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  6.     <title>3.10.¬† Clone</title>
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  20.         <tr>
  21.           <th colspan="3" align="center">3.10.¬†
  22.     <span lang="en" xml:lang="en">Clone</span>
  23.   </th>
  24.         </tr>
  25.         <tr>
  26.           <td width="20%" align="left"><a accesskey="p" href="gimp-tool-ink.html"><img src="../images/prev.png" alt="Prev" /></a>¬†</td>
  27.           <th width="60%" align="center">3.¬†
  28.     <span lang="en" xml:lang="en">Brush Tools</span>
  29.   </th>
  30.           <td width="20%" align="right">¬†<a accesskey="n" href="gimp-tool-heal.html"><img src="../images/next.png" alt="Next" /></a></td>
  31.         </tr>
  32.       </table>
  33.       <hr />
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  35.     <div class="sect2" lang="en" xml:lang="en">
  36.       <div class="titlepage">
  37.         <div>
  38.           <div>
  39.             <h3 class="title"><a id="gimp-tool-clone"></a>3.10.¬†
  40.     <span lang="en" xml:lang="en">Clone</span>
  41.   </h3>
  42.           </div>
  43.         </div>
  44.       </div>
  45.       <a id="id2633619" class="indexterm"></a>
  46.       <a id="id2633633" class="indexterm"></a>
  47.       <div class="figure">
  48.         <a id="id2633642"></a>
  49.         <p class="title">
  50.           <b>Figure¬†13.65.¬†
  51.       <span lang="en" xml:lang="en">Clone tool icon in the Toolbox</span>
  52.     </b>
  53.         </p>
  54.         <div class="figure-contents">
  55.           <div class="mediaobject">
  56.             <img src="../images/toolbox/toolbox-clone.png" alt="Clone tool icon in the Toolbox" />
  57.           </div>
  58.         </div>
  59.       </div>
  60.       <br class="figure-break" />
  61.       <p>
  62.     The Clone tool uses the current brush to copy from an image or pattern.
  63.     It has many uses: one of the most important is to repair problem areas in
  64.     digital photos, by ‚Äú<span class="quote">painting over</span>‚Äù them with pixel data from
  65.     other areas.
  66.     This technique takes a while to learn, but in the hands of a skilled user
  67.     it is very powerful. Another important use is to draw patterned lines or
  68.     curves: see <a class="link" href="gimp-concepts-patterns.html" title="11.¬† Patterns">Patterns</a>
  69.     for examples.
  70.   </p>
  71.       <p>
  72.     If you want to clone from an image, instead of a pattern, you must tell
  73.     GIMP which image you want to copy from. You do this by holding down the
  74.     Ctrl key and clicking in the desired source image. Until you have set the
  75.     source in this way, you will not be able to paint with the Clone tool:
  76.     the tool cursor tells you this by showing a ‚Äú<span class="quote">forbidden</span>‚Äù
  77.     symbol.
  78.   </p>
  79.       <p>
  80.     If you clone from a pattern, the pattern is <span class="emphasis"><em>tiled</em></span>;
  81.     that is, when the point you are copying from moves past one of the
  82.     edges, it jumps to the opposite edge and continues, as though the pattern
  83.     were repeated side-by-side, indefinitely. When you clone from an image
  84.     this does not happen: if you go beyond the edges of the source, the Clone
  85.     tool stops producing any changes.
  86.   </p>
  87.       <p>
  88.     You can clone from any drawable (that is, any layer, layer mask, or
  89.     channel) to any other drawable. You can even clone to or from the
  90.     selection mask, by switching to QuickMask mode. If this means copying
  91.     colors that the target does not support (for example, cloning from an RGB
  92.     layer to an Indexed layer or a layer mask), then the colors will be
  93.     converted to the closest possible approximations.
  94.   </p>
  95.       <div class="sect3" lang="en" xml:lang="en">
  96.         <div class="titlepage">
  97.           <div>
  98.             <div>
  99.               <h4 class="title"><a id="id2633738"></a>3.10.1.¬†
  100.       <span lang="en" xml:lang="en">How to Activate</span>
  101.     </h4>
  102.             </div>
  103.           </div>
  104.         </div>
  105.         <p>You can activate the Clone tool in several ways :</p>
  106.         <div class="itemizedlist">
  107.           <ul type="disc">
  108.             <li>
  109.               <p>
  110.           From the image menu through
  111.           <span class="guimenu">Tools</span> ‚Üí <span class="guisubmenu">Paint Tools</span> ‚Üí <span class="guimenuitem">Clone</span>.
  112.         </p>
  113.             </li>
  114.             <li>
  115.               <p>
  116.           By clicking on the tool icon
  117.           <span class="guiicon">
  118.             <span class="inlinemediaobject"><img src="../images/toolbox/stock-tool-clone-22.png" /></span>
  119.           </span> in Toolbox.
  120.         </p>
  121.             </li>
  122.             <li>
  123.               <p>
  124.           By pressing the <span class="keycap"><strong>c</strong></span> keyboard shortcut.
  125.         </p>
  126.             </li>
  127.           </ul>
  128.         </div>
  129.       </div>
  130.       <div class="sect3" lang="en" xml:lang="en">
  131.         <div class="titlepage">
  132.           <div>
  133.             <div>
  134.               <h4 class="title"><a id="id2633837"></a>3.10.2.¬†
  135.       <span lang="en" xml:lang="en">Key modifiers</span>
  136.     </h4>
  137.             </div>
  138.           </div>
  139.         </div>
  140.         <p>
  141.       See the <a class="link" href="gimp-tools-paint.html#gimp-tools-brush-modifiers" title="3.1.1.¬† Key modifiers">brush tools key
  142.       modifiers</a> for a description of key modifiers that have the same
  143.       effect on all brush tools.
  144.     </p>
  145.         <div class="variablelist">
  146.           <dl>
  147.             <dt>
  148.               <span class="term">
  149.                 <span class="keycap">
  150.                   <strong>Ctrl</strong>
  151.                 </span>
  152.               </span>
  153.             </dt>
  154.             <dd>
  155.               <p>
  156.             The Ctrl key is used to select the source, if you are cloning
  157.             from an image: it has no effect if you are cloning from a
  158.             pattern. You can clone from any layer of any image, by clicking
  159.             on the image display, with the Ctrl key held down, while the
  160.             layer is active (as shown in the Layers dialog). If Alignment is
  161.             set to ‚Äú<span class="quote">None</span>‚Äù, ‚Äú<span class="quote">Aligned</span>‚Äù, or
  162.             ‚Äú<span class="quote">Fixed</span>‚Äù in tool options, then the point you click on
  163.             becomes the origin for cloning: the image data at that point will
  164.             be used when you first begin painting with the Clone tool. In
  165.             source-selection mode, the cursor changes to a reticle cross
  166.             symbol.
  167.           </p>
  168.             </dd>
  169.           </dl>
  170.         </div>
  171.       </div>
  172.       <div class="sect3" lang="en" xml:lang="en">
  173.         <div class="titlepage">
  174.           <div>
  175.             <div>
  176.               <h4 class="title"><a id="id2633912"></a>3.10.3.¬†
  177.       <span lang="en" xml:lang="en">Tool Options</span>
  178.     </h4>
  179.             </div>
  180.           </div>
  181.         </div>
  182.         <div class="figure">
  183.           <a id="id2633923"></a>
  184.           <p class="title">
  185.             <b>Figure¬†13.66.¬†
  186.         <span lang="en" xml:lang="en">Tool Options for the Clone tool</span>
  187.       </b>
  188.           </p>
  189.           <div class="figure-contents">
  190.             <div class="mediaobject">
  191.               <img src="../images/toolbox/tool-options-clone.png" alt="Tool Options for the Clone tool" />
  192.             </div>
  193.           </div>
  194.         </div>
  195.         <br class="figure-break" />
  196.         <div class="variablelist">
  197.           <dl>
  198.             <dt>
  199.               <span class="term">
  200.           Mode; Opacity; Brush; Pressure Sensitivity, Fade out, Apply Jitter,
  201.           Hard Edges
  202.         </span>
  203.             </dt>
  204.             <dd>
  205.               <div class="note" style="margin-left: 0.5in; margin-right: 0.5in;">
  206.                 <table border="0" summary="Note">
  207.                   <tr>
  208.                     <td rowspan="2" align="center" valign="top" width="25">
  209.                       <img alt="[Note]" src="../images/note.png" />
  210.                     </td>
  211.                     <th align="left">Note</th>
  212.                   </tr>
  213.                   <tr>
  214.                     <td align="left" valign="top">
  215.                       <p>
  216.     See the <a class="link" href="gimp-tools-paint.html#gimp-tool-brush-options" title="3.1.2.¬† Tool Options">Brush Tools Overview</a> for a
  217.     description of tool options that apply to many or all brush tools.
  218.   </p>
  219.                     </td>
  220.                   </tr>
  221.                 </table>
  222.               </div>
  223.             </dd>
  224.             <dt>
  225.               <span class="term">Source</span>
  226.             </dt>
  227.             <dd>
  228.               <a id="id2633999" class="indexterm"></a>
  229.               <p>
  230.             The choice you make here determines whether data will be copied
  231.             from the pattern shown above, or from one of the images you have
  232.             open.
  233.           </p>
  234.               <div class="variablelist">
  235.                 <dl>
  236.                   <dt>
  237.                     <span class="term">Image</span>
  238.                   </dt>
  239.                   <dd>
  240.                     <p>
  241.                   If you choose ‚Äú<span class="quote">Image source</span>‚Äù,
  242.                   you must tell GIMP which layer to use as the source, by
  243.                   Ctrl-clicking on it, before you can paint with the tool.
  244.                 </p>
  245.                   </dd>
  246.                   <dt>
  247.                     <span class="term">Pattern</span>
  248.                   </dt>
  249.                   <dd>
  250.                     <p>
  251.                   Clicking on the pattern symbol brings up the Patterns
  252.                   dialog, which you can use to select the pattern to paint
  253.                   with. This option is only relevant if you are cloning from a
  254.                   Pattern source.
  255.                 </p>
  256.                   </dd>
  257.                 </dl>
  258.               </div>
  259.             </dd>
  260.             <dt>
  261.               <span class="term">Alignment</span>
  262.             </dt>
  263.             <dd>
  264.               <p>
  265.             The Alignment mode defines the relation between the brush
  266.             position and the source position.
  267.           </p>
  268.               <p>
  269.             In the following examples, we will use a source image where the
  270.             sample to be cloned will be taken, and a destination image where
  271.             the sample will be cloned (it could be a layer in the source
  272.             image)
  273.           </p>
  274.               <div class="figure">
  275.                 <a id="id2634101"></a>
  276.                 <p class="title">
  277.                   <b>Figure¬†13.67.¬†
  278.               <span lang="en" xml:lang="en">Original images for clone alignment</span>
  279.             </b>
  280.                 </p>
  281.                 <div class="figure-contents">
  282.                   <div class="mediaobject">
  283.                     <img src="../images/toolbox/clone-source.png" alt="Original images for clone alignment" />
  284.                     <div class="caption">
  285.                       <p>
  286.                   We will use the largest brush with the Pencil tool. The
  287.                   source is represented here with a ringed cross.
  288.                 </p>
  289.                     </div>
  290.                   </div>
  291.                   <div class="mediaobject">
  292.                     <img src="../images/toolbox/clone-dest.png" alt="Original images for clone alignment" />
  293.                     <div class="caption">
  294.                       <p>
  295.                   An image with a solid background only. We shall draw three
  296.                   cloning strokes successively.
  297.                 </p>
  298.                     </div>
  299.                   </div>
  300.                 </div>
  301.               </div>
  302.               <br class="figure-break" />
  303.               <div class="variablelist">
  304.                 <dl>
  305.                   <dt>
  306.                     <span class="term">None</span>
  307.                   </dt>
  308.                   <dd>
  309.                     <p>
  310.                   In this mode, each brushstroke is treated separately. For
  311.                   each stroke, the point where you first click is copied from
  312.                   the source origin; there is no relationship between one
  313.                   brush stroke and another. In non-aligned mode, different
  314.                   brush strokes will usually clash if they intersect each
  315.                   other.
  316.                 </p>
  317.                     <div class="figure">
  318.                       <a id="id2634190"></a>
  319.                       <p class="title">
  320.                         <b>Figure¬†13.68.¬†
  321.                     <span lang="en" xml:lang="en">
  322.                       ‚Äú<span class="quote">None</span>‚Äù clone alignment
  323.                     </span>
  324.                   </b>
  325.                       </p>
  326.                       <div class="figure-contents">
  327.                         <div class="mediaobject">
  328.                           <img src="../images/toolbox/clone-none.png" alt="None clone alignment" />
  329.                           <div class="caption">
  330.                             <p>
  331.                         At every new brush stroke, the source goes back to
  332.                         its first position. The same sample is always cloned.
  333.                       </p>
  334.                           </div>
  335.                         </div>
  336.                       </div>
  337.                     </div>
  338.                     <br class="figure-break" />
  339.                   </dd>
  340.                   <dt>
  341.                     <span class="term">Aligned</span>
  342.                   </dt>
  343.                   <dd>
  344.                     <p>
  345.                   In this mode, the first click you make when painting sets
  346.                   the offset between the source origin and the cloned result,
  347.                   and all subsequent brushstrokes use the same offset. Thus,
  348.                   you can use as many brushstrokes as you like, and they will
  349.                   all mesh smoothly with one another.
  350.                 </p>
  351.                     <p>
  352.                   If you want to change the offset, select a new source origin
  353.                   by clicking with the <span class="keycap"><strong>Ctrl</strong></span> key pressed.
  354.                 </p>
  355.                     <div class="figure">
  356.                       <a id="id2634272"></a>
  357.                       <p class="title">
  358.                         <b>Figure¬†13.69.¬†
  359.                     <span lang="en" xml:lang="en">
  360.                       ‚Äú<span class="quote">Aligned</span>‚Äù clone alignment
  361.                     </span>
  362.                   </b>
  363.                       </p>
  364.                       <div class="figure-contents">
  365.                         <div class="mediaobject">
  366.                           <img src="../images/toolbox/clone-aligned.png" alt="Aligned clone alignment" />
  367.                           <div class="caption">
  368.                             <p>
  369.                         At every new brush stroke, the source keeps the
  370.                         same offset it had with the previous brush stroke.
  371.                         So, there is no cloning offset for the first brush
  372.                         stroke. Here, for the following strokes, the source
  373.                         ends up out of the source image canvas; hence the
  374.                         truncated aspect.
  375.                       </p>
  376.                           </div>
  377.                         </div>
  378.                       </div>
  379.                     </div>
  380.                     <br class="figure-break" />
  381.                   </dd>
  382.                   <dt>
  383.                     <span class="term">Registered</span>
  384.                   </dt>
  385.                   <dd>
  386.                     <p>
  387.                   The ‚Äú<span class="quote">Registered</span>‚Äù mode is different from the
  388.                   other alignment modes. When you copy from an image, a
  389.                   Ctrl-click will register a source layer. Then painting in a
  390.                   target layer will clone each corresponding pixel (pixel with
  391.                   the same offset) from the source layer. This is useful when
  392.                   you want to clone parts of an image from one layer to
  393.                   another layer within the same image. (But remember that you
  394.                   can also clone from one image to another image.)
  395.                 </p>
  396.                     <p>
  397.                   When you selected a pattern as source, imagine a new layer
  398.                   filled with this pattern as the registered source layer.
  399.                 </p>
  400.                     <div class="figure">
  401.                       <a id="id2634369"></a>
  402.                       <p class="title">
  403.                         <b>Figure¬†13.70.¬†
  404.                     <span lang="en" xml:lang="en">
  405.                       ‚Äú<span class="quote">Registered</span>‚Äù clone alignment
  406.                     </span>
  407.                   </b>
  408.                       </p>
  409.                       <div class="figure-contents">
  410.                         <div class="mediaobject">
  411.                           <img src="../images/toolbox/clone-registered.png" alt="Registered clone alignment" />
  412.                           <div class="caption">
  413.                             <p>
  414.                         At every brush stroke, the source adopts the position
  415.                         of the mouse pointer in the destination layer. Here,
  416.                         the destination layer is smaller than the source
  417.                         layer; so, there is no truncated aspect.
  418.                       </p>
  419.                           </div>
  420.                         </div>
  421.                       </div>
  422.                     </div>
  423.                     <br class="figure-break" />
  424.                   </dd>
  425.                   <dt>
  426.                     <span class="term">Fixed</span>
  427.                   </dt>
  428.                   <dd>
  429.                     <p>
  430.                   Using this mode you will paint with the source origin,
  431.                   unlike the modes <span class="guilabel">None</span> or
  432.                   <span class="guilabel">Aligned</span> even when drawing a line. The
  433.                   source will not be moved.
  434.                 </p>
  435.                     <div class="figure">
  436.                       <a id="id2634450"></a>
  437.                       <p class="title">
  438.                         <b>Figure¬†13.71.¬†
  439.                     <span lang="en" xml:lang="en">
  440.                       ‚Äú<span class="quote">Fixed</span>‚Äù clone alignment
  441.                     </span>
  442.                   </b>
  443.                       </p>
  444.                       <div class="figure-contents">
  445.                         <div class="mediaobject">
  446.                           <img src="../images/toolbox/clone-fixed.png" alt="Fixed clone alignment" />
  447.                           <div class="caption">
  448.                             <p>
  449.                         The source remains fixed. The same small sample is
  450.                         reproduced identically in a tightened way.
  451.                       </p>
  452.                           </div>
  453.                         </div>
  454.                       </div>
  455.                     </div>
  456.                     <br class="figure-break" />
  457.                   </dd>
  458.                 </dl>
  459.               </div>
  460.             </dd>
  461.           </dl>
  462.         </div>
  463.       </div>
  464.       <div class="sect3" lang="en" xml:lang="en">
  465.         <div class="titlepage">
  466.           <div>
  467.             <div>
  468.               <h4 class="title"><a id="filter-and-history-brushes"></a>3.10.4.¬†
  469.       <span lang="en" xml:lang="en">Further Information</span>
  470.     </h4>
  471.             </div>
  472.           </div>
  473.         </div>
  474.         <div class="variablelist">
  475.           <dl>
  476.             <dt>
  477.               <span class="term">Transparency</span>
  478.             </dt>
  479.             <dd>
  480.               <p>
  481.             The effects of the Clone tool on transparency are a bit
  482.             complicated. You cannot clone transparency: if you try to clone
  483.             from a transparent source, nothing happens to the target. If you
  484.             clone from a partially transparent source, the effect is weighted
  485.             by the opacity of the source. So, assuming 100% opacity and a hard
  486.             brush:
  487.           </p>
  488.               <div class="itemizedlist">
  489.                 <ul type="disc">
  490.                   <li>
  491.                     <p>
  492.                 Cloning translucent black onto white produces gray.
  493.               </p>
  494.                   </li>
  495.                   <li>
  496.                     <p>
  497.                 Cloning translucent black onto black produces black.
  498.               </p>
  499.                   </li>
  500.                   <li>
  501.                     <p>
  502.                 Cloning translucent white onto white produces white.
  503.               </p>
  504.                   </li>
  505.                   <li>
  506.                     <p>
  507.                 Cloning translucent white onto black produces gray.
  508.               </p>
  509.                   </li>
  510.                 </ul>
  511.               </div>
  512.               <p>
  513.             Cloning can never increase transparency, but, unless ‚Äú<span class="quote">keep
  514.             transparency</span>‚Äù is turned on for the layer, it can reduce
  515.             it.
  516.             Cloning an opaque area onto a translucent area produces an opaque
  517.             result; cloning a translucent area onto another translucent area
  518.             causes an increase in opacity.
  519.           </p>
  520.             </dd>
  521.             <dt>
  522.               <span class="term">‚Äú<span class="quote">Filter</span>‚Äù brushes</span>
  523.             </dt>
  524.             <dd>
  525.               <p>
  526.             <a id="id2634620" class="indexterm"></a>
  527.             There are a few non-obvious ways to use the Clone tool to obtain
  528.             powerful effects. One thing you can do is to create ‚Äú<span class="quote">Filter
  529.             brushes</span>‚Äù, that is, create the effect of applying a filter
  530.             with a brush. To do this, duplicate the layer you want to work
  531.             on, and apply the filter to the copy. Then activate the Clone
  532.             tool, setting Source to ‚Äú<span class="quote">Image source</span>‚Äù and Alignment
  533.             to ‚Äú<span class="quote">Registered</span>‚Äù. Ctrl-click on the filtered layer to
  534.             set it as the source, and paint on the original layer: you will
  535.             then in effect be painting the filtered image data onto the
  536.             original layer.
  537.           </p>
  538.             </dd>
  539.             <dt>
  540.               <span class="term">History brush</span>
  541.             </dt>
  542.             <dd>
  543.               <p>
  544.             <a id="id2634675" class="indexterm"></a>
  545.             You can use a similar approach to imitate Photoshop's
  546.             ‚Äú<span class="quote">History brush</span>‚Äù, which allows you to selectively
  547.             undo or redo changes using a brush. To do this, start by
  548.             duplicating the image; then, in the original, go back to the
  549.             desired state in the image's history, either by undoing or by
  550.             using the Undo History dialog. (This must be done in the
  551.             original, not the copy, because duplicating an image does not
  552.             duplicate the Undo history.) Now activate the Clone tool,
  553.             setting Source to ‚Äú<span class="quote">Image source</span>‚Äù and Alignment to
  554.             ‚Äú<span class="quote">Registered</span>‚Äù. Ctrl-click on a layer from one image,
  555.             and paint on the corresponding layer from the other image.
  556.             Depending on how you do it, this gives you either an ‚Äú<span class="quote">undo
  557.             brush</span>‚Äù or a ‚Äú<span class="quote">redo brush</span>‚Äù.
  558.           </p>
  559.             </dd>
  560.           </dl>
  561.         </div>
  562.       </div>
  563.     </div>
  564.     <div class="navfooter">
  565.       <hr />
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  567.         <tr>
  568.           <td width="40%" align="left"><a accesskey="p" href="gimp-tool-ink.html"><img src="../images/prev.png" alt="Prev" /></a>¬†</td>
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  571.               <img src="../images/up.png" alt="Up" />
  572.             </a>
  573.           </td>
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  577.           <td width="40%" align="left" valign="top"><a accesskey="p" href="gimp-tool-ink.html">3.9.¬†
  578.     <span lang="en" xml:lang="en">Ink</span>
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  593.