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- From: saslpo@stevens.unx.sas.com (Len Olszewski)
- Newsgroups: misc.writing
- Subject: Re: Editing on Computer or Hardcopy
- Message-ID: <Bu23Ls.CAs@unx.sas.com>
- Date: 4 Sep 92 13:46:40 GMT
- References: <1992Sep01.225941.43654@datamark.co.nz> <1992Sep2.180831.25822@gallant.apple.com>
- Sender: news@unx.sas.com (Noter of Newsworthy Events)
- Organization: SAS Institute Inc.
- Lines: 54
- Originator: saslpo@stevens.unx.sas.com
- Nntp-Posting-Host: stevens.unx.sas.com
-
-
- In article <1992Sep2.180831.25822@gallant.apple.com>, chuq@gallant.apple.com (Chuq Von Rospach) writes:
- |> thomas@datamark.co.nz (Thomas Beagle) writes:
- |>
- |> >I used to say that I could never edit on a computer screen.
- |>
- |> I still do. And to be honest, sometimes I cheat and do it anyway.
- |> (I invariably regret it, too).
- |>
- |> >After a while, entering changes on paper and then transferring them to
- |> >my essays got to be too much work. I started editing on screen, and
- |> >actually found it quite easy.
- |>
- |> That's the problem. Editing on screen is 'easy'. Editing, however, is never
- |> easy. I've found in my work, and in the work of most people that speak about
- |> it honestly, that editing on screen leads to really sloppy, incomplete
- |> editing. Why? I'm not entirely sure. On a physical/physiological level,
- |> staring as closely at a screen as you have to do for editing enhances
- |> eyestrain and tires the eyes, which reduces comprehension and focus.
- |>
-
- There was a suggestion a few threads back that different areas of your
- brain were at work when you edited versus when you generated original
- text. There's something to that, I think, and the choice of medium to
- accommodate the portion of the brain at work reflects that.
-
- Also, there's a difference between "real" editing, and simply changing
- text. In the technical world, an editor makes marks on hard-copy and
- discusses the proposed changes with the writer (at least where I work
- they do it this way). You can make non-destructive suggestions on
- hard-copy that you can see, juxtaposed with the original text, and have
- discussions and make judgements until you decide what's the best thing
- to do. It's very difficult to indicate proposed changes
- non-destructively in a text file. Once you make a change, there it is.
- Even hare-brained changes make it in immediately. The risks are obvious.
-
- But if you have a software tool that allows non-destructive editing,
- this underscores the fact that editing is one job, and making the
- changes to the text file is another. Mixing them together, well, mixes
- them together (I love being literal). You may get two things done at the
- same time by editing and making changes simultaneously, but something
- will suffer - usually the quality of the editing.
-
- Quality editing really is a distinct and valuable skill. It should be
- your way of designing how to orchestrate a revision. Hell, that's almost
- poetic, isn't it? 8-)
- <-------------------------------^------------------------------------->
- | Len Olszewski | "If something is small enough, you |
- | Technical Writer | can't say anything about it." |
- | saslpo@unx.sas.com | - Heisenberg's Uncertainty |
- | "Have cursor, will curse." | Principle |
- |---------------------------------------------------------------------|
- | Opinions this ludicrous are mine. Reasonable opinions will cost you.|
- <-------------------------------v------------------------------------->
-