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- Path: sparky!uunet!usc!sdd.hp.com!uakari.primate.wisc.edu!ames!olivea!isc-br!bunker!hcap!hnews!104!809.0!Karen.Keil
- From: Karen.Keil@p0.f809.n104.z1.fidonet.org (Karen Keil)
- Newsgroups: misc.handicap
- Subject: SHHH report 2 of 13
- Message-ID: <23908@handicap.news>
- Date: 12 Aug 92 21:31:58 GMT
- Sender: wtm@bunker.shel.isc-br.com
- Reply-To: Karen.Keil@p0.f809.n104.z1.fidonet.org
- Organization: FidoNet node 1:104/809.0 - Fantasy Mountain, Golden CO
- Lines: 81
- Approved: wtm@hnews.fidonet.org
- X-Fidonet: Silent Talk Conference
-
- Index Number: 23908
-
- [This is from the Silent Talk Conference]
-
- Part 2 of the SHHH Convention ---Cedar Rapids, Iowa
-
- June 26, 1992
-
- The day started off with a disappointment. After wrongly setting
- my Shake-Awake alarm for 6:45 p.m. instead of 6:45 a.m., I woke
- up at 8:45 a.m. and missed one of the reasons I came to Cedar
- Rapids for---the keynote speech of Henry Kisor, author of WHAT'S
- THAT PIG OUTDOORS?. I came to the general assembly just in time
- to miss the whole speech and to hear Rocky Stone say that it was
- a small world...Henry Kisor's grandfather was his supervisor at
- the CIA, a government agency.
-
- But not all was lost....I saw Henry Kisor in the hallway of the
- hotel and in the lobby so at least the chance was gotten to see
- him, if not the speech!
-
- One of the SHHH staffers, Lori Ropa, was able to get his
- autograph signed in her copy of his book. She said that if I
- left my name and address, SHHH may be able to send me a
- transcript of his speech (which I did). The Cedar Rapids Gazette
- (June 27, 1992, page 1B) covered Kisor's speech under the
- headline, DEAF AUTHOR RELATES STRUGGLE FOR INDEPENDENCE. [If
- anyone is interested in the newspaper article, I can post a copy
- on the echo, with due credit to the paper.]
-
- Afterwards, I participated in a Captioning Study/Survey on the
- 5th floor of the Five Seasons Center. They had us evaluate two
- sets of captions on two different TVs to indicate which we liked
- better. They used clips from popular TV shows like Murphy Brown
- and Nova for the tests. Among the techniques they were
- trying were:
-
- --the captions located where the
- speaker(s) were versus having them at the bottom.
-
- --the captions prefaced with the name
- of the speaker.
-
- --Moving the captions all over the screen
- depending on what the screen is showing to show least cover-up of
- the action.
-
- --Changing the background box to traditional black,
- other opague colors--blue, etc., semi-transparent, transparent (no
- box, just letters placed on the scene).
-
- --Varying the colors of the caption letters
-
- --Varying the caption typefonts
-
- I liked the semi-transparent boxes and some of the new typefonts.
- Some of the typefonts made it harder to read while others were
- more readable. All the different techniques were
- enlightening---we don't have to accept black background boxes and
- block type letters for captioning!
-
- They also asked about other features--size, etc. and whether we
- wanted to have the option of changing them on the TV along with
- the other features above, and whether we wanted everything
- (verbatim) or just the gist (simplified captions).
-
- They passed out buttons saying, 'I'm helping to improve TV
- Captioning' with the words 'Caption Format Research Project'
- underneath a picture of a TV. In addition, they gave out entry
- forms to win a caption decoder.
-
- The one bad thing about the convention was that various things
- were on different floors--the SHHH bookstore was on the 4th,
- other things on the 5th, and so on. The workshops (most of them)
- were on the 2nd floor. Waiting for the elevator took some time.
-
- To be continued----
-
- --
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