. or something?<< 7 4 >>You bet you have--I'm Cecil B. DeBoy, one of the Hollywood Nine. Nine exclusive major talents appearing in just about every production that comes out of Hollywood -- from features to shorts to sit coms, news, commercials, stand-up, you name it -- whatever the writers write.<< 5 112 >>But today I'm not working. Just helping Mr. S. with auditions.<< 7 1 >><< 2 1 8 >>Cool! Who are the writers?<< 7 4 >>People out there.<< 2 4 14 >><< 7 1 >>Huh. Out there on the other side of the screen? Far out. Maybe Steven Spillbug will cast me in a Sci Fi adventure flick set on Mars if some writer out there writes a script like that.<< 2 1 1 >><< 7 4 >>You never know. Writers write all kinds of stuff in Hollywood.<< 5 112 >>And they get to choose all kinds of sets and scenery -- like this place << 7 1 >><< 12 1 2 >><< 12 1 1 >><< 7 4 >>It;s a jungle out there, or a spaceship, a diner, an operating room--- about 20 sets in all.<< 2 4 1 >>Very inspiring, if you ask me.<< 7 8 >><< 12 8 1 >><< 15 8 60 50 1 >><< 5 1015 >>Oops! Wrong set!<< 2 8 1 >>They're waiting for me in the alley. Later, dudes!<< 12 8 2 >><< 16 8 1 >><< 7 1 >><< 1 1 3 >>Is he an actor too? Who does casting around here?<< 7 4 >><< 2 4 14 >>They do. The Big Shots. The writer/director/producers out there.<< 7 1 >><< 2 1 8 >>Them again. Huh.<< 7 4 >>Yes they might pack a whole bunch of us to be in their shows, or just me.<< 5 221 >>I might be cast as a superhero, spy, vampire, whatever. There's this little old lady who's into bungy jumping<< 7 1 >><< 2 1 13 >>Weird. And this place sure is noisy. Is that your dog out there?<< 7 4 >>No, just a sound effect. There are hundreds of them in Hollywood.<< 7 7 >><< 15 7 60 50 1 >><< 7 1 >><< 3 1 209 5 >><< 12 1 2 >><< 3 1 287 3 >><< 7 4 >><< 3 4 348 65 >><< 5 1012 >><< 7 7 >><< 2 7 5 >><< 3 7 237 70 >><< 12 7 2 >><< 1 7 2 >><< 12 7 1 >><< 4 7 2 >>Are you lucky or what?<< 7 1 >><< 2 1 1 >>I sure am. Joe Lucky, one lucky guy.<< 7 7 >>Well, Mr. Lucky, I'm April Knowes, and Steven sent me down to coach you on delivering lines - you'll be reading the part of Larry in THE BIG MESS, Mr. Spillbug's upcoming blockbuster which is shooting as we speak over in Studio B. Problem is none of the Hollywood 9 can handle Larry.<< 1 7 5 >>It's an extremely sensitive, challenging role. It requires masterful body language<< 4 7 1 >>and a range of facial expressions.<< 7 1 >><< 2 1 7 >><< 7 7 >>What we call poses and moods here in Hollywood. Everybody works on this constantly, Joe. Except the Narrator, of course. The Narrator's just an offscreen voice that writers use once in a while, who knows why. Anyhow, let's get started.<< 7 4 >>See you later, April. Good luck, Lucky.<< 16 4 1 >><< 7 7 >><< 3 7 248 70 >><< 7 1 >><< 3 1 89 -8 >><< 7 7 >><< 12 7 2 >><< 7 1 >><< 12 1 1 >><< 7 7 >><< 3 7 301 69 >>You know, lean forward<< 7 1 >><< 4 1 1 >><< 7 7 >>Lean back<< 7 1 >><< 4 1 2 >><< 7 7 >>Stand up straight.<< 7 1 >><< 4 1 0 >><< 7 7 >>Good.<< 7 1 >><< 2 1 1 >>I'm warming up! Tell me something else to do!<< 7 7 >><< 2 7 1 >>O.K., let's see you lip sync some lines.<< 7 1 >><< 2 1 13 >>Uh, do what?<< 7 7 >>Down there. You say whatever words the writer writes in the script.<< 7 1 >><< 2 1 11 >><< 7 7 >><< 2 7 7 >> Your stage directions are down there, too. It's THE BIG MESS. Just read your lines.<< 7 1 >>O.k., here goes. Uh << 13 1 >><< 2 1 4 >>Maybe you got the wrong number.<< 7 7 >><< 2 7 5 >>Not bad. How about some feeling this time? Some excitement.<< 7 1 >>I'm having trouble concentrating. All that barking is throwing me off.<< 7 7 >>Focus, Joe -- find your motivation. Now, let's see happy.<< 7 1 >><< 2 1 1 >>Maybe you got the wrong number!<< 7 7 >>Good. Now I want angry.<< 7 1 >><< 2 1 3 >>Maybe you got the wrong number ---<< 7 7 >>Very nice. << 7 1 >><< 2 1 5 >><< 7 7 >>Now do whatever it says in the script.<< 7 1 >>But what if the script stops? What if the writer runs out of things for me to say and do? Is that it? End of story?<< 7 7 >><< 1 7 4 >>No, no, not at all. Writers get stuck. It happens. Then they use the Idea Machine to get started again. They just push the old Lightbulb Button << 12 7 1 >><< 12 7 2 >>and voila! Ideas, ideas, ideas. Ideas for lines, for actions, even for what the whole show might be about. O.k., back to work, Joe. Let's see some action.<< 1 7 5 >><< 1 7 4 >><< 7 1 >><< 2 1 11 >>Just like that? No jokes first or anything?<< 7 7 >><< 1 7 4 >>Take it easy. Just throw yourself into it. Emote! Draw from your past.<< 7 1 >><< 2 1 9 >><< 13 1 >><< 1 1 3 >><< 13 1 >><< 2 1 5 >>Was that o.k.?<< 7 7 >>It was great. Three stars. Now cry.<< 7 1 >><< 2 1 11 >>Uh, well,<< 13 1 >><< 1 1 1 >><< 1 1 1 >><< 7 7 >>Excellent! In Tense! << 7 1 >><< 1 1 4 >><< 2 1 1 >><< 7 7 >>Gee --- nice action, Joe. The pizza, I mean. All the Hollywood 9 have actions they can do like laughing and crying and some actors can do totally special things<< 1 7 2 >>--- like me, for instance << 2 7 1 >><< 1 7 1 >><< 7 1 >>Wow. You're amazing, April.<< 7 7 >><< 1 7 4 >>It's nothing. It's all in the script. Now, back to you. The writer might suddenly change your mood -- << 2 7 16 >>Show me nervous!<< 7 1 >><< 2 1 16 >><< 7 7 >>Great!<< 2 7 1 >>Now happy.<< 7 1 >><< 2 1 1 >><< 7 7 >>Yes.<< 2 7 5 >>Now scared.<< 7 1 >><< 2 1 9 >><< 7 7 >>Yes, yes. You're ready for sound effects and music.
Chunk: 0 << 8 14 1 \0 1 4 248 50 >><< 7 4 >><< 12 4 1 >><< 7 0 >>You're about to meet Joe Lucky, a guy with a crazy dream -- to be a Hollywood star --<< 7 1 >><< 15 1 60 50 1 >><< 4 1 0 >><< 15 1 60 50 1 >><< 3 1 104 27 >><< 5 1006 >><< 7 4 >><< 12 4 2 >> Looking for someone?<< 7 1 >>Yes. I have an audition with Steven Spillbug at 3:20. What was that creepy music for? What is this place?<< 5 112 >><< 7 4 >><< 2 4 1 >>Relax, man. This is just one of the sets in Hollywood -- the Monster Lab set.<< 1 4 6 >>You're early. You must be Lucky, huh?<< 7 1 >><< 2 1 1 >>Right! Joe Lucky, that's me! But who are you? You look very familiar. Have I seen you on T.V. or something?<< 7 4 >>You bet you have--I'm Cecil B. DeBoy, one of the Hollywood Nine. Nine exclusive major talents appearing in just about every production that comes out of Hollywood -- from features to shorts to sit coms, news, commercials, stand-up, you name it -- whatever the writers write.<< 5 112 >>But today I'm not working. Just helping Mr. S. with auditions.<< 7 1 >><< 2 1 8 >>Cool! Who are the writers?<< 7 4 >>People out there.<< 2 4 14 >><< 7 1 >>Huh. Out there on the other side of the screen? Far out. Maybe Steven Spillbug will cast me in a Sci Fi adventure flick set on Mars if some writer out there writes a script like that.<< 2 1 1 >><< 7 4 >>You never know. Writers write all kinds of stuff in Hollywood.<< 5 112 >>And they get to choose all kinds of sets and scenery -- like this place << 7 1 >><< 12 1 2 >><< 12 1 1 >><< 7 4 >>It;s a jungle out there, or a spaceship, a diner, an operating room--- about 20 sets in all.<< 2 4 1 >>Very inspiring, if you ask me.<< 7 8 >><< 12 8 1 >><< 15 8 60 50 1 >><< 5 1015 >>Oops! Wrong set!<< 2 8 1 >>They're waiting for me in the alley. Later, dudes!<< 12 8 2 >><< 16 8 1 >><< 7 1 >><< 1 1 3 >>Is he an actor too? Who does casting around here?<< 7 4 >><< 2 4 14 >>They do. The Big Shots. The writer/director/producers out there.<< 7 1 >><< 2 1 8 >>Them again. Huh.<< 7 4 >>Yes they might pack a whole bunch of us to be in their shows, or just me.<< 5 221 >>I might be cast as a superhero, spy, vampire, whatever. There's this little old lady who's into bungy jumping<< 7 1 >><< 2 1 13 >>Weird. And this place sure is noisy. Is that your dog out there?<< 7 4 >>No, just a sound effect. There are hundreds of them in Hollywood.<< 7 7 >><< 15 7 60 50 1 >><< 7 1 >><< 3 1 209 5 >><< 12 1 2 >><< 3 1 287 3 >><< 7 4 >><< 3 4 348 65 >><< 5 1012 >><< 7 7 >><< 2 7 5 >><< 3 7 237 70 >><< 12 7 2 >><< 1 7 2 >><< 12 7 1 >><< 4 7 2 >>Are you lucky or what?<< 7 1 >><< 2 1 1 >>I sure am. Joe Lucky, one lucky guy.<< 7 7 >>Well, Mr. Lucky, I'm April Knowes, and Steven sent me down to coach you on delivering lines - you'll be reading the part of Larry in THE BIG MESS, Mr. Spillbug's upcoming blockbuster which is shooting as we speak over in Studio B. Problem is none of the Hollywood 9 can handle Larry.<< 1 7 5 >>It's an extremely sensitive, challenging role. It requires masterful body language<< 4 7 1 >>and a range of facial expressions.<< 7 1 >><< 2 1 7 >><< 7 7 >>What we call poses and moods here in Hollywood. Everybody works on this constantly, Joe. Except the Narrator, of course. The Narrator's just an offscreen voice that writers use once in a while, who knows why. Anyhow, let's get started.<< 7 4 >>See you later, April. Good luck, Lucky.<< 16 4 1 >><< 7 7 >><< 3 7 248 70 >><< 7 1 >><< 3 1 89 -8 >><< 7 7 >><< 12 7 2 >><< 7 1 >><< 12 1 1 >><< 7 7 >><< 3 7 301 69 >>You know, lean forward<< 7 1 >><< 4 1 1 >><< 7 7 >>Lean back<< 7 1 >><< 4 1 2 >><< 7 7 >>Stand up straight.<< 7 1 >><< 4 1 0 >><< 7 7 >>Good.<< 7 1 >><< 2 1 1 >>I'm warming up! Tell me something else to do!<< 7 7 >><< 2 7 1 >>O.K., let's see you lip sync some lines.<< 7 1 >><< 2 1 13 >>Uh, do what?<< 7 7 >>Down there. You say whatever words the writer writes in the script.<< 7 1 >><< 2 1 11 >><< 7 7 >><< 2 7 7 >> Your stage directions are down there, too. It's THE BIG MESS. Just read your lines.<< 7 1 >>O.k., here goes. Uh << 13 1 >><< 2 1 4 >>Maybe you got the wrong number.<< 7 7 >><< 2 7 5 >>Not bad. How about some feeling this time? Some excitement.<< 7 1 >>I'm having trouble concentrating. All that barking is throwing me off.<< 7 7 >>Focus, Joe -- find your motivation. Now, let's see happy.<< 7 1 >><< 2 1 1 >>Maybe you got the wrong number!<< 7 7 >>Good. Now I want angry.<< 7 1 >><< 2 1 3 >>Maybe you got the wrong number ---<< 7 7 >>Very nice. << 7 1 >><< 2 1 5 >><< 7 7 >>Now do whatever it says in the script.<< 7 1 >>But what if the script stops? What if the writer runs out of things for me to say and do? Is that it? End of story?<< 7 7 >><< 1 7 4 >>No, no, not at all. Writers get stuck. It happens. Then they use the Idea Machine to get started again. They just push the old Lightbulb Button << 12 7 1 >><< 12 7 2 >>and voila! Ideas, ideas, ideas. Ideas for lines, for actions, even for what the whole show might be about. O.k., back to work, Joe. Let's see some action.<< 1 7 5 >><< 1 7 4 >><< 7 1 >><< 2 1 11 >>Just like that? No jokes first or anything?<< 7 7 >><< 1 7 4 >>Take it easy. Just throw yourself into it. Emote! Draw from your past.<< 7 1 >><< 2 1 9 >><< 13 1 >><< 1 1 3 >><< 13 1 >><< 2 1 5 >>Was that o.k.?<< 7 7 >>It was great. Three stars. Now cry.<< 7 1 >><< 2 1 11 >>Uh, well,<< 13 1 >><< 1 1 1 >><< 1 1 1 >><< 7 7 >>Excellent! In Tense! << 7 1 >><< 1 1 4 >><< 2 1 1 >><< 7 7 >>Gee --- nice action, Joe. The pizza, I mean. All the Hollywood 9 have actions they can do like laughing and crying and some actors can do totally special things<< 1 7 2 >>--- like me, for instance << 2 7 1 >><< 1 7 1 >><< 7 1 >>Wow. You're amazing, April.<< 7 7 >><< 1 7 4 >>It's nothing. It's all in the script. Now, back to you. The writer might suddenly change your mood -- << 2 7 16 >>Show me nervous!<< 7 1 >><< 2 1 16 >><< 7 7 >>Great!<< 2 7 1 >>Now happy.<< 7 1 >><< 2 1 1 >><< 7 7 >>Yes.<< 2 7 5 >>Now scared.<< 7 1 >><< 2 1 9 >><< 7 7 >>Yes, yes. You're ready for sound effects and music.Turn around and walk over there, and don't come back in until you hear the music.<< 7 1 >><< 2 1 13 >><< 7 7 >>It's all in the script -- just follow the script.<< 7 1 >><< 12 1 2 >><< 16 1 1 >>Okay April! I'm ready! << 5 1014 >><< 12 1 1 >><< 15 1 60 50 1 >><< 3 1 99 18 >><< 2 1 1 >><< 7 7 >><< 2 7 1 >>Such talent. All right, Joe, now stay happy until you hear a scary sound -- then look frightened. Understand?<< 1 7 5 >><< 7 1 >>Dum, dee dum, dee dum << 5 1011 >><< 2 1 9 >><< 7 7 >>You're a genius!<< 7 1 >><< 2 1 1 >><< 7 2 >>
Chunk: 0 << 8 14 1 \0 1 4 248 50 >><< 7 4 >><< 12 4 1 >><< 7 0 >>You're about to meet Joe Lucky, a guy with a crazy dream -- to be a Hollywood star --<< 7 1 >><< 15 1 60 50 1 >><< 4 1 0 >><< 15 1 60 50 1 >><< 3 1 104 27 >><< 5 1006 >><< 7 4 >><< 12 4 2 >> Looking for someone?<< 7 1 >>Yes. I have an audition with Steven Spillbug at 3:20. What was that creepy music for? What is this place?<< 5 112 >><< 7 4 >><< 2 4 1 >>Relax, man. This is just one of the sets in Hollywood -- the Monster Lab set.<< 1 4 6 >>You're early. You must be Lucky, huh?<< 7 1 >><< 2 1 1 >>Right! Joe Lucky, that's me! But who are you? You look very familiar. Have I seen you on T.V. or something?<< 7 4 >>You bet you have--I'm Cecil B. DeBoy, one of the Hollywood Nine. Nine exclusive major talents appearing in just about every production that comes out of Hollywood -- from features to shorts to sit coms, news, commercials, stand-up, you name it -- whatever the writers write.<< 5 112 >>But today I'm not working. Just helping Mr. S. with auditions.<< 7 1 >><< 2 1 8 >>Cool! Who are the writers?<< 7 4 >>People out there.<< 2 4 14 >><< 7 1 >>Huh. Out there on the other side of the screen? Far out. Maybe Steven Spillbug will cast me in a Sci Fi adventure flick set on Mars if some writer out there writes a script like that.<< 2 1 1 >><< 7 4 >>You never know. Writers write all kinds of stuff in Hollywood.<< 5 112 >>And they get to choose all kinds of sets and scenery -- like this place << 7 1 >><< 12 1 2 >><< 12 1 1 >><< 7 4 >>It;s a jungle out there, or a spaceship, a diner, an operating room--- about 20 sets in all.<< 2 4 1 >>Very inspiring, if you ask me.<< 7 8 >><< 12 8 1 >><< 15 8 60 50 1 >><< 5 1015 >>Oops! Wrong set!<< 2 8 1 >>They're waiting for me in the alley. Later, dudes!<< 12 8 2 >><< 16 8 1 >><< 7 1 >><< 1 1 3 >>Is he an actor too? Who does casting around here?<< 7 4 >><< 2 4 14 >>They do. The Big Shots. The writer/director/producers out there.<< 7 1 >><< 2 1 8 >>Them again. Huh.<< 7 4 >>Yes they might pack a whole bunch of us to be in their shows, or just me.<< 5 221 >>I might be cast as a superhero, spy, vampire, whatever. There's this little old lady who's into bungy jumping<< 7 1 >><< 2 1 13 >>Weird. And this place sure is noisy. Is that your dog out there?<< 7 4 >>No, just a sound effect. There are hundreds of them in Hollywood.<< 7 7 >><< 15 7 60 50 1 >><< 7 1 >><< 3 1 209 5 >><< 12 1 2 >><< 3 1 287 3 >><< 7 4 >><< 3 4 348 65 >><< 5 1012 >><< 7 7 >><< 2 7 5 >><< 3 7 237 70 >><< 12 7 2 >><< 1 7 2 >><< 12 7 1 >><< 4 7 2 >>Are you lucky or what?<< 7 1 >><< 2 1 1 >>I sure am. Joe Lucky, one lucky guy.<< 7 7 >>Well, Mr. Lucky, I'm April Knowes, and Steven sent me down to coach you on delivering lines - you'll be reading the part of Larry in THE BIG MESS, Mr. Spillbug's upcoming blockbuster which is shooting as we speak over in Studio B. Problem is none of the Hollywood 9 can handle Larry.<< 1 7 5 >>It's an extremely sensitive, challenging role. It requires masterful body language<< 4 7 1 >>and a range of facial expressions.<< 7 1 >><< 2 1 7 >><< 7 7 >>What we call poses and moods here in Hollywood. Everybody works on this constantly, Joe. Except the Narrator, of course. The Narrator's just an offscreen voice that writers use once in a while, who knows why. Anyhow, let's get started.<< 7 4 >>See you later, April. Good luck, Lucky.<< 16 4 1 >><< 7 7 >><< 3 7 248 70 >><< 7 1 >><< 3 1 89 -8 >><< 7 7 >><< 12 7 2 >><< 7 1 >><< 12 1 1 >><< 7 7 >><< 3 7 301 69 >>You know, lean forward<< 7 1 >><< 4 1 1 >><< 7 7 >>Lean back<< 7 1 >><< 4 1 2 >><< 7 7 >>Stand up straight.<< 7 1 >><< 4 1 0 >><< 7 7 >>Good.<< 7 1 >><< 2 1 1 >>I'm warming up! Tell me something else to do!<< 7 7 >><< 2 7 1 >>O.K., let's see you lip sync some lines.<< 7 1 >><< 2 1 13 >>Uh, do what?<< 7 7 >>Down there. You say whatever words the writer writes in the script.<< 7 1 >><< 2 1 11 >><< 7 7 >><< 2 7 7 >> Your stage directions are down there, too. It's THE BIG MESS. Just read your lines.<< 7 1 >>O.k., here goes. Uh << 13 1 >><< 2 1 4 >>Maybe you got the wrong number.<< 7 7 >><< 2 7 5 >>Not bad. How about some feeling this time? Some excitement.<< 7 1 >>I'm having trouble concentrating. All that barking is throwing me off.<< 7 7 >>Focus, Joe -- find your motivation. Now, let's see happy.<< 7 1 >><< 2 1 1 >>Maybe you got the wrong number!<< 7 7 >>Good. Now I want angry.<< 7 1 >><< 2 1 3 >>Maybe you got the wrong number ---<< 7 7 >>Very nice. << 7 1 >><< 2 1 5 >><< 7 7 >>Now do whatever it says in the script.<< 7 1 >>But what if the script stops? What if the writer runs out of things for me to say and do? Is that it? End of story?<< 7 7 >><< 1 7 4 >>No, no, not at all. Writers get stuck. It happens. Then they use the Idea Machine to get started again. They just push the old Lightbulb Button << 12 7 1 >><< 12 7 2 >>and voila! Ideas, ideas, ideas. Ideas for lines, for actions, even for what the whole show might be about. O.k., back to work, Joe. Let's see some action.<< 1 7 5 >><< 1 7 4 >><< 7 1 >><< 2 1 11 >>Just like that? No jokes first or anything?<< 7 7 >><< 1 7 4 >>Take it easy. Just throw yourself into it. Emote! Draw from your past.<< 7 1 >><< 2 1 9 >><< 13 1 >><< 1 1 3 >><< 13 1 >><< 2 1 5 >>Was that o.k.?<< 7 7 >>It was great. Three stars. Now cry.<< 7 1 >><< 2 1 11 >>Uh, well,<< 13 1 >><< 1 1 1 >><< 1 1 1 >><< 7 7 >>Excellent! In Tense! << 7 1 >><< 1 1 4 >><< 2 1 1 >><< 7 7 >>Gee --- nice action, Joe. The pizza, I mean. All the Hollywood 9 have actions they can do like laughing and crying and some actors can do totally special things<< 1 7 2 >>--- like me, for instance << 2 7 1 >><< 1 7 1 >><< 7 1 >>Wow. You're amazing, April.<< 7 7 >><< 1 7 4 >>It's nothing. It's all in the script. Now, back to you. The writer might suddenly change your mood -- << 2 7 16 >>Show me nervous!<< 7 1 >><< 2 1 16 >><< 7 7 >>Great!<< 2 7 1 >>Now happy.<< 7 1 >><< 2 1 1 >><< 7 7 >>Yes.<< 2 7 5 >>Now scared.<< 7 1 >><< 2 1 9 >><< 7 7 >>Yes, yes. You're ready for sound effects and music.Turn around and walk over there, and don't come back in until you hear the music.<< 7 1 >><< 2 1 13 >><< 7 7 >>It's all in the script -- just follow the script.<< 7 1 >><< 12 1 2 >><< 16 1 1 >>Okay April! I'm ready! << 5 1014 >><< 12 1 1 >><< 15 1 60 50 1 >><< 3 1 99 18 >><< 2 1 1 >><< 7 7 >><< 2 7 1 >>Such talent. All right, Joe, now stay happy until you hear a scary sound -- then look frightened. Understand?<< 1 7 5 >><< 7 1 >>Dum, dee dum, dee dum << 5 1011 >><< 2 1 9 >><< 7 7 >>You're a genius!<< 7 1 >><< 2 1 1 >><< 7 2 >><< 5 709 >>
Chunk: 0 << 8 14 0 \0 1 4 248 50 >><< 7 4 >><< 12 4 1 >><< 7 0 >>You're about to meet Joe Lucky, a guy with a crazy dream -- to be a Hollywood star --<< 7 1 >><< 15 1 60 50 0 >><< 4 1 0 >><< 15 1 60 50 0 >><< 3 1 104 27 >><< 5 1006 >><< 7 4 >><< 12 4 2 >> Looking for someone?<< 7 1 >>Yes. I have an audition with Steven Spillbug at 3:20. What was that creepy music for? What is this place?<< 5 112 >><< 7 4 >><< 2 4 1 >>Relax, man. This is just one of the sets in Hollywood -- the Monster Lab set.<< 1 4 6 >>You're early. You must be Lucky, huh?<< 7 1 >><< 2 1 1 >>Right! Joe Lucky, that's me! But who are you? You look very familiar. Have I seen you on T.V. or something?<< 7 4 >>You bet you have--I'm Cecil B. DeBoy, one of the Hollywood Nine. Nine exclusive major talents appearing in just about every production that comes out of Hollywood -- from features to shorts to sit coms, news, commercials, stand-up, you name it -- whatever the writers write.<< 5 112 >>But today I'm not working. Just helping Mr. S. with auditions.<< 7 1 >><< 2 1 8 >>Cool! Who are the writers?<< 7 4 >>People out there.<< 2 4 14 >><< 7 1 >>Huh. Out there on the other side of the screen? Far out. Maybe Steven Spillbug will cast me in a Sci Fi adventure flick set on Mars if some writer out there writes a script like that.<< 2 1 1 >><< 7 4 >>You never know. Writers write all kinds of stuff in Hollywood.<< 5 112 >>And they get to choose all kinds of sets and scenery -- like this place << 7 1 >><< 12 1 2 >><< 12 1 1 >><< 7 4 >>It;s a jungle out there, or a spaceship, a diner, an operating room--- about 20 sets in all.<< 2 4 1 >>Very inspiring, if you ask me.<< 7 8 >><< 12 8 1 >><< 15 8 60 50 62 >><< 5 1015 >>Oops! Wrong set!<< 2 8 1 >>They're waiting for me in the alley. Later, dudes!<< 12 8 2 >><< 16 8 62 >><< 7 1 >><< 1 1 3 >>Is he an actor too? Who does casting around here?<< 7 4 >><< 2 4 14 >>They do. The Big Shots. The writer/director/producers out there.<< 7 1 >><< 2 1 8 >>Them again. Huh.<< 7 4 >>Yes they might pack a whole bunch of us to be in their shows, or just me.<< 5 221 >>I might be cast as a superhero, spy, vampire, whatever. There's this little old lady who's into bungy jumping<< 7 1 >><< 2 1 13 >>Weird. And this place sure is noisy. Is that your dog out there?<< 7 4 >>No, just a sound effect. There are hundreds of them in Hollywood.<< 7 7 >><< 15 7 60 50 32 >><< 7 1 >><< 3 1 209 5 >><< 12 1 2 >><< 3 1 287 3 >><< 7 4 >><< 3 4 348 65 >><< 5 1012 >><< 7 7 >><< 2 7 5 >><< 3 7 237 70 >><< 12 7 2 >><< 1 7 2 >><< 12 7 1 >><< 4 7 2 >>Are you lucky or what?<< 7 1 >><< 2 1 1 >>I sure am. Joe Lucky, one lucky guy.<< 7 7 >>Well, Mr. Lucky, I'm April Knowes, and Steven sent me down to coach you on delivering lines - you'll be reading the part of Larry in The Big Mess, Mr. Spillbug's upcoming blockbuster which is shooting as we speak over in Studio B. Problem is none of the Hollywood 9 can handle Larry.<< 1 7 5 >>It's an extremely sensitive, challenging role. It requires masterful body language<< 4 7 1 >>and a range of facial expressions.<< 7 1 >><< 2 1 7 >><< 7 7 >>What we call poses and moods here in Hollywood. Everybody works on this constantly, Joe. Except the Narrator, of course. The Narrator's just an offscreen voice that writers use once in a while, who knows why. Anyhow, let's get started.<< 7 4 >>See you later, April. Good luck, Lucky.<< 16 4 71 >><< 7 7 >><< 3 7 248 70 >><< 7 1 >><< 3 1 89 -8 >><< 7 7 >><< 12 7 2 >><< 7 1 >><< 12 1 1 >><< 7 7 >><< 3 7 301 69 >>You know, lean forward<< 7 1 >><< 4 1 1 >><< 7 7 >>Lean back<< 7 1 >><< 4 1 2 >><< 7 7 >>Stand up straight.<< 7 1 >><< 4 1 0 >><< 7 7 >>Good.<< 7 1 >><< 2 1 1 >>I'm warming up! Tell me something else to do!<< 7 7 >><< 2 7 1 >>O.K., let's see you lip sync some lines.<< 7 1 >><< 2 1 13 >>Uh, do what?<< 7 7 >>Down there. You say whatever words the writer writes in the script.<< 7 1 >><< 2 1 11 >><< 7 7 >><< 2 7 7 >> Your stage directions are down there, too. It's THE BIG MESS. Just read your lines.<< 7 1 >>O.k., here goes. Uh << 13 1 >><< 2 1 4 >>Maybe you got the wrong number.<< 7 7 >><< 2 7 5 >>Not bad. How about some feeling this time? Some excitement.<< 7 1 >>I'm having trouble concentrating. All that barking is throwing me off.<< 7 7 >>Focus, Joe -- find your motivation. Now, let's see happy.<< 7 1 >><< 2 1 1 >>Maybe you got the wrong number!<< 7 7 >>Good. Now I want angry.<< 7 1 >><< 2 1 3 >>Maybe you got the wrong number ---<< 7 7 >>Very nice. << 7 1 >><< 2 1 5 >><< 7 7 >>Now do whatever it says in the script.<< 7 1 >>But what if the script stops? What if the writer runs out of things for me to say and do? Is that it? End of story?<< 7 7 >><< 1 7 4 >>No, no, not at all. Writers get stuck. It happens. Then they use the Idea Machine to get started again. They just push the old Lightbulb Button << 12 7 1 >><< 12 7 2 >>and voila! Ideas, ideas, ideas. Ideas for lines, for actions, even for what the whole show might be about. O.k., back to work, Joe. Let's see some action.<< 1 7 5 >><< 1 7 4 >><< 7 1 >><< 2 1 11 >>Just like that? No jokes first or anything?<< 7 7 >><< 1 7 4 >>Take it easy. Just throw yourself into it. Emote! Draw from your past.<< 7 1 >><< 2 1 9 >><< 13 1 >><< 1 1 3 >><< 13 1 >><< 2 1 5 >>Was that o.k.?<< 7 7 >>It was great. Three stars. Now cry.<< 7 1 >><< 2 1 11 >>Uh, well,<< 13 1 >><< 1 1 1 >><< 1 1 1 >><< 7 7 >>Excellent! In Tense! << 7 1 >><< 1 1 4 >><< 2 1 1 >><< 7 7 >>Gee --- nice action, Joe. The pizza, I mean. All the Hollywood 9 have actions they can do like laughing and crying and some actors can do totally special things<< 1 7 2 >>--- like me, for instance << 2 7 1 >><< 1 7 1 >><< 7 1 >>Wow. You're amazing, April.<< 7 7 >><< 1 7 4 >>It's nothing. It's all in the script. Now, back to you. The writer might suddenly change your mood -- << 2 7 16 >>Show me nervous!<< 7 1 >><< 2 1 16 >><< 7 7 >>Great!<< 2 7 1 >>Now happy.<< 7 1 >><< 2 1 1 >><< 7 7 >>Yes.<< 2 7 5 >>Now scared.<< 7 1 >><< 2 1 9 >><< 7 7 >>Yes, yes. You're ready for sound effects and music.Turn around and walk over there, and don't come back in until you hear the music.<< 7 1 >><< 2 1 13 >><< 7 7 >>It's all in the script -- just follow the script.<< 7 1 >><< 12 1 2 >><< 16 1 143 >>Okay April! I'm ready! << 5 1014 >><< 12 1 1 >><< 15 1 60 50 78 >><< 3 1 99 18 >><< 2 1 1 >><< 7 7 >><< 2 7 1 >>Such talent. All right, Joe, now stay happy until you hear a scary sound -- then look frightened. Understand?<< 1 7 5 >><< 7 1 >>Dum, dee dum, dee dum << 5 1011 >><< 2 1 9 >><< 7 7 >>You're a genius!<< 7 1 >><< 2 1 1 >><< 7 2 >><< 5 709 >>April?<< 5 810 >><< 15 2 60 50 1 >><< 7 7 >><< 3 7 344 77 >><< 7 1 >><< 12 1 2 >><< 3 1 190 12 >><< 7 2 >><< 3 2 85 32 >><< 5 1125 >><< 7 7 >>Joe, here is the great Steven Spillbug.<< 7 1 >><< 2 1 9 >><< 2 1 6 >><< 2 1 1 >>Hello, sir.<< 7 2 >>You're lucky. Let's hear you read Larry, Lucky.<< 7 1 >><< 2 1 3 >><< 5 1112 >>Maybe you got the wrong number ---<< 7 2 >><< 2 2 8 >>Brilliant! Welcome to the Hollywood Ten, Joe. << 5 1010 >><< 7 1 >><< 2 1 1 >><< 7 7 >><< 2 7 8 >><< 7 2 >>Take five and then meet us in Studio B, Lucky.<< 7 1 >>Thank you, Mr. Spillbug!<< 12 1 1 >><< 16 1 0 >><< 7 7 >><< 12 7 1 >>It's the other way, Joe!<< 7 1 >><< 12 1 2 >><< 15 1 300 50 0 >>
Chunk: 0 << 8 14 0 \0 1 4 248 50 >><< 7 4 >><< 12 4 1 >><< 7 0 >>You're about to meet Joe Lucky, a guy with a crazy dream -- to be a Hollywood star --<< 7 1 >><< 15 1 60 50 0 >><< 4 1 0 >><< 15 1 60 50 0 >><< 3 1 104 27 >><< 5 1006 >><< 7 4 >><< 12 4 2 >> Looking for someone?<< 7 1 >>Yes. I have an audition with Steven Spillbug at 3:20. What was that creepy music for? What is this place?<< 5 112 >><< 7 4 >><< 2 4 1 >>Relax, man. This is just one of the sets in Hollywood -- the Monster Lab set.<< 1 4 6 >>You're early. You must be Lucky, huh?<< 7 1 >><< 2 1 1 >>Right! Joe Lucky, that's me! But who are you? You look very familiar. Have I seen you on T.V. or something?<< 7 4 >>You bet you have--I'm Cecil B. DeBoy, one of the Hollywood Nine. Nine exclusive major talents appearing in just about every production that comes out of Hollywood -- from features to shorts to sit coms, news, commercials, stand-up, you name it -- whatever the writers write.<< 5 112 >>But today I'm not working. Just helping Mr. S. with auditions.<< 7 1 >><< 2 1 8 >>Cool! Who are the writers?<< 7 4 >>People out there.<< 2 4 14 >><< 7 1 >>Huh. Out there on the other side of the screen? Far out. Maybe Steven Spillbug will cast me in a Sci Fi adventure flick set on Mars if some writer out there writes a script like that.<< 2 1 1 >><< 7 4 >>You never know. Writers write all kinds of stuff in Hollywood.<< 5 112 >>And they get to choose all kinds of sets and scenery -- like this place << 7 1 >><< 12 1 2 >><< 12 1 1 >><< 7 4 >>It;s a jungle out there, or a spaceship, a diner, an operating room--- about 20 sets in all.<< 2 4 1 >>Very inspiring, if you ask me.<< 7 8 >><< 12 8 1 >><< 15 8 60 50 62 >><< 5 1015 >>Oops! Wrong set!<< 2 8 1 >>They're waiting for me in the alley. Later, dudes!<< 12 8 2 >><< 16 8 62 >><< 7 1 >><< 1 1 3 >>Is he an actor too? Who does casting around here?<< 7 4 >><< 2 4 14 >>They do. The Big Shots. The writer/director/producers out there.<< 7 1 >><< 2 1 8 >>Them again. Huh.<< 7 4 >>Yes they might pack a whole bunch of us to be in their shows, or just me.<< 5 221 >>I might be cast as a superhero, spy, vampire, whatever. There's this little old lady who's into bungy jumping<< 7 1 >><< 2 1 13 >>Weird. And this place sure is noisy. Is that your dog out there?<< 7 4 >>No, just a sound effect. There are hundreds of them in Hollywood.<< 7 7 >><< 15 7 60 50 32 >><< 7 1 >><< 3 1 209 5 >><< 12 1 2 >><< 3 1 287 3 >><< 7 4 >><< 3 4 348 65 >><< 5 1012 >><< 7 7 >><< 2 7 5 >><< 3 7 237 70 >><< 12 7 2 >><< 1 7 2 >><< 12 7 1 >><< 4 7 2 >>Are you lucky or what?<< 7 1 >><< 2 1 1 >>I sure am. Joe Lucky, one lucky guy.<< 7 7 >>Well, Mr. Lucky, I'm April Knowes, and Steven sent me down to coach you on delivering lines - you'll be reading the part of Larry in The Big Mess, Mr. Spillbug's upcoming blockbuster which is shooting as we speak over in Studio B. Problem is none of the Hollywood 9 can handle Larry.<< 1 7 5 >>It's an extremely sensitive, challenging role. It requires masterful body language<< 4 7 1 >>and a range of facial expressions.<< 7 1 >><< 2 1 7 >><< 7 7 >>What we call poses and moods here in Hollywood. Everybody works on this constantly, Joe. Except the Narrator, of course. The Narrator's just an offscreen voice that writers use once in a while, who knows why. Anyhow, let's get started.<< 7 4 >>See you later, April. Good luck, Lucky.<< 16 4 71 >><< 7 7 >><< 3 7 248 70 >><< 7 1 >><< 3 1 89 -8 >><< 7 7 >><< 12 7 2 >><< 7 1 >><< 12 1 1 >><< 7 7 >><< 3 7 301 69 >>You know, lean forward<< 7 1 >><< 4 1 1 >><< 7 7 >>Lean back<< 7 1 >><< 4 1 2 >><< 7 7 >>Stand up straight.<< 7 1 >><< 4 1 0 >><< 7 7 >>Good.<< 7 1 >><< 2 1 1 >>I'm warming up! Tell me something else to do!<< 7 7 >><< 2 7 1 >>O.K., let's see you lip sync some lines.<< 7 1 >><< 2 1 13 >>Uh, do what?<< 7 7 >>Down there. You say whatever words the writer writes in the script.<< 7 1 >><< 2 1 11 >><< 7 7 >><< 2 7 7 >> Your stage directions are down there, too. It's THE BIG MESS. Just read your lines.<< 7 1 >>O.k., here goes. Uh << 13 1 >><< 2 1 4 >>Maybe you got the wrong number.<< 7 7 >><< 2 7 5 >>Not bad. How about some feeling this time? Some excitement.<< 7 1 >>I'm having trouble concentrating. All that barking is throwing me off.<< 7 7 >>Focus, Joe -- find your motivation. Now, let's see happy.<< 7 1 >><< 2 1 1 >>Maybe you got the wrong number!<< 7 7 >>Good. Now I want angry.<< 7 1 >><< 2 1 3 >>Maybe you got the wrong number ---<< 7 7 >>Very nice. << 7 1 >><< 2 1 5 >><< 7 7 >>Now do whatever it says in the script.<< 7 1 >>But what if the script stops? What if the writer runs out of things for me to say and do? Is that it? End of story?<< 7 7 >><< 1 7 4 >>No, no, not at all. Writers get stuck. It happens. Then they use the Idea Machine to get started again. They just push the old Lightbulb Button << 12 7 1 >><< 12 7 2 >>and voila! Ideas, ideas, ideas. Ideas for lines, for actions, even for what the whole show might be about. O.k., back to work, Joe. Let's see some action.<< 1 7 5 >><< 1 7 4 >><< 7 1 >><< 2 1 11 >>Just like that? No jokes first or anything?<< 7 7 >><< 1 7 4 >>Take it easy. Just throw yourself into it. Emote! Draw from your past.<< 7 1 >><< 2 1 9 >><< 13 1 >><< 1 1 3 >><< 13 1 >><< 2 1 5 >>Was that o.k.?<< 7 7 >>It was great. Three stars. Now cry.<< 7 1 >><< 2 1 11 >>Uh, well,<< 13 1 >><< 1 1 1 >><< 1 1 1 >><< 7 7 >>Excellent! In Tense! << 7 1 >><< 1 1 4 >><< 2 1 1 >><< 7 7 >>Gee --- nice action, Joe. The pizza, I mean. All the Hollywood 9 have actions they can do like laughing and crying and some actors can do totally special things<< 1 7 2 >>--- like me, for instance << 2 7 1 >><< 1 7 1 >><< 7 1 >>Wow. You're amazing, April.<< 7 7 >><< 1 7 4 >>It's nothing. It's all in the script. Now, back to you. The writer might suddenly change your mood -- << 2 7 16 >>Show me nervous!<< 7 1 >><< 2 1 16 >><< 7 7 >>Great!<< 2 7 1 >>Now happy.<< 7 1 >><< 2 1 1 >><< 7 7 >>Yes.<< 2 7 5 >>Now scared.<< 7 1 >><< 2 1 9 >><< 7 7 >>Yes, yes. You're ready for sound effects and music.Turn around and walk over there, and don't come back in until you hear the music.<< 7 1 >><< 2 1 13 >><< 7 7 >>It's all in the script -- just follow the script.<< 7 1 >><< 12 1 2 >><< 16 1 143 >>Okay April! I'm ready! << 5 1014 >><< 12 1 1 >><< 15 1 60 50 78 >><< 3 1 99 18 >><< 2 1 1 >><< 7 7 >><< 2 7 1 >>Such talent. All right, Joe, now stay happy until you hear a scary sound -- then look frightened. Understand?<< 1 7 5 >><< 7 1 >>Dum, dee dum, dee dum << 5 1011 >><< 2 1 9 >><< 7 7 >>You're a genius!<< 7 1 >><< 2 1 1 >><< 7 2 >><< 5 709 >>April?<< 5 810 >><< 15 2 60 50 1 >><< 7 7 >><< 3 7 344 77 >><< 7 1 >><< 12 1 2 >><< 3 1 190 12 >><< 7 2 >><< 3 2 85 32 >><< 5 1125 >><< 7 7 >>Joe, here is the great Steven Spillbug.<< 7 1 >><< 2 1 9 >><< 2 1 6 >><< 2 1 1 >>Hello, sir.<< 7 2 >>You're lucky. Let's hear you read Larry, Lucky.<< 7 1 >><< 2 1 3 >><< 5 1112 >>Maybe you got the wrong number ---<< 7 2 >><< 2 2 8 >>Brilliant! Welcome to the Hollywood Ten, Joe. << 5 1010 >><< 7 1 >><< 2 1 1 >><< 7 7 >><< 2 7 8 >><< 7 2 >>Take five and then meet us in Studio B, Lucky.<< 7 1 >>Thank you, Mr. Spillbug!<< 12 1 1 >><< 16 1 0 >><< 7 7 >><< 12 7 1 >>It's the other way, Joe!<< 12 7 2 >><< 7 1 >><< 12 1 2 >><< 15 1 300 50 0 >><< 3 1 -32 1 >><< 16 1 1 >><< 5 810 >><< 7 2 >><< 12 2 1 >><< 16 2 1 >><< 7 7 >><< 16 7 1 >><< 7 0 >>Joe Lucky --- a guy with a crazy dream --- now a major Hollywood star and box office draw, winning awards for his sensitive portrayal of Larry in The Big Mess, and Larry in a Sa - Turn of Events, which can be seen by opening the sample scripts folder! Word has it that Joe and the rest of Hollywood Ten are working on a series of brand new shows with an incredible but still undiscovered, up and coming script writer.
Chunk: 0 << 8 14 0 \0 1 4 248 50 >><< 7 4 >><< 12 4 1 >><< 7 0 >>You're about to meet Joe Lucky, a guy with a crazy dream -- to be a Hollywood star --<< 7 1 >><< 15 1 60 50 0 >><< 4 1 0 >><< 15 1 60 50 0 >><< 3 1 104 27 >><< 5 1006 >><< 7 4 >><< 12 4 2 >> Looking for someone?<< 7 1 >>Yes. I have an audition with Steven Spillbug at 3:20. What was that creepy music for? What is this place?<< 5 112 >><< 7 4 >><< 2 4 1 >>Relax, man. This is just one of the sets in Hollywood -- the Monster Lab set.<< 1 4 6 >>You're early. You must be Lucky, huh?<< 7 1 >><< 2 1 1 >>Right! Joe Lucky, that's me! But who are you? You look very familiar. Have I seen you on T.V. or something?<< 7 4 >>You bet you have--I'm Cecil B. DeBoy, one of the Hollywood Nine. Nine exclusive major talents appearing in just about every production that comes out of Hollywood -- from features to shorts to sit coms, news, commercials, stand-up, you name it -- whatever the writers write.<< 5 112 >>But today I'm not working. Just helping Mr. S. with auditions.<< 7 1 >><< 2 1 8 >>Cool! Who are the writers?<< 7 4 >>People out there.<< 2 4 14 >><< 7 1 >>Huh. Out there on the other side of the screen? Far out. Maybe Steven Spillbug will cast me in a Sci Fi adventure flick set on Mars if some writer out there writes a script like that.<< 2 1 1 >><< 7 4 >>You never know. Writers write all kinds of stuff in Hollywood.<< 5 112 >>And they get to choose all kinds of sets and scenery -- like this place << 7 1 >><< 12 1 2 >><< 12 1 1 >><< 7 4 >>It;s a jungle out there, or a spaceship, a diner, an operating room--- about 20 sets in all.<< 2 4 1 >>Very inspiring, if you ask me.<< 7 8 >><< 12 8 1 >><< 15 8 60 50 62 >><< 5 1015 >>Oops! Wrong set!<< 2 8 1 >>They're waiting for me in the alley. Later, dudes!<< 12 8 2 >><< 16 8 62 >><< 7 1 >><< 1 1 3 >>Is he an actor too? Who does casting around here?<< 7 4 >><< 2 4 14 >>They do. The Big Shots. The writer/director/producers out there.<< 7 1 >><< 2 1 8 >>Them again. Huh.<< 7 4 >>Yes they might pack a whole bunch of us to be in their shows, or just me.<< 5 221 >>I might be cast as a superhero, spy, vampire, whatever. There's this little old lady who's into bungy jumping<< 7 1 >><< 2 1 13 >>Weird. And this place sure is noisy. Is that your dog out there?<< 7 4 >>No, just a sound effect. There are hundreds of them in Hollywood.<< 7 7 >><< 15 7 60 50 32 >><< 7 1 >><< 3 1 209 5 >><< 12 1 2 >><< 3 1 287 3 >><< 7 4 >><< 3 4 348 65 >><< 5 1012 >><< 7 7 >><< 2 7 5 >><< 3 7 237 70 >><< 12 7 2 >><< 1 7 2 >><< 12 7 1 >><< 4 7 2 >>Are you lucky or what?<< 7 1 >><< 2 1 1 >>I sure am. Joe Lucky, one lucky guy.<< 7 7 >>Well, Mr. Lucky, I'm April Knowes, and Steven sent me down to coach you on delivering lines - you'll be reading the part of Larry in The Big Mess, Mr. Spillbug's upcoming blockbuster which is shooting as we speak over in Studio B. Problem is none of the Hollywood 9 can handle Larry.<< 1 7 5 >>It's an extremely sensitive, challenging role. It requires masterful body language<< 4 7 1 >>and a range of facial expressions.<< 7 1 >><< 2 1 7 >><< 7 7 >>What we call poses and moods here in Hollywood. Everybody works on this constantly, Joe. Except the Narrator, of course. The Narrator's just an offscreen voice that writers use once in a while, who knows why. Anyhow, let's get started.<< 7 4 >>See you later, April. Good luck, Lucky.<< 16 4 71 >><< 7 7 >><< 3 7 248 70 >><< 7 1 >><< 3 1 89 -8 >><< 7 7 >><< 12 7 2 >><< 7 1 >><< 12 1 1 >><< 7 7 >><< 3 7 301 69 >>You know, lean forward<< 7 1 >><< 4 1 1 >><< 7 7 >>Lean back<< 7 1 >><< 4 1 2 >><< 7 7 >>Stand up straight.<< 7 1 >><< 4 1 0 >><< 7 7 >>Good.<< 7 1 >><< 2 1 1 >>I'm warming up! Tell me something else to do!<< 7 7 >><< 2 7 1 >>O.K., let's see you lip sync some lines.<< 7 1 >><< 2 1 13 >>Uh, do what?<< 7 7 >>Down there. You say whatever words the writer writes in the script.<< 7 1 >><< 2 1 11 >><< 7 7 >><< 2 7 7 >> Your stage directions are down there, too. It's THE BIG MESS. Just read your lines.<< 7 1 >>O.k., here goes. Uh << 13 1 >><< 2 1 4 >>Maybe you got the wrong number.<< 7 7 >><< 2 7 5 >>Not bad. How about some feeling this time? Some excitement.<< 7 1 >>I'm having trouble concentrating. All that barking is throwing me off.<< 7 7 >>Focus, Joe -- find your motivation. Now, let's see happy.<< 7 1 >><< 2 1 1 >>Maybe you got the wrong number!<< 7 7 >>Good. Now I want angry.<< 7 1 >><< 2 1 3 >>Maybe you got the wrong number ---<< 7 7 >>Very nice. << 7 1 >><< 2 1 5 >><< 7 7 >>Now do whatever it says in the script.<< 7 1 >>But what if the script stops? What if the writer runs out of things for me to say and do? Is that it? End of story?<< 7 7 >><< 1 7 4 >>No, no, not at all. Writers get stuck. It happens. Then they use the Idea Machine to get started again. They just push the old Lightbulb Button << 12 7 1 >><< 12 7 2 >>and voila! Ideas, ideas, ideas. Ideas for lines, for actions, even for what the whole show might be about. O.k., back to work, Joe. Let's see some action.<< 1 7 5 >><< 1 7 4 >><< 7 1 >><< 2 1 11 >>Just like that? No jokes first or anything?<< 7 7 >><< 1 7 4 >>Take it easy. Just throw yourself into it. Emote! Draw from your past.<< 7 1 >><< 2 1 9 >><< 13 1 >><< 1 1 3 >><< 13 1 >><< 2 1 5 >>Was that o.k.?<< 7 7 >>It was great. Three stars. Now cry.<< 7 1 >><< 2 1 11 >>Uh, well,<< 13 1 >><< 1 1 1 >><< 1 1 1 >><< 7 7 >>Excellent! In Tense! << 7 1 >><< 1 1 4 >><< 2 1 1 >><< 7 7 >>Gee --- nice action, Joe. The pizza, I mean. All the Hollywood 9 have actions they can do like laughing and crying and some actors can do totally special things<< 1 7 2 >>--- like me, for instance << 2 7 1 >><< 1 7 1 >><< 7 1 >>Wow. You're amazing, April.<< 7 7 >><< 1 7 4 >>It's nothing. It's all in the script. Now, back to you. The writer might suddenly change your mood -- << 2 7 16 >>Show me nervous!<< 7 1 >><< 2 1 16 >><< 7 7 >>Great!<< 2 7 1 >>Now happy.<< 7 1 >><< 2 1 1 >><< 7 7 >>Yes.<< 2 7 5 >>Now scared.<< 7 1 >><< 2 1 9 >><< 7 7 >>Yes, yes. You're ready for sound effects and music.Turn around and walk over there, and don't come back in until you hear the music.<< 7 1 >><< 2 1 13 >><< 7 7 >>It's all in the script -- just follow the script.<< 7 1 >><< 12 1 2 >><< 16 1 143 >>Okay April! I'm ready! << 5 1014 >><< 12 1 1 >><< 15 1 60 50 78 >><< 3 1 99 18 >><< 2 1 1 >><< 7 7 >><< 2 7 1 >>Such talent. All right, Joe, now stay happy until you hear a scary sound -- then look frightened. Understand?<< 1 7 5 >><< 7 1 >>Dum, dee dum, dee dum << 5 1011 >><< 2 1 9 >><< 7 7 >>You're a genius!<< 7 1 >><< 2 1 1 >><< 7 2 >><< 5 709 >>April?<< 5 810 >><< 15 2 60 50 1 >><< 7 7 >><< 3 7 344 77 >><< 7 1 >><< 12 1 2 >><< 3 1 190 12 >><< 7 2 >><< 3 2 85 32 >><< 5 1125 >><< 7 7 >>Joe, here is the great Steven Spillbug.<< 7 1 >><< 2 1 9 >><< 2 1 6 >><< 2 1 1 >>Hello, sir.<< 7 2 >>You're lucky. Let's hear you read Larry, Lucky.<< 7 1 >><< 2 1 3 >><< 5 1112 >>Maybe you got the wrong number ---<< 7 2 >><< 2 2 8 >>Brilliant! Welcome to the Hollywood Ten, Joe. << 5 1010 >><< 7 1 >><< 2 1 1 >><< 7 7 >><< 2 7 8 >><< 7 2 >>Take five and then meet us in Studio B, Lucky.<< 7 1 >>Thank you, Mr. Spillbug!<< 12 1 1 >><< 16 1 0 >><< 7 7 >><< 12 7 1 >>It's the other way, Joe!<< 12 7 2 >><< 7 1 >><< 12 1 2 >><< 15 1 300 50 0 >><< 3 1 -32 1 >><< 16 1 1 >><< 5 810 >><< 7 2 >><< 12 2 1 >><< 16 2 1 >><< 7 7 >><< 16 7 1 >><< 7 0 >>Joe Lucky --- a guy with a crazy dream --- now a major Hollywood star and box office draw, winning awards for his sensitive portrayal of Larry in The Big Mess, and Larry in a Sa - Turn of Events, which can be seen by opening the sample scripts folder! Word has it that Joe and the rest of Hollywood Ten are working on a series of brand new shows with an incredible but still undiscovered, up and coming script writer.<< 5 1120 >>
Chunk: 0 << 8 14 0 \0 1 4 248 50 >><< 7 4 >><< 12 4 1 >><< 5 1006 >><< 7 0 >>You're about to meet Joe Lucky. He's a guy with a crazy Dream: to be a Hollywood star...<< 7 1 >><< 12 1 2 >><< 15 1 60 50 0 >><< 4 1 0 >><< 3 1 104 27 >><< 13 1 >><< 5 1006 >><< 7 4 >><< 12 4 2 >> Looking for someone?<< 7 1 >><< 12 1 1 >>Yes. I have an audition with Steven Spillbug at 3:20. << 1 1 7 >>What was that creepy music for? What is this place?<< 5 112 >><< 5 112 >><< 7 4 >><< 2 4 1 >>Relax, man. This is just one of the sets in Hollywood -- the Monster Lab set. << 4 4 1 >><< 13 1 >><< 4 4 2 >>You're early! << 1 4 6 >>You must be -- Lucky, huh?<< 7 1 >><< 2 1 1 >>Right! Joe Lucky, that's me! But who are you? You look very familiar. Have I seen you on TV or something?<< 7 4 >>You Bet you have--I'm Cecil B DeBoy, one of the Hollywood Nine. Nine exclusive major talents appearing in just about every production that comes out of Hollywood -- from features to shorts to sit coms, news, commercials, standup, you Name it -- whatever the writers write.<< 5 112 >><< 5 112 >>But today I'm not working -- just helping Mr. S with auditions.<< 7 1 >><< 2 1 8 >>Cool! Who are the writers?<< 7 4 >>People out there.<< 4 4 1 >><< 12 4 1 >><< 4 4 0 >><< 7 1 >>Huh. Out there on the other side of the screen?<< 4 1 1 >><< 12 1 2 >><< 7 4 >><< 12 4 2 >><< 4 4 2 >><< 7 1 >><< 1 1 5 >> Far out. Maybe Steven Spillbug will cast me in a science fiction adventure flick set on Jupiter, if some writer out there writes a script like that.<< 2 1 1 >><< 12 1 1 >><< 7 4 >>You never know. Writers write all kinds of stuff in Hollywood.<< 5 112 >>And they get to choose all kinds of sets and scenery -- like this place << 7 1 >><< 12 1 2 >><< 12 1 1 >><< 7 4 >>It;s a jungle out there, or a spaceship, a diner, an operating room--- about 20 sets in all.<< 2 4 1 >>Very inspiring, if you ask me.<< 7 8 >><< 12 8 1 >><< 15 8 60 50 0 >><< 5 1015 >>Oops! Wrong set!<< 2 8 1 >>They're waiting for me in the alley. Later, dudes!<< 12 8 2 >><< 16 8 0 >><< 7 1 >><< 1 1 3 >>Is he an actor too? Who does casting around here?<< 7 4 >><< 2 4 14 >>They do. The Big Shots. The writer/director/producers out there.<< 7 1 >><< 2 1 8 >>Them again. Huh.<< 7 4 >>Yes they might pack a whole bunch of us to be in their shows, or just me.<< 5 221 >>I might be cast as a superhero, spy, vampire, whatever. There's this little old lady who's into bungy jumping<< 7 1 >><< 2 1 13 >>Weird. And this place sure is noisy. Is that your dog out there?<< 7 4 >>No, just a sound effect. There are hundreds of them in Hollywood.<< 7 7 >><< 15 7 60 50 0 >><< 7 1 >><< 3 1 209 5 >><< 12 1 2 >><< 3 1 287 3 >><< 7 4 >><< 3 4 348 65 >><< 5 1012 >><< 7 7 >><< 2 7 5 >><< 3 7 237 70 >><< 12 7 2 >><< 1 7 2 >><< 12 7 1 >><< 4 7 2 >>Are you lucky or what?<< 7 1 >><< 2 1 1 >>I sure am. Joe Lucky, one lucky guy.<< 7 7 >>Well, Mr. Lucky, I'm April Knowes, and Steven sent me down to coach you on delivering lines - you'll be reading the part of Larry in The Big Mess, Mr. Spillbug's upcoming blockbuster which is shooting as we speak over in Studio B. Problem is none of the Hollywood 9 can handle Larry.<< 1 7 5 >>It's an extremely sensitive, challenging role. It requires masterful body language<< 4 7 1 >>and a range of facial expressions.<< 7 1 >><< 2 1 7 >><< 7 7 >>What we call poses and moods here in Hollywood. Everybody works on this constantly, Joe. Except the Narrator, of course. The Narrator's just an offscreen voice that writers use once in a while, who knows why. Anyhow, let's get started.<< 7 4 >>See you later, April. Good luck, Lucky.<< 16 4 0 >><< 7 7 >><< 3 7 248 70 >><< 7 1 >><< 3 1 89 -8 >><< 7 7 >><< 12 7 2 >><< 7 1 >><< 12 1 1 >><< 7 7 >><< 3 7 301 69 >>You know, lean forward<< 7 1 >><< 4 1 1 >><< 7 7 >>Lean back<< 7 1 >><< 4 1 2 >><< 7 7 >>Stand up straight.<< 7 1 >><< 4 1 0 >><< 7 7 >>Good.<< 7 1 >><< 2 1 1 >>I'm warming up! Tell me something else to do!<< 7 7 >><< 2 7 1 >>O.K., let's see you lip sync some lines.<< 7 1 >><< 2 1 13 >>Uh, do what?<< 7 7 >>Down there. You say whatever words the writer writes in the script.<< 7 1 >><< 2 1 11 >><< 7 7 >><< 2 7 7 >> Your stage directions are down there, too. It's THE BIG MESS. Just read your lines.<< 7 1 >>O.k., here goes. Uh << 13 1 >><< 2 1 4 >>Maybe you got the wrong number.<< 7 7 >><< 2 7 5 >>Not bad. How about some feeling this time? Some excitement.<< 7 1 >>I'm having trouble concentrating. All that barking is throwing me off.<< 7 7 >>Focus, Joe -- find your motivation. Now, let's see happy.<< 7 1 >><< 2 1 1 >>Maybe you got the wrong number!<< 7 7 >>Good. Now I want angry.<< 7 1 >><< 2 1 3 >>Maybe you got the wrong number ---<< 7 7 >>Very nice. << 7 1 >><< 2 1 5 >><< 7 7 >>Now do whatever it says in the script.<< 7 1 >>But what if the script stops? What if the writer runs out of things for me to say and do? Is that it? End of story?<< 7 7 >><< 1 7 4 >>No, no, not at all. Writers get stuck. It happens. Then they use the Idea Machine to get started again. They just push the old Lightbulb Button << 12 7 1 >><< 12 7 2 >>and voila! Ideas, ideas, ideas. Ideas for lines, for actions, even for what the whole show might be about. O.k., back to work, Joe. Let's see some action.<< 1 7 5 >><< 1 7 4 >><< 7 1 >><< 2 1 11 >>Just like that? No jokes first or anything?<< 7 7 >><< 1 7 4 >>Take it easy. Just throw yourself into it. Emote! Draw from your past.<< 7 1 >><< 2 1 9 >><< 13 1 >><< 1 1 3 >><< 13 1 >><< 2 1 5 >>Was that o.k.?<< 7 7 >>It was great. Three stars. Now cry.<< 7 1 >><< 2 1 11 >>Uh, well,<< 13 1 >><< 1 1 1 >><< 1 1 1 >><< 7 7 >>Excellent! In Tense! << 7 1 >><< 1 1 4 >><< 2 1 1 >><< 7 7 >>Gee --- nice action, Joe. The pizza, I mean. All the Hollywood 9 have actions they can do like laughing and crying and some actors can do totally special things<< 1 7 2 >>--- like me, for instance << 2 7 1 >><< 1 7 1 >><< 7 1 >>Wow. You're amazing, April.<< 7 7 >><< 1 7 4 >>It's nothing. It's all in the script. Now, back to you. The writer might suddenly change your mood -- << 2 7 16 >>Show me nervous!<< 7 1 >><< 2 1 16 >><< 7 7 >>Great!<< 2 7 1 >>Now happy.<< 7 1 >><< 2 1 1 >><< 7 7 >>Yes.<< 2 7 5 >>Now scared.<< 7 1 >><< 2 1 9 >><< 7 7 >>Yes, yes. You're ready for sound effects and music.Turn around and walk over there, and don't come back in until you hear the music.<< 7 1 >><< 2 1 13 >><< 7 7 >>It's all in the script -- just follow the script.<< 7 1 >><< 12 1 2 >><< 16 1 0 >>Okay April! I'm ready! << 5 1014 >><< 12 1 1 >><< 15 1 60 50 0 >><< 3 1 99 18 >><< 2 1 1 >><< 7 7 >><< 2 7 1 >>Such talent. All right, Joe, now stay happy until you hear a scary sound -- then look frightened. Understand?<< 1 7 5 >><< 7 1 >>Dum, dee dum, dee dum << 5 1011 >><< 2 1 9 >><< 7 7 >>You're a genius!<< 7 1 >><< 2 1 1 >><< 7 2 >><< 5 709 >>April?<< 5 810 >><< 15 2 60 50 1 >><< 7 7 >><< 3 7 344 77 >><< 7 1 >><< 12 1 2 >><< 3 1 190 12 >><< 7 2 >><< 3 2 85 32 >><< 5 1125 >><< 7 7 >>Joe, here is the great Steven Spillbug.<< 7 1 >><< 2 1 9 >><< 2 1 6 >><< 2 1 1 >>Hello, sir.<< 7 2 >>You're lucky. Let's hear you read Larry, Lucky.<< 7 1 >><< 2 1 3 >><< 5 1112 >>Maybe you got the wrong number ---<< 7 2 >><< 2 2 8 >>Brilliant! Welcome to the Hollywood Ten, Joe. << 5 1010 >><< 7 1 >><< 2 1 1 >><< 7 7 >><< 2 7 8 >><< 7 2 >>Take five and then meet us in Studio B, Lucky.<< 7 1 >>Thank you, Mr. Spillbug!<< 12 1 1 >><< 16 1 0 >><< 7 7 >><< 12 7 1 >>It's the other way, Joe!<< 12 7 2 >><< 7 1 >><< 12 1 2 >><< 15 1 300 50 0 >><< 3 1 -32 1 >><< 16 1 1 >><< 5 810 >><< 7 2 >><< 12 2 1 >><< 16 2 1 >><< 7 7 >><< 16 7 1 >><< 7 0 >>Joe Lucky --- a guy with a crazy dream --- now a major Hollywood star and box office draw, winning awards for his sensitive portrayal of Larry in The Big Mess, and Larry in a Sa - Turn of Events, which can be seen by opening the sample scripts folder! Word has it that Joe and the rest of Hollywood Ten are working on a series of brand new shows with an incredible but still undiscovered, up and coming script writer.<< 5 1120 >>
Chunk: 0 << 8 14 0 \0 1 4 248 50 >><< 7 4 >><< 12 4 1 >><< 5 1006 >><< 7 0 >>You're about to meet Joe Lucky. He's a guy with a crazy Dream: to be a Hollywood star...<< 7 1 >><< 12 1 2 >><< 15 1 60 50 0 >><< 4 1 0 >><< 3 1 104 27 >><< 13 1 >><< 5 1006 >><< 7 4 >><< 12 4 2 >> Looking for someone?<< 7 1 >><< 12 1 1 >>Yes. I have an audition with Steven Spillbug at 3:20. << 1 1 7 >>What was that creepy music for? What is this place?<< 5 112 >><< 5 112 >><< 7 4 >><< 2 4 1 >>Relax, man. This is just one of the sets in Hollywood -- the Monster Lab set. << 4 4 1 >><< 13 1 >><< 4 4 2 >>You're early! << 1 4 6 >>You must be -- Lucky, huh?<< 7 1 >><< 2 1 1 >>Right! Joe Lucky, that's me! But who are you? You look very familiar. Have I seen you on TV or something?<< 7 4 >>You Bet you have--I'm Cecil B DeBoy, one of the Hollywood Nine. Nine exclusive major talents appearing in just about every production that comes out of Hollywood -- from features to shorts to sit coms, news, commercials, standup, you Name it -- whatever the writers write.<< 5 112 >><< 5 112 >>But today I'm not working -- just helping Mr. S with auditions.<< 7 1 >><< 2 1 8 >>Cool! Who are the writers?<< 7 4 >>People out there.<< 4 4 1 >><< 12 4 1 >><< 4 4 0 >><< 7 1 >>Huh. Out there on the other side of the screen?<< 4 1 1 >><< 12 1 2 >><< 7 4 >><< 12 4 2 >><< 4 4 2 >><< 7 1 >><< 1 1 5 >> Far out. Maybe Steven Spillbug will cast me in a science fiction adventure flick set on Jupiter, if some writer out there writes a script like that.<< 2 1 1 >><< 12 1 1 >><< 7 4 >>You never know. Writers write all kinds of stuff in Hollywood.<< 5 112 >>And they get to choose all kinds of sets and scenery -- like this place << 7 1 >><< 12 1 2 >><< 12 1 1 >><< 7 4 >>It;s a jungle out there, or a spaceship, a diner, an operating room--- about 20 sets in all.<< 2 4 1 >>Very inspiring, if you ask me.<< 7 8 >><< 12 8 1 >><< 15 8 60 50 0 >><< 5 1015 >>Oops! Wrong set!<< 2 8 1 >>They're waiting for me in the alley. Later, dudes!<< 12 8 2 >><< 16 8 0 >><< 7 1 >><< 1 1 3 >>Is he an actor too? Who does casting around here?<< 7 4 >><< 2 4 14 >>They do. The Big Shots. The writer/director/producers out there.<< 7 1 >><< 2 1 8 >>Them again. Huh.<< 7 4 >>Yes they might pack a whole bunch of us to be in their shows, or just me.<< 5 221 >>I might be cast as a superhero, spy, vampire, whatever. There's this little old lady who's into bungy jumping<< 7 1 >><< 2 1 13 >>Weird. And this place sure is noisy. Is that your dog out there?<< 7 4 >>No, just a sound effect. There are hundreds of them in Hollywood.<< 7 7 >><< 15 7 60 50 0 >><< 7 1 >><< 3 1 209 5 >><< 12 1 2 >><< 3 1 287 3 >><< 7 4 >><< 3 4 348 65 >><< 5 1012 >><< 7 7 >><< 2 7 5 >><< 3 7 237 70 >><< 12 7 2 >><< 1 7 2 >><< 12 7 1 >><< 4 7 2 >>Are you lucky or what?<< 7 1 >><< 2 1 1 >>I sure am. Joe Lucky, one lucky guy.<< 7 7 >>Well, Mr. Lucky, I'm April Knowes, and Steven sent me down to coach you on delivering lines - you'll be reading the part of Larry in The Big Mess, Mr. Spillbug's upcoming blockbuster which is shooting as we speak over in Studio B. Problem is none of the Hollywood 9 can handle Larry.<< 1 7 5 >>It's an extremely sensitive, challenging role. It requires masterful body language<< 4 7 1 >>and a range of facial expressions.<< 7 1 >><< 2 1 7 >><< 7 7 >>What we call poses and moods here in Hollywood. Everybody works on this constantly, Joe. Except the Narrator, of course. The Narrator's just an offscreen voice that writers use once in a while, who knows why. Anyhow, let's get started.<< 7 4 >>See you later, April. Good luck, Lucky.<< 16 4 0 >><< 7 7 >><< 3 7 248 70 >><< 7 1 >><< 3 1 89 -8 >><< 7 7 >><< 12 7 2 >><< 7 1 >><< 12 1 1 >><< 7 7 >><< 3 7 301 69 >>You know, lean forward<< 7 1 >><< 4 1 1 >><< 7 7 >>Lean back<< 7 1 >><< 4 1 2 >><< 7 7 >>Stand up straight.<< 7 1 >><< 4 1 0 >><< 7 7 >>Good.<< 7 1 >><< 2 1 1 >>I'm warming up! Tell me something else to do!<< 7 7 >><< 2 7 1 >>O.K., let's see you lip sync some lines.<< 7 1 >><< 2 1 13 >>Uh, do what?<< 7 7 >>Down there. You say whatever words the writer writes in the script.<< 7 1 >><< 2 1 11 >><< 7 7 >><< 2 7 7 >> Your stage directions are down there, too. It's THE BIG MESS. Just read your lines.<< 7 1 >>O.k., here goes. Uh << 13 1 >><< 2 1 4 >>Maybe you got the wrong number.<< 7 7 >><< 2 7 5 >>Not bad. How about some feeling this time? Some excitement.<< 7 1 >>I'm having trouble concentrating. All that barking is throwing me off.<< 7 7 >>Focus, Joe -- find your motivation. Now, let's see happy.<< 7 1 >><< 2 1 1 >>Maybe you got the wrong number!<< 7 7 >>Good. Now I want angry.<< 7 1 >><< 2 1 3 >>Maybe you got the wrong number ---<< 7 7 >>Very nice. << 7 1 >><< 2 1 5 >><< 7 7 >>Now do whatever it says in the script.<< 7 1 >>But what if the script stops? What if the writer runs out of things for me to say and do? Is that it? End of story?<< 7 7 >><< 1 7 4 >>No, no, not at all. Writers get stuck. It happens. Then they use the Idea Machine to get started again. They just push the old Lightbulb Button << 12 7 1 >><< 12 7 2 >>and voila! Ideas, ideas, ideas. Ideas for lines, for actions, even for what the whole show might be about. O.k., back to work, Joe. Let's see some action.<< 1 7 5 >><< 1 7 4 >><< 7 1 >><< 2 1 11 >>Just like that? No jokes first or anything?<< 7 7 >><< 1 7 4 >>Take it easy. Just throw yourself into it. Emote! Draw from your past.<< 7 1 >><< 2 1 9 >><< 13 1 >><< 1 1 3 >><< 13 1 >><< 2 1 5 >>Was that o.k.?<< 7 7 >>It was great. Three stars. Now cry.<< 7 1 >><< 2 1 11 >>Uh, well,<< 13 1 >><< 1 1 1 >><< 1 1 1 >><< 7 7 >>Excellent! In Tense! << 7 1 >><< 1 1 4 >><< 2 1 1 >><< 7 7 >>Gee --- nice action, Joe. The pizza, I mean. All the Hollywood 9 have actions they can do like laughing and crying and some actors can do totally special things<< 1 7 2 >>--- like me, for instance << 2 7 1 >><< 1 7 1 >><< 7 1 >>Wow. You're amazing, April.<< 7 7 >><< 1 7 4 >>It's nothing. It's all in the script. Now, back to you. The writer might suddenly change your mood -- << 2 7 16 >>Show me nervous!<< 7 1 >><< 2 1 16 >><< 7 7 >>Great!<< 2 7 1 >>Now happy.<< 7 1 >><< 2 1 1 >><< 7 7 >>Yes.<< 2 7 5 >>Now scared.<< 7 1 >><< 2 1 9 >><< 7 7 >>Yes, yes. You're ready for sound effects and music.Turn around and walk over there, and don't come back in until you hear the music.<< 7 1 >><< 2 1 13 >><< 7 7 >>It's all in the script -- just follow the script.<< 7 1 >><< 12 1 2 >><< 16 1 0 >>Okay April! I'm ready! << 5 1014 >><< 12 1 1 >><< 15 1 60 50 0 >><< 3 1 99 18 >><< 2 1 1 >><< 7 7 >><< 2 7 1 >>Such talent. All right, Joe, now stay happy until you hear a scary sound -- then look frightened. Understand?<< 1 7 5 >><< 7 1 >>Dum, dee dum, dee dum << 5 1011 >><< 2 1 9 >><< 7 7 >>You're a genius!<< 7 1 >><< 2 1 1 >><< 7 2 >><< 5 709 >>April?<< 5 810 >><< 15 2 60 50 1 >><< 7 7 >><< 3 7 344 77 >><< 7 1 >><< 12 1 2 >><< 3 1 190 12 >><< 7 2 >><< 3 2 85 32 >><< 5 1125 >><< 7 7 >>Joe, here is the great Steven Spillbug.<< 7 1 >><< 2 1 9 >><< 2 1 6 >><< 2 1 1 >>Hello, sir.<< 7 2 >>You're lucky. Let's hear you read Larry, Lucky.<< 7 1 >><< 2 1 3 >><< 5 1112 >>Maybe you got the wrong number ---<< 7 2 >><< 2 2 8 >>Brilliant! Welcome to the Hollywood Ten, Joe. << 5 1010 >><< 7 1 >><< 2 1 1 >><< 7 7 >><< 2 7 8 >><< 7 2 >>Take five and then meet us in Studio B, Lucky.<< 7 1 >>Thank you, Mr. Spillbug!<< 12 1 1 >><< 16 1 0 >><< 7 7 >><< 12 7 1 >>It's the other way, Joe!<< 12 7 2 >><< 7 1 >><< 12 1 2 >><< 15 1 300 50 0 >><< 3 1 -32 1 >><< 16 1 1 >><< 5 810 >><< 7 2 >><< 12 2 1 >><< 16 2 1 >><< 7 7 >><< 16 7 1 >><< 7 0 >>Joe Lucky --- a guy with a crazy dream --- now a major Hollywood star and box office draw, winning awards for his sensitive portrayal of Larry in The Big Mess, and Larry in a Sa - Turn of Events, which can be seen by opening the sample scripts folder! Word has it that Joe and the rest of Hollywood Ten are working on a series of brand new shows with an incredible but still undiscovered, up and coming script writer.<< 5 1120 >>
Chunk: 0 << 8 14 0 \0 1 4 248 50 >><< 7 4 >><< 12 4 1 >><< 5 1006 >><< 7 0 >>You're about to meet Joe Lucky. He's a guy with a crazy Dream: to be a Hollywood star...<< 7 1 >><< 15 1 60 50 1 >><< 4 1 0 >><< 3 1 104 27 >><< 13 1 >><< 5 1006 >><< 7 4 >><< 12 4 2 >> Looking for someone?<< 7 1 >>Yes. I have an audition with Steven Spillbug at 3:20. What was that creepy music for? What is this place?<< 5 112 >><< 5 112 >><< 7 4 >><< 2 4 1 >>Relax man. This is just one of the sets in Hollywood: the Monster Lab set. << 4 4 2 >>You're early! << 1 4 6 >>You must be Lucky, huh?<< 7 1 >><< 2 1 1 >>Right! Joe Lucky, that's me! But who are you? You look very familiar. Have I seen you on TV or something?<< 7 4 >>You Bet you have. I'm Cecil B DeBoy, one of the Hollywood Nine. Nine exclusive major talents appearing in just about every production that comes out of Hollywood. From features to shorts to sit coms, news, commercials, standup, you Name it. Whatever the writers write.<< 5 112 >><< 5 112 >>But today I'm not working -- just helping Mr. S with auditions.<< 7 1 >><< 2 1 8 >>Cool! Who are the writers?<< 7 4 >>People out there.<< 4 4 1 >><< 12 4 1 >><< 4 4 0 >><< 7 1 >>Huh. Out there on the other side of the screen?<< 4 1 1 >><< 12 1 2 >><< 7 4 >><< 12 4 2 >><< 4 4 2 >><< 7 1 >><< 1 1 5 >> Far out. Maybe Steven Spillbug will cast me in a science fiction adventure flick set on Jupiter, if some writer out there writes a script like that.<< 2 1 1 >><< 12 1 1 >><< 7 4 >>You never know. Writers write all kinds of stuff in Hollywood.<< 5 112 >>And they get to choose all kinds of sets and scenery -- like this place << 7 1 >><< 12 1 2 >><< 12 1 1 >><< 7 4 >>It;s a jungle out there, or a spaceship, a diner, an operating room--- about 20 sets in all.<< 2 4 1 >>Very inspiring, if you ask me.<< 7 8 >><< 12 8 1 >><< 15 8 60 50 0 >><< 5 1015 >>Oops! Wrong set!<< 2 8 1 >>They're waiting for me in the alley. Later, dudes!<< 12 8 2 >><< 16 8 0 >><< 7 1 >><< 1 1 3 >>Is he an actor too? Who does casting around here?<< 7 4 >><< 2 4 14 >>They do. The Big Shots. The writer/director/producers out there.<< 7 1 >><< 2 1 8 >>Them again. Huh.<< 7 4 >>Yes they might pack a whole bunch of us to be in their shows, or just me.<< 5 221 >>I might be cast as a superhero, spy, vampire, whatever. There's this little old lady who's into bungy jumping<< 7 1 >><< 2 1 13 >>Weird. And this place sure is noisy. Is that your dog out there?<< 7 4 >>No, just a sound effect. There are hundreds of them in Hollywood.<< 7 7 >><< 15 7 60 50 0 >><< 7 1 >><< 3 1 209 5 >><< 12 1 2 >><< 3 1 287 3 >><< 7 4 >><< 3 4 348 65 >><< 5 1012 >><< 7 7 >><< 2 7 5 >><< 3 7 237 70 >><< 12 7 2 >><< 1 7 2 >><< 12 7 1 >><< 4 7 2 >>Are you lucky or what?<< 7 1 >><< 2 1 1 >>I sure am. Joe Lucky, one lucky guy.<< 7 7 >>Well, Mr. Lucky, I'm April Knowes, and Steven sent me down to coach you on delivering lines - you'll be reading the part of Larry in The Big Mess, Mr. Spillbug's upcoming blockbuster which is shooting as we speak over in Studio B. Problem is none of the Hollywood 9 can handle Larry.<< 1 7 5 >>It's an extremely sensitive, challenging role. It requires masterful body language<< 4 7 1 >>and a range of facial expressions.<< 7 1 >><< 2 1 7 >><< 7 7 >>What we call poses and moods here in Hollywood. Everybody works on this constantly, Joe. Except the Narrator, of course. The Narrator's just an offscreen voice that writers use once in a while, who knows why. Anyhow, let's get started.<< 7 4 >>See you later, April. Good luck, Lucky.<< 16 4 0 >><< 7 7 >><< 3 7 248 70 >><< 7 1 >><< 3 1 89 -8 >><< 7 7 >><< 12 7 2 >><< 7 1 >><< 12 1 1 >><< 7 7 >><< 3 7 301 69 >>You know, lean forward<< 7 1 >><< 4 1 1 >><< 7 7 >>Lean back<< 7 1 >><< 4 1 2 >><< 7 7 >>Stand up straight.<< 7 1 >><< 4 1 0 >><< 7 7 >>Good.<< 7 1 >><< 2 1 1 >>I'm warming up! Tell me something else to do!<< 7 7 >><< 2 7 1 >>O.K., let's see you lip sync some lines.<< 7 1 >><< 2 1 13 >>Uh, do what?<< 7 7 >>Down there. You say whatever words the writer writes in the script.<< 7 1 >><< 2 1 11 >><< 7 7 >><< 2 7 7 >> Your stage directions are down there, too. It's THE BIG MESS. Just read your lines.<< 7 1 >>O.k., here goes. Uh << 13 1 >><< 2 1 4 >>Maybe you got the wrong number.<< 7 7 >><< 2 7 5 >>Not bad. How about some feeling this time? Some excitement.<< 7 1 >>I'm having trouble concentrating. All that barking is throwing me off.<< 7 7 >>Focus, Joe -- find your motivation. Now, let's see happy.<< 7 1 >><< 2 1 1 >>Maybe you got the wrong number!<< 7 7 >>Good. Now I want angry.<< 7 1 >><< 2 1 3 >>Maybe you got the wrong number ---<< 7 7 >>Very nice. << 7 1 >><< 2 1 5 >><< 7 7 >>Now do whatever it says in the script.<< 7 1 >>But what if the script stops? What if the writer runs out of things for me to say and do? Is that it? End of story?<< 7 7 >><< 1 7 4 >>No, no, not at all. Writers get stuck. It happens. Then they use the Idea Machine to get started again. They just push the old Lightbulb Button << 12 7 1 >><< 12 7 2 >>and voila! Ideas, ideas, ideas. Ideas for lines, for actions, even for what the whole show might be about. O.k., back to work, Joe. Let's see some action.<< 1 7 5 >><< 1 7 4 >><< 7 1 >><< 2 1 11 >>Just like that? No jokes first or anything?<< 7 7 >><< 1 7 4 >>Take it easy. Just throw yourself into it. Emote! Draw from your past.<< 7 1 >><< 2 1 9 >><< 13 1 >><< 1 1 3 >><< 13 1 >><< 2 1 5 >>Was that o.k.?<< 7 7 >>It was great. Three stars. Now cry.<< 7 1 >><< 2 1 11 >>Uh, well,<< 13 1 >><< 1 1 1 >><< 1 1 1 >><< 7 7 >>Excellent! In Tense! << 7 1 >><< 1 1 4 >><< 2 1 1 >><< 7 7 >>Gee --- nice action, Joe. The pizza, I mean. All the Hollywood 9 have actions they can do like laughing and crying and some actors can do totally special things<< 1 7 2 >>--- like me, for instance << 2 7 1 >><< 1 7 1 >><< 7 1 >>Wow. You're amazing, April.<< 7 7 >><< 1 7 4 >>It's nothing. It's all in the script. Now, back to you. The writer might suddenly change your mood -- << 2 7 16 >>Show me nervous!<< 7 1 >><< 2 1 16 >><< 7 7 >>Great!<< 2 7 1 >>Now happy.<< 7 1 >><< 2 1 1 >><< 7 7 >>Yes.<< 2 7 5 >>Now scared.<< 7 1 >><< 2 1 9 >><< 7 7 >>Yes, yes. You're ready for sound effects and music.Turn around and walk over there, and don't come back in until you hear the music.<< 7 1 >><< 2 1 13 >><< 7 7 >>It's all in the script -- just follow the script.<< 7 1 >><< 12 1 2 >><< 16 1 0 >>Okay April! I'm ready! << 5 1014 >><< 12 1 1 >><< 15 1 60 50 0 >><< 3 1 99 18 >><< 2 1 1 >><< 7 7 >><< 2 7 1 >>Such talent. All right, Joe, now stay happy until you hear a scary sound -- then look frightened. Understand?<< 1 7 5 >><< 7 1 >>Dum, dee dum, dee dum << 5 1011 >><< 2 1 9 >><< 7 7 >>You're a genius!<< 7 1 >><< 2 1 1 >><< 7 2 >><< 5 709 >>April?<< 5 810 >><< 15 2 60 50 1 >><< 7 7 >><< 3 7 344 77 >><< 7 1 >><< 12 1 2 >><< 3 1 190 12 >><< 7 2 >><< 3 2 85 32 >><< 5 1125 >><< 7 7 >>Joe, here is the great Steven Spillbug.<< 7 1 >><< 2 1 9 >><< 2 1 6 >><< 2 1 1 >>Hello, sir.<< 7 2 >>You're lucky. Let's hear you read Larry, Lucky.<< 7 1 >><< 2 1 3 >><< 5 1112 >>Maybe you got the wrong number ---<< 7 2 >><< 2 2 8 >>Brilliant! Welcome to the Hollywood Ten, Joe. << 5 1010 >><< 7 1 >><< 2 1 1 >><< 7 7 >><< 2 7 8 >><< 7 2 >>Take five and then meet us in Studio B, Lucky.<< 7 1 >>Thank you, Mr. Spillbug!<< 12 1 1 >><< 16 1 0 >><< 7 7 >><< 12 7 1 >>It's the other way, Joe!<< 12 7 2 >><< 7 1 >><< 12 1 2 >><< 15 1 300 50 0 >><< 3 1 -32 1 >><< 16 1 1 >><< 5 810 >><< 7 2 >><< 12 2 1 >><< 16 2 1 >><< 7 7 >><< 16 7 1 >><< 7 0 >>Joe Lucky --- a guy with a crazy dream --- now a major Hollywood star and box office draw, winning awards for his sensitive portrayal of Larry in The Big Mess, and Larry in a Sa - Turn of Events, which can be seen by opening the sample scripts folder! Word has it that Joe and the rest of Hollywood Ten are working on a series of brand new shows with an incredible but still undiscovered, up and coming script writer.<< 5 1120 >>
Chunk: 0 << 8 14 0 \0 1 4 248 50 >><< 7 4 >><< 12 4 1 >><< 5 1006 >><< 7 0 >>You're about to meet Joe Lucky. He's a guy with a crazy Dream: to be a Hollywood star...<< 7 1 >><< 15 1 60 50 1 >><< 4 1 0 >><< 3 1 104 27 >><< 13 1 >><< 5 1006 >><< 7 4 >><< 12 4 2 >> Looking for someone?<< 7 1 >>Yes. I have an audition with Steven Spillbug at 3:20. What was that creepy music for? What is this place?<< 5 112 >><< 5 112 >><< 5 112 >><< 7 4 >><< 2 4 1 >>Relax man. This is just one of the sets in Hollywood: the Monster Lab set. << 4 4 2 >>You're early! << 1 4 6 >>You must be Lucky, huh?<< 7 1 >><< 2 1 1 >>Right! Joe Lucky, that's me! But who are you? You look very familiar. Have I seen you on TV or something?<< 7 4 >>You bet you have. I'm Cecil B DeBoy, one of the Hollywood Nine. Nine exclusive major talents appearing in just about every production that comes out of Hollywood. From features to shorts to sit coms, news, commercials, standup, you name it. Whatever the writers write.<< 5 112 >><< 5 112 >><< 5 112 >>But today I'm not working; just helping Mr. S with auditions.<< 7 1 >><< 2 1 8 >>Cool! Who are the writers?<< 7 4 >><< 2 4 14 >>People out there.<< 4 4 1 >><< 12 4 1 >><< 4 4 0 >><< 2 4 1 >><< 7 1 >>Huh. Out there on the other side of the screen?<< 4 1 1 >><< 12 1 2 >><< 12 1 1 >><< 7 1 >><< 1 1 5 >> Far out. Maybe Steven Spillbug will cast me in a science fiction adventure flick set on Jupiter<< 13 1 >> if some writer out there writes a script like that.<< 2 1 1 >><< 12 1 1 >><< 7 4 >>You never know. Writers write all kinds of stuff in Hollywood.<< 5 112 >><< 5 112 >><< 5 112 >>And they get to choose all kinds of sets and seenery. Like this place. << 7 1 >><< 12 1 2 >><< 12 1 1 >><< 7 4 >>It's a jungle out there, or a rocketship, a diner, an operating room. About 20 sets in all.<< 2 4 1 >>Very inspiring if you ask me.<< 7 8 >><< 12 8 1 >><< 15 8 60 50 1 >><< 5 1015 >><< 7 8 >>Oops! << 7 1 >><< 12 1 2 >><< 3 1 197 11 >><< 7 8 >>Wrong set!<< 2 8 1 >>They're waiting for me in the alley. Later dudes!<< 12 8 2 >><< 16 8 1 >><< 7 1 >><< 1 1 3 >>Is he an actor too? Who does casting around here?<< 7 4 >><< 2 4 14 >>They do. The Big Shots. The writers, directors, producers out there.<< 7 1 >><< 2 1 8 >><< 3 1 81 4 >> << 12 1 1 >>Them again. Huh.<< 7 4 >>Yes. They might pack a whole bunch of us to be in their shows, or just me.<< 5 221 >>I might be cast as a super hero, spy, vampire, whatever. There's this little button they press on the side panel, see?<< 7 1 >>Wow! I'd like to be a Vampire.<< 5 112 >><< 5 112 >><< 5 112 >><< 2 1 13 >>This place sure is noisy. Is that your dog out there?<< 7 4 >>No, just a sound effect. There are hundreds of them in Hollywood.<< 7 7 >><< 5 1012 >><< 15 7 60 50 1 >><< 7 1 >><< 3 1 209 5 >><< 12 1 2 >><< 7 7 >><< 2 7 5 >><< 1 7 2 >><< 4 7 2 >>Are you Lucky, or what?<< 7 1 >><< 2 1 1 >>I sure am. Joe Lucky, one lucky guy.<< 7 7 >>Well Mr. Lucky, I'm April Knowes, and Steven sent me down to coach you on delivering lines - you'll be reading the part of Larry in The Big Mess, Mr. Spillbug's upcoming blockbuster which is shooting as we speak, over in Studio B. Problem is none of the Hollywood 9 can handle the role of Larry.<< 1 7 5 >>It's an extremely sensitive, challenging role. It requires masterful body language<< 4 7 1 >>and a range of facial expressions.<< 7 1 >><< 2 1 7 >><< 7 7 >>What we call poses and moods here in Hollywood. Everybody works on this constantly Joe. Except the Narrator of course. The Narrator's just an offscreen voice that writers use once in a while, who knows why. Anyhow, let's get started.<< 7 4 >>See you later April. Good luck Lucky.<< 16 4 0 >><< 7 1 >>Poses, huh.<< 7 7 >><< 3 7 248 70 >><< 7 1 >><< 3 1 89 -8 >><< 7 7 >><< 12 7 2 >><< 7 1 >><< 12 1 1 >><< 7 7 >><< 3 7 301 69 >>You know, lean forward<< 7 1 >><< 4 1 1 >><< 7 7 >>Lean back<< 7 1 >><< 4 1 2 >><< 7 7 >>Stand up straight.<< 7 1 >><< 4 1 0 >><< 7 7 >>Good.<< 7 1 >><< 2 1 1 >>I'm warming up! Tell me something else to do!<< 7 7 >><< 2 7 1 >>Okay, let's see you lip sync some lines.<< 7 1 >><< 2 1 13 >>Uh, do what?<< 7 7 >>Down there. You say whatever words the writer writes in the script.<< 7 1 >><< 2 1 11 >><< 7 7 >><< 2 7 7 >> Your stage directions are down there too. It's The Big Mess. Just reed your lines.<< 7 1 >>Okay, here goes. Uh << 13 1 >><< 2 1 4 >>Maybe you got the wrong number.<< 5 112 >><< 5 112 >><< 5 112 >><< 7 7 >><< 2 7 5 >>Not bad. How about some feeling this time? Some excitement.<< 7 1 >>I'm having trouble concentrating. All that barking is throwing me off.<< 7 7 >>Focus Joe. Find your motivation. Now, let's see happy.<< 7 1 >><< 2 1 1 >>Maybe you got the wrong, number!<< 7 7 >>Good. Now I want angry.<< 7 1 >><< 2 1 3 >>Maybe you got the wrong number ---<< 7 7 >>Very nice. << 7 1 >><< 2 1 5 >><< 7 7 >>Now do whatever it says in the script.<< 7 1 >>But what if the script stops? What if the writer runs out of things for me to say and do? Is that it? End of story?<< 7 7 >><< 1 7 4 >>No no, not at all. Writers get stuck. It happens. Then they use the Idea Machine to get started again. They just push the old Lightbulb Button << 12 7 1 >><< 12 7 2 >>and there! Ideas ideas ideas. Ideas for lines, for actions, even for what the whole show might be about.<< 5 112 >><< 5 112 >><< 5 112 >> Okay, back to work Joe. Let's see some action.<< 1 7 5 >>Laugh.<< 7 1 >><< 2 1 11 >>Just like that? No jokes first, or anything?<< 7 7 >><< 1 7 4 >>Take it easy. Just throw yourself into it. Emote! Draw from your past.<< 7 1 >><< 2 1 9 >><< 13 1 >><< 1 1 3 >><< 13 1 >><< 2 1 5 >>Was that okay?<< 7 7 >>It was great. Three stars. Now cry.<< 7 1 >><< 2 1 11 >>Uh, well,<< 13 1 >><< 1 1 1 >><< 1 1 1 >><< 7 7 >>Excellent! In Tense! << 7 1 >><< 1 1 4 >><< 2 1 1 >><< 7 7 >>Gee, nice action Joe. The pizza I mean. All the Hollywood 9 have actions they can do, like laughing and crying. And some actors can do totally special things<< 1 7 2 >>--- like me for instance << 2 7 1 >><< 1 7 1 >><< 7 1 >>Wow. You're amazing April.<< 7 7 >><< 1 7 4 >>It's nothing. It's all in the script. Now back to you. The writer might suddenly change your mood -- << 2 7 16 >>Show me nervous!<< 7 1 >><< 2 1 16 >><< 7 7 >>Great!<< 2 7 1 >>Now happy.<< 7 1 >><< 2 1 1 >><< 7 7 >>Yes.<< 2 7 5 >>Now scared.<< 7 1 >><< 2 1 9 >><< 7 7 >>Yes, yes. You're ready for sound effects and music.Turn around and walk over there, and don't come back in until you hear the music.<< 7 1 >><< 2 1 13 >><< 7 7 >>It's all in the script, just follow the script.<< 7 1 >><< 16 1 0 >>Okay April! I'm ready! << 5 1014 >><< 12 1 1 >><< 15 1 60 50 0 >><< 3 1 99 18 >><< 2 1 1 >><< 7 7 >><< 2 7 1 >>Such talent. All right, Joe, now stay happy until you hear a scary sound -- then look frightened. Understand?<< 1 7 5 >><< 7 1 >>Dum, dee dum, dee dum << 5 1011 >><< 2 1 9 >><< 7 7 >>You're a genius!<< 7 1 >><< 2 1 1 >><< 7 2 >><< 5 709 >>April?<< 5 810 >><< 15 2 60 50 1 >><< 7 7 >><< 3 7 344 77 >><< 7 1 >><< 12 1 2 >><< 3 1 190 12 >><< 7 2 >><< 3 2 85 32 >><< 5 1125 >><< 7 7 >>Joe, here is the great Steven Spillbug.<< 7 1 >><< 2 1 9 >><< 2 1 6 >><< 2 1 1 >>Hello, sir.<< 7 2 >>You're lucky. Let's hear you read Larry, Lucky.<< 7 1 >><< 2 1 3 >><< 5 1112 >>Maybe you got the wrong number ---<< 7 2 >><< 2 2 8 >>Brilliant! Welcome to the Hollywood Ten, Joe. << 5 1010 >><< 7 1 >><< 2 1 1 >><< 7 7 >><< 2 7 8 >><< 7 2 >>Take five and then meet us in Studio B, Lucky.<< 7 1 >>Thank you, Mr. Spillbug!<< 12 1 1 >><< 16 1 0 >><< 7 7 >><< 12 7 1 >>It's the other way, Joe!<< 12 7 2 >><< 7 1 >><< 12 1 2 >><< 15 1 300 50 0 >><< 3 1 -32 1 >><< 16 1 1 >><< 5 810 >><< 7 2 >><< 12 2 1 >><< 16 2 1 >><< 7 7 >><< 16 7 1 >><< 7 0 >>Joe Lucky --- a guy with a crazy dream --- now a major Hollywood star and box office draw, winning awards for his sensitive portrayal of Larry in The Big Mess, and Larry in a Sa - Turn of Events, which can be seen by opening the sample scripts folder! Word has it that Joe and the rest of Hollywood Ten are working on a series of brand new shows with an incredible but still undiscovered, up and coming script writer.<< 5 1120 >>
Chunk: 0 << 8 14 0 \0 1 4 248 50 >><< 7 4 >><< 12 4 1 >><< 5 1006 >><< 7 0 >>You're about to meet Joe Lucky. He's a guy with a crazy Dream: to be a Hollywood star...<< 7 1 >><< 15 1 60 50 1 >><< 4 1 0 >><< 3 1 104 27 >><< 13 1 >><< 5 1006 >><< 7 4 >><< 12 4 2 >> Looking for someone?<< 7 1 >>Yes. I have an audition with Steven Spillbug at 3:20. What was that creepy music for? What is this place?<< 5 112 >><< 5 112 >><< 5 112 >><< 7 4 >><< 2 4 1 >>Relax man. This is just one of the sets in Hollywood: the Monster Lab set. << 4 4 2 >>You're early! << 1 4 6 >>You must be Lucky, huh?<< 7 1 >><< 2 1 1 >>Right! Joe Lucky, that's me! But who are you? You look very familiar. Have I seen you on TV or something?<< 7 4 >>You bet you have. I'm Cecil B DeBoy, one of the Hollywood Nine. Nine exclusive major talents appearing in just about every production that comes out of Hollywood. From features to shorts to sit coms, news, commercials, standup, you name it. Whatever the writers write.<< 5 112 >><< 5 112 >><< 5 112 >>But today I'm not working; just helping Mr. S with auditions.<< 7 1 >><< 2 1 8 >>Cool! Who are the writers?<< 7 4 >><< 2 4 14 >>People out there.<< 4 4 1 >><< 12 4 1 >><< 4 4 0 >><< 2 4 1 >><< 7 1 >>Huh. Out there on the other side of the screen?<< 4 1 1 >><< 12 1 2 >><< 12 1 1 >><< 7 1 >><< 1 1 5 >> Far out. Maybe Steven Spillbug will cast me in a science fiction adventure flick set on Jupiter<< 13 1 >> if some writer out there writes a script like that.<< 2 1 1 >><< 12 1 1 >><< 7 4 >>You never know. Writers write all kinds of stuff in Hollywood.<< 5 112 >><< 5 112 >><< 5 112 >>And they get to choose all kinds of sets and seenery. Like this place. << 7 1 >><< 12 1 2 >><< 12 1 1 >><< 7 4 >>It's a jungle out there, or a rocketship, a diner, an operating room. About 20 sets in all.<< 2 4 1 >>Very inspiring if you ask me.<< 7 8 >><< 12 8 1 >><< 15 8 60 50 1 >><< 5 1015 >><< 7 8 >>Oops! << 7 1 >><< 12 1 2 >><< 3 1 197 11 >><< 7 8 >>Wrong set!<< 2 8 1 >>They're waiting for me in the alley. Later dudes!<< 12 8 2 >><< 16 8 1 >><< 7 1 >><< 1 1 3 >>Is he an actor too? Who does casting around here?<< 7 4 >><< 2 4 14 >>They do. The Big Shots. The writers, directors, producers out there.<< 7 1 >><< 2 1 8 >><< 3 1 81 4 >> << 12 1 1 >>Them again. Huh.<< 7 4 >>Yes. They might pack a whole bunch of us to be in their shows, or just me.<< 5 221 >>I might be cast as a super hero, spy, vampire, whatever. There's this little button they press on the side panel, see?<< 7 1 >>Wow! I'd like to be a Vampire.<< 5 112 >><< 5 112 >><< 5 112 >><< 2 1 13 >>This place sure is noisy. Is that your dog out there?<< 7 4 >>No, just a sound effect. There are hundreds of them in Hollywood.<< 7 7 >><< 5 1012 >><< 15 7 60 50 1 >><< 7 1 >><< 3 1 209 5 >><< 12 1 2 >><< 7 7 >><< 2 7 5 >><< 1 7 2 >><< 4 7 2 >>Are you Lucky, or what?<< 7 1 >><< 2 1 1 >>I sure am. Joe Lucky, one lucky guy.<< 7 7 >>Well Mr. Lucky, I'm April Knowes, and Steven sent me down to coach you on delivering lines - you'll be reading the part of Larry in The Big Mess, Mr. Spillbug's upcoming blockbuster which is shooting as we speak, over in Studio B. Problem is none of the Hollywood 9 can handle the role of Larry.<< 1 7 5 >>It's an extremely sensitive, challenging role. It requires masterful body language<< 4 7 1 >>and a range of facial expressions.<< 7 1 >><< 2 1 7 >><< 7 7 >>What we call poses and moods here in Hollywood. Everybody works on this constantly Joe. Except the Narrator of course. The Narrator's just an offscreen voice that writers use once in a while, who knows why. Anyhow, let's get started.<< 7 4 >>See you later April. Good luck Lucky.<< 16 4 0 >><< 7 1 >>Poses, huh.<< 7 7 >><< 3 7 248 70 >><< 7 1 >><< 3 1 89 -8 >><< 7 7 >><< 12 7 2 >><< 7 1 >><< 12 1 1 >><< 7 7 >><< 3 7 301 69 >>You know, lean forward<< 7 1 >><< 4 1 1 >><< 7 7 >>Lean back<< 7 1 >><< 4 1 2 >><< 7 7 >>Stand up straight.<< 7 1 >><< 4 1 0 >><< 7 7 >>Good.<< 7 1 >><< 2 1 1 >>I'm warming up! Tell me something else to do!<< 7 7 >><< 2 7 1 >>Okay, let's see you lip sync some lines.<< 7 1 >><< 2 1 13 >>Uh, do what?<< 7 7 >>Down there. You say whatever words the writer writes in the script.<< 7 1 >><< 2 1 11 >><< 7 7 >><< 2 7 7 >> Your stage directions are down there too. It's The Big Mess. Just reed your lines.<< 7 1 >>Okay, here goes. Uh << 13 1 >><< 2 1 4 >>Maybe you got the wrong number.<< 5 112 >><< 5 112 >><< 5 112 >><< 7 7 >><< 2 7 5 >>Not bad. How about some feeling this time? Some excitement.<< 7 1 >>I'm having trouble concentrating. All that barking is throwing me off.<< 7 7 >>Focus Joe. Find your motivation. Now, let's see happy.<< 7 1 >><< 2 1 1 >>Maybe you got the wrong, number!<< 7 7 >>Good. Now I want angry.<< 7 1 >><< 2 1 3 >>Maybe you got the wrong number ---<< 7 7 >>Very nice. << 7 1 >><< 2 1 5 >><< 7 7 >>Now do whatever it says in the script.<< 7 1 >>But what if the script stops? What if the writer runs out of things for me to say and do? Is that it? End of story?<< 7 7 >><< 1 7 4 >>No no, not at all. Writers get stuck. It happens. Then they use the Idea Machine to get started again. They just push the old Lightbulb Button << 12 7 1 >><< 12 7 2 >>and there! Ideas ideas ideas. Ideas for lines, for actions, even for what the whole show might be about.<< 5 112 >><< 5 112 >><< 5 112 >> Okay, back to work Joe. Let's see some action.<< 1 7 5 >>Laugh.<< 7 1 >><< 2 1 11 >>Just like that? No jokes first, or anything?<< 7 7 >><< 1 7 4 >>Take it easy. Just throw yourself into it. Emote! Draw from your past.<< 7 1 >><< 2 1 9 >><< 13 1 >><< 1 1 3 >><< 13 1 >><< 2 1 5 >>Was that okay?<< 7 7 >>It was great. Three stars. Now cry.<< 7 1 >><< 2 1 11 >>Uh, well,<< 13 1 >><< 1 1 1 >><< 1 1 1 >><< 7 7 >>Excellent! In Tense! << 7 1 >><< 1 1 4 >><< 2 1 1 >><< 7 7 >>Gee, nice action Joe. The pizza I mean. All the Hollywood 9 have actions they can do, like laughing and crying. And some actors can do totally special things<< 1 7 2 >>--- like me for instance << 2 7 1 >><< 1 7 1 >><< 7 1 >>Wow. You're amazing April.<< 7 7 >><< 1 7 4 >>It's nothing. It's all in the script. Now back to you. The writer might suddenly change your mood -- << 2 7 16 >>Show me nervous!<< 7 1 >><< 2 1 16 >><< 7 7 >>Great!<< 2 7 1 >>Now happy.<< 7 1 >><< 2 1 1 >><< 7 7 >>Yes.<< 2 7 5 >>Now scared.<< 7 1 >><< 2 1 9 >><< 7 7 >>Yes, yes. You're ready for sound effects and music.Turn around and walk over there, and don't come back in until you hear the music.<< 7 1 >><< 2 1 13 >><< 7 7 >>It's all in the script, just follow the script.<< 7 1 >><< 16 1 0 >>Okay April! I'm ready! << 5 1014 >><< 12 1 2 >><< 15 1 60 50 0 >><< 3 1 99 18 >><< 2 1 1 >><< 7 7 >><< 2 7 1 >>Such talent. All right, Joe, now stay happy until you hear a scary sound -- then look frightened. Understand?<< 1 7 5 >><< 7 1 >>Dum, dee dum, dee dum << 5 1011 >><< 2 1 9 >><< 7 7 >>You're a genius!<< 7 1 >><< 2 1 1 >><< 7 2 >><< 5 709 >>April?<< 5 810 >><< 15 2 60 50 1 >><< 7 7 >><< 3 7 344 77 >><< 7 1 >><< 12 1 2 >><< 3 1 190 12 >><< 7 2 >><< 3 2 85 32 >><< 5 1125 >><< 7 7 >>Joe, here is the great Steven Spillbug.<< 7 1 >><< 2 1 9 >><< 2 1 6 >><< 2 1 1 >>Hello, sir.<< 7 2 >>You're lucky. Let's hear you read Larry, Lucky.<< 7 1 >><< 2 1 3 >><< 5 1112 >>Maybe you got the wrong number ---<< 7 2 >><< 2 2 8 >>Brilliant! Welcome to the Hollywood Ten, Joe. << 5 1010 >><< 7 1 >><< 2 1 1 >><< 7 7 >><< 2 7 8 >><< 7 2 >>Take five and then meet us in Studio B, Lucky.<< 7 1 >>Thank you, Mr. Spillbug!<< 12 1 1 >><< 16 1 0 >><< 7 7 >><< 12 7 1 >>It's the other way, Joe!<< 12 7 2 >><< 7 1 >><< 12 1 2 >><< 15 1 300 50 0 >><< 3 1 -32 1 >><< 16 1 1 >><< 5 810 >><< 7 2 >><< 12 2 1 >><< 16 2 1 >><< 7 7 >><< 16 7 1 >><< 7 0 >>Joe Lucky --- a guy with a crazy dream --- now a major Hollywood star and box office draw, winning awards for his sensitive portrayal of Larry in The Big Mess, and Larry in a Sa - Turn of Events, which can be seen by opening the sample scripts folder! Word has it that Joe and the rest of Hollywood Ten are working on a series of brand new shows with an incredible but still undiscovered, up and coming script writer.<< 5 1120 >>
Chunk: 0 << 8 14 0 \0 1 4 248 50 >><< 7 4 >><< 12 4 1 >><< 5 1006 >><< 7 0 >>You're about to meet Joe Lucky. He's a guy with a crazy Dream: to be a Hollywood star...<< 7 1 >><< 15 1 60 50 1 >><< 4 1 0 >><< 3 1 104 27 >><< 13 1 >><< 5 1006 >><< 7 4 >><< 12 4 2 >> Looking for someone?<< 7 1 >>Yes. I have an audition with Steven Spillbug at 3:20. What was that creepy music for? What is this place?<< 5 112 >><< 5 112 >><< 5 112 >><< 7 4 >><< 2 4 1 >>Relax man. This is just one of the sets in Hollywood: the Monster Lab set. << 4 4 2 >>You're early! << 1 4 6 >>You must be Lucky, huh?<< 7 1 >><< 2 1 1 >>Right! Joe Lucky, that's me! But who are you? You look very familiar. Have I seen you on TV or something?<< 7 4 >>You bet you have. I'm Cecil B DeBoy, one of the Hollywood Nine. Nine exclusive major talents appearing in just about every production that comes out of Hollywood. From features to shorts to sit coms, news, commercials, standup, you name it. Whatever the writers write.<< 5 112 >><< 5 112 >><< 5 112 >>But today I'm not working; just helping Mr. S with auditions.<< 7 1 >><< 2 1 8 >>Cool! Who are the writers?<< 7 4 >><< 2 4 14 >>People out there.<< 4 4 1 >><< 12 4 1 >><< 4 4 0 >><< 2 4 1 >><< 7 1 >>Huh. Out there on the other side of the screen?<< 4 1 1 >><< 12 1 2 >><< 12 1 1 >><< 7 1 >><< 1 1 5 >> Far out. Maybe Steven Spillbug will cast me in a science fiction adventure flick set on Jupiter<< 13 1 >> if some writer out there writes a script like that.<< 2 1 1 >><< 12 1 1 >><< 7 4 >>You never know. Writers write all kinds of stuff in Hollywood.<< 5 112 >><< 5 112 >><< 5 112 >>And they get to choose all kinds of sets and seenery. Like this place. << 7 1 >><< 12 1 2 >><< 12 1 1 >><< 7 4 >>It's a jungle out there, or a rocketship, a diner, an operating room. About 20 sets in all.<< 2 4 1 >>Very inspiring if you ask me.<< 7 8 >><< 12 8 1 >><< 15 8 60 50 1 >><< 5 1015 >><< 7 8 >>Oops! << 7 1 >><< 12 1 2 >><< 3 1 197 11 >><< 7 8 >>Wrong set!<< 2 8 1 >>They're waiting for me in the alley. Later dudes!<< 12 8 2 >><< 16 8 1 >><< 7 1 >><< 1 1 3 >>Is he an actor too? Who does casting around here?<< 7 4 >><< 2 4 14 >>They do. The Big Shots. The writers, directors, producers out there.<< 7 1 >><< 2 1 8 >><< 3 1 81 4 >> << 12 1 1 >>Them again. Huh.<< 7 4 >>Yes. They might pack a whole bunch of us to be in their shows, or just me.<< 5 221 >>I might be cast as a super hero, spy, vampire, whatever. There's this little button they press on the side panel, see?<< 7 1 >>Wow! I'd like to be a Vampire.<< 5 112 >><< 5 112 >><< 5 112 >><< 2 1 13 >>This place sure is noisy. Is that your dog out there?<< 7 4 >>No, just a sound effect. There are hundreds of them in Hollywood.<< 7 7 >><< 5 1012 >><< 15 7 60 50 1 >><< 7 1 >><< 3 1 209 5 >><< 12 1 2 >><< 7 7 >><< 2 7 5 >><< 1 7 2 >><< 4 7 2 >>Are you Lucky, or what?<< 7 1 >><< 2 1 1 >>I sure am. Joe Lucky, one lucky guy.<< 7 7 >>Well Mr. Lucky, I'm April Knowes, and Steven sent me down to coach you on delivering lines - you'll be reading the part of Larry in The Big Mess, Mr. Spillbug's upcoming blockbuster which is shooting as we speak, over in Studio B. Problem is none of the Hollywood 9 can handle the role of Larry.<< 1 7 5 >>It's an extremely sensitive, challenging role. It requires masterful body language<< 4 7 1 >>and a range of facial expressions.<< 7 1 >><< 2 1 7 >><< 7 7 >>What we call poses and moods here in Hollywood. Everybody works on this constantly Joe. Except the Narrator of course. The Narrator's just an offscreen voice that writers use once in a while, who knows why. Anyhow, let's get started.<< 7 4 >>See you later April. Good luck Lucky.<< 16 4 0 >><< 7 1 >>Poses, huh.<< 7 7 >><< 3 7 248 70 >><< 7 1 >><< 3 1 89 -8 >><< 7 7 >><< 12 7 2 >><< 7 1 >><< 12 1 1 >><< 7 7 >><< 3 7 301 69 >>You know, lean forward<< 7 1 >><< 4 1 1 >><< 7 7 >>Lean back<< 7 1 >><< 4 1 2 >><< 7 7 >>Stand up straight.<< 7 1 >><< 4 1 0 >><< 7 7 >>Good.<< 7 1 >><< 2 1 1 >>I'm warming up! Tell me something else to do!<< 7 7 >><< 2 7 1 >>Okay, let's see you lip sync some lines.<< 7 1 >><< 2 1 13 >>Uh, do what?<< 7 7 >>Down there. You say whatever words the writer writes in the script.<< 7 1 >><< 2 1 11 >><< 7 7 >><< 2 7 7 >> Your stage directions are down there too. It's The Big Mess. Just reed your lines.<< 7 1 >>Okay, here goes. Uh << 13 1 >><< 2 1 4 >>Maybe you got the wrong number.<< 5 112 >><< 5 112 >><< 5 112 >><< 7 7 >><< 2 7 5 >>Not bad. How about some feeling this time? Some excitement.<< 7 1 >>I'm having trouble concentrating. All that barking is throwing me off.<< 7 7 >>Focus Joe. Find your motivation. Now, let's see happy.<< 7 1 >><< 2 1 1 >>Maybe you got the wrong, number!<< 7 7 >>Good. Now I want angry.<< 7 1 >><< 2 1 3 >>Maybe you got the wrong number ---<< 7 7 >>Very nice. << 7 1 >><< 2 1 5 >><< 7 7 >>Now do whatever it says in the script.<< 7 1 >>But what if the script stops? What if the writer runs out of things for me to say and do? Is that it? End of story?<< 7 7 >><< 1 7 4 >>No no, not at all. Writers get stuck. It happens. Then they use the Idea Machine to get started again. They just push the old Lightbulb Button << 12 7 1 >><< 12 7 2 >>and there! Ideas ideas ideas. Ideas for lines, for actions, even for what the whole show might be about.<< 5 112 >><< 5 112 >><< 5 112 >> Okay, back to work Joe. Let's see some action.<< 1 7 5 >>Laugh.<< 7 1 >><< 2 1 11 >>Just like that? No jokes first, or anything?<< 7 7 >><< 1 7 4 >>Take it easy. Just throw yourself into it. Emote! Draw from your past.<< 7 1 >><< 2 1 9 >><< 13 1 >><< 1 1 3 >><< 13 1 >><< 2 1 5 >>Was that okay?<< 7 7 >>It was great. Three stars. Now cry.<< 7 1 >><< 2 1 11 >>Uh, well,<< 13 1 >><< 1 1 1 >><< 1 1 1 >><< 7 7 >>Excellent! In Tense! << 7 1 >><< 1 1 4 >><< 2 1 1 >><< 7 7 >>Gee, nice action Joe. The pizza I mean. All the Hollywood 9 have actions they can do, like laughing and crying. And some actors can do totally special things<< 1 7 2 >>--- like me for instance << 2 7 1 >><< 1 7 1 >><< 7 1 >>Wow. You're amazing April.<< 7 7 >><< 1 7 4 >>It's nothing. It's all in the script. Now back to you. The writer might suddenly change your mood -- << 2 7 16 >>Show me nervous!<< 7 1 >><< 2 1 16 >><< 7 7 >>Great!<< 2 7 1 >>Now happy.<< 7 1 >><< 2 1 1 >><< 7 7 >>Yes.<< 2 7 5 >>Now scared.<< 7 1 >><< 2 1 9 >><< 7 7 >>Yes, yes. You're ready for sound effects and music.Turn around and walk over there, and don't come back in until you hear the music.<< 7 1 >><< 2 1 13 >><< 7 7 >>It's all in the script, just follow the script.<< 7 1 >><< 16 1 0 >>Okay April! I'm ready! << 5 1014 >><< 12 1 2 >><< 15 1 60 50 0 >><< 3 1 99 18 >><< 2 1 1 >><< 7 7 >><< 2 7 1 >>Such talent. All right, Joe, now stay happy until you hear a scary sound -- then look frightened. Understand?<< 1 7 5 >><< 7 1 >>Dum, dee dum, dee dum << 5 1011 >><< 2 1 9 >><< 7 7 >>You're a genius!<< 7 1 >><< 2 1 1 >><< 7 2 >><< 5 709 >>April?<< 5 810 >><< 15 2 60 50 1 >><< 7 7 >><< 3 7 344 77 >><< 7 1 >><< 12 1 2 >><< 3 1 190 12 >><< 7 2 >><< 3 2 85 32 >><< 5 1125 >><< 7 7 >>Joe, here is the great Steven Spillbug.<< 7 1 >><< 2 1 9 >><< 2 1 6 >><< 2 1 1 >>Hello, sir.<< 7 2 >>You're lucky. Let's hear you read Larry, Lucky.<< 7 1 >><< 2 1 3 >><< 5 1112 >>Maybe you got the wrong number ---<< 7 2 >><< 2 2 8 >>Brilliant! Welcome to the Hollywood Ten, Joe. << 5 1010 >><< 7 1 >><< 2 1 1 >><< 7 7 >><< 2 7 8 >><< 7 2 >>Take five and then meet us in Studio B, Lucky.<< 7 1 >>Thank you, Mr. Spillbug!<< 12 1 1 >><< 16 1 0 >><< 7 7 >><< 12 7 1 >>It's the other way, Joe!<< 12 7 2 >><< 7 1 >><< 12 1 2 >><< 15 1 300 50 0 >><< 3 1 -32 1 >><< 16 1 1 >><< 5 810 >><< 7 2 >><< 12 2 1 >><< 16 2 1 >><< 7 7 >><< 16 7 1 >><< 7 0 >>Joe Lucky --- a guy with a crazy dream --- now a major Hollywood star and box office draw, winning awards for his sensitive portrayal of Larry in The Big Mess, and Larry in a Sa - Turn of Events, which can be seen by opening the sample scripts folder! Word has it that Joe and the rest of Hollywood Ten are working on a series of brand new shows with an incredible but still undiscovered, up and coming script writer.<< 5 1120 >>
Chunk: 0 << 8 14 0 \0 1 4 248 50 >><< 7 4 >><< 12 4 1 >><< 5 1006 >><< 7 0 >>You're about to meet Joe Lucky. He's a guy with a crazy Dream: to be a Hollywood star...<< 7 1 >><< 15 1 60 50 1 >><< 4 1 0 >><< 3 1 104 27 >><< 13 1 >><< 5 1006 >><< 7 4 >><< 12 4 2 >> Looking for someone?<< 7 1 >>Yes. I have an audition with Steven Spillbug at 3:20. What was that creepy music for? What is this place?<< 5 112 >><< 5 112 >><< 5 112 >><< 7 4 >><< 2 4 1 >>Relax man. This is just one of the sets in Hollywood: the Monster Lab set. << 4 4 2 >>You're early! << 1 4 6 >>You must be Lucky, huh?<< 7 1 >><< 2 1 1 >>Right! Joe Lucky, that's me! But who are you? You look very familiar. Have I seen you on TV or something?<< 7 4 >>You bet you have. I'm Cecil B DeBoy, one of the Hollywood Nine. Nine exclusive major talents appearing in just about every production that comes out of Hollywood. From features to shorts to sit coms, news, commercials, standup, you name it. Whatever the writers write.<< 5 112 >><< 5 112 >><< 5 112 >>But today I'm not working; just helping Mr. S with auditions.<< 7 1 >><< 2 1 8 >>Cool! Who are the writers?<< 7 4 >><< 2 4 14 >>People out there.<< 4 4 1 >><< 12 4 1 >><< 4 4 0 >><< 2 4 1 >><< 7 1 >>Huh. Out there on the other side of the screen?<< 4 1 1 >><< 12 1 2 >><< 12 1 1 >><< 7 1 >><< 1 1 5 >> Far out. Maybe Steven Spillbug will cast me in a science fiction adventure flick set on Jupiter<< 13 1 >> if some writer out there writes a script like that.<< 2 1 1 >><< 12 1 1 >><< 7 4 >>You never know. Writers write all kinds of stuff in Hollywood.<< 5 112 >><< 5 112 >><< 5 112 >>And they get to choose all kinds of sets and seenery. Like this place. << 7 1 >><< 12 1 2 >><< 12 1 1 >><< 7 4 >>It's a jungle out there, or a rocketship, a diner, an operating room. About 20 sets in all.<< 2 4 1 >>Very inspiring if you ask me.<< 7 8 >><< 12 8 1 >><< 15 8 60 50 1 >><< 5 1015 >><< 7 8 >>Oops! << 7 1 >><< 12 1 2 >><< 3 1 197 11 >><< 7 8 >>Wrong set!<< 2 8 1 >>They're waiting for me in the alley. Later dudes!<< 12 8 2 >><< 16 8 1 >><< 7 1 >><< 1 1 3 >>Is he an actor too? Who does casting around here?<< 7 4 >><< 2 4 14 >>They do. The Big Shots. The writers, directors, producers out there.<< 7 1 >><< 2 1 8 >><< 3 1 81 4 >> << 12 1 1 >>Them again. Huh.<< 7 4 >>Yes. They might pack a whole bunch of us to be in their shows, or just me.<< 5 221 >>I might be cast as a super hero, spy, vampire, whatever. There's this little button they press on the side panel, see?<< 7 1 >>Wow! I'd like to be a Vampire.<< 5 112 >><< 5 112 >><< 5 112 >><< 2 1 13 >>This place sure is noisy. Is that your dog out there?<< 7 4 >>No, just a sound effect. There are hundreds of them in Hollywood.<< 7 7 >><< 5 1012 >><< 15 7 60 50 1 >><< 7 1 >><< 3 1 209 5 >><< 12 1 2 >><< 7 7 >><< 2 7 5 >><< 1 7 2 >><< 4 7 2 >>Are you Lucky, or what?<< 7 1 >><< 2 1 1 >>I sure am. Joe Lucky, one lucky guy.<< 7 7 >>Well Mr. Lucky, I'm April Knowes, and Steven sent me down to coach you on delivering lines - you'll be reading the part of Larry in The Big Mess, Mr. Spillbug's upcoming blockbuster which is shooting as we speak, over in Studio B. Problem is none of the Hollywood 9 can handle the role of Larry.<< 1 7 5 >>It's an extremely sensitive, challenging role. It requires masterful body language<< 4 7 1 >>and a range of facial expressions.<< 7 1 >><< 2 1 7 >><< 7 7 >>What we call poses and moods here in Hollywood. Everybody works on this constantly Joe. Except the Narrator of course. The Narrator's just an offscreen voice that writers use once in a while, who knows why. Anyhow, let's get started.<< 7 4 >>See you later April. Good luck Lucky.<< 16 4 0 >><< 7 1 >>Poses, huh.<< 7 7 >><< 3 7 248 70 >><< 7 1 >><< 3 1 89 -8 >><< 7 7 >><< 12 7 2 >><< 7 1 >><< 12 1 1 >><< 7 7 >><< 3 7 301 69 >>You know, lean forward<< 7 1 >><< 4 1 1 >><< 7 7 >>Lean back<< 7 1 >><< 4 1 2 >><< 7 7 >>Stand up straight.<< 7 1 >><< 4 1 0 >><< 7 7 >>Good.<< 7 1 >><< 2 1 1 >>I'm warming up! Tell me something else to do!<< 7 7 >><< 2 7 1 >>Okay, let's see you lip sync some lines.<< 7 1 >><< 2 1 13 >>Uh, do what?<< 7 7 >>Down there. You say whatever words the writer writes in the script.<< 7 1 >><< 2 1 11 >><< 7 7 >><< 2 7 7 >> Your stage directions are down there too. It's The Big Mess. Just reed your lines.<< 7 1 >>Okay, here goes. Uh << 13 1 >><< 2 1 4 >>Maybe you got the wrong number.<< 5 112 >><< 5 112 >><< 5 112 >><< 7 7 >><< 2 7 5 >>Not bad. How about some feeling this time? Some excitement.<< 7 1 >>I'm having trouble concentrating. All that barking is throwing me off.<< 7 7 >>Focus Joe. Find your motivation. Now, let's see happy.<< 7 1 >><< 2 1 1 >>Maybe you got the wrong, number!<< 7 7 >>Good. Now I want angry.<< 7 1 >><< 2 1 3 >>Maybe you got the wrong number ---<< 7 7 >>Very nice. << 7 1 >><< 2 1 5 >><< 7 7 >>Now do whatever it says in the script.<< 7 1 >>But what if the script stops? What if the writer runs out of things for me to say and do? Is that it? End of story?<< 7 7 >><< 1 7 4 >>No no, not at all. Writers get stuck. It happens. Then they use the Idea Machine to get started again. They just push the old Lightbulb Button << 12 7 1 >><< 12 7 2 >>and there! Ideas ideas ideas. Ideas for lines, for actions, even for what the whole show might be about.<< 5 112 >><< 5 112 >><< 5 112 >> Okay, back to work Joe. Let's see some action.<< 1 7 5 >>Laugh.<< 7 1 >><< 2 1 11 >>Just like that? No jokes first, or anything?<< 7 7 >><< 1 7 4 >>Take it easy. Just throw yourself into it. Emote! Draw from your past.<< 7 1 >><< 2 1 9 >><< 13 1 >><< 1 1 3 >><< 13 1 >><< 2 1 5 >>Was that okay?<< 7 7 >>It was great. Three stars. Now cry.<< 7 1 >><< 2 1 11 >>Uh, well,<< 13 1 >><< 1 1 1 >><< 1 1 1 >><< 7 7 >>Excellent! In Tense! << 7 1 >><< 1 1 4 >><< 2 1 1 >><< 7 7 >>Gee, nice action Joe. The pizza I mean. All the Hollywood 9 have actions they can do, like laughing and crying. And some actors can do totally special things<< 1 7 2 >>--- like me for instance << 2 7 1 >><< 1 7 1 >><< 7 1 >>Wow. You're amazing April.<< 7 7 >><< 1 7 4 >>It's nothing. It's all in the script. Now back to you. The writer might suddenly change your mood -- << 2 7 16 >>Show me nervous!<< 7 1 >><< 2 1 16 >><< 7 7 >>Great!<< 2 7 1 >>Now happy.<< 7 1 >><< 2 1 1 >><< 7 7 >>Yes.<< 2 7 5 >>Now scared.<< 7 1 >><< 2 1 9 >><< 7 7 >>Yes, yes. You're ready for sound effects and music.Turn around and walk over there, and don't come back in until you hear the music.<< 7 1 >><< 2 1 13 >><< 7 7 >>It's all in the script, just follow the script.<< 7 1 >><< 16 1 0 >>Okay April! I'm ready! << 5 1014 >><< 12 1 2 >><< 15 1 60 50 0 >><< 3 1 99 18 >><< 2 1 1 >><< 12 1 1 >><< 7 7 >><< 2 7 1 >>Such talent. All right Joe, now stay happy until you hear a scary sound.Then look frightened. Understand?<< 1 7 5 >><< 7 1 >>Dum dee dum dee dum << 5 1011 >><< 2 1 9 >><< 7 7 >>You're a genius!<< 7 1 >><< 2 1 1 >><< 7 2 >><< 5 709 >>April?<< 7 1 >><< 12 1 2 >><< 3 1 144 6 >><< 5 810 >><< 15 2 60 50 1 >><< 7 7 >><< 3 7 344 77 >><< 7 1 >><< 12 1 2 >><< 3 1 190 12 >><< 7 2 >><< 3 2 85 32 >><< 5 1125 >><< 7 7 >>Joe, here is the great Steven Spillbug.<< 7 1 >><< 2 1 9 >><< 2 1 6 >><< 2 1 1 >>Hello sir.<< 7 2 >>You're lucky. Let's Larry, Lucky.<< 7 1 >><< 2 1 3 >><< 5 1112 >>Maybe you got, the wrong number ---<< 7 2 >><< 2 2 8 >>Brilliant! Welcome to the Hollywood Ten Joe. << 5 1010 >><< 7 1 >><< 2 1 1 >><< 7 7 >><< 2 7 8 >><< 7 2 >>Take five and then meet us in Studio B, Lucky.<< 7 1 >>Thank you Mr. Spillbug!<< 12 1 1 >><< 16 1 0 >><< 7 7 >><< 12 7 1 >>It's the other way Joe!<< 5 1102 >><< 12 7 2 >><< 7 1 >><< 12 1 2 >><< 15 1 300 50 0 >><< 3 1 -32 1 >><< 16 1 1 >><< 5 810 >><< 7 2 >><< 12 2 2 >><< 16 2 1 >><< 7 7 >><< 16 7 1 >><< 7 0 >>Joe Lucky,a guy with a crazy dream, now a major Hollywood star and box office draw, winning awards for his sensitive portrayal of Larry, in The Big Mess, and Larry, in a Sad - Turn of Events, which can be seen by opening the sample scripts folder! Word has it that Joe and the rest of the Hollywood Ten are working on a series of brand new shows, with an incredible but still undiscovered up and coming script writer.<< 5 1120 >>
Chunk: 0 << 8 14 0 \0 1 4 248 50 >><< 7 4 >><< 12 4 1 >><< 5 1006 >><< 7 0 >>You're about to meet Joe Lucky. He's a guy with a crazy Dream: to be a Hollywood star...<< 7 1 >><< 15 1 60 50 1 >><< 4 1 0 >><< 3 1 104 27 >><< 13 1 >><< 5 1006 >><< 7 4 >><< 12 4 2 >> Looking for someone?<< 7 1 >>Yes. I have an audition with Steven Spillbug at 3:20. What was that creepy music for? What is this place?<< 5 112 >><< 5 112 >><< 5 112 >><< 7 4 >><< 2 4 1 >>Relax man. This is just one of the sets in Hollywood: the Monster Lab set. << 4 4 2 >>You're early! << 1 4 6 >>You must be Lucky, huh?<< 7 1 >><< 2 1 1 >>Right! Joe Lucky, that's me! But who are you? You look very familiar. Have I seen you on TV or something?<< 7 4 >>You bet you have. I'm Cecil B DeBoy, one of the Hollywood Nine. Nine exclusive major talents appearing in just about every production that comes out of Hollywood. From features to shorts to sit coms, news, commercials, standup, you name it. Whatever the writers write.<< 5 112 >><< 5 112 >><< 5 112 >>But today I'm not working; just helping Mr. S with auditions.<< 7 1 >><< 2 1 8 >>Cool! Who are the writers?<< 7 4 >><< 2 4 14 >>People out there.<< 4 4 1 >><< 12 4 1 >><< 4 4 0 >><< 2 4 1 >><< 7 1 >>Huh. Out there on the other side of the screen?<< 4 1 1 >><< 12 1 2 >><< 12 1 1 >><< 7 1 >><< 1 1 5 >> Far out. Maybe Steven Spillbug will cast me in a science fiction adventure flick set on Jupiter<< 13 1 >> if some writer out there writes a script like that.<< 2 1 1 >><< 12 1 1 >><< 7 4 >>You never know. Writers write all kinds of stuff in Hollywood.<< 5 112 >><< 5 112 >><< 5 112 >>And they get to choose all kinds of sets and seenery. Like this place. << 7 1 >><< 12 1 2 >><< 12 1 1 >><< 7 4 >>It's a jungle out there, or a rocketship, a diner, an operating room. About 20 sets in all.<< 2 4 1 >>Very inspiring if you ask me.<< 7 8 >><< 12 8 1 >><< 15 8 60 50 1 >><< 5 1015 >><< 7 8 >>Oops! << 7 1 >><< 12 1 2 >><< 3 1 180 25 >><< 7 8 >>Wrong set!<< 2 8 1 >>They're waiting for me in the alley. Later dudes!<< 12 8 2 >><< 16 8 1 >><< 7 1 >><< 1 1 3 >>Is he an actor too? Who does casting around here?<< 7 4 >><< 2 4 14 >>They do. The Big Shots. The writers, directors, producers out there.<< 7 1 >><< 2 1 8 >><< 3 1 81 4 >> << 12 1 1 >>Them again. Huh.<< 7 4 >>Yes. They might pack a whole bunch of us to be in their shows, or just me.<< 5 221 >>I might be cast as a super hero, spy, vampire, whatever. There's this little button they press on the side panel, see?<< 7 1 >>Wow! I'd like to be a Vampire.<< 5 112 >><< 5 112 >><< 5 112 >><< 2 1 13 >>This place sure is noisy. Is that your dog out there?<< 7 4 >>No, just a sound effect. There are hundreds of them in Hollywood.<< 7 7 >><< 5 1012 >><< 15 7 60 50 1 >><< 7 1 >><< 3 1 209 5 >><< 12 1 2 >><< 7 7 >><< 2 7 5 >><< 1 7 2 >><< 4 7 2 >>Are you Lucky, or what?<< 7 1 >><< 2 1 1 >>I sure am. Joe Lucky, one lucky guy.<< 7 7 >>Well Mr. Lucky, I'm April Knowes, and Steven sent me down to coach you on delivering lines - you'll be reading the part of Larry in The Big Mess, Mr. Spillbug's upcoming blockbuster which is shooting as we speak, over in Studio B. Problem is none of the Hollywood 9 can handle the role of Larry.<< 1 7 5 >>It's an extremely sensitive, challenging role. It requires masterful body language<< 4 7 1 >>and a range of facial expressions.<< 7 1 >><< 2 1 7 >><< 7 7 >>What we call poses and moods here in Hollywood. Everybody works on this constantly Joe. Except the Narrator of course. The Narrator's just an offscreen voice that writers use once in a while, who knows why. Anyhow, let's get started.<< 7 4 >>See you later April. Good luck Lucky.<< 16 4 0 >><< 7 1 >>Poses, huh.<< 7 7 >><< 3 7 248 70 >><< 7 1 >><< 3 1 89 -8 >><< 7 7 >><< 12 7 2 >><< 7 1 >><< 12 1 1 >><< 7 7 >><< 3 7 301 69 >>You know, lean forward<< 7 1 >><< 4 1 1 >><< 7 7 >>Lean back<< 7 1 >><< 4 1 2 >><< 7 7 >>Stand up straight.<< 7 1 >><< 4 1 0 >><< 7 7 >>Good.<< 7 1 >><< 2 1 1 >>I'm warming up! Tell me something else to do!<< 7 7 >><< 2 7 1 >>Okay, let's see you lip sync some lines.<< 7 1 >><< 2 1 13 >>Uh, do what?<< 7 7 >>Down there. You say whatever words the writer writes in the script.<< 7 1 >><< 2 1 11 >><< 7 7 >><< 2 7 7 >> Your stage directions are down there too. It's The Big Mess. Just reed your lines.<< 7 1 >>Okay, here goes. Uh << 13 1 >><< 2 1 4 >>Maybe you got the wrong number.<< 5 112 >><< 5 112 >><< 5 112 >><< 7 7 >><< 2 7 5 >>Not bad. How about some feeling this time? Some excitement.<< 7 1 >>I'm having trouble concentrating. All that barking is throwing me off.<< 7 7 >>Focus Joe. Find your motivation. Now, let's see happy.<< 7 1 >><< 2 1 1 >>Maybe you got the wrong, number!<< 7 7 >>Good. Now I want angry.<< 7 1 >><< 2 1 3 >>Maybe you got the wrong number ---<< 7 7 >>Very nice. << 7 1 >><< 2 1 5 >><< 7 7 >>Now do whatever it says in the script.<< 7 1 >>But what if the script stops? What if the writer runs out of things for me to say and do? Is that it? End of story?<< 7 7 >><< 1 7 4 >>No no, not at all. Writers get stuck. It happens. Then they use the Idea Machine to get started again. They just push the old Lightbulb Button << 12 7 1 >><< 12 7 2 >>and there! Ideas ideas ideas. Ideas for lines, for actions, even for what the whole show might be about.<< 5 112 >><< 5 112 >><< 5 112 >> Okay, back to work Joe. Let's see some action.<< 1 7 5 >>Laugh.<< 7 1 >><< 2 1 11 >>Just like that? No jokes first, or anything?<< 7 7 >><< 1 7 4 >>Take it easy. Just throw yourself into it. Emote! Draw from your past.<< 7 1 >><< 2 1 9 >><< 13 1 >><< 1 1 3 >><< 13 1 >><< 2 1 5 >>Was that okay?<< 7 7 >>It was great. Three stars. Now cry.<< 7 1 >><< 2 1 11 >>Uh, well,<< 13 1 >><< 1 1 1 >><< 1 1 1 >><< 7 7 >>Excellent! In Tense! << 7 1 >><< 1 1 4 >><< 2 1 1 >><< 7 7 >>Gee, nice action Joe. The pizza I mean. All the Hollywood 9 have actions they can do, like laughing and crying. And some actors can do totally special things<< 1 7 2 >>--- like me for instance << 2 7 1 >><< 1 7 1 >><< 7 1 >>Wow. You're amazing April.<< 7 7 >><< 1 7 4 >>It's nothing. It's all in the script. Now back to you. The writer might suddenly change your mood -- << 2 7 16 >>Show me nervous!<< 7 1 >><< 2 1 16 >><< 7 7 >>Great!<< 2 7 1 >>Now happy.<< 7 1 >><< 2 1 1 >><< 7 7 >>Yes.<< 2 7 5 >>Now scared.<< 7 1 >><< 2 1 9 >><< 7 7 >>Yes, yes. You're ready for sound effects and music.Turn around and walk over there, and don't come back in until you hear the music.<< 7 1 >><< 2 1 13 >><< 7 7 >>It's all in the script, just follow the script.<< 7 1 >><< 16 1 0 >>Okay April! I'm ready! << 5 1014 >><< 12 1 2 >><< 15 1 60 50 0 >><< 3 1 99 18 >><< 2 1 1 >><< 12 1 1 >><< 7 7 >><< 2 7 1 >>Such talent. All right Joe, now stay happy until you hear a scary sound.Then look frightened. Understand?<< 1 7 5 >><< 7 1 >>Dum dee dum dee dum << 5 1011 >><< 2 1 9 >><< 7 7 >>You're a genius!<< 7 1 >><< 2 1 1 >><< 7 2 >><< 5 709 >>April?<< 7 1 >><< 12 1 2 >><< 3 1 144 6 >><< 5 810 >><< 15 2 60 50 1 >><< 7 7 >><< 3 7 344 77 >><< 7 1 >><< 12 1 2 >><< 3 1 190 12 >><< 7 2 >><< 3 2 85 32 >><< 5 1125 >><< 7 7 >>Joe, here is the great Steven Spillbug.<< 7 1 >><< 2 1 9 >><< 2 1 6 >><< 2 1 1 >>Hello sir.<< 7 2 >>You're lucky. Let's Larry, Lucky.<< 7 1 >><< 2 1 3 >><< 5 1112 >>Maybe you got, the wrong number ---<< 7 2 >><< 2 2 8 >>Brilliant! Welcome to the Hollywood Ten Joe. << 5 1010 >><< 7 1 >><< 2 1 1 >><< 7 7 >><< 2 7 8 >><< 7 2 >>Take five and then meet us in Studio B, Lucky.<< 7 1 >>Thank you Mr. Spillbug!<< 12 1 1 >><< 16 1 0 >><< 7 7 >><< 12 7 1 >>It's the other way Joe!<< 5 1102 >><< 12 7 2 >><< 7 1 >><< 12 1 2 >><< 15 1 300 50 0 >><< 3 1 -32 1 >><< 16 1 1 >><< 5 810 >><< 7 2 >><< 12 2 2 >><< 16 2 1 >><< 7 7 >><< 16 7 1 >><< 7 0 >>Joe Lucky,a guy with a crazy dream, now a major Hollywood star and box office draw, winning awards for his sensitive portrayal of Larry, in The Big Mess, and Larry, in a Sad - Turn of Events, which can be seen by opening the sample scripts folder! Word has it that Joe and the rest of the Hollywood Ten are working on a series of brand new shows, with an incredible but still undiscovered up and coming script writer.<< 5 1120 >>
Chunk: 0 << 8 14 0 \0 1 4 248 50 >><< 7 4 >><< 12 4 1 >><< 5 1006 >><< 7 0 >>You're about to meet Joe Lucky. He's a guy with a crazy Dream: to be a Hollywood star...<< 7 1 >><< 15 1 60 50 1 >><< 4 1 0 >><< 3 1 104 27 >><< 13 1 >><< 5 1006 >><< 7 4 >><< 12 4 2 >> Looking for someone?<< 7 1 >>Yes. I have an audition with Steven Spillbug at 3:20. What was that creepy music for? What is this place?<< 5 112 >><< 5 112 >><< 5 112 >><< 7 4 >><< 2 4 1 >>Relax man. This is just one of the sets in Hollywood: the Monster Lab set. << 4 4 2 >>You're early! << 1 4 6 >>You must be Lucky, huh?<< 7 1 >><< 2 1 1 >>Right! Joe Lucky, that's me! But who are you? You look very familiar. Have I seen you on TV or something?<< 7 4 >>You bet you have. I'm Cecil B DeBoy, one of the Hollywood Nine. Nine exclusive major talents appearing in just about every production that comes out of Hollywood. From features to shorts to sit coms, news, commercials, standup, you name it. Whatever the writers write.<< 5 112 >><< 5 112 >><< 5 112 >>But today I'm not working; just helping Mr. S with auditions.<< 7 1 >><< 2 1 8 >>Cool! Who are the writers?<< 7 4 >><< 2 4 14 >>People out there.<< 4 4 1 >><< 12 4 1 >><< 4 4 0 >><< 2 4 1 >><< 7 1 >>Huh. Out there on the other side of the screen?<< 4 1 1 >><< 12 1 2 >><< 12 1 1 >><< 7 1 >><< 1 1 5 >> Far out. Maybe Steven Spillbug will cast me in a science fiction adventure flick set on Jupiter<< 13 1 >> if some writer out there writes a script like that.<< 2 1 1 >><< 12 1 1 >><< 7 4 >>You never know. Writers write all kinds of stuff in Hollywood.<< 5 112 >><< 5 112 >><< 5 112 >>And they get to choose all kinds of sets and seenery. Like this place. << 7 1 >><< 12 1 2 >><< 12 1 1 >><< 7 4 >>It's a jungle out there, or a rocketship, a diner, an operating room. About 20 sets in all.<< 2 4 1 >>Very inspiring if you ask me.<< 7 8 >><< 12 8 1 >><< 15 8 60 50 1 >><< 5 1015 >><< 7 8 >>Oops! << 7 1 >><< 12 1 2 >><< 3 1 180 25 >><< 7 8 >>Wrong set!<< 2 8 1 >>They're waiting for me in the alley. Later dudes!<< 12 8 2 >><< 16 8 1 >><< 7 1 >><< 1 1 3 >>Is he an actor too? Who does casting around here?<< 7 4 >><< 2 4 14 >>They do. The Big Shots. The writers, directors, producers out there.<< 7 1 >><< 2 1 8 >><< 3 1 81 4 >> << 12 1 1 >>Them again. Huh.<< 7 4 >>Yes. They might pack a whole bunch of us to be in their shows, or just me.<< 5 221 >>I might be cast as a super hero, spy, vampire, whatever. There's this little button they press on the side panel, see?<< 7 1 >>Wow! I'd like to be a Vampire.<< 5 112 >><< 5 112 >><< 5 112 >><< 2 1 13 >>This place sure is noisy. Is that your dog out there?<< 7 4 >>No, just a sound effect. There are hundreds of them in Hollywood.<< 7 7 >><< 5 1012 >><< 15 7 60 50 1 >><< 7 1 >><< 3 1 209 5 >><< 12 1 2 >><< 7 7 >><< 2 7 5 >><< 1 7 2 >><< 4 7 2 >>Are you Lucky, or what?<< 7 1 >><< 2 1 1 >>I sure am. Joe Lucky, one lucky guy.<< 7 7 >>Well Mr. Lucky, I'm April Knowes, and Steven sent me down to coach you on delivering lines - you'll be reading the part of Larry in The Big Mess, Mr. Spillbug's upcoming blockbuster which is shooting as we speak, over in Studio B. Problem is none of the Hollywood 9 can handle the role of Larry.<< 1 7 5 >>It's an extremely sensitive, challenging role. It requires masterful body language<< 4 7 1 >>and a range of facial expressions.<< 7 1 >><< 2 1 7 >><< 7 7 >>What we call poses and moods here in Hollywood. Everybody works on this constantly Joe. Except the Narrator of course. The Narrator's just an offscreen voice that writers use once in a while, who knows why. Anyhow, let's get started.<< 7 4 >>See you later April. Good luck Lucky.<< 16 4 0 >><< 7 1 >>Poses, huh.<< 7 7 >><< 3 7 248 70 >><< 7 1 >><< 3 1 89 -8 >><< 7 7 >><< 12 7 2 >><< 7 1 >><< 12 1 1 >><< 7 7 >><< 3 7 301 69 >>You know, lean forward<< 7 1 >><< 4 1 1 >><< 7 7 >>Lean back<< 7 1 >><< 4 1 2 >><< 7 7 >>Stand up straight.<< 7 1 >><< 4 1 0 >><< 7 7 >>Good.<< 7 1 >><< 2 1 1 >>I'm warming up! Tell me something else to do!<< 7 7 >><< 2 7 1 >>Okay, let's see you lip sync some lines.<< 7 1 >><< 2 1 13 >>Uh, do what?<< 7 7 >>Down there. You say whatever words the writer writes in the script.<< 7 1 >><< 2 1 11 >><< 7 7 >><< 2 7 7 >> Your stage directions are down there too. It's The Big Mess. Just reed your lines.<< 7 1 >>Okay, here goes. Uh << 13 1 >><< 2 1 4 >>Maybe you got the wrong number.<< 5 112 >><< 5 112 >><< 5 112 >><< 7 7 >><< 2 7 5 >>Not bad. How about some feeling this time? Some excitement.<< 7 1 >>I'm having trouble concentrating. All that barking is throwing me off.<< 7 7 >>Focus Joe. Find your motivation. Now, let's see happy.<< 7 1 >><< 2 1 1 >>Maybe you got the wrong, number!<< 7 7 >>Good. Now I want angry.<< 7 1 >><< 2 1 3 >>Maybe you got the wrong number ---<< 7 7 >>Very nice. << 7 1 >><< 2 1 5 >><< 7 7 >>Now do whatever it says in the script.<< 7 1 >>But what if the script stops? What if the writer runs out of things for me to say and do? Is that it? End of story?<< 7 7 >><< 1 7 4 >>No no, not at all. Writers get stuck. It happens. Then they use the Idea Machine to get started again. They just push the old Lightbulb Button << 12 7 1 >><< 12 7 2 >>and there! Ideas ideas ideas. Ideas for lines, for actions, even for what the whole show might be about.<< 5 112 >><< 5 112 >><< 5 112 >> Okay, back to work Joe. Let's see some action.<< 1 7 5 >>Laugh.<< 7 1 >><< 2 1 11 >>Just like that? No jokes first, or anything?<< 7 7 >><< 1 7 4 >>Take it easy. Just throw yourself into it. Emote! Draw from your past.<< 7 1 >><< 2 1 9 >><< 13 1 >><< 1 1 3 >><< 13 1 >><< 2 1 5 >>Was that okay?<< 7 7 >>It was great. Three stars. Now cry.<< 7 1 >><< 2 1 11 >>Uh, well,<< 13 1 >><< 1 1 1 >><< 1 1 1 >><< 7 7 >>Excellent! In Tense! << 7 1 >><< 1 1 4 >><< 2 1 1 >><< 7 7 >>Gee, nice action Joe. The pizza I mean. All the Hollywood 9 have actions they can do, like laughing and crying. And some actors can do totally special things<< 1 7 2 >>--- like me for instance << 2 7 1 >><< 1 7 1 >><< 7 1 >>Wow. You're amazing April.<< 7 7 >><< 1 7 4 >>It's nothing. It's all in the script. Now back to you. The writer might suddenly change your mood -- << 2 7 16 >>Show me nervous!<< 7 1 >><< 2 1 16 >><< 7 7 >>Great!<< 2 7 1 >>Now happy.<< 7 1 >><< 2 1 1 >><< 7 7 >>Yes.<< 2 7 5 >>Now scared.<< 7 1 >><< 2 1 9 >><< 7 7 >>Yes, yes. You're ready for sound effects and music.Turn around and walk over there, and don't come back in until you hear the music.<< 7 1 >><< 2 1 13 >><< 7 7 >>It's all in the script, just follow the script.<< 7 1 >><< 16 1 0 >>Okay April! I'm ready! << 5 1014 >><< 12 1 2 >><< 15 1 60 50 0 >><< 3 1 99 18 >><< 2 1 1 >><< 12 1 1 >><< 7 7 >><< 2 7 1 >>Such talent. All right Joe, now stay happy until you hear a scary sound.Then look frightened. Understand?<< 1 7 5 >><< 7 1 >>Dum dee dum dee dum << 5 1011 >><< 2 1 9 >><< 7 7 >>You're a genius!<< 7 1 >><< 2 1 1 >><< 7 2 >><< 5 709 >>April?<< 7 1 >><< 12 1 2 >><< 3 1 144 6 >><< 5 810 >><< 15 2 60 50 1 >><< 7 7 >><< 3 7 344 77 >><< 7 1 >><< 12 1 2 >><< 3 1 190 12 >><< 7 2 >><< 3 2 85 32 >><< 5 1125 >><< 7 7 >>Joe, here is the great Steven Spillbug.<< 7 1 >><< 2 1 9 >><< 2 1 6 >><< 2 1 1 >>Hello sir.<< 7 2 >>You're lucky. Let's see Larry, Lucky.<< 7 1 >><< 2 1 3 >><< 5 1112 >>Maybe you got, the wrong number ---<< 7 2 >><< 2 2 8 >>Brilliant! Welcome to the Hollywood Ten Joe. << 5 1010 >><< 7 1 >><< 2 1 1 >><< 7 7 >><< 2 7 8 >><< 7 2 >>Take five and then meet us in Studio B, Lucky.<< 7 1 >>Thank you Mr. Spillbug!<< 12 1 1 >><< 16 1 0 >><< 7 7 >><< 12 7 1 >>It's the other way Joe!<< 5 1102 >><< 12 7 2 >><< 7 1 >><< 12 1 2 >><< 15 1 300 50 0 >><< 3 1 -32 1 >><< 16 1 1 >><< 5 810 >><< 7 2 >><< 12 2 2 >><< 16 2 1 >><< 7 7 >><< 16 7 1 >><< 7 0 >>Joe Lucky,a guy with a crazy dream, now a major Hollywood star and box office draw, winning awards for his sensitive portrayal of Larry, in The Big Mess, and Larry, in a Sad - Turn of Events, which can be seen by opening the sample scripts folder! Word has it that Joe and the rest of the Hollywood Ten are working on a series of brand new shows, with an incredible but still undiscovered up and coming script writer.<< 5 1120 >>
Chunk: 0 << 8 14 0 \0 1 4 248 50 >><< 7 4 >><< 12 4 1 >><< 5 1006 >><< 7 0 >>You're about to meet Joe Lucky. He's a guy with a crazy Dream: to be a Hollywood star...<< 7 1 >><< 15 1 60 50 1 >><< 4 1 0 >><< 3 1 104 27 >><< 13 1 >><< 5 1006 >><< 7 4 >><< 12 4 2 >> Looking for someone?<< 7 1 >>Yes. I have an audition with Steven Spillbug at 3:20. What was that creepy music for? What is this place?<< 5 112 >><< 5 112 >><< 5 112 >><< 7 4 >><< 2 4 1 >>Relax man. This is just one of the sets in Hollywood: the Monster Lab set. << 4 4 2 >>You're early! << 1 4 6 >>You must be Lucky, huh?<< 7 1 >><< 2 1 1 >>Right! Joe Lucky, that's me! But who are you? You look very familiar. Have I seen you on TV or something?<< 7 4 >>You bet you have. I'm Cecil B DeBoy, one of the Hollywood Nine. Nine exclusive major talents appearing in just about every production that comes out of Hollywood. From features to shorts to sit coms, news, commercials, standup, you name it. Whatever the writers write.<< 5 112 >><< 5 112 >><< 5 112 >>But today I'm not working; just helping Mr. S with auditions.<< 7 1 >><< 2 1 8 >>Cool! Who are the writers?<< 7 4 >><< 2 4 14 >>People out there.<< 4 4 1 >><< 12 4 1 >><< 4 4 0 >><< 2 4 1 >><< 7 1 >>Huh. Out there on the other side of the screen?<< 4 1 1 >><< 12 1 2 >><< 12 1 1 >><< 7 1 >><< 1 1 5 >> Far out. Maybe Steven Spillbug will cast me in a science fiction adventure flick set on Jupiter<< 13 1 >> if some writer out there writes a script like that.<< 2 1 1 >><< 12 1 1 >><< 7 4 >>You never know. Writers write all kinds of stuff in Hollywood.<< 5 112 >><< 5 112 >><< 5 112 >>And they get to choose all kinds of sets and seenery. Like this place. << 7 1 >><< 12 1 2 >><< 12 1 1 >><< 7 4 >>It's a jungle out there, or a rocketship, a diner, an operating room. About 20 sets in all.<< 2 4 1 >>Very inspiring if you ask me.<< 7 8 >><< 12 8 1 >><< 15 8 60 50 1 >><< 5 1015 >><< 7 8 >>Oops! << 7 1 >><< 12 1 2 >><< 3 1 180 25 >><< 7 8 >>Wrong set!<< 2 8 1 >>They're waiting for me in the alley. Later dudes!<< 12 8 2 >><< 16 8 1 >><< 7 1 >><< 1 1 3 >>Is he an actor too? Who does casting around here?<< 7 4 >><< 2 4 14 >>They do. The Big Shots. The writers, directors, producers out there.<< 7 1 >><< 2 1 8 >><< 3 1 81 4 >> << 12 1 1 >>Them again. Huh.<< 7 4 >>Yes. They might pack a whole bunch of us to be in their shows, or just me.<< 5 221 >>I might be cast as a super hero, spy, vampire, whatever. There's this little button they press on the side panel, see?<< 7 1 >>Wow! I'd like to be a Vampire.<< 5 112 >><< 5 112 >><< 5 112 >><< 7 4 >>Well, kid, maybe you'll be lucky.<< 1 4 2 >>Heh heh. Just kidding. Seriously though, they decide your role your hobby your mood even your voice. If they want to, they can cast you as a crook or a cook with the voice of a little old lady who's into bungy jumping.<< 7 1 >><< 2 1 13 >>This place sure is noisy. Is that your dog out there?<< 7 4 >>No, just a sound effect. There are hundreds of them in Hollywood.<< 7 7 >><< 5 1012 >><< 15 7 60 50 1 >><< 7 1 >><< 3 1 209 5 >><< 12 1 2 >><< 7 7 >><< 2 7 5 >><< 1 7 2 >><< 4 7 2 >>Are you Lucky, or what?<< 7 1 >><< 2 1 1 >>I sure am. Joe Lucky, one lucky guy.<< 7 7 >>Well Mr. Lucky, I'm April Knowes, and Steven sent me down to coach you on delivering lines - you'll be reading the part of Larry in The Big Mess, Mr. Spillbug's upcoming blockbuster which is shooting as we speak, over in Studio B. Problem is none of the Hollywood 9 can handle the role of Larry.<< 1 7 5 >>It's an extremely sensitive, challenging role. It requires masterful body language<< 4 7 1 >>and a range of facial expressions.<< 7 1 >><< 2 1 7 >><< 7 7 >>What we call poses and moods here in Hollywood. Everybody works on this constantly Joe. Except the Narrator of course. The Narrator's just an offscreen voice that writers use once in a while, who knows why. Anyhow, let's get started.<< 7 4 >>See you later April. Good luck Lucky.<< 16 4 0 >><< 7 1 >>Poses, huh.<< 7 7 >><< 3 7 248 70 >><< 7 1 >><< 3 1 89 -8 >><< 7 7 >><< 12 7 2 >><< 7 1 >><< 12 1 1 >><< 7 7 >><< 3 7 301 69 >>You know, lean forward<< 7 1 >><< 4 1 1 >><< 7 7 >>Lean back<< 7 1 >><< 4 1 2 >><< 7 7 >>Stand up straight.<< 7 1 >><< 4 1 0 >><< 7 7 >>Good.<< 7 1 >><< 2 1 1 >>I'm warming up! Tell me something else to do!<< 7 7 >><< 2 7 1 >>Okay, let's see you lip sync some lines.<< 7 1 >><< 2 1 13 >>Uh, do what?<< 7 7 >>Down there. You say whatever words the writer writes in the script.<< 7 1 >><< 2 1 11 >><< 7 7 >><< 2 7 7 >> Your stage directions are down there too. It's The Big Mess. Just reed your lines.<< 7 1 >>Okay, here goes. Uh << 13 1 >><< 2 1 4 >>Maybe you got the wrong number.<< 5 112 >><< 5 112 >><< 5 112 >><< 7 7 >><< 2 7 5 >>Not bad. How about some feeling this time? Some excitement.<< 7 1 >>I'm having trouble concentrating. All that barking is throwing me off.<< 7 7 >>Focus Joe. Find your motivation. Now, let's see happy.<< 7 1 >><< 2 1 1 >>Maybe you got the wrong, number!<< 7 7 >>Good. Now I want angry.<< 7 1 >><< 2 1 3 >>Maybe you got the wrong number ---<< 7 7 >>Very nice. << 7 1 >><< 2 1 5 >><< 7 7 >>Now do whatever it says in the script.<< 7 1 >>But what if the script stops? What if the writer runs out of things for me to say and do? Is that it? End of story?<< 7 7 >><< 1 7 4 >>No no, not at all. Writers get stuck. It happens. Then they use the Idea Machine to get started again. They just push the old Lightbulb Button << 12 7 1 >><< 12 7 2 >>and there! Ideas ideas ideas. Ideas for lines, for actions, even for what the whole show might be about.<< 5 112 >><< 5 112 >><< 5 112 >> Okay, back to work Joe. Let's see some action.<< 1 7 5 >>Laugh.<< 7 1 >><< 2 1 11 >>Just like that? No jokes first, or anything?<< 7 7 >><< 1 7 4 >>Take it easy. Just throw yourself into it. Emote! Draw from your past.<< 7 1 >><< 2 1 9 >><< 13 1 >><< 1 1 3 >><< 13 1 >><< 2 1 5 >>Was that okay?<< 7 7 >>It was great. Three stars. Now cry.<< 7 1 >><< 2 1 11 >>Uh, well,<< 13 1 >><< 1 1 1 >><< 1 1 1 >><< 7 7 >>Excellent! In Tense! << 7 1 >><< 1 1 4 >><< 2 1 1 >><< 7 7 >>Gee, nice action Joe. The pizza I mean. All the Hollywood 9 have actions they can do, like laughing and crying. And some actors can do totally special things<< 1 7 2 >>--- like me for instance << 2 7 1 >><< 1 7 1 >><< 7 1 >>Wow. You're amazing April.<< 7 7 >><< 1 7 4 >>It's nothing. It's all in the script. Now back to you. The writer might suddenly change your mood -- << 2 7 16 >>Show me nervous!<< 7 1 >><< 2 1 16 >><< 7 7 >>Great!<< 2 7 1 >>Now happy.<< 7 1 >><< 2 1 1 >><< 7 7 >>Yes.<< 2 7 5 >>Now scared.<< 7 1 >><< 2 1 9 >><< 7 7 >>Yes, yes. You're ready for sound effects and music.Turn around and walk over there, and don't come back in until you hear the music.<< 7 1 >><< 2 1 13 >><< 7 7 >>It's all in the script, just follow the script.<< 7 1 >><< 16 1 0 >>Okay April! I'm ready! << 5 1014 >><< 12 1 2 >><< 15 1 60 50 0 >><< 3 1 99 18 >><< 2 1 1 >><< 12 1 1 >><< 7 7 >><< 2 7 1 >>Such talent. All right Joe, now stay happy until you hear a scary sound.Then look frightened. Understand?<< 1 7 5 >><< 7 1 >>Dum dee dum dee dum << 5 1011 >><< 2 1 9 >><< 7 7 >>You're a genius!<< 7 1 >><< 2 1 1 >><< 7 2 >><< 5 709 >>April?<< 7 1 >><< 12 1 2 >><< 3 1 144 6 >><< 5 810 >><< 15 2 60 50 1 >><< 7 7 >><< 3 7 344 77 >><< 7 1 >><< 12 1 2 >><< 3 1 190 12 >><< 7 2 >><< 3 2 85 32 >><< 5 1125 >><< 7 7 >>Joe, here is the great Steven Spillbug.<< 7 1 >><< 2 1 9 >><< 2 1 6 >><< 2 1 1 >>Hello sir.<< 7 2 >>You're lucky. Let's see Larry, Lucky.<< 7 1 >><< 2 1 3 >><< 5 1112 >>Maybe you got, the wrong number ---<< 7 2 >><< 2 2 8 >>Brilliant! Welcome to the Hollywood Ten Joe. << 5 1010 >><< 7 1 >><< 2 1 1 >><< 7 7 >><< 2 7 8 >><< 7 2 >>Take five and then meet us in Studio B, Lucky.<< 7 1 >>Thank you Mr. Spillbug!<< 12 1 1 >><< 16 1 0 >><< 7 7 >><< 12 7 1 >>It's the other way Joe!<< 5 1102 >><< 12 7 2 >><< 7 1 >><< 12 1 2 >><< 15 1 300 50 0 >><< 3 1 -32 1 >><< 16 1 1 >><< 5 810 >><< 7 2 >><< 12 2 2 >><< 16 2 1 >><< 7 7 >><< 16 7 1 >><< 7 0 >>Joe Lucky,a guy with a crazy dream, now a major Hollywood star and box office draw, winning awards for his sensitive portrayal of Larry, in The Big Mess, and Larry, in a Sad - Turn of Events, which can be seen by opening the sample scripts folder! Word has it that Joe and the rest of the Hollywood Ten are working on a series of brand new shows, with an incredible but still undiscovered up and coming script writer.<< 5 1120 >>
Chunk: 0 << 8 14 0 \0 1 4 248 50 >><< 7 4 >><< 12 4 1 >><< 5 1006 >><< 7 0 >>You're about to meet Joe Lucky. He's a guy with a crazy dream: to be a Hollywood star...<< 7 1 >><< 15 1 60 50 1 >><< 4 1 0 >><< 3 1 104 27 >><< 13 1 >><< 5 1006 >><< 7 4 >><< 12 4 2 >> Looking for someone?<< 7 1 >>Yes. I have an audition with Robert Wallflower at 3:20. What was that creepy music for? What is this place?<< 5 112 >><< 5 112 >><< 5 112 >><< 7 4 >><< 2 4 1 >>Relax man. This is just one of the sets in Hollywood: the Mad Scientist's Lab set. << 4 4 2 >>You're early! << 1 4 6 >>You must be Lucky, huh?<< 7 1 >><< 2 1 1 >>Right! Joe Lucky, that's me! But who are you? You look very familiar. Have I seen you on TV or something?<< 7 4 >>You bet you have. I'm Cecil B DeBoy, one of the Hollywood Nine. Nine exclusive major talents appearing in just about every production that comes out of Hollywood. From features to shorts to sit coms, news, commercials, standup, you name it. Whatever the writers write.<< 5 112 >><< 5 112 >><< 5 112 >>But today I'm not working; just helping Mr. W with auditions.<< 7 1 >><< 2 1 8 >>Cool! Who are the writers?<< 7 4 >><< 2 4 14 >>People out there.<< 4 4 1 >><< 12 4 1 >><< 4 4 0 >><< 2 4 1 >><< 7 1 >>Huh. Out there on the other side of the screen?<< 4 1 1 >><< 12 1 2 >><< 12 1 1 >><< 7 1 >><< 1 1 5 >> Far out. Maybe Robert Wallflower will cast me in a science fiction adventure flick set on Jupiter<< 13 1 >> if some writer out there writes a script like that.<< 2 1 1 >><< 12 1 1 >><< 7 4 >>You never know. Writers write all kinds of stuff in Hollywood.<< 5 112 >><< 5 112 >><< 5 112 >>And they get to choose all kinds of sets. Like this place. << 7 1 >><< 12 1 2 >><< 12 1 1 >><< 7 4 >>It's a jungle out there, or a rocketship, a diner, an operating room. About 20 sets in all.<< 2 4 1 >>Very inspiring if you ask me.<< 7 8 >><< 12 8 1 >><< 15 8 60 50 1 >><< 5 1015 >><< 7 8 >>Oops! << 7 1 >><< 12 1 2 >><< 3 1 180 25 >><< 7 8 >>Wrong set!<< 2 8 1 >>They're waiting for me in the alley. Later dudes!<< 12 8 2 >><< 16 8 1 >><< 7 1 >><< 1 1 3 >>Is he an actor too? Who does casting around here?<< 7 4 >><< 2 4 14 >>They do. The Big Shots. The writers, directors, producers out there.<< 7 1 >><< 2 1 8 >><< 3 1 81 4 >> << 12 1 1 >>Them again. Huh.<< 7 4 >>Yes. They might pack a whole bunch of us to be in their shows, or just me.<< 5 221 >>I might be cast as a super hero, spy, vampire, whatever. There's this little button they press on the side panel, see?<< 7 1 >>Wow! I'd like to be a vampire.<< 5 112 >><< 5 112 >><< 5 112 >><< 7 4 >>Well, kid, maybe you'll be lucky.<< 1 4 2 >>Heh heh. Just kidding. Seriously though, they decide your role, your hobby, your mood, even your voice. If they want to, they can cast you as a crook or a cook with the voice of a little old lady who's into collecting insects.<< 7 1 >><< 2 1 13 >>This place sure is noisy. Is that your dog out there?<< 7 4 >>No, just a sound effect. There are hundreds of them in Hollywood.<< 7 7 >><< 5 1012 >><< 15 7 60 50 1 >><< 7 1 >><< 3 1 209 5 >><< 12 1 2 >><< 7 7 >><< 2 7 5 >><< 1 7 2 >><< 4 7 2 >>Are you Lucky, or what?<< 7 1 >><< 2 1 1 >>I sure am. Joe Lucky, one lucky guy.<< 7 7 >>Well Mr. Lucky, I'm April Knowes, and Steven sent me down to coach you on delivering lines - you'll be reading the part of Larry in The Big Mess, Mr. Spillbug's upcoming blockbuster which is shooting as we speak, over in Studio B. Problem is none of the Hollywood 9 can handle the role of Larry.<< 1 7 5 >>It's an extremely sensitive, challenging role. It requires masterful body language<< 4 7 1 >>and a range of facial expressions.<< 7 1 >><< 2 1 7 >><< 7 7 >>What we call poses and moods here in Hollywood. Everybody works on this constantly, Joe. Except the Narrator of course. The Narrator's just an offscreen voice that writers use once in a while, who knows why. Anyhow, let's get started.<< 7 4 >>See you later April. Good luck Lucky.<< 16 4 0 >><< 7 1 >>Poses, huh.<< 7 7 >><< 3 7 248 70 >><< 7 1 >><< 3 1 89 -8 >><< 7 7 >><< 12 7 2 >><< 7 1 >><< 12 1 1 >><< 7 7 >><< 3 7 301 69 >>You know, lean forward<< 7 1 >><< 4 1 1 >><< 7 7 >>Lean back<< 7 1 >><< 4 1 2 >><< 7 7 >>Stand up straight.<< 7 1 >><< 4 1 0 >><< 7 7 >>Good.<< 7 1 >><< 2 1 1 >>I'm warming up! Tell me something else to do!<< 7 7 >><< 2 7 1 >>Okay, let's see you lip sync some lines.<< 7 1 >><< 2 1 13 >>Uh, do what?<< 7 7 >>Down there. You say whatever words the writer writes in the script.<< 7 1 >><< 2 1 11 >><< 7 7 >><< 2 7 7 >> Your stage directions are down there too. It's The Big Mess. Just say your lines.<< 7 1 >>Okay, here goes. Uh << 13 1 >><< 2 1 4 >>Maybe you got the wrong number.<< 5 112 >><< 5 112 >><< 5 112 >><< 7 7 >><< 2 7 5 >>Not bad. How about some feeling this time? Some excitement.<< 7 1 >>I'm having trouble concentrating. All that barking is throwing me off.<< 7 7 >>Focus Joe. Find your motivation. Now, let's see happy.<< 7 1 >><< 2 1 1 >>Maybe you got the wrong, number!<< 7 7 >>Good. Now I want angry.<< 7 1 >><< 2 1 3 >>Maybe you got the wrong number ---<< 7 7 >>Very nice. << 7 1 >><< 2 1 5 >><< 7 7 >>Now do whatever it says in the script.<< 7 1 >>But what if the script stops? What if the writer runs out of things for me to say and do? Is that it? End of story?<< 7 7 >><< 1 7 4 >>No no, not at all. Writers get stuck. It happens. Then they use the Idea Machine to get started again. They just push the old Lightbulb Button << 12 7 1 >><< 12 7 2 >>and there! Ideas ideas ideas. Ideas for lines, for actions, even for what the whole show might be about.<< 5 112 >><< 5 112 >><< 5 112 >> Okay, back to work Joe. Let's see some action.<< 1 7 5 >>Laugh.<< 7 1 >><< 2 1 11 >>Just like that? No jokes first, or anything?<< 7 7 >><< 1 7 4 >>Take it easy. Just throw yourself into it. Emote! Draw from your past.<< 7 1 >><< 2 1 9 >><< 13 1 >><< 1 1 3 >><< 13 1 >><< 2 1 5 >>Was that okay?<< 7 7 >>It was great. Three stars. Now cry.<< 7 1 >><< 2 1 11 >>Uh, well,<< 13 1 >><< 1 1 1 >><< 1 1 1 >><< 7 7 >>Excellent! Intense! << 7 1 >><< 1 1 4 >><< 2 1 1 >><< 7 7 >>Gee, nice action Joe. The pizza I mean. All the Hollywood 9 have actions they can do, like laughing and crying. And some actors can do totally special things<< 1 7 2 >>--- like me for instance << 2 7 1 >><< 1 7 1 >><< 7 1 >>Wow. You're amazing April.<< 7 7 >><< 1 7 4 >>It's nothing. It's all in the script. Now back to you. The writer might suddenly change your mood -- << 2 7 16 >>Show me nervous!<< 7 1 >><< 2 1 16 >><< 7 7 >>Great!<< 2 7 1 >>Now happy.<< 7 1 >><< 2 1 1 >><< 7 7 >>Yes.<< 2 7 5 >>Now scared.<< 7 1 >><< 2 1 9 >><< 7 7 >>Yes, yes. You're ready for sound effects and music.Turn around and walk over there, and don't come back in until you hear the music.<< 7 1 >><< 2 1 13 >><< 7 7 >>It's all in the script, just follow the script.<< 7 1 >><< 16 1 0 >>Okay April! I'm ready! << 5 1014 >><< 12 1 2 >><< 15 1 60 50 0 >><< 3 1 99 18 >><< 2 1 1 >><< 12 1 1 >><< 7 7 >><< 2 7 1 >>Such talent. All right Joe, now stay happy until you hear a scary sound.Then look frightened. Understand?<< 1 7 5 >><< 7 1 >>Dum dee dum dee dum << 5 1011 >><< 2 1 9 >><< 7 7 >>You're a genius!<< 7 1 >><< 2 1 1 >><< 7 2 >><< 5 709 >>April?<< 7 1 >><< 12 1 2 >><< 3 1 144 6 >><< 5 810 >><< 15 2 60 50 1 >><< 7 7 >><< 3 7 344 77 >><< 7 1 >><< 12 1 2 >><< 3 1 190 12 >><< 7 2 >><< 3 2 85 32 >><< 5 1125 >><< 7 7 >>Joe, here is the great Steven Spillbug.<< 7 1 >><< 2 1 9 >><< 2 1 6 >><< 2 1 1 >>Hello sir.<< 7 2 >>You're lucky. Let's see Larry, Lucky.<< 7 1 >><< 2 1 3 >><< 5 1112 >>Maybe you got, the wrong number ---<< 7 2 >><< 2 2 8 >>Brilliant! Welcome to the Hollywood Ten Joe. << 5 1010 >><< 7 1 >><< 2 1 1 >><< 7 7 >><< 2 7 8 >><< 7 2 >>Take five and then meet us in Studio B, Lucky.<< 7 1 >>Thank you Mr. Spillbug!<< 12 1 1 >><< 16 1 0 >><< 7 7 >><< 12 7 1 >>It's the other way Joe!<< 5 1102 >><< 12 7 2 >><< 7 1 >><< 12 1 2 >><< 15 1 300 50 0 >><< 3 1 -32 1 >><< 16 1 1 >><< 5 810 >><< 7 2 >><< 12 2 2 >><< 16 2 1 >><< 7 7 >><< 16 7 1 >><< 7 0 >>Joe Lucky,a guy with a crazy dream, now a major Hollywood star and box office draw, winning awards for his sensitive portrayal of Larry, in The Big Mess, and Larry, in a Sad - Turn of Events, which can be seen by opening the sample scripts folder! Word has it that Joe and the rest of the Hollywood Ten are working on a series of brand new shows, with an incredible but still undiscovered up and coming script writer.<< 5 1120 >>
Chunk: 0 << 8 14 0 \0 1 4 248 50 >><< 7 4 >><< 12 4 1 >><< 5 1006 >><< 7 0 >>You're about to meet Joe Lucky. He's a guy with a crazy dream: to be a Hollywood star...<< 7 1 >><< 15 1 60 50 1 >><< 4 1 0 >><< 3 1 104 27 >><< 13 1 >><< 5 1006 >><< 7 4 >><< 12 4 2 >> Looking for someone?<< 7 1 >>Yes. I have an audition with Robert Wallflower at 3:20. What was that creepy music for? What is this place?<< 5 112 >><< 5 112 >><< 5 112 >><< 7 4 >><< 2 4 1 >>Relax man. This is just one of the sets in Hollywood: the Mad Scientist's Lab set. << 4 4 2 >>You're early! << 1 4 6 >>You must be Lucky, huh?<< 7 1 >><< 2 1 1 >>Right! Joe Lucky, that's me! But who are you? You look very familiar. Have I seen you on TV or something?<< 7 4 >>You bet you have. I'm Cecil B DeBoy, one of the Hollywood Nine. Nine exclusive major talents appearing in just about every production that comes out of Hollywood. From features to shorts to sit coms, news, commercials, standup, you name it. Whatever the writers write.<< 5 112 >><< 5 112 >><< 5 112 >>But today I'm not working; just helping Mr. W with auditions.<< 7 1 >><< 2 1 8 >>Cool! Who are the writers?<< 7 4 >><< 2 4 14 >>People out there.<< 4 4 1 >><< 12 4 1 >><< 4 4 0 >><< 2 4 1 >><< 7 1 >>Huh. Out there on the other side of the screen?<< 4 1 1 >><< 12 1 2 >><< 12 1 1 >><< 7 1 >><< 1 1 5 >> Far out. Maybe Robert Wallflower will cast me in a science fiction adventure flick set on Jupiter<< 13 1 >> if some writer out there writes a script like that.<< 2 1 1 >><< 12 1 1 >><< 7 4 >>You never know. Writers write all kinds of stuff in Hollywood.<< 5 112 >><< 5 112 >><< 5 112 >>And they get to choose all kinds of sets. Like this place. << 7 1 >><< 12 1 2 >><< 12 1 1 >><< 7 4 >>It's a jungle out there, or a rocketship, a diner, an operating room. About 20 sets in all.<< 2 4 1 >>Very inspiring if you ask me.<< 7 8 >><< 12 8 1 >><< 15 8 60 50 1 >><< 5 1015 >><< 7 8 >>Oops! << 7 1 >><< 12 1 2 >><< 3 1 180 25 >><< 7 8 >>Wrong set!<< 2 8 1 >>They're waiting for me in the alley. Later dudes!<< 12 8 2 >><< 16 8 1 >><< 7 1 >><< 1 1 3 >>Is he an actor too? Who does casting around here?<< 7 4 >><< 2 4 14 >>They do. The Big Shots. The writers, directors, producers out there.<< 7 1 >><< 2 1 8 >><< 3 1 81 4 >> << 12 1 1 >>Them again. Huh.<< 7 4 >>Yes. They might pack a whole bunch of us to be in their shows, or just me.<< 5 221 >>I might be cast as a super hero, spy, vampire, whatever. There's this little button they press on the side panel, see?<< 7 1 >>Wow! I'd like to be a vampire.<< 5 112 >><< 5 112 >><< 5 112 >><< 7 4 >>Well, kid, maybe you'll be lucky.<< 1 4 2 >>Heh heh. Just kidding. Seriously though, they decide your role, your hobby, your mood, even your voice. If they want to, they can cast you as a crook or a cook with the voice of a little old lady who's into collecting insects.<< 7 1 >><< 2 1 13 >>This place sure is noisy. Is that your dog out there?<< 7 4 >>No, just a sound effect. There are hundreds of them in Hollywood.<< 7 7 >><< 5 1012 >><< 15 7 60 50 1 >><< 7 1 >><< 3 1 209 5 >><< 12 1 2 >><< 7 7 >><< 2 7 5 >><< 1 7 2 >><< 4 7 2 >>Are you Lucky, or what?<< 7 1 >><< 2 1 1 >>I sure am. Joe Lucky, one lucky guy.<< 7 7 >>Well Mr. Lucky, I'm April Knowes, and Robert sent me down to coach you on delivering lines - you'll be reading the part of Larry in The Big Mess, Mr. Wallflower's upcoming blockbuster which is shooting as we speak, over in Studio B. Problem is none of the Hollywood 9 can handle the role of Larry.<< 1 7 5 >>It's an extremely sensitive, challenging role. It requires masterful body language<< 4 7 1 >>and a range of facial expressions.<< 7 1 >><< 2 1 7 >><< 7 7 >>What we call poses and moods here in Hollywood. Everybody works on this constantly, Joe. Except the Narrator of course. The Narrator's just an offscreen voice that writers use once in a while, who knows why. Anyhow, let's get started.<< 7 4 >>See you later April. Good luck Lucky.<< 16 4 0 >><< 7 1 >>Poses, huh.<< 7 7 >><< 3 7 248 70 >><< 7 1 >><< 3 1 89 -8 >><< 7 7 >><< 12 7 2 >><< 7 1 >><< 12 1 1 >><< 7 7 >><< 3 7 301 69 >>You know, lean forward<< 7 1 >><< 4 1 1 >><< 7 7 >>Lean back<< 7 1 >><< 4 1 2 >><< 7 7 >>Stand up straight.<< 7 1 >><< 4 1 0 >><< 7 7 >>Good.<< 7 1 >><< 2 1 1 >>I'm warming up! Tell me something else to do!<< 7 7 >><< 2 7 1 >>Okay, let's see you lip sync some lines.<< 7 1 >><< 2 1 13 >>Uh, do what?<< 7 7 >>Down there. You say whatever words the writer writes in the script.<< 7 1 >><< 2 1 11 >><< 7 7 >><< 2 7 7 >> Your stage directions are down there too. It's The Big Mess. Just say your lines.<< 7 1 >>Okay, here goes. Uh. << 13 1 >><< 2 1 4 >>Maybe you got the wrong number.<< 5 112 >><< 5 112 >><< 5 112 >><< 7 7 >><< 2 7 5 >>Not bad. How about some feeling this time? Some excitement.<< 7 1 >>I'm having trouble concentrating. All that barking is throwing me off.<< 7 7 >>Focus Joe. Find your motivation. Now, let's see happy.<< 7 1 >><< 2 1 1 >>Maybe you got the wrong, number!<< 7 7 >>Good. Now I want angry.<< 7 1 >><< 2 1 3 >>Maybe you got the wrong number ---<< 7 7 >>Very nice. << 7 1 >><< 2 1 5 >><< 7 7 >>Now do whatever it says in the script.<< 7 1 >>But what if the script stops? What if the writer runs out of things for me to say and do? Is that it? End of story?<< 7 7 >><< 1 7 4 >>No no, not at all. Writers get stuck. It happens. Then they use the Idea Machine to get started again. They just push the old Lightbulb Button << 12 7 1 >><< 12 7 2 >>and there! Ideas, ideas, ideas. Ideas for lines, for actions, even for what the whole show might be about.<< 5 112 >><< 5 112 >><< 5 112 >> Okay, back to work Joe. Let's see some action.<< 1 7 5 >>Laugh.<< 7 1 >><< 2 1 11 >>Just like that? No jokes first, or anything?<< 7 7 >><< 1 7 4 >>Take it easy. Just throw yourself into it. Emote! Draw from your past.<< 7 1 >><< 2 1 9 >><< 13 1 >><< 1 1 3 >><< 13 1 >><< 2 1 5 >>Was that okay?<< 7 7 >>It was great. Three stars. Now cry.<< 7 1 >><< 2 1 11 >>Uh, well,<< 13 1 >><< 1 1 1 >><< 1 1 1 >><< 7 7 >>Excellent! Intense! << 7 1 >><< 1 1 4 >><< 2 1 1 >><< 7 7 >>Gee, nice action Joe. The pizza I mean. All the Hollywood 9 have actions they can do, like laughing and crying. And some actors can do totally special things<< 1 7 2 >>--- like me for instance << 2 7 1 >><< 1 7 1 >><< 7 1 >>Wow. You're amazing April.<< 7 7 >><< 1 7 4 >>It's nothing. It's all in the script. Now back to you. The writer might suddenly change your mood -- << 2 7 16 >>Show me nervous!<< 7 1 >><< 2 1 16 >><< 7 7 >>Great!<< 2 7 1 >>Now happy.<< 7 1 >><< 2 1 1 >><< 7 7 >>Yes.<< 2 7 5 >>Now scared.<< 7 1 >><< 2 1 9 >><< 7 7 >>Yes, yes. You're ready for sound effects and music.Turn around and walk over there, and don't come back in until you hear the music.<< 7 1 >><< 2 1 13 >><< 7 7 >>It's all in the script, just follow the script.<< 7 1 >><< 16 1 0 >>Okay April! I'm ready! << 5 1014 >><< 12 1 2 >><< 15 1 60 50 0 >><< 3 1 99 18 >><< 2 1 1 >><< 12 1 1 >><< 7 7 >><< 2 7 1 >>Such talent. All right Joe, now stay happy until you hear a scary sound.Then look frightened. Understand?<< 1 7 5 >><< 7 1 >>Dum dee dum dee dum << 5 1011 >><< 2 1 9 >><< 7 7 >>You're a genius!<< 7 1 >><< 2 1 1 >><< 7 2 >><< 5 709 >>April?<< 7 1 >><< 12 1 2 >><< 3 1 144 6 >><< 5 810 >><< 15 2 60 50 1 >><< 7 7 >><< 3 7 344 77 >><< 7 1 >><< 12 1 2 >><< 3 1 190 12 >><< 7 2 >><< 3 2 85 32 >><< 5 1125 >><< 7 7 >>Joe, here is the great Robert Wallflower.<< 7 1 >><< 2 1 9 >><< 2 1 6 >><< 2 1 1 >>Hello sir.<< 7 2 >>You're lucky. Let's see Larry, Lucky.<< 7 1 >><< 2 1 3 >><< 5 1112 >>Maybe you got, the wrong number ---<< 7 2 >><< 2 2 8 >>Brilliant! Welcome to the Hollywood Ten Joe. << 5 1010 >><< 7 1 >><< 2 1 1 >><< 7 7 >><< 2 7 8 >><< 7 2 >>Take five and then meet us in Studio B, Lucky.<< 7 1 >>Thank you Mr. Wallflower!<< 12 1 1 >><< 16 1 0 >><< 7 7 >><< 12 7 1 >>It's the other way Joe!<< 5 1102 >><< 12 7 2 >><< 7 1 >><< 12 1 2 >><< 15 1 300 50 0 >><< 3 1 -32 1 >><< 16 1 1 >><< 5 810 >><< 7 2 >><< 12 2 2 >><< 16 2 1 >><< 7 7 >><< 16 7 1 >><< 7 0 >>Joe Lucky,a guy with a crazy dream, now a major Hollywood star and box office draw, winning awards for his sensitive portrayal of Larry, in The Big Mess, and Larry, in a Sad - Turn of Events! Word has it that Joe and the rest of the Hollywood Ten are working on a series of brand new shows, with an incredible but still undiscovered up and coming script writer.<< 5 1120 >>
Chunk: 0 << 8 14 0 \0 1 4 248 50 >><< 7 4 >><< 12 4 1 >><< 5 1006 >><< 7 0 >>You're about to meet Joe Lucky. He's a guy with a crazy dream: to be a Hollywood star...<< 7 1 >><< 15 1 60 50 1 >><< 4 1 0 >><< 3 1 104 27 >><< 13 1 >><< 5 1006 >><< 7 4 >><< 12 4 2 >> Looking for someone?<< 7 1 >>Yes. I have an audition with Robert Wallflower at 3:20. What was that creepy music for? What is this place?<< 5 112 >><< 5 112 >><< 5 112 >><< 7 4 >><< 2 4 1 >>Relax man. This is just one of the sets in Hollywood: the Mad Scientist's Lab set. << 4 4 2 >>You're early! << 1 4 6 >>You must be Lucky, huh?<< 7 1 >><< 2 1 1 >>Right! Joe Lucky, that's me! But who are you? You look very familiar. Have I seen you on TV or something?<< 7 4 >>You bet you have. I'm Cecil B DeBoy, one of the Hollywood Nine. Nine exclusive major talents appearing in just about every production that comes out of Hollywood. From features to shorts to sit coms, news, commercials, standup, you name it. Whatever the writers write.<< 5 112 >><< 5 112 >><< 5 112 >>But today I'm not working; just helping Mr. W with auditions.<< 7 1 >><< 2 1 8 >>Cool! Who are the writers?<< 7 4 >><< 2 4 14 >>People out there.<< 4 4 1 >><< 12 4 1 >><< 4 4 0 >><< 2 4 1 >><< 7 1 >>Huh. Out there on the other side of the screen?<< 4 1 1 >><< 12 1 2 >><< 12 1 1 >><< 7 1 >><< 1 1 5 >> Far out. Maybe Robert Wallflower will cast me in a science fiction adventure flick set on Jupiter<< 13 1 >> if some writer out there writes a script like that.<< 2 1 1 >><< 12 1 1 >><< 7 4 >>You never know. Writers write all kinds of stuff in Hollywood.<< 5 112 >><< 5 112 >><< 5 112 >>And they get to choose all kinds of sets. Like this place. << 7 1 >><< 12 1 2 >><< 12 1 1 >><< 7 4 >>It's a jungle out there, or a rocketship, a diner, an operating room. About 20 sets in all.<< 2 4 1 >>Very inspiring if you ask me.<< 7 8 >><< 12 8 1 >><< 15 8 60 50 1 >><< 5 1015 >><< 7 8 >>Oops! << 7 1 >><< 12 1 2 >><< 3 1 180 25 >><< 7 8 >>Wrong set!<< 2 8 1 >>They're waiting for me in the alley. Later dudes!<< 12 8 2 >><< 16 8 1 >><< 7 1 >><< 1 1 3 >>Is he an actor too? Who does casting around here?<< 7 4 >><< 2 4 14 >>They do. The Big Shots. The writers, directors, producers out there.<< 7 1 >><< 2 1 8 >><< 3 1 81 4 >> << 12 1 1 >>Them again. Huh.<< 7 4 >>Yes. They might pick a whole bunch of us to be in their shows, or just me. I might be cast as a super hero, spy, vampire, whatever. There's this little button they press on the side panel, see?<< 7 1 >>Wow! I'd like to be a vampire.<< 5 112 >><< 5 112 >><< 5 112 >><< 7 4 >>Well, kid, maybe you'll be lucky.<< 1 4 2 >>Heh heh. Just kidding. Seriously though, they decide your role, your hobby, your mood, even your voice. If they want to, they can cast you as a crook or a cook with the voice of a little old lady who's into collecting insects.<< 7 1 >><< 2 1 13 >>This place sure is noisy. Is that your dog out there?<< 7 4 >>No, just a sound effect. There are hundreds of them in Hollywood.<< 7 7 >><< 5 1012 >><< 15 7 60 50 1 >><< 7 1 >><< 3 1 209 5 >><< 12 1 2 >><< 7 7 >><< 2 7 5 >><< 1 7 2 >><< 4 7 2 >>Are you Lucky, or what?<< 7 1 >><< 2 1 1 >>I sure am. Joe Lucky, one lucky guy.<< 7 7 >>Well Mr. Lucky, I'm April Knowes, and Robert sent me down to coach you on delivering lines - you'll be reading the part of Larry in The Big Mess, Mr. Wallflower's upcoming blockbuster which is shooting as we speak, over in Studio B. Problem is none of the Hollywood 9 can handle the role of Larry.<< 1 7 5 >>It's an extremely sensitive, challenging role. It requires masterful body language<< 4 7 1 >>and a range of facial expressions.<< 7 1 >><< 2 1 7 >><< 7 7 >>What we call poses and moods here in Hollywood. Everybody works on this constantly, Joe. Except the Narrator of course. The Narrator's just an offscreen voice that writers use once in a while, who knows why. Anyhow, let's get started.<< 7 4 >>See you later April. Good luck Lucky.<< 16 4 0 >><< 7 1 >>Poses, huh.<< 7 7 >><< 3 7 248 70 >><< 7 1 >><< 3 1 89 -8 >><< 7 7 >><< 12 7 2 >><< 7 1 >><< 12 1 1 >><< 7 7 >><< 3 7 301 69 >>You know, lean forward<< 7 1 >><< 4 1 1 >><< 7 7 >>Lean back<< 7 1 >><< 4 1 2 >><< 7 7 >>Stand up straight.<< 7 1 >><< 4 1 0 >><< 7 7 >>Good.<< 7 1 >><< 2 1 1 >>I'm warming up! Tell me something else to do!<< 7 7 >><< 2 7 1 >>Okay, let's see you lip sync some lines.<< 7 1 >><< 2 1 13 >>Uh, do what?<< 7 7 >>Down there. You say whatever words the writer writes in the script.<< 7 1 >><< 2 1 11 >><< 7 7 >><< 2 7 7 >> Your stage directions are down there too. It's The Big Mess. Just say your lines.<< 7 1 >>Okay, here goes. Uh. << 13 1 >><< 2 1 4 >>Maybe you got the wrong number.<< 5 112 >><< 5 112 >><< 5 112 >><< 7 7 >><< 2 7 5 >>Not bad. How about some feeling this time? Some excitement.<< 7 1 >>I'm having trouble concentrating. All that barking is throwing me off.<< 7 7 >>Focus Joe. Find your motivation. Now, let's see happy.<< 7 1 >><< 2 1 1 >>Maybe you got the wrong number!<< 7 7 >>Good. Now I want angry.<< 7 1 >><< 2 1 3 >>Maybe you got the wrong number ---<< 7 7 >>Very nice. << 7 1 >><< 2 1 5 >><< 7 7 >>Now do whatever it says in the script.<< 7 1 >>But what if the script stops? What if the writer runs out of things for me to say and do? Is that it? End of story?<< 7 7 >><< 1 7 4 >>No no, not at all. Writers get stuck. It happens. Then they use the Idea Machine to get started again. They just push the old Lightbulb Button << 12 7 1 >><< 12 7 2 >>and there! Ideas, ideas, ideas. Ideas for lines, for actions, even for what the whole show might be about.<< 5 112 >><< 5 112 >><< 5 112 >> Okay, back to work Joe. Let's see some action.<< 1 7 5 >>Laugh.<< 7 1 >><< 2 1 11 >>Just like that? No jokes first, or anything?<< 7 7 >><< 1 7 4 >>Take it easy. Just throw yourself into it. Emote! Draw from your past.<< 7 1 >><< 2 1 9 >><< 13 1 >><< 1 1 3 >><< 13 1 >><< 2 1 5 >>Was that okay?<< 7 7 >>It was great. Three stars. Now cry.<< 7 1 >><< 2 1 11 >>Uh, well,<< 13 1 >><< 1 1 1 >><< 1 1 1 >><< 7 7 >>Excellent! Intense! << 7 1 >><< 1 1 4 >><< 2 1 1 >><< 7 7 >>Gee, nice action Joe. The pizza I mean. All the Hollywood 9 have actions they can do, like laughing and crying. And some actors can do totally special things<< 1 7 2 >>--- like me for instance << 2 7 1 >><< 1 7 1 >><< 7 1 >>Wow. You're amazing April.<< 7 7 >><< 1 7 4 >>It's nothing. It's all in the script. Now back to you. The writer might suddenly change your mood -- << 2 7 16 >>Show me nervous!<< 7 1 >><< 2 1 16 >><< 7 7 >>Great!<< 2 7 1 >>Now happy.<< 7 1 >><< 2 1 1 >><< 7 7 >>Yes.<< 2 7 5 >>Now scared.<< 7 1 >><< 2 1 9 >><< 7 7 >>Yes, yes. You're ready for sound effects and music.Turn around and walk over there, and don't come back in until you hear the music.<< 7 1 >><< 2 1 13 >><< 7 7 >>It's all in the script, just follow the script.<< 7 1 >><< 16 1 0 >>Okay April! I'm ready! << 5 1014 >><< 12 1 2 >><< 15 1 60 50 0 >><< 3 1 99 18 >><< 2 1 1 >><< 12 1 1 >><< 7 7 >><< 2 7 1 >>Such talent. All right Joe, now stay happy until you hear a scary sound.Then look frightened. Understand?<< 1 7 5 >><< 7 1 >>Dum dee dum dee dum << 5 1011 >><< 2 1 9 >><< 7 7 >>You're a genius!<< 7 1 >><< 2 1 1 >><< 7 2 >><< 5 709 >>April?<< 7 1 >><< 12 1 2 >><< 3 1 144 6 >><< 5 810 >><< 15 2 60 50 1 >><< 7 7 >><< 3 7 344 77 >><< 7 1 >><< 12 1 2 >><< 3 1 190 12 >><< 7 2 >><< 3 2 85 32 >><< 5 1125 >><< 7 7 >>Joe, here is the great Robert Wallflower.<< 7 1 >><< 2 1 9 >><< 2 1 6 >><< 2 1 1 >>Hello sir.<< 7 2 >>You're lucky. Let's see Larry, Lucky.<< 7 1 >><< 2 1 3 >><< 5 1112 >>Maybe you got, the wrong number ---<< 7 2 >><< 2 2 8 >>Brilliant! Welcome to the Hollywood Ten Joe. << 5 1010 >><< 7 1 >><< 2 1 1 >><< 7 7 >><< 2 7 8 >><< 7 2 >>Take five and then meet us in Studio B, Lucky.<< 7 1 >>Thank you Mr. Wallflower!<< 12 1 1 >><< 16 1 0 >><< 7 7 >><< 12 7 1 >>It's the other way Joe!<< 5 1102 >><< 12 7 2 >><< 7 1 >><< 12 1 2 >><< 15 1 300 50 0 >><< 3 1 -32 1 >><< 16 1 1 >><< 5 810 >><< 7 2 >><< 12 2 2 >><< 16 2 1 >><< 7 7 >><< 16 7 1 >><< 7 0 >>Joe Lucky,a guy with a crazy dream, now a major Hollywood star and box office draw, winning awards for his sensitive portrayal of Larry, in The Big Mess, and Larry, in a Sad - Turn of Events! Word has it that Joe and the rest of the Hollywood Ten are working on a series of brand new shows, with an incredible but still undiscovered up and coming script writer.<< 5 1120 >>
Chunk: 0 << 8 14 0 \0 1 4 248 50 >><< 7 4 >><< 12 4 1 >><< 5 1006 >><< 7 0 >>You're about to meet Joe Lucky. He's a guy with a crazy dream: to be a Hollywood star...<< 7 1 >><< 15 1 60 50 1 >><< 4 1 0 >><< 3 1 104 27 >><< 13 1 >><< 5 1006 >><< 7 4 >><< 12 4 2 >> Looking for someone?<< 7 1 >>Yes. I have an audition with Robert Wallflower at 3:20. What was that creepy music for? What is this place?<< 5 112 >><< 5 112 >><< 5 112 >><< 7 4 >><< 2 4 1 >>Relax man. This is just one of the sets in Hollywood: the Mad Scientist's Lab set. << 4 4 2 >>You're early! << 1 4 6 >>You must be Lucky, huh?<< 7 1 >><< 2 1 1 >>Right! Joe Lucky, that's me! But who are you? You look very familiar. Have I seen you on TV or something?<< 7 4 >>You bet you have. I'm Cecil B DeBoy, one of the Hollywood Nine. Nine exclusive major talents appearing in just about every production that comes out of Hollywood. From features to shorts to sit coms, news, commercials, standup, you name it. Whatever the writers write.<< 5 112 >><< 5 112 >><< 5 112 >>But today I'm not working; just helping Mr. W with auditions.<< 7 1 >><< 2 1 8 >>Cool! Who are the writers?<< 7 4 >><< 2 4 14 >>People out there.<< 4 4 1 >><< 12 4 1 >><< 4 4 0 >><< 2 4 1 >><< 7 1 >>Huh. Out there on the other side of the screen?<< 4 1 1 >><< 12 1 2 >><< 12 1 1 >><< 7 1 >><< 1 1 5 >> Far out. Maybe Robert Wallflower will cast me in a science fiction adventure flick set on Jupiter<< 13 1 >> if some writer out there writes a script like that.<< 2 1 1 >><< 12 1 1 >><< 7 4 >>You never know. Writers write all kinds of stuff in Hollywood.<< 5 112 >><< 5 112 >><< 5 112 >>And they get to choose all kinds of sets. Like this place. << 7 1 >><< 12 1 2 >><< 12 1 1 >><< 7 4 >>It's a jungle out there, or a rocketship, a diner, an operating room. About 20 sets in all.<< 2 4 1 >>Very inspiring if you ask me.<< 7 8 >><< 12 8 1 >><< 15 8 60 50 1 >><< 5 1015 >><< 7 8 >>Oops! << 7 1 >><< 12 1 2 >><< 3 1 180 25 >><< 7 8 >>Wrong set!<< 2 8 1 >><< 3 8 28 47 >><< 7 1 >>They're waiting for me in the alley. Later dudes!<< 12 8 2 >><< 16 8 1 >><< 7 1 >><< 1 1 3 >>Is he an actor too? Who does casting around here?<< 7 4 >><< 2 4 14 >>They do. The Big Shots. The writers, directors, producers out there.<< 7 1 >><< 2 1 8 >><< 3 1 81 4 >> << 12 1 1 >>Them again. Huh.<< 7 4 >>Yes. They might pick a whole bunch of us to be in their shows, or just me. I might be cast as a super hero, spy, vampire, whatever. There's this little button they press on the side panel, see?<< 7 1 >>Wow! I'd like to be a vampire.<< 5 112 >><< 5 112 >><< 5 112 >><< 7 4 >>Well, kid, maybe you'll be lucky.<< 1 4 2 >>Heh heh. Just kidding. Seriously though, they decide your role, your hobby, your mood, even your voice. If they want to, they can cast you as a crook or a cook with the voice of a little old lady who's into collecting insects.<< 7 1 >><< 2 1 13 >>This place sure is noisy. Is that your dog out there?<< 7 4 >>No, just a sound effect. There are hundreds of them in Hollywood.<< 7 7 >><< 5 1012 >><< 15 7 60 50 1 >><< 7 1 >><< 3 1 209 5 >><< 12 1 2 >><< 7 7 >><< 2 7 5 >><< 1 7 2 >><< 4 7 2 >>Are you Lucky, or what?<< 7 1 >><< 2 1 1 >>I sure am. Joe Lucky, one lucky guy.<< 7 7 >>Well Mr. Lucky, I'm April Knowes, and Robert sent me down to coach you on delivering lines - you'll be reading the part of Larry in The Big Mess, Mr. Wallflower's upcoming blockbuster which is shooting as we speak, over in Studio B. Problem is none of the Hollywood 9 can handle the role of Larry.<< 1 7 5 >>It's an extremely sensitive, challenging role. It requires masterful body language<< 4 7 1 >>and a range of facial expressions.<< 7 1 >><< 2 1 7 >><< 7 7 >>What we call poses and moods here in Hollywood. Everybody works on this constantly, Joe. Except the Narrator of course. The Narrator's just an offscreen voice that writers use once in a while, who knows why. Anyhow, let's get started.<< 7 4 >>See you later April. Good luck Lucky.<< 16 4 0 >><< 7 1 >>Poses, huh.<< 7 7 >><< 3 7 248 70 >><< 7 1 >><< 3 1 89 -8 >><< 7 7 >><< 12 7 2 >><< 7 1 >><< 12 1 1 >><< 7 7 >><< 3 7 301 69 >>You know, lean forward<< 7 1 >><< 4 1 1 >><< 7 7 >>Lean back<< 7 1 >><< 4 1 2 >><< 7 7 >>Stand up straight.<< 7 1 >><< 4 1 0 >><< 7 7 >>Good.<< 7 1 >><< 2 1 1 >>I'm warming up! Tell me something else to do!<< 7 7 >><< 2 7 1 >>Okay, let's see you lip sync some lines.<< 7 1 >><< 2 1 13 >>Uh, do what?<< 7 7 >>Down there. You say whatever words the writer writes in the script.<< 7 1 >><< 2 1 11 >><< 7 7 >><< 2 7 7 >> Your stage directions are down there too. It's The Big Mess. Just say your lines.<< 7 1 >>Okay, here goes. Uh. << 13 1 >><< 2 1 4 >>Maybe you got the wrong number.<< 5 112 >><< 5 112 >><< 5 112 >><< 7 7 >><< 2 7 5 >>Not bad. How about some feeling this time? Some excitement.<< 7 1 >>I'm having trouble concentrating. All that barking is throwing me off.<< 7 7 >>Focus Joe. Find your motivation. Now, let's see happy.<< 7 1 >><< 2 1 1 >>Maybe you got the wrong number!<< 7 7 >>Good. Now I want angry.<< 7 1 >><< 2 1 3 >>Maybe you got the wrong number ---<< 7 7 >>Very nice. << 7 1 >><< 2 1 5 >><< 7 7 >>Now do whatever it says in the script.<< 7 1 >>But what if the script stops? What if the writer runs out of things for me to say and do? Is that it? End of story?<< 7 7 >><< 1 7 4 >>No no, not at all. Writers get stuck. It happens. Then they use the Idea Machine to get started again. They just push the old Lightbulb Button << 12 7 1 >><< 12 7 2 >>and there! Ideas, ideas, ideas. Ideas for lines, for actions, even for what the whole show might be about.<< 5 112 >><< 5 112 >><< 5 112 >> Okay, back to work Joe. Let's see some action.<< 1 7 5 >>Laugh.<< 7 1 >><< 2 1 11 >>Just like that? No jokes first, or anything?<< 7 7 >><< 1 7 4 >>Take it easy. Just throw yourself into it. Emote! Draw from your past.<< 7 1 >><< 2 1 9 >><< 13 1 >><< 1 1 3 >><< 13 1 >><< 2 1 5 >>Was that okay?<< 7 7 >>It was great. Three stars. Now cry.<< 7 1 >><< 2 1 11 >>Uh, well.<< 13 1 >><< 1 1 1 >><< 1 1 1 >><< 7 7 >>Excellent! Intense! << 7 1 >><< 1 1 4 >><< 2 1 1 >><< 7 7 >>Gee, nice action Joe. The pizza I mean. All the Hollywood 9 have actions they can do, like laughing and crying. And some actors can do totally special things<< 1 7 2 >>--- like me for instance << 2 7 1 >><< 1 7 1 >><< 7 1 >>Wow. You're amazing April.<< 7 7 >><< 1 7 4 >>It's nothing. It's all in the script. Now back to you. The writer might suddenly change your mood -- << 2 7 16 >>Show me nervous!<< 7 1 >><< 2 1 16 >><< 7 7 >>Great!<< 2 7 1 >>Now happy.<< 7 1 >><< 2 1 1 >><< 7 7 >>Yes.<< 2 7 5 >>Now scared.<< 7 1 >><< 2 1 9 >><< 7 7 >>Yes, yes. You're ready for sound effects and music.Turn around and walk over there, and don't come back in until you hear the music.<< 7 1 >><< 2 1 13 >><< 7 7 >>It's all in the script, just follow the script.<< 7 1 >><< 16 1 0 >>Okay April! I'm ready! << 5 1014 >><< 12 1 2 >><< 15 1 60 50 0 >><< 3 1 99 18 >><< 2 1 1 >><< 12 1 1 >><< 7 7 >><< 2 7 1 >>Such talent. All right Joe, now stay happy until you hear a scary sound.Then look frightened. Understand?<< 1 7 5 >><< 7 1 >>Dum dee dum dee dum << 5 1011 >><< 2 1 9 >><< 7 7 >>You're a genius!<< 7 1 >><< 2 1 1 >><< 7 2 >><< 5 709 >>April?<< 7 1 >><< 12 1 2 >><< 3 1 144 6 >><< 5 810 >><< 15 2 60 50 1 >><< 7 7 >><< 3 7 344 77 >><< 7 1 >><< 12 1 2 >><< 3 1 190 12 >><< 7 2 >><< 3 2 85 32 >><< 5 1125 >><< 7 7 >>Joe, here is the great Robert Wallflower.<< 7 1 >><< 2 1 9 >><< 2 1 6 >><< 2 1 1 >>Hello sir.<< 7 2 >>You're lucky. Let's see Larry, Lucky.<< 7 1 >><< 2 1 3 >><< 5 1112 >>Maybe you got, the wrong number ---<< 7 2 >><< 2 2 8 >>Brilliant! Welcome to the Hollywood Ten Joe. << 5 1010 >><< 7 1 >><< 2 1 1 >><< 7 7 >><< 2 7 8 >><< 7 2 >>Take five and then meet us in Studio B, Lucky.<< 7 1 >>Thank you Mr. Wallflower!<< 12 1 1 >><< 16 1 0 >><< 7 7 >><< 12 7 1 >>It's the other way Joe!<< 5 1102 >><< 12 7 2 >><< 7 1 >><< 12 1 2 >><< 15 1 300 50 0 >><< 3 1 -32 1 >><< 16 1 1 >><< 5 810 >><< 7 2 >><< 12 2 2 >><< 16 2 1 >><< 7 7 >><< 16 7 1 >><< 7 0 >>Joe Lucky,a guy with a crazy dream, now a major Hollywood star and box office draw, winning awards for his sensitive portrayal of Larry, in The Big Mess, and Larry, in a Sad - Turn of Events! Word has it that Joe and the rest of the Hollywood Ten are working on a series of brand new shows, with an incredible but still undiscovered up and coming script writer.<< 5 1120 >>
Chunk: 0 << 8 14 0 \0 1 4 248 50 >><< 7 4 >><< 12 4 1 >><< 5 1006 >><< 7 0 >>You're about to meet Joe Lucky. He's a guy with a crazy dream: to be a Hollywood star...<< 7 1 >><< 15 1 60 50 1 >><< 4 1 0 >><< 3 1 104 27 >><< 13 1 >><< 5 1006 >><< 7 4 >><< 12 4 2 >> Looking for someone?<< 7 1 >>Yes. I have an audition with Robert Wallflower at 3:20. What was that creepy music for? What is this place?<< 5 112 >><< 5 112 >><< 5 112 >><< 7 4 >><< 2 4 1 >>Relax man. This is just one of the sets in Hollywood: the Mad Scientist's Lab set. << 4 4 2 >>You're early! << 1 4 6 >>You must be Lucky, huh?<< 7 1 >><< 2 1 1 >>Right! Joe Lucky, that's me! But who are you? You look very familiar. Have I seen you on TV or something?<< 7 4 >>You bet you have. I'm Cecil B DeBoy, one of the Hollywood Nine. Nine exclusive major talents appearing in just about every production that comes out of Hollywood. From features to shorts to sit coms, news, commercials, standup, you name it. Whatever the writers write.<< 5 112 >><< 5 112 >><< 5 112 >>But today I'm not working; just helping Mr. W with auditions.<< 7 1 >><< 2 1 8 >>Cool! Who are the writers?<< 7 4 >><< 2 4 14 >>People out there.<< 4 4 1 >><< 12 4 1 >><< 4 4 0 >><< 2 4 1 >><< 7 1 >>Huh. Out there on the other side of the screen?<< 4 1 1 >><< 12 1 2 >><< 12 1 1 >><< 7 1 >><< 1 1 5 >> Far out. Maybe Robert Wallflower will cast me in a science fiction adventure flick set on Jupiter<< 13 1 >> if some writer out there writes a script like that.<< 2 1 1 >><< 12 1 1 >><< 7 4 >>You never know. Writers write all kinds of stuff in Hollywood.<< 5 112 >><< 5 112 >><< 5 112 >>And they get to choose all kinds of sets. Like this place. << 7 1 >><< 12 1 2 >><< 12 1 1 >><< 7 4 >>It's a jungle out there, or a rocketship, a diner, an operating room. About 20 sets in all.<< 2 4 1 >>Very inspiring if you ask me.<< 7 8 >><< 12 8 1 >><< 15 8 60 50 1 >><< 5 1015 >><< 7 8 >>Oops! << 7 1 >><< 12 1 2 >><< 3 1 180 25 >><< 7 8 >>Wrong set!<< 2 8 1 >><< 3 8 28 47 >><< 7 1 >>They're waiting for me in the alley. Later dudes!<< 12 8 2 >><< 16 8 1 >><< 7 1 >><< 1 1 3 >>Is he an actor too? Who does casting around here?<< 7 4 >><< 2 4 14 >>They do. The Big Shots. The writers, directors, producers out there.<< 7 1 >><< 2 1 8 >><< 3 1 81 4 >> << 12 1 1 >>Them again. Huh.<< 7 4 >>Yes. They might pick a whole bunch of us to be in their shows, or just me. I might be cast as a super hero, spy, vampire, whatever. There's this little button they press on the side panel, see?<< 7 1 >>Wow! I'd like to be a vampire.<< 5 112 >><< 5 112 >><< 5 112 >><< 7 4 >>Well, kid, maybe you'll be lucky.<< 1 4 2 >>Heh heh. Just kidding. Seriously though, they decide your role, your hobby, your mood, even your voice. If they want to, they can cast you as a crook or a cook with the voice of a little old lady who's into collecting insects.<< 7 1 >><< 2 1 13 >>This place sure is noisy. Is that your dog out there?<< 7 4 >>No, just a sound effect. There are hundreds of them in Hollywood.<< 7 7 >><< 5 1012 >><< 15 7 60 50 1 >><< 7 1 >><< 3 1 209 5 >><< 12 1 2 >><< 7 7 >><< 2 7 5 >><< 1 7 2 >><< 4 7 2 >>Are you Lucky, or what?<< 7 1 >><< 2 1 1 >>I sure am. Joe Lucky, one lucky guy.<< 7 7 >>Well Mr. Lucky, I'm April Knowes, and Robert sent me down to coach you on delivering lines - you'll be reading the part of Larry in The Big Mess, Mr. Wallflower's upcoming blockbuster which is shooting as we speak, over in Studio B. Problem is none of the Hollywood 9 can handle the role of Larry.<< 1 7 5 >>It's an extremely sensitive, challenging role. It requires masterful body language<< 4 7 1 >>and a range of facial expressions.<< 7 1 >><< 2 1 7 >><< 7 7 >>What we call poses and moods here in Hollywood. Everybody works on this constantly, Joe. Except the Narrator of course. The Narrator's just an offscreen voice that writers use once in a while, who knows why. Anyhow, let's get started.<< 7 4 >>See you later April. Good luck Lucky.<< 16 4 0 >><< 7 1 >>Poses, huh.<< 7 7 >><< 3 7 248 70 >><< 7 1 >><< 3 1 89 -8 >><< 7 7 >><< 12 7 2 >><< 7 1 >><< 12 1 1 >><< 7 7 >><< 3 7 301 69 >>You know, lean forward<< 7 1 >><< 4 1 1 >><< 7 7 >>Lean back<< 7 1 >><< 4 1 2 >><< 7 7 >>Stand up straight.<< 7 1 >><< 4 1 0 >><< 7 7 >>Good.<< 7 1 >><< 2 1 1 >>I'm warming up! Tell me something else to do!<< 7 7 >><< 2 7 1 >>Okay, let's see you lip sync some lines.<< 7 1 >><< 2 1 13 >>Uh, do what?<< 7 7 >>Down there. You say whatever words the writer writes in the script.<< 7 1 >><< 2 1 11 >><< 7 7 >><< 2 7 7 >> Your stage directions are down there too. It's The Big Mess. Just say your lines.<< 7 1 >>Okay, here goes. Uh. << 13 1 >><< 2 1 4 >>Maybe you got the wrong number.<< 5 112 >><< 5 112 >><< 5 112 >><< 7 7 >><< 2 7 5 >>Not bad. How about some feeling this time? Some excitement.<< 7 1 >>I'm having trouble concentrating. All that barking is throwing me off.<< 7 7 >>Focus Joe. Find your motivation. Now, let's see happy.<< 7 1 >><< 2 1 1 >>Maybe you got the wrong number!<< 7 7 >>Good. Now I want angry.<< 7 1 >><< 2 1 3 >>Maybe you got the wrong number ---<< 7 7 >>Very nice. << 7 1 >><< 2 1 5 >><< 7 7 >>Now do whatever it says in the script.<< 7 1 >>But what if the script stops? What if the writer runs out of things for me to say and do? Is that it? End of story?<< 7 7 >><< 1 7 4 >>No no, not at all. Writers get stuck. It happens. Then they use the Idea Machine to get started again. They just push the old Lightbulb Button << 12 7 1 >><< 12 7 2 >>and there! Ideas, ideas, ideas. Ideas for lines, for actions, even for what the whole show might be about.<< 5 112 >><< 5 112 >><< 5 112 >> Okay, back to work Joe. Let's see some action.<< 1 7 5 >>Laugh.<< 7 1 >><< 2 1 11 >>Just like that? No jokes first, or anything?<< 7 7 >><< 1 7 4 >>Take it easy. Just throw yourself into it. Emote! Draw from your past.<< 7 1 >><< 2 1 9 >><< 13 1 >><< 1 1 3 >><< 13 1 >><< 2 1 5 >>Was that okay?<< 7 7 >>It was great. Three stars. Now cry.<< 7 1 >><< 2 1 11 >>Uh, well.<< 13 1 >><< 1 1 1 >><< 1 1 1 >><< 7 7 >>Excellent! Intense! << 7 1 >><< 1 1 4 >><< 2 1 1 >><< 7 7 >>Gee, nice action Joe. The pizza I mean. All the Hollywood 9 have actions they can do, like laughing and crying. And some actors can do totally special things<< 1 7 2 >>--- like me for instance << 2 7 1 >><< 1 7 1 >><< 7 1 >>Wow. You're amazing April.<< 7 7 >><< 1 7 4 >>It's nothing. It's all in the script. Now back to you. The writer might suddenly change your mood -- << 2 7 16 >>Show me nervous!<< 7 1 >><< 2 1 16 >><< 7 7 >>Great!<< 2 7 1 >>Now happy.<< 7 1 >><< 2 1 1 >><< 7 7 >>Yes.<< 2 7 5 >>Now scared.<< 7 1 >><< 2 1 9 >><< 7 7 >>Yes, yes. You're ready for sound effects and music.Turn around and walk over there, and don't come back in until you hear the music.<< 7 1 >><< 2 1 13 >><< 7 7 >>It's all in the script, just follow the script.<< 7 1 >><< 16 1 0 >>Okay April! I'm ready! << 5 1014 >><< 12 1 2 >><< 15 1 60 50 0 >><< 3 1 99 18 >><< 2 1 1 >><< 12 1 1 >><< 7 7 >><< 2 7 1 >>Such talent. All right Joe, now stay happy until you hear a scary sound.Then look frightened. Understand?<< 1 7 5 >><< 7 1 >>Dum dee dum dee dum << 5 1011 >><< 2 1 9 >><< 7 7 >>You're a genius!<< 7 1 >><< 2 1 1 >><< 7 2 >><< 5 709 >>April?<< 7 1 >><< 12 1 2 >><< 3 1 144 6 >><< 5 810 >><< 15 2 60 50 1 >><< 7 7 >><< 3 7 344 77 >><< 7 1 >><< 12 1 2 >><< 3 1 190 12 >><< 7 2 >><< 3 2 85 32 >><< 5 1125 >><< 7 7 >>Joe, here is the great Robert Wallflower.<< 7 1 >><< 2 1 9 >><< 2 1 6 >><< 2 1 1 >>Hello sir.<< 7 2 >>You're lucky. Let's see Larry, Lucky.<< 7 1 >><< 2 1 3 >><< 5 1112 >>Maybe you got, the wrong number ---<< 7 2 >><< 2 2 8 >>Brilliant! Welcome to the Hollywood Ten Joe. << 5 1010 >><< 7 1 >><< 2 1 1 >><< 7 7 >><< 2 7 8 >><< 7 2 >>Take five and then meet us in Studio B, Lucky.<< 7 1 >>Thank you Mr. Wallflower!<< 12 1 1 >><< 16 1 0 >><< 7 7 >><< 12 7 1 >>It's the other way Joe!<< 5 1102 >><< 12 7 2 >><< 7 1 >><< 12 1 2 >><< 15 1 300 50 0 >><< 3 1 -32 1 >><< 16 1 1 >><< 5 810 >><< 7 2 >><< 12 2 2 >><< 16 2 1 >><< 7 7 >><< 16 7 1 >><< 7 0 >>Joe Lucky,a guy with a crazy dream, now a major Hollywood star and box office draw, winning awards for his sensitive portrayal of Larry, in The Big Mess, and Larry, in a Sad - Turn of Events! Word has it that Joe and the rest of the Hollywood Ten are working on a series of brand new shows, with an incredible but still undiscovered up and coming script writer.<< 5 1120 >>
Chunk: 0 << 8 14 0 \0 1 4 248 50 >><< 7 4 >><< 12 4 1 >><< 5 1006 >><< 7 0 >>You're about to meet Joe Lucky. He's a guy with a crazy dream: to be a Hollywood star...<< 7 1 >><< 15 1 60 50 1 >><< 4 1 0 >><< 3 1 104 27 >><< 13 1 >><< 5 1006 >><< 7 4 >><< 12 4 2 >> Looking for someone?<< 7 1 >>Yes. I have an audition with Robert Wallflower at 3:20. What was that creepy music for? What is this place?<< 5 112 >><< 5 112 >><< 5 112 >><< 7 4 >><< 2 4 1 >>Relax man. This is just one of the sets in Hollywood: the Mad Scientist's Lab set. << 4 4 2 >>You're early! << 1 4 6 >>You must be Lucky, huh?<< 7 1 >><< 2 1 1 >>Right! Joe Lucky, that's me! But who are you? You look very familiar. Have I seen you on TV or something?<< 7 4 >>You bet you have. I'm Cecil B DeBoy, one of the Hollywood Nine. Nine exclusive major talents appearing in just about every production that comes out of Hollywood. From features to shorts to sit coms, news, commercials, standup, you name it. Whatever the writers write.<< 5 112 >><< 5 112 >><< 5 112 >>But today I'm not working; just helping the boss with auditions.<< 7 1 >><< 2 1 8 >>Cool! Who are the writers?<< 7 4 >><< 2 4 14 >>People out there.<< 4 4 1 >><< 12 4 1 >><< 4 4 0 >><< 2 4 1 >><< 7 1 >>Huh. Out there on the other side of the screen?<< 4 1 1 >><< 12 1 2 >><< 12 1 1 >><< 7 1 >><< 1 1 5 >> Far out. Maybe Robert Wallflower will cast me in a science fiction adventure flick set on Jupiter<< 13 1 >> if some writer out there writes a script like that.<< 2 1 1 >><< 12 1 1 >><< 7 4 >>You never know. Writers write all kinds of stuff in Hollywood.<< 5 112 >><< 5 112 >><< 5 112 >>And they get to choose all kinds of sets. Like this place. << 7 1 >><< 12 1 2 >><< 12 1 1 >><< 7 4 >>It's a jungle out there, or a rocketship, a diner, an operating room. About 20 sets in all.<< 2 4 1 >>Very inspiring if you ask me.<< 7 8 >><< 12 8 1 >><< 15 8 60 50 1 >><< 5 1015 >><< 7 8 >>Oops! << 7 1 >><< 12 1 2 >><< 3 1 180 25 >><< 7 8 >>Wrong set!<< 2 8 1 >><< 3 8 28 47 >><< 7 1 >>They're waiting for me in the alley. Later dudes!<< 12 8 2 >><< 16 8 1 >><< 7 1 >><< 1 1 3 >>Is he an actor too? Who does casting around here?<< 7 4 >><< 2 4 14 >>They do. The Big Shots. The writers, directors, producers out there.<< 7 1 >><< 2 1 8 >><< 3 1 81 4 >> << 12 1 1 >>Them again. Huh.<< 7 4 >>Yes. They might pick a whole bunch of us to be in their shows, or just me. I might be cast as a super hero, spy, vampire, whatever. There's this little button they press on the side panel, see?<< 7 1 >>Wow! I'd like to be a vampire.<< 5 112 >><< 5 112 >><< 5 112 >><< 7 4 >>Well, kid, maybe you'll be lucky.<< 1 4 2 >>Heh heh. Just kidding. Seriously though, they decide your role, your hobby, your mood, even your voice. If they want to, they can cast you as a crook or a cook with the voice of a little old lady who's into collecting insects.<< 7 1 >><< 2 1 13 >>This place sure is noisy. Is that your dog out there?<< 7 4 >>No, just a sound effect. There are hundreds of them in Hollywood.<< 7 7 >><< 5 1012 >><< 15 7 60 50 1 >><< 7 1 >><< 3 1 209 5 >><< 12 1 2 >><< 7 7 >><< 2 7 5 >><< 1 7 2 >><< 4 7 2 >>Are you Lucky, or what?<< 7 1 >><< 2 1 1 >>I sure am. Joe Lucky, one lucky guy.<< 7 7 >>Well, Mister Lucky, I'm April Knowes, and Robert sent me down to coach you on delivering lines - you'll be reading the part of Larry in The Big Mess, Mister Wallflower's upcoming blockbuster which is shooting as we speak, over in Studio B. Problem is none of the Hollywood 9 can handle the role of Larry.<< 1 7 5 >>It's an extremely sensitive, challenging role. It requires masterful body language<< 4 7 1 >>and a range of facial expressions.<< 7 1 >><< 2 1 7 >><< 7 7 >>What we call poses and moods here in Hollywood. Everybody works on this constantly, Joe. Except the Narrator of course. The Narrator's just an offscreen voice that writers use once in a while, who knows why. Anyhow, let's get started.<< 7 4 >>See you later April. Good luck Lucky.<< 16 4 0 >><< 7 1 >>Poses, huh.<< 7 7 >><< 3 7 248 70 >><< 7 1 >><< 3 1 89 -8 >><< 7 7 >><< 12 7 2 >><< 7 1 >><< 12 1 1 >><< 7 7 >><< 3 7 301 69 >>You know, lean forward<< 7 1 >><< 4 1 1 >><< 7 7 >>Lean back<< 7 1 >><< 4 1 2 >><< 7 7 >>Stand up straight.<< 7 1 >><< 4 1 0 >><< 7 7 >>Good.<< 7 1 >><< 2 1 1 >>I'm warming up! Tell me something else to do!<< 7 7 >><< 2 7 1 >>Okay, let's see you lip sync some lines.<< 7 1 >><< 2 1 13 >>Uh, do what?<< 7 7 >>Down there. You say whatever words the writer writes in the script.<< 7 1 >><< 2 1 11 >><< 7 7 >><< 2 7 7 >> Your stage directions are down there too. It's The Big Mess. Just say your lines.<< 7 1 >>Okay, here goes. Uh. << 13 1 >><< 2 1 4 >>Maybe you got the wrong number.<< 5 112 >><< 5 112 >><< 5 112 >><< 7 7 >><< 2 7 5 >>Not bad. How about some feeling this time? Some excitement.<< 7 1 >>I'm having trouble concentrating. All that barking is throwing me off.<< 7 7 >>Focus Joe. Find your motivation. Now, let's see happy.<< 7 1 >><< 2 1 1 >>Maybe you got the wrong number!<< 7 7 >>Good. Now I want angry.<< 7 1 >><< 2 1 3 >>Maybe you got the wrong number ---<< 7 7 >>Very nice. << 7 1 >><< 2 1 5 >><< 7 7 >>Now do whatever it says in the script.<< 7 1 >>But what if the script stops? What if the writer runs out of things for me to say and do? Is that it? End of story?<< 7 7 >><< 1 7 4 >>No no, not at all. Writers get stuck. It happens. Then they use the Idea Machine to get started again. They just push the old Lightbulb Button << 12 7 1 >><< 12 7 2 >>and there! Ideas, ideas, ideas. Ideas for lines, for actions, even for what the whole show might be about.<< 5 112 >><< 5 112 >><< 5 112 >> Okay, back to work Joe. Let's see some action.<< 1 7 5 >>Laugh.<< 7 1 >><< 2 1 11 >>Just like that? No jokes first, or anything?<< 7 7 >><< 1 7 4 >>Take it easy. Just throw yourself into it. Emote! Draw from your past.<< 7 1 >><< 2 1 9 >><< 13 1 >><< 1 1 3 >><< 13 1 >><< 2 1 5 >>Was that okay?<< 7 7 >>It was great. Three stars. Now cry.<< 7 1 >><< 2 1 11 >>Uh, well.<< 13 1 >><< 1 1 1 >><< 1 1 1 >><< 7 7 >>Excellent! Intense! << 7 1 >><< 1 1 4 >><< 2 1 1 >><< 7 7 >>Gee, nice action Joe. The pizza I mean. All the Hollywood 9 have actions they can do, like laughing and crying. And some actors can do totally special things<< 1 7 2 >>--- like me for instance << 2 7 1 >><< 1 7 1 >><< 7 1 >>Wow. You're amazing April.<< 7 7 >><< 1 7 4 >>It's nothing. It's all in the script. Now back to you. The writer might suddenly change your mood -- << 2 7 16 >>Show me nervous!<< 7 1 >><< 2 1 16 >><< 7 7 >>Great!<< 2 7 1 >>Now happy.<< 7 1 >><< 2 1 1 >><< 7 7 >>Yes.<< 2 7 5 >>Now scared.<< 7 1 >><< 2 1 9 >><< 7 7 >>Yes, yes. You're ready for sound effects and music.Turn around and walk over there, and don't come back in until you hear the music.<< 7 1 >><< 2 1 13 >><< 7 7 >>It's all in the script, just follow the script.<< 7 1 >><< 16 1 0 >>Okay April! I'm ready! << 5 1014 >><< 12 1 2 >><< 15 1 60 50 0 >><< 3 1 99 18 >><< 2 1 1 >><< 12 1 1 >><< 7 7 >><< 2 7 1 >>Such talent. All right Joe, now stay happy until you hear a scary sound.Then look frightened. Understand?<< 1 7 5 >><< 7 1 >>Dum dee dum dee dum << 5 1011 >><< 2 1 9 >><< 7 7 >>You're a genius!<< 7 1 >><< 2 1 1 >><< 7 2 >><< 5 709 >>April?<< 7 1 >><< 12 1 2 >><< 3 1 144 6 >><< 5 810 >><< 15 2 60 50 1 >><< 7 7 >><< 3 7 344 77 >><< 7 1 >><< 12 1 2 >><< 3 1 190 12 >><< 7 2 >><< 3 2 85 32 >><< 5 1125 >><< 7 7 >>Joe, here is the great Robert Wallflower.<< 7 1 >><< 2 1 9 >><< 2 1 6 >><< 2 1 1 >>Hello sir.<< 7 2 >>You're lucky. Let's see Larry, Lucky.<< 7 1 >><< 2 1 3 >><< 5 1112 >>Maybe you got, the wrong number ---<< 7 2 >><< 2 2 8 >>Brilliant! Welcome to the Hollywood Ten Joe. << 5 1010 >><< 7 1 >><< 2 1 1 >><< 7 7 >><< 2 7 8 >><< 7 2 >>Take five and then meet us in Studio B, Lucky.<< 7 1 >>Thank you Sir!<< 12 1 1 >><< 16 1 0 >><< 7 7 >><< 12 7 1 >>It's the other way Joe!<< 5 1102 >><< 12 7 2 >><< 7 1 >><< 12 1 2 >><< 15 1 300 50 0 >><< 3 1 -32 1 >><< 16 1 1 >><< 5 810 >><< 7 2 >><< 12 2 2 >><< 16 2 1 >><< 7 7 >><< 16 7 1 >><< 7 0 >>Joe Lucky,a guy with a crazy dream, now a major Hollywood star and box office draw, winning awards for his sensitive portrayal of Larry, in The Big Mess, and Larry, in a Sad - Turn of Events! Word has it that Joe and the rest of the Hollywood Ten are working on a series of brand new shows, with an incredible but still undiscovered up and coming script writer.<< 5 1120 >>
Chunk: 0 << 8 14 0 \0 1 4 248 50 >><< 7 4 >><< 12 4 1 >><< 3 4 281 54 >><< 5 1006 >><< 7 0 >>You're about to meet Joe Lucky. He's a guy with a crazy dream: to be a Hollywood star...<< 7 1 >><< 15 1 -45 30 1 >><< 3 1 92 25 >><< 4 1 0 >><< 3 1 104 27 >><< 13 1 >><< 5 1006 >><< 7 4 >><< 12 4 2 >> Looking for someone?<< 7 1 >>Yes. I have an audition with Robert Wallflower at 3:20. What was that creepy music for? What is this place?<< 5 112 >><< 5 112 >><< 5 112 >><< 7 4 >><< 2 4 1 >>Relax man. This is just one of the sets in Hollywood: the Mad Scientist's Lab set. << 4 4 2 >>You're early! << 1 4 6 >>You must be Lucky, huh?<< 7 1 >><< 2 1 1 >>Right! Joe Lucky, that's me! But who are you? You look very familiar. Have I seen you on TV or something?<< 7 4 >>You bet you have. I'm Cecil B DeBoy, one of the Hollywood Nine. Nine exclusive major talents appearing in just about every production that comes out of Hollywood. From features to shorts to sit coms, news, commercials, standup, you name it. Whatever the writers write.<< 5 112 >><< 5 112 >><< 5 112 >>But today I'm not working; just helping the boss with auditions.<< 7 1 >><< 2 1 8 >>Cool! Who are the writers?<< 7 4 >><< 2 4 14 >>People out there.<< 4 4 1 >><< 12 4 1 >><< 4 4 0 >><< 2 4 1 >><< 7 1 >>Huh. Out there on the other side of the screen?<< 4 1 1 >><< 12 1 2 >><< 12 1 1 >><< 7 1 >><< 1 1 5 >> Far out. Maybe Robert Wallflower will cast me in a science fiction adventure flick set on Jupiter<< 13 1 >> if some writer out there writes a script like that.<< 2 1 1 >><< 12 1 1 >><< 7 4 >>You never know. Writers write all kinds of stuff in Hollywood.<< 5 112 >><< 5 112 >><< 5 112 >>And they get to choose all kinds of sets. Like this place. << 7 1 >><< 12 1 2 >><< 12 1 1 >><< 7 4 >>It's a jungle out there, or a rocketship, a diner, an operating room. About 20 sets in all.<< 2 4 1 >>Very inspiring if you ask me.<< 7 8 >><< 12 8 1 >><< 15 8 -45 30 1 >><< 3 8 36 45 >><< 5 1015 >><< 7 8 >>Oops! << 7 1 >><< 3 1 180 25 >><< 12 1 2 >><< 7 8 >>Wrong set!<< 2 8 1 >><< 3 8 28 47 >><< 7 8 >>They're waiting for me in the alley. Later dudes! << 12 8 2 >><< 16 8 1 >><< 7 1 >><< 1 1 3 >>Is he an actor too? Who does casting around here?<< 7 4 >><< 2 4 14 >>They do. The Big Shots. The writers, directors, producers out there.<< 7 1 >><< 2 1 8 >><< 3 1 117 27 >> << 12 1 1 >>Them again. Huh.<< 7 4 >>Yes. They might pick a whole bunch of us to be in their shows, or just me. I might be cast as a super hero, spy, vampire, whatever. There's this little button they press on the side panel, see?<< 7 1 >>Wow! I'd like to be a vampire.<< 5 112 >><< 5 112 >><< 5 112 >><< 7 4 >>Well, kid, maybe you'll be lucky.<< 1 4 2 >>Heh heh. Just kidding. Seriously though, they decide your role, your hobby, your mood, even your voice. If they want to, they can cast you as a crook or a cook with the voice of a little old lady who's into collecting insects.<< 7 1 >><< 2 1 13 >>This place sure is noisy. Is that your dog out there?<< 7 4 >>No, just a sound effect. There are hundreds of them in Hollywood.<< 7 7 >><< 5 1012 >><< 15 7 60 50 1 >><< 7 1 >><< 3 1 209 5 >><< 12 1 2 >><< 7 7 >><< 2 7 5 >><< 1 7 2 >><< 4 7 2 >>Are you Lucky, or what?<< 7 1 >><< 2 1 1 >>I sure am. Joe Lucky, one lucky guy.<< 7 7 >>Well, Mister Lucky, I'm April Knowes, and Robert sent me down to coach you on delivering lines - you'll be reading the part of Larry in The Big Mess, Mister Wallflower's upcoming blockbuster which is shooting as we speak, over in Studio B. Problem is none of the Hollywood 9 can handle the role of Larry.<< 1 7 5 >>It's an extremely sensitive, challenging role. It requires masterful body language<< 4 7 1 >>and a range of facial expressions.<< 7 1 >><< 2 1 7 >><< 7 7 >>What we call poses and moods here in Hollywood. Everybody works on this constantly, Joe. Except the Narrator of course. The Narrator's just an offscreen voice that writers use once in a while, who knows why. Anyhow, let's get started.<< 7 4 >>See you later April. Good luck Lucky.<< 16 4 0 >><< 7 1 >>Poses, huh.<< 7 7 >><< 3 7 248 70 >><< 7 1 >><< 3 1 89 -8 >><< 7 7 >><< 12 7 2 >><< 7 1 >><< 12 1 1 >><< 7 7 >><< 3 7 301 69 >>You know, lean forward<< 7 1 >><< 4 1 1 >><< 7 7 >>Lean back<< 7 1 >><< 4 1 2 >><< 7 7 >>Stand up straight.<< 7 1 >><< 4 1 0 >><< 7 7 >>Good.<< 7 1 >><< 2 1 1 >>I'm warming up! Tell me something else to do!<< 7 7 >><< 2 7 1 >>Okay, let's see you lip sync some lines.<< 7 1 >><< 2 1 13 >>Uh, do what?<< 7 7 >>Down there. You say whatever words the writer writes in the script.<< 7 1 >><< 2 1 11 >><< 7 7 >><< 2 7 7 >> Your stage directions are down there too. It's The Big Mess. Just say your lines.<< 7 1 >>Okay, here goes. Uh. << 13 1 >><< 2 1 4 >>Maybe you got the wrong number.<< 5 112 >><< 5 112 >><< 5 112 >><< 7 7 >><< 2 7 5 >>Not bad. How about some feeling this time? Some excitement.<< 7 1 >>I'm having trouble concentrating. All that barking is throwing me off.<< 7 7 >>Focus Joe. Find your motivation. Now, let's see happy.<< 7 1 >><< 2 1 1 >>Maybe you got the wrong number!<< 7 7 >>Good. Now I want angry.<< 7 1 >><< 2 1 3 >>Maybe you got the wrong number ---<< 7 7 >>Very nice. << 7 1 >><< 2 1 5 >><< 7 7 >>Now do whatever it says in the script.<< 7 1 >>But what if the script stops? What if the writer runs out of things for me to say and do? Is that it? End of story?<< 7 7 >><< 1 7 4 >>No no, not at all. Writers get stuck. It happens. Then they use the Idea Machine to get started again. They just push the old Lightbulb Button << 12 7 1 >><< 12 7 2 >>and there! Ideas, ideas, ideas. Ideas for lines, for actions, even for what the whole show might be about.<< 5 112 >><< 5 112 >><< 5 112 >> Okay, back to work Joe. Let's see some action.<< 1 7 5 >>Laugh.<< 7 1 >><< 2 1 11 >>Just like that? No jokes first, or anything?<< 7 7 >><< 1 7 4 >>Take it easy. Just throw yourself into it. Emote! Draw from your past.<< 7 1 >><< 2 1 9 >><< 13 1 >><< 1 1 3 >><< 13 1 >><< 2 1 5 >>Was that okay?<< 7 7 >>It was great. Three stars. Now cry.<< 7 1 >><< 2 1 11 >>Uh, well.<< 13 1 >><< 1 1 1 >><< 1 1 1 >><< 7 7 >>Excellent! Intense! << 7 1 >><< 1 1 4 >><< 2 1 1 >><< 7 7 >>Gee, nice action Joe. The pizza I mean. All the Hollywood 9 have actions they can do, like laughing and crying. And some actors can do totally special things<< 1 7 2 >>--- like me for instance << 2 7 1 >><< 1 7 1 >><< 7 1 >>Wow. You're amazing April.<< 7 7 >><< 1 7 4 >>It's nothing. It's all in the script. Now back to you. The writer might suddenly change your mood -- << 2 7 16 >>Show me nervous!<< 7 1 >><< 2 1 16 >><< 7 7 >>Great!<< 2 7 1 >>Now happy.<< 7 1 >><< 2 1 1 >><< 7 7 >>Yes.<< 2 7 5 >>Now scared.<< 7 1 >><< 2 1 9 >><< 7 7 >>Yes, yes. You're ready for sound effects and music.Turn around and walk over there, and don't come back in until you hear the music.<< 7 1 >><< 2 1 13 >><< 7 7 >>It's all in the script, just follow the script.<< 7 1 >><< 16 1 0 >>Okay April! I'm ready! << 5 1014 >><< 12 1 2 >><< 15 1 60 50 0 >><< 3 1 99 18 >><< 2 1 1 >><< 12 1 1 >><< 7 7 >><< 2 7 1 >>Such talent. All right Joe, now stay happy until you hear a scary sound.Then look frightened. Understand?<< 1 7 5 >><< 7 1 >>Dum dee dum dee dum << 5 1011 >><< 2 1 9 >><< 7 7 >>You're a genius!<< 7 1 >><< 2 1 1 >><< 7 2 >><< 5 709 >>April?<< 7 1 >><< 12 1 2 >><< 3 1 144 6 >><< 5 810 >><< 15 2 60 50 1 >><< 7 7 >><< 3 7 344 77 >><< 7 1 >><< 12 1 2 >><< 3 1 190 12 >><< 7 2 >><< 3 2 85 32 >><< 5 1125 >><< 7 7 >>Joe, here is the great Robert Wallflower.<< 7 1 >><< 2 1 9 >><< 2 1 6 >><< 2 1 1 >>Hello sir.<< 7 2 >>You're lucky. Let's see Larry, Lucky.<< 7 1 >><< 2 1 3 >><< 5 1112 >>Maybe you got, the wrong number ---<< 7 2 >><< 2 2 8 >>Brilliant! Welcome to the Hollywood Ten Joe. << 5 1010 >><< 7 1 >><< 2 1 1 >><< 7 7 >><< 2 7 8 >><< 7 2 >>Take five and then meet us in Studio B, Lucky.<< 7 1 >>Thank you Sir!<< 12 1 1 >><< 16 1 0 >><< 7 7 >><< 12 7 1 >>It's the other way Joe!<< 5 1102 >><< 12 7 2 >><< 7 1 >><< 12 1 2 >><< 15 1 300 50 0 >><< 3 1 -32 1 >><< 16 1 1 >><< 5 810 >><< 7 2 >><< 12 2 2 >><< 16 2 1 >><< 7 7 >><< 16 7 1 >><< 7 0 >>Joe Lucky,a guy with a crazy dream, now a major Hollywood star and box office draw, winning awards for his sensitive portrayal of Larry, in The Big Mess, and Larry, in a Sad - Turn of Events! Word has it that Joe and the rest of the Hollywood Ten are working on a series of brand new shows, with an incredible but still undiscovered up and coming script writer.<< 5 1120 >>
Chunk: 0 << 8 14 0 \0 1 4 248 50 >><< 7 4 >><< 12 4 1 >><< 3 4 281 54 >><< 5 1006 >><< 7 0 >>You're about to meet Joe Lucky. He's a guy with a crazy dream: to be a Hollywood star...<< 7 1 >><< 15 1 -45 30 1 >><< 3 1 92 25 >><< 4 1 0 >><< 3 1 104 27 >><< 13 1 >><< 5 1006 >><< 7 4 >><< 12 4 2 >> Looking for someone?<< 7 1 >>Yes. I have an audition with Max DeBoss at 3:20. What was that creepy music for? What is this place?<< 5 112 >><< 5 112 >><< 7 4 >><< 2 4 1 >>Relax man. This is just one of the sets in Hollywood: the Mad Scientist's Lab set. << 4 4 2 >>You're early! << 1 4 6 >>You must be Lucky, huh?<< 7 1 >><< 2 1 1 >>Right! Joe Lucky, that's me! But who are you? You look very familiar. Have I seen you on TV or something?<< 7 4 >>You bet you have. I'm Cecil B DeBoy, one of the Hollywood Nine. Nine exclusive major talents appearing in just about every production that comes out of Hollywood. From features to shorts to sit coms, news, commercials, standup, you name it. Whatever the writers write.<< 5 112 >><< 5 112 >><< 5 112 >>But today I'm not working; just helping the boss with auditions.<< 7 1 >><< 2 1 8 >>Cool! Who are the writers?<< 7 4 >><< 2 4 14 >>People out there.<< 4 4 1 >><< 12 4 1 >><< 4 4 0 >><< 2 4 1 >><< 7 1 >>Huh. Out there on the other side of the screen?<< 4 1 1 >><< 12 1 2 >><< 12 1 1 >><< 7 1 >><< 1 1 5 >> Far out. Maybe Max DeBoss will cast me in a science fiction adventure flick set on Jupiter<< 13 1 >> if some writer out there writes a script like that.<< 2 1 1 >><< 12 1 1 >><< 7 4 >>You never know. Writers write all kinds of stuff in Hollywood.<< 5 112 >><< 5 112 >><< 5 112 >>And they get to choose all kinds of sets. Like this place. << 7 1 >><< 12 1 2 >><< 12 1 1 >><< 7 4 >>It's a jungle out there, or a rocketship, a diner, an operating room. About 20 sets in all.<< 2 4 1 >>Very inspiring if you ask me.<< 7 8 >><< 12 8 1 >><< 15 8 -45 30 1 >><< 3 8 36 45 >><< 5 1015 >><< 7 8 >>Oops! << 7 1 >><< 3 1 180 25 >><< 12 1 2 >><< 7 8 >>Wrong set!<< 2 8 1 >><< 3 8 28 47 >><< 7 8 >>They're waiting for me in the alley. Later dudes! << 12 8 2 >><< 16 8 1 >><< 7 1 >><< 1 1 3 >>Is he an actor too? Who does casting around here?<< 7 4 >><< 2 4 14 >>They do. The Big Shots. The writers, directors, producers out there.<< 7 1 >><< 2 1 8 >><< 3 1 117 27 >> << 12 1 1 >>Them again. Huh.<< 7 4 >>Yes. They might pick a whole bunch of us to be in their shows, or just me. I might be cast as a super hero, spy, vampire, whatever. There's this little button they press on the side panel, see?<< 7 1 >>Wow! I'd like to be a vampire.<< 5 112 >><< 5 112 >><< 5 112 >><< 7 4 >>Well, kid, maybe you'll be lucky.<< 1 4 2 >>Heh heh. Just kidding. Seriously though, they decide your role, your hobby, your mood, even your voice. If they want to, they can cast you as a crook or a cook with the voice of a little old lady who's into collecting insects.<< 7 1 >><< 2 1 13 >>This place sure is noisy. Is that your dog out there?<< 7 4 >>No, just a sound effect. There are hundreds of them in Hollywood.<< 7 7 >><< 5 1012 >><< 15 7 -45 30 1 >><< 3 7 58 48 >><< 7 1 >><< 3 1 209 5 >><< 12 1 2 >><< 7 7 >><< 2 7 5 >><< 1 7 2 >><< 4 7 2 >>Are you Lucky, or what?<< 7 1 >><< 2 1 1 >>I sure am. Joe Lucky, one lucky guy.<< 7 7 >>Well, Mister Lucky, I'm April Knowes, and Max sent me down to coach you on delivering lines - you'll be reading the part of Larry in The Big Mess, Max DeBoss's upcoming blockbuster which is shooting as we speak, over in Studio B. Problem is none of the Hollywood 9 can handle the role of Larry.<< 1 7 5 >>It's an extremely sensitive, challenging role. It requires masterful body language<< 4 7 1 >>and a range of facial expressions.<< 7 1 >><< 2 1 7 >><< 7 7 >>What we call poses and moods here in Hollywood. Everybody works on this constantly, Joe. Except the Narrator of course. The Narrator's just an offscreen voice that writers use once in a while, who knows why. Anyhow, let's get started.<< 7 4 >>See you later April. Good luck Lucky.<< 16 4 0 >><< 7 1 >>Poses, huh.<< 7 7 >><< 3 7 248 70 >><< 7 1 >><< 3 1 89 -8 >><< 7 7 >><< 12 7 2 >><< 7 1 >><< 12 1 1 >><< 7 7 >><< 3 7 301 69 >>You know, lean forward<< 7 1 >><< 4 1 1 >><< 7 7 >>Lean back<< 7 1 >><< 4 1 2 >><< 7 7 >>Stand up straight.<< 7 1 >><< 4 1 0 >><< 7 7 >>Good.<< 7 1 >><< 2 1 1 >>I'm warming up! Tell me something else to do!<< 7 7 >><< 2 7 1 >>Okay, let's see you lip sync some lines.<< 7 1 >><< 2 1 13 >>Uh, do what?<< 7 7 >>Down there. You say whatever words the writer writes in the script.<< 7 1 >><< 2 1 11 >><< 7 7 >><< 2 7 7 >> Your stage directions are down there too. It's The Big Mess. Just say your lines.<< 7 1 >>Okay, here goes. Uh. << 13 1 >><< 2 1 4 >>Maybe you got the wrong number.<< 5 112 >><< 5 112 >><< 5 112 >><< 7 7 >><< 2 7 5 >>Not bad. How about some feeling this time? Some excitement.<< 7 1 >>I'm having trouble concentrating. All that barking is throwing me off.<< 7 7 >>Focus Joe. Find your motivation. Now, let's see happy.<< 7 1 >><< 2 1 1 >>Maybe you got the wrong number!<< 7 7 >>Good. Now I want angry.<< 7 1 >><< 2 1 3 >>Maybe you got the wrong number ---<< 7 7 >>Very nice. << 7 1 >><< 2 1 5 >><< 7 7 >>Now do whatever it says in the script.<< 7 1 >>But what if the script stops? What if the writer runs out of things for me to say and do? Is that it? End of story?<< 7 7 >><< 1 7 4 >>No no, not at all. Writers get stuck. It happens. Then they use the Idea Machine to get started again. They just push the old Lightbulb Button << 12 7 1 >><< 12 7 2 >>and there! Ideas, ideas, ideas. Ideas for lines, for actions, even for what the whole show might be about.<< 5 112 >><< 5 112 >><< 5 112 >> Okay, back to work Joe. Let's see some action.<< 1 7 5 >>Laugh.<< 7 1 >><< 2 1 11 >>Just like that? No jokes first, or anything?<< 7 7 >><< 1 7 4 >>Take it easy. Just throw yourself into it. Emote! Draw from your past.<< 7 1 >><< 2 1 9 >><< 13 1 >><< 1 1 3 >><< 13 1 >><< 2 1 5 >>Was that okay?<< 7 7 >>It was great. Three stars. Now cry.<< 7 1 >><< 2 1 11 >>Uh, well.<< 13 1 >><< 1 1 1 >><< 1 1 1 >><< 7 7 >>Excellent! Intense! << 7 1 >><< 1 1 4 >><< 2 1 1 >><< 7 7 >>Gee, nice action Joe. The pizza I mean. All the Hollywood 9 have actions they can do, like laughing and crying. And some actors can do totally special things<< 1 7 2 >>--- like me for instance << 2 7 1 >><< 1 7 1 >><< 7 1 >>Wow. You're amazing April.<< 7 7 >><< 1 7 4 >>It's nothing. It's all in the script. Now back to you. The writer might suddenly change your mood -- << 2 7 16 >>Show me nervous!<< 7 1 >><< 2 1 16 >><< 7 7 >>Great!<< 2 7 1 >>Now happy.<< 7 1 >><< 2 1 1 >><< 7 7 >>Yes.<< 2 7 5 >>Now scared.<< 7 1 >><< 2 1 9 >><< 7 7 >>Yes, yes. You're ready for sound effects and music.Turn around and walk over there, and don't come back in until you hear the music.<< 7 1 >><< 2 1 13 >><< 7 7 >>It's all in the script, just follow the script.<< 7 1 >><< 16 1 0 >>Okay April! I'm ready! << 5 1014 >><< 12 1 2 >><< 15 1 60 50 0 >><< 3 1 99 18 >><< 2 1 1 >><< 12 1 1 >><< 7 7 >><< 2 7 1 >>Such talent. All right Joe, now stay happy until you hear a scary sound.Then look frightened. Understand?<< 1 7 5 >><< 7 1 >>Dum dee dum dee dum << 5 1011 >><< 2 1 9 >><< 7 7 >>You're a genius!<< 7 1 >><< 2 1 1 >><< 7 2 >><< 5 709 >>April?<< 7 1 >><< 12 1 2 >><< 3 1 144 6 >><< 5 810 >><< 15 2 60 50 1 >><< 7 7 >><< 3 7 344 77 >><< 7 1 >><< 12 1 2 >><< 3 1 190 12 >><< 7 2 >><< 3 2 85 32 >><< 5 1125 >><< 7 7 >>Joe, here is the great Max DeBoss.<< 7 1 >><< 2 1 9 >><< 2 1 6 >><< 2 1 1 >>Hello sir.<< 7 2 >>You're lucky. Let's see Larry, Lucky.<< 7 1 >><< 2 1 3 >><< 5 1112 >>Maybe you got, the wrong number ---<< 7 2 >><< 2 2 8 >>Brilliant! Welcome to the Hollywood Ten Joe. << 5 1010 >><< 7 1 >><< 2 1 1 >><< 7 7 >><< 2 7 8 >><< 7 2 >>Take five and then meet us in Studio B, Lucky.<< 7 1 >>Thank you Sir!<< 12 1 1 >><< 16 1 0 >><< 7 7 >><< 12 7 1 >>It's the other way Joe!<< 5 1102 >><< 12 7 2 >><< 7 1 >><< 12 1 2 >><< 15 1 300 50 0 >><< 3 1 -32 1 >><< 16 1 1 >><< 5 810 >><< 7 2 >><< 12 2 2 >><< 16 2 1 >><< 7 7 >><< 16 7 1 >><< 7 0 >>Joe Lucky,a guy with a crazy dream, now a major Hollywood star and box office draw, winning awards for his sensitive portrayal of Larry, in The Big Mess, and Larry, in a Sad - Turn of Events! Word has it that Joe and the rest of the Hollywood Ten are working on a series of brand new shows, with an incredible but still undiscovered up and coming script writer.<< 5 1120 >>
Chunk: 0 << 8 14 0 \0 1 4 248 50 >><< 7 4 >><< 12 4 1 >><< 3 4 281 54 >><< 5 1006 >><< 7 0 >>You're about to meet Joe Lucky. He's a guy with a crazy dream: to be a Hollywood star...<< 7 1 >><< 15 1 -45 30 1 >><< 3 1 92 25 >><< 4 1 0 >><< 3 1 104 27 >><< 13 1 >><< 5 1006 >><< 7 4 >><< 12 4 2 >> Looking for someone?<< 7 1 >>Yes. I have an audition with Max DeBoss at 3:20. What was that creepy music for? What is this place?<< 5 112 >><< 5 112 >><< 7 4 >><< 2 4 1 >>Relax man. This is just one of the sets in Hollywood: the Mad Scientist's Lab set. << 4 4 2 >>You're early! << 1 4 6 >>You must be Lucky, huh?<< 7 1 >><< 2 1 1 >>Right! Joe Lucky, that's me! But who are you? You look very familiar. Have I seen you on TV or something?<< 7 4 >>You bet you have. I'm Cecil B DeBoy, one of the Hollywood Nine. Nine exclusive major talents appearing in just about every production that comes out of Hollywood. From features to shorts to sit coms, news, commercials, standup, you name it. Whatever the writers write.<< 5 112 >><< 5 112 >><< 5 112 >>But today I'm not working; just helping the boss with auditions.<< 7 1 >><< 2 1 8 >>Cool! Who are the writers?<< 7 4 >><< 2 4 14 >>People out there.<< 4 4 1 >><< 12 4 1 >><< 4 4 0 >><< 2 4 1 >><< 7 1 >>Huh. Out there on the other side of the screen?<< 4 1 1 >><< 12 1 2 >><< 12 1 1 >><< 7 1 >><< 1 1 5 >> Far out. Maybe Max DeBoss will cast me in a science fiction adventure flick set on Jupiter<< 13 1 >> if some writer out there writes a script like that.<< 2 1 1 >><< 12 1 1 >><< 7 4 >>You never know. Writers write all kinds of stuff in Hollywood.<< 5 112 >><< 5 112 >><< 5 112 >>And they get to choose all kinds of sets. Like this place. << 7 1 >><< 12 1 2 >><< 12 1 1 >><< 7 4 >>It's a jungle out there, or a rocketship, a diner, an operating room. About 20 sets in all.<< 2 4 1 >>Very inspiring if you ask me.<< 7 8 >><< 12 8 1 >><< 15 8 -45 30 1 >><< 3 8 36 45 >><< 5 1015 >><< 7 8 >>Oops! << 7 1 >><< 3 1 180 25 >><< 12 1 2 >><< 7 8 >>Wrong set!<< 2 8 1 >><< 3 8 28 47 >><< 7 8 >>They're waiting for me in the alley. Later dudes! << 12 8 2 >><< 16 8 1 >><< 7 1 >><< 1 1 3 >>Is he an actor too? Who does casting around here?<< 7 4 >><< 2 4 14 >>They do. The Big Shots. The writers, directors, producers out there.<< 7 1 >><< 2 1 8 >><< 3 1 117 27 >> << 12 1 1 >>Them again. Huh.<< 7 4 >>Yes. They might pick a whole bunch of us to be in their shows, or just me. I might be cast as a super hero, spy, vampire, whatever. There's this little button they press on the side panel, see?<< 7 1 >>Wow! I'd like to be a vampire.<< 5 112 >><< 5 112 >><< 5 112 >><< 7 4 >>Well, kid, maybe you'll be lucky.<< 1 4 2 >>Heh heh. Just kidding. Seriously though, they decide your role, your hobby, your mood, even your voice. If they want to, they can cast you as a crook or a cook with the voice of a little old lady who's into collecting insects.<< 7 1 >><< 2 1 13 >>This place sure is noisy. Is that your dog out there?<< 7 4 >>No, just a sound effect. There are hundreds of them in Hollywood.<< 7 7 >><< 5 1012 >><< 15 7 -45 30 1 >><< 3 7 58 48 >><< 7 1 >><< 3 1 209 5 >><< 12 1 2 >><< 7 7 >><< 2 7 5 >><< 1 7 2 >><< 4 7 2 >>Are you Lucky, or what?<< 7 1 >><< 2 1 1 >>I sure am. Joe Lucky, one lucky guy.<< 7 7 >>Well, Mister Lucky, I'm April Knowes, and Max sent me down to coach you on delivering lines - you'll be reading the part of Larry in The Big Mess, Max DeBoss's upcoming blockbuster which is shooting as we speak, over in Studio B. Problem is none of the Hollywood 9 can handle the role of Larry.<< 1 7 5 >>It's an extremely sensitive, challenging role. It requires masterful body language<< 4 7 1 >>and a range of facial expressions.<< 7 1 >><< 2 1 7 >><< 7 7 >>What we call poses and moods here in Hollywood. Everybody works on this constantly, Joe. Except the Narrator of course. The Narrator's just an offscreen voice that writers use once in a while, who knows why. Anyhow, let's get started.<< 7 4 >>See you later April. Good luck Lucky.<< 16 4 0 >><< 7 1 >>Poses, huh.<< 7 7 >><< 3 7 248 70 >><< 7 1 >><< 3 1 89 -8 >><< 7 7 >><< 12 7 2 >><< 7 1 >><< 12 1 1 >><< 7 7 >><< 3 7 301 69 >>You know, lean forward<< 7 1 >><< 4 1 1 >><< 7 7 >>Lean back<< 7 1 >><< 4 1 2 >><< 7 7 >>Stand up straight.<< 7 1 >><< 4 1 0 >><< 7 7 >>Good.<< 7 1 >><< 2 1 1 >>I'm warming up! Tell me something else to do!<< 7 7 >><< 2 7 1 >>Okay, let's see you lip sync some lines.<< 7 1 >><< 2 1 13 >>Uh, do what?<< 7 7 >>Down there. You say whatever words the writer writes in the script.<< 7 1 >><< 2 1 11 >><< 7 7 >><< 2 7 7 >> Your stage directions are down there too. It's The Big Mess. Just say your lines.<< 7 1 >>Okay, here goes. Uh. << 13 1 >><< 2 1 4 >>Maybe you got the wrong number.<< 5 112 >><< 5 112 >><< 5 112 >><< 7 7 >><< 2 7 5 >>Not bad. How about some feeling this time? Some excitement.<< 7 1 >>I'm having trouble concentrating. All that barking is throwing me off.<< 7 7 >>Focus Joe. Find your motivation. Now, let's see happy.<< 7 1 >><< 2 1 1 >>Maybe you got the wrong number!<< 7 7 >>Good. Now I want angry.<< 7 1 >><< 2 1 3 >>Maybe you got the wrong number ---<< 7 7 >>Very nice. << 7 1 >><< 2 1 5 >><< 7 7 >>Now do whatever it says in the script.<< 7 1 >>But what if the script stops? What if the writer runs out of things for me to say and do? Is that it? End of story?<< 7 7 >><< 1 7 4 >>No no, not at all. Writers get stuck. It happens. Then they use the Idea Machine to get started again. They just push the old Lightbulb Button << 12 7 1 >><< 12 7 2 >>and there! Ideas, ideas, ideas. Ideas for lines, for actions, even for what the whole show might be about.<< 5 112 >><< 5 112 >><< 5 112 >> Okay, back to work Joe. Let's see some action.<< 1 7 5 >>Laugh.<< 7 1 >><< 2 1 11 >>Just like that? No jokes first, or anything?<< 7 7 >><< 1 7 4 >>Take it easy. Just throw yourself into it. Emote! Draw from your past.<< 7 1 >><< 2 1 9 >><< 13 1 >><< 1 1 3 >><< 13 1 >><< 2 1 5 >>Was that okay?<< 7 7 >>It was great. Three stars. Now cry.<< 7 1 >><< 2 1 11 >>Uh, well.<< 13 1 >><< 1 1 1 >><< 1 1 1 >><< 7 7 >>Excellent! Intense! << 7 1 >><< 1 1 4 >><< 2 1 1 >><< 7 7 >>Gee, nice action Joe. The pizza I mean. All the Hollywood 9 have actions they can do, like laughing and crying. And some actors can do totally special things<< 1 7 2 >>--- like me for instance << 2 7 1 >><< 1 7 1 >><< 7 1 >>Wow. You're amazing April.<< 7 7 >><< 1 7 4 >>It's nothing. It's all in the script. Now back to you. The writer might suddenly change your mood -- << 2 7 16 >>Show me nervous!<< 7 1 >><< 2 1 16 >><< 7 7 >>Great!<< 2 7 1 >>Now happy.<< 7 1 >><< 2 1 1 >><< 7 7 >>Yes.<< 2 7 5 >>Now scared.<< 7 1 >><< 2 1 9 >><< 7 7 >>Yes, yes. You're ready for sound effects and music.Turn around and walk over there, and don't come back in until you hear the music.<< 7 1 >><< 2 1 13 >><< 7 7 >>It's all in the script, just follow the script.<< 7 1 >><< 16 1 0 >>Okay April! I'm ready! << 5 1014 >><< 12 1 2 >><< 15 1 60 50 0 >><< 3 1 99 18 >><< 2 1 1 >><< 12 1 1 >><< 7 7 >><< 2 7 1 >>Such talent. All right Joe, now stay happy until you hear a scary sound.Then look frightened. Understand?<< 1 7 5 >><< 7 1 >>Dum dee dum dee dum << 5 1011 >><< 2 1 9 >><< 7 7 >>You're a genius!<< 7 1 >><< 2 1 1 >><< 7 2 >><< 5 709 >>April?<< 7 1 >><< 12 1 2 >><< 3 1 144 6 >><< 5 810 >><< 15 2 60 50 1 >><< 7 7 >><< 3 7 344 77 >><< 7 1 >><< 12 1 2 >><< 3 1 190 12 >><< 7 2 >><< 3 2 85 32 >><< 5 1125 >><< 7 7 >>Joe, here is the great Max DeBoss.<< 7 1 >><< 2 1 9 >><< 2 1 6 >><< 2 1 1 >>Hello sir.<< 7 2 >>You're lucky. Let's see Larry, Lucky.<< 7 1 >><< 2 1 3 >><< 5 1112 >>Maybe you got, the wrong number ---<< 7 2 >><< 2 2 8 >>Brilliant! Welcome to the Hollywood Ten Joe. << 5 1010 >><< 7 1 >><< 2 1 1 >><< 7 7 >><< 2 7 8 >><< 7 2 >>Take five and then meet us in Studio B, Lucky.<< 7 1 >>Thank you Sir!<< 12 1 1 >><< 16 1 0 >><< 7 7 >><< 12 7 1 >>It's the other way Joe!<< 5 1102 >><< 12 7 2 >><< 7 1 >><< 12 1 2 >><< 15 1 300 50 0 >><< 3 1 -32 1 >><< 16 1 1 >><< 5 810 >><< 7 2 >><< 12 2 2 >><< 16 2 1 >><< 7 7 >><< 16 7 1 >><< 7 0 >>Joe Lucky,a guy with a crazy dream, now a major Hollywood star and box office draw, winning awards for his sensitive portrayal of Larry, in The Big Mess, and Larry, in a Sad - Turn of Events! Word has it that Joe and the rest of the Hollywood Ten are working on a series of brand new shows, with an incredible but still undiscovered up and coming script writer.<< 5 1120 >>
Chunk: 0 << 8 14 0 \0 1 4 248 50 >><< 7 4 >><< 12 4 1 >><< 3 4 281 54 >><< 5 1006 >><< 7 0 >>You're about to meet Joe Lucky. He's a guy with a crazy dream: to be a Hollywood star...<< 7 1 >><< 15 1 -45 30 1 >><< 3 1 92 25 >><< 4 1 0 >><< 3 1 104 27 >><< 13 1 >><< 5 1006 >><< 7 4 >><< 12 4 2 >> Looking for someone?<< 7 1 >>Yes. I have an audition with Max DeBoss at 3:20. What was that creepy music for? What is this place?<< 5 112 >><< 5 112 >><< 7 4 >><< 2 4 1 >>Relax man. This is just one of the sets in Hollywood: the Mad Scientist's Lab set. << 4 4 2 >>You're early! << 1 4 6 >>You must be Lucky, huh?<< 7 1 >><< 2 1 1 >>Right! Joe Lucky, that's me! But who are you? You look very familiar. Have I seen you on TV or something?<< 7 4 >>You bet you have. I'm Cecil B DeBoy, one of the Hollywood Nine. Nine exclusive major talents appearing in just about every production that comes out of Hollywood. From features to shorts to sit coms, news, commercials, standup, you name it. Whatever the writers write.<< 5 112 >><< 5 112 >><< 5 112 >>But today I'm not working; just helping the boss with auditions.<< 7 1 >><< 2 1 8 >>Cool! Who are the writers?<< 7 4 >><< 2 4 14 >>People out there.<< 4 4 1 >><< 12 4 1 >><< 4 4 0 >><< 2 4 1 >><< 7 1 >>Huh. Out there on the other side of the screen?<< 4 1 1 >><< 12 1 2 >><< 12 1 1 >><< 7 1 >><< 1 1 5 >> Far out. Maybe Max DeBoss will cast me in a science fiction adventure flick set on Jupiter<< 13 1 >> if some writer out there writes a script like that.<< 2 1 1 >><< 12 1 1 >><< 7 4 >>You never know. Writers write all kinds of stuff in Hollywood.<< 5 112 >><< 5 112 >><< 5 112 >>And they get to choose all kinds of sets. Like this place. << 7 1 >><< 12 1 2 >><< 12 1 1 >><< 7 4 >>It's a jungle out there, or a rocketship, a diner, an operating room. About 20 sets in all.<< 2 4 1 >>Very inspiring if you ask me.<< 7 8 >><< 12 8 1 >><< 15 8 -45 30 1 >><< 3 8 36 45 >><< 5 1015 >><< 7 8 >>Oops! << 7 1 >><< 3 1 180 25 >><< 12 1 2 >><< 7 8 >>Wrong set!<< 2 8 1 >><< 3 8 28 47 >><< 7 8 >>They're waiting for me in the alley. Later dudes! << 12 8 2 >><< 16 8 1 >><< 7 1 >><< 1 1 3 >>Is he an actor too? Who does casting around here?<< 7 4 >><< 2 4 14 >>They do. The Big Shots. The writers, directors, producers out there.<< 7 1 >><< 2 1 8 >><< 3 1 117 27 >> << 12 1 1 >>Them again. Huh.<< 7 4 >>Yes. They might pick a whole bunch of us to be in their shows, or just me. I might be cast as a super hero, spy, vampire, whatever. There's this little button they press on the side panel, see?<< 7 1 >>Wow! I'd like to be a vampire.<< 5 112 >><< 5 112 >><< 5 112 >><< 7 4 >>Well, kid, maybe you'll be lucky.<< 1 4 2 >>Heh heh. Just kidding. Seriously though, they decide your role, your hobby, your mood, even your voice. If they want to, they can cast you as a crook or a cook with the voice of a little old lady who's into collecting insects.<< 7 1 >><< 2 1 13 >>This place sure is noisy. Is that your dog out there?<< 7 4 >>No, just a sound effect. There are hundreds of them in Hollywood.<< 7 7 >><< 5 1012 >><< 15 7 -45 30 1 >><< 3 7 58 48 >><< 7 1 >><< 3 1 209 5 >><< 12 1 2 >><< 7 7 >><< 2 7 5 >><< 1 7 2 >><< 4 7 2 >>Are you Lucky, or what?<< 7 1 >><< 2 1 1 >>I sure am. Joe Lucky, one lucky guy.<< 7 7 >>Well, Mister Lucky, I'm April Knowes, and Max sent me down to coach you on delivering lines - you'll be reading the part of Larry in The Big Mess, Max's upcoming blockbuster which is shooting as we speak, over in Studio B. Problem is none of the Hollywood 9 can handle the role of Larry.<< 1 7 5 >>It's an extremely sensitive, challenging role. It requires masterful body language<< 4 7 1 >>and a range of facial expressions.<< 7 1 >><< 2 1 7 >><< 7 7 >>What we call poses and moods here in Hollywood. Everybody works on this constantly, Joe. Except the Narrator of course. The Narrator's just an offscreen voice that writers use once in a while, who knows why. Anyhow, let's get started.<< 7 4 >>See you later April. Good luck Lucky.<< 16 4 0 >><< 7 1 >>Poses, huh.<< 7 7 >><< 3 7 248 70 >><< 7 1 >><< 3 1 89 -8 >><< 7 7 >><< 12 7 2 >><< 7 1 >><< 12 1 1 >><< 7 7 >><< 3 7 301 69 >>You know, lean forward<< 7 1 >><< 4 1 1 >><< 7 7 >>Lean back<< 7 1 >><< 4 1 2 >><< 7 7 >>Stand up straight.<< 7 1 >><< 4 1 0 >><< 7 7 >>Good.<< 7 1 >><< 2 1 1 >>I'm warming up! Tell me something else to do!<< 7 7 >><< 2 7 1 >>Okay, let's see you lip sync some lines.<< 7 1 >><< 2 1 13 >>Uh, do what?<< 7 7 >>Down there. You say whatever words the writer writes in the script.<< 7 1 >><< 2 1 11 >><< 7 7 >><< 2 7 7 >> Your stage directions are down there too. It's The Big Mess. Just say your lines.<< 7 1 >>Okay, here goes. Uh. << 13 1 >><< 2 1 4 >>Maybe you got the wrong number.<< 5 112 >><< 5 112 >><< 5 112 >><< 7 7 >><< 2 7 5 >>Not bad. How about some feeling this time? Some excitement.<< 7 1 >>I'm having trouble concentrating. All that barking is throwing me off.<< 7 7 >>Focus Joe. Find your motivation. Now, let's see happy.<< 7 1 >><< 2 1 1 >>Maybe you got the wrong number!<< 7 7 >>Good. Now I want angry.<< 7 1 >><< 2 1 3 >>Maybe you got the wrong number ---<< 7 7 >>Very nice. << 7 1 >><< 2 1 5 >><< 7 7 >>Now do whatever it says in the script.<< 7 1 >>But what if the script stops? What if the writer runs out of things for me to say and do? Is that it? End of story?<< 7 7 >><< 1 7 4 >>No no, not at all. Writers get stuck. It happens. Then they use the Idea Machine to get started again. They just push the old Lightbulb Button << 12 7 1 >><< 12 7 2 >>and there! Ideas, ideas, ideas. Ideas for lines, for actions, even for what the whole show might be about.<< 5 112 >><< 5 112 >><< 5 112 >> Okay, back to work Joe. Let's see some action.<< 1 7 5 >>Laugh.<< 7 1 >><< 2 1 11 >>Just like that? No jokes first, or anything?<< 7 7 >><< 1 7 4 >>Take it easy. Just throw yourself into it. Emote! Draw from your past.<< 7 1 >><< 2 1 9 >><< 13 1 >><< 1 1 3 >><< 13 1 >><< 2 1 5 >>Was that okay?<< 7 7 >>It was great. Three stars. Now cry.<< 7 1 >><< 2 1 11 >>Uh, well.<< 13 1 >><< 1 1 1 >><< 1 1 1 >><< 7 7 >>Excellent! Intense! << 7 1 >><< 1 1 4 >><< 2 1 1 >><< 7 7 >>Gee, nice action Joe. The pizza I mean. All the Hollywood 9 have actions they can do, like laughing and crying. And some actors can do totally special things<< 1 7 2 >>--- like me for instance << 2 7 1 >><< 1 7 1 >><< 7 1 >>Wow. You're amazing April.<< 7 7 >><< 1 7 4 >>It's nothing. It's all in the script. Now back to you. The writer might suddenly change your mood -- << 2 7 16 >>Show me nervous!<< 7 1 >><< 2 1 16 >><< 7 7 >>Great!<< 2 7 1 >>Now happy.<< 7 1 >><< 2 1 1 >><< 7 7 >>Yes.<< 2 7 5 >>Now scared.<< 7 1 >><< 2 1 9 >><< 7 7 >>Yes, yes. You're ready for sound effects and music.Turn around and walk over there, and don't come back in until you hear the music.<< 7 1 >><< 2 1 13 >><< 7 7 >>It's all in the script, just follow the script.<< 7 1 >><< 16 1 0 >>Okay April! I'm ready! << 5 1014 >><< 12 1 2 >><< 15 1 60 50 0 >><< 3 1 99 18 >><< 2 1 1 >><< 12 1 1 >><< 7 7 >><< 2 7 1 >>Such talent. All right Joe, now stay happy until you hear a scary sound.Then look frightened. Understand?<< 1 7 5 >><< 7 1 >>Dum dee dum dee dum << 5 1011 >><< 2 1 9 >><< 7 7 >>You're a genius!<< 7 1 >><< 2 1 1 >><< 7 2 >><< 5 709 >>April?<< 7 1 >><< 12 1 2 >><< 3 1 144 6 >><< 5 810 >><< 15 2 60 50 1 >><< 7 7 >><< 3 7 344 77 >><< 7 1 >><< 12 1 2 >><< 3 1 190 12 >><< 7 2 >><< 3 2 85 32 >><< 5 1125 >><< 7 7 >>Joe, here is the great Max DeBoss.<< 7 1 >><< 2 1 9 >><< 2 1 6 >><< 2 1 1 >>Hello sir.<< 7 2 >>You're lucky. Let's see Larry, Lucky.<< 7 1 >><< 2 1 3 >><< 5 1112 >>Maybe you got, the wrong number ---<< 7 2 >><< 2 2 8 >>Brilliant! Welcome to the Hollywood Ten Joe. << 5 1010 >><< 7 1 >><< 2 1 1 >><< 7 7 >><< 2 7 8 >><< 7 2 >>Take five and then meet us in Studio B, Lucky.<< 7 1 >>Thank you sir!<< 12 1 1 >><< 16 1 0 >><< 7 7 >><< 12 7 1 >>It's the other way Joe!<< 5 1102 >><< 12 7 2 >><< 7 1 >><< 12 1 2 >><< 15 1 300 50 0 >><< 3 1 -32 1 >><< 16 1 1 >><< 5 810 >><< 7 2 >><< 12 2 2 >><< 16 2 1 >><< 7 7 >><< 16 7 1 >><< 7 0 >>Joe Lucky,a guy with a crazy dream, now a major Hollywood star and box office draw, winning awards for his sensitive portrayal of Larry, in The Big Mess. Word has it that Joe and the rest of the Hollywood Ten are working on a series of brand new shows, with an incredible but still undiscovered up and coming script writer.<< 5 1120 >>
Chunk: 0 << 8 14 0 \0 1 4 248 50 >><< 7 4 >><< 12 4 1 >><< 3 4 281 54 >><< 5 1006 >><< 7 0 >>You're about to meet Joe Lucky. He's a guy with a crazy dream: to be a Hollywood star...<< 7 1 >><< 15 1 -45 30 1 >><< 3 1 92 25 >><< 4 1 0 >><< 3 1 104 27 >><< 13 1 >><< 5 1006 >><< 7 4 >><< 12 4 2 >> Looking for someone?<< 7 1 >>Yes. I have an audition with Max DeBoss at 3:20. What was that creepy music for? What is this place?<< 5 112 >><< 5 112 >><< 7 4 >><< 2 4 1 >>Relax man. This is just one of the sets in Hollywood: the Mad Scientist's Lab set. << 4 4 2 >>You're early! << 1 4 6 >>You must be Lucky, huh?<< 7 1 >><< 2 1 1 >>Right! Joe Lucky, that's me! But who are you? You look very familiar. Have I seen you on TV or something?<< 7 4 >>You bet you have. I'm Cecil B DeBoy, one of the Hollywood Nine. Nine exclusive major talents appearing in just about every production that comes out of Hollywood. From features to shorts to sit coms, news, commercials, standup, you name it. Whatever the writers write.<< 5 112 >><< 5 112 >><< 5 112 >>But today I'm not working; just helping the boss with auditions.<< 7 1 >><< 2 1 8 >>Cool! Who are the writers?<< 7 4 >><< 2 4 14 >>People out there.<< 4 4 1 >><< 12 4 1 >><< 4 4 0 >><< 2 4 1 >><< 7 1 >>Huh. Out there on the other side of the screen?<< 4 1 1 >><< 12 1 2 >><< 12 1 1 >><< 7 1 >><< 1 1 5 >> Far out. Maybe Max DeBoss will cast me in a science fiction adventure flick set on Jupiter<< 13 1 >> if some writer out there writes a script like that.<< 2 1 1 >><< 12 1 1 >><< 7 4 >>You never know. Writers write all kinds of stuff in Hollywood.<< 5 112 >><< 5 112 >><< 5 112 >>And they get to choose all kinds of sets. Like this place. << 7 1 >><< 12 1 2 >><< 12 1 1 >><< 7 4 >>It's a jungle out there, or a rocketship, a diner, an operating room. About 20 sets in all.<< 2 4 1 >>Very inspiring if you ask me.<< 7 8 >><< 12 8 1 >><< 15 8 -45 30 1 >><< 3 8 36 45 >><< 5 1015 >><< 7 8 >>Oops! << 7 1 >><< 3 1 180 25 >><< 12 1 2 >><< 7 8 >>Wrong set!<< 2 8 1 >><< 3 8 28 47 >><< 7 8 >>They're waiting for me in the alley. Later dudes! << 12 8 2 >><< 16 8 1 >><< 7 1 >><< 1 1 3 >>Is he an actor too? Who does casting around here?<< 7 4 >><< 2 4 14 >>They do. The Big Shots. The writers, directors, producers out there.<< 7 1 >><< 2 1 8 >><< 3 1 117 27 >> << 12 1 1 >>Them again. Huh.<< 7 4 >>Yes. They might pick a whole bunch of us to be in their shows, or just me. I might be cast as a super hero, spy, vampire, whatever. There's this little button they press on the side panel, see?<< 7 1 >>Wow! I'd like to be a vampire.<< 5 112 >><< 5 112 >><< 5 112 >><< 7 4 >>Well, kid, maybe you'll be lucky.<< 1 4 2 >>Heh heh. Just kidding. Seriously though, they decide your role, your hobby, your mood, even your voice. If they want to, they can cast you as a crook or a cook with the voice of a little old lady who's into collecting insects.<< 7 1 >><< 2 1 13 >>This place sure is noisy. Is that your dog out there?<< 7 4 >>No, just a sound effect. There are hundreds of them in Hollywood.<< 7 7 >><< 5 1012 >><< 15 7 -45 30 1 >><< 3 7 58 48 >><< 7 1 >><< 3 1 209 5 >><< 12 1 2 >><< 7 7 >><< 2 7 5 >><< 1 7 2 >><< 4 7 2 >>Are you Lucky, or what?<< 7 1 >><< 2 1 1 >>I sure am. Joe Lucky, one lucky guy.<< 7 7 >>Well, Mister Lucky, I'm April Knowes, and Max sent me down to coach you on delivering lines - you'll be reading the part of Larry in The Big Mess, Max's upcoming blockbuster which is shooting as we speak, over in Studio B. Problem is none of the Hollywood 9 can handle the role of Larry.<< 1 7 5 >>It's an extremely sensitive, challenging role. It requires masterful body language<< 4 7 1 >>and a range of facial expressions.<< 7 1 >><< 2 1 7 >><< 7 7 >>What we call poses and moods here in Hollywood. Everybody works on this constantly, Joe. Except the Narrator of course. The Narrator's just an offscreen voice that writers use once in a while, who knows why. Anyhow, let's get started.<< 7 4 >>See you later April. Good luck Lucky.<< 16 4 0 >><< 7 1 >>Poses, huh.<< 7 7 >><< 3 7 248 70 >><< 7 1 >><< 3 1 89 -8 >><< 7 7 >><< 12 7 2 >><< 7 1 >><< 12 1 1 >><< 7 7 >><< 3 7 301 69 >>You know, lean forward<< 7 1 >><< 4 1 1 >><< 7 7 >>Lean back<< 7 1 >><< 4 1 2 >><< 7 7 >>Stand up straight.<< 7 1 >><< 4 1 0 >><< 7 7 >>Good.<< 7 1 >><< 2 1 1 >>I'm warming up! Tell me something else to do!<< 7 7 >><< 2 7 1 >>Okay, let's see you lip sync some lines.<< 7 1 >><< 2 1 13 >>Uh, do what?<< 7 7 >>Down there. You say whatever words the writer writes in the script.<< 7 1 >><< 2 1 11 >><< 7 7 >><< 2 7 7 >> Your stage directions are down there too. It's The Big Mess. Just say your lines.<< 7 1 >>Okay, here goes. Uh. << 13 1 >><< 2 1 4 >>Maybe you got the wrong number.<< 5 112 >><< 5 112 >><< 7 7 >><< 2 7 5 >>Not bad. How about some feeling this time? Some excitement.<< 7 1 >>I'm having trouble concentrating. All that barking is throwing me off.<< 7 7 >>Focus Joe. Find your motivation. Now, let's see happy.<< 7 1 >><< 2 1 1 >>Maybe you got the wrong number!<< 7 7 >>Good. Now I want angry.<< 7 1 >><< 2 1 3 >>Maybe you got the wrong number ---<< 7 7 >>Very nice. << 7 1 >><< 2 1 5 >><< 7 7 >>Now do whatever it says in the script.<< 7 1 >>But what if the script stops? What if the writer runs out of things for me to say and do? Is that it? End of story?<< 7 7 >><< 1 7 4 >>No no, not at all. Writers get stuck. It happens. Then they use the Idea Machine to get started again. They just push the old Lightbulb Button << 12 7 1 >><< 12 7 2 >>and there! Ideas, ideas, ideas. Ideas for lines, for actions, even for what the whole show might be about.<< 5 112 >><< 5 112 >> Okay, back to work Joe. Let's see some action.<< 1 7 5 >>Laugh.<< 7 1 >><< 2 1 11 >>Just like that? No jokes first, or anything?<< 7 7 >><< 1 7 4 >>Take it easy. Just throw yourself into it. Emote! Draw from your past.<< 7 1 >><< 2 1 9 >><< 13 1 >><< 1 1 3 >><< 13 1 >><< 2 1 5 >>Was that okay?<< 7 7 >>It was great. Three stars. Now cry.<< 7 1 >><< 2 1 11 >>Uh, well.<< 13 1 >><< 1 1 1 >><< 1 1 1 >><< 7 7 >>Excellent! Intense! << 7 1 >><< 1 1 4 >><< 2 1 1 >><< 7 7 >>Gee, nice action Joe. The pizza I mean. All the Hollywood 9 have actions they can do, like laughing and crying. And some actors can do totally special things<< 1 7 2 >>--- like me for instance << 2 7 1 >><< 1 7 1 >><< 7 1 >>Wow. You're amazing April.<< 7 7 >><< 1 7 4 >>It's nothing. It's all in the script. Now back to you. The writer might suddenly change your mood -- << 2 7 16 >>Show me nervous!<< 7 1 >><< 2 1 16 >><< 7 7 >>Great!<< 2 7 1 >>Now happy.<< 7 1 >><< 2 1 1 >><< 7 7 >>Yes.<< 2 7 5 >>Now scared.<< 7 1 >><< 2 1 9 >><< 7 7 >>Yes, yes. You're ready for sound effects and music.Turn around and walk over there, and don't come back in until you hear the music.<< 7 1 >><< 2 1 13 >><< 7 7 >>It's all in the script, just follow the script.<< 7 1 >><< 16 1 0 >>Okay April! I'm ready! << 5 1014 >><< 12 1 2 >><< 15 1 60 50 0 >><< 3 1 99 18 >><< 2 1 1 >><< 12 1 1 >><< 7 7 >><< 2 7 1 >>Such talent. All right Joe, now stay happy until you hear a scary sound.Then look frightened. Understand?<< 1 7 5 >><< 7 1 >>Dum dee dum dee dum << 5 1011 >><< 2 1 9 >><< 7 7 >>You're a genius!<< 7 1 >><< 2 1 1 >><< 7 2 >><< 5 709 >>April?<< 7 1 >><< 12 1 2 >><< 3 1 144 6 >><< 5 810 >><< 15 2 60 50 1 >><< 7 7 >><< 3 7 344 77 >><< 7 1 >><< 12 1 2 >><< 3 1 190 12 >><< 7 2 >><< 3 2 85 32 >><< 5 1125 >><< 7 7 >>Joe, here is the great Max DeBoss.<< 7 1 >><< 2 1 9 >><< 2 1 6 >><< 2 1 1 >>Hello sir.<< 7 2 >>You're lucky. Let's see Larry, Lucky.<< 7 1 >><< 2 1 3 >><< 5 1112 >>Maybe you got, the wrong number ---<< 7 2 >><< 2 2 8 >>Brilliant! Welcome to the Hollywood Ten Joe. << 5 1010 >><< 7 1 >><< 2 1 1 >><< 7 7 >><< 2 7 8 >><< 7 2 >>Take five and then meet us in Studio B, Lucky.<< 7 1 >>Thank you sir!<< 12 1 1 >><< 16 1 0 >><< 7 7 >><< 12 7 1 >>It's the other way Joe!<< 5 1102 >><< 12 7 2 >><< 7 1 >><< 12 1 2 >><< 15 1 300 50 0 >><< 3 1 -32 1 >><< 16 1 1 >><< 5 810 >><< 7 2 >><< 12 2 2 >><< 16 2 1 >><< 7 7 >><< 16 7 1 >><< 7 0 >>Joe Lucky,a guy with a crazy dream, now a major Hollywood star and box office draw, winning awards for his sensitive portrayal of Larry, in The Big Mess. Word has it that Joe and the rest of the Hollywood Ten are working on a series of brand new shows, with an incredible but still undiscovered up and coming script writer.<< 5 1120 >>
Chunk: 0 << 8 14 0 \0 1 4 248 50 >><< 7 4 >><< 12 4 1 >><< 3 4 281 54 >><< 5 1006 >><< 7 0 >>You're about to meet Joe Lucky. He's a guy with a crazy dream: to be a Hollywood star...<< 7 1 >><< 15 1 -45 30 1 >><< 3 1 92 25 >><< 4 1 0 >><< 3 1 104 27 >><< 13 1 >><< 5 1006 >><< 7 4 >><< 12 4 2 >> Looking for someone?<< 7 1 >>Yes. I have an audition with Max DeBoss at 3:20. What was that creepy music for? What is this place?<< 5 112 >><< 5 112 >><< 7 4 >><< 2 4 1 >>Relax man. This is just one of the sets in Hollywood: the Mad Scientist's Lab set. << 4 4 2 >>You're early! << 1 4 6 >>You must be Lucky, huh?<< 7 1 >><< 2 1 1 >>Right! Joe Lucky, that's me! But who are you? You look very familiar. Have I seen you on TV or something?<< 7 4 >>You bet you have. I'm Cecil DeBoy, one of the Hollywood Nine. Nine exclusive major talents appearing in just about every production that comes out of Hollywood. From features to shorts to sit coms, news, commercials, standup, you name it. Whatever the writers write.<< 5 112 >><< 5 112 >><< 5 112 >>But today I'm not working; just helping the boss with auditions.<< 7 1 >><< 2 1 8 >>Cool! Who are the writers?<< 7 4 >><< 2 4 14 >>People out there.<< 4 4 1 >><< 12 4 1 >><< 4 4 0 >><< 2 4 1 >><< 7 1 >>Huh. Out there on the other side of the screen?<< 4 1 1 >><< 12 1 2 >><< 12 1 1 >><< 7 1 >><< 1 1 5 >> Far out. Maybe Max DeBoss will cast me in a science fiction adventure flick set on Jupiter<< 13 1 >> if some writer out there writes a script like that.<< 2 1 1 >><< 12 1 1 >><< 7 4 >>You never know. Writers write all kinds of stuff in Hollywood.<< 5 112 >><< 5 112 >>And they get to choose all kinds of sets. Like this place. << 7 1 >><< 12 1 2 >><< 12 1 1 >><< 7 4 >>It's a jungle out there, or a rocketship, a diner, an operating room. About 20 sets in all.<< 2 4 1 >>Very inspiring if you ask me.<< 7 8 >><< 12 8 1 >><< 15 8 -45 30 1 >><< 3 8 36 45 >><< 5 1015 >><< 7 8 >>Oops! << 7 1 >><< 3 1 180 25 >><< 12 1 2 >><< 7 8 >>Wrong set!<< 2 8 1 >><< 3 8 28 47 >><< 7 8 >>They're waiting for me in the alley. Later, dudes! << 12 8 2 >><< 16 8 1 >><< 7 1 >><< 1 1 3 >>Is he an actor too? Who does casting around here?<< 7 4 >><< 2 4 14 >>They do. The Big Shots. The writers, directors, producers out there.<< 7 1 >><< 2 1 8 >><< 3 1 117 27 >> << 12 1 1 >>Them again. Huh.<< 7 4 >>Yes. They might pick a whole bunch of us to be in their shows, or just me. I might be cast as a super hero, spy, vampire, whatever. There's this little button they press on the side panel, see?<< 7 1 >>Wow! I'd like to be a vampire.<< 5 112 >><< 5 112 >><< 5 112 >><< 7 4 >>Well, kid, maybe you'll be lucky.<< 1 4 2 >>Heh heh. Just kidding. Seriously though, they decide your role, your hobby, your mood, even your voice. If they want to, they can cast you as a crook or a cook with the voice of a little old lady who's into collecting insects.<< 7 1 >><< 2 1 13 >>This place sure is noisy. Is that your dog out there?<< 7 4 >>No, just a sound effect. There are hundreds of them in Hollywood.<< 7 7 >><< 5 1012 >><< 15 7 -45 30 1 >><< 3 7 58 48 >><< 7 1 >><< 3 1 209 5 >><< 12 1 2 >><< 7 7 >><< 2 7 5 >><< 1 7 2 >><< 4 7 2 >>Are you Lucky, or what?<< 7 1 >><< 2 1 1 >>I sure am. Joe Lucky, one lucky guy.<< 7 7 >>Well, Mister Lucky, I'm April Knowes, and Max sent me down to coach you on delivering lines - you'll be reading the part of Larry in The Big Mess, Max's upcoming blockbuster which is shooting as we speak, over in Studio B. Problem is none of the Hollywood 9 can handle the role of Larry.<< 1 7 5 >>It's an extremely sensitive, challenging role. It requires masterful body language<< 4 7 1 >>and a range of facial expressions.<< 7 1 >><< 2 1 7 >><< 7 7 >>What we call poses and moods here in Hollywood. Everybody works on this constantly, Joe. Except the Narrator of course. The Narrator's just an offscreen voice that writers use once in a while, who knows why. Anyhow, let's get started.<< 7 4 >>See you later April. Good luck Lucky.<< 16 4 0 >><< 7 1 >>Poses, huh.<< 7 7 >><< 3 7 248 70 >><< 7 1 >><< 3 1 89 -8 >><< 7 7 >><< 12 7 2 >><< 7 1 >><< 12 1 1 >><< 4 1 0 >><< 7 7 >><< 3 7 301 69 >>You know, lean forward<< 7 1 >><< 4 1 1 >><< 7 7 >>Lean back<< 7 1 >><< 4 1 2 >><< 7 7 >>Stand up straight.<< 7 1 >><< 4 1 0 >><< 7 7 >>Good.<< 7 1 >><< 2 1 1 >>I'm warming up! Tell me something else to do!<< 7 7 >><< 2 7 1 >>Okay, let's see you lip sync some lines.<< 7 1 >><< 2 1 13 >>Uh, do what?<< 7 7 >>Down there. You say whatever words the writer writes in the script.<< 7 1 >><< 2 1 11 >><< 7 7 >><< 2 7 7 >> Your stage directions are down there too. It's The Big Mess. Just say your lines.<< 7 1 >>Okay, here goes. Uh. << 13 1 >><< 2 1 4 >>Maybe you got the wrong number.<< 5 112 >><< 5 112 >><< 7 7 >><< 2 7 5 >>Not bad. How about some feeling this time? Some excitement.<< 7 1 >>I'm having trouble concentrating. All that barking is throwing me off.<< 7 7 >>Focus Joe. Find your motivation. Now, let's see happy.<< 7 1 >><< 2 1 1 >>Maybe you got the wrong number!<< 7 7 >>Good. Now I want angry.<< 7 1 >><< 2 1 3 >>Maybe you got the wrong number ---<< 7 7 >>Very nice. << 7 1 >><< 2 1 5 >><< 7 7 >>Now do whatever it says in the script.<< 7 1 >>But what if the script stops? What if the writer runs out of things for me to say and do? Is that it? End of story?<< 7 7 >><< 1 7 4 >>No no, not at all. Writers get stuck. It happens. Then they use the Idea Machine to get started again. They just push the old Lightbulb Button << 12 7 1 >><< 12 7 2 >>and there! Ideas, ideas, ideas. Ideas for lines, for actions, even for what the whole show might be about.<< 5 112 >><< 5 112 >> Okay, back to work Joe. Let's see some action.<< 1 7 5 >>Laugh.<< 7 1 >><< 2 1 11 >>Just like that? No jokes first, or anything?<< 7 7 >><< 1 7 4 >>Take it easy. Just throw yourself into it. Emote! Draw from your past.<< 7 1 >><< 2 1 9 >><< 13 1 >><< 1 1 3 >><< 13 1 >><< 2 1 5 >>Was that okay?<< 7 7 >>It was great. Three stars. Now cry.<< 7 1 >><< 2 1 11 >>Uh, well.<< 13 1 >><< 1 1 1 >><< 1 1 1 >><< 7 7 >>Excellent! Intense! << 7 1 >><< 1 1 4 >><< 2 1 1 >><< 7 7 >>Gee, nice action Joe. The pizza I mean. All the Hollywood 9 have actions they can do, like laughing and crying. And some actors can do totally special things<< 1 7 2 >>--- like me for instance << 2 7 1 >><< 1 7 1 >><< 7 1 >>Wow. You're amazing April.<< 7 7 >><< 1 7 4 >>It's nothing. It's all in the script. Now back to you. The writer might suddenly change your mood -- << 2 7 16 >>Show me nervous!<< 7 1 >><< 2 1 16 >><< 7 7 >>Great!<< 2 7 1 >>Now happy.<< 7 1 >><< 2 1 1 >><< 7 7 >>Yes.<< 2 7 5 >>Now scared.<< 7 1 >><< 2 1 9 >><< 7 7 >>Yes, yes. You're ready for sound effects and music. Turn around and walk over there, and don't come back in until you hear the music.<< 7 1 >><< 2 1 13 >><< 7 7 >>It's all in the script, just follow the script.<< 7 1 >><< 16 1 0 >>Okay April! I'm ready! << 5 1014 >><< 12 1 2 >><< 15 1 395 50 0 >><< 3 1 96 28 >><< 4 1 1 >><< 4 1 0 >><< 2 1 1 >><< 12 1 1 >><< 7 7 >><< 2 7 1 >>Such talent. All right Joe, now stay happy until you hear a scary sound.Then look frightened. Understand?<< 1 7 5 >><< 7 1 >>Dum dee dum dee dum << 5 1011 >><< 2 1 9 >><< 7 7 >>You're a genius!<< 7 1 >><< 2 1 1 >><< 7 2 >><< 5 709 >>April?<< 7 1 >><< 12 1 2 >><< 3 1 144 6 >><< 5 810 >><< 15 2 60 50 1 >><< 7 7 >><< 3 7 344 77 >><< 7 1 >><< 12 1 2 >><< 3 1 190 12 >><< 7 2 >><< 3 2 85 32 >><< 5 1125 >><< 7 7 >>Joe, here is the great Max DeBoss.<< 7 1 >><< 2 1 9 >><< 2 1 6 >><< 2 1 1 >>Hello sir.<< 7 2 >>You're lucky. Let's see Larry, Lucky.<< 7 1 >><< 2 1 3 >><< 5 1112 >>Maybe you got, the wrong number ---<< 7 2 >><< 2 2 8 >>Brilliant! Welcome to the Hollywood Ten Joe. << 5 1010 >><< 7 1 >><< 2 1 1 >><< 7 7 >><< 2 7 8 >><< 7 2 >>Take five and then meet us in Studio B, Lucky.<< 7 1 >>Thank you sir!<< 12 1 1 >><< 16 1 0 >><< 7 7 >><< 12 7 1 >>It's the other way Joe!<< 5 1102 >><< 12 7 2 >><< 7 1 >><< 12 1 2 >><< 15 1 300 50 0 >><< 3 1 -32 1 >><< 16 1 1 >><< 5 810 >><< 7 2 >><< 12 2 2 >><< 16 2 1 >><< 7 7 >><< 16 7 1 >><< 7 0 >>Joe Lucky,a guy with a crazy dream, now a major Hollywood star and box office draw, winning awards for his sensitive portrayal of Larry, in The Big Mess. Word has it that Joe and the rest of the Hollywood Ten are working on a series of brand new shows, with an incredible but still undiscovered up and coming script writer.<< 5 1120 >>
Chunk: 0 << 8 14 0 \0 1 4 248 50 >><< 7 4 >><< 12 4 1 >><< 3 4 281 54 >><< 5 1006 >><< 7 0 >>You're about to meet Joe Lucky. He's a guy with a crazy dream: to be a Hollywood star...<< 7 1 >><< 15 1 -45 30 1 >><< 3 1 92 25 >><< 4 1 0 >><< 3 1 104 27 >><< 13 1 >><< 5 1006 >><< 7 4 >><< 12 4 2 >> Looking for someone?<< 7 1 >>Yes. I have an audition with Max DeBoss at 3:20. What was that creepy music for? What is this place?<< 5 112 >><< 5 112 >><< 7 4 >><< 2 4 1 >>Relax man. This is just one of the sets in Hollywood: the Mad Scientist's Lab set. << 4 4 2 >>You're early! << 1 4 6 >>You must be Lucky, huh?<< 7 1 >><< 2 1 1 >>Right! Joe Lucky, that's me! But who are you? You look very familiar. Have I seen you on TV or something?<< 7 4 >>You bet you have. I'm Cecil DeBoy, one of the Hollywood Nine. Nine exclusive major talents appearing in just about every production that comes out of Hollywood. From features to shorts to sit coms, news, commercials, standup, you name it. Whatever the writers write.<< 5 112 >><< 5 112 >><< 5 112 >>But today I'm not working; just helping the boss with auditions.<< 7 1 >><< 2 1 8 >>Cool! Who are the writers?<< 7 4 >><< 2 4 14 >>People out there.<< 4 4 1 >><< 12 4 1 >><< 4 4 0 >><< 2 4 1 >><< 7 1 >>Huh. Out there on the other side of the screen?<< 4 1 1 >><< 12 1 2 >><< 12 1 1 >><< 7 1 >><< 1 1 5 >> Far out. Maybe Max DeBoss will cast me in a science fiction adventure flick set on Jupiter<< 13 1 >> if some writer out there writes a script like that.<< 2 1 1 >><< 12 1 1 >><< 7 4 >>You never know. Writers write all kinds of stuff in Hollywood.<< 5 112 >><< 5 112 >>And they get to choose all kinds of sets. Like this place. << 7 1 >><< 12 1 2 >><< 12 1 1 >><< 7 4 >>It's a jungle out there, or a rocketship, a diner, an operating room. About 20 sets in all.<< 2 4 1 >>Very inspiring if you ask me.<< 7 8 >><< 12 8 1 >><< 15 8 -45 30 1 >><< 3 8 36 45 >><< 5 1015 >><< 7 8 >>Oops! << 7 1 >><< 3 1 180 25 >><< 12 1 2 >><< 7 8 >>Wrong set!<< 2 8 1 >><< 3 8 28 47 >><< 7 8 >>They're waiting for me in the alley. Later dudes! << 12 8 2 >><< 16 8 1 >><< 7 1 >><< 1 1 3 >>Is he an actor too? Who does casting around here?<< 7 4 >><< 2 4 14 >>They do. The Big Shots. The writers, directors, producers out there.<< 7 1 >><< 2 1 8 >><< 3 1 117 27 >> << 12 1 1 >>Them again. Huh.<< 7 4 >>Yes. They might pick a whole bunch of us to be in their shows, or just me. I might be cast as a super hero, spy, vampire, whatever. There's this little Character button on the side panel, see?<< 7 1 >>Wow! I'd like to be a vampire.<< 5 112 >><< 5 112 >><< 5 112 >><< 7 4 >>Well, kid, maybe you'll be lucky.<< 1 4 2 >> Just kidding. Seriously though, they decide your role, your hobby, your mood, even your voice. If they want to, they can cast you as a crook or a cook with the voice of a little old lady who's into collecting insects.<< 7 1 >><< 2 1 13 >>This place sure is noisy. Is that your dog out there?<< 7 4 >>No, just a sound effect. There are hundreds of them in Hollywood.<< 7 7 >><< 5 1012 >><< 15 7 -45 30 1 >><< 3 7 58 48 >><< 7 1 >><< 3 1 209 5 >><< 12 1 2 >><< 7 7 >><< 2 7 5 >><< 1 7 2 >><< 4 7 2 >>Are you Lucky, or what?<< 7 1 >><< 2 1 1 >>I sure am. Joe Lucky, one lucky guy.<< 7 7 >>Well, Mister Lucky, I'm April Knowes, and Max sent me down to coach you on delivering lines - you'll be reading the part of Larry in The Big Mess, Max's upcoming blockbuster which is shooting as we speak, over in Studio B. Problem is none of the Hollywood 9 can handle the role of Larry.<< 1 7 5 >>It's an extremely sensitive, challenging role. It requires masterful body language<< 4 7 1 >>and a range of facial expressions.<< 7 1 >><< 2 1 7 >><< 7 7 >>What we call poses and moods here in Hollywood. Everybody works on this constantly Joe. Except the Narrator of course. The Narrator's just an offscreen voice that writers use once in a while, who knows why. Anyhow, let's get started.<< 7 4 >>See you later April. Good luck Lucky.<< 16 4 0 >><< 7 1 >>Poses, huh.<< 7 7 >><< 3 7 248 70 >><< 7 1 >><< 3 1 89 -8 >><< 7 7 >><< 12 7 2 >><< 7 1 >><< 12 1 1 >><< 4 1 0 >><< 7 7 >><< 3 7 301 69 >>You know, lean forward<< 7 1 >><< 4 1 1 >><< 7 7 >>Lean back<< 7 1 >><< 4 1 2 >><< 7 7 >>Stand up straight.<< 7 1 >><< 4 1 0 >><< 7 7 >>Good.<< 7 1 >><< 2 1 1 >>I'm warming up! Tell me something else to do!<< 7 7 >><< 2 7 1 >>Okay, let's see you lip sync some lines.<< 7 1 >><< 2 1 13 >>Uh, do what?<< 7 7 >>Down there. You say whatever words the writer writes in the script.<< 7 1 >><< 2 1 11 >><< 7 7 >><< 2 7 7 >> Your stage directions are down there too. It's The Big Mess. Just say your lines.<< 7 1 >>Okay, here goes. Uh. << 13 1 >><< 2 1 4 >>Maybe you got the wrong number.<< 5 112 >><< 5 112 >><< 7 7 >><< 2 7 5 >>Not bad. How about some feeling this time? Some excitement.<< 7 1 >>I'm having trouble concentrating. All that barking is throwing me off.<< 7 7 >>Focus Joe. Find your motivation. Now, let's see happy.<< 7 1 >><< 2 1 1 >>Maybe you got the wrong number!<< 7 7 >>Good. Now I want angry.<< 7 1 >><< 2 1 3 >>Maybe you got the wrong number ---<< 7 7 >>Very nice. << 7 1 >><< 2 1 5 >><< 7 7 >>Now do whatever it says in the script.<< 7 1 >>But what if the script stops? What if the writer runs out of things for me to say and do? Is that it? End of story?<< 7 7 >><< 1 7 4 >>No no, not at all. Writers get stuck. It happens. Then they use the Idea Machine to get started again. They just push the old Lightbulb Button << 12 7 1 >><< 12 7 2 >>and there! Ideas, ideas, ideas. Ideas for lines, for actions, even for what the whole show might be about.<< 5 112 >><< 5 112 >> Okay, back to work Joe. Let's see some action.<< 1 7 5 >>Laugh.<< 7 1 >><< 2 1 11 >>Just like that? No jokes first, or anything?<< 7 7 >><< 1 7 4 >>Take it easy. Just throw yourself into it. Emote! Draw from your past.<< 7 1 >><< 2 1 9 >><< 13 1 >><< 1 1 3 >><< 13 1 >><< 2 1 5 >>Was that okay?<< 7 7 >>It was great. Three stars. Now cry.<< 7 1 >><< 2 1 11 >>Uh, well.<< 13 1 >><< 1 1 1 >><< 1 1 1 >><< 7 7 >>Excellent! Intense! << 7 1 >><< 1 1 4 >><< 2 1 1 >><< 7 7 >>Gee, nice action Joe. The pizza I mean. All the Hollywood 9 have actions they can do, like laughing and crying. And some actors can do totally special things<< 1 7 2 >>--- like me for instance << 2 7 1 >><< 1 7 1 >><< 7 1 >>Wow. You're amazing April.<< 7 7 >><< 1 7 4 >>It's nothing. It's all in the script. Now back to you. The writer might suddenly change your mood -- << 2 7 16 >>Show me nervous!<< 7 1 >><< 2 1 16 >><< 7 7 >>Great!<< 2 7 1 >>Now happy.<< 7 1 >><< 2 1 1 >><< 7 7 >>Yes.<< 2 7 5 >>Now scared.<< 7 1 >><< 2 1 9 >><< 7 7 >>Yes, yes. You're ready for sound effects and music. Turn around and walk over there, and don't come back in until you hear the music.<< 7 1 >><< 2 1 13 >><< 7 7 >>It's all in the script, just follow the script.<< 7 1 >><< 16 1 0 >>Okay April! I'm ready! << 5 1014 >><< 12 1 2 >><< 15 1 395 50 0 >><< 3 1 96 28 >><< 4 1 1 >><< 4 1 0 >><< 2 1 1 >><< 12 1 1 >><< 7 7 >><< 2 7 1 >>Such talent. All right Joe, now stay happy until you hear a scary sound.Then look frightened. Understand?<< 1 7 5 >><< 7 1 >>Dum dee dum dee dum << 5 1011 >><< 2 1 9 >><< 7 7 >>You're a genius!<< 7 1 >><< 2 1 1 >><< 7 2 >><< 5 709 >>April?<< 7 1 >><< 12 1 2 >><< 3 1 144 6 >><< 5 810 >><< 15 2 60 50 1 >><< 7 7 >><< 3 7 344 77 >><< 7 1 >><< 12 1 2 >><< 3 1 190 12 >><< 7 2 >><< 3 2 85 32 >><< 5 1125 >><< 7 7 >>Joe, here is the great Max DeBoss.<< 7 1 >><< 2 1 9 >><< 2 1 6 >><< 2 1 1 >>Hello sir.<< 7 2 >>You're lucky. Let's see Larry, Lucky.<< 7 1 >><< 2 1 3 >><< 5 1112 >>Maybe you got, the wrong number ---<< 7 2 >><< 2 2 8 >>Brilliant! Welcome to the Hollywood Ten Joe. << 5 1010 >><< 7 1 >><< 2 1 1 >><< 7 7 >><< 2 7 8 >><< 7 2 >>Take five and then meet us in Studio B, Lucky.<< 7 1 >>Thank you sir!<< 12 1 1 >><< 16 1 0 >><< 7 7 >><< 12 7 1 >>It's the other way Joe!<< 5 1102 >><< 12 7 2 >><< 7 1 >><< 12 1 2 >><< 15 1 300 50 0 >><< 3 1 -32 1 >><< 16 1 1 >><< 5 810 >><< 7 2 >><< 12 2 2 >><< 16 2 1 >><< 7 7 >><< 16 7 1 >><< 7 0 >>Joe Lucky,a guy with a crazy dream, now a major Hollywood star and box office draw, winning awards for his sensitive portrayal of Larry, in The Big Mess. Word has it that Joe and the rest of the Hollywood Ten are working on a series of brand new shows, with an incredible but still undiscovered up and coming script writer.<< 5 1120 >>