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- ------------------------------
-
- From: joeholms@DORSAI.COM(Joseph Holmes)
- Subject: File 2--Review of _CYBERPUNK_
- Date: Mon, 24 Jun 91 15:38:40 PDT
-
- "Cyberpunk: Outlaws and Hackers on the Computer Frontier," is
- journalism's second mainstream book on hackers, although since 1984
- when Steven Levy wrote his "Hackers," the definition has certainly
- changed. Cyberpunk is the story of three groups of "outlaw" hackers --
- Kevin Mitnick, whom the authors call the "darkside" hacker, and his
- friends in California, Pengo and the other West German hackers who
- were pursued by Cliff Stoll in "The Cuckoo's Egg," and Robert Morris,
- the author of the worm that took down the Internet in 1988. The
- authors, Katie Hafner, technology and computer reporter for "Business
- Week," and John Markoff, computer industry reporter for "The New York
- Times," live up to both the best and the worst of journalism.
-
- The good news is that they've assembled a ton of new details,
- including the days leading up to Robert Morris's release of his worm
- into the Internet, and lots of information about Pengo, Hagbard
- Celine, and the other West German hackers visiting their Soviet
- connection. For that reason alone, the book is sure to sell well. On
- the other hand, there are passages in the book that leave the reader
- more than a little skeptical about the reporters' accuracy.
- Pittsburgh's Monroeville mall, for example, did not serve as the "set
- for the cult film 'Night of the Living Dead'"--that was "Dawn of the
- Dead." While that's hardly an important detail, such inattention does
- nothing to inspire confidence.
-
- And unfortunately, very little of the detail is put to any interesting
- use, since the book offers almost no analysis of the facts. There's no
- suggestion offered as to why Pengo, Mitnick, or Robert Morris did what
- they did (the authors could take a lesson from "The Falcon and the
- Snowman"--the book, that is, not the movie). Instead, Hafner and
- Markoff have apparently drawn their own conclusions about the Mitnick,
- Pengo, and Morris, and they seem to have written Cyberpunk to convince
- us that Kevin Mitnick is a shallow, vindictive, and dangerous genius,
- while Robert Morris is an innocent, misunderstood genius, more
- scapegoat than outlaw. While those conclusions might easily be true,
- we're never trusted to discover that from the facts alone.
-
- As they tell about the dangerous pranks and hacks by Mitnick, for
- example, they seem always ready to pass along every scary anecdote
- about his power over everything from computers to the phone company to
- security guards. No matter what the source (and it's usually
- impossible to tell what their sources were), they apparently believe
- every story they're told, even when the stories are obviously the
- bragging of the participants. On the other hand, when they discuss
- Morris, he gets the benefit of every possible doubt as they trace him
- from his loving upbringing through his trial and sentence. They
- mention, for example, Robert Morris's habit of ranging throughout
- various networks and computers using decyphered or stolen passwords,
- and they note, "Robert made a practice of breaking into only the
- computers of people he knew wouldn't mind." Incredibly, this is stated
- without the slightest bit of irony or skepticism. I myself have long
- believe that Morris was something of a scapegoat, but what I'd like to
- learn from a book like Cyberpunk are the facts to help me make up my
- mind about Morris, not apologies and half-baked conclusions.
-
- Cyberpunk is ostensibly about the people involved, not the science, so
- computer and science readers will be disappointed to find that it
- avoids explaining how phreaking and hacking works. I sorely miss Cliff
- Stoll's ability to clearly explain to nonprogrammers the technology
- behind all these exploits. Stoll, for example, easily explained how a
- hacker with a dictionary and a little patience could figure out a slew
- of encrypted passwords using simple logic rather than brute force.
- Because Cyberpunk doesn't bother to delve into such details, it misses
- the opportunity to involve the reader more deeply.
-
- The writing style will win no awards (Hugh Kenner's review of the book
- in the July Byte calls it "sledgehammer prose"). But of course,
- Cyberpunks will nevertheless be gobbled up by all the
- computer-literates -- the users and the hackers -- as well as a public
- ready to be scared by news of the new evil breed of young computer
- masterminds who are about to take over the world. Or at least the
- world's credit ratings.
-
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