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- Newsgroups: misc.writing
- Path: sparky!uunet!elroy.jpl.nasa.gov!nntp-server.caltech.edu!plato.cns.caltech.edu!ojvind
- From: ojvind@plato.cns.caltech.edu (Ojvind Bernander)
- Subject: Re: screenwriting
- Message-ID: <1992Sep8.165453.18281@cco.caltech.edu>
- Sender: news@cco.caltech.edu
- Nntp-Posting-Host: plato.cns.caltech.edu
- Organization: California Institute of Technology
- References: <Bu8M2v.DCF@well.sf.ca.us>
- Date: Tue, 8 Sep 1992 16:54:53 GMT
- Lines: 29
-
- In article <Bu8M2v.DCF@well.sf.ca.us> rchao@well.sf.ca.us (Robert Chao) writes:
- >
- >This leads to my first question: what do you read
- >after Syd Field's standard book? I skimmed through three others and they
- >seemed almost exactly the same.
-
- You buy or borrow ten scripts, read them, summarize and analyze in terms
- of what you've learned so far. What are the plot points? How many
- scenes in acts 1/2/3? Outline the subplots. Was this an action movie?
- Well, in that case, how many pages were really devoted to slam-bang action?
- Probably fewer than you expected. Then, for each script, make a list of
- clever devices you found, figure out what maked you like this character
- and dislike that one. Why didn't you really mind when XYZ got killed off?
- Etc., etc., etc.
-
- Only read scripts you like. Then when you try to outline your own script,
- compare it to the ones you've read. This will be depressing at first,
- since you realize that your original outline calls for a structure
- that doesn't seem as "winning" as the ones you read. Well, cuss and
- swear for a day, then try to brainstorm and come up with new angles,
- characters, and plot points.
-
- Then force yourself to finish that outline: 50-60 scenes. Then WRITE!
-
- Thus advices someone who never wrote more than 7 pages on a single script...
- Listen to what I say, don't don't what I don't.
-
- _
- -- Ojvind
-