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- Path: sparky!uunet!van-bc!rsoft!mindlink!a4099
- From: Alan_Barclay@mindlink.bc.ca (Alan Barclay)
- Newsgroups: misc.writing
- Subject: Re: Balance of Technology and Story
- Message-ID: <14745@mindlink.bc.ca>
- Date: 31 Aug 92 07:42:20 GMT
- Organization: MIND LINK! - British Columbia, Canada
- Distribution: world
- Lines: 22
-
- Curtis Yarvin comments that my definition of Speculative Fiction seems to
- exclude space opera, and excellent anthropological speculation like Leguin's
- _The Dispossessed_. _The Dispossessed_ would not be the same story if one set
- it in its closest historical analog, Australia. The book deals with a
- seperation of ideologies which is only possible in the context LeGuin
- created--thus _The Dispossessed_ rates as good Soft Science Fiction.
-
- Good Space Opera, like much of Lois McMaster Bujold's work, falls into the same
- category. E. E. Doc Smith's work would border on Fantasy by my definition, as
- would Star Wars. All these qualify under my definition of Speculative Fiction
- as stories which depend on a unique speculative element.
-
- A funny thing: many people seem to think true SF has to be about hardware. The
- truth is, good SF is about anything which changes society, whether it's
- teleporter booths or Martian Philosophy. A younger member of my writers' group
- insists that science fiction isn't science fiction without spaceships. He
- hasn't been able to give a label to one of our member's novels, set on a
- post-enviromental-cataclysm earth 6000 years in the future. I wonder what
- he'll come up with?
-
-
- Alan
-