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- The Return of the Native
- by Thomas Hardy
-
-
-
- PREFACE
-
-
- The date at which the following events are assumed to
- have occurred may be set down as between 1840 and 1850,
- when the old watering place herein called "Budmouth" still
- retained sufficient afterglow from its Georgian gaiety
- and prestige to lend it an absorbing attractiveness to
- the romantic and imaginative soul of a lonely dweller inland.
-
- Under the general name of "Egdon Heath," which has been
- given to the sombre scene of the story, are united
- or typified heaths of various real names, to the number
- of at least a dozen; these being virtually one in character
- and aspect, though their original unity, or partial unity,
- is now somewhat disguised by intrusive strips and slices
- brought under the plough with varying degrees of success,
- or planted to woodland.
-
- It is pleasant to dream that some spot in the extensive
- tract whose southwestern quarter is here described,
- may be the heath of that traditionary King of Wessex--Lear.
-
-
- July, 1895.
-
-
-
-
-
- "To sorrow
- I bade good morrow,
- And thought to leave her far away behind;
- But cheerly, cheerly,
- She loves me dearly;
- She is so constant to me, and so kind.
- I would deceive her,
- And so leave her,
- But ah! she is so constant and so kind."
-
-
-
- book one
-
- THE THREE WOMEN
-
-
-
- 1 - A Face on Which Time Makes but Little Impression
-
-
- A Saturday afternoon in November was approaching the time
- of twilight, and the vast tract of unenclosed wild known
- as Egdon Heath embrowned itself moment by moment.
- Overhead the hollow stretch of whitish cloud shutting
- out the sky was as a tent which had the whole heath
- for its floor.
-
- The heaven being spread with this pallid screen and the
- earth with the darkest vegetation, their meeting-line
- at the horizon was clearly marked. In such contrast
- the heath wore the appearance of an instalment of night
- which had taken up its place before its astronomical hour
- was come: darkness had to a great extent arrived hereon,
- while day stood distinct in the sky. Looking upwards,
- a furze-cutter would have been inclined to continue work;
- looking down, he would have decided to finish his
- faggot and go home. The distant rims of the world
- and of the firmament seemed to be a division in time no
- less than a division in matter. The face of the heath
- by its mere complexion added half an hour to evening;
- it could in like manner retard the dawn, sadden noon,
- anticipate the frowning of storms scarcely generated,
- and intensify the opacity of a moonless midnight to a cause
- of shaking and dread.
-
- In fact, precisely at this transitional point of its
- nightly roll into darkness the great and particular glory
- of the Egdon waste began, and nobody could be said to
- understand the heath who had not been there at such a time.
- It could best be felt when it could not clearly be seen,
- its complete effect and explanation lying in this and the
- succeeding hours before the next dawn; then, and only then,
- did it tell its true tale. The spot was, indeed, a near
- relation of night, and when night showed itself an apparent
- tendency to gravitate together could be perceived in its
- shades and the scene. The sombre stretch of rounds
- and hollows seemed to rise and meet the evening gloom
- in pure sympathy, the heath exhaling darkness as rapidly
- as the heavens precipitated it. And so the obscurity
- in the air and the obscurity in the land closed together
- in a black fraternization towards which each advanced halfway.
-
- The place became full of a watchful intentness now;
- for when other things sank blooding to sleep the heath
- appeared slowly to awake and listen. Every night
- its Titanic form seemed to await something; but it
- had waited thus, unmoved, during so many centuries,
- through the crises of so many things, that it could only
- be imagined to await one last crisis--the final overthrow.
-
- It was a spot which returned upon the memory of those who
- loved it with an aspect of peculiar and kindly congruity.
- Smiling champaigns of flowers and fruit hardly do this,
- for they are permanently harmonious only with an existence
- of better reputation as to its issues than the present.
- Twilight combined with the scenery of Egdon Heath
- to evolve a thing majestic without severity, impressive
- without showiness, emphatic in its admonitions, grand in
- its simplicity. The qualifications which frequently
- invest the facade of a prison with far more dignity
- than is found in the facade of a palace double its size
- lent to this heath a sublimity in which spots renowned
- for beauty of the accepted kind are utterly wanting.
- Fair prospects wed happily with fair times; but alas,
- if times be not fair! Men have oftener suffered from,
- the mockery of a place too smiling for their reason than
- from the oppression of surroundings oversadly tinged.
- Haggard Egdon appealed to a subtler and scarcer instinct,
- to a more recently learnt emotion, than that which responds
- to the sort of beauty called charming and fair.
-
- Indeed, it is a question if the exclusive reign of this
- orthodox beauty is not approaching its last quarter.
- The new Vale of Tempe may be a gaunt waste in Thule;
- human souls may find themselves in closer and closer harmony
- with external things wearing a sombreness distasteful
- to our race when it was young. The time seems near,
- if it has not actually arrived, when the chastened
- sublimity of a moor, a sea, or a mountain will be all
- of nature that is absolutely in keeping with the moods
- of the more thinking among mankind. And ultimately,
- to the commonest tourist, spots like Iceland may become
- what the vineyards and myrtle gardens of South Europe
- are to him now; and Heidelberg and Baden be passed
- unheeded as he hastens from the Alps to the sand dunes
- of Scheveningen.
-
- The most thoroughgoing ascetic could feel that he had
- a natural right to wander on Egdon--he was keeping within
- the line of legitimate indulgence when he laid himself
- open to influences such as these. Colours and beauties
- so far subdued were, at least, the birthright of all.
- Only in summer days of highest feather did its mood
- touch the level of gaiety. Intensity was more usually
- reached by way of the solemn than by way of the brilliant,
- and such a sort of intensity was often arrived at during
- winter darkness, tempests, and mists. Then Egdon was aroused
- to reciprocity; for the storm was its lover, and the wind
- its friend. Then it became the home of strange phantoms;
- and it was found to be the hitherto unrecognized original
- of those wild regions of obscurity which are vaguely felt
- to be compassing us about in midnight dreams of flight
- and disaster, and are never thought of after the dream
- till revived by scenes like this.
-
- It was at present a place perfectly accordant with
- man's nature--neither ghastly, hateful, nor ugly;
- neither commonplace, unmeaning, nor tame; but, like man,
- slighted and enduring; and withal singularly colossal
- and mysterious in its swarthy monotony. As with some
- persons who have long lived apart, solitude seemed
- to look out of its countenance. It had a lonely face,
- suggesting tragical possibilities.
-
- This obscure, obsolete, superseded country figures in Domesday.
- Its condition is recorded therein as that of heathy, furzy,
- briary wilderness--"Bruaria." Then follows the length
- and breadth in leagues; and, though some uncertainty exists
- as to the exact extent of this ancient lineal measure,
- it appears from the figures that the area of Egdon
- down to the present day has but little diminished.
- "Turbaria Bruaria"--the right of cutting heath-turf--occurs
- in charters relating to the district. "Overgrown with
- heth and mosse," says Leland of the same dark sweep of country.
-
- Here at least were intelligible facts regarding
- landscape--far-reaching proofs productive of genuine
- satisfaction. The untameable, Ishmaelitish thing that Egdon
- now was it always had been. Civilization was its enemy;
- and ever since the beginning of vegetation its soil
- had worn the same antique brown dress, the natural
- and invariable garment of the particular formation.
- In its venerable one coat lay a certain vein of satire
- on human vanity in clothes. A person on a heath in
- raiment of modern cut and colours has more or less an
- anomalous look. We seem to want the oldest and simplest
- human clothing where the clothing of the earth is so primitive.
-
- To recline on a stump of thorn in the central valley
- of Egdon, between afternoon and night, as now, where the
- eye could reach nothing of the world outside the summits
- and shoulders of heathland which filled the whole
- circumference of its glance, and to know that everything
- around and underneath had been from prehistoric times as
- unaltered as the stars overhead, gave ballast to the mind
- adrift on change, and harassed by the irrepressible New.
- The great inviolate place had an ancient permanence which
- the sea cannot claim. Who can say of a particular sea
- that it is old? Distilled by the sun, kneaded by the moon,
- it is renewed in a year, in a day, or in an hour.
- The sea changed, the fields changed, the rivers,
- the villages, and the people changed, yet Egdon remained.
- Those surfaces were neither so steep as to be destructible
- by weather, nor so flat as to be the victims of floods
- and deposits. With the exception of an aged highway,
- and a still more aged barrow presently to be referred
- to--themselves almost crystallized to natural products
- by long continuance--even the trifling irregularities
- were not caused by pickaxe, plough, or spade, but remained
- as the very finger-touches of the last geological change.
-
- The above-mentioned highway traversed the lower levels
- of the heath, from one horizon to another. In many
- portions of its course it overlaid an old vicinal way,
- which branched from the great Western road of the Romans,
- the Via Iceniana, or Ikenild Street, hard by.
- On the evening under consideration it would have been
- noticed that, though the gloom had increased sufficiently
- to confuse the minor features of the heath, the white
- surface of the road remained almost as clear as ever.
-
-
-
- 2 - Humanity Appears upon the Scene, Hand in Hand with Trouble
-
-
- Along the road walked an old man. He was white-headed
- as a mountain, bowed in the shoulders, and faded
- in general aspect. He wore a glazed hat, an ancient
- boat-cloak, and shoes; his brass buttons bearing an
- anchor upon their face. In his hand was a silver-headed
- walking stick, which he used as a veritable third leg,
- perseveringly dotting the ground with its point at every
- few inches' interval. One would have said that he had been,
- in his day, a naval officer of some sort or other.
-
- Before him stretched the long, laborious road, dry, empty,
- and white. It was quite open to the heath on each side,
- and bisected that vast dark surface like the parting-line
- on a head of black hair, diminishing and bending away
- on the furthest horizon.
-
- The old man frequently stretched his eyes ahead to gaze
- over the tract that he had yet to traverse. At length
- he discerned, a long distance in front of him, a moving spot,
- which appeared to be a vehicle, and it proved to be going
- the same way as that in which he himself was journeying.
- It was the single atom of life that the scene contained,
- and it only served to render the general loneliness
- more evident. Its rate of advance was slow, and the old
- man gained upon it sensibly.
-
- When he drew nearer he perceived it to be a spring van,
- ordinary in shape, but singular in colour, this being a
- lurid red. The driver walked beside it; and, like his van,
- he was completely red. One dye of that tincture covered
- his clothes, the cap upon his head, his boots, his face,
- and his hands. He was not temporarily overlaid with
- the colour; it permeated him.
-
- The old man knew the meaning of this. The traveller
- with the cart was a reddleman--a person whose vocation
- it was to supply farmers with redding for their sheep.
- He was one of a class rapidly becoming extinct in Wessex,
- filling at present in the rural world the place which,
- during the last century, the dodo occupied in the world
- of animals. He is a curious, interesting, and nearly
- perished link between obsolete forms of life and those which
- generally prevail.
-
- The decayed officer, by degrees, came up alongside his
- fellow-wayfarer, and wished him good evening. The reddleman
- turned his head, and replied in sad and occupied tones.
- He was young, and his face, if not exactly handsome,
- approached so near to handsome that nobody would have
- contradicted an assertion that it really was so in its
- natural colour. His eye, which glared so strangely
- through his stain, was in itself attractive--keen
- as that of a bird of prey, and blue as autumn mist.
- He had neither whisker nor moustache, which allowed the soft
- curves of the lower part of his face to be apparent.
- His lips were thin, and though, as it seemed, compressed
- by thought, there was a pleasant twitch at their corners
- now and then. He was clothed throughout in a tight-fitting
- suit of corduroy, excellent in quality, not much worn,
- and well-chosen for its purpose, but deprived of its
- original colour by his trade. It showed to advantage the
- good shape of his figure. A certain well-to-do air about
- the man suggested that he was not poor for his degree.
- The natural query of an observer would have been,
- Why should such a promising being as this have hidden
- his prepossessing exterior by adopting that singular occupation?
-
- After replying to the old man's greeting he showed no
- inclination to continue in talk, although they still
- walked side by side, for the elder traveller seemed
- to desire company. There were no sounds but that of the
- booming wind upon the stretch of tawny herbage around them,
- the crackling wheels, the tread of the men, and the
- footsteps of the two shaggy ponies which drew the van.
- They were small, hardy animals, of a breed between Galloway
- and Exmoor, and were known as "heath-croppers" here.
-
- Now, as they thus pursued their way, the reddleman occasionally
- left his companion's side, and, stepping behind the van,
- looked into its interior through a small window. The look
- was always anxious. He would then return to the old man,
- who made another remark about the state of the country
- and so on, to which the reddleman again abstractedly
- replied, and then again they would lapse into silence.
- The silence conveyed to neither any sense of awkwardness;
- in these lonely places wayfarers, after a first greeting,
- frequently plod on for miles without speech; contiguity amounts
- to a tacit conversation where, otherwise than in cities,
- such contiguity can be put an end to on the merest inclination,
- and where not to put an end to it is intercourse in itself.
-
- Possibly these two might not have spoken again till their parting,
- had it not been for the reddleman's visits to his van.
- When he returned from his fifth time of looking in the old
- man said, "You have something inside there besides your load?"
-
- "Yes."
-
- "Somebody who wants looking after?"
-
- "Yes."
-
- Not long after this a faint cry sounded from the interior.
- The reddleman hastened to the back, looked in, and came
- away again.
-
- "You have a child there, my man?"
-
- "No, sir, I have a woman."
-
- "The deuce you have! Why did she cry out?"
-
- "Oh, she has fallen asleep, and not being used to traveling,
- she's uneasy, and keeps dreaming."
-
- "A young woman?"
-
- "Yes, a young woman."
-
- "That would have interested me forty years ago.
- Perhaps she's your wife?"
-
- "My wife!" said the other bitterly. "She's above mating
- with such as I. But there's no reason why I should tell
- you about that."
-
- "That's true. And there's no reason why you should not.
- What harm can I do to you or to her?"
-
- The reddleman looked in the old man's face. "Well, sir,"
- he said at last, "I knew her before today, though perhaps
- it would have been better if I had not. But she's
- nothing to me, and I am nothing to her; and she wouldn't
- have been in my van if any better carriage had been there
- to take her."
-
- "Where, may I ask?"
-
- "At Anglebury."
-
- "I know the town well. What was she doing there?"
-
- "Oh, not much--to gossip about. However, she's tired to death now,
- and not at all well, and that's what makes her so restless.
- She dropped off into a nap about an hour ago, and 'twill do her good."
-
- "A nice-looking girl, no doubt?"
-
- "You would say so."
-
- The other traveller turned his eyes with interest
- towards the van window, and, without withdrawing them,
- said, "I presume I might look in upon her?"
-
- "No," said the reddleman abruptly. "It is getting too
- dark for you to see much of her; and, more than that,
- I have no right to allow you. Thank God she sleeps so well,
- I hope she won't wake till she's home."
-
- "Who is she? One of the neighbourhood?"
-
- "'Tis no matter who, excuse me."
-
- "It is not that girl of Blooms-End, who has been talked
- about more or less lately? If so, I know her; and I can
- guess what has happened."
-
- "'Tis no matter....Now, sir, I am sorry to say that we
- shall soon have to part company. My ponies are tired,
- and I have further to go, and I am going to rest them
- under this bank for an hour."
-
- The elder traveller nodded his head indifferently,
- and the reddleman turned his horses and van in upon
- the turf, saying, "Good night." The old man replied,
- and proceeded on his way as before.
-
- The reddleman watched his form as it diminished to a
- speck on the road and became absorbed in the thickening
- films of night. He then took some hay from a truss
- which was slung up under the van, and, throwing a portion
- of it in front of the horses, made a pad of the rest,
- which he laid on the ground beside his vehicle.
- Upon this he sat down, leaning his back against the wheel.
- From the interior a low soft breathing came to his ear.
- It appeared to satisfy him, and he musingly surveyed
- the scene, as if considering the next step that he
- should take.
-
- To do things musingly, and by small degrees, seemed, indeed,
- to be a duty in the Egdon valleys at this transitional hour,
- for there was that in the condition of the heath itself
- which resembled protracted and halting dubiousness.
- It was the quality of the repose appertaining to the scene.
- This was not the repose of actual stagnation, but the
- apparent repose of incredible slowness. A condition
- of healthy life so nearly resembling the torpor of death
- is a noticeable thing of its sort; to exhibit the inertness
- of the desert, and at the same time to be exercising powers
- akin to those of the meadow, and even of the forest,
- awakened in those who thought of it the attentiveness
- usually engendered by understatement and reserve.
-
- The scene before the reddleman's eyes was a gradual series
- of ascents from the level of the road backward into the
- heart of the heath. It embraced hillocks, pits, ridges,
- acclivities, one behind the other, till all was finished
- by a high hill cutting against the still light sky.
- The traveller's eye hovered about these things for a time,
- and finally settled upon one noteworthy object up there.
- It was a barrow. This bossy projection of earth above
- its natural level occupied the loftiest ground of the
- loneliest height that the heath contained. Although from
- the vale it appeared but as a wart on an Atlantean brow,
- its actual bulk was great. It formed the pole and axis
- of this heathery world.
-
- As the resting man looked at the barrow he became aware
- that its summit, hitherto the highest object in the whole
- prospect round, was surmounted by something higher. It rose
- from the semiglobular mound like a spike from a helmet.
- The first instinct of an imaginative stranger might have
- been to suppose it the person of one of the Celts who
- built the barrow, so far had all of modern date withdrawn
- from the scene. It seemed a sort of last man among them,
- musing for a moment before dropping into eternal night
- with the rest of his race.
-
- There the form stood, motionless as the hill beneath.
- Above the plain rose the hill, above the hill rose
- the barrow, and above the barrow rose the figure.
- Above the figure was nothing that could be mapped elsewhere
- than on a celestial globe.
-
- Such a perfect, delicate, and necessary finish did
- the figure give to the dark pile of hills that it seemed
- to be the only obvious justification of their outline.
- Without it, there was the dome without the lantern; with it
- the architectural demands of the mass were satisfied.
- The scene was strangely homogeneous, in that the vale,
- the upland, the barrow, and the figure above it amounted
- only to unity. Looking at this or that member of the group
- was not observing a complete thing, but a fraction of
- a thing.
-
- The form was so much like an organic part of the
- entire motionless structure that to see it move would
- have impressed the mind as a strange phenomenon.
- Immobility being the chief characteristic of that whole
- which the person formed portion of, the discontinuance
- of immobility in any quarter suggested confusion.
-
- Yet that is what happened. The figure perceptibly gave
- up its fixity, shifted a step or two, and turned round.
- As if alarmed, it descended on the right side of the barrow,
- with the glide of a water-drop down a bud, and then vanished.
- The movement had been sufficient to show more clearly
- the characteristics of the figure, and that it was a
- woman's.
-
- The reason of her sudden displacement now appeared.
- With her dropping out of sight on the right side, a newcomer,
- bearing a burden, protruded into the sky on the left side,
- ascended the tumulus, and deposited the burden on the top.
- A second followed, then a third, a fourth, a fifth,
- and ultimately the whole barrow was peopled with
- burdened figures.
-
- The only intelligible meaning in this sky-backed pantomime
- of silhouettes was that the woman had no relation to the forms
- who had taken her place, was sedulously avoiding these,
- and had come thither for another object than theirs.
- The imagination of the observer clung by preference
- to that vanished, solitary figure, as to something
- more interesting, more important, more likely to have a
- history worth knowing than these newcomers, and unconsciously
- regarded them as intruders. But they remained,
- and established themselves; and the lonely person who hitherto
- had been queen of the solitude did not at present seem likely
- to return.
-
-
-
- 3 - The Custom of the Country
-
-
- Had a looker-on been posted in the immediate vicinity
- of the barrow, he would have learned that these persons
- were boys and men of the neighbouring hamlets.
- Each, as he ascended the barrow, had been heavily laden
- with furze faggots, carried upon the shoulder by means
- of a long stake sharpened at each end for impaling them
- easily--two in front and two behind. They came from
- a part of the heath a quarter of a mile to the rear,
- where furze almost exclusively prevailed as a product.
-
- Every individual was so involved in furze by his method
- of carrying the faggots that he appeared like a bush on
- legs till he had thrown them down. The party had marched
- in trail, like a travelling flock of sheep; that is to say,
- the strongest first, the weak and young behind.
-
- The loads were all laid together, and a pyramid of furze
- thirty feet in circumference now occupied the crown
- of the tumulus, which was known as Rainbarrow for many
- miles round. Some made themselves busy with matches,
- and in selecting the driest tufts of furze, others in
- loosening the bramble bonds which held the faggots together.
- Others, again, while this was in progress, lifted their
- eyes and swept the vast expanse of country commanded
- by their position, now lying nearly obliterated by shade.
- In the valleys of the heath nothing save its own wild
- face was visible at any time of day; but this spot
- commanded a horizon enclosing a tract of far extent,
- and in many cases lying beyond the heath country.
- None of its features could be seen now, but the whole
- made itself felt as a vague stretch of remoteness.
-
- While the men and lads were building the pile,
- a change took place in the mass of shade which denoted
- the distant landscape. Red suns and tufts of fire one
- by one began to arise, flecking the whole country round.
- They were the bonfires of other parishes and hamlets
- that were engaged in the same sort of commemoration.
- Some were distant, and stood in a dense atmosphere,
- so that bundles of pale straw-like beams radiated around
- them in the shape of a fan. Some were large and near,
- glowing scarlet-red from the shade, like wounds in a black hide.
- Some were Maenades, with winy faces and blown hair.
- These tinctured the silent bosom of the clouds above
- them and lit up their ephemeral caves, which seemed
- thenceforth to become scalding caldrons. Perhaps as many
- as thirty bonfires could be counted within the whole
- bounds of the district; and as the hour may be told on
- a clock-face when the figures themselves are invisible,
- so did the men recognize the locality of each fire by its
- angle and direction, though nothing of the scenery could
- be viewed.
-
- The first tall flame from Rainbarrow sprang into the sky,
- attracting all eyes that had been fixed on the distant
- conflagrations back to their own attempt in the same kind.
- The cheerful blaze streaked the inner surface of the human
- circle--now increased by other stragglers, male and female--with
- its own gold livery, and even overlaid the dark turf
- around with a lively luminousness, which softened off into
- obscurity where the barrow rounded downwards out of sight.
- It showed the barrow to be the segment of a globe,
- as perfect as on the day when it was thrown up, even the
- little ditch remaining from which the earth was dug.
- Not a plough had ever disturbed a grain of that stubborn soil.
- In the heath's barrenness to the farmer lay its fertility
- to the historian. There had been no obliteration,
- because there had been no tending.
-
- It seemed as if the bonfire-makers were standing in some
- radiant upper story of the world, detached from and
- independent of the dark stretches below. The heath down
- there was now a vast abyss, and no longer a continuation
- of what they stood on; for their eyes, adapted to the blaze,
- could see nothing of the deeps beyond its influence.
- Occasionally, it is true, a more vigorous flare than usual
- from their faggots sent darting lights like aides-de-camp
- down the inclines to some distant bush, pool, or patch
- of white sand, kindling these to replies of the same colour,
- till all was lost in darkness again. Then the whole black
- phenomenon beneath represented Limbo as viewed from the brink
- by the sublime Florentine in his vision, and the muttered
- articulations of the wind in the hollows were as complaints
- and petitions from the "souls of mighty worth" suspended therein.
-
- It was as if these men and boys had suddenly dived into
- past ages, and fetched therefrom an hour and deed which had
- before been familiar with this spot. The ashes of the
- original British pyre which blazed from that summit lay
- fresh and undisturbed in the barrow beneath their tread.
- The flames from funeral piles long ago kindled there had
- shone down upon the lowlands as these were shining now.
- Festival fires to Thor and Woden had followed on the same
- ground and duly had their day. Indeed, it is pretty
- well known that such blazes as this the heathmen were now
- enjoying are rather the lineal descendants from jumbled
- Druidical rites and Saxon ceremonies than the invention
- of popular feeling about Gunpowder Plot.
-
- Moreover to light a fire is the instinctive and resistant
- act of man when, at the winter ingress, the curfew is
- sounded throughout Nature. It indicates a spontaneous,
- Promethean rebelliousness against that fiat that this
- recurrent season shall bring foul times, cold darkness,
- misery and death. Black chaos comes, and the fettered gods
- of the earth say, Let there be light.
-
- The brilliant lights and sooty shades which struggled
- upon the skin and clothes of the persons standing round
- caused their lineaments and general contours to be drawn
- with Dureresque vigour and dash. Yet the permanent moral
- expression of each face it was impossible to discover,
- for as the nimble flames towered, nodded, and swooped
- through the surrounding air, the blots of shade and flakes
- of light upon the countenances of the group changed shape
- and position endlessly. All was unstable; quivering as leaves,
- evanescent as lightning. Shadowy eye-sockets, deep
- as those of a death's head, suddenly turned into pits of
- lustre: a lantern-jaw was cavernous, then it was shining;
- wrinkles were emphasized to ravines, or obliterated
- entirely by a changed ray. Nostrils were dark wells;
- sinews in old necks were gilt mouldings; things with no
- particular polish on them were glazed; bright objects,
- such as the tip of a furze-hook one of the men carried,
- were as glass; eyeballs glowed like little lanterns.
- Those whom Nature had depicted as merely quaint
- became grotesque, the grotesque became preternatural;
- for all was in extremity.
-
- Hence it may be that the face of an old man, who had like
- others been called to the heights by the rising flames,
- was not really the mere nose and chin that it appeared
- to be, but an appreciable quantity of human countenance.
- He stood complacently sunning himself in the heat.
- With a speaker, or stake, he tossed the outlying scraps of fuel
- into the conflagration, looking at the midst of the pile,
- occasionally lifting his eyes to measure the height
- of the flame, or to follow the great sparks which rose
- with it and sailed away into darkness. The beaming sight,
- and the penetrating warmth, seemed to breed in him a
- cumulative cheerfulness, which soon amounted to delight.
- With his stick in his hand he began to jig a private minuet,
- a bunch of copper seals shining and swinging like a
- pendulum from under his waistcoat: he also began to sing,
- in the voice of a bee up a flue--
-
-
- "The king' call'd down' his no-bles all',
- By one', by two', by three';
- Earl Mar'-shal, I'll' go shrive'-the queen',
- And thou' shalt wend' with me'.
-
- "A boon', a boon', quoth Earl' Mar-shal',
- And fell' on his bend'-ded knee',
- That what'-so-e'er' the queen' shall say',
- No harm' there-of' may be'."
-
-
- Want of breath prevented a continuance of the song;
- and the breakdown attracted the attention of a firm-
- standing man of middle age, who kept each corner of his
- crescent-shaped mouth rigorously drawn back into his cheek,
- as if to do away with any suspicion of mirthfulness
- which might erroneously have attached to him.
-
- "A fair stave, Grandfer Cantle; but I am afeard 'tis too
- much for the mouldy weasand of such a old man as you,"
- he said to the wrinkled reveller. "Dostn't wish th'
- wast three sixes again, Grandfer, as you was when you first
- learnt to sing it?"
-
- "Hey?" said Grandfer Cantle, stopping in his dance.
-
- "Dostn't wish wast young again, I say? There's a hole
- in thy poor bellows nowadays seemingly."
-
- "But there's good art in me? If I couldn't make
- a little wind go a long ways I should seem no younger
- than the most aged man, should I, Timothy?"
-
- "And how about the new-married folks down there at the
- Quiet Woman Inn?" the other inquired, pointing towards
- a dim light in the direction of the distant highway,
- but considerably apart from where the reddleman was at
- that moment resting. "What's the rights of the matter
- about 'em? You ought to know, being an understanding man."
-
- "But a little rakish, hey? I own to it. Master Cantle
- is that, or he's nothing. Yet 'tis a gay fault,
- neigbbour Fairway, that age will cure."
-
- "I heard that they were coming home tonight. By this
- time they must have come. What besides?"
-
- "The next thing is for us to go and wish 'em joy,
- I suppose?"
-
- "Well, no."
-
- "No? Now, I thought we must. I must, or 'twould be
- very unlike me--the first in every spree that's going!
-
-
- "Do thou' put on' a fri'-ar's coat',
- And I'll' put on' a-no'-ther,
- And we' will to' Queen Ele'anor go',
- Like Fri'ar and' his bro'ther.
-
-
- I met Mis'ess Yeobright, the young bride's aunt,
- last night, and she told me that her son Clym was coming
- home a' Christmas. Wonderful clever, 'a believe--ah, I
- should like to have all that's under that young man's hair.
- Well, then, I spoke to her in my well-known merry way,
- and she said, 'O that what's shaped so venerable should
- talk like a fool!'--that's what she said to me. I don't
- care for her, be jowned if I do, and so I told her.
- 'Be jowned if I care for 'ee,' I said. I had her there--hey?"
-
- "I rather think she had you," said Fairway.
-
- "No," said Grandfer Cantle, his countenance slightly flagging.
- "'Tisn't so bad as that with me?"
-
- "Seemingly 'tis, however, is it because of the wedding
- that Clym is coming home a' Christmas--to make a new
- arrangement because his mother is now left in the house alone?"
-
- "Yes, yes--that's it. But, Timothy, hearken to me,"
- said the Grandfer earnestly. "Though known as such a joker,
- I be an understanding man if you catch me serious, and I am
- serious now. I can tell 'ee lots about the married couple.
- Yes, this morning at six o'clock they went up the country
- to do the job, and neither vell nor mark have been seen
- of 'em since, though I reckon that this afternoon has
- brought 'em home again man and woman--wife, that is.
- Isn't it spoke like a man, Timothy, and wasn't Mis'ess
- Yeobright wrong about me?"
-
- "Yes, it will do. I didn't know the two had walked
- together since last fall, when her aunt forbad the banns.
- How long has this new set-to been in mangling then? Do
- you know, Humphrey?"
-
- "Yes, how long?" said Grandfer Cantle smartly,
- likewise turning to Humphrey. "I ask that question."
-
- "Ever since her aunt altered her mind, and said she might have
- the man after all," replied Humphrey, without removing his
- eyes from the fire. He was a somewhat solemn young fellow,
- and carried the hook and leather gloves of a furze-cutter,
- his legs, by reason of that occupation, being sheathed
- in bulging leggings as stiff as the Philistine's greaves
- of brass. "That's why they went away to be married,
- I count. You see, after kicking up such a nunny-watch
- and forbidding the banns 'twould have made Mis'ess
- Yeobright seem foolish-like to have a banging wedding
- in the same parish all as if she'd never gainsaid it."
-
- "Exactly--seem foolish-like; and that's very bad for the
- poor things that be so, though I only guess as much,
- to be sure," said Grandfer Cantle, still strenuously
- preserving a sensible bearing and mien.
-
- "Ah, well, I was at church that day," said Fairway,
- "which was a very curious thing to happen."
-
- "If 'twasn't my name's Simple," said the
- Grandfer emphatically. "I ha'n't been there to-year;
- and now the winter is a-coming on I won't say I shall."
-
- "I ha'n't been these three years," said Humphrey;
- "for I'm so dead sleepy of a Sunday; and 'tis so terrible
- far to get there; and when you do get there 'tis such
- a mortal poor chance that you'll be chose for up above,
- when so many bain't, that I bide at home and don't go
- at all."
-
- "I not only happened to be there," said Fairway,
- with a fresh collection of emphasis, "but I was sitting
- in the same pew as Mis'ess Yeobright. And though you
- may not see it as such, it fairly made my blood run
- cold to hear her. Yes, it is a curious thing; but it
- made my blood run cold, for I was close at her elbow."
- The speaker looked round upon the bystanders, now drawing
- closer to hear him, with his lips gathered tighter than
- ever in the rigorousness of his descriptive moderation.
-
- "'Tis a serious job to have things happen to 'ee there,"
- said a woman behind.
-
- "'Ye are to declare it,' was the parson's words,"
- Fairway continued. "And then up stood a woman at my
- side--a-touching of me. 'Well, be damned if there isn't Mis'ess
- Yeobright a-standing up,' I said to myself. Yes, neighbours,
- though I was in the temple of prayer that's what I said.
- 'Tis against my conscience to curse and swear in company,
- and I hope any woman here will overlook it. Still what
- I did say I did say, and 'twould be a lie if I didn't own it."
-
- "So 'twould, neighbour Fairway."
-
- "'Be damned if there isn't Mis'ess Yeobright a-standing up,'
- I said," the narrator repeated, giving out the bad word
- with the same passionless severity of face as before,
- which proved how entirely necessity and not gusto had to
- do with the iteration. "And the next thing I heard was,
- 'I forbid the banns,' from her. 'I'll speak to you
- after the service,' said the parson, in quite a homely
- way--yes, turning all at once into a common man no holier
- than you or I. Ah, her face was pale! Maybe you can
- call to mind that monument in Weatherbury church--the
- cross-legged soldier that have had his arm knocked away
- by the schoolchildren? Well, he would about have matched
- that woman's face, when she said, 'I forbid the banns.'"
-
- The audience cleared their throats and tossed a few stalks
- into the fire, not because these deeds were urgent,
- but to give themselves time to weigh the moral of the story.
-
- "I'm sure when I heard they'd been forbid I felt as glad
- as if anybody had gied me sixpence," said an earnest
- voice--that of Olly Dowden, a woman who lived by making
- heath brooms, or besoms. Her nature was to be civil
- to enemies as well as to friends, and grateful to all
- the world for letting her remain alive.
-
- "And now the maid have married him just the same,"
- said Humphrey.
-
- "After that Mis'ess Yeobright came round and was
- quite agreeable," Fairway resumed, with an unheeding air,
- to show that his words were no appendage to Humphrey's,
- but the result of independent reflection.
-
- "Supposing they were ashamed, I don't see why they shouldn't
- have done it here-right," said a wide-spread woman whose
- stays creaked like shoes whenever she stooped or turned.
- "'Tis well to call the neighbours together and to hae
- a good racket once now and then; and it may as well be
- when there's a wedding as at tide-times. I don't care
- for close ways."
-
- "Ah, now, you'd hardly believe it, but I don't care
- for gay weddings," said Timothy Fairway, his eyes again
- travelling round. "I hardly blame Thomasin Yeobright and
- neighbour Wildeve for doing it quiet, if I must own it.
- A wedding at home means five and six-handed reels by the hour;
- and they do a man's legs no good when he's over forty."
-
- "True. Once at the woman's house you can hardly say nay
- to being one in a jig, knowing all the time that you
- be expected to make yourself worth your victuals."
-
- "You be bound to dance at Christmas because 'tis the time o'
- year; you must dance at weddings because 'tis the time o' life.
- At christenings folk will even smuggle in a reel or two,
- if 'tis no further on than the first or second chiel.
- And this is not naming the songs you've got to sing....For
- my part I like a good hearty funeral as well as anything.
- You've as splendid victuals and drink as at other parties,
- and even better. And it don't wear your legs to stumps
- in talking over a poor fellow's ways as it do to stand up
- in hornpipes."
-
- "Nine folks out of ten would own 'twas going too far
- to dance then, I suppose?" suggested Grandfer Cantle.
-
- "'Tis the only sort of party a staid man can feel safe
- at after the mug have been round a few times."
-
- "Well, I can't understand a quiet ladylike little body like
- Tamsin Yeobright caring to be married in such a mean way,"
- said Susan Nunsuch, the wide woman, who preferred the
- original subject. "'Tis worse than the poorest do.
- And I shouldn't have cared about the man, though some
- may say he's good-looking."
-
- "To give him his due he's a clever, learned fellow in his
- way--a'most as clever as Clym Yeobright used to be.
- He was brought up to better things than keeping the
- Quiet Woman. An engineer--that's what the man was,
- as we know; but he threw away his chance, and so 'a took
- a public house to live. His learning was no use to him
- at all."
-
- "Very often the case," said Olly, the besom-maker. "And yet
- how people do strive after it and get it! The class of folk
- that couldn't use to make a round O to save their bones from
- the pit can write their names now without a sputter of the pen,
- oftentimes without a single blot--what do I say?--why,
- almost without a desk to lean their stomachs and elbows upon."
-
- "True--'tis amazing what a polish the world have been
- brought to," said Humphrey.
-
- "Why, afore I went a soldier in the Bang-up Locals (as
- we was called), in the year four," chimed in Grandfer
- Cantle brightly, "I didn't know no more what the world
- was like than the commonest man among ye. And now,
- jown it all, I won't say what I bain't fit for, hey?"
-
- "Couldst sign the book, no doubt," said Fairway, "if wast
- young enough to join hands with a woman again, like Wildeve
- and Mis'ess Tamsin, which is more than Humph there could do,
- for he follows his father in learning. Ah, Humph, well I
- can mind when I was married how I zid thy father's mark
- staring me in the face as I went to put down my name.
- He and your mother were the couple married just afore we
- were and there stood they father's cross with arms stretched
- out like a great banging scarecrow. What a terrible
- black cross that was--thy father's very likeness in en!
- To save my soul I couldn't help laughing when I zid en,
- though all the time I was as hot as dog-days, what with
- the marrying, and what with the woman a-hanging to me,
- and what with Jack Changley and a lot more chaps grinning
- at me through church window. But the next moment a
- strawmote would have knocked me down, for I called to mind
- that if thy father and mother had had high words once,
- they'd been at it twenty times since they'd been man
- and wife, and I zid myself as the next poor stunpoll
- to get into the same mess....Ah--well, what a day 'twas!"
-
- "Wildeve is older than Tamsin Yeobright by a good-few summers.
- A pretty maid too she is. A young woman with a home
- must be a fool to tear her smock for a man like that."
-
- The speaker, a peat- or turf-cutter, who had newly
- joined the group, carried across his shoulder
- the singular heart-shaped spade of large dimensions
- used in that species of labour, and its well-whetted
- edge gleamed like a silver bow in the beams of the fire.
-
- "A hundred maidens would have had him if he'd asked 'em,"
- said the wide woman.
-
- "Didst ever know a man, neighbour, that no woman at all
- would marry?" inquired Humphrey.
-
- "I never did," said the turf-cutter.
-
- "Nor I," said another.
-
- "Nor I," said Grandfer Cantle.
-
- "Well, now, I did once," said Timothy Fairway, adding more
- firmness to one of his legs. "I did know of such a man.
- But only once, mind." He gave his throat a thorough rake round,
- as if it were the duty of every person not to be mistaken
- through thickness of voice. "Yes, I knew of such a man,"
- he said.
-
- "And what ghastly gallicrow might the poor fellow have
- been like, Master Fairway?" asked the turf-cutter.
-
- "Well, 'a was neither a deaf man, nor a dumb man,
- nor a blind man. What 'a was I don't say."
-
- "Is he known in these parts?" said Olly Dowden.
-
- "Hardly," said Timothy; "but I name no name....Come,
- keep the fire up there, youngsters."
-
- "Whatever is Christian Cantle's teeth a-chattering for?"
- said a boy from amid the smoke and shades on the other side
- of the blaze. "Be ye a-cold, Christian?"
-
- A thin jibbering voice was heard to reply, "No, not at all."
-
- "Come forward, Christian, and show yourself. I didn't
- know you were here," said Fairway, with a humane look
- across towards that quarter.
-
- Thus requested, a faltering man, with reedy hair,
- no shoulders, and a great quantity of wrist and ankle
- beyond his clothes, advanced a step or two by his own will,
- and was pushed by the will of others half a dozen steps more.
- He was Grandfer Cantle's youngest son.
-
- "What be ye quaking for, Christian?" said the turf-
- cutter kindly.
-
- "I'm the man."
-
- "What man?"
-
- "The man no woman will marry."
-
- "The deuce you be!" said Timothy Fairway, enlarging his
- gaze to cover Christian's whole surface and a great
- deal more, Grandfer Cantle meanwhile staring as a hen
- stares at the duck she has hatched.
-
- "Yes, I be he; and it makes me afeard," said Christian.
- "D'ye think 'twill hurt me? I shall always say I don't care,
- and swear to it, though I do care all the while."
-
- "Well, be damned if this isn't the queerest start ever
- I know'd," said Mr. Fairway. "I didn't mean you at all.
- There's another in the country, then! Why did ye reveal
- yer misfortune, Christian?"
-
- "'Twas to be if 'twas, I suppose. I can't help it,
- can I?" He turned upon them his painfully circular eyes,
- surrounded by concentric lines like targets.
-
- "No, that's true. But 'tis a melancholy thing,
- and my blood ran cold when you spoke, for I felt there
- were two poor fellows where I had thought only one.
- 'Tis a sad thing for ye, Christian. How'st know the women
- won't hae thee?"
-
- "I've asked 'em."
-
- "Sure I should never have thought you had the face.
- Well, and what did the last one say to ye? Nothing
- that can't be got over, perhaps, after all?"
-
- "'Get out of my sight, you slack-twisted, slim-looking
- maphrotight fool,' was the woman's words to me."
-
- "Not encouraging, I own," said Fairway. "'Get out of
- my sight, you slack-twisted, slim-looking maphrotight fool,'
- is rather a hard way of saying No. But even that might
- be overcome by time and patience, so as to let a few
- grey hairs show themselves in the hussy's head.
- How old be you, Christian?"
-
- "Thirty-one last tatie-digging, Mister Fairway."
-
- "Not a boy--not a boy. Still there's hope yet."
-
- "That's my age by baptism, because that's put down in the
- great book of the Judgment that they keep in church vestry;
- but Mother told me I was born some time afore I was christened."
-
- "Ah!"
-
- "But she couldn't tell when, to save her life,
- except that there was no moon."
-
- "No moon--that's bad. Hey, neighbours, that's bad for him!"
-
- "Yes, 'tis bad," said Grandfer Cantle, shaking his head.
-
- "Mother know'd 'twas no moon, for she asked another
- woman that had an almanac, as she did whenever a boy
- was born to her, because of the saying, 'No moon,
- no man,' which made her afeard every man-child she had.
- Do ye really think it serious, Mister Fairway, that there
- was no moon?"
-
- "Yes. 'No moon, no man.' 'Tis one of the truest sayings
- ever spit out. The boy never comes to anything that's
- born at new moon. A bad job for thee, Christian, that you
- should have showed your nose then of all days in the month."
-
- "I suppose the moon was terrible full when you were born?"
- said Christian, with a look of hopeless admiration
- at Fairway.
-
- "Well, 'a was not new," Mr. Fairway replied, with a
- disinterested gaze.
-
- "I'd sooner go without drink at Lammas-tide than be
- a man of no moon," continued Christian, in the same
- shattered recitative. "'Tis said I be only the rames
- of a man, and no good for my race at all; and I suppose
- that's the cause o't."
-
- "Ay," said Grandfer Cantle, somewhat subdued in spirit;
- "and yet his mother cried for scores of hours when 'a
- was a boy, for fear he should outgrow hisself and go for
- a soldier."
-
- "Well, there's many just as bad as he." said Fairway.
-
- "Wethers must live their time as well as other sheep,
- poor soul."
-
- "So perhaps I shall rub on? Ought I to be afeared o'
- nights, Master Fairway?"
-
- "You'll have to lie alone all your life; and 'tis not to
- married couples but to single sleepers that a ghost shows
- himself when 'a do come. One has been seen lately, too.
- A very strange one."
-
- "No--don't talk about it if 'tis agreeable of ye not to!
- 'Twill make my skin crawl when I think of it in bed alone.
- But you will--ah, you will, I know, Timothy; and I shall
- dream all night o't! A very strange one? What sort of
- a spirit did ye mean when ye said, a very strange one,
- Timothy?--no, no--don't tell me."
-
- "I don't half believe in spirits myself. But I think
- it ghostly enough--what I was told. 'Twas a little boy
- that zid it."
-
- "What was it like?--no, don't--"
-
- "A red one. Yes, most ghosts be white; but this
- is as if it had been dipped in blood."
-
- Christian drew a deep breath without letting it expand
- his body, and Humphrey said, "Where has it been seen?"
-
- "Not exactly here; but in this same heth. But 'tisn't
- a thing to talk about. What do ye say," continued Fairway
- in brisker tones, and turning upon them as if the idea
- had not been Grandfer Cantle's--"what do you say to giving
- the new man and wife a bit of a song tonight afore we
- go to bed--being their wedding-day? When folks are just
- married 'tis as well to look glad o't, since looking
- sorry won't unjoin 'em. I am no drinker, as we know,
- but when the womenfolk and youngsters have gone home we
- can drop down across to the Quiet Woman, and strike up
- a ballet in front of the married folks' door. 'Twill please
- the young wife, and that's what I should like to do,
- for many's the skinful I've had at her hands when she
- lived with her aunt at Blooms-End."
-
- "Hey? And so we will!" said Grandfer Cantle, turning so
- briskly that his copper seals swung extravagantly.
- "I'm as dry as a kex with biding up here in the wind,
- and I haven't seen the colour of drink since nammet-
- time today. 'Tis said that the last brew at the Woman
- is very pretty drinking. And, neighbours, if we should be
- a little late in the finishing, why, tomorrow's Sunday,
- and we can sleep it off?"
-
- "Grandfer Cantle! you take things very careless
- for an old man," said the wide woman.
-
- "I take things careless; I do--too careless to please the
- women! Klk! I'll sing the 'Jovial Crew,' or any other song,
- when a weak old man would cry his eyes out. Jown it;
- I am up for anything.
-
-
- "The king' look'd o'-ver his left' shoul-der',
- And a grim' look look'-ed hee',
- Earl Mar'-shal, he said', but for' my oath'
- Or hang'-ed thou' shouldst bee'."
-
-
- "Well, that's what we'll do," said Fairway. "We'll give
- 'em a song, an' it please the Lord. What's the good of
- Thomasin's cousin Clym a-coming home after the deed's done?
- He should have come afore, if so be he wanted to stop it,
- and marry her himself."
-
- "Perhaps he's coming to bide with his mother a little time,
- as she must feel lonely now the maid's gone."
-
- "Now, 'tis very odd, but I never feel lonely--no, not at all,"
- said Grandfer Cantle. "I am as brave in the nighttime
- as a' admiral!"
-
- The bonfire was by this time beginning to sink low,
- for the fuel had not been of that substantial sort which can
- support a blaze long. Most of the other fires within the wide
- horizon were also dwindling weak. Attentive observation
- of their brightness, colour, and length of existence
- would have revealed the quality of the material burnt,
- and through that, to some extent the natural produce
- of the district in which each bonfire was situate.
- The clear, kingly effulgence that had characterized the
- majority expressed a heath and furze country like their own,
- which in one direction extended an unlimited number of miles;
- the rapid flares and extinctions at other points of the
- compass showed the lightest of fuel--straw, beanstalks,
- and the usual waste from arable land. The most enduring
- of all--steady unaltering eyes like Planets--signified wood,
- such as hazel-branches, thorn-faggots, and stout billets.
- Fires of the last-mentioned materials were rare, and though
- comparatively small in magnitude beside the transient blazes,
- now began to get the best of them by mere long continuance.
- The great ones had perished, but these remained.
- They occupied the remotest visible positions--sky-backed
- summits rising out of rich coppice and plantation districts
- to the north, where the soil was different, and heath
- foreign and strange.
-
- Save one; and this was the nearest of any, the moon of the
- whole shining throng. It lay in a direction precisely
- opposite to that of the little window in the vale below.
- Its nearness was such that, notwithstanding its
- actual smallness, its glow infinitely transcended theirs.
-
- This quiet eye had attracted attention from time to time;
- and when their own fire had become sunken and dim it
- attracted more; some even of the wood fires more recently
- lighted had reached their decline, but no change was
- perceptible here.
-
- "To be sure, how near that fire is!" said Fairway.
- "Seemingly. I can see a fellow of some sort walking round it.
- Little and good must be said of that fire, surely."
-
- "I can throw a stone there," said the boy.
-
- "And so can I!" said Grandfer Cantle.
-
- "No, no, you can't, my sonnies. That fire is not much
- less than a mile off, for all that 'a seems so near."
-
- "'Tis in the heath, but no furze," said the turf-cutter.
-
- "'Tis cleft-wood, that's what 'tis," said Timothy Fairway.
- "Nothing would burn like that except clean timber. And 'tis
- on the knap afore the old captain's house at Mistover.
- Such a queer mortal as that man is! To have a little
- fire inside your own bank and ditch, that nobody else
- may enjoy it or come anigh it! And what a zany an old chap
- must be, to light a bonfire when there's no youngsters
- to please."
-
- "Cap'n Vye has been for a long walk today, and is quite
- tired out," said Grandfer Cantle, "so 'tisn't likely
- to be he."
-
- "And he would hardly afford good fuel like that,"
- said the wide woman.
-
- "Then it must be his granddaughter," said Fairway.
- "Not that a body of her age can want a fire much."
-
- "She is very strange in her ways, living up there by herself,
- and such things please her," said Susan.
-
- "She's a well-favoured maid enough," said Humphrey the
- furze-cutter, "especially when she's got one of her dandy gowns on."
-
- "That's true," said Fairway. "Well, let her bonfire burn
- an't will. Ours is well-nigh out by the look o't."
-
- "How dark 'tis now the fire's gone down!" said Christian Cantle,
- looking behind him with his hare eyes. "Don't ye think we'd
- better get home-along, neighbours? The heth isn't haunted,
- I know; but we'd better get home....Ah, what was that?"
-
- "Only the wind," said the turf-cutter.
-
- "I don't think Fifth-of-Novembers ought to be kept up
- by night except in towns. It should be by day in outstep,
- ill-accounted places like this!"
-
- "Nonsense, Christian. Lift up your spirits like a man! Susy,
- dear, you and I will have a jig--hey, my honey?--before
- 'tis quite too dark to see how well-favoured you be still,
- though so many summers have passed since your husband,
- a son of a witch, snapped you up from me."
-
- This was addressed to Susan Nunsuch; and the next
- circumstance of which the beholders were conscious
- was a vision of the matron's broad form whisking off
- towards the space whereon the fire had been kindled.
- She was lifted bodily by Mr. Fairway's arm, which had
- been flung round her waist before she had become aware
- of his intention. The site of the fire was now merely
- a circle of ashes flecked with red embers and sparks,
- the furze having burnt completely away. Once within
- the circle he whirled her round and round in a dance.
- She was a woman noisily constructed; in addition to her
- enclosing framework of whalebone and lath, she wore
- pattens summer and winter, in wet weather and in dry,
- to preserve her boots from wear; and when Fairway began
- to jump about with her, the clicking of the pattens,
- the creaking of the stays, and her screams of surprise,
- formed a very audible concert.
-
- "I'll crack thy numskull for thee, you mandy chap!"
- said Mrs. Nunsuch, as she helplessly danced round with him,
- her feet playing like drumsticks among the sparks.
- "My ankles were all in a fever before, from walking
- through that prickly furze, and now you must make 'em
- worse with these vlankers!"
-
- The vagary of Timothy Fairway was infectious. The turf-cutter
- seized old Olly Dowden, and, somewhat more gently,
- poussetted with her likewise. The young men were not slow
- to imitate the example of their elders, and seized the maids;
- Grandfer Cantle and his stick jigged in the form of a
- three-legged object among the rest; and in half a minute
- all that could be seen on Rainbarrow was a whirling
- of dark shapes amid a boiling confusion of sparks,
- which leapt around the dancers as high as their waists.
- The chief noises were women's shrill cries, men's laughter,
- Susan's stays and pattens, Olly Dowden's "heu-heu-heu!"
- and the strumming of the wind upon the furze-bushes, which
- formed a kind of tune to the demoniac measure they trod.
- Christian alone stood aloof, uneasily rocking himself
- as he murmured, "They ought not to do it--how the vlankers
- do fly! 'tis tempting the Wicked one, 'tis."
-
- "What was that?" said one of the lads, stopping.
-
- "Ah--where?" said Christian, hastily closing up to the rest.
-
- The dancers all lessened their speed.
-
- "'Twas behind you, Christian, that I heard it--down here."
-
- "Yes--'tis behind me!" Christian said. "Matthew, Mark,
- Luke, and John, bless the bed that I lie on; four angels guard--"
-
- "Hold your tongue. What is it?" said Fairway.
-
- "Hoi-i-i-i!" cried a voice from the darkness.
-
- "Halloo-o-o-o!" said Fairway.
-
- "Is there any cart track up across here to Mis'ess
- Yeobright's, of Blooms-End?" came to them in the same voice,
- as a long, slim indistinct figure approached the barrow.
-
- "Ought we not to run home as hard as we can, neighbours,
- as 'tis getting late?" said Christian. "Not run away
- from one another, you know; run close together, I mean."
- "Scrape up a few stray locks of furze, and make a blaze,
- so that we can see who the man is," said Fairway.
-
- When the flame arose it revealed a young man in tight
- raiment, and red from top to toe. "Is there a track
- across here to Mis'ess Yeobright's house?" he repeated.
-
- "Ay--keep along the path down there."
-
- "I mean a way two horses and a van can travel over?"
-
- "Well, yes; you can get up the vale below here with time.
- The track is rough, but if you've got a light your horses
- may pick along wi' care. Have ye brought your cart far up,
- neighbour reddleman?"
-
- "I've left it in the bottom, about half a mile back,
- I stepped on in front to make sure of the way, as 'tis
- night-time, and I han't been here for so long."
-
- "Oh, well you can get up," said Fairway. "What a turn it
- did give me when I saw him!" he added to the whole group,
- the reddleman included. "Lord's sake, I thought,
- whatever fiery mommet is this come to trouble us? No
- slight to your looks, reddleman, for ye bain't bad-looking
- in the groundwork, though the finish is queer. My meaning
- is just to say how curious I felt. I half thought it
- 'twas the devil or the red ghost the boy told of."
-
- "It gied me a turn likewise," said Susan Nunsuch, "for I
- had a dream last night of a death's head."
-
- "Don't ye talk o't no more," said Christian. "If he had
- a handkerchief over his head he'd look for all the world
- like the Devil in the picture of the Temptation."
-
- "Well, thank you for telling me," said the young reddleman,
- smiling faintly. "And good night t'ye all."
-
- He withdrew from their sight down the barrow.
-
- "I fancy I've seen that young man's face before,"
- said Humphrey. "But where, or how, or what his name is,
- I don't know."
-
- The reddleman had not been gone more than a few
- minutes when another person approached the partially
- revived bonfire. It proved to be a well-known and
- respected widow of the neighbourhood, of a standing which
- can only be expressed by the word genteel. Her face,
- encompassed by the blackness of the receding heath,
- showed whitely, and with-out half-lights, like a cameo.
-
- She was a woman of middle-age, with well-formed features
- of the type usually found where perspicacity is the chief
- quality enthroned within. At moments she seemed to be
- regarding issues from a Nebo denied to others around.
- She had something of an estranged mien; the solitude
- exhaled from the heath was concentrated in this face that
- had risen from it. The air with which she looked at the
- heathmen betokened a certain unconcern at their presence,
- or at what might be their opinions of her for walking in
- that lonely spot at such an hour, thus indirectly implying
- that in some respect or other they were not up to her level.
- The explanation lay in the fact that though her husband
- had been a small farmer she herself was a curate's daughter,
- who had once dreamt of doing better things.
-
- Persons with any weight of character carry, like planets,
- their atmospheres along with them in their orbits;
- and the matron who entered now upon the scene could,
- and usually did, bring her own tone into a company.
- Her normal manner among the heathfolk had that reticence
- which results from the consciousness of superior
- communicative power. But the effect of coming into
- society and light after lonely wandering in darkness
- is a sociability in the comer above its usual pitch,
- expressed in the features even more than in words.
-
- "Why, 'tis Mis'ess Yeobright," said Fairway. "Mis'ess Yeobright,
- not ten minutes ago a man was here asking for you--a reddleman."
-
- "What did he want?" said she.
-
- "He didn't tell us."
-
- "Something to sell, I suppose; what it can be I am
- at a loss to understand."
-
- "I am glad to hear that your son Mr. Clym is coming home
- at Christmas, ma'am," said Sam, the turf-cutter. "What
- a dog he used to be for bonfires!"
-
- "Yes. I believe he is coming," she said.
-
- "He must be a fine fellow by this time," said Fairway.
-
- "He is a man now," she replied quietly.
-
- "'Tis very lonesome for 'ee in the heth tonight,
- mis'ess," said Christian, coming from the seclusion he
- had hitherto maintained. "Mind you don't get lost.
- Egdon Heth is a bad place to get lost in, and the winds
- do huffle queerer tonight than ever I heard 'em afore.
- Them that know Egdon best have been pixy-led here at times."
-
- "Is that you, Christian?" said Mrs. Yeobright.
- "What made you hide away from me?"
-
- "'Twas that I didn't know you in this light, mis'ess;
- and being a man of the mournfullest make, I was scared
- a little, that's all. Oftentimes if you could see
- how terrible down I get in my mind, 'twould make
- 'ee quite nervous for fear I should die by my hand."
-
- "You don't take after your father," said Mrs. Yeobright,
- looking towards the fire, where Grandfer Cantle, with some
- want of originality, was dancing by himself among the sparks,
- as the others had done before.
-
- "Now, Grandfer," said Timothy Fairway, "we are ashamed
- of ye. A reverent old patriarch man as you be--seventy
- if a day--to go hornpiping like that by yourself!"
-
- "A harrowing old man, Mis'ess Yeobright,"
- said Christian despondingly. "I wouldn't
- live with him a week, so playward as he is, if I could get away."
-
- "'Twould be more seemly in ye to stand still and welcome
- Mis'ess Yeobright, and you the venerablest here,
- Grandfer Cantle," said the besom-woman.
-
- "Faith, and so it would," said the reveller checking
- himself repentantly. "I've such a bad memory,
- Mis'ess Yeobright, that I forget how I'm looked up to
- by the rest of 'em. My spirits must be wonderful good,
- you'll say? But not always. 'Tis a weight upon a man
- to be looked up to as commander, and I often feel it."
-
- "I am sorry to stop the talk," said Mrs. Yeobright. "But I must
- be leaving you now. I was passing down the Anglebury Road,
- towards my niece's new home, who is returning tonight with
- her husband; and seeing the bonfire and hearing Olly's voice
- among the rest I came up here to learn what was going on.
- I should like her to walk with me, as her way is mine."
-
- "Ay, sure, ma'am, I'm just thinking of moving," said Olly.
-
- "Why, you'll be safe to meet the reddleman that I told ye of,"
- said Fairway. "He's only gone back to get his van.
- We heard that your niece and her husband were coming
- straight home as soon as they were married, and we are
- going down there shortly, to give 'em a song o' welcome."
-
- "Thank you indeed," said Mrs. Yeobright.
-
- "But we shall take a shorter cut through the furze than you
- can go with long clothes; so we won't trouble you to wait."
-
- "Very well--are you ready, Olly?"
-
- "Yes, ma'am. And there's a light shining from your
- niece's window, see. It will help to keep us in the path."
-
- She indicated the faint light at the bottom of the valley
- which Fairway had pointed out; and the two women descended
- the tumulus.
-
-
-
- 4 - The Halt on the Turnpike Road
-
-
- Down, downward they went, and yet further down--their
- descent at each step seeming to outmeasure their advance.
- Their skirts were scratched noisily by the furze,
- their shoulders brushed by the ferns, which, though dead
- and dry, stood erect as when alive, no sufficient winter
- weather having as yet arrived to beat them down.
- Their Tartarean situation might by some have been called
- an imprudent one for two unattended women. But these
- shaggy recesses were at all seasons a familiar surrounding
- to Olly and Mrs. Yeobright; and the addition of darkness
- lends no frightfulness to the face of a friend.
-
- "And so Tamsin has married him at last," said Olly,
- when the incline had become so much less steep that their
- foot-steps no longer required undivided attention.
-
- Mrs. Yeobright answered slowly, "Yes; at last."
-
- "How you will miss her--living with 'ee as a daughter,
- as she always have."
-
- "I do miss her."
-
- Olly, though without the tact to perceive when remarks
- were untimely, was saved by her very simplicity from
- rendering them offensive. Questions that would have
- been resented in others she could ask with impunity.
- This accounted for Mrs. Yeobright's acquiescence in the
- revival of an evidently sore subject.
-
- "I was quite strook to hear you'd agreed to it,
- ma'am, that I was," continued the besom-maker.
-
- "You were not more struck by it than I should have been
- last year this time, Olly. There are a good many sides
- to that wedding. I could not tell you all of them,
- even if I tried."
-
- "I felt myself that he was hardly solid-going enough
- to mate with your family. Keeping an inn--what is it?
- But 'a's clever, that's true, and they say he was an
- engineering gentleman once, but has come down by being
- too outwardly given."
-
- "I saw that, upon the whole, it would be better she
- should marry where she wished."
-
- "Poor little thing, her feelings got the better of her,
- no doubt. 'Tis nature. Well, they may call him what they
- will--he've several acres of heth-ground broke up here,
- besides the public house, and the heth-croppers, and his
- manners be quite like a gentleman's. And what's done cannot
- be undone."
-
- "It cannot," said Mrs. Yeobright. "See, here's
- the wagon-track at last. Now we shall get along better."
-
- The wedding subject was no further dwelt upon;
- and soon a faint diverging path was reached, where they
- parted company, Olly first begging her companion to remind
- Mr. Wildeve that he had not sent her sick husband the
- bottle of wine promised on the occasion of his marriage.
- The besom-maker turned to the left towards her own house,
- behind a spur of the hill, and Mrs. Yeobright followed
- the straight track, which further on joined the highway by
- the Quiet Woman Inn, whither she supposed her niece to have
- returned with Wildeve from their wedding at Anglebury that day.
-
- She first reached Wildeve's Patch, as it was called,
- a plot of land redeemed from the heath, and after long
- and laborious years brought into cultivation. The man who
- had discovered that it could be tilled died of the labour;
- the man who succeeded him in possession ruined himself
- in fertilizing it. Wildeve came like Amerigo Vespucci,
- and received the honours due to those who had gone before.
-
- When Mrs. Yeobright had drawn near to the inn,
- and was about to enter, she saw a horse and vehicle
- some two hundred yards beyond it, coming towards her,
- a man walking alongside with a lantern in his hand.
- It was soon evident that this was the reddleman who had
- inquired for her. Instead of entering the inn at once,
- she walked by it and towards the van.
-
- The conveyance came close, and the man was about to pass
- her with little notice, when she turned to him and said,
- "I think you have been inquiring for me? I am Mrs. Yeobright
- of Blooms-End."
-
- The reddleman started, and held up his finger.
- He stopped the horses, and beckoned to her to withdraw
- with him a few yards aside, which she did, wondering.
-
- "You don't know me, ma'am, I suppose?" he said.
-
- "I do not," said she. "Why, yes, I do! You are young
- Venn--your father was a dairyman somewhere here?"
-
- "Yes; and I knew your niece, Miss Tamsin, a little.
- I have something bad to tell you."
-
- "About her--no! She has just come home, I believe,
- with her husband. They arranged to return this
- afternoon--to the inn beyond here."
-
- "She's not there."
-
- "How do you know?"
-
- "Because she's here. She's in my van," he added slowly.
-
- "What new trouble has come?" murmured Mrs. Yeobright,
- putting her hand over her eyes.
-
- "I can't explain much, ma'am. All I know is that, as I
- was going along the road this morning, about a mile out
- of Anglebury, I heard something trotting after me like a doe,
- and looking round there she was, white as death itself.
- 'Oh, Diggory Venn!' she said, 'I thought 'twas you--will
- you help me? I am in trouble.'"
-
- "How did she know your Christian name?" said Mrs. Yeobright
- doubtingly.
-
- "I had met her as a lad before I went away in this trade.
- She asked then if she might ride, and then down she fell
- in a faint. I picked her up and put her in, and there
- she has been ever since. She has cried a good deal,
- but she has hardly spoke; all she has told me being
- that she was to have been married this morning.
- I tried to get her to eat something, but she couldn't;
- and at last she fell asleep."
-
- "Let me see her at once," said Mrs. Yeobright,
- hastening towards the van.
-
- The reddleman followed with the lantern, and, stepping
- up first, assisted Mrs. Yeobright to mount beside him.
- On the door being opened she perceived at the end
- of the van an extemporized couch, around which was hung
- apparently all the drapery that the reddleman possessed,
- to keep the occupant of the little couch from contact
- with the red materials of his trade. A young girl
- lay thereon, covered with a cloak. She was asleep,
- and the light of the lantern fell upon her features.
-
- A fair, sweet, and honest country face was revealed,
- reposing in a nest of wavy chestnut hair. It was between
- pretty and beautiful. Though her eyes were closed,
- one could easily imagine the light necessarily shining in them
- as the culmination of the luminous workmanship around.
- The groundwork of the face was hopefulness; but over it
- now I ay like a foreign substance a film of anxiety
- and grief. The grief had been there so shortly as to
- have abstracted nothing of the bloom, and had as yet but
- given a dignity to what it might eventually undermine.
- The scarlet of her lips had not had time to abate,
- and just now it appeared still more intense by the absence
- of the neighbouring and more transient colour of her cheek.
- The lips frequently parted, with a murmur of words.
- She seemed to belong rightly to a madrigal--to require
- viewing through rhyme and harmony.
-
- One thing at least was obvious: she was not made to be
- looked at thus. The reddleman had appeared conscious
- of as much, and, while Mrs. Yeobright looked in upon her,
- he cast his eyes aside with a delicacy which well became him.
- The sleeper apparently thought so too, for the next moment
- she opened her own.
-
- The lips then parted with something of anticipation,
- something more of doubt; and her several thoughts and fractions
- of thoughts, as signalled by the changes on her face,
- were exhibited by the light to the utmost nicety.
- An ingenuous, transparent life was disclosed, as if the
- flow of her existence could be seen passing within her.
- She understood the scene in a moment.
-
- "O yes, it is I, Aunt," she cried. "I know how frightened
- you are, and how you cannot believe it; but all the same,
- it is I who have come home like this!"
-
- "Tamsin, Tamsin!" said Mrs. Yeobright, stooping over
- the young woman and kissing her. "O my dear girl!"
-
- Thomasin was now on the verge of a sob, but by an unexpected
- self-command she uttered no sound. With a gentle panting
- breath she sat upright.
-
- "I did not expect to see you in this state, any more
- than you me," she went on quickly. "Where am I, Aunt?"
-
- "Nearly home, my dear. In Egdon Bottom. What dreadful
- thing is it?"
-
- "I'll tell you in a moment. So near, are we? Then I
- will get out and walk. I want to go home by the path."
-
- "But this kind man who has done so much will, I am sure,
- take you right on to my house?" said the aunt, turning to
- the reddleman, who had withdrawn from the front of the van
- on the awakening of the girl, and stood in the road.
-
- "Why should you think it necessary to ask me? I will,
- of course," said he.
-
- "He is indeed kind," murmured Thomasin. "I was once
- acquainted with him, Aunt, and when I saw him today I thought
- I should prefer his van to any conveyance of a stranger.
- But I'll walk now. Reddleman, stop the horses, please."
-
- The man regarded her with tender reluctance, but stopped
- them
-
- Aunt and niece then descended from the van, Mrs. Yeobright
- saying to its owner, "I quite recognize you now.
- What made you change from the nice business your father
- left you?"
-
- "Well, I did," he said, and looked at Thomasin,
- who blushed a little. "Then you'll not be wanting
- me any more tonight, ma'am?"
-
- Mrs. Yeobright glanced around at the dark sky, at the hills,
- at the perishing bonfires, and at the lighted window
- of the inn they had neared. "I think not," she said,
- "since Thomasin wishes to walk. We can soon run up
- the path and reach home--we know it well."
-
- And after a few further words they parted, the reddleman
- moving onwards with his van, and the two women remaining
- standing in the road. As soon as the vehicle and its
- driver had withdrawn so far as to be beyond all possible
- reach of her voice, Mrs. Yeobright turned to her niece.
-
- "Now, Thomasin," she said sternly, "what's the meaning
- of this disgraceful performance?"
-
-
-
- 5 - Perplexity among Honest People
-
-
- Thomasin looked as if quite overcome by her aunt's change
- of manner. "It means just what it seems to mean: I
- am--not married," she replied faintly. "Excuse me--for
- humiliating you, Aunt, by this mishap--I am sorry for it.
- But I cannot help it."
-
- "Me? Think of yourself first."
-
- "It was nobody's fault. When we got there the parson
- wouldn't marry us because of some trifling irregularity
- in the license."
-
- "What irregularity?"
-
- "I don't know. Mr. Wildeve can explain. I did not think
- when I went away this morning that I should come back
- like this." It being dark, Thomasin allowed her emotion
- to escape her by the silent way of tears, which could
- roll down her cheek unseen.
-
- "I could almost say that it serves you right--if I did not
- feel that you don't deserve it," continued Mrs. Yeobright,
- who, possessing two distinct moods in close contiguity,
- a gentle mood and an angry, flew from one to the other
- without the least warning. "Remember, Thomasin,
- this business was none of my seeking; from the very first,
- when you began to feel foolish about that man, I warned
- you he would not make you happy. I felt it so strongly
- that I did what I would never have believed myself
- capable of doing--stood up in the church, and made myself
- the public talk for weeks. But having once consented,
- I don't submit to these fancies without good reason.
- Marry him you must after this."
-
- "Do you think I wish to do otherwise for one moment?"
- said Thomasin, with a heavy sigh. "I know how wrong
- it was of me to love him, but don't pain me by talking
- like that, Aunt! You would not have had me stay there
- with him, would you?--and your house is the only home I
- have to return to. He says we can be married in a day
- or two."
-
- "I wish he had never seen you."
-
- "Very well; then I will be the miserablest woman in the world,
- and not let him see me again. No, I won't have him!"
-
- "It is too late to speak so. Come with me. I am
- going to the inn to see if he has returned. Of course
- I shall get to the bottom of this story at once.
- Mr. Wildeve must not suppose he can play tricks upon me,
- or any belonging to me."
-
- "It was not that. The license was wrong, and he couldn't
- get another the same day. He will tell you in a moment
- how it was, if he comes."
-
- "Why didn't he bring you back?"
-
- "That was me!" again sobbed Thomasin. "When I found we
- could not be married I didn't like to come back with him,
- and I was very ill. Then I saw Diggory Venn, and was glad
- to get him to take me home. I cannot explain it any better,
- and you must be angry with me if you will."
-
- "I shall see about that," said Mrs. Yeobright; and they
- turned towards the inn, known in the neighbourhood
- as the Quiet Woman, the sign of which represented
- the figure of a matron carrying her head under her arm,
- beneath which gruesome design was written the couplet
- so well known to frequenters of the inn:--
-
-
- SINCE THE WOMAN'S QUIET
- LET NO MAN BREED A RIOT.[1]
-
-
- [1] The inn which really bore this sign and legend
- stood some miles to the northwest of the present scene,
- wherein the house more immediately referred to is now no
- longer an inn; and the surroundings are much changed.
- But another inn, some of whose features are also embodied
- in this description, the RED LION at Winfrith,
- still remains as a haven for the wayfarer (1912).
-
-
- The front of the house was towards the heath and Rainbarrow,
- whose dark shape seemed to threaten it from the sky.
- Upon the door was a neglected brass plate, bearing the
- unexpected inscription, "Mr. Wildeve, Engineer"--a useless
- yet cherished relic from the time when he had been started
- in that profession in an office at Budmouth by those who
- had hoped much from him, and had been disappointed.
- The garden was at the back, and behind this ran a still
- deep stream, forming the margin of the heath in that direction,
- meadow-land appearing beyond the stream.
-
- But the thick obscurity permitted only skylines to be
- visible of any scene at present. The water at the back
- of the house could be heard, idly spinning whirpools
- in its creep between the rows of dry feather-headed reeds
- which formed a stockade along each bank. Their presence
- was denoted by sounds as of a congregation praying humbly,
- produced by their rubbing against each other in the slow wind.
-
- The window, whence the candlelight had shone up the vale
- to the eyes of the bonfire group, was uncurtained,
- but the sill lay too high for a pedestrian on the outside
- to look over it into the room. A vast shadow, in which
- could be dimly traced portions of a masculine contour,
- blotted half the ceiling.
-
- "He seems to be at home," said Mrs. Yeobright.
-
- "Must I come in, too, Aunt?" asked Thomasin faintly.
- "I suppose not; it would be wrong."
-
- "You must come, certainly--to confront him, so that he
- may make no false representations to me. We shall not
- be five minutes in the house, and then we'll walk home."
-
- Entering the open passage, she tapped at the door
- of the private parlour, unfastened it, and looked in.
-
- The back and shoulders of a man came between Mrs. Yeobright's
- eyes and the fire. Wildeve, whose form it was,
- immediately turned, arose, and advanced to meet his visitors.
-
- He was quite a young man, and of the two properties,
- form and motion, the latter first attracted the eye
- in him. The grace of his movement was singular--it
- was the pantomimic expression of a lady-killing career.
- Next came into notice the more material qualities,
- among which was a profuse crop of hair impending
- over the top of his face, lending to his forehead
- the high-cornered outline of an early Gothic shield;
- and a neck which was smooth and round as a cylinder.
- The lower half of his figure was of light build.
- Altogether he was one in whom no man would have seen
- anything to admire, and in whom no woman would have seen
- anything to dislike.
-
- He discerned the young girl's form in the passage,
- and said, "Thomasin, then, has reached home.
- How could you leave me in that way, darling?" And turning
- to Mrs. Yeobright--"It was useless to argue with her.
- She would go, and go alone."
-
- "But what's the meaning of it all?" demanded Mrs. Yeobright haughtily.
-
- "Take a seat," said Wildeve, placing chairs for the two women.
- "Well, it was a very stupid mistake, but such mistakes
- will happen. The license was useless at Anglebury.
- It was made out for Budmouth, but as I didn't read it I
- wasn't aware of that."
-
- "But you had been staying at Anglebury?"
-
- "No. I had been at Budmouth--till two days ago--and
- that was where I had intended to take her; but when
- I came to fetch her we decided upon Anglebury,
- forgetting that a new license would be necessary.
- There was not time to get to Budmouth afterwards."
-
- "I think you are very much to blame," said Mrs. Yeobright.
-
- "It was quite my fault we chose Anglebury," Thomasin pleaded.
- "I proposed it because I was not known there."
-
- "I know so well that I am to blame that you need not
- remind me of it," replied Wildeve shortly.
-
- "Such things don't happen for nothing," said the aunt.
- "It is a great slight to me and my family; and when it
- gets known there will be a very unpleasant time for us.
- How can she look her friends in the face tomorrow? It
- is a very great injury, and one I cannot easily forgive.
- It may even reflect on her character."
-
- "Nonsense," said Wildeve.
-
- Thomasin's large eyes had flown from the face of one
- to the face of the other during this discussion, and she
- now said anxiously, "Will you allow me, Aunt, to talk it
- over alone with Damon for five minutes? Will you, Damon?"
-
- "Certainly, dear," said Wildeve, "if your aunt will excuse us."
- He led her into an adjoining room, leaving Mrs. Yeobright
- by the fire.
-
- As soon as they were alone, and the door closed,
- Thomasin said, turning up her pale, tearful face
- to him, "It is killing me, this, Damon! I did not mean
- to part from you in anger at Anglebury this morning;
- but I was frightened and hardly knew what I said.
- I've not let Aunt know how much I suffered today; and it
- is so hard to command my face and voice, and to smile
- as if it were a slight thing to me; but I try to do so,
- that she may not be still more indignant with you.
- I know you could not help it, dear, whatever Aunt
- may think."
-
- "She is very unpleasant."
-
- "Yes," Thomasin murmured, "and I suppose I seem
- so now....Damon, what do you mean to do about me?"
-
- "Do about you?"
-
- "Yes. Those who don't like you whisper things which at
- moments make me doubt you. We mean to marry, I suppose,
- don't we?"
-
- "Of course we do. We have only to go to Budmouth on Monday,
- and we marry at once."
-
- "Then do let us go!--O Damon, what you make me say!"
- She hid her face in her handkerchief. "Here am I asking
- you to marry me, when by rights you ought to be on your
- knees imploring me, your cruel mistress, not to refuse you,
- and saying it would break your heart if I did.
- I used to think it would be pretty and sweet like that;
- but how different!"
-
- "Yes, real life is never at all like that."
-
- "But I don't care personally if it never takes place,"
- she added with a little dignity; "no, I can live without you.
- It is Aunt I think of. She is so proud, and thinks
- so much of her family respectability, that she will be
- cut down with mortification if this story should get
- abroad before--it is done. My cousin Clym, too, will be
- much wounded."
-
- "Then he will be very unreasonable. In fact, you are
- all rather unreasonable."
-
- Thomasin coloured a little, and not with love. But whatever
- the momentary feeling which caused that flush in her,
- it went as it came, and she humbly said, "I never mean
- to be, if I can help it. I merely feel that you have
- my aunt to some extent in your power at last."
-
- "As a matter of justice it is almost due to me," said Wildeve.
- "Think what I have gone through to win her consent;
- the insult that it is to any man to have the banns
- forbidden--the double insult to a man unlucky enough to be
- cursed with sensitiveness, and blue demons, and Heaven
- knows what, as I am. I can never forget those banns.
- A harsher man would rejoice now in the power I have of
- turning upon your aunt by going no further in the business."
-
- She looked wistfully at him with her sorrowful eyes as he said
- those words, and her aspect showed that more than one person
- in the room could deplore the possession of sensitiveness.
- Seeing that she was really suffering he seemed disturbed
- and added, "This is merely a reflection you know.
- I have not the least intention to refuse to complete
- the marriage, Tamsie mine--I could not bear it."
-
- "You could not, I know!" said the fair girl, brightening.
- "You, who cannot bear the sight of pain in even an insect,
- or any disagreeable sound, or unpleasant smell even,
- will not long cause pain to me and mine."
-
- "I will not, if I can help it."
-
- "Your hand upon it, Damon."
-
- He carelessly gave her his hand.
-
- "Ah, by my crown, what's that?" he said suddenly.
-
- There fell upon their ears the sound of numerous
- voices singing in front of the house. Among these,
- two made themselves prominent by their peculiarity: one
- was a very strong bass, the other a wheezy thin piping.
- Thomasin recognized them as belonging to Timothy Fairway
- and Grandfer Cantle respectively.
-
- "What does it mean--it is not skimmity-riding, I hope?"
- she said, with a frightened gaze at Wildeve.
-
- "Of course not; no, it is that the heath-folk have come
- to sing to us a welcome. This is intolerable!" He began
- pacing about, the men outside singing cheerily--
-
-
- "He told' her that she' was the joy' of his life', And if'
- she'd con-sent' he would make her his wife'; She could'
- not refuse' him; to church' so they went', Young Will
- was forgot', and young Sue' was content'; And then'
- was she kiss'd' and set down' on his knee', No man'
- in the world' was so lov'-ing as he'!"
-
-
- Mrs. Yeobright burst in from the outer room.
- "Thomasin, Thomasin!" she said, looking indignantly at Wildeve;
- "here's a pretty exposure! Let us escape at once. Come!"
-
- It was, however, too late to get away by the passage.
- A rugged knocking had begun upon the door of the front room.
- Wildeve, who had gone to the window, came back.
-
- "Stop!" he said imperiously, putting his hand upon
- Mrs. Yeobright's arm. "We are regularly besieged.
- There are fifty of them out there if there's one.
- You stay in this room with Thomasin; I'll go out and
- face them. You must stay now, for my sake, till they
- are gone, so that it may seem as if all was right.
- Come, Tamsie dear, don't go making a scene--we must marry
- after this; that you can see as well as I. Sit still,
- that's all--and don't speak much. I'll manage them.
- Blundering fools!"
-
- He pressed the agitated girl into a seat, returned to the
- outer room and opened the door. Immediately outside,
- in the passage, appeared Grandfer Cantle singing in
- concert with those still standing in front of the house.
- He came into the room and nodded abstractedly to Wildeve,
- his lips still parted, and his features excruciatingly
- strained in the emission of the chorus. This being ended,
- he said heartily, "Here's welcome to the new-made couple,
- and God bless 'em!"
-
- "Thank you," said Wildeve, with dry resentment, his face
- as gloomy as a thunderstorm.
-
- At the Grandfer's heels now came the rest of the group,
- which included Fairway, Christian, Sam the turf-cutter,
- Humphrey, and a dozen others. All smiled upon Wildeve,
- and upon his tables and chairs likewise, from a general
- sense of friendliness towards the articles as well
- as towards their owner.
-
- "We be not here afore Mrs. Yeobright after all,"
- said Fairway, recognizing the matron's bonnet through
- the glass partition which divided the public apartment
- they had entered from the room where the women sat.
- "We struck down across, d'ye see, Mr. Wildeve, and she
- went round by the path."
-
- "And I see the young bride's little head!" said Grandfer,
- peeping in the same direction, and discerning Thomasin,
- who was waiting beside her aunt in a miserable and awkward way.
- "Not quite settled in yet--well, well, there's plenty
- of time."
-
- Wildeve made no reply; and probably feeling that the sooner
- he treated them the sooner they would go, he produced
- a stone jar, which threw a warm halo over matters at once.
-
- "That's a drop of the right sort, I can see,"
- said Grandfer Cantle, with the air of a man too well-
- mannered to show any hurry to taste it.
-
- "Yes," said Wildeve, "'tis some old mead. I hope you
- will like it."
-
- "O ay!" replied the guests, in the hearty tones natural
- when the words demanded by politeness coincide with those
- of deepest feeling. "There isn't a prettier drink under the sun."
-
- "I'll take my oath there isn't," added Grandfer Cantle.
- "All that can be said against mead is that 'tis
- rather heady, and apt to lie about a man a good while.
- But tomorrow's Sunday, thank God."
-
- "I feel'd for all the world like some bold soldier after
- I had had some once," said Christian.
-
- "You shall feel so again," said Wildeve, with condescension,
- "Cups or glasses, gentlemen?"
-
- "Well, if you don't mind, we'll have the beaker, and pass
- 'en round; 'tis better than heling it out in dribbles."
-
- "Jown the slippery glasses," said Grandfer Cantle.
- "What's the good of a thing that you can't put down in
- the ashes to warm, hey, neighbours; that's what I ask?"
-
- "Right, Grandfer," said Sam; and the mead then circulated.
-
- "Well," said Timothy Fairway, feeling demands upon his praise
- in some form or other, "'tis a worthy thing to be married,
- Mr. Wildeve; and the woman you've got is a dimant,
- so says I. Yes," he continued, to Grandfer Cantle,
- raising his voice so as to be heard through the partition,
- "her father (inclining his head towards the inner room)
- was as good a feller as ever lived. He always had his
- great indignation ready against anything underhand."
-
- "Is that very dangerous?" said Christian.
-
- "And there were few in these parts that were upsides with him,"
- said Sam. "Whenever a club walked he'd play the clarinet
- in the band that marched before 'em as if he'd never
- touched anything but a clarinet all his life. And then,
- when they got to church door he'd throw down the clarinet,
- mount the gallery, snatch up the bass viol, and rozum
- away as if he'd never played anything but a bass viol.
- Folk would say--folk that knowed what a true stave
- was--'Surely, surely that's never the same man that I saw
- handling the clarinet so masterly by now!"
-
- "I can mind it," said the furze-cutter. "'Twas a wonderful
- thing that one body could hold it all and never mix
- the fingering."
-
- "There was Kingsbere church likewise," Fairway recommenced,
- as one opening a new vein of the same mine of interest.
-
- Wildeve breathed the breath of one intolerably bored,
- and glanced through the partition at the prisoners.
-
- "He used to walk over there of a Sunday afternoon to visit
- his old acquaintance Andrew Brown, the first clarinet there;
- a good man enough, but rather screechy in his music,
- if you can mind?"
-
- "'A was."
-
- "And neighbour Yeobright would take Andrey's place for some
- part of the service, to let Andrey have a bit of a nap,
- as any friend would naturally do."
-
- "As any friend would," said Grandfer Cantle, the other
- listeners expressing the same accord by the shorter way
- of nodding their heads.
-
- "No sooner was Andrey asleep and the first whiff
- of neighbour Yeobright's wind had got inside Andrey's
- clarinet than everyone in church feeled in a moment
- there was a great soul among 'em. All heads would turn,
- and they'd say, 'Ah, I thought 'twas he!' One Sunday I
- can well mind--a bass viol day that time, and Yeobright
- had brought his own. 'Twas the Hundred-and-thirty-third
- to 'Lydia'; and when they'd come to 'Ran down his
- beard and o'er his robes its costly moisture shed,'
- neighbour Yeobright, who had just warmed to his work,
- drove his bow into them strings that glorious grand
- that he e'en a'most sawed the bass viol into two pieces.
- Every winder in church rattled as if 'twere a thunderstorm.
- Old Pa'son Williams lifted his hands in his great holy
- surplice as natural as if he'd been in common clothes,
- and seemed to say hisself, 'O for such a man in our parish!'
- But not a soul in Kingsbere could hold a candle to Yeobright."
-
- "Was it quite safe when the winder shook?" Christian inquired.
-
- He received no answer, all for the moment sitting
- rapt in admiration of the performance described.
- As with Farinelli's singing before the princesses,
- Sheridan's renowned Begum Speech, and other such examples,
- the fortunate condition of its being for ever lost to
- the world invested the deceased Mr. Yeobright's tour
- de force on that memorable afternoon with a cumulative
- glory which comparative criticism, had that been possible,
- might considerably have shorn down.
-
- "He was the last you'd have expected to drop off
- in the prime of life," said Humphrey.
-
- "Ah, well; he was looking for the earth some months
- afore he went. At that time women used to run for
- smocks and gown-pieces at Greenhill Fair, and my wife
- that is now, being a long-legged slittering maid,
- hardly husband-high, went with the rest of the maidens,
- for 'a was a good, runner afore she got so heavy.
- When she came home I said--we were then just beginning
- to walk together--'What have ye got, my honey?'
- 'I've won--well, I've won--a gown-piece,' says she,
- her colours coming up in a moment. 'Tis a smock for a crown,
- I thought; and so it turned out. Ay, when I think what
- she'll say to me now without a mossel of red in her face,
- it do seem strange that 'a wouldn't say such a little thing
- then....However, then she went on, and that's what made
- me bring up the story. Well, whatever clothes I've won,
- white or figured, for eyes to see or for eyes not to see'
- ('a could do a pretty stroke of modesty in those days),
- 'I'd sooner have lost it than have seen what I have.
- Poor Mr. Yeobright was took bad directly he reached the
- fair ground, and was forced to go home again.' That was
- the last time he ever went out of the parish."
-
- "'A faltered on from one day to another, and then we
- heard he was gone."
-
- "D'ye think he had great pain when 'a died?" said Christian.
-
- "O no--quite different. Nor any pain of mind.
- He was lucky enough to be God A'mighty's own man."
-
- "And other folk--d'ye think 'twill be much pain to 'em,
- Mister Fairway?"
-
- "That depends on whether they be afeard."
-
- "I bain't afeard at all, I thank God!" said Christian strenuously.
- "I'm glad I bain't, for then 'twon't pain me....I
- don't think I be afeard--or if I be I can't help it,
- and I don't deserve to suffer. I wish I was not afeard at all!"
-
- There was a solemn silence, and looking from the window,
- which was unshuttered and unblinded, Timothy said,
- "Well, what a fess little bonfire that one is, out by
- Cap'n Vye's! 'Tis burning just the same now as ever,
- upon my life."
-
- All glances went through the window, and nobody noticed
- that Wildeve disguised a brief, telltale look.
- Far away up the sombre valley of heath, and to the
- right of Rainbarrow, could indeed be seen the light,
- small, but steady and persistent as before.
-
- "It was lighted before ours was," Fairway continued;
- "and yet every one in the country round is out afore
- 'n."
-
- "Perhaps there's meaning in it!" murmured Christian.
-
- "How meaning?" said Wildeve sharply.
-
- Christian was too scattered to reply, and Timothy helped him.
-
- "He means, sir, that the lonesome dark-eyed creature
- up there that some say is a witch--ever I should call
- a fine young woman such a name--is always up to some odd
- conceit or other; and so perhaps 'tis she."
-
- "I'd be very glad to ask her in wedlock, if she'd hae me
- and take the risk of her wild dark eyes ill-wishing me,"
- said Grandfer Cantle staunchly.
-
- "Don't ye say it, Father!" implored Christian.
-
- "Well, be dazed if he who do marry the maid won't hae
- an uncommon picture for his best parlour," said Fairway
- in a liquid tone, placing down the cup of mead at the end
- of a good pull.
-
- "And a partner as deep as the North Star," said Sam,
- taking up the cup and finishing the little that remained.
- "Well, really, now I think we must be moving," said Humphrey,
- observing the emptiness of the vessel.
-
- "But we'll gie 'em another song?" said Grandfer Cantle.
- "I'm as full of notes as a bird!"
-
- "Thank you, Grandfer," said Wildeve. "But we will not
- trouble you now. Some other day must do for that--when
- I have a party."
-
- "Be jown'd if I don't learn ten new songs for't, or I
- won't learn a line!" said Grandfer Cantle. "And you may
- be sure I won't disappoint ye by biding away, Mr. Wildeve."
-
- "I quite believe you," said that gentleman.
-
- All then took their leave, wishing their entertainer long
- life and happiness as a married man, with recapitulations
- which occupied some time. Wildeve attended them to the door,
- beyond which the deep-dyed upward stretch of heath stood
- awaiting them, an amplitude of darkness reigning from their
- feet almost to the zenith, where a definite form first
- became visible in the lowering forehead of Rainbarrow.
- Diving into the dense obscurity in a line headed by Sam
- the turf-cutter, they pursued their trackless way home.
-
- When the scratching of the furze against their leggings
- had fainted upon the ear, Wildeve returned to the room
- where he had left Thomasin and her aunt. The women
- were gone.
-
- They could only have left the house in one way,
- by the back window; and this was open.
-
- Wildeve laughed to himself, remained a moment thinking,
- and idly returned to the front room. Here his glance fell
- upon a bottle of wine which stood on the mantelpiece.
- "Ah--old Dowden!" he murmured; and going to the kitchen
- door shouted, "Is anybody here who can take something to
- old Dowden?"
-
- There was no reply. The room was empty, the lad who acted
- as his factotum having gone to bed. Wildeve came back
- put on his hat, took the bottle, and left the house,
- turning the key in the door, for there was no guest at
- the inn tonight. As soon as he was on the road the little
- bonfire on Mistover Knap again met his eye.
-
- "Still waiting, are you, my lady?" he murmured.
-
- However, he did not proceed that way just then;
- but leaving the hill to the left of him, he stumbled
- over a rutted road that brought him to a cottage which,
- like all other habitations on the heath at this hour,
- was only saved from being visible by a faint shine from its
- bedroom window. This house was the home of Olly Dowden,
- the besom-maker, and he entered.
-
- The lower room was in darkness; but by feeling his way he
- found a table, whereon he placed the bottle, and a minute
- later emerged again upon the heath. He stood and looked
- northeast at the undying little fire--high up above him,
- though not so high as Rainbarrow.
-
- We have been told what happens when a woman deliberates;
- and the epigram is not always terminable with woman,
- provided that one be in the case, and that a fair one.
- Wildeve stood, and stood longer, and breathed perplexedly,
- and then said to himself with resignation, "Yes--by Heaven,
- I must go to her, I suppose!"
-
- Instead of turning in the direction of home he pressed
- on rapidly by a path under Rainbarrow towards what was
- evidently a signal light.
-
-
-
- 6 - The Figure against the Sky
-
-
- When the whole Egdon concourse had left the site
- of the bonfire to its accustomed loneliness, a closely
- wrapped female figure approached the barrow from that
- quarter of the heath in which the little fire lay.
- Had the reddleman been watching he might have recognized
- her as the woman who had first stood there so singularly,
- and vanished at the approach of strangers. She ascended
- to her old position at the top, where the red coals
- of the perishing fire greeted her like living eyes
- in the corpse of day. There she stood still around her
- stretching the vast night atmosphere, whose incomplete
- darkness in comparison with the total darkness of the heath
- below it might have represented a venial beside a mortal sin.
-
- That she was tall and straight in build, that she was
- lady-like in her movements, was all that could be learnt
- of her just now, her form being wrapped in a shawl folded in
- the old cornerwise fashion, and her head in a large kerchief,
- a protection not superfluous at this hour and place.
- Her back was towards the wind, which blew from the northwest;
- but whether she had avoided that aspect because of the
- chilly gusts which played about her exceptional position,
- or because her interest lay in the southeast, did not
- at first appear.
-
- Her reason for standing so dead still as the pivot
- of this circle of heath-country was just as obscure.
- Her extraordinary fixity, her conspicuous loneliness,
- her heedlessness of night, betokened among other things
- an utter absence of fear. A tract of country unaltered
- from that sinister condition which made Caesar anxious every
- year to get clear of its glooms before the autumnal equinox,
- a kind of landscape and weather which leads travellers from
- the South to describe our island as Homer's Cimmerian land,
- was not, on the face of it, friendly to women.
-
- It might reasonably have been supposed that she was listening
- to the wind, which rose somewhat as the night advanced,
- and laid hold of the attention. The wind, indeed, seemed made
- for the scene, as the scene seemed made for the hour.
- Part of its tone was quite special; what was heard there
- could be heard nowhere else. Gusts in innumerable series
- followed each other from the northwest, and when each one
- of them raced past the sound of its progress resolved
- into three. Treble, tenor, and bass notes were to be
- found therein. The general ricochet of the whole over
- pits and prominences had the gravest pitch of the chime.
- Next there could be heard the baritone buzz of a holly tree.
- Below these in force, above them in pitch, a dwindled voice
- strove hard at a husky tune, which was the peculiar local
- sound alluded to. Thinner and less immediately traceable
- than the other two, it was far more impressive than either.
- In it lay what may be called the linguistic peculiarity
- of the heath; and being audible nowhere on earth off a heath,
- it afforded a shadow of reason for the woman's tenseness,
- which continued as unbroken as ever.
-
- Throughout the blowing of these plaintive November winds
- that note bore a great resemblance to the ruins of human
- song which remain to the throat of fourscore and ten.
- It was a worn whisper, dry and papery, and it brushed
- so distinctly across the ear that, by the accustomed,
- the material minutiae in which it originated could
- be realized as by touch. It was the united products
- of infinitesimal vegetable causes, and these were neither
- stems, leaves, fruit, blades, prickles, lichen, nor moss.
-
- They were the mummied heathbells of the past summer,
- originally tender and purple, now washed colourless by
- Michaelmas rains, and dried to dead skins by October suns.
- So low was an individual sound from these that a
- combination of hundreds only just emerged from silence,
- and the myriads of the whole declivity reached the woman's
- ear but as a shrivelled and intermittent recitative.
- Yet scarcely a single accent among the many afloat tonight
- could have such power to impress a listener with thoughts
- of its origin. One inwardly saw the infinity of those
- combined multitudes; and perceived that each of the tiny
- trumpets was seized on entered, scoured and emerged from
- by the wind as thoroughly as if it were as vast as a crater.
-
- "The spirit moved them." A meaning of the phrase forced itself
- upon the attention; and an emotional listener's fetichistic
- mood might have ended in one of more advanced quality.
- It was not, after all, that the left-hand expanse of old
- blooms spoke, or the right-hand, or those of the slope
- in front; but it was the single person of something
- else speaking through each at once.
-
- Suddenly, on the barrow, there mingled with all this wild
- rhetoric of night a sound which modulated so naturally
- into the rest that its beginning and ending were hardly
- to be distinguished. The bluffs, and the bushes,
- and the heather-bells had broken silence; at last, so did
- the woman; and her articulation was but as another phrase
- of the same discourse as theirs. Thrown out on the winds
- it became twined in with them, and with them it flew away.
-
- What she uttered was a lengthened sighing, apparently at
- something in her mind which had led to her presence here.
- There was a spasmodic abandonment about it as if,
- in allowing herself to utter the sound. the woman's
- brain had authorized what it could not regulate.
- One point was evident in this; that she had been existing
- in a suppressed state, and not in one of languor,
- or stagnation.
-
- Far away down the valley the faint shine from the window
- of the inn still lasted on; and a few additional
- moments proved that the window, or what was within it,
- had more to do with the woman's sigh than had either
- her own actions or the scene immediately around.
- She lifted her left hand, which held a closed telescope.
- This she rapidly extended, as if she were well accustomed
- to the operation, and raising it to her eye directed it
- towards the light beaming from the inn.
-
- The handkerchief which had hooded her head was now a
- little thrown back, her face being somewhat elevated.
- A profile was visible against the dull monochrome of
- cloud around her; and it was as though side shadows from
- the features of Sappho and Mrs. Siddons had converged
- upwards from the tomb to form an image like neither but
- suggesting both. This, however, was mere superficiality.
- In respect of character a face may make certain admissions
- by its outline; but it fully confesses only in its changes.
- So much is this the case that what is called the play of the
- features often helps more in understanding a man or woman
- than the earnest labours of all the other members together.
- Thus the night revealed little of her whose form it was embracing,
- for the mobile parts of her countenance could not be seen.
-
- At last she gave up her spying attitude, closed the telescope,
- and turned to the decaying embers. From these no appreciable
- beams now radiated, except when a more than usually
- smart gust brushed over their faces and raised a fitful
- glow which came and went like the blush of a girl.
- She stooped over the silent circle, and selecting from the
- brands a piece of stick which bore the largest live coal
- at its end, brought it to where she had been standing before.
-
- She held the brand to the ground, blowing the red coal
- with her mouth at the same time; till it faintly illuminated
- the sod, and revealed a small object, which turned out
- to be an hourglass, though she wore a watch. She blew
- long enough to show that the sand had all slipped through.
-
- "Ah!" she said, as if surprised.
-
- The light raised by her breath had been very fitful,
- and a momentary irradiation of flesh was all that it had
- disclosed of her face. That consisted of two matchless
- lips and a cheek only, her head being still enveloped.
- She threw away the stick, took the glass in her hand,
- the telescope under her arm, and moved on.
-
- Along the ridge ran a faint foot-track, which the
- lady followed. Those who knew it well called it a path;
- and, while a mere visitor would have passed it unnoticed
- even by day, the regular haunters of the heath were at no
- loss for it at midnight. The whole secret of following
- these incipient paths, when there was not light enough
- in the atmosphere to show a turnpike road, lay in the
- development of the sense of touch in the feet, which comes
- with years of night-rambling in little-trodden spots.
- To a walker practised in such places a difference between
- impact on maiden herbage, and on the crippled stalks
- of a slight footway, is perceptible through the thickest boot or shoe.
-
- The solitary figure who walked this beat took no notice
- of the windy tune still played on the dead heathbells.
- She did not turn her head to look at a group of dark
- creatures further on, who fled from her presence as she
- skirted a ravine where they fed. They were about a score
- of the small wild ponies known as heath-croppers. They
- roamed at large on the undulations of Egdon, but in numbers
- too few to detract much from the solitude.
-
- The pedestrian noticed nothing just now, and a clue
- to her abstraction was afforded by a trivial incident.
- A bramble caught hold of her skirt, and checked her progress.
- Instead of putting it off and hastening along, she yielded
- herself up to the pull, and stood passively still.
- When she began to extricate herself it was by turning
- round and round, and so unwinding the prickly switch.
- She was in a desponding reverie.
-
- Her course was in the direction of the small undying fire
- which had drawn the attention of the men on Rainbarrow
- and of Wildeve in the valley below. A faint illumination
- from its rays began to glow upon her face, and the fire
- soon revealed itself to be lit, not on the level ground,
- but on a salient corner or redan of earth, at the junction
- of two converging bank fences. Outside was a ditch,
- dry except immediately under the fire, where there was
- a large pool, bearded all round by heather and rushes.
- In the smooth water of the pool the fire appeared
- upside down.
-
- The banks meeting behind were bare of a hedge,
- save such as was formed by disconnected tufts of furze,
- standing upon stems along the top, like impaled heads
- above a city wall. A white mast, fitted up with spars
- and other nautical tackle, could be seen rising against
- the dark clouds whenever the flames played brightly enough
- to reach it. Altogether the scene had much the appearance
- of a fortification upon which had been kindled a beacon fire.
-
- Nobody was visible; but ever and anon a whitish something
- moved above the bank from behind, and vanished again.
- This was a small human hand, in the act of lifting pieces
- of fuel into the fire, but for all that could be seen the hand,
- like that which troubled Belshazzar, was there alone.
- Occasionally an ember rolled off the bank, and dropped
- with a hiss into the pool.
-
- At one side of the pool rough steps built of clods enabled
- everyone who wished to do so to mount the bank; which the
- woman did. Within was a paddock in an uncultivated state,
- though bearing evidence of having once been tilled;
- but the heath and fern had insidiously crept in,
- and were reasserting their old supremacy. Further ahead
- were dimly visible an irregular dwelling-house, garden,
- and outbuildings, backed by a clump of firs.
-
- The young lady--for youth had revealed its presence in her
- buoyant bound up the bank--walked along the top instead
- of descending inside, and came to the corner where the fire
- was burning. One reason for the permanence of the blaze
- was now manifest: the fuel consisted of hard pieces
- of wood, cleft and sawn--the knotty boles of old thorn
- trees which grew in twos and threes about the hillsides.
- A yet unconsumed pile of these lay in the inner angle
- of the bank; and from this corner the upturned face of a
- little boy greeted her eves. He was dilatorily throwing
- up a piece of wood into the fire every now and then,
- a business which seemed to have engaged him a considerable
- part of the evening, for his face was somewhat weary.
-
- "I am glad you have come, Miss Eustacia," he said,
- with a sigh of relief. "I don't like biding by myself."
-
- "Nonsense. I have only been a little way for a walk.
- I have been gone only twenty minutes."
-
- "It seemed long," murmured the sad boy. "And you have
- been so many times."
-
- "Why, I thought you would be pleased to have a bonfire.
- Are you not much obliged to me for making you one?"
-
- "Yes; but there's nobody here to play wi' me."
-
- "I suppose nobody has come while I've been away?"
-
- "Nobody except your grandfather--he looked out of doors
- once for 'ee. I told him you were walking round upon
- the hill to look at the other bonfires."
-
- "A good boy."
-
- "I think I hear him coming again, miss."
-
- An old man came into the remoter light of the fire from
- the direction of the homestead. He was the same who had
- overtaken the reddleman on the road that afternoon.
- He looked wistfully to the top of the bank at the woman
- who stood there, and his teeth, which were quite unimpaired,
- showed like parian from his parted lips.
-
- "When are you coming indoors, Eustacia?" he asked.
- "'Tis almost bedtime. I've been home these two hours,
- and am tired out. Surely 'tis somewhat childish of you to stay
- out playing at bonfires so long, and wasting such fuel.
- My precious thorn roots, the rarest of all firing,
- that I laid by on purpose for Christmas--you have burnt 'em
- nearly all!"
-
- "I promised Johnny a bonfire, and it pleases him not
- to let it go out just yet," said Eustacia, in a way
- which told at once that she was absolute queen here.
- "Grandfather, you go in to bed. I shall follow you soon.
- You like the fire, don't you, Johnny?"
-
- The boy looked up doubtfully at her and murmured,
- "I don't think I want it any longer."
-
- Her grandfather had turned back again, and did not hear
- the boy's reply. As soon as the white-haired man
- had vanished she said in a tone of pique to the child,
- "Ungrateful little boy, how can you contradict me?
- Never shall you have a bonfire again unless you keep it
- up now. Come, tell me you like to do things for me,
- and don't deny it."
-
- The repressed child said, "Yes, I do, miss," and continued
- to stir the fire perfunctorily.
-
- "Stay a little longer and I will give you a crooked six-pence,"
- said Eustacia, more gently. "Put in one piece of wood
- every two or three minutes, but not too much at once.
- I am going to walk along the ridge a little longer,
- but I shall keep on coming to you. And if you hear a frog
- jump into the pond with a flounce like a stone thrown in,
- be sure you run and tell me, because it is a sign of rain."
-
- "Yes, Eustacia."
-
- "Miss Vye, sir."
-
- "Miss Vy--stacia."
-
- "That will do. Now put in one stick more."
-
- The little slave went on feeding the fire as before.
- He seemed a mere automaton, galvanized into moving and
- speaking by the wayward Eustacia's will. He might have been
- the brass statue which Albertus Magnus is said to have
- animated just so far as to make it chatter, and move,
- and be his servant.
-
- Before going on her walk again the young girl stood
- still on the bank for a few instants and listened.
- It was to the full as lonely a place as Rainbarrow, though at
- rather a lower level; and it was more sheltered from wind
- and weather on account of the few firs to the north.
- The bank which enclosed the homestead, and protected it
- from the lawless state of the world without, was formed
- of thick square clods, dug from the ditch on the outside,
- and built up with a slight batter or incline, which forms
- no slight defense where hedges will not grow because of
- the wind and the wilderness, and where wall materials
- are unattainable. Otherwise the situation was quite open,
- commanding the whole length of the valley which reached
- to the river behind Wildeve's house. High above this
- to the right, and much nearer thitherward than the Quiet
- Woman Inn, the blurred contour of Rainbarrow obstructed
- the sky.
-
- After her attentive survey of the wild slopes and hollow
- ravines a gesture of impatience escaped Eustacia.
- She vented petulant words every now and then, but there
- were sighs between her words, and sudden listenings
- between her sighs. Descending from her perch she again
- sauntered off towards Rainbarrow, though this time she
- did not go the whole way.
-
- Twice she reappeared at intervals of a few minutes
- and each time she said--
-
- "Not any flounce into the pond yet, little man?"
-
- "No, Miss Eustacia," the child replied.
-
- "Well," she said at last, "I shall soon be going in,
- and then I will give you the crooked sixpence, and let you
- go home."
-
- "Thank'ee, Miss Eustacia," said the tired stoker,
- breathing more easily. And Eustacia again strolled away
- from the fire, but this time not towards Rainbarrow.
- She skirted the bank and went round to the wicket before
- the house, where she stood motionless, looking at the scene.
-
- Fifty yards off rose the corner of the two converging banks,
- with the fire upon it; within the bank, lifting up to the
- fire one stick at a time, just as before, the figure of
- the little child. She idly watched him as he occasionally
- climbed up in the nook of the bank and stood beside
- the brands. The wind blew the smoke, and the child's hair,
- and the corner of his pinafore, all in the same direction;
- the breeze died, and the pinafore and hair lay still,
- and the smoke went up straight.
-
- While Eustacia looked on from this distance the boy's
- form visibly started--he slid down the bank and ran
- across towards the white gate.
-
- "Well?" said Eustacia.
-
- "A hopfrog have jumped into the pond. Yes, I heard 'en!"
-
- "Then it is going to rain, and you had better go home.
- You will not be afraid?" She spoke hurriedly, as if her
- heart had leapt into her throat at the boy's words.
-
- "No, because I shall hae the crooked sixpence."
-
- "Yes. here it is. Now run as fast as you can--not that
- way--through the garden here. No other boy in the heath
- has had such a bonfire as yours."
-
- The boy, who clearly had had too much of a good thing,
- marched away into the shadows with alacrity. When he
- was gone Eustacia, leaving her telescope and hourglass
- by the gate, brushed forward from the wicket towards
- the angle of the bank, under the fire.
-
- Here, screened by the outwork, she waited. In a few
- moments a splash was audible from the pond outside.
- Had the child been there he would have said that a second
- frog had jumped in; but by most people the sound would
- have been likened to the fall of a stone into the water.
- Eustacia stepped upon the bank.
-
- "Yes?" she said, and held her breath.
-
- Thereupon the contour of a man became dimly visible against
- the low-reaching sky over the valley, beyond the outer
- margin of the pool. He came round it and leapt upon
- the bank beside her. A low laugh escaped her--the third
- utterance which the girl had indulged in tonight. The first,
- when she stood upon Rainbarrow, had expressed anxiety;
- the second, on the ridge, had expressed impatience;
- the present was one of triumphant pleasure. She let
- her joyous eyes rest upon him without speaking, as upon
- some wondrous thing she had created out of chaos.
-
- "I have come," said the man, who was Wildeve.
- "You give me no peace. Why do you not leave me alone?
- I have seen your bonfire all the evening." The words
- were not without emotion, and retained their level tone
- as if by a careful equipoise between imminent extremes.
-
- At this unexpectedly repressing manner in her lover
- the girl seemed to repress herself also. "Of course you
- have seen my fire," she answered with languid calmness,
- artificially maintained. "Why shouldn't I have a bonfire
- on the Fifth of November, like other denizens of the heath?"
-
- "I knew it was meant for me."
-
- "How did you know it? I have had no word with you
- since you--you chose her, and walked about with her,
- and deserted me entirely, as if I had never been yours
- life and soul so irretrievably!"
-
- "Eustacia! could I forget that last autumn at this same day
- of the month and at this same place you lighted exactly
- such a fire as a signal for me to come and see you? Why
- should there have been a bonfire again by Captain Vye's
- house if not for the same purpose?"
-
- "Yes, yes--I own it," she cried under her breath, with a drowsy
- fervour of manner and tone which was quite peculiar to her.
- "Don't begin speaking to me as you did, Damon; you will
- drive me to say words I would not wish to say to you.
- I had given you up, and resolved not to think of you any more;
- and then I heard the news, and I came out and got the fire
- ready because I thought that you had been faithful to me."
-
- "What have you heard to make you think that?"
- said Wildeve, astonished.
-
- "That you did not marry her!" she murmured exultingly.
- "And I knew it was because you loved me best, and couldn't
- do it....Damon, you have been cruel to me to go away,
- and I have said I would never forgive you. I do not think
- I can forgive you entirely, even now--it is too much for a
- woman of any spirit to quite overlook."
-
- "If I had known you wished to call me up here only
- to reproach me, I wouldn't have come."
-
- "But I don't mind it, and I do forgive you now that you
- have not married her, and have come back to me!"
-
- "Who told you that I had not married her?"
-
- "My grandfather. He took a long walk today, and as he
- was coming home he overtook some person who told him
- of a broken-off wedding--he thought it might be yours,
- and I knew it was."
-
- "Does anybody else know?"
-
- "I suppose not. Now Damon, do you see why I lit my signal
- fire? You did not think I would have lit it if I had
- imagined you to have become the husband of this woman.
- It is insulting my pride to suppose that."
-
- Wildeve was silent; it was evident that he had supposed
- as much.
-
- "Did you indeed think I believed you were married?"
- she again demanded earnestly. "Then you wronged me;
- and upon my life and heart I can hardly bear to recognize
- that you have such ill thoughts of me! Damon, you are not
- worthy of me--I see it, and yet I love you. Never mind,
- let it go--I must bear your mean opinion as best I may....It
- is true, is it not," she added with ill-concealed anxiety,
- on his making no demonstration, "that you could not bring
- yourself to give me up, and are still going to love me best
- of all?"
-
- "Yes; or why should I have come?" he said touchily.
- "Not that fidelity will be any great merit in me after your
- kind speech about my unworthiness, which should have been
- said by myself if by anybody, and comes with an ill grace
- from you. However, the curse of inflammability is upon me,
- and I must live under it, and take any snub from a woman.
- It has brought me down from engineering to innkeeping--what
- lower stage it has in store for me I have yet to learn."
- He continued to look upon her gloomily.
-
- She seized the moment, and throwing back the shawl so
- that the firelight shone full upon her face and throat,
- said with a smile, "Have you seen anything better than
- that in your travels?"
-
- Eustacia was not one to commit herself to such a position
- without good ground. He said quietly, "No."
-
- "Not even on the shoulders of Thomasin?"
-
- "Thomasin is a pleasing and innocent woman."
-
- "That's nothing to do with it," she cried with
- quick passionateness. "We will leave her out;
- there are only you and me now to think of." After a long
- look at him she resumed with the old quiescent warmth,
- "Must I go on weakly confessing to you things a woman
- ought to conceal; and own that no words can express
- how gloomy I have been because of that dreadful belief
- I held till two hours ago--that you had quite deserted me?"
-
- "I am sorry I caused you that pain."
-
- "But perhaps it is not wholly because of you that I get gloomy,"
- she archly added. "It is in my nature to feel like that.
- It was born in my blood, I suppose."
-
- "Hypochondriasis."
-
- "Or else it was coming into this wild heath. I was happy
- enough at Budmouth. O the times, O the days at Budmouth!
- But Egdon will be brighter again now."
-
- "I hope it will," said Wildeve moodily. "Do you know
- the consequence of this recall to me, my old darling? I
- shall come to see you again as before, at Rainbarrow."
-
- "Of course you will."
-
- "And yet I declare that until I got here tonight I intended,
- after this one good-bye, never to meet you again."
-
- "I don't thank you for that," she said, turning away,
- while indignation spread through her like subterranean heat.
- "You may come again to Rainbarrow if you like, but you
- won't see me; and you may call, but I shall not listen;
- and you may tempt me, but I won't give myself to you
- any more."
-
- "You have said as much before, sweet; but such natures
- as yours don't so easily adhere to their words.
- Neither, for the matter of that, do such natures as mine."
-
- "This is the pleasure I have won by my trouble,"
- she whispered bitterly. "Why did I try to recall you? Damon,
- a strange warring takes place in my mind occasionally.
- I think when I become calm after you woundings, 'Do I embrace
- a cloud of common fog after all?' You are a chameleon,
- and now you are at your worst colour. Go home, or I shall
- hate you!"
-
- He looked absently towards Rainbarrow while one might
- have counted twenty, and said, as if he did not much mind
- all this, "Yes, I will go home. Do you mean to see me again?"
-
- "If you own to me that the wedding is broken off because
- you love me best."
-
- "I don't think it would be good policy," said Wildeve, smiling.
- "You would get to know the extent of your power too clearly."
-
- "But tell me!"
-
- "You know."
-
- "Where is she now?"
-
- "I don't know. I prefer not to speak of her to you.
- I have not yet married her; I have come in obedience to
- your call. That is enough."
-
- "I merely lit that fire because I was dull, and thought
- I would get a little excitement by calling you up and
- triumphing over you as the Witch of Endor called up Samuel.
- I determined you should come; and you have come! I have
- shown my power. A mile and half hither, and a mile and half
- back again to your home--three miles in the dark for me.
- Have I not shown my power?"
-
- He shook his head at her. "I know you too well, my Eustacia;
- I know you too well. There isn't a note in you which I
- don't know; and that hot little bosom couldn't play such
- a cold-blooded trick to save its life. I saw a woman
- on Rainbarrow at dusk looking down towards my house.
- I think I drew out you before you drew out me."
-
- The revived embers of an old passion glowed clearly
- in Wildeve now; and he leant forward as if about to put
- his face towards her cheek.
-
- "O no," she said, intractably moving to the other side
- of the decayed fire. "What did you mean by that?"
-
- "Perhaps I may kiss your hand?"
-
- "No, you may not."
-
- "Then I may shake your hand?"
-
- "No."
-
- "Then I wish you good night without caring for either.
- Good-bye, good-bye."
-
- She returned no answer, and with the bow of a dancing-
- master he vanished on the other side of the pool as he
- had come.
-
- Eustacia sighed--it was no fragile maiden sigh, but a
- sigh which shook her like a shiver. Whenever a flash
- of reason darted like an electric light upon her lover-
- -as it sometimes would--and showed his imperfections,
- she shivered thus. But it was over in a second,
- and she loved on. She knew that he trifled with her;
- but she loved on. She scattered the half-burnt brands,
- went indoors immediately, and up to her bedroom without
- a light. Amid the rustles which denoted her to be undressing
- in the darkness other heavy breaths frequently came;
- and the same kind of shudder occasionally moved through
- her when, ten minutes later, she lay on her bed asleep.
-
-
-
- 7 - Queen of Night
-
-
- Eustacia Vye was the raw material of a divinity. On Olympus
- she would have done well with a little preparation.
- She had the passions and instincts which make a model goddess,
- that is, those which make not quite a model woman.
- Had it been possible for the earth and mankind to be entirely
- in her grasp for a while, she had handled the distaff,
- the spindle, and the shears at her own free will, few in
- the world would have noticed the change of government.
- There would have been the same inequality of lot, the same
- heaping up of favours here, of contumely there, the same
- generosity before justice, the same perpetual dilemmas,
- the same captious alteration of caresses and blows that we
- endure now.
-
- She was in person full-limbed and somewhat heavy;
- without ruddiness, as without pallor; and soft to the
- touch as a cloud. To see her hair was to fancy that a
- whole winter did not contain darkness enough to form
- its shadow--it closed over her forehead like nightfall
- extinguishing the western glow.
-
- Her nerves extended into those tresses, and her temper
- could always be softened by stroking them down. When her
- hair was brushed she would instantly sink into stillness
- and look like the Sphinx. If, in passing under one of
- the Egdon banks, any of its thick skeins were caught,
- as they sometimes were, by a prickly tuft of the large
- Ulex Europoeus--which will act as a sort of hairbrush--she
- would go back a few steps, and pass against it a second time.
-
- She had pagan eyes, full of nocturnal mysteries,
- and their light, as it came and went, and came again,
- was partially hampered by their oppressive lids and lashes;
- and of these the under lid was much fuller than it usually
- is with English women. This enabled her to indulge
- in reverie without seeming to do so--she might have been
- believed capable of sleeping without closing them up.
- Assuming that the souls of men and women were visible essences,
- you could fancy the colour of Eustacia's soul to be flamelike.
- The sparks from it that rose into her dark pupils gave
- the same impression.
-
- The mouth seemed formed less to speak than to quiver,
- less to quiver than to kiss. Some might have added,
- less to kiss than to curl. Viewed sideways, the closing-line
- of her lips formed, with almost geometric precision,
- the curve so well known in the arts of design as the
- cima-recta, or ogee. The sight of such a flexible
- bend as that on grim Egdon was quite an apparition.
- It was felt at once that the mouth did not come over
- from Sleswig with a band of Saxon pirates whose lips
- met like the two halves of a muffin. One had fancied
- that such lip-curves were mostly lurking underground
- in the South as fragments of forgotten marbles. So fine
- were the lines of her lips that, though full, each corner
- of her mouth was as clearly cut as the point of a spear.
- This keenness of corner was only blunted when she was
- given over to sudden fits of gloom, one of the phases
- of the night-side of sentiment which she knew too well
- for her years.
-
- Her presence brought memories of such things as Bourbon
- roses, rubies, and tropical midnight; her moods recalled
- lotus-eaters and the march in Athalie; her motions,
- the ebb and flow of the sea; her voice, the viola.
- In a dim light, and with a slight rearrangement of her hair,
- her general figure might have stood for that of either
- of the higher female deities. The new moon behind her head,
- an old helmet upon it, a diadem of accidental dewdrops
- round her brow, would have been adjuncts sufficient to
- strike the note of Artemis, Athena, or Hera respectively,
- with as close an approximation to the antique as that
- which passes muster on many respected canvases.
-
- But celestial imperiousness, love, wrath, and fervour had
- proved to be somewhat thrown away on netherward Egdon.
- Her power was limited, and the consciousness of this
- limitation had biassed her development. Egdon was
- her Hades, and since coming there she had imbibed
- much of what was dark in its tone, though inwardly
- and eternally unreconciled thereto. Her appearance
- accorded well with this smouldering rebelliousness,
- and the shady splendour of her beauty was the real
- surface of the sad and stifled warmth within her. A true
- Tartarean dignity sat upon her brow, and not factitiously
- or with marks of constraint, for it had grown in her with years.
-
- Across the upper part of her head she wore a thin
- fillet of black velvet, restraining the luxuriance
- of her shady hair, in a way which added much to this
- class of majesty by irregularly clouding her forehead.
- "Nothing can embellish a beautiful face more than
- a narrow band drawn over the brow," says Richter.
- Some of the neighbouring girls wore coloured ribbon for the
- same purpose, and sported metallic ornaments elsewhere;
- but if anyone suggested coloured ribbon and metallic
- ornaments to Eustacia Vye she laughed and went on.
-
- Why did a woman of this sort live on Egdon Heath? Budmouth
- was her native place, a fashionable seaside resort
- at that date. She was the daughter of the bandmaster
- of a regiment which had been quartered there--a Corfiote
- by birth, and a fine musician--who met his future wife
- during her trip thither with her father the captain,
- a man of good family. The marriage was scarcely in accord
- with the old man's wishes, for the bandmaster's pockets
- were as light as his occupation. But the musician did
- his best; adopted his wife's name, made England permanently
- his home, took great trouble with his child's education,
- the expenses of which were defrayed by the grandfather,
- and throve as the chief local musician till her mother's
- death, when he left off thriving, drank, and died also.
- The girl was left to the care of her grandfather, who,
- since three of his ribs became broken in a shipwreck,
- had lived in this airy perch on Egdon, a spot which had
- taken his fancy because the house was to be had for
- next to nothing, and because a remote blue tinge on the
- horizon between the hills, visible from the cottage door,
- was traditionally believed to be the English Channel.
- She hated the change; she felt like one banished;
- but here she was forced to abide.
-
- Thus it happened that in Eustacia's brain were juxtaposed
- the strangest assortment of ideas, from old time and from new.
- There was no middle distance in her perspective--romantic
- recollections of sunny afternoons on an esplanade,
- with military bands, officers, and gallants around, stood like
- gilded letters upon the dark tablet of surrounding Egdon.
- Every bizarre effect that could result from the random
- intertwining of watering-place glitter with the grand
- solemnity of a heath, was to be found in her. Seeing nothing
- of human life now, she imagined all the more of what she had seen.
-
- Where did her dignity come from? By a latent vein
- from Alcinous' line, her father hailing from Phaeacia's
- isle?--or from Fitzalan and De Vere, her maternal grandfather
- having had a cousin in the peerage? Perhaps it was the
- gift of Heaven--a happy convergence of natural laws.
- Among other things opportunity had of late years been denied
- her of learning to be undignified, for she lived lonely.
- Isolation on a heath renders vulgarity well-nigh impossible.
- It would have been as easy for the heath-ponies, bats,
- and snakes to be vulgar as for her. A narrow life
- in Budmouth might have completely demeaned her.
-
- The only way to look queenly without realms or hearts
- to queen it over is to look as if you had lost them;
- and Eustacia did that to a triumph. In the captain's
- cottage she could suggest mansions she had never seen.
- Perhaps that was because she frequented a vaster mansion
- than any of them, the open hills. Like the summer condition
- of the place around her, she was an embodiment of the
- phrase "a populous solitude"--apparently so listless,
- void, and quiet, she was really busy and full.
-
- To be loved to madness--such was her great desire.
- Love was to her the one cordial which could drive away
- the eating loneliness of her days. And she seemed to long
- for the abstraction called passionate love more than for
- any particular lover.
-
- She could show a most reproachful look at times, but it
- was directed less against human beings than against certain
- creatures of her mind, the chief of these being Destiny,
- through whose interference she dimly fancied it arose
- that love alighted only on gliding youth--that any love
- she might win would sink simultaneously with the sand
- in the glass. She thought of it with an ever-growing
- consciousness of cruelty, which tended to breed actions
- of reckless unconventionality, framed to snatch a year's,
- a week's, even an hour's passion from anywhere while it
- could be won. Through want of it she had sung without
- being merry, possessed without enjoying, outshone
- without triumphing. Her loneliness deepened her desire.
- On Egdon, coldest and meanest kisses were at famine prices,
- and where was a mouth matching hers to be found?
-
- Fidelity in love for fidelity's sake had less attraction
- for her than for most women; fidelity because of love's grip
- had much. A blaze of love, and extinction, was better than
- a lantern glimmer of the same which should last long years.
- On this head she knew by prevision what most women learn
- only by experience--she had mentally walked round love,
- told the towers thereof, considered its palaces, and concluded
- that love was but a doleful joy. Yet she desired it,
- as one in a desert would be thankful for brackish water.
-
- She often repeated her prayers; not at particular times, but,
- like the unaffectedly devout, when she desired to pray.
- Her prayer was always spontaneous, and often ran thus,
- "O deliver my heart from this fearful gloom and loneliness;
- send me great love from somewhere, else I shall die."
-
- Her high gods were William the Conqueror, Strafford,
- and Napoleon Buonaparte, as they had appeared in the Lady's
- History used at the establishment in which she was educated.
- Had she been a mother she would have christened her boys
- such names as Saul or Sisera in preference to Jacob or David,
- neither of whom she admired. At school she had used to side
- with the Philistines in several battles, and had wondered
- if Pontius Pilate were as handsome as he was frank and fair.
-
- Thus she was a girl of some forwardness of mind, indeed,
- weighed in relation to her situation among the very
- rearward of thinkers, very original. Her instincts
- towards social non-comformity were at the root of this.
- In the matter of holidays, her mood was that of horses who,
- when turned out to grass, enjoy looking upon their kind
- at work on the highway. She only valued rest to herself
- when it came in the midst of other people's labour.
- Hence she hated Sundays when all was at rest, and often
- said they would be the death of her. To see the heathmen
- in their Sunday condition, that is, with their hands
- in their pockets, their boots newly oiled, and not laced
- up (a particularly Sunday sign), walking leisurely among
- the turves and furze-faggots they had cut during the week,
- and kicking them critically as if their use were unknown,
- was a fearful heaviness to her. To relieve the tedium
- of this untimely day she would overhaul the cupboards
- containing her grandfather's old charts and other rubbish,
- humming Saturday-night ballads of the country people the while.
- But on Saturday nights she would frequently sing a psalm,
- and it was always on a weekday that she read the Bible,
- that she might be unoppressed with a sense of doing
- her duty.
-
- Such views of life were to some extent the natural
- begettings of her situation upon her nature. To dwell
- on a heath without studying its meanings was like wedding
- a foreigner without learning his tongue. The subtle
- beauties of the heath were lost to Eustacia; she only
- caught its vapours. An environment which would have made
- a contented woman a poet, a suffering woman a devotee,
- a pious woman a psalmist, even a giddy woman thoughtful,
- made a rebellious woman saturnine.
-
- Eustacia had got beyond the vision of some marriage
- of inexpressible glory; yet, though her emotions were
- in full vigour, she cared for no meaner union. Thus we
- see her in a strange state of isolation. To have lost
- the godlike conceit that we may do what we will, and not
- to have acquired a homely zest for doing what we can,
- shows a grandeur of temper which cannot be objected to in
- the abstract, for it denotes a mind that, though disappointed,
- forswears compromise. But, if congenial to philosophy,
- it is apt to be dangerous to the commonwealth. In a world
- where doing means marrying, and the commonwealth is one
- of hearts and hands, the same peril attends the condition.
-
- And so we see our Eustacia--for at times she was not
- altogether unlovable--arriving at that stage of enlightenment
- which feels that nothing is worth while, and filling up
- the spare hours of her existence by idealizing Wildeve
- for want of a better object. This was the sole reason
- of his ascendency: she knew it herself. At moments her
- pride rebelled against her passion for him, and she even
- had longed to be free. But there was only one circumstance
- which could dislodge him, and that was the advent of a greater man.
-
- For the rest, she suffered much from depression of spirits,
- and took slow walks to recover them, in which she carried
- her grandfather's telescope and her grandmother's
- hourglass--the latter because of a peculiar pleasure she
- derived from watching a material representation of time's
- gradual glide away. She seldom schemed, but when she
- did scheme, her plans showed rather the comprehensive
- strategy of a general than the small arts called womanish,
- though she could utter oracles of Delphian ambiguity
- when she did not choose to be direct. In heaven she
- will probably sit between the Heloises and the Cleopatras.
-
-
-
- 8 - Those Who Are Found Where There Is Said to Be Nobody
-
-
- As soon as the sad little boy had withdrawn from the fire
- he clasped the money tight in the palm of his hand,
- as if thereby to fortify his courage, and began to run.
- There was really little danger in allowing a child to go
- home alone on this part of Egdon Heath. The distance to
- the boy's house was not more than three-eighths of a mile,
- his father's cottage, and one other a few yards further on,
- forming part of the small hamlet of Mistover Knap: the
- third and only remaining house was that of Captain Vye
- and Eustacia, which stood quite away from the small cottages.
- and was the loneliest of lonely houses on these thinly
- populated slopes.
-
- He ran until he was out of breath, and then, becoming
- more courageous, walked leisurely along, singing in an old
- voice a little song about a sailor-boy and a fair one,
- and bright gold in store. In the middle of this the child
- stopped--from a pit under the hill ahead of him shone a light,
- whence proceeded a cloud of floating dust and a smacking noise.
-
- Only unusual sights and sounds frightened the boy.
- The shrivelled voice of the heath did not alarm him,
- for that was familiar. The thornbushes which arose
- in his path from time to time were less satisfactory,
- for they whistled gloomily, and had a ghastly habit
- after dark of putting on the shapes of jumping madmen,
- sprawling giants, and hideous cripples. Lights were not
- uncommon this evening, but the nature of all of them
- was different from this. Discretion rather than terror
- prompted the boy to turn back instead of passing the light,
- with a view of asking Miss Eustacia Vye to let her servant
- accompany him home.
-
- When the boy had reascended to the top of the valley
- he found the fire to be still burning on the bank,
- though lower than before. Beside it, instead of Eustacia's
- solitary form, he saw two persons, the second being a man.
- The boy crept along under the bank to ascertain from
- the nature of the proceedings if it would be prudent
- to interrupt so splendid a creature as Miss Eustacia
- on his poor trivial account.
-
- After listening under the bank for some minutes to the talk
- he turned in a perplexed and doubting manner and began
- to withdraw as silently as he had come. That he did not,
- upon the whole, think it advisable to interrupt her
- conversation with Wildeve, without being prepared to bear
- the whole weight of her displeasure, was obvious.
-
- Here was a Scyllaeo-Charybdean position for a poor boy.
- Pausing when again safe from discovery, he finally
- decided to face the pit phenomenon as the lesser evil.
- With a heavy sigh he retraced the slope, and followed
- the path he had followed before.
-
- The light had gone, the rising dust had disappeared--he hoped
- for ever. He marched resolutely along, and found nothing
- to alarm him till, coming within a few yards of the sandpit,
- he heard a slight noise in front, which led him to halt.
- The halt was but momentary, for the noise resolved itself
- into the steady bites of two animals grazing.
-
- "Two he'th-croppers down here," he said aloud.
- "I have never known 'em come down so far afore."
-
- The animals were in the direct line of his path,
- but that the child thought little of; he had played
- round the fetlocks of horses from his infancy.
- On coming nearer, however, the boy was somewhat surprised
- to find that the little creatures did not run off,
- and that each wore a clog, to prevent his going astray;
- this signified that they had been broken in. He could
- now see the interior of the pit, which, being in the side
- of the hill, had a level entrance. In the innermost
- corner the square outline of a van appeared, with its
- back towards him. A light came from the interior,
- and threw a moving shadow upon the vertical face of gravel
- at the further side of the pit into which the vehicle faced.
-
- The child assumed that this was the cart of a gipsy,
- and his dread of those wanderers reached but to that
- mild pitch which titillates rather than pains.
- Only a few inches of mud wall kept him and his family
- from being gipsies themselves. He skirted the gravel
- pit at a respectful distance, ascended the slope,
- and came forward upon the brow, in order to look into
- the open door of the van and see the original of the shadow.
-
- The picture alarmed the boy. By a little stove inside
- the van sat a figure red from head to heels--the man who
- had been Thomasin's friend. He was darning a stocking,
- which was red like the rest of him. Moreover, as he
- darned he smoked a pipe, the stem and bowl of which were
- red also.
-
- At this moment one of the heath-croppers feeding in the
- outer shadows was audibly shaking off the clog attached
- to its foot. Aroused by the sound, the reddleman laid
- down his stocking, lit a lantern which hung beside him,
- and came out from the van. In sticking up the candle
- he lifted the lantern to his face, and the light shone
- into the whites of his eyes and upon his ivory teeth,
- which, in contrast with the red surrounding, lent him
- a startling aspect enough to the gaze of a juvenile.
- The boy knew too well for his peace of mind upon whose lair
- he had lighted. Uglier persons than gipsies were known
- to cross Egdon at times, and a reddleman was one of them.
-
- "How I wish 'twas only a gipsy!" he murmured.
-
- The man was by this time coming back from the horses.
- In his fear of being seen the boy rendered detection certain
- by nervous motion. The heather and peat stratum overhung
- the brow of the pit in mats, hiding the actual verge.
- The boy had stepped beyond the solid ground; the heather
- now gave way, and down he rolled over the scarp of grey sand
- to the very foot of the man.
-
- The red man opened the lantern and turned it upon
- the figure of the prostrate boy.
-
- "Who be ye?" he said.
-
- "Johnny Nunsuch, master!"
-
- "What were you doing up there?"
-
- "I don't know."
-
- "Watching me, I suppose?"
-
- "Yes, master."
-
- "What did you watch me for?"
-
- "Because I was coming home from Miss Vye's bonfire."
-
- "Beest hurt?"
-
- "No."
-
- "Why, yes, you be--your hand is bleeding. Come under
- my tilt and let me tie it up."
-
- "Please let me look for my sixpence."
-
- "How did you come by that?"
-
- "Miss Vye gied it to me for keeping up her bonfire."
-
- The sixpence was found, and the man went to the van,
- the boy behind, almost holding his breath.
-
- The man took a piece of rag from a satchel containing
- sewing materials, tore off a strip, which, like everything
- else, was tinged red, and proceeded to bind up the wound.
-
- "My eyes have got foggy-like--please may I sit down,
- master?" said the boy.
-
- "To be sure, poor chap. 'Tis enough to make you feel fainty.
- Sit on that bundle."
-
- The man finished tying up the gash, and the boy said,
- "I think I'll go home now, master."
-
- "You are rather afraid of me. Do you know what I be?"
-
- The child surveyed his vermilion figure up and down
- with much misgiving and finally said, "Yes."
-
- "Well, what?"
-
- "The reddleman!" he faltered.
-
- "Yes, that's what I be. Though there's more than one.
- You little children think there's only one cuckoo, one fox,
- one giant, one devil, and one reddleman, when there's lots
- of us all."
-
- "Is there? You won't carry me off in your bags, will ye,
- master? 'Tis said that the reddleman will sometimes."
-
- "Nonsense. All that reddlemen do is sell reddle.
- You see all these bags at the back of my cart? They are
- not full of little boys--only full of red stuff."
-
- "Was you born a reddleman?"
-
- "No, I took to it. I should be as white as you if I
- were to give up the trade--that is, I should be white
- in time--perhaps six months; not at first, because 'tis
- grow'd into my skin and won't wash out. Now, you'll never
- be afraid of a reddleman again, will ye?"
-
- "No, never. Willy Orchard said he seed a red ghost
- here t'other day--perhaps that was you?"
-
- "I was here t'other day."
-
- "Were you making that dusty light I saw by now?"
-
- "Oh yes, I was beating out some bags. And have you had a good
- bonfire up there? I saw the light. Why did Miss Vye want
- a bonfire so bad that she should give you sixpence to keep it up?"
-
- "I don't know. I was tired, but she made me bide
- and keep up the fire just the same, while she kept
- going up across Rainbarrow way."
-
- "And how long did that last?"
-
- "Until a hopfrog jumped into the pond."
-
- The reddleman suddenly ceased to talk idly. "A hopfrog?"
- he inquired. "Hopfrogs don't jump into ponds this time
- of year."
-
- "They do, for I heard one."
-
- "Certain-sure?"
-
- "Yes. She told me afore that I should hear'n; and so I did.
- They say she's clever and deep, and perhaps she charmed
- 'en to come."
-
- "And what then?"
-
- "Then I came down here, and I was afeard, and I went back;
- but I didn't like to speak to her, because of the gentleman,
- and I came on here again."
-
- "A gentleman--ah! What did she say to him, my man?"
-
- "Told him she supposed he had not married the other woman
- because he liked his old sweetheart best; and things
- like that."
-
- "What did the gentleman say to her, my sonny?"
-
- "He only said he did like her best, and how he was coming
- to see her again under Rainbarrow o' nights."
-
- "Ha!" cried the reddleman, slapping his hand against the side
- of his van so that the whole fabric shook under the blow.
- "That's the secret o't!"
-
- The little boy jumped clean from the stool.
-
- "My man, don't you be afraid," said the dealer in red,
- suddenly becoming gentle. "I forgot you were here.
- That's only a curious way reddlemen have of going mad
- for a moment; but they don't hurt anybody. And what did
- the lady say then?"
-
- "I can't mind. Please, Master Reddleman, may I go
- home-along now?"
-
- "Ay, to be sure you may. I'll go a bit of ways with you."
-
- He conducted the boy out of the gravel pit and into the path
- leading to his mother's cottage. When the little figure
- had vanished in the darkness the reddleman returned,
- resumed his seat by the fire, and proceeded to darn again.
-
-
-
- 9 - Love Leads a Shrewd Man into Strategy
-
-
- Reddlemen of the old school are now but seldom seen.
- Since the introduction of railways Wessex farmers have
- managed to do without these Mephistophelian visitants,
- and the bright pigment so largely used by shepherds in
- preparing sheep for the fair is obtained by other routes.
- Even those who yet survive are losing the poetry of existence
- which characterized them when the pursuit of the trade
- meant periodical journeys to the pit whence the material
- was dug, a regular camping out from month to month,
- except in the depth of winter, a peregrination among farms
- which could be counted by the hundred, and in spite of this
- Arab existence the preservation of that respectability
- which is insured by the never-failing production of a
- well-lined purse.
-
- Reddle spreads its lively hues over everything it lights on,
- and stamps unmistakably, as with the mark of Cain,
- any person who has handled it half an hour.
-
- A child's first sight of a reddleman was an epoch in
- his life. That blood-coloured figure was a sublimation
- of all the horrid dreams which had afflicted the juvenile
- spirit since imagination began. "The reddleman is coming
- for you!" had been the formulated threat of Wessex mothers
- for many generations. He was successfully supplanted
- for a while, at the beginning of the present century,
- by Buonaparte; but as process of time rendered the latter
- personage stale and ineffective the older phrase resumed
- its early prominence. And now the reddleman has in his
- turn followed Buonaparte to the land of worn-out bogeys,
- and his place is filled by modern inventions.
-
- The reddleman lived like a gipsy; but gipsies he scorned.
- He was about as thriving as travelling basket and mat makers;
- but he had nothing to do with them. He was more decently
- born and brought up than the cattledrovers who passed
- and repassed him in his wanderings; but they merely nodded
- to him. His stock was more valuable than that of pedlars;
- but they did not think so, and passed his cart with eyes
- straight ahead. He was such an unnatural colour to look
- at that the men of roundabouts and waxwork shows seemed
- gentlemen beside him; but he considered them low company,
- and remained aloof. Among all these squatters and folks
- of the road the reddleman continually found himself; yet he
- was not of them. His occupation tended to isolate him,
- and isolated he was mostly seen to be.
-
- It was sometimes suggested that reddlemen were criminals
- for whose misdeeds other men wrongfully suffered--that in
- escaping the law they had not escaped their own consciences,
- and had taken to the trade as a lifelong penance.
- Else why should they have chosen it? In the present case
- such a question would have been particularly apposite.
- The reddleman who had entered Egdon that afternoon was
- an instance of the pleasing being wasted to form the
- ground-work of the singular, when an ugly foundation would
- have done just as well for that purpose. The one point
- that was forbidding about this reddleman was his colour.
- Freed from that he would have been as agreeable a specimen
- of rustic manhood as one would often see. A keen observer
- might have been inclined to think--which was, indeed,
- partly the truth--that he had relinquished his proper station
- in life for want of interest in it. Moreover, after looking
- at him one would have hazarded the guess that good nature,
- and an acuteness as extreme as it could be without
- verging on craft, formed the framework of his character.
-
- While he darned the stocking his face became rigid
- with thought. Softer expressions followed this, and then
- again recurred the tender sadness which had sat upon
- him during his drive along the highway that afternoon.
- Presently his needle stopped. He laid down the stocking,
- arose from his seat, and took a leathern pouch from a hook
- in the corner of the van. This contained among other
- articles a brown-paper packet, which, to judge from the
- hinge-like character of its worn folds, seemed to have
- been carefully opened and closed a good many times.
- He sat down on a three-legged milking stool that formed
- the only seat in the van, and, examining his packet
- by the light of a candle, took thence an old letter
- and spread it open. The writing had originally been
- traced on white paper, but the letter had now assumed
- a pale red tinge from the accident of its situation;
- and the black strokes of writing thereon looked like the
- twigs of a winter hedge against a vermilion sunset.
- The letter bore a date some two years previous to that time,
- and was signed "Thomasin Yeobright." It ran as follows:--
-
-
- DEAR DIGGORY VENN,--The question you put when you
- overtook me coming home from Pond-close gave me such
- a surprise that I am afraid I did not make you exactly
- understand what I meant. Of course, if my aunt had
- not met me I could have explained all then at once,
- but as it was there was no chance. I have been quite
- uneasy since, as you know I do not wish to pain you,
- yet I fear I shall be doing so now in contradicting
- what I seemed to say then. I cannot, Diggory, marry you,
- or think of letting you call me your sweetheart.
- I could not, indeed, Diggory. I hope you will not
- much mind my saying this, and feel in a great pain.
- It makes me very sad when I think it may, for I like you
- very much, and I always put you next to my cousin Clym
- in my mind. There are so many reasons why we cannot
- be married that I can hardly name them all in a letter.
- I did not in the least expect that you were going to
- speak on such a thing when you followed me, because I
- had never thought of you in the sense of a lover at all.
- You must not becall me for laughing when you spoke;
- you mistook when you thought I laughed at you as a
- foolish man. I laughed because the idea was so odd,
- and not at you at all. The great reason with my own
- personal self for not letting you court me is, that I
- do not feel the things a woman ought to feel who consents
- to walk with you with the meaning of being your wife.
- It is not as you think, that I have another in my mind,
- for I do not encourage anybody, and never have in my life.
- Another reason is my aunt. She would not, I know, agree to it,
- even if I wished to have you. She likes you very well,
- but she will want me to look a little higher than a small
- dairy-farmer, and marry a professional man. I hope you
- will not set your heart against me for writing plainly,
- but I felt you might try to see me again, and it is better
- that we should not meet. I shall always think of you
- as a good man, and be anxious for your well-doing. I send
- this by Jane Orchard's little maid,--And remain Diggory,
- your faithful friend,
-
- THOMASIN YEOBRIGHT.
-
- To MR. VENN, Dairy-farmer.
-
-
- Since the arrival of that letter, on a certain autumn
- morning long ago, the reddleman and Thomasin had not met
- till today. During the interval he had shifted his position
- even further from hers than it had originally been,
- by adopting the reddle trade; though he was really
- in very good circumstances still. Indeed, seeing that
- his expenditure was only one-fourth of his income,
- he might have been called a prosperous man.
-
- Rejected suitors take to roaming as naturally as unhived bees;
- and the business to which he had cynically devoted himself
- was in many ways congenial to Venn. But his wanderings,
- by mere stress of old emotions, had frequently taken
- an Egdon direction, though he never intruded upon her
- who attracted him thither. To be in Thomasin's heath,
- and near her, yet unseen, was the one ewe-lamb of pleasure
- left to him.
-
- Then came the incident of that day, and the reddleman,
- still loving her well, was excited by this accidental
- service to her at a critical juncture to vow an active
- devotion to her cause, instead of, as hitherto, sighing and
- holding aloof. After what had happened it was impossible
- that he should not doubt the honesty of Wildeve's intentions.
- But her hope was apparently centred upon him; and dismissing
- his regrets Venn determined to aid her to be happy in
- her own chosen way. That this way was, of all others,
- the most distressing to himself, was awkward enough;
- but the reddleman's love was generous.
-
- His first active step in watching over Thomasin's interests
- was taken about seven o'clock the next evening and was
- dictated by the news which he had learnt from the sad boy.
- That Eustacia was somehow the cause of Wildeve's carelessness
- in relation to the marriage had at once been Venn's
- conclusion on hearing of the secret meeting between them.
- It did not occur to his mind that Eustacia's love signal
- to Wildeve was the tender effect upon the deserted beauty
- of the intelligence which her grandfather had brought home.
- His instinct was to regard her as a conspirator against
- rather than as an antecedent obstacle to Thomasin's happiness.
-
- During the day he had been exceedingly anxious to learn
- the condition of Thomasin, but he did not venture
- to intrude upon a threshold to which he was a stranger,
- particularly at such an unpleasant moment as this.
- He had occupied his time in moving with his ponies
- and load to a new point in the heath, eastward to his
- previous station; and here he selected a nook with a
- careful eye to shelter from wind and rain, which seemed
- to mean that his stay there was to be a comparatively
- extended one. After this he returned on foot some part
- of the way that he had come; and, it being now dark,
- he diverged to the left till he stood behind a holly bush
- on the edge of a pit not twenty yards from Rainbarrow.
-
- He watched for a meeting there, but he watched in vain.
- Nobody except himself came near the spot that night.
-
- But the loss of his labour produced little effect upon
- the reddleman. He had stood in the shoes of Tantalus,
- and seemed to look upon a certain mass of disappointment
- as the natural preface to all realizations, without which
- preface they would give cause for alarm.
-
- The same hour the next evening found him again at the
- same place; but Eustacia and Wildeve, the expected trysters,
- did not appear.
-
- He pursued precisely the same course yet four nights longer,
- and without success. But on the next, being the day-week
- of their previous meeting, he saw a female shape floating
- along the ridge and the outline of a young man ascending
- from the valley. They met in the little ditch encircling
- the tumulus--the original excavation from which it
- had been thrown up by the ancient British people.
-
- The reddleman, stung with suspicion of wrong to Thomasin,
- was aroused to strategy in a moment. He instantly left
- the bush and crept forward on his hands and knees.
- When he had got as close as he might safely venture without
- discovery he found that, owing to a cross-wind, the
- conversation of the trysting pair could not be overheard.
-
- Near him, as in divers places about the heath, were areas
- strewn with large turves, which lay edgeways and upside
- down awaiting removal by Timothy Fairway, previous to
- the winter weather. He took two of these as he lay,
- and dragged them over him till one covered his head
- and shoulders, the other his back and legs. The reddleman
- would now have been quite invisible, even by daylight;
- the turves, standing upon him with the heather upwards,
- looked precisely as if they were growing. He crept
- along again, and the turves upon his back crept with him.
- Had he approached without any covering the chances
- are that he would not have been perceived in the dusk;
- approaching thus, it was as though he burrowed underground.
- In this manner he came quite close to where the two
- were standing.
-
- "Wish to consult me on the matter?" reached his ears
- in the rich, impetuous accents of Eustacia Vye.
- "Consult me? It is an indignity to me to talk so--I won't
- bear it any longer!" She began weeping. "I have loved you,
- and have shown you that I loved you, much to my regret;
- and yet you can come and say in that frigid way that you
- wish to consult with me whether it would not be better
- to marry Thomasin. Better--of course it would be.
- Marry her--she is nearer to your own position in life than
- I am!"
-
- "Yes, yes; that's very well," said Wildeve peremptorily.
- "But we must look at things as they are. Whatever blame
- may attach to me for having brought it about,
- Thomasin's position is at present much worse than yours.
- I simply tell you that I am in a strait."
-
- "But you shall not tell me! You must see that it is only
- harassing me. Damon, you have not acted well; you have
- sunk in my opinion. You have not valued my courtesy--the
- courtesy of a lady in loving you--who used to think
- of far more ambitious things. But it was Thomasin's fault.
-
- She won you away from me, and she deserves to suffer for it.
- Where is she staying now? Not that I care, nor where I
- am myself. Ah, if I were dead and gone how glad she would
- be! Where is she, I ask?"
-
- "Thomasin is now staying at her aunt's shut up in a bedroom,
- and keeping out of everybody's sight," he said indifferently.
-
- "I don't think you care much about her even now,"
- said Eustacia with sudden joyousness, "for if you did you
- wouldn't talk so coolly about her. Do you talk so coolly
- to her about me? Ah, I expect you do! Why did you originally
- go away from me? I don't think I can ever forgive you,
- except on one condition, that whenever you desert me,
- you come back again, sorry that you served me so."
-
- "I never wish to desert you."
-
- "I do not thank you for that. I should hate it to be
- all smooth. Indeed, I think I like you to desert me
- a little once now and then. Love is the dismallest thing
- where the lover is quite honest. O, it is a shame to
- say so; but it is true!" She indulged in a little laugh.
- "My low spirits begin at the very idea. Don't you offer
- me tame love, or away you go!"
-
- "I wish Tamsie were not such a confoundedly good little woman,"
- said Wildeve, "so that I could be faithful to you without
- injuring a worthy person. It is I who am the sinner
- after all; I am not worth the little finger of either of you."
-
- "But you must not sacrifice yourself to her from
- any sense of justice," replied Eustacia quickly.
- "If you do not love her it is the most merciful thing
- in the long run to leave her as she is. That's always
- the best way. There, now I have been unwomanly, I suppose.
- When you have left me I am always angry with myself
- for things that I have said to you."
-
- Wildeve walked a pace or two among the heather without replying.
- The pause was filled up by the intonation of a pollard
- thorn a little way to windward, the breezes filtering
- through its unyielding twigs as through a strainer.
- It was as if the night sang dirges with clenched teeth.
-
- She continued, half sorrowfully, "Since meeting you last,
- it has occurred to me once or twice that perhaps it
- was not for love of me you did not marry her. Tell me,
- Damon--I'll try to bear it. Had I nothing whatever to do
- with the matter?"
-
- "Do you press me to tell?"
-
- "Yes, I must know. I see I have been too ready to believe
- in my own power."
-
- "Well, the immediate reason was that the license would
- not do for the place, and before I could get another she
- ran away. Up to that point you had nothing to do with it.
- Since then her aunt has spoken to me in a tone which I
- don't at all like."
-
- "Yes, yes! I am nothing in it--I am nothing in it.
- You only trifle with me. Heaven, what can I, Eustacia Vye,
- be made of to think so much of you!"
-
- "Nonsense; do not be so passionate....Eustacia, how we
- roved among these bushes last year, when the hot days
- had got cool, and the shades of the hills kept us almost
- invisible in the hollows!"
-
- She remained in moody silence till she said, "Yes; and
- how I used to laugh at you for daring to look up to me!
- But you have well made me suffer for that since."
-
- "Yes, you served me cruelly enough until I thought I had
- found someone fairer than you. A blessed find for me, Eustacia."
-
- "Do you still think you found somebody fairer?"
-
- "Sometimes I do, sometimes I don't. The scales are balanced
- so nicely that a feather would turn them."
-
- "But don't you really care whether I meet you or whether
- I don't?" she said slowly.
-
- "I care a little, but not enough to break my rest,"
- replied the young man languidly. "No, all that's past.
- I find there are two flowers where I thought there
- was only one. Perhaps there are three, or four, or any
- number as good as the first....Mine is a curious fate.
- Who would have thought that all this could happen
- to me?"
-
- She interrupted with a suppressed fire of which either
- love or anger seemed an equally possible issue, "Do you
- love me now?"
-
- "Who can say?"
-
- "Tell me; I will know it!"
-
- "I do, and I do not," said he mischievously. "That is,
- I have my times and my seasons. One moment you are too tall,
- another moment you are too do-nothing, another too melancholy,
- another too dark, another I don't know what, except--that you
- are not the whole world to me that you used to be, my dear.
- But you are a pleasant lady to know and nice to meet,
- and I dare say as sweet as ever--almost."
-
- Eustacia was silent, and she turned from him, till she said,
- in a voice of suspended mightiness, "I am for a walk,
- and this is my way."
-
- "Well, I can do worse than follow you."
-
- "You know you can't do otherwise, for all your moods
- and changes!" she answered defiantly. "Say what you will;
- try as you may; keep away from me all that you can--you
- will never forget me. You will love me all your life long.
- You would jump to marry me!"
-
- "So I would!" said Wildeve. "Such strange thoughts
- as I've had from time to time, Eustacia; and they come
- to me this moment. You hate the heath as much as ever;
- that I know."
-
- "I do," she murmured deeply. "'Tis my cross, my shame,
- and will be my death!"
-
- "I abhor it too," said he. "How mournfully the wind
- blows round us now!"
-
- She did not answer. Its tone was indeed solemn and pervasive.
- Compound utterances addressed themselves to their senses, and it
- was possible to view by ear the features of the neighbourhood.
- Acoustic pictures were returned from the darkened scenery;
- they could hear where the tracts of heather began and ended;
- where the furze was growing stalky and tall; where it had
- been recently cut; in what direction the fir-clump lay,
- and how near was the pit in which the hollies grew;
- for these differing features had their voices no less
- than their shapes and colours.
-
- "God, how lonely it is!" resumed Wildeve. "What are
- picturesque ravines and mists to us who see nothing else?"
- Why should we stay here? Will you go with me to America?
- I have kindred in Wisconsin."
-
- "That wants consideration."
-
- "It seems impossible to do well here, unless one were
- a wild bird or a landscape-painter. Well?"
-
- "Give me time," she softly said, taking his hand.
- "America is so far away. Are you going to walk with me
- a little way?"
-
- As Eustacia uttered the latter words she retired from
- the base of the barrow, and Wildeve followed her,
- so that the reddleman could hear no more.
-
- He lifted the turves and arose. Their black figures sank
- and disappeared from against the sky. They were as two
- horns which the sluggish heath had put forth from its crown,
- like a mollusc, and had now again drawn in.
-
- The reddleman's walk across the vale, and over into the
- next where his cart lay, was not sprightly for a slim young
- fellow of twenty-four. His spirit was perturbed to aching.
- The breezes that blew around his mouth in that walk
- carried off upon them the accents of a commination.
-
- He entered the van, where there was a fire in a stove.
- Without lighting his candle he sat down at once on
- the three-legged stool, and pondered on what he had
- seen and heard touching that still-loved one of his.
- He uttered a sound which was neither sigh nor sob, but was
- even more indicative than either of a troubled mind.
-
- "My Tamsie," he whispered heavily. "What can be done? Yes,
- I will see that Eustacia Vye."
-
-
-
- 10 - A Desperate Attempt at Persuasion
-
-
- The next morning, at the time when the height of the
- sun appeared very insignificant from any part of the
- heath as compared with the altitude of Rainbarrow,
- and when all the little hills in the lower levels
- were like an archipelago in a fog-formed Aegean,
- the reddleman came from the brambled nook which he
- had adopted as his quarters and ascended the slopes of Mistover Knap.
-
- Though these shaggy hills were apparently so solitary,
- several keen round eyes were always ready on such a
- wintry morning as this to converge upon a passer-by.
- Feathered species sojourned here in hiding which would
- have created wonder if found elsewhere. A bustard
- haunted the spot, and not many years before this five
- and twenty might have been seen in Egdon at one time.
- Marsh-harriers looked up from the valley by Wildeve's.
- A cream-coloured courser had used to visit this hill,
- a bird so rare that not more than a dozen have ever been
- seen in England; but a barbarian rested neither night
- nor day till he had shot the African truant, and after
- that event cream-coloured coursers thought fit to enter
- Egdon no more.
-
- A traveller who should walk and observe any of these
- visitants as Venn observed them now could feel himself
- to be in direct communication with regions unknown to man.
- Here in front of him was a wild mallard--just arrived from
- the home of the north wind. The creature brought within him
- an amplitude of Northern knowledge. Glacial catastrophes,
- snowstorm episodes, glittering auroral effects, Polaris in
- the zenith, Franklin underfoot--the category of his commonplaces
- was wonderful. But the bird, like many other philosophers,
- seemed as he looked at the reddleman to think that a present
- moment of comfortable reality was worth a decade of memories.
-
- Venn passed on through these towards the house of the
- isolated beauty who lived up among them and despised them.
- The day was Sunday; but as going to church, except to be
- married or buried, was exceptional at Egdon, this made
- little difference. He had determined upon the bold stroke
- of asking for an interview with Miss Vye--to attack her
- position as Thomasin's rival either by art or by storm,
- showing therein, somewhat too conspicuously, the want of
- gallantry characteristic of a certain astute sort of men,
- from clowns to kings. The great Frederick making war
- on the beautiful Archduchess, Napoleon refusing terms
- to the beautiful Queen of Prussia, were not more dead
- to difference of sex than the reddleman was, in his
- peculiar way, in planning the displacement of Eustacia.
-
- To call at the captain's cottage was always more or
- less an undertaking for the inferior inhabitants.
- Though occasionally chatty, his moods were erratic,
- and nobody could be certain how he would behave at any
- particular moment. Eustacia was reserved, and lived very much
- to herself. Except the daughter of one of the cotters,
- who was their servant, and a lad who worked in the garden
- and stable, scarcely anyone but themselves ever entered
- the house. They were the only genteel people of the
- district except the Yeobrights, and though far from rich,
- they did not feel that necessity for preserving a friendly
- face towards every man, bird, and beast which influenced
- their poorer neighbours.
-
- When the reddleman entered the garden the old man was
- looking through his glass at the stain of blue sea in
- the distant landscape, the little anchors on his buttons
- twinkling in the sun. He recognized Venn as his companion
- on the highway, but made no remark on that circumstance,
- merely saying, "Ah, reddleman--you here? Have a glass
- of grog?"
-
- Venn declined, on the plea of it being too early, and stated
- that his business was with Miss Vye. The captain surveyed
- him from cap to waistcoat and from waistcoat to leggings
- for a few moments, and finally asked him to go indoors.
-
- Miss Vye was not to be seen by anybody just then;
- and the reddleman waited in the window-bench of the kitchen,
- his hands hanging across his divergent knees, and his cap
- hanging from his hands.
-
- "I suppose the young lady is not up yet?" he presently
- said to the servant.
-
- "Not quite yet. Folks never call upon ladies at this
- time of day."
-
- "Then I'll step outside," said Venn. "If she is willing
- to see me, will she please send out word, and I'll come in."
-
- The reddleman left the house and loitered on the
- hill adjoining. A considerable time elapsed, and no
- request for his presence was brought. He was beginning
- to think that his scheme had failed, when he beheld the
- form of Eustacia herself coming leisurely towards him.
- A sense of novelty in giving audience to that singular
- figure had been sufficient to draw her forth.
-
- She seemed to feel, after a bare look at Diggory Venn,
- that the man had come on a strange errand, and that he was
- not so mean as she had thought him; for her close approach
- did not cause him to writhe uneasily, or shift his feet,
- or show any of those little signs which escape an ingenuous
- rustic at the advent of the uncommon in womankind.
- On his inquiring if he might have a conversation with
- her she replied, "Yes, walk beside me," and continued
- to move on.
-
- Before they had gone far it occurred to the perspicacious
- reddleman that he would have acted more wisely
- by appearing less unimpressionable, and he resolved
- to correct the error as soon as he could find opportunity.
-
- "I have made so bold, miss, as to step across and tell
- you some strange news which has come to my ears about
- that man."
-
- "Ah! what man?"
-
- He jerked his elbow to the southeast--the direction
- of the Quiet Woman.
-
- Eustacia turned quickly to him. "Do you mean Mr. Wildeve?"
-
- "Yes, there is trouble in a household on account of him,
- and I have come to let you know of it, because I believe
- you might have power to drive it away."
-
- "I? What is the trouble?"
-
- "It is quite a secret. It is that he may refuse to marry
- Thomasin Yeobright after all."
-
- Eustacia, though set inwardly pulsing by his words,
- was equal to her part in such a drama as this.
- She replied coldly, "I do not wish to listen to this,
- and you must not expect me to interfere."
-
- "But, miss, you will hear one word?"
-
- "I cannot. I am not interested in the marriage, and even
- if I were I could not compel Mr. Wildeve to do my bidding."
-
- "As the only lady on the heath I think you might," said Venn
- with subtle indirectness. "This is how the case stands.
- Mr. Wildeve would marry Thomasin at once, and make all
- matters smooth, if so be there were not another woman
- in the case. This other woman is some person he has
- picked up with, and meets on the heath occasionally,
- I believe. He will never marry her, and yet through
- her he may never marry the woman who loves him dearly.
- Now, if you, miss, who have so much sway over us menfolk,
- were to insist that he should treat your young neighbour
- Tamsin with honourable kindness and give up the other woman,
- he would perhaps do it, and save her a good deal of misery."
-
- "Ah, my life!" said Eustacia, with a laugh which unclosed
- her lips so that the sun shone into her mouth as into
- a tulip, and lent it a similar scarlet fire. "You think
- too much of my influence over menfolk indeed, reddleman.
- If I had such a power as you imagine I would go straight
- and use it for the good of anybody who has been kind
- to me--which Thomasin Yeobright has not particularly,
- to my knowledge."
-
- "Can it be that you really don't know of it--how much
- she had always thought of you?"
-
- "I have never heard a word of it. Although we live
- only two miles apart I have never been inside her aunt's
- house in my life."
-
- The superciliousness that lurked in her manner told Venn
- that thus far he had utterly failed. He inwardly sighed
- and felt it necessary to unmask his second argument.
-
- "Well, leaving that out of the question, 'tis in your power,
- I assure you, Miss Vye, to do a great deal of good
- to another woman."
-
- She shook her head.
-
- "Your comeliness is law with Mr. Wildeve. It is law
- with all men who see 'ee. They say, 'This well-
- favoured lady coming--what's her name? How handsome!'
- Handsomer than Thomasin Yeobright," the reddleman persisted,
- saying to himself, "God forgive a rascal for lying!" And she
- was handsomer, but the reddleman was far from thinking so.
- There was a certain obscurity in Eustacia's beauty,
- and Venn's eye was not trained. In her winter dress, as now,
- she was like the tiger-beetle, which, when observed in
- dull situations, seems to be of the quietest neutral colour,
- but under a full illumination blazes with dazzling splendour.
-
- Eustacia could not help replying, though conscious that she
- endangered her dignity thereby. "Many women are lovelier
- than Thomasin," she said, "so not much attaches to that."
-
- The reddleman suffered the wound and went on: "He is a man
- who notices the looks of women, and you could twist him
- to your will like withywind, if you only had the mind."
-
- "Surely what she cannot do who has been so much with him
- I cannot do living up here away from him."
-
- The reddleman wheeled and looked her in the face.
- "Miss Vye!" he said.
-
- "Why do you say that--as if you doubted me?" She spoke faintly,
- and her breathing was quick. "The idea of your speaking in
- that tone to me!" she added, with a forced smile of hauteur.
- "What could have been in your mind to lead you to speak like that?"
-
- "Miss Vye, why should you make believe that you don't know
- this man?--I know why, certainly. He is beneath you,
- and you are ashamed."
-
- "You are mistaken. What do you mean?"
-
- The reddleman had decided to play the card of truth.
- "I was at the meeting by Rainbarrow last night and heard
- every word," he said. "The woman that stands between
- Wildeve and Thomasin is yourself."
-
- It was a disconcerting lift of the curtain, and the
- mortification of Candaules' wife glowed in her.
- The moment had arrived when her lip would tremble in spite
- of herself, and when the gasp could no longer be kept down.
-
- "I am unwell," she said hurriedly. "No--it is not that--I
- am not in a humour to hear you further. Leave me, please."
-
- "I must speak, Miss Vye, in spite of paining you.
- What I would put before you is this. However it may come
- about--whether she is to blame, or you--her case is without
- doubt worse than yours. Your giving up Mr. Wildeve will
- be a real advantage to you, for how could you marry him?
- Now she cannot get off so easily--everybody will blame
- her if she loses him. Then I ask you--not because her
- right is best, but because her situation is worst--to
- give him up to her."
-
- "No--I won't, I won't!" she said impetuously, quite forgetful
- of her previous manner towards the reddleman as an underling.
- "Nobody has ever been served so! It was going on well--I
- will not be beaten down--by an inferior woman like her.
- It is very well for you to come and plead for her,
- but is she not herself the cause of all her own trouble?
- Am I not to show favour to any person I may choose without
- asking permission of a parcel of cottagers? She has come
- between me and my inclination, and now that she finds
- herself rightly punished she gets you to plead for her!"
-
- "Indeed," said Venn earnestly, "she knows nothing whatever
- about it. It is only I who ask you to give him up.
- It will be better for her and you both. People will say
- bad things if they find out that a lady secretly meets
- a man who has ill-used another woman."
-
- "I have NOT injured her--he was mine before he was
- hers! He came back--because--because he liked me best!"
- she said wildly. "But I lose all self-respect in talking
- to you. What am I giving way to!"
-
- "I can keep secrets," said Venn gently. "You need not fear.
- I am the only man who knows of your meetings with him.
- There is but one thing more to speak of, and then I will
- be gone. I heard you say to him that you hated living
- here--that Egdon Heath was a jail to you."
-
- "I did say so. There is a sort of beauty in the scenery,
- I know; but it is a jail to me. The man you mention does
- not save me from that feeling, though he lives here.
- I should have cared nothing for him had there been a better
- person near."
-
- The reddleman looked hopeful; after these words from
- her his third attempt seemed promising. "As we have
- now opened our minds a bit, miss," he said, "I'll tell
- you what I have got to propose. Since I have taken
- to the reddle trade I travel a good deal, as you know."
-
- She inclined her head, and swept round so that her eyes
- rested in the misty vale beneath them.
-
- "And in my travels I go near Budmouth. Now Budmouth is
- a wonderful place--wonderful--a great salt sheening sea
- bending into the land like a bow--thousands of gentlepeople
- walking up and down--bands of music playing--officers
- by sea and officers by land walking among the rest--out
- of every ten folks you meet nine of 'em in love."
-
- "I know it," she said disdainfully. "I know Budmouth
- better than you. I was born there. My father came to
- be a military musician there from abroad. Ah, my soul,
- Budmouth! I wish I was there now."
-
- The reddleman was surprised to see how a slow fire could
- blaze on occasion. "If you were, miss," he replied,
- "in a week's time you would think no more of Wildeve
- than of one of those he'th-croppers that we see yond.
- Now, I could get you there."
-
- "How?" said Eustacia, with intense curiosity in her
- heavy eyes.
-
- "My uncle has been for five and twenty years the trusty
- man of a rich widow-lady who has a beautiful house
- facing the sea. This lady has become old and lame,
- and she wants a young company-keeper to read and sing
- to her, but can't get one to her mind to save her life,
- though she've advertised in the papers, and tried half
- a dozen. She would jump to get you, and Uncle would make
- it all easy."
-
- "I should have to work, perhaps?"
-
- "No, not real work--you'd have a little to do, such as reading
- and that. You would not be wanted till New Year's Day."
-
- "I knew it meant work," she said, drooping to languor again.
-
- "I confess there would be a trifle to do in the way of
- amusing her; but though idle people might call it work,
- working people would call it play. Think of the company
- and the life you'd lead, miss; the gaiety you'd see,
- and the gentleman you'd marry. My uncle is to inquire
- for a trustworthy young lady from the country, as she don't
- like town girls."
-
- "It is to wear myself out to please her! and I won't go.
- O, if I could live in a gay town as a lady should,
- and go my own ways, and do my own doings, I'd give
- the wrinkled half of my life! Yes, reddleman, that would I."
-
- "Help me to get Thomasin happy, miss, and the chance
- shall be yours," urged her companion.
-
- "Chance--'tis no chance," she said proudly. "What can
- a poor man like you offer me, indeed?--I am going indoors.
- I have nothing more to say. Don't your horses want feeding,
- or your reddlebags want mending, or don't you want
- to find buyers for your goods, that you stay idling here
- like this?"
-
- Venn spoke not another word. With his hands behind him
- he turned away, that she might not see the hopeless
- disappointment in his face. The mental clearness and power
- he had found in this lonely girl had indeed filled his manner
- with misgiving even from the first few minutes of close
- quarters with her. Her youth and situation had led him
- to expect a simplicity quite at the beck of his method.
- But a system of inducement which might have carried weaker
- country lasses along with it had merely repelled Eustacia.
- As a rule, the word Budmouth meant fascination on Egdon.
- That Royal port and watering place, if truly mirrored in the
- minds of the heathfolk, must have combined, in a charming
- and indescribable manner a Carthaginian bustle of building
- with Tarentine luxuriousness and Baian health and beauty.
- Eustacia felt little less extravagantly about the place;
- but she would not sink her independence to get there.
-
- When Diggory Venn had gone quite away, Eustacia walked
- to the bank and looked down the wild and picturesque
- vale towards the sun, which was also in the direction
- of Wildeve's. The mist had now so far collapsed that
- the tips of the trees and bushes around his house
- could just be discerned, as if boring upwards through
- a vast white cobweb which cloaked them from the day.
- There was no doubt that her mind was inclined thitherward;
- indefinitely, fancifully--twining and untwining about
- him as the single object within her horizon on which
- dreams might crystallize. The man who had begun by
- being merely her amusement, and would never have been
- more than her hobby but for his skill in deserting
- her at the right moments, was now again her desire.
- Cessation in his love-making had revivified her love.
- Such feeling as Eustacia had idly given to Wildeve was dammed
- into a flood by Thomasin. She had used to tease Wildeve,
- but that was before another had favoured him. Often a drop
- of irony into an indifferent situation renders the whole piquant.
-
- "I will never give him up--never!" she said impetuously.
-
- The reddleman's hint that rumour might show her to disadvantage
- had no permanent terror for Eustacia. She was as unconcerned
- at that contingency as a goddess at a lack of linen.
- This did not originate in inherent shamelessness,
- but in her living too far from the world to feel the impact
- of public opinion. Zenobia in the desert could hardly have
- cared what was said about her at Rome. As far as social
- ethics were concerned Eustacia approached the savage state,
- though in emotion she was all the while an epicure.
- She had advanced to the secret recesses of sensuousness,
- yet had hardly crossed the threshold of conventionality.
-
-
-
- 11 - The Dishonesty of an Honest Woman
-
-
- The reddleman had left Eustacia's presence with desponding
- views on Thomasin's future happiness; but he was awakened
- to the fact that one other channel remained untried
- by seeing, as he followed the way to his van, the form
- of Mrs. Yeobright slowly walking towards the Quiet Woman.
- He went across to her; and could almost perceive in her
- anxious face that this journey of hers to Wildeve was
- undertaken with the same object as his own to Eustacia.
-
- She did not conceal the fact. "Then," said the reddleman,
- "you may as well leave it alone, Mrs. Yeobright."
-
- "I half think so myself," she said. "But nothing else
- remains to be done besides pressing the question upon him."
-
- "I should like to say a word first," said Venn firmly.
- "Mr. Wildeve is not the only man who has asked Thomasin
- to marry him; and why should not another have a chance?
- Mrs. Yeobright, I should be glad to marry your niece.
- and would have done it any time these last two years.
- There, now it is out, and I have never told anybody before
- but herself."
-
- Mrs. Yeobright was not demonstrative, but her eyes
- involuntarily glanced towards his singular though shapely figure.
-
- "Looks are not everything," said the reddleman,
- noticing the glance. "There's many a calling that don't
- bring in so much as mine, if it comes to money; and perhaps
- I am not so much worse off than Wildeve. There is nobody
- so poor as these professional fellows who have failed;
- and if you shouldn't like my redness--well, I am not red
- by birth, you know; I only took to this business for a freak;
- and I might turn my hand to something else in good time."
-
- "I am much obliged to you for your interest in my niece;
- but I fear there would be objections. More than that,
- she is devoted to this man."
-
- "True; or I shouldn't have done what I have this morning."
-
- "Otherwise there would be no pain in the case, and you
- would not see me going to his house now. What was
- Thomasin's answer when you told her of your feelings?"
-
- "She wrote that you would object to me; and other things."
-
- "She was in a measure right. You must not take this
- unkindly--I merely state it as a truth. You have been
- good to her, and we do not forget it. But as she
- was unwilling on her own account to be your wife,
- that settles the point without my wishes being concerned."
-
- "Yes. But there is a difference between then and now,
- ma'am. She is distressed now, and I have thought that if
- you were to talk to her about me, and think favourably of
- me yourself, there might be a chance of winning her round,
- and getting her quite independent of this Wildeve's
- backward and forward play, and his not knowing whether
- he'll have her or no."
-
- Mrs. Yeobright shook her head. "Thomasin thinks, and I
- think with her, that she ought to be Wildeve's wife,
- if she means to appear before the world without a slur
- upon her name. If they marry soon, everybody will believe
- that an accident did really prevent the wedding. If not,
- it may cast a shade upon her character--at any rate make
- her ridiculous. In short, if it is anyhow possible they
- must marry now."
-
- "I thought that till half an hour ago. But, after all,
- why should her going off with him to Anglebury for a few
- hours do her any harm? Anybody who knows how pure she
- is will feel any such thought to be quite unjust.
- I have been trying this morning to help on this marriage with
- Wildeve--yes, I, ma'am--in the belief that I ought to do it,
- because she was so wrapped up in him. But I much question
- if I was right, after all. However, nothing came of it.
- And now I offer myself."
-
- Mrs. Yeobright appeared disinclined to enter further
- into the question. "I fear I must go on," she said.
- "I do not see that anything else can be done."
-
- And she went on. But though this conversation did
- not divert Thomasin's aunt from her purposed interview
- with Wildeve, it made a considerable difference in her
- mode of conducting that interview. She thanked God
- for the weapon which the reddleman had put into her hands.
-
- Wildeve was at home when she reached the inn. He showed
- her silently into the parlour, and closed the door.
- Mrs. Yeobright began--
-
- "I have thought it my duty to call today. A new proposal
- has been made to me, which has rather astonished me.
- It will affect Thomasin greatly; and I have decided that it
- should at least be mentioned to you."
-
- "Yes? What is it?" he said civilly.
-
- "It is, of course, in reference to her future. You may
- not be aware that another man has shown himself anxious to
- marry Thomasin. Now, though I have not encouraged him yet,
- I cannot conscientiously refuse him a chance any longer.
- I don't wish to be short with you; but I must be fair
- to him and to her."
-
- "Who is the man?" said Wildeve with surprise.
-
- "One who has been in love with her longer than she
- has with you. He proposed to her two years ago.
- At that time she refused him."
-
- "Well?"
-
- "He has seen her lately, and has asked me for permission
- to pay his addresses to her. She may not refuse him twice."
-
- "What is his name?"
-
- Mrs. Yeobright declined to say. "He is a man Thomasin likes,"
- she added, "and one whose constancy she respects at least.
- It seems to me that what she refused then she would be glad
- to get now. She is much annoyed at her awkward position."
-
- "She never once told me of this old lover."
-
- "The gentlest women are not such fools as to show EVERY card."
-
- "Well, if she wants him I suppose she must have him."
-
- "It is easy enough to say that; but you don't see
- the difficulty. He wants her much more than she wants him;
- and before I can encourage anything of the sort I must have
- a clear understanding from you that you will not interfere
- to injure an arrangement which I promote in the belief
- that it is for the best. Suppose, when they are engaged,
- and everything is smoothly arranged for their marriage,
- that you should step between them and renew your suit? You
- might not win her back, but you might cause much unhappiness."
-
- "Of course I should do no such thing," said Wildeve "But
- they are not engaged yet. How do you know that Thomasin
- would accept him?"
-
- "That's a question I have carefully put to myself;
- and upon the whole the probabilities are in favour
- of her accepting him in time. I flatter myself that I
- have some influence over her. She is pliable, and I
- can be strong in my recommendations of him."
-
- "And in your disparagement of me at the same time."
-
- "Well, you may depend upon my not praising you,"
- she said drily. "And if this seems like manoeuvring,
- you must remember that her position is peculiar,
- and that she has been hardly used. I shall also be
- helped in making the match by her own desire to escape
- from the humiliation of her present state; and a woman's
- pride in these cases will lead her a very great way.
- A little managing may be required to bring her round;
- but I am equal to that, provided that you agree to the one
- thing indispensable; that is, to make a distinct declaration
- that she is to think no more of you as a possible husband.
- That will pique her into accepting him."
-
- "I can hardly say that just now, Mrs. Yeobright.
- It is so sudden."
-
- "And so my whole plan is interfered with! It is very
- inconvenient that you refuse to help my family even to the
- small extent of saying distinctly you will have nothing to
- do with us."
-
- Wildeve reflected uncomfortably. "I confess I was not
- prepared for this," he said. "Of course I'll give
- her up if you wish, if it is necessary. But I thought
- I might be her husband."
-
- "We have heard that before."
-
- "Now, Mrs. Yeobright, don't let us disagree. Give me
- a fair time. I don't want to stand in the way of any
- better chance she may have; only I wish you had let me
- know earlier. I will write to you or call in a day or two.
- Will that suffice?"
-
- "Yes," she replied, "provided you promise not to communicate
- with Thomasin without my knowledge."
-
- "I promise that," he said. And the interview then terminated,
- Mrs. Yeobright returning homeward as she had come.
-
- By far the greatest effect of her simple strategy
- on that day was, as often happens, in a quarter quite
- outside her view when arranging it. In the first place,
- her visit sent Wildeve the same evening after dark
- to Eustacia's house at Mistover.
-
- At this hour the lonely dwelling was closely blinded
- and shuttered from the chill and darkness without.
- Wildeve's clandestine plan with her was to take a little
- gravel in his hand and hold it to the crevice at the
- top of the window shutter, which was on the outside,
- so that it should fall with a gentle rustle,
- resembling that of a mouse, between shutter and glass.
- This precaution in attracting her attention was to avoid
- arousing the suspicions of her grandfather.
-
- The soft words, "I hear; wait for me," in Eustacia's
- voice from within told him that she was alone.
-
- He waited in his customary manner by walking round the
- enclosure and idling by the pool, for Wildeve was never asked
- into the house by his proud though condescending mistress.
- She showed no sign of coming out in a hurry. The time
- wore on, and he began to grow impatient. In the course
- of twenty minutes she appeared from round the corner,
- and advanced as if merely taking an airing.
-
- "You would not have kept me so long had you known what I
- come about," he said with bitterness. "Still, you are
- worth waiting for."
-
- "What has happened?" said Eustacia. "I did not know you
- were in trouble. I too am gloomy enough."
-
- "I am not in trouble," said he. "It is merely that affairs
- have come to a head, and I must take a clear course."
-
- "What course is that?" she asked with attentive interest.
-
- "And can you forget so soon what I proposed to you the
- other night? Why, take you from this place, and carry
- you away with me abroad."
-
- "I have not forgotten. But why have you come so unexpectedly
- to repeat the question, when you only promised to come
- next Saturday? I thought I was to have plenty of time
- to consider."
-
- "Yes, but the situation is different now."
-
- "Explain to me."
-
- "I don't want to explain, for I may pain you."
-
- "But I must know the reason of this hurry."
-
- "It is simply my ardour, dear Eustacia. Everything is
- smooth now."
-
- "Then why are you so ruffled?"
-
- "I am not aware of it. All is as it should be.
- Mrs. Yeobright--but she is nothing to us."
-
- "Ah, I knew she had something to do with it! Come,
- I don't like reserve."
-
- "No--she has nothing. She only says she wishes me to give
- up Thomasin because another man is anxious to marry her.
- The woman, now she no longer needs me, actually shows off!"
- Wildeve's vexation has escaped him in spite of himself.
-
- Eustacia was silent a long while. "You are in the awkward
- position of an official who is no longer wanted,"
- she said in a changed tone.
-
- "It seems so. But I have not yet seen Thomasin."
-
- "And that irritates you. Don't deny it, Damon. You are
- actually nettled by this slight from an unexpected quarter."
-
- "Well?"
-
- "And you come to get me because you cannot get her.
- This is certainly a new position altogether. I am to be
- a stop-gap."
-
- "Please remember that I proposed the same thing the other day."
-
- Eustacia again remained in a sort of stupefied silence.
- What curious feeling was this coming over her? Was it
- really possible that her interest in Wildeve had been
- so entirely the result of antagonism that the glory
- and the dream departed from the man with the first sound
- that he was no longer coveted by her rival? She was, then,
- secure of him at last. Thomasin no longer required him.
- What a humiliating victory! He loved her best, she thought;
- and yet--dared she to murmur such treacherous criticism ever
- so softly?--what was the man worth whom a woman inferior to
- herself did not value? The sentiment which lurks more or less
- in all animate nature--that of not desiring the undesired
- of others--was lively as a passion in the supersubtle,
- epicurean heart of Eustacia. Her social superiority
- over him, which hitherto had scarcely ever impressed her,
- became unpleasantly insistent, and for the first time
- she felt that she had stooped in loving him.
-
- "Well, darling, you agree?" said Wildeve.
-
- "If it could be London, or even Budmouth, instead of America,"
- she murmured languidly. "Well, I will think.
- It is too great a thing for me to decide offhand.
- I wish I hated the heath less--or loved you more."
-
- "You can be painfully frank. You loved me a month ago
- warmly enough to go anywhere with me."
-
- "And you loved Thomasin."
-
- "Yes, perhaps that was where the reason lay," he returned,
- with almost a sneer. "I don't hate her now."
-
- "Exactly. The only thing is that you can no longer get her."
-
- "Come--no taunts, Eustacia, or we shall quarrel.
- If you don't agree to go with me, and agree shortly,
- I shall go by myself."
-
- "Or try Thomasin again. Damon, how strange it seems
- that you could have married her or me indifferently,
- and only have come to me because I am--cheapest! Yes,
- yes--it is true. There was a time when I should have
- exclaimed against a man of that sort, and been quite wild;
- but it is all past now."
-
- "Will you go, dearest? Come secretly with me to Bristol,
- marry me, and turn our backs upon this dog-hole of England
- for ever? Say Yes."
-
- "I want to get away from here at almost any cost,"
- she said with weariness, "but I don't like to go with you.
- Give me more time to decide."
-
- "I have already," said Wildeve. "Well, I give you one
- more week."
-
- "A little longer, so that I may tell you decisively.
- I have to consider so many things. Fancy Thomasin being
- anxious to get rid of you! I cannot forget it."
-
- "Never mind that. Say Monday week. I will be here
- precisely at this time."
-
- "Let it be at Rainbarrow," said she. "This is too near home;
- my grandfather may be walking out."
-
- "Thank you, dear. On Monday week at this time I will
- be at the Barrow. Till then good-bye."
-
- "Good-bye. No, no, you must not touch me now.
- Shaking hands is enough till I have made up my mind."
-
- Eustacia watched his shadowy form till it had disappeared.
- She placed her hand to her forehead and breathed heavily;
- and then her rich, romantic lips parted under that homely
- impulse--a yawn. She was immediately angry at having
- betrayed even to herself the possible evanescence of her
- passion for him. She could not admit at once that she
- might have overestimated Wildeve, for to perceive his
- mediocrity now was to admit her own great folly heretofore.
- And the discovery that she was the owner of a disposition
- so purely that of the dog in the manger had something in it
- which at first made her ashamed.
-
- The fruit of Mrs. Yeobright's diplomacy was indeed remarkable,
- though not as yet of the kind she had anticipated.
- It had appreciably influenced Wildeve, but it was
- influencing Eustacia far more. Her lover was no longer
- to her an exciting man whom many women strove for,
- and herself could only retain by striving with them.
- He was a superfluity.
-
- She went indoors in that peculiar state of misery which
- is not exactly grief, and which especially attends the
- dawnings of reason in the latter days of an ill-judged,
- transient love. To be conscious that the end of the dream
- is approaching, and yet has not absolutely come, is one
- of the most wearisome as well as the most curious stages
- along the course between the beginning of a passion and its end.
-
- Her grandfather had returned, and was busily engaged in
- pouring some gallons of newly arrived rum into the square
- bottles of his square cellaret. Whenever these home
- supplies were exhausted he would go to the Quiet Woman,
- and, standing with his back to the fire, grog in hand,
- tell remarkable stories of how he had lived seven years
- under the waterline of his ship, and other naval wonders,
- to the natives, who hoped too earnestly for a treat
- of ale from the teller to exhibit any doubts of his truth.
-
- He had been there this evening. "I suppose you have heard
- the Egdon news, Eustacia?" he said, without looking up
- from the bottles. "The men have been talking about it
- at the Woman as if it were of national importance."
-
- "I have heard none," she said.
-
- "Young Clym Yeobright, as they call him, is coming
- home next week to spend Christmas with his mother.
- He is a fine fellow by this time, it seems. I suppose
- you remember him?"
-
- "I never saw him in my life."
-
- "Ah, true; he left before you came here. I well remember
- him as a promising boy."
-
- "Where has he been living all these years?"
-
- "In that rookery of pomp and vanity, Paris, I believe."
-
-
-
- book two
-
- THE ARRIVAL
-
-
-
- 1 - Tidings of the Comer
-
-
- On the fine days at this time of the year, and earlier,
- certain ephemeral operations were apt to disturb,
- in their trifling way, the majestic calm of Egdon Heath.
- They were activities which, beside those of a town, a village,
- or even a farm, would have appeared as the ferment of
- stagnation merely, a creeping of the flesh of somnolence.
- But here, away from comparisons, shut in by the stable hills,
- among which mere walking had the novelty of pageantry,
- and where any man could imagine himself to be Adam without
- the least difficulty, they attracted the attention of
- every bird within eyeshot, every reptile not yet asleep,
- and set the surrounding rabbits curiously watching from
- hillocks at a safe distance.
-
- The performance was that of bringing together and building
- into a stack the furze faggots which Humphrey had been
- cutting for the captain's use during the foregoing
- fine days. The stack was at the end of the dwelling,
- and the men engaged in building it were Humphrey and Sam,
- the old man looking on.
-
- It was a fine and quiet afternoon, about three o'clock;
- but the winter solstice having stealthily come on,
- the lowness of the sun caused the hour to seem later
- than it actually was, there being little here to remind
- an inhabitant that he must unlearn his summer experience
- of the sky as a dial. In the course of many days and
- weeks sunrise had advanced its quarters from northeast
- to southeast, sunset had receded from northwest to southwest;
- but Egdon had hardly heeded the change.
-
- Eustacia was indoors in the dining-room, which was really
- more like a kitchen, having a stone floor and a gaping
- chimney-corner. The air was still, and while she lingered
- a moment here alone sounds of voices in conversation
- came to her ears directly down the chimney. She entered
- the recess, and, listening, looked up the old irregular shaft,
- with its cavernous hollows, where the smoke blundered
- about on its way to the square bit of sky at the top,
- from which the daylight struck down with a pallid glare
- upon the tatters of soot draping the flue as seaweed
- drapes a rocky fissure.
-
- She remembered: the furze-stack was not far from the chimney,
- and the voices were those of the workers.
-
- Her grandfather joined in the conversation. "That lad ought
- never to have left home. His father's occupation would
- have suited him best, and the boy should have followed on.
- I don't believe in these new moves in families.
- My father was a sailor, so was I, and so should my son
- have been if I had had one."
-
- "The place he's been living at is Paris," said Humphrey,
- "and they tell me 'tis where the king's head was cut off
- years ago. My poor mother used to tell me about that business.
- 'Hummy,' she used to say, 'I was a young maid then,
- and as I was at home ironing Mother's caps one afternoon
- the parson came in and said, "They've cut the king's
- head off, Jane; and what 'twill be next God knows."'"
-
- "A good many of us knew as well as He before long,"
- said the captain, chuckling. "I lived seven years
- under water on account of it in my boyhood--in that
- damned surgery of the Triumph, seeing men brought
- down to the cockpit with their legs and arms blown to
- Jericho....And so the young man has settled in Paris.
- Manager to a diamond merchant, or some such thing,
- is he not?"
-
- "Yes, sir, that's it. 'Tis a blazing great business
- that he belongs to, so I've heard his mother say--like
- a king's palace, as far as diments go."
-
- "I can well mind when he left home," said Sam.
-
- "'Tis a good thing for the feller," said Humphrey.
- "A sight of times better to be selling diments than nobbling
- about here."
-
- "It must cost a good few shillings to deal at such a place."
-
- "A good few indeed, my man," replied the captain.
- "Yes, you may make away with a deal of money and be neither
- drunkard nor glutton."
-
- "They say, too, that Clym Yeobright is become a real
- perusing man, with the strangest notions about things.
- There, that's because he went to school early,
- such as the school was."
-
- "Strange notions, has he?" said the old man. "Ah, there's
- too much of that sending to school in these days! It
- only does harm. Every gatepost and barn's door you come
- to is sure to have some bad word or other chalked upon
- it by the young rascals--a woman can hardly pass for
- shame sometimes. If they'd never been taught how to write
- they wouldn't have been able to scribble such villainy.
- Their fathers couldn't do it, and the country was all
- the better for it."
-
- "Now, I should think, Cap'n, that Miss Eustacia had about
- as much in her head that comes from books as anybody
- about here?"
-
- "Perhaps if Miss Eustacia, too, had less romantic
- nonsense in her head it would be better for her,"
- said the captain shortly; after which he walked away.
-
- "I say, Sam," observed Humphrey when the old man was gone,
- "she and Clym Yeobright would make a very pretty
- pigeon-pair--hey? If they wouldn't I'll be dazed! Both
- of one mind about niceties for certain, and learned
- in print, and always thinking about high doctrine--there
- couldn't be a better couple if they were made o' purpose.
- Clym's family is as good as hers. His father was a farmer,
- that's true; but his mother was a sort of lady, as we know.
- Nothing would please me better than to see them two man and wife."
-
- "They'd look very natty, arm-in-crook together,
- and their best clothes on, whether or no, if he's
- at all the well-favoured fellow he used to be."
-
- "They would, Humphrey. Well, I should like to see the chap
- terrible much after so many years. If I knew for certain
- when he was coming I'd stroll out three or four miles
- to meet him and help carry anything for'n; though I
- suppose he's altered from the boy he was. They say he
- can talk French as fast as a maid can eat blackberries;
- and if so, depend upon it we who have stayed at home
- shall seem no more than scroff in his eyes."
-
- "Coming across the water to Budmouth by steamer, isn't he?"
-
- "Yes; but how he's coming from Budmouth I don't know."
-
- "That's a bad trouble about his cousin Thomasin.
- I wonder such a nice-notioned fellow as Clym likes to come
- home into it. What a nunnywatch we were in, to be sure,
- when we heard they weren't married at all, after singing
- to 'em as man and wife that night! Be dazed if I should
- like a relation of mine to have been made such a fool
- of by a man. It makes the family look small."
-
- "Yes. Poor maid, her heart has ached enough about it.
- Her health is suffering from it, I hear, for she will
- bide entirely indoors. We never see her out now,
- scampering over the furze with a face as red as a rose,
- as she used to do."
-
- "I've heard she wouldn't have Wildeve now if he asked her."
-
- "You have? 'Tis news to me."
-
- While the furze-gatherers had desultorily conversed
- thus Eustacia's face gradually bent to the hearth
- in a profound reverie, her toe unconsciously tapping
- the dry turf which lay burning at her feet.
-
- The subject of their discourse had been keenly interesting
- to her. A young and clever man was coming into that lonely
- heath from, of all contrasting places in the world, Paris.
- It was like a man coming from heaven. More singular still,
- the heathmen had instinctively coupled her and this
- man together in their minds as a pair born for each other.
-
- That five minutes of overhearing furnished Eustacia
- with visions enough to fill the whole blank afternoon.
- Such sudden alternations from mental vacuity do sometimes
- occur thus quietly. She could never have believed in
- the morning that her colourless inner world would before
- night become as animated as water under a microscope,
- and that without the arrival of a single visitor.
- The words of Sam and Humphrey on the harmony between
- the unknown and herself had on her mind the effect of the
- invading Bard's prelude in the Castle of Indolence,
- at which myriads of imprisoned shapes arose where had
- previously appeared the stillness of a void.
-
- Involved in these imaginings she knew nothing of time.
- When she became conscious of externals it was dusk.
- The furze-rick was finished; the men had gone home.
- Eustacia went upstairs, thinking that she would take
- a walk at this her usual time; and she determined
- that her walk should be in the direction of Blooms-End,
- the birthplace of young Yeobright and the present home
- of his mother. She had no reason for walking elsewhere,
- and why should she not go that way? The scene of the
- daydream is sufficient for a pilgrimage at nineteen.
- To look at the palings before the Yeobrights'
- house had the dignity of a necessary performance.
- Strange that such a piece of idling should have seemed an
- important errand.
-
- She put on her bonnet, and, leaving the house, descended the
- hill on the side towards Blooms-End, where she walked slowly
- along the valley for a distance of a mile and a half.
- This brought her to a spot in which the green bottom
- of the dale began to widen, the furze bushes to recede yet
- further from the path on each side, till they were diminished
- to an isolated one here and there by the increasing
- fertility of the soil. Beyond the irregular carpet of
- grass was a row of white palings, which marked the verge
- of the heath in this latitude. They showed upon the dusky
- scene that they bordered as distinctly as white lace
- on velvet. Behind the white palings was a little garden;
- behind the garden an old, irregular, thatched house,
- facing the heath, and commanding a full view of the valley.
- This was the obscure, removed spot to which was about
- to return a man whose latter life had been passed in the
- French capital--the centre and vortex of the fashionable world.
-
-
-
- 2 - The People at Blooms-End Make Ready
-
-
- All that afternoon the expected arrival of the subject
- of Eustacia's ruminations created a bustle of preparation
- at Blooms-End. Thomasin had been persuaded by her aunt,
- and by an instinctive impulse of loyalty towards her cousin Clym,
- to bestir herself on his account with an alacrity unusual
- in her during these most sorrowful days of her life.
- At the time that Eustacia was listening to the rick-makers'
- conversation on Clym's return, Thomasin was climbing into
- a loft over her aunt's fuelhouse, where the store-apples
- were kept, to search out the best and largest of them
- for the coming holiday-time.
-
- The loft was lighted by a semicircular hole,
- through which the pigeons crept to their lodgings in the
- same high quarters of the premises; and from this hole
- the sun shone in a bright yellow patch upon the figure
- of the maiden as she knelt and plunged her naked arms
- into the soft brown fern, which, from its abundance,
- was used on Egdon in packing away stores of all kinds.
- The pigeons were flying about her head with the
- greatest unconcern, and the face of her aunt was just
- visible above the floor of the loft, lit by a few stray
- motes of light, as she stood halfway up the ladder,
- looking at a spot into which she was not climber enough to venture.
-
- "Now a few russets, Tamsin. He used to like them almost
- as well as ribstones."
-
- Thomasin turned and rolled aside the fern from another nook,
- where more mellow fruit greeted her with its ripe smell.
- Before picking them out she stopped a moment.
-
- "Dear Clym, I wonder how your face looks now?" she said,
- gazing abstractedly at the pigeon-hole. which admitted
- the sunlight so directly upon her brown hair and transparent
- tissues that it almost seemed to shine through her.
-
- "If he could have been dear to you in another way,"
- said Mrs. Yeobright from the ladder, "this might have been
- a happy meeting."
-
- "Is there any use in saying what can do no good, Aunt?"
-
- "Yes," said her aunt, with some warmth. "To thoroughly
- fill the air with the past misfortune, so that other girls
- may take warning and keep clear of it."
-
- Thomasin lowered her face to the apples again.
- "I am a warning to others, just as thieves and drunkards
- and gamblers are," she said in a low voice. "What a
- class to belong to! Do I really belong to them? 'Tis
- absurd! Yet why, Aunt, does everybody keep on making me
- think that I do, by the way they behave towards me? Why
- don't people judge me by my acts? Now, look at me as I
- kneel here, picking up these apples--do I look like a
- lost woman?...I wish all good women were as good as I!"
- she added vehemently.
-
- "Strangers don't see you as I do," said Mrs. Yeobright;
- "they judge from false report. Well, it is a silly job,
- and I am partly to blame."
-
- "How quickly a rash thing can be done!" replied the girl.
- Her lips were quivering, and tears so crowded themselves
- into her eyes that she could hardly distinguish apples
- from fern as she continued industriously searching to hide
- her weakness.
-
- "As soon as you have finished getting the apples,"
- her aunt said, descending the ladder, "come down,
- and we'll go for the holly. There is nobody on the heath
- this afternoon, and you need not fear being stared at.
- We must get some berries, or Clym will never believe in
- our preparations."
-
- Thomasin came down when the apples were collected,
- and together they went through the white palings to
- the heath beyond. The open hills were airy and clear,
- and the remote atmosphere appeared, as it often appears
- on a fine winter day, in distinct planes of illumination
- independently toned, the rays which lit the nearer tracts
- of landscape streaming visibly across those further off;
- a stratum of ensaffroned light was imposed on a stratum
- of deep blue, and behind these lay still remoter scenes
- wrapped in frigid grey.
-
- They reached the place where the hollies grew,
- which was in a conical pit, so that the tops of the trees
- were not much above the general level of the ground.
- Thomasin stepped up into a fork of one of the bushes,
- as she had done under happier circumstances on many
- similar occasions, and with a small chopper that they
- had brought she began to lop off the heavily berried boughs.
-
- "Don't scratch your face," said her aunt, who stood at
- the edge of the pit, regarding the girl as she held on amid
- the glistening green and scarlet masses of the tree.
- "Will you walk with me to meet him this evening?"
-
- "I should like to. Else it would seem as if I had
- forgotten him," said Thomasin, tossing out a bough.
- "Not that that would matter much; I belong to one man;
- nothing can alter that. And that man I must marry,
- for my pride's sake."
-
- "I am afraid--" began Mrs. Yeobright.
-
- "Ah, you think, 'That weak girl--how is she going to get
- a man to marry her when she chooses?' But let me tell you
- one thing, Aunt: Mr. Wildeve is not a profligate man,
- any more than I am an improper woman. He has an
- unfortunate manner, and doesn't try to make people
- like him if they don't wish to do it of their own accord."
-
- "Thomasin," said Mrs. Yeobright quietly, fixing her eye
- upon her niece, "do you think you deceive me in your
- defence of Mr. Wildeve?"
-
- "How do you mean?"
-
- "I have long had a suspicion that your love for him has
- changed its colour since you have found him not to be
- the saint you thought him, and that you act a part to me."
-
- "He wished to marry me, and I wish to marry him."
-
- "Now, I put it to you: would you at this present moment
- agree to be his wife if that had not happened to entangle
- you with him?"
-
- Thomasin looked into the tree and appeared much disturbed.
- "Aunt," she said presently, "I have, I think, a right to
- refuse to answer that question."
-
- "Yes, you have."
-
- "You may think what you choose. I have never implied
- to you by word or deed that I have grown to think otherwise
- of him, and I never will. And I shall marry him."
-
- "Well, wait till he repeats his offer. I think he
- may do it, now that he knows--something I told him.
- I don't for a moment dispute that it is the most proper
- thing for you to marry him. Much as I have objected to him
- in bygone days, I agree with you now, you may be sure.
- It is the only way out of a false position, and a very
- galling one."
-
- "What did you tell him?"
-
- "That he was standing in the way of another lover of yours."
-
- "Aunt," said Thomasin, with round eyes, "what DO you mean?"
-
- "Don't be alarmed; it was my duty. I can say no more
- about it now, but when it is over I will tell you exactly
- what I said, and why I said it."
-
- Thomasin was perforce content.
-
- "And you will keep the secret of my would-be marriage
- from Clym for the present?" she next asked.
-
- "I have given my word to. But what is the use of it?
- He must soon know what has happened. A mere look
- at your face will show him that something is wrong."
-
- Thomasin turned and regarded her aunt from the tree.
- "Now, hearken to me," she said, her delicate voice expanding
- into firmness by a force which was other than physical.
- "Tell him nothing. If he finds out that I am not worthy
- to be his cousin, let him. But, since he loved me once,
- we will not pain him by telling him my trouble too soon.
- The air is full of the story, I know; but gossips will
- not dare to speak of it to him for the first few days.
- His closeness to me is the very thing that will hinder the tale
- from reaching him early. If I am not made safe from sneers
- in a week or two I will tell him myself."
-
- The earnestness with which Thomasin spoke prevented
- further objections. Her aunt simply said, "Very well.
- He should by rights have been told at the time that the
- wedding was going to be. He will never forgive you
- for your secrecy."
-
- "Yes, he will, when he knows it was because I wished
- to spare him, and that I did not expect him home so soon.
- And you must not let me stand in the way of your
- Christmas party. Putting it off would only make matters worse."
-
- "Of course I shall not. I do not wish to show myself beaten
- before all Egdon, and the sport of a man like Wildeve.
- We have enough berries now, I think, and we had better
- take them home. By the time we have decked the house
- with this and hung up the mistletoe, we must think
- of starting to meet him."
-
- Thomasin came out of the tree, shook from her hair
- and dress the loose berries which had fallen thereon,
- and went down the hill with her aunt, each woman
- bearing half the gathered boughs. It was now nearly
- four o'clock, and the sunlight was leaving the vales.
- When the west grew red the two relatives came again
- from the house and plunged into the heath in a different
- direction from the first, towards a point in the distant
- highway along which the expected man was to return.
-
-
-
- 3 - How a Little Sound Produced a Great Dream
-
-
- Eustacia stood just within the heath, straining her eyes
- in the direction of Mrs. Yeobright's house and premises.
- No light, sound, or movement was perceptible there.
- The evening was chilly; the spot was dark and lonely.
- She inferred that the guest had not yet come; and after
- lingering ten or fifteen minutes she turned again
- towards home.
-
- She had not far retraced her steps when sounds in front
- of her betokened the approach of persons in conversation
- along the same path. Soon their heads became visible
- against the sky. They were walking slowly; and though it
- was too dark for much discovery of character from aspect,
- the gait of them showed that they were not workers on
- the heath. Eustacia stepped a little out of the foot-track
- to let them pass. They were two women and a man;
- and the voices of the women were those of Mrs. Yeobright
- and Thomasin.
-
- They went by her, and at the moment of passing appeared
- to discern her dusky form. There came to her ears
- in a masculine voice, "Good night!"
-
- She murmured a reply, glided by them, and turned round.
- She could not, for a moment, believe that chance,
- unrequested, had brought into her presence the soul
- of the house she had gone to inspect, the man without
- whom her inspection would not have been thought of.
-
- She strained her eyes to see them, but was unable.
- Such was her intentness, however, that it seemed
- as if her ears were performing the functions of seeing
- as well as hearing. This extension of power can almost
- be believed in at such moments. The deaf Dr. Kitto was
- probably under the influence of a parallel fancy when he
- described his body as having become, by long endeavour,
- so sensitive to vibrations that he had gained the power
- of perceiving by it as by ears.
-
- She could follow every word that the ramblers uttered.
- They were talking no secrets. They were merely indulging
- in the ordinary vivacious chat of relatives who have long
- been parted in person though not in soul. But it was not
- to the words that Eustacia listened; she could not even
- have recalled, a few minutes later, what the words were.
- It was to the alternating voice that gave out about one-tenth
- of them--the voice that had wished her good night.
- Sometimes this throat uttered Yes, sometimes it uttered No;
- sometimes it made inquiries about a time worn denizen
- of the place. Once it surprised her notions by remarking
- upon the friendliness and geniality written in the faces of
- the hills around.
-
- The three voices passed on, and decayed and died out upon her ear.
- Thus much had been granted her; and all besides withheld.
- No event could have been more exciting. During the greater
- part of the afternoon she had been entrancing herself
- by imagining the fascination which must attend a man come
- direct from beautiful Paris--laden with its atmosphere,
- familiar with its charms. And this man had greeted her.
-
- With the departure of the figures the profuse articulations
- of the women wasted away from her memory; but the accents
- of the other stayed on. Was there anything in the voice
- of Mrs. Yeobright's son--for Clym it was--startling as a
- sound? No; it was simply comprehensive. All emotional
- things were possible to the speaker of that "good night."
- Eustacia's imagination supplied the rest--except the solution
- to one riddle. What COULD the tastes of that man
- be who saw friendliness and geniality in these shaggy hills?
-
- On such occasions as this a thousand ideas pass through
- a highly charged woman's head; and they indicate themselves
- on her face; but the changes, though actual, are minute.
- Eustacia's features went through a rhythmical succession
- of them. She glowed; remembering the mendacity
- of the imagination, she flagged; then she freshened;
- then she fired; then she cooled again. It was a cycle
- of aspects, produced by a cycle of visions.
-
- Eustacia entered her own house; she was excited.
- Her grandfather was enjoying himself over the fire,
- raking about the ashes and exposing the red-hot surface
- of the turves, so that their lurid glare irradiated the
- chimney-corner with the hues of a furnace.
-
- "Why is it that we are never friendly with the Yeobrights?"
- she said, coming forward and stretching her soft hands
- over the warmth. "I wish we were. They seem to be very
- nice people."
-
- "Be hanged if I know why," said the captain. "I liked
- the old man well enough, though he was as rough as a hedge.
- But you would never have cared to go there, even if you
- might have, I am well sure."
-
- "Why shouldn't I?"
-
- "Your town tastes would find them far too countrified.
- They sit in the kitchen, drink mead and elder-wine, and
- sand the floor to keep it clean. A sensible way of life;
- but how would you like it?"
-
- "I thought Mrs. Yeobright was a ladylike woman?
- A curate's daughter, was she not?"
-
- "Yes; but she was obliged to live as her husband did;
- and I suppose she has taken kindly to it by this time.
- Ah, I recollect that I once accidentally offended her,
- and I have never seen her since."
-
- That night was an eventful one to Eustacia's brain,
- and one which she hardly ever forgot. She dreamt a dream;
- and few human beings, from Nebuchadnezzar to the
- Swaffham tinker, ever dreamt a more remarkable one.
- Such an elaborately developed, perplexing, exciting dream
- was certainly never dreamed by a girl in Eustacia's
- situation before. It had as many ramifications
- as the Cretan labyrinth, as many fluctuations as the
- northern lights, as much colour as a parterre in June,
- and was as crowded with figures as a coronation.
- To Queen Scheherazade the dream might have seemed not far
- removed from commonplace; and to a girl just returned
- from all the courts of Europe it might have seemed
- not more than interesting. But amid the circumstances
- of Eustacia's life it was as wonderful as a dream could be.
-
- There was, however, gradually evolved from its transformation
- scenes a less extravagant episode, in which the heath dimly
- appeared behind the general brilliancy of the action.
- She was dancing to wondrous music, and her partner was
- the man in silver armour who had accompanied her through
- the previous fantastic changes, the visor of his helmet
- being closed. The mazes of the dance were ecstatic.
- Soft whispering came into her ear from under the
- radiant helmet, and she felt like a woman in Paradise.
- Suddenly these two wheeled out from the mass of dancers,
- dived into one of the pools of the heath, and came out
- somewhere into an iridescent hollow, arched with rainbows.
- "It must be here," said the voice by her side, and blushingly
- looking up she saw him removing his casque to kiss her.
- At that moment there was a cracking noise, and his figure
- fell into fragments like a pack of cards.
-
- She cried aloud. "O that I had seen his face!"
-
- Eustacia awoke. The cracking had been that of the window
- shutter downstairs, which the maid-servant was opening
- to let in the day, now slowly increasing to Nature's
- meagre allowance at this sickly time of the year.
- "O that I had seen his face!" she said again. "'Twas meant
- for Mr. Yeobright!"
-
- When she became cooler she perceived that many of the
- phases of the dream had naturally arisen out of the images
- and fancies of the day before. But this detracted
- little from its interest, which lay in the excellent
- fuel it provided for newly kindled fervour. She was
- at the modulating point between indifference and love,
- at the stage called "having a fancy for." It occurs once
- in the history of the most gigantic passions, and it
- is a period when they are in the hands of the weakest will.
-
- The perfervid woman was by this time half in love
- with a vision. The fantastic nature of her passion,
- which lowered her as an intellect, raised her as a soul.
- If she had had a little more self-control she would have
- attenuated the emotion to nothing by sheer reasoning,
- and so have killed it off. If she had had a little less
- pride she might have gone and circumambulated the Yeobrights'
- premises at Blooms-End at any maidenly sacrifice until she
- had seen him. But Eustacia did neither of these things.
- She acted as the most exemplary might have acted,
- being so influenced; she took an airing twice or thrice a day
- upon the Egdon hills, and kept her eyes employed.
-
- The first occasion passed, and he did not come that way.
-
- She promenaded a second time, and was again the sole
- wanderer there.
-
- The third time there was a dense fog; she looked around,
- but without much hope. Even if he had been walking within
- twenty yards of her she could not have seen him.
-
- At the fourth attempt to encounter him it began to rain
- in torrents, and she turned back.
-
- The fifth sally was in the afternoon; it was fine,
- and she remained out long, walking to the very top of
- the valley in which Blooms-End lay. She saw the white
- paling about half a mile off; but he did not appear.
- It was almost with heart-sickness that she came home
- and with a sense of shame at her weakness. She resolved
- to look for the man from Paris no more.
-
- But Providence is nothing if not coquettish; and no sooner
- had Eustacia formed this resolve than the opportunity
- came which, while sought, had been entirely withholden.
-
-
-
- 4 - Eustacia Is Led on to an Adventure
-
-
- In the evening of this last day of expectation, which was
- the twenty-third of December, Eustacia was at home alone.
- She had passed the recent hour in lamenting over a rumour
- newly come to her ears--that Yeobright's visit to his
- mother was to be of short duration, and would end some
- time the next week. "Naturally," she said to herself.
- A man in the full swing of his activities in a gay city
- could not afford to linger long on Egdon Heath. That she
- would behold face to face the owner of the awakening voice
- within the limits of such a holiday was most unlikely,
- unless she were to haunt the environs of his mother's house
- like a robin, to do which was difficult and unseemly.
-
- The customary expedient of provincial girls and men
- in such circumstances is churchgoing. In an ordinary
- village or country town one can safely calculate that,
- either on Christmas day or the Sunday contiguous,
- any native home for the holidays, who has not through age
- or ennui lost the appetite for seeing and being seen,
- will turn up in some pew or other, shining with hope,
- self-consciousness, and new clothes. Thus the congregation
- on Christmas morning is mostly a Tussaud collection
- of celebrities who have been born in the neighbourhood.
- Hither the mistress, left neglected at home all the year,
- can steal and observe the development of the returned
- lover who has forgotten her, and think as she watches
- him over her prayer book that he may throb with a
- renewed fidelity when novelties have lost their charm.
- And hither a comparatively recent settler like Eustacia
- may betake herself to scrutinize the person of a native
- son who left home before her advent upon the scene,
- and consider if the friendship of his parents be worth
- cultivating during his next absence in order to secure a
- knowledge of him on his next return.
-
- But these tender schemes were not feasible among the scattered
- inhabitants of Egdon Heath. In name they were parishioners,
- but virtually they belonged to no parish at all.
- People who came to these few isolated houses to keep
- Christmas with their friends remained in their friends'
- chimney-corners drinking mead and other comforting liquors
- till they left again for good and all. Rain, snow, ice,
- mud everywhere around, they did not care to trudge two or three
- miles to sit wet-footed and splashed to the nape of their
- necks among those who, though in some measure neighbours,
- lived close to the church, and entered it clean and dry.
- Eustacia knew it was ten to one that Clym Yeobright would
- go to no church at all during his few days of leave,
- and that it would be a waste of labour for her to go driving
- the pony and gig over a bad road in hope to see him there.
-
- It was dusk, and she was sitting by the fire in the dining-room
- or hall, which they occupied at this time of the year
- in preference to the parlour, because of its large hearth,
- constructed for turf-fires, a fuel the captain was partial
- to in the winter season. The only visible articles
- in the room were those on the window-sill, which showed
- their shapes against the low sky, the middle article being
- the old hourglass, and the other two a pair of ancient
- British urns which had been dug from a barrow near,
- and were used as flowerpots for two razor-leaved cactuses.
- Somebody knocked at the door. The servant was out;
- so was her grandfather. The person, after waiting a minute,
- came in and tapped at the door of the room.
-
- "Who's there?" said Eustacia.
-
- "Please, Cap'n Vye, will you let us----"
-
- Eustacia arose and went to the door. "I cannot allow
- you to come in so boldly. You should have waited."
-
- "The cap'n said I might come in without any fuss,"
- was answered in a lad's pleasant voice.
-
- "Oh, did he?" said Eustacia more gently. "What do
- you want, Charley?"
-
- "Please will your grandfather lend us his fuelhouse
- to try over our parts in, tonight at seven o'clock?"
-
- "What, are you one of the Egdon mummers for this year?"
-
- "Yes, miss. The cap'n used to let the old mummers
- practise here."
-
- "I know it. Yes, you may use the fuelhouse if you like,"
- said Eustacia languidly.
-
- The choice of Captain Vye's fuelhouse as the scene
- of rehearsal was dictated by the fact that his dwelling
- was nearly in the centre of the heath. The fuelhouse
- was as roomy as a barn, and was a most desirable place
- for such a purpose. The lads who formed the company
- of players lived at different scattered points around,
- and by meeting in this spot the distances to be traversed
- by all the comers would be about equally proportioned.
-
- For mummers and mumming Eustacia had the greatest contempt.
- The mummers themselves were not afflicted with any such
- feeling for their art, though at the same time they
- were not enthusiastic. A traditional pastime is to be
- distinguished from a mere revival in no more striking
- feature than in this, that while in the revival all is
- excitement and fervour, the survival is carried on with
- a stolidity and absence of stir which sets one wondering
- why a thing that is done so perfunctorily should be kept
- up at all. Like Balaam and other unwilling prophets,
- the agents seem moved by an inner compulsion to say
- and do their allotted parts whether they will or no.
- This unweeting manner of performance is the true ring
- by which, in this refurbishing age, a fossilized survival
- may be known from a spurious reproduction.
-
- The piece was the well-known play of Saint George, and
- all who were behind the scenes assisted in the preparations,
- including the women of each household. Without the
- co-operation of sisters and sweethearts the dresses
- were likely to be a failure; but on the other hand,
- this class of assistance was not without its drawbacks.
- The girls could never be brought to respect tradition
- in designing and decorating the armour; they insisted on
- attaching loops and bows of silk and velvet in any situation
- pleasing to their taste. Gorget, gusset, basinet, cuirass,
- gauntlet, sleeve, all alike in the view of these feminine
- eyes were practicable spaces whereon to sew scraps of
- fluttering colour.
-
- It might be that Joe, who fought on the side of Christendom,
- had a sweetheart, and that Jim, who fought on the side
- of the Moslem, had one likewise. During the making
- of the costumes it would come to the knowledge of Joe's
- sweetheart that Jim's was putting brilliant silk scallops
- at the bottom of her lover's surcoat, in addition to the
- ribbons of the visor, the bars of which, being invariably
- formed of coloured strips about half an inch wide
- hanging before the face, were mostly of that material.
- Joe's sweetheart straight-way placed brilliant silk on the
- scallops of the hem in question, and, going a little further,
- added ribbon tufts to the shoulder pieces. Jim's, not
- to be outdone, would affix bows and rosettes everywhere.
-
- The result was that in the end the Valiant Soldier,
- of the Christian army, was distinguished by no peculiarity
- of accoutrement from the Turkish Knight; and what was worse,
- on a casual view Saint George himself might be mistaken
- for his deadly enemy, the Saracen. The guisers themselves,
- though inwardly regretting this confusion of persons,
- could not afford to offend those by whose assistance they
- so largely profited, and the innovations were allowed
- to stand.
-
- There was, it is true, a limit to this tendency to uniformity.
- The Leech or Doctor preserved his character intact--his
- darker habiliments, peculiar hat, and the bottle of
- physic slung under his arm, could never be mistaken.
- And the same might be said of the conventional figure
- of Father Christmas, with his gigantic club, an older man,
- who accompanied the band as general protector in long
- night journeys from parish to parish, and was bearer
- of the purse.
-
- Seven o'clock, the hour of the rehearsal, came round, and in
- a short time Eustacia could hear voices in the fuelhouse.
- To dissipate in some trifling measure her abiding sense
- of the murkiness of human life she went to the "linhay"
- or lean-to shed, which formed the root-store of their
- dwelling and abutted on the fuelhouse. Here was a small
- rough hole in the mud wall, originally made for pigeons,
- through which the interior of the next shed could be viewed.
- A light came from it now; and Eustacia stepped upon a stool
- to look in upon the scene.
-
- On a ledge in the fuelhouse stood three tall rushlights
- and by the light of them seven or eight lads were
- marching about, haranguing, and confusing each other,
- in endeavours to perfect themselves in the play.
- Humphrey and Sam, the furze-and turf-cutters, were
- there looking on, so also was Timothy Fairway, who leant
- against the wall and prompted the boys from memory,
- interspersing among the set words remarks and anecdotes
- of the superior days when he and others were the Egdon
- mummers-elect that these lads were now.
-
- "Well, ye be as well up to it as ever ye will be," he said.
- "Not that such mumming would have passed in our time.
- Harry as the Saracen should strut a bit more, and John needn't
- holler his inside out. Beyond that perhaps you'll do.
- Have you got all your clothes ready?"
-
- "We shall by Monday."
-
- "Your first outing will be Monday night, I suppose?"
-
- "Yes. At Mrs. Yeobright's."
-
- "Oh, Mrs. Yeobright's. What makes her want to see ye? I
- should think a middle-aged woman was tired of mumming."
-
- "She's got up a bit of a party, because 'tis the first
- Christmas that her son Clym has been home for a long time."
-
- "To be sure, to be sure--her party! I am going myself.
- I almost forgot it, upon my life."
-
- Eustacia's face flagged. There was to be a party at
- the Yeobrights'; she, naturally, had nothing to do with it.
- She was a stranger to all such local gatherings, and had
- always held them as scarcely appertaining to her sphere.
- But had she been going, what an opportunity would have
- been afforded her of seeing the man whose influence
- was penetrating her like summer sun! To increase that
- influence was coveted excitement; to cast it off might be
- to regain serenity; to leave it as it stood was tantalizing.
-
- The lads and men prepared to leave the premises, and Eustacia
- returned to her fireside. She was immersed in thought,
- but not for long. In a few minutes the lad Charley,
- who had come to ask permission to use the place,
- returned with the key to the kitchen. Eustacia heard him,
- and opening the door into the passage said, "Charley, come here."
-
- The lad was surprised. He entered the front room not
- without blushing; for he, like many, had felt the power
- of this girl's face and form.
-
- She pointed to a seat by the fire, and entered
- the other side of the chimney-corner herself.
- It could be seen in her face that whatever motive
- she might have had in asking the youth indoors would soon appear.
-
- "Which part do you play, Charley--the Turkish Knight,
- do you not?" inquired the beauty, looking across the smoke
- of the fire to him on the other side.
-
- "Yes, miss, the Turkish Knight," he replied diffidently.
-
- "Is yours a long part?"
-
- "Nine speeches, about."
-
- "Can you repeat them to me? If so I should like to hear them."
-
- The lad smiled into the glowing turf and began--
-
- "Here come I, a Turkish Knight,
- Who learnt in Turkish land to fight,"
-
- continuing the discourse throughout the scenes to the
- concluding catastrophe of his fall by the hand of Saint George.
-
- Eustacia had occasionally heard the part recited before.
- When the lad ended she began, precisely in the same words,
- and ranted on without hitch or divergence till she too
- reached the end. It was the same thing, yet how different.
- Like in form, it had the added softness and finish
- of a Raffaelle after Perugino, which, while faithfully
- reproducing the original subject, entirely distances the
- original art.
-
- Charley's eyes rounded with surprise. "Well, you be
- a clever lady!" he said, in admiration. "I've been
- three weeks learning mine."
-
- "I have heard it before," she quietly observed.
- "Now, would you do anything to please me, Charley?"
-
- "I'd do a good deal, miss."
-
- "Would you let me play your part for one night?"
-
- "Oh, miss! But your woman's gown--you couldn't."
-
- "I can get boy's clothes--at least all that would be wanted
- besides the mumming dress. What should I have to give
- you to lend me your things, to let me take your place
- for an hour or two on Monday night, and on no account
- to say a word about who or what I am? You would, of course,
- have to excuse yourself from playing that night, and to say
- that somebody--a cousin of Miss Vye's--would act for you.
- The other mummers have never spoken to me in their lives
- so that it would be safe enough; and if it were not,
- I should not mind. Now, what must I give you to agree
- to this? Half a crown?"
-
- The youth shook his head
-
- "Five shillings?"
-
- He shook his head again. "Money won't do it," he said,
- brushing the iron head of the firedog with the hollow
- of his hand.
-
- "What will, then, Charley?" said Eustacia in a disappointed tone.
-
- "You know what you forbade me at the Maypoling, miss,"
- murmured the lad, without looking at her, and still
- stroking the firedog's head.
-
- "Yes," said Eustacia, with a little more hauteur.
- "You wanted to join hands with me in the ring, if I recollect?"
-
- "Half an hour of that, and I'll agree, miss."
-
- Eustacia regarded the youth steadfastly. He was three years
- younger than herself, but apparently not backward for his age.
- "Half an hour of what?" she said, though she guessed what.
-
- "Holding your hand in mine."
-
- She was silent. "Make it a quarter of an hour," she said
-
- "Yes, Miss Eustacia--I will, if I may kiss it too.
- A quarter of an hour. And I'll swear to do the best I
- can to let you take my place without anybody knowing.
- Don't you think somebody might know your tongue, miss?"
-
- "It is possible. But I will put a pebble in my mouth
- to make is less likely. Very well; you shall be allowed
- to have my hand as soon as you bring the dress and your
- sword and staff. I don't want you any longer now."
-
- Charley departed, and Eustacia felt more and more interest
- in life. Here was something to do: here was some one
- to see, and a charmingly adventurous way to see him.
- "Ah," she said to herself, "want of an object to live
- for--that's all is the matter with me!"
-
- Eustacia's manner was as a rule of a slumberous sort,
- her passions being of the massive rather than the vivacious kind.
- But when aroused she would make a dash which, just for
- the time, was not unlike the move of a naturally lively person.
-
- On the question of recognition she was somewhat indifferent.
- By the acting lads themselves she was not likely to be known.
- With the guests who might be assembled she was hardly so secure.
- Yet detection, after all, would be no such dreadful thing.
- The fact only could be detected, her true motive never.
- It would be instantly set down as the passing freak
- of a girl whose ways were already considered singular.
- That she was doing for an earnest reason what would most
- naturally be done in jest was at any rate a safe secret.
-
-
- The next evening Eustacia stood punctually at the fuelhouse
- door, waiting for the dusk which was to bring Charley
- with the trappings. Her grandfather was at home tonight,
- and she would be unable to ask her confederate indoors.
-
- He appeared on the dark ridge of heathland, like a fly
- on a Negro, bearing the articles with him, and came up
- breathless with his walk.
-
- "Here are the things," he whispered, placing them upon
- the threshold. "And now, Miss Eustacia--"
-
- "The payment. It is quite ready. I am as good as my word."
-
- She leant against the door-post, and gave him her hand.
- Charley took it in both his own with a tenderness
- beyond description, unless it was like that of a child
- holding a captured sparrow.
-
- "Why, there's a glove on it!" he said in a deprecating way.
-
- "I have been walking," she observed.
-
- "But, miss!"
-
- "Well--it is hardly fair." She pulled off the glove,
- and gave him her bare hand.
-
- They stood together minute after minute, without
- further speech, each looking at the blackening scene,
- and each thinking his and her own thoughts.
-
- "I think I won't use it all up tonight," said Charley devotedly,
- when six or eight minutes had been passed by him caressing
- her hand. "May I have the other few minutes another time?"
-
- "As you like," said she without the least emotion.
- "But it must be over in a week. Now, there is only one
- thing I want you to do--to wait while I put on the dress,
- and then to see if I do my part properly. But let me look
- first indoors."
-
- She vanished for a minute or two, and went in.
- Her grandfather was safely asleep in his chair. "Now, then,"
- she said, on returning, "walk down the garden a little way,
- and when I am ready I'll call you."
-
- Charley walked and waited, and presently heard a soft whistle.
- He returned to the fuelhouse door.
-
- "Did you whistle, Miss Vye?"
-
- "Yes; come in," reached him in Eustacia's voice from a
- back quarter. "I must not strike a light till the door
- is shut, or it may be seen shining. Push your hat into the
- hole through to the wash-house, if you can feel your way across."
-
- Charley did as commanded, and she struck the light revealing
- herself to be changed in sex, brilliant in colours,
- and armed from top to toe. Perhaps she quailed a little
- under Charley's vigorous gaze, but whether any shyness
- at her male attire appeared upon her countenance could
- not be seen by reason of the strips of ribbon which used
- to cover the face in mumming costumes, representing the
- barred visor of the mediaeval helmet.
-
- "It fits pretty well," she said, looking down at the
- white overalls, "except that the tunic, or whatever
- you call it, is long in the sleeve. The bottom
- of the overalls I can turn up inside. Now pay attention."
-
- Eustacia then proceeded in her delivery, striking the
- sword against the staff or lance at the minatory phrases,
- in the orthodox mumming manner, and strutting up and down.
- Charley seasoned his admiration with criticism of the
- gentlest kind, for the touch of Eustacia's hand yet
- remained with him.
-
- "And now for your excuse to the others," she said.
- "Where do you meet before you go to Mrs. Yeobright's?"
-
- "We thought of meeting here, miss, if you have nothing
- to say against it. At eight o'clock, so as to get there
- by nine."
-
- "Yes. Well, you of course must not appear. I will march
- in about five minutes late, ready-dressed, and tell them
- that you can't come. I have decided that the best plan
- will be for you to be sent somewhere by me, to make
- a real thing of the excuse. Our two heath-croppers
- are in the habit of straying into the meads, and tomorrow
- evening you can go and see if they are gone there.
- I'll manage the rest. Now you may leave me."
-
- "Yes, miss. But I think I'll have one minute more
- of what I am owed, if you don't mind."
-
- Eustacia gave him her hand as before.
-
- "One minute," she said, and counted on till she reached
- seven or eight minutes. Hand and person she then
- withdrew to a distance of several feet, and recovered
- some of her old dignity. The contract completed,
- she raised between them a barrier impenetrable as a wall.
-
- "There, 'tis all gone; and I didn't mean quite all,"
- he said, with a sigh.
-
- "You had good measure," said she, turning away.
-
- "Yes, miss. Well, 'tis over, and now I'll get home-along."
-
-
-
- 5 - Through the Moonlight
-
-
- The next evening the mummers were assembled in the same spot,
- awaiting the entrance of the Turkish Knight.
-
- "Twenty minutes after eight by the Quiet Woman, and Charley
- not come."
-
- "Ten minutes past by Blooms-End."
-
- "It wants ten minutes to, by Grandfer Cantle's watch."
-
- "And 'tis five minutes past by the captain's clock."
-
- On Egdon there was no absolute hour of the day. The time
- at any moment was a number of varying doctrines professed
- by the different hamlets, some of them having originally
- grown up from a common root, and then become divided
- by secession, some having been alien from the beginning.
- West Egdon believed in Blooms-End time, East Egdon
- in the time of the Quiet Woman Inn. Grandfer Cantle's
- watch had numbered many followers in years gone by,
- but since he had grown older faiths were shaken.
- Thus, the mummers having gathered hither from scattered
- points each came with his own tenets on early and late;
- and they waited a little longer as a compromise.
-
- Eustacia had watched the assemblage through the hole;
- and seeing that now was the proper moment to enter,
- she went from the "linhay" and boldly pulled the bobbin
- of the fuelhouse door. Her grandfather was safe at the
- Quiet Woman.
-
- "Here's Charley at last! How late you be, Charley."
-
- "'Tis not Charley," said the Turkish Knight from within
- his visor. "'Tis a cousin of Miss Vye's, come to take
- Charley's place from curiosity. He was obliged to go and
- look for the heath-croppers that have got into the meads,
- and I agreed to take his place, as he knew he couldn't come
- back here again tonight. I know the part as well as he."
-
- Her graceful gait, elegant figure, and dignified manner
- in general won the mummers to the opinion that they
- had gained by the exchange, if the newcomer were perfect
- in his part.
-
- "It don't matter--if you be not too young," said Saint George.
- Eustacia's voice had sounded somewhat more juvenile
- and fluty than Charley's.
-
- "I know every word of it, I tell you," said Eustacia decisively.
- Dash being all that was required to carry her triumphantly through,
- she adopted as much as was necessary. "Go ahead, lads,
- with the try-over. I'll challenge any of you to find a mistake in me."
-
- The play was hastily rehearsed, whereupon the other mummers
- were delighted with the new knight. They extinguished
- the candles at half-past eight, and set out upon the heath
- in the direction of Mrs. Yeobright's house at Bloom's-End.
-
- There was a slight hoarfrost that night, and the moon,
- though not more than half full, threw a spirited and enticing
- brightness upon the fantastic figures of the mumming band,
- whose plumes and ribbons rustled in their walk like
- autumn leaves. Their path was not over Rainbarrow now,
- but down a valley which left that ancient elevation
- a little to the east. The bottom of the vale was green
- to a width of ten yards or thereabouts, and the shining
- facets of frost upon the blades of grass seemed to move
- on with the shadows of those they surrounded. The masses
- of furze and heath to the right and left were dark as ever;
- a mere half-moon was powerless to silver such sable
- features as theirs.
-
- Half-an-hour of walking and talking brought them to the spot
- in the valley where the grass riband widened and led down to
- the front of the house. At sight of the place Eustacia who had
- felt a few passing doubts during her walk with the youths,
- again was glad that the adventure had been undertaken.
- She had come out to see a man who might possibly have the
- power to deliver her soul from a most deadly oppression.
- What was Wildeve? Interesting, but inadequate.
- Perhaps she would see a sufficient hero tonight.
-
- As they drew nearer to the front of the house the mummers became
- aware that music and dancing were briskly flourishing within.
- Every now and then a long low note from the serpent,
- which was the chief wind instrument played at these times,
- advanced further into the heath than the thin treble part,
- and reached their ears alone; and next a more than usual
- loud tread from a dancer would come the same way.
- With nearer approach these fragmentary sounds became
- pieced together, and were found to be the salient points
- of the tune called "Nancy's Fancy."
-
- He was there, of course. Who was she that he danced with?
- Perhaps some unknown woman, far beneath herself in culture,
- was by the most subtle of lures sealing his fate this
- very instant. To dance with a man is to concentrate
- a twelvemonth's regulation fire upon him in the fragment
- of an hour. To pass to courtship without acquaintance,
- to pass to marriage without courtship, is a skipping of
- terms reserved for those alone who tread this royal road.
- She would see how his heart lay by keen observation of
- them all.
-
- The enterprising lady followed the mumming company through
- the gate in the white paling, and stood before the open porch.
- The house was encrusted with heavy thatchings, which dropped
- between the upper windows; the front, upon which the
- moonbeams directly played, had originally been white;
- but a huge pyracanth now darkened the greater portion.
-
- It became at once evident that the dance was proceeding immediately
- within the surface of the door, no apartment intervening.
- The brushing of skirts and elbows, sometimes the bumping
- of shoulders, could be heard against the very panels.
- Eustacia, though living within two miles of the place,
- had never seen the interior of this quaint old habitation.
- Between Captain Vye and the Yeobrights there had never
- existed much acquaintance, the former having come as a
- stranger and purchased the long-empty house at Mistover
- Knap not long before the death of Mrs. Yeobright's husband;
- and with that event and the departure of her son
- such friendship as had grown up became quite broken off.
-
- "Is there no passage inside the door, then?" asked Eustacia
- as they stood within the porch.
-
- "No," said the lad who played the Saracen. "The door
- opens right upon the front sitting-room, where the spree's
- going on."
-
- "So that we cannot open the door without stopping the dance."
-
- "That's it. Here we must bide till they have done,
- for they always bolt the back door after dark."
-
- "They won't be much longer," said Father Christmas.
-
- This assertion, however, was hardly borne out by the event.
- Again the instruments ended the tune; again they
- recommenced with as much fire and pathos as if it were
- the first strain. The air was now that one without
- any particular beginning, middle, or end, which perhaps,
- among all the dances which throng an inspired fiddler's fancy,
- best conveys the idea of the interminable--the celebrated
- "Devil's Dream." The fury of personal movement that was
- kindled by the fury of the notes could be approximately
- imagined by these outsiders under the moon, from the
- occasional kicks of toes and heels against the door,
- whenever the whirl round had been of more than customary velocity.
-
- The first five minutes of listening was interesting enough
- to the mummers. The five minutes extended to ten minutes,
- and these to a quarter of an hour; but no signs of ceasing were
- audible in the lively "Dream." The bumping against the door,
- the laughter, the stamping, were all as vigorous as ever,
- and the pleasure in being outside lessened considerably.
-
- "Why does Mrs. Yeobright give parties of this sort?"
- Eustacia asked, a little surprised to hear merriment
- so pronounced.
-
- "It is not one of her bettermost parlour-parties. She's
- asked the plain neighbours and workpeople without drawing
- any lines, just to give 'em a good supper and such like.
- Her son and she wait upon the folks."
-
- "I see," said Eustacia.
-
- "'Tis the last strain, I think," said Saint George,
- with his ear to the panel. "A young man and woman have
- just swung into this corner, and he's saying to her,
- 'Ah, the pity; 'tis over for us this time, my own.'"
-
- "Thank God," said the Turkish Knight, stamping, and taking
- from the wall the conventional lance that each of the
- mummers carried. Her boots being thinner than those of
- the young men, the hoar had damped her feet and made them cold.
-
- "Upon my song 'tis another ten minutes for us,"
- said the Valiant Soldier, looking through the keyhole
- as the tune modulated into another without stopping.
- "Grandfer Cantle is standing in this corner, waiting his turn."
-
- "'Twon't be long; 'tis a six-handed reel," said the Doctor.
-
- "Why not go in, dancing or no? They sent for us,"
- said the Saracen.
-
- "Certainly not," said Eustacia authoritatively, as she paced
- smartly up and down from door to gate to warm herself.
- "We should burst into the middle of them and stop the dance,
- and that would be unmannerly."
-
- "He thinks himself somebody because he has had a bit
- more schooling than we," said the Doctor.
-
- "You may go to the deuce!" said Eustacia.
-
- There was a whispered conversation between three or four
- of them, and one turned to her.
-
- "Will you tell us one thing?" he said, not without gentleness.
- "Be you Miss Vye? We think you must be."
-
- "You may think what you like," said Eustacia slowly.
- "But honourable lads will not tell tales upon a lady."
-
- "We'll say nothing, miss. That's upon our honour."
-
- "Thank you," she replied.
-
- At this moment the fiddles finished off with a screech,
- and the serpent emitted a last note that nearly lifted
- the roof. When, from the comparative quiet within,
- the mummers judged that the dancers had taken their seats,
- Father Christmas advanced, lifted the latch, and put his head
- inside the door.
-
- "Ah, the mummers, the mummers!" cried several guests at once.
- "Clear a space for the mummers."
-
- Humpbacked Father Christmas then made a complete entry,
- swinging his huge club, and in a general way clearing the
- stage for the actors proper, while he informed the company
- in smart verse that he was come, welcome or welcome not;
- concluding his speech with
-
-
- "Make room, make room, my gallant boys,
- And give us space to rhyme;
- We've come to show Saint George's play,
- Upon this Christmas time."
-
-
- The guests were now arranging themselves at one end of the room,
- the fiddler was mending a string, the serpent-player
- was emptying his mouthpiece, and the play began.
- First of those outside the Valiant Soldier entered,
- in the interest of Saint George--
-
- "Here come I, the Valiant Soldier;
- Slasher is my name";
-
- and so on. This speech concluded with a challenge
- to the infidel, at the end of which it was Eustacia's
- duty to enter as the Turkish Knight. She, with the
- rest who were not yet on, had hitherto remained
- in the moonlight which streamed under the porch.
- With no apparent effort or backwardness she came in, beginning--
-
-
- "Here come I, a Turkish Knight,
- Who learnt in Turkish land to fight;
- I'll fight this man with courage bold:
- If his blood's hot I'll make it cold!"
-
-
- During her declamation Eustacia held her head erect,
- and spoke as roughly as she could, feeling pretty secure
- from observation. But the concentration upon her part
- necessary to prevent discovery, the newness of the scene,
- the shine of the candles, and the confusing effect upon
- her vision of the ribboned visor which hid her features,
- left her absolutely unable to perceive who were present
- as spectators. On the further side of a table bearing
- candles she could faintly discern faces, and that was all.
-
- Meanwhile Jim Starks as the Valiant Soldier had
- come forward, and, with a glare upon the Turk, replied--
-
- "If, then, thou art that Turkish Knight,
- Draw out thy sword, and let us fight!"
-
- And fight they did; the issue of the combat being that the
- Valiant Soldier was slain by a preternaturally inadequate
- thrust from Eustacia, Jim, in his ardour for genuine
- histrionic art, coming down like a log upon the stone
- floor with force enough to dislocate his shoulder.
- Then, after more words from the Turkish Knight,
- rather too faintly delivered, and statements that he'd
- fight Saint George and all his crew, Saint George
- himself magnificently entered with the well-known flourish--
-
-
- "Here come I, Saint George, the valiant man,
- With naked sword and spear in hand,
- Who fought the dragon and brought him to the slaughter,
- And by this won fair Sabra, the King of Egypt's
- daughter;
- What mortal man would dare to stand
- Before me with my sword in hand?"
-
-
- This was the lad who had first recognized Eustacia;
- and when she now, as the Turk, replied with suitable defiance,
- and at once began the combat, the young fellow took especial
- care to use his sword as gently as possible. Being wounded,
- the Knight fell upon one knee, according to the direction.
- The Doctor now entered, restored the Knight by giving him
- a draught from the bottle which he carried, and the fight
- was again resumed, the Turk sinking by degrees until
- quite overcome--dying as hard in this venerable drama
- as he is said to do at the present day.
-
- This gradual sinking to the earth was, in fact,
- one reason why Eustacia had thought that the part of
- the Turkish Knight, though not the shortest, would suit
- her best. A direct fall from upright to horizontal,
- which was the end of the other fighting characters,
- was not an elegant or decorous part for a girl.
- But it was easy to die like a Turk, by a dogged decline.
-
- Eustacia was now among the number of the slain, though not
- on the floor, for she had managed to sink into a sloping
- position against the clock-case, so that her head was
- well elevated. The play proceeded between Saint George,
- the Saracen, the Doctor, and Father Christmas; and Eustacia,
- having no more to do, for the first time found leisure
- to observe the scene round, and to search for the form
- that had drawn her hither.
-
-
-
- 6 - The Two Stand Face to Face
-
-
- The room had been arranged with a view to the dancing,
- the large oak table having been moved back till it stood
- as a breastwork to the fireplace. At each end, behind,
- and in the chimney-corner were grouped the guests,
- many of them being warm-faced and panting, among whom
- Eustacia cursorily recognized some well-to-do persons
- from beyond the heath. Thomasin, as she had expected,
- was not visible, and Eustacia recollected that a
- light had shone from an upper window when they were
- outside--the window, probably, of Thomasin's room.
- A nose, chin, hands, knees, and toes projected from the seat
- within the chimney opening, which members she found to unite
- in the person of Grandfer Cantle, Mrs. Yeobright's occasional
- assistant in the garden, and therefore one of the invited.
- The smoke went up from an Etna of peat in front of him,
- played round the notches of the chimney-crook, struck
- against the salt-box, and got lost among the flitches.
-
- Another part of the room soon riveted her gaze.
- At the other side of the chimney stood the settle,
- which is the necessary supplement to a fire so open
- that nothing less than a strong breeze will carry up
- the smoke. It is, to the hearths of old-fashioned
- cavernous fireplaces, what the east belt of trees is to the
- exposed country estate, or the north wall to the garden.
- Outside the settle candles gutter, locks of hair wave,
- young women shiver, and old men sneeze. Inside is Paradise.
- Not a symptom of a draught disturbs the air; the sitters'
- backs are as warm as their faces, and songs and old tales
- are drawn from the occupants by the comfortable heat,
- like fruit from melon plants in a frame.
-
- It was, however, not with those who sat in the settle that
- Eustacia was concerned. A face showed itself with marked
- distinctness against the dark-tanned wood of the upper part.
- The owner, who was leaning against the settle's outer end,
- was Clement Yeobright, or Clym, as he was called here;
- she knew it could be nobody else. The spectacle constituted
- an area of two feet in Rembrandt's intensest manner.
- A strange power in the lounger's appearance lay in
- the fact that, though his whole figure was visible,
- the observer's eye was only aware of his face.
-
- To one of middle age the countenance was that of a young man,
- though a youth might hardly have seen any necessity
- for the term of immaturity. But it was really one of
- those faces which convey less the idea of so many years
- as its age than of so much experience as its store.
- The number of their years may have adequately summed
- up Jared, Mahalaleel, and the rest of the antediluvians,
- but the age of a modern man is to be measured by the
- intensity of his history.
-
- The face was well shaped, even excellently. But the mind
- within was beginning to use it as a mere waste tablet whereon
- to trace its idiosyncrasies as they developed themselves.
- The beauty here visible would in no long time be ruthlessly
- over-run by its parasite, thought, which might just as
- well have fed upon a plainer exterior where there was
- nothing it could harm. Had Heaven preserved Yeobright
- from a wearing habit of meditation, people would have said,
- "A handsome man." Had his brain unfolded under sharper
- contours they would have said, "A thoughtful man." But an
- inner strenuousness was preying upon an outer symmetry,
- and they rated his look as singular.
-
- Hence people who began by beholding him ended by perusing him.
- His countenance was overlaid with legible meanings.
- Without being thought-worn he yet had certain marks
- derived from a perception of his surroundings, such as
- are not unfrequently found on men at the end of the four
- or five years of endeavour which follow the close
- of placid pupilage. He already showed that thought
- is a disease of flesh, and indirectly bore evidence
- that ideal physical beauty is incompatible with emotional
- development and a full recognition of the coil of things.
- Mental luminousness must be fed with the oil of life,
- even though there is already a physical need for it;
- and the pitiful sight of two demands on one supply was
- just showing itself here.
-
- When standing before certain men the philosopher regrets
- that thinkers are but perishable tissue, the artist
- that perishable tissue has to think. Thus to deplore,
- each from his point of view, the mutually destructive
- interdependence of spirit and flesh would have been
- instinctive with these in critically observing Yeobright.
-
- As for his look, it was a natural cheerfulness striving
- against depression from without, and not quite succeeding.
- The look suggested isolation, but it revealed something more.
- As is usual with bright natures, the deity that lies
- ignominiously chained within an ephemeral human carcase
- shone out of him like a ray.
-
- The effect upon Eustacia was palpable. The extraordinary
- pitch of excitement that she had reached beforehand would,
- indeed, have caused her to be influenced by the most
- commonplace man. She was troubled at Yeobright's presence.
-
- The remainder of the play ended--the Saracen's head
- was cut off, and Saint George stood as victor.
- Nobody commented, any more than they would have commented
- on the fact of mushrooms coming in autumn or snowdrops
- in spring. They took the piece as phlegmatically as did
- the actors themselves. It was a phase of cheerfulness
- which was, as a matter of course, to be passed through
- every Christmas; and there was no more to be said.
-
- They sang the plaintive chant which follows the play,
- during which all the dead men rise to their feet in a silent
- and awful manner, like the ghosts of Napoleon's soldiers
- in the Midnight Review. Afterwards the door opened,
- and Fairway appeared on the threshold, accompanied by
- Christian and another. They had been waiting outside
- for the conclusion of the play, as the players had waited
- for the conclusion of the dance.
-
- "Come in, come in," said Mrs. Yeobright; and Clym went
- forward to welcome them. "How is it you are so late?
- Grandfer Cantle has been here ever so long, and we thought
- you'd have come with him, as you live so near one another."
-
- "Well, I should have come earlier," Mr. Fairway said
- and paused to look along the beam of the ceiling for a
- nail to hang his hat on; but, finding his accustomed
- one to be occupied by the mistletoe, and all the nails
- in the walls to be burdened with bunches of holly, he at
- last relieved himself of the hat by ticklishly balancing
- it between the candle-box and the head of the clock-case.
- "I should have come earlier, ma'am," he resumed, with a
- more composed air, "but I know what parties be, and how
- there's none too much room in folks' houses at such times,
- so I thought I wouldn't come till you'd got settled a bit."
-
- "And I thought so too, Mrs. Yeobright," said Christian
- earnestly, "but Father there was so eager that he had no
- manners at all, and left home almost afore 'twas dark.
- I told him 'twas barely decent in a' old man to come
- so oversoon; but words be wind."
-
- "Klk! I wasn't going to bide waiting about, till half
- the game was over! I'm as light as a kite when anything's
- going on!" crowed Grandfer Cantle from the chimneyseat.
-
- Fairway had meanwhile concluded a critical gaze at Yeobright.
- "Now, you may not believe it," he said to the rest of the room,
- "but I should never have knowed this gentleman if I had
- met him anywhere off his own he'th--he's altered so much."
-
- "You too have altered, and for the better, I think Timothy,"
- said Yeobright, surveying the firm figure of Fairway.
-
- "Master Yeobright, look me over too. I have altered
- for the better, haven't I, hey?" said Grandfer Cantle,
- rising and placing himself something above half a foot
- from Clym's eye, to induce the most searching criticism.
-
- "To be sure we will," said Fairway, taking the candle and
- moving it over the surface of the Grandfer's countenance,
- the subject of his scrutiny irradiating himself with light
- and pleasant smiles, and giving himself jerks of juvenility.
-
- "You haven't changed much," said Yeobright.
-
- "If there's any difference, Grandfer is younger,"
- appended Fairway decisively.
-
- "And yet not my own doing, and I feel no pride in it,"
- said the pleased ancient. "But I can't be cured of my vagaries;
- them I plead guilty to. Yes, Master Cantle always was that,
- as we know. But I am nothing by the side of you,
- Mister Clym."
-
- "Nor any o' us," said Humphrey, in a low rich tone
- of admiration, not intended to reach anybody's ears.
-
- "Really, there would have been nobody here who could
- have stood as decent second to him, or even third,
- if I hadn't been a soldier in the Bang-up Locals (as we
- was called for our smartness)," said Grandfer Cantle.
- "And even as 'tis we all look a little scammish beside him.
- But in the year four 'twas said there wasn't a finer figure
- in the whole South Wessex than I, as I looked when dashing
- past the shop-winders with the rest of our company on
- the day we ran out o' Budmouth because it was thoughted
- that Boney had landed round the point. There was I,
- straight as a young poplar, wi' my firelock, and my bagnet,
- and my spatterdashes, and my stock sawing my jaws off,
- and my accoutrements sheening like the seven stars! Yes,
- neighbours, I was a pretty sight in my soldiering days.
- You ought to have seen me in four!"
-
- "'Tis his mother's side where Master Clym's figure comes from,
- bless ye," said Timothy. "I know'd her brothers well.
- Longer coffins were never made in the whole country
- of South Wessex, and 'tis said that poor George's knees
- were crumpled up a little e'en as 'twas."
-
- "Coffins, where?" inquired Christian, drawing nearer.
- "Have the ghost of one appeared to anybody, Master Fairway?"
-
- "No, no. Don't let your mind so mislead your ears,
- Christian; and be a man," said Timothy reproachfully.
-
- "I will." said Christian. "But now I think o't my
- shadder last night seemed just the shape of a coffin.
- What is it a sign of when your shade's like a coffin,
- neighbours? It can't be nothing to be afeared of,
- I suppose?"
-
- "Afeared, no!" said the Grandfer. "Faith, I was never
- afeard of nothing except Boney, or I shouldn't ha'
- been the soldier I was. Yes, 'tis a thousand pities you
- didn't see me in four!"
-
- By this time the mummers were preparing to leave;
- but Mrs. Yeobright stopped them by asking them to sit
- down and have a little supper. To this invitation
- Father Christmas, in the name of them all, readily agreed.
-
- Eustacia was happy in the opportunity of staying a little longer.
- The cold and frosty night without was doubly frigid to her.
- But the lingering was not without its difficulties.
- Mrs. Yeobright, for want of room in the larger apartment,
- placed a bench for the mummers halfway through the pantry door,
- which opened from the sitting-room. Here they seated
- themselves in a row, the door being left open--thus they
- were still virtually in the same apartment. Mrs. Yeobright
- now murmured a few words to her son, who crossed the room
- to the pantry door, striking his head against the mistletoe
- as he passed, and brought the mummers beef and bread,
- cake pastry, mead, and elder-wine, the waiting being
- done by him and his mother, that the little maid-servant
- might sit as guest. The mummers doffed their helmets,
- and began to eat and drink.
-
- "But you will surely have some?" said Clym to the Turkish
- Knight, as he stood before that warrior, tray in hand.
- She had refused, and still sat covered, only the sparkle
- of her eyes being visible between the ribbons which covered her face.
-
- "None, thank you," replied Eustacia.
-
- "He's quite a youngster," said the Saracen apologetically,
- "and you must excuse him. He's not one of the old set,
- but have jined us because t'other couldn't come."
-
- "But he will take something?" persisted Yeobright.
- "Try a glass of mead or elder-wine."
-
- "Yes, you had better try that," said the Saracen.
- "It will keep the cold out going home-along."
-
- Though Eustacia could not eat without uncovering her face
- she could drink easily enough beneath her disguise.
- The elder-wine was accordingly accepted, and the glass
- vanished inside the ribbons.
-
- At moments during this performance Eustacia was half
- in doubt about the security of her position; yet it
- had a fearful joy. A series of attentions paid to her,
- and yet not to her but to some imaginary person,
- by the first man she had ever been inclined to adore,
- complicated her emotions indescribably. She had loved
- him partly because he was exceptional in this scene,
- partly because she had determined to love him, chiefly
- because she was in desperate need of loving somebody
- after wearying of Wildeve. Believing that she must love
- him in spite of herself, she had been influenced after
- the fashion of the second Lord Lyttleton and other persons,
- who have dreamed that they were to die on a certain day,
- and by stress of a morbid imagination have actually brought
- about that event. Once let a maiden admit the possibility
- of her being stricken with love for someone at a certain
- hour and place, and the thing is as good as done.
-
- Did anything at this moment suggest to Yeobright the sex
- of the creature whom that fantastic guise inclosed,
- how extended was her scope both in feeling and in making
- others feel, and how far her compass transcended that
- of her companions in the band? When the disguised Queen
- of Love appeared before Aeneas a preternatural perfume
- accompanied her presence and betrayed her quality.
- If such a mysterious emanation ever was projected by the
- emotions of an earthly woman upon their object, it must
- have signified Eustacia's presence to Yeobright now.
- He looked at her wistfully, then seemed to fall into
- a reverie, as if he were forgetting what he observed.
- The momentary situation ended, he passed on, and Eustacia
- sipped her wine without knowing what she drank.
- The man for whom she had pre-determined to nourish
- a passion went into the small room, and across it to the
- further extremity.
-
- The mummers, as has been stated, were seated on a bench,
- one end of which extended into the small apartment,
- or pantry, for want of space in the outer room.
- Eustacia, partly from shyness, had chosen the midmost seat,
- which thus commanded a view of the interior of the pantry
- as well as the room containing the guests. When Clym
- passed down the pantry her eyes followed him in the gloom
- which prevailed there. At the remote end was a door which,
- just as he was about to open it for himself, was opened
- by somebody within; and light streamed forth.
-
- The person was Thomasin, with a candle, looking anxious,
- pale, and interesting. Yeobright appeared glad to see her,
- and pressed her hand. "That's right, Tamsie," he said
- heartily, as though recalled to himself by the sight
- of her, "you have decided to come down. I am glad of it."
-
- "Hush--no, no," she said quickly. "I only came to speak
- to you."
-
- "But why not join us?"
-
- "I cannot. At least I would rather not. I am not
- well enough, and we shall have plenty of time together
- now you are going to be home a good long holiday."
-
- "It isn't nearly so pleasant without you. Are you
- really ill?"
-
- "Just a little, my old cousin--here," she said,
- playfully sweeping her hand across her heart.
-
- "Ah, Mother should have asked somebody else to be
- present tonight, perhaps?"
-
- "O no, indeed. I merely stepped down, Clym, to ask you--"
- Here he followed her through the doorway into the private
- room beyond, and, the door closing, Eustacia and the
- mummer who sat next to her, the only other witness
- of the performance, saw and heard no more.
-
- The heat flew to Eustacia's head and cheeks. She instantly
- guessed that Clym, having been home only these two or
- three days, had not as yet been made acquainted with
- Thomasin's painful situation with regard to Wildeve;
- and seeing her living there just as she had been living
- before he left home, he naturally suspected nothing.
- Eustacia felt a wild jealousy of Thomasin on the instant.
- Though Thomasin might possibly have tender sentiments
- towards another man as yet, how long could they be expected
- to last when she was shut up here with this interesting and
- travelled cousin of hers? There was no knowing what affection
- might not soon break out between the two, so constantly
- in each other's society, and not a distracting object near.
- Clym's boyish love for her might have languished,
- but it might easily be revived again.
-
- Eustacia was nettled by her own contrivances. What a
- sheer waste of herself to be dressed thus while another
- was shining to advantage! Had she known the full effect
- of the encounter she would have moved heaven and earth
- to get here in a natural manner. The power of her face
- all lost, the charm of her emotions all disguised,
- the fascinations of her coquetry denied existence,
- nothing but a voice left to her; she had a sense of the
- doom of Echo. "Nobody here respects me," she said.
- She had overlooked the fact that, in coming as a boy among
- other boys, she would be treated as a boy. The slight,
- though of her own causing, and self-explanatory, she
- was unable to dismiss as unwittingly shown, so sensitive
- had the situation made her.
-
- Women have done much for themselves in histrionic dress.
- To look far below those who, like a certain fair
- personator of Polly Peachum early in the last century,
- and another of Lydia Languish early in this, [1] have
- won not only love but ducal coronets into the bargain,
- whole shoals of them have reached to the initial
- satisfaction of getting love almost whence they would.
- But the Turkish Knight was denied even the chance of
- achieving this by the fluttering ribbons which she dared
- not brush aside.
-
- [1] Written in 1877.
-
- Yeobright returned to the room without his cousin.
- When within two or three feet of Eustacia he stopped,
- as if again arrested by a thought. He was gazing at her.
- She looked another way, disconcerted, and wondered how long
- this purgatory was to last. After lingering a few seconds he
- passed on again.
-
- To court their own discomfiture by love is a common instinct
- with certain perfervid women. Conflicting sensations
- of love, fear, and shame reduced Eustacia to a state
- of the utmost uneasiness. To escape was her great and
- immediate desire. The other mummers appeared to be in no
- hurry to leave; and murmuring to the lad who sat next to
- her that she preferred waiting for them outside the house,
- she moved to the door as imperceptibly as possible,
- opened it, and slipped out.
-
- The calm, lone scene reassured her. She went forward
- to the palings and leant over them, looking at the moon.
- She had stood thus but a little time when the door again opened.
- Expecting to see the remainder of the band Eustacia turned;
- but no--Clym Yeobright came out as softly as she had done,
- and closed the door behind him.
-
- He advanced and stood beside her. "I have an odd opinion,"
- he said, "and should like to ask you a question. Are you
- a woman--or am I wrong?"
-
- "I am a woman."
-
- His eyes lingered on her with great interest. "Do girls
- often play as mummers now? They never used to."
-
- "They don't now."
-
- "Why did you?"
-
- "To get excitement and shake off depression," she said
- in low tones.
-
- "What depressed you?"
-
- "Life."
-
- "That's a cause of depression a good many have to put
- up with."
-
- "Yes."
-
- A long silence. "And do you find excitement?" asked Clym
- at last.
-
- "At this moment, perhaps."
-
- "Then you are vexed at being discovered?"
-
- "Yes; though I thought I might be."
-
- "I would gladly have asked you to our party had I known
- you wished to come. Have I ever been acquainted with you
- in my youth?"
-
- "Never."
-
- "Won't you come in again, and stay as long as you like?"
-
- "No. I wish not to be further recognized."
-
- "Well, you are safe with me." After remaining in thought a
- minute he added gently, "I will not intrude upon you longer.
- It is a strange way of meeting, and I will not ask why
- I find a cultivated woman playing such a part as this."
- She did not volunteer the reason which he seemed to hope for,
- and he wished her good night, going thence round to the
- back of the house, where he walked up and down by himself
- for some time before re-entering.
-
- Eustacia, warmed with an inner fire, could not wait for
- her companions after this. She flung back the ribbons
- from her face, opened the gate, and at once struck into
- the heath. She did not hasten along. Her grandfather
- was in bed at this hour, for she so frequently walked
- upon the hills on moonlight nights that he took no notice
- of her comings and goings, and, enjoying himself in his
- own way, left her to do likewise. A more important
- subject than that of getting indoors now engrossed her.
- Yeobright, if he had the least curiosity, would infallibly
- discover her name. What then? She first felt a sort of
- exultation at the way in which the adventure had terminated,
- even though at moments between her exultations she was
- abashed and blushful. Then this consideration recurred
- to chill her: What was the use of her exploit? She was
- at present a total stranger to the Yeobright family.
- The unreasonable nimbus of romance with which she had
- encircled that man might be her misery. How could she
- allow herself to become so infatuated with a stranger? And
- to fill the cup of her sorrow there would be Thomasin,
- living day after day in inflammable proximity to him;
- for she had just learnt that, contrary to her first belief,
- he was going to stay at home some considerable time.
-
- She reached the wicket at Mistover Knap, but before
- opening it she turned and faced the heath once more.
- The form of Rainbarrow stood above the hills, and the moon
- stood above Rainbarrow. The air was charged with silence
- and frost. The scene reminded Eustacia of a circumstance
- which till that moment she had totally forgotten.
- She had promised to meet Wildeve by the Barrow this very
- night at eight, to give a final answer to his pleading
- for an elopement.
-
- She herself had fixed the evening and the hour.
- He had probably come to the spot, waited there in the cold,
- and been greatly disappointed.
-
- "Well, so much the better--it did not hurt him,"
- she said serenely. Wildeve had at present the rayless
- outline of the sun through smoked glass, and she could
- say such things as that with the greatest facility.
-
- She remained deeply pondering; and Thomasin's winning
- manner towards her cousin arose again upon Eustacia's mind.
-
- "O that she had been married to Damon before this!"
- she said. "And she would if it hadn't been for me! If I
- had only known--if I had only known!"
-
- Eustacia once more lifted her deep stormy eyes to
- the moonlight, and, sighing that tragic sigh of hers
- which was so much like a shudder, entered the shadow
- of the roof. She threw off her trappings in the outhouse,
- rolled them up, and went indoors to her chamber.
-
-
-
- 7 - A Coalition between Beauty and Oddness
-
-
- The old captain's prevailing indifference to his
- granddaughter's movements left her free as a bird to follow
- her own courses; but it so happened that he did take upon
- himself the next morning to ask her why she had walked out so late.
-
- "Only in search of events, Grandfather," she said,
- looking out of the window with that drowsy latency of
- manner which discovered so much force behind it whenever
- the trigger was pressed.
-
- "Search of events--one would think you were one of the
- bucks I knew at one-and-twenty."
-
- "It is lonely here."
-
- "So much the better. If I were living in a town my
- whole time would be taken up in looking after you.
- I fully expected you would have been home when I returned
- from the Woman."
-
- "I won't conceal what I did. I wanted an adventure,
- and I went with the mummers. I played the part of the
- Turkish Knight."
-
- "No, never? Ha, ha! Good gad! I didn't expect it
- of you, Eustacia."
-
- "It was my first performance, and it certainly will be
- my last. Now I have told you--and remember it is a secret."
-
- "Of course. But, Eustacia, you never did--ha! ha! Dammy,
- how 'twould have pleased me forty years ago! But remember,
- no more of it, my girl. You may walk on the heath night
- or day, as you choose, so that you don't bother me;
- but no figuring in breeches again."
-
- "You need have no fear for me, Grandpapa."
-
- Here the conversation ceased, Eustacia's moral training
- never exceeding in severity a dialogue of this sort,
- which, if it ever became profitable to good works,
- would be a result not dear at the price. But her thoughts
- soon strayed far from her own personality; and, full of a
- passionate and indescribable solicitude for one to whom
- she was not even a name, she went forth into the amplitude
- of tanned wild around her, restless as Ahasuerus the Jew.
- She was about half a mile from her residence when she
- beheld a sinister redness arising from a ravine a little
- way in advance--dull and lurid like a flame in sunlight
- and she guessed it to signify Diggory Venn.
-
- When the farmers who had wished to buy in a new stock
- of reddle during the last month had inquired where Venn
- was to be found, people replied, "On Egdon Heath."
- Day after day the answer was the same. Now, since Egdon
- was populated with heath-croppers and furze-cutters rather
- than with sheep and shepherds, and the downs where most
- of the latter were to be found lay some to the north,
- some to the west of Egdon, his reason for camping
- about there like Israel in Zin was not apparent.
- The position was central and occasionally desirable.
- But the sale of reddle was not Diggory's primary object
- in remaining on the heath, particularly at so late a period
- of the year, when most travellers of his class had gone
- into winter quarters.
-
- Eustacia looked at the lonely man. Wildeve had told her
- at their last meeting that Venn had been thrust forward
- by Mrs. Yeobright as one ready and anxious to take his
- place as Thomasin's betrothed. His figure was perfect,
- his face young and well outlined, his eye bright,
- his intelligence keen, and his position one which he could
- readily better if he chose. But in spite of possibilities it
- was not likely that Thomasin would accept this Ishmaelitish
- creature while she had a cousin like Yeobright at her elbow,
- and Wildeve at the same time not absolutely indifferent.
- Eustacia was not long in guessing that poor Mrs. Yeobright,
- in her anxiety for her niece's future, had mentioned
- this lover to stimulate the zeal of the other.
- Eustacia was on the side of the Yeobrights now,
- and entered into the spirit of the aunt's desire.
-
- "Good morning, miss," said the reddleman, taking off
- his cap of hareskin, and apparently bearing her no ill-
- will from recollection of their last meeting.
-
- "Good morning, reddleman," she said, hardly troubling
- to lift her heavily shaded eyes to his. "I did not know
- you were so near. Is your van here too?"
-
- Venn moved his elbow towards a hollow in which a dense
- brake of purple-stemmed brambles had grown to such vast
- dimensions as almost to form a dell. Brambles, though
- churlish when handled, are kindly shelter in early winter,
- being the latest of the deciduous bushes to lose their leaves.
-
- The roof and chimney of Venn's caravan showed behind
- the tracery and tangles of the brake.
-
- "You remain near this part?" she asked with more interest.
-
- "Yes, I have business here."
-
- "Not altogether the selling of reddle?"
-
- "It has nothing to do with that."
-
- "It has to do with Miss Yeobright?"
-
- Her face seemed to ask for an armed peace, and he therefore
- said frankly, "Yes, miss; it is on account of her."
-
- "On account of your approaching marriage with her?"
-
- Venn flushed through his stain. "Don't make sport of me,
- Miss Vye," he said.
-
- "It isn't true?"
-
- "Certainly not."
-
- She was thus convinced that the reddleman was a mere
- pis aller in Mrs. Yeobright's mind; one, moreover,
- who had not even been informed of his promotion to
- that lowly standing. "It was a mere notion of mine,"
- she said quietly; and was about to pass by without
- further speech, when, looking round to the right, she saw
- a painfully well-known figure serpentining upwards by one
- of the little paths which led to the top where she stood.
- Owing to the necessary windings of his course his back
- was at present towards them. She glanced quickly round;
- to escape that man there was only one way. Turning to Venn,
- she said, "Would you allow me to rest a few minutes
- in your van? The banks are damp for sitting on."
-
- "Certainly, miss; I'll make a place for you."
-
- She followed him behind the dell of brambles to his wheeled
- dwelling into which Venn mounted, placing the three-legged
- stool just within the door.
-
- "That is the best I can do for you," he said, stepping down
- and retiring to the path, where he resumed the smoking
- of his pipe as he walked up and down.
-
- Eustacia bounded into the vehicle and sat on the stool,
- ensconced from view on the side towards the trackway.
- Soon she heard the brushing of other feet than the
- reddleman's, a not very friendly "Good day" uttered by
- two men in passing each other, and then the dwindling
- of the foot-fall of one of them in a direction onwards.
- Eustacia stretched her neck forward till she caught
- a glimpse of a receding back and shoulders; and she
- felt a wretched twinge of misery, she knew not why.
- It was the sickening feeling which, if the changed
- heart has any generosity at all in its composition,
- accompanies the sudden sight of a once-loved one who is
- beloved no more.
-
- When Eustacia descended to proceed on her way
- the reddleman came near. "That was Mr. Wildeve
- who passed, miss," he said slowly, and expressed by
- his face that he expected her to feel vexed at having
- been sitting unseen.
-
- "Yes, I saw him coming up the hill," replied Eustacia.
- "Why should you tell me that?" It was a bold question,
- considering the reddleman's knowledge of her past love;
- but her undemonstrative manner had power to repress the
- opinions of those she treated as remote from her.
-
- "I am glad to hear that you can ask it," said the
- reddleman bluntly. "And, now I think of it, it agrees
- with what I saw last night."
-
- "Ah--what was that?" Eustacia wished to leave him,
- but wished to know.
-
- "Mr. Wildeve stayed at Rainbarrow a long time waiting
- for a lady who didn't come."
-
- "You waited too, it seems?"
-
- "Yes, I always do. I was glad to see him disappointed.
- He will be there again tonight."
-
- "To be again disappointed. The truth is, reddleman, that that lady,
- so far from wishing to stand in the way of Thomasin's
- marriage with Mr. Wildeve, would be very glad to promote it."
-
- Venn felt much astonishment at this avowal, though he did
- not show it clearly; that exhibition may greet remarks
- which are one remove from expectation, but it is usually
- withheld in complicated cases of two removes and upwards.
- "Indeed, miss," he replied.
-
- "How do you know that Mr. Wildeve will come to Rainbarrow
- again tonight?" she asked.
-
- "I heard him say to himself that he would. He's in
- a regular temper."
-
- Eustacia looked for a moment what she felt, and she murmured,
- lifting her deep dark eyes anxiously to his, "I wish I
- knew what to do. I don't want to be uncivil to him;
- but I don't wish to see him again; and I have some few
- little things to return to him."
-
- "If you choose to send 'em by me, miss, and a note
- to tell him that you wish to say no more to him,
- I'll take it for you quite privately. That would
- be the most straightforward way of letting him know your mind."
-
- "Very well," said Eustacia. "Come towards my house,
- and I will bring it out to you."
-
- She went on, and as the path was an infinitely small
- parting in the shaggy locks of the heath, the reddleman
- followed exactly in her trail. She saw from a distance
- that the captain was on the bank sweeping the horizon
- with his telescope; and bidding Venn to wait where he
- stood she entered the house alone.
-
- In ten minutes she returned with a parcel and a note,
- and said, in placing them in his hand, "Why are you so
- ready to take these for me?"
-
- "Can you ask that?"
-
- "I suppose you think to serve Thomasin in some way by it.
- Are you as anxious as ever to help on her marriage?"
-
- Venn was a little moved. "I would sooner have married
- her myself," he said in a low voice. "But what I feel
- is that if she cannot be happy without him I will do
- my duty in helping her to get him, as a man ought."
-
- Eustacia looked curiously at the singular man who spoke thus.
- What a strange sort of love, to be entirely free
- from that quality of selfishness which is frequently
- the chief constituent of the passion, and sometimes
- its only one! The reddleman's disinterestedness was
- so well deserving of respect that it overshot respect
- by being barely comprehended; and she almost thought it absurd.
-
- "Then we are both of one mind at last," she said.
-
- "Yes," replied Venn gloomily. "But if you would
- tell me, miss, why you take such an interest in her,
- I should be easier. It is so sudden and strange."
-
- Eustacia appeared at a loss. "I cannot tell you that,
- reddleman," she said coldly.
-
- Venn said no more. He pocketed the letter, and,
- bowing to Eustacia, went away.
-
- Rainbarrow had again become blended with night when
- Wildeve ascended the long acclivity at its base.
- On his reaching the top a shape grew up from the earth
- immediately behind him. It was that of Eustacia's emissary.
- He slapped Wildeve on the shoulder. The feverish young
- inn-keeper and ex-engineer started like Satan at the touch
- of Ithuriel's spear.
-
- "The meeting is always at eight o'clock, at this place,"
- said Venn, "and here we are--we three."
-
- "We three?" said Wildeve, looking quickly round.
-
- "Yes; you, and I, and she. This is she." He held up
- the letter and parcel.
-
- Wildeve took them wonderingly. "I don't quite see
- what this means," he said. "How do you come here?
- There must be some mistake."
-
- "It will be cleared from your mind when you have read
- the letter. Lanterns for one." The reddleman struck a light,
- kindled an inch of tallow-candle which he had brought,
- and sheltered it with his cap.
-
- "Who are you?" said Wildeve, discerning by the candle-
- light an obscure rubicundity of person in his companion.
- "You are the reddleman I saw on the hill this morning--why,
- you are the man who----"
-
- "Please read the letter."
-
- "If you had come from the other one I shouldn't have
- been surprised," murmured Wildeve as he opened the letter
- and read. His face grew serious.
-
-
-
- TO MR. WILDEVE.
-
- After some thought I have decided once and for all that we
- must hold no further communication. The more I consider
- the matter the more I am convinced that there must
- be an end to our acquaintance. Had you been uniformly
- faithful to me throughout these two years you might
- now have some ground for accusing me of heartlessness;
- but if you calmly consider what I bore during the period
- of your desertion, and how I passively put up with your
- courtship of another without once interfering, you will,
- I think, own that I have a right to consult my own
- feelings when you come back to me again. That these are
- not what they were towards you may, perhaps, be a fault
- in me, but it is one which you can scarcely reproach
- me for when you remember how you left me for Thomasin.
-
- The little articles you gave me in the early part of our
- friendship are returned by the bearer of this letter.
- They should rightly have been sent back when I first heard
- of your engagement to her.
-
- EUSTACIA.
-
-
-
- By the time that Wildeve reached her name the blankness
- with which he had read the first half of the letter
- intensified to mortification. "I am made a great fool of,
- one way and another," he said pettishly. "Do you know
- what is in this letter?"
-
- The reddleman hummed a tune.
-
- "Can't you answer me?" asked Wildeve warmly.
-
- "Ru-um-tum-tum," sang the reddleman.
-
- Wildeve stood looking on the ground beside Venn's feet,
- till he allowed his eyes to travel upwards over Diggory's form,
- as illuminated by the candle, to his head and face.
- "Ha-ha! Well, I suppose I deserve it, considering how I have
- played with them both," he said at last, as much to himself
- as to Venn. "But of all the odd things that ever I knew,
- the oddest is that you should so run counter to your own
- interests as to bring this to me."
-
- "My interests?"
-
- "Certainly. 'Twas your interest not to do anything
- which would send me courting Thomasin again, now she
- has accepted you--or something like it. Mrs. Yeobright
- says you are to marry her. 'Tisn't true, then?"
-
- "Good Lord! I heard of this before, but didn't believe it.
- When did she say so?"
-
- Wildeve began humming as the reddleman had done.
-
- "I don't believe it now," cried Venn.
-
- "Ru-um-tum-tum," sang Wildeve.
-
- "O Lord--how we can imitate!" said Venn contemptuously.
- "I'll have this out. I'll go straight to her."
-
- Diggory withdrew with an emphatic step, Wildeve's eye
- passing over his form in withering derision, as if he
- were no more than a heath-cropper. When the reddleman's
- figure could no longer be seen, Wildeve himself descended
- and plunged into the rayless hollow of the vale.
-
- To lose the two women--he who had been the well-beloved
- of both--was too ironical an issue to be endured.
- He could only decently save himself by Thomasin;
- and once he became her husband, Eustacia's repentance,
- he thought, would set in for a long and bitter term.
- It was no wonder that Wildeve, ignorant of the new man
- at the back of the scene, should have supposed Eustacia
- to be playing a part. To believe that the letter was not
- the result of some momentary pique, to infer that she really
- gave him up to Thomasin, would have required previous
- knowledge of her transfiguration by that man's influence.
- Who was to know that she had grown generous in the greediness
- of a new passion, that in coveting one cousin she was
- dealing liberally with another, that in her eagerness to
- appropriate she gave way?
-
- Full of this resolve to marry in haste, and wring
- the heart of the proud girl, Wildeve went his way.
-
- Meanwhile Diggory Venn had returned to his van,
- where he stood looking thoughtfully into the stove.
- A new vista was opened up to him. But, however promising
- Mrs. Yeobright's views of him might be as a candidate for her
- niece's hand, one condition was indispensable to the favour
- of Thomasin herself, and that was a renunciation of his
- present wild mode of life. In this he saw little difficulty.
-
- He could not afford to wait till the next day before seeing
- Thomasin and detailing his plan. He speedily plunged
- himself into toilet operations, pulled a suit of cloth
- clothes from a box, and in about twenty minutes stood before
- the van-lantern as a reddleman in nothing but his face,
- the vermilion shades of which were not to be removed in
- a day. Closing the door and fastening it with a padlock,
- Venn set off towards Blooms-End.
-
- He had reached the white palings and laid his hand
- upon the gate when the door of the house opened,
- and quickly closed again. A female form had glided in.
- At the same time a man, who had seemingly been standing
- with the woman in the porch, came forward from the house
- till he was face to face with Venn. It was Wildeve again.
-
- "Man alive, you've been quick at it," said Diggory sarcastically.
-
- "And you slow, as you will find," said Wildeve.
- "And," lowering his voice, "you may as well go
- back again now. I've claimed her, and got her.
- Good night, reddleman!" Thereupon Wildeve walked away.
-
- Venn's heart sank within him, though it had not risen
- unduly high. He stood leaning over the palings in
- an indecisive mood for nearly a quarter of an hour.
- Then he went up the garden path, knocked, and asked
- for Mrs. Yeobright.
-
- Instead of requesting him to enter she came to the porch.
- A discourse was carried on between them in low measured
- tones for the space of ten minutes or more. At the end
- of the time Mrs. Yeobright went in, and Venn sadly retraced
- his steps into the heath. When he had again regained
- his van he lit the lantern, and with an apathetic face
- at once began to pull off his best clothes, till in the
- course of a few minutes he reappeared as the confirmed
- and irretrievable reddleman that he had seemed before.
-
-
-
- 8 - Firmness Is Discovered in a Gentle Heart
-
-
- On that evening the interior of Blooms-End, though cosy
- and comfortable, had been rather silent. Clym Yeobright
- was not at home. Since the Christmas party he had gone
- on a few days' visit to a friend about ten miles off.
-
- The shadowy form seen by Venn to part from Wildeve
- in the porch, and quickly withdraw into the house,
- was Thomasin's. On entering she threw down a cloak which
- had been carelessly wrapped round her, and came forward
- to the light, where Mrs. Yeobright sat at her work-table,
- drawn up within the settle, so that part of it projected
- into the chimney-corner.
-
- "I don't like your going out after dark alone, Tamsin,"
- said her aunt quietly, without looking up from her work.
- "I have only been just outside the door."
-
- "Well?" inquired Mrs. Yeobright, struck by a change
- in the tone of Thomasin's voice, and observing her.
- Thomasin's cheek was flushed to a pitch far beyond
- that which it had reached before her troubles, and her
- eyes glittered.
-
- "It was HE who knocked," she said.
-
- "I thought as much."
-
- "He wishes the marriage to be at once."
-
- "Indeed! What--is he anxious?" Mrs. Yeobright directed
- a searching look upon her niece. "Why did not Mr. Wildeve
- come in?"
-
- "He did not wish to. You are not friends with him, he says.
- He would like the wedding to be the day after tomorrow,
- quite privately; at the church of his parish--not
- at ours."
-
- "Oh! And what did you say?"
-
- "I agreed to it," Thomasin answered firmly. "I am a
- practical woman now. I don't believe in hearts at all.
- I would marry him under any circumstances since--since
- Clym's letter."
-
- A letter was lying on Mrs. Yeobright's work-basket, and
- at Thomasin's words her aunt reopened it, and silently
- read for the tenth time that day:--
-
-
-
- What is the meaning of this silly story that people are
- circulating about Thomasin and Mr. Wildeve? I should call
- such a scandal humiliating if there was the least chance
- of its being true. How could such a gross falsehood
- have arisen? It is said that one should go abroad
- to hear news of home, and I appear to have done it.
- Of course I contradict the tale everywhere; but it is
- very vexing, and I wonder how it could have originated.
- It is too ridiculous that such a girl as Thomasin could
- so mortify us as to get jilted on the wedding day.
- What has she done?
-
-
-
- "Yes," Mrs. Yeobright said sadly, putting down the letter.
- "If you think you can marry him, do so. And since Mr. Wildeve
- wishes it to be unceremonious, let it be that too.
- I can do nothing. It is all in your own hands now.
- My power over your welfare came to an end when you left
- this house to go with him to Anglebury." She continued,
- half in bitterness, "I may almost ask, why do you consult
- me in the matter at all? If you had gone and married
- him without saying a word to me, I could hardly have
- been angry--simply because, poor girl, you can't do a
- better thing."
-
- "Don't say that and dishearten me."
-
- "You are right--I will not."
-
- "I do not plead for him, Aunt. Human nature is weak,
- and I am not a blind woman to insist that he is perfect.
- I did think so, but I don't now. But I know my course,
- and you know that I know it. I hope for the best."
-
- "And so do I, and we will both continue to," said Mrs. Yeobright,
- rising and kissing her. "Then the wedding, if it comes off,
- will be on the morning of the very day Clym comes home?"
-
- "Yes. I decided that it ought to be over before he came.
- After that you can look him in the face, and so can I. Our
- concealments will matter nothing."
-
- Mrs. Yeobright moved her head in thoughtful assent,
- and presently said, "Do you wish me to give you away?
- I am willing to undertake that, you know, if you wish,
- as I was last time. After once forbidding the banns I
- think I can do no less."
-
- "I don't think I will ask you to come," said Thomasin
- reluctantly, but with decision. "It would be unpleasant,
- I am almost sure. Better let there be only strangers present,
- and none of my relations at all. I would rather have it so.
- I do not wish to do anything which may touch your credit,
- and I feel that I should be uncomfortable if you were there,
- after what has passed. I am only your niece, and there
- is no necessity why you should concern yourself more about me."
-
- "Well, he has beaten us," her aunt said. "It really
- seems as if he had been playing with you in this way
- in revenge for my humbling him as I did by standing
- up against him at first."
-
- "O no, Aunt," murmured Thomasin.
-
- They said no more on the subject then. Diggory Venn's knock
- came soon after; and Mrs. Yeobright, on returning from
- her interview with him in the porch, carelessly observed,
- "Another lover has come to ask for you."
-
- "No?"
-
- "Yes, that queer young man Venn."
-
- "Asks to pay his addresses to me?"
-
- "Yes; and I told him he was too late."
-
- Thomasin looked silently into the candle-flame. "Poor Diggory!"
- she said, and then aroused herself to other things.
-
- The next day was passed in mere mechanical deeds of preparation,
- both the women being anxious to immerse themselves in
- these to escape the emotional aspect of the situation.
- Some wearing apparel and other articles were collected
- anew for Thomasin, and remarks on domestic details were
- frequently made, so as to obscure any inner misgivings
- about her future as Wildeve's wife.
-
- The appointed morning came. The arrangement with Wildeve
- was that he should meet her at the church to guard against
- any unpleasant curiosity which might have affected them
- had they been seen walking off together in the usual
- country way.
-
- Aunt and niece stood together in the bedroom where the bride
- was dressing. The sun, where it could catch it, made a
- mirror of Thomasin's hair, which she always wore braided.
- It was braided according to a calendar system--the more
- important the day the more numerous the strands in the braid.
- On ordinary working-days she braided it in threes;
- on ordinary Sundays in fours; at Maypolings, gipsyings,
- and the like, she braided it in fives. Years ago she had
- said that when she married she would braid it in sevens.
- She had braided it in sevens today.
-
- "I have been thinking that I will wear my blue silk after all,"
- she said. "It is my wedding day, even though there may
- be something sad about the time. I mean," she added,
- anxious to correct any wrong impression, "not sad in itself,
- but in its having had great disappointment and trouble
- before it."
-
- Mrs. Yeobright breathed in a way which might have been called
- a sigh. "I almost wish Clym had been at home," she said.
- "Of course you chose the time because of his absence."
-
- "Partly. I have felt that I acted unfairly to him in not
- telling him all; but, as it was done not to grieve him,
- I thought I would carry out the plan to its end, and tell
- the whole story when the sky was clear."
-
- "You are a practical little woman," said Mrs. Yeobright, smiling.
- "I wish you and he--no, I don't wish anything. There, it is
- nine o'clock," she interrupted, hearing a whizz and a dinging
- downstairs.
-
- "I told Damon I would leave at nine," said Thomasin,
- hastening out of the room.
-
- Her aunt followed. When Thomasin was going up the little
- walk from the door to the wicket-gate, Mrs. Yeobright
- looked reluctantly at her, and said, "It is a shame
- to let you go alone."
-
- "It is necessary," said Thomasin.
-
- "At any rate," added her aunt with forced cheerfulness, "I shall
- call upon you this afternoon, and bring the cake with me.
- If Clym has returned by that time he will perhaps come too.
- I wish to show Mr. Wildeve that I bear him no ill-will.
- Let the past be forgotten. Well, God bless you! There,
- I don't believe in old superstitions, but I'll do it."
- She threw a slipper at the retreating figure of the girl,
- who turned, smiled, and went on again.
-
- A few steps further, and she looked back. "Did you
- call me, Aunt?" she tremulously inquired. "Good-bye!"
-
- Moved by an uncontrollable feeling as she looked upon
- Mrs. Yeobright's worn, wet face, she ran back, when her
- aunt came forward, and they met again. "O--Tamsie," said
- the elder, weeping, "I don't like to let you go."
-
- "I--I am--" Thomasin began, giving way likewise.
- But, quelling her grief, she said "Good-bye!" again and went on.
-
- Then Mrs. Yeobright saw a little figure wending its way
- between the scratching furze-bushes, and diminishing far up
- the valley--a pale-blue spot in a vast field of neutral brown,
- solitary and undefended except by the power of her own hope.
-
- But the worst feature in the case was one which did
- not appear in the landscape; it was the man.
-
- The hour chosen for the ceremony by Thomasin and Wildeve had
- been so timed as to enable her to escape the awkwardness of
- meeting her cousin Clym, who was returning the same morning.
- To own to the partial truth of what he had heard would be
- distressing as long as the humiliating position resulting
- from the event was unimproved. It was only after a second
- and successful journey to the altar that she could lift
- up her head and prove the failure of the first attempt
- a pure accident.
-
- She had not been gone from Blooms-End more than half
- an hour when Yeobright came by the meads from the other
- direction and entered the house.
-
- "I had an early breakfast," he said to his mother after
- greeting her. "Now I could eat a little more."
-
- They sat down to the repeated meal, and he went on in
- a low, anxious voice, apparently imagining that Thomasin
- had not yet come downstairs, "What's this I have heard
- about Thomasin and Mr. Wildeve?"
-
- "It is true in many points," said Mrs. Yeobright quietly;
- "but it is all right now, I hope." She looked at the clock.
-
- "True?"
-
- "Thomasin is gone to him today."
-
- Clym pushed away his breakfast. "Then there is a scandal
- of some sort, and that's what's the matter with Thomasin.
- Was it this that made her ill?"
-
- "Yes. Not a scandal--a misfortune. I will tell you all
- about it, Clym. You must not be angry, but you must listen,
- and you'll find that what we have done has been done
- for the best."
-
- She then told him the circumstances. All that he had known
- of the affair before he returned from Paris was that there
- had existed an attachment between Thomasin and Wildeve,
- which his mother had at first discountenanced, but had since,
- owing to the arguments of Thomasin, looked upon in a little
- more favourable light. When she, therefore, proceeded
- to explain all he was greatly surprised and troubled.
-
- "And she determined that the wedding should be over
- before you came back," said Mrs. Yeobright, "that there
- might be no chance of her meeting you, and having a very
- painful time of it. That's why she has gone to him;
- they have arranged to be married this morning."
-
- "But I can't understand it," said Yeobright, rising.
- "'Tis so unlike her. I can see why you did not write
- to me after her unfortunate return home. But why didn't
- you let me know when the wedding was going to be--the
- first time?"
-
- "Well, I felt vexed with her just then. She seemed to me
- to be obstinate; and when I found that you were nothing
- in her mind I vowed that she should be nothing in yours.
- I felt that she was only my niece after all; I told her she
- might marry, but that I should take no interest in it,
- and should not bother you about it either."
-
- "It wouldn't have been bothering me. Mother, you did wrong."
-
- "I thought it might disturb you in your business, and that
- you might throw up your situation, or injure your prospects
- in some way because of it, so I said nothing. Of course,
- if they had married at that time in a proper manner,
- I should have told you at once."
-
- "Tamsin actually being married while we are sitting here!"
-
- "Yes. Unless some accident happens again, as it did
- the first time. It may, considering he's the same man."
-
- "Yes, and I believe it will. Was it right to let her go?
- Suppose Wildeve is really a bad fellow?"
-
- "Then he won't come, and she'll come home again."
-
- "You should have looked more into it."
-
- "It is useless to say that," his mother answered with an
- impatient look of sorrow. "You don't know how bad it has
- been here with us all these weeks, Clym. You don't know
- what a mortification anything of that sort is to a woman.
- You don't know the sleepless nights we've had in this house,
- and the almost bitter words that have passed between us
- since that Fifth of November. I hope never to pass seven
- such weeks again. Tamsin has not gone outside the door,
- and I have been ashamed to look anybody in the face;
- and now you blame me for letting her do the only thing that
- can be done to set that trouble straight."
-
- "No," he said slowly. "Upon the whole I don't blame you.
- But just consider how sudden it seems to me. Here was I,
- knowing nothing; and then I am told all at once that Tamsie
- is gone to be married. Well, I suppose there was nothing
- better to do. Do you know, Mother," he continued after
- a moment or two, looking suddenly interested in his own
- past history, "I once thought of Tamsin as a sweetheart? Yes,
- I did. How odd boys are! And when I came home and saw
- her this time she seemed so much more affectionate
- than usual, that I was quite reminded of those days,
- particularly on the night of the party, when she was unwell.
- We had the party just the same--was not that rather cruel
- to her?"
-
- "It made no difference. I had arranged to give one, and it
- was not worth while to make more gloom than necessary.
- To begin by shutting ourselves up and telling you of Tamsin's
- misfortunes would have been a poor sort of welcome."
-
- Clym remained thinking. "I almost wish you had not had
- that party," he said; "and for other reasons. But I will
- tell you in a day or two. We must think of Tamsin now."
-
- They lapsed into silence. "I'll tell you what,"
- said Yeobright again, in a tone which showed some slumbering
- feeling still. "I don't think it kind to Tamsin to let
- her be married like this, and neither of us there to keep
- up her spirits or care a bit about her. She hasn't
- disgraced herself, or done anything to deserve that.
- It is bad enough that the wedding should be so hurried
- and unceremonious, without our keeping away from it
- in addition. Upon my soul, 'tis almost a shame.
- I'll go."
-
- "It is over by this time," said his mother with a sigh;
- "unless they were late, or he--"
-
- "Then I shall be soon enough to see them come out.
- I don't quite like your keeping me in ignorance, Mother,
- after all. Really, I half hope he has failed to meet her!"
-
- "And ruined her character?"
-
- "Nonsense--that wouldn't ruin Thomasin."
-
- He took up his hat and hastily left the house.
- Mrs. Yeobright looked rather unhappy, and sat still,
- deep in thought. But she was not long left alone.
- A few minutes later Clym came back again, and in his company
- came Diggory Venn.
-
- "I find there isn't time for me to get there," said Clym.
-
- "Is she married?" Mrs. Yeobright inquired, turning to the
- reddleman a face in which a strange strife of wishes,
- for and against, was apparent.
-
- Venn bowed. "She is, ma'am."
-
- "How strange it sounds," murmured Clym.
-
- "And he didn't disappoint her this time?" said Mrs. Yeobright.
-
- "He did not. And there is now no slight on her name.
- I was hastening ath'art to tell you at once, as I saw you
- were not there."
-
- "How came you to be there? How did you know it?"
- she asked.
-
- "I have been in that neighbourhood for some time, and I
- saw them go in," said the reddleman. "Wildeve came up
- to the door, punctual as the clock. I didn't expect
- it of him." He did not add, as he might have added,
- that how he came to be in that neighbourhood was not
- by accident; that, since Wildeve's resumption of his right
- to Thomasin, Venn, with the thoroughness which was part
- of his character, had determined to see the end of the episode.
-
- "Who was there?" said Mrs. Yeobright.
-
- "Nobody hardly. I stood right out of the way, and she
- did not see me." The reddleman spoke huskily, and looked
- into the garden.
-
- "Who gave her away?"
-
- "Miss Vye."
-
- "How very remarkable! Miss Vye! It is to be considered
- an honour, I suppose?"
-
- "Who's Miss Vye?" said Clym.
-
- "Captain Vye's granddaughter, of Mistover Knap."
-
- "A proud girl from Budmouth," said Mrs. Yeobright.
- "One not much to my liking. People say she's a witch,
- but of course that's absurd."
-
- The reddleman kept to himself his acquaintance with that
- fair personage, and also that Eustacia was there because he
- went to fetch her, in accordance with a promise he had given
- as soon as he learnt that the marriage was to take place.
- He merely said, in continuation of the story----
-
- "I was sitting on the churchyard wall when they came up,
- one from one way, the other from the other; and Miss Vye
- was walking thereabouts, looking at the headstones.
- As soon as they had gone in I went to the door, feeling I
- should like to see it, as I knew her so well. I pulled
- off my boots because they were so noisy, and went up into
- the gallery. I saw then that the parson and clerk were
- already there."
-
- "How came Miss Vye to have anything to do with it,
- if she was only on a walk that way?"
-
- "Because there was nobody else. She had gone into the church
- just before me, not into the gallery. The parson looked
- round before beginning, and as she was the only one near he
- beckoned to her, and she went up to the rails. After that,
- when it came to signing the book, she pushed up her veil
- and signed; and Tamsin seemed to thank her for her kindness."
- The reddleman told the tale thoughtfully for there
- lingered upon his vision the changing colour of Wildeve,
- when Eustacia lifted the thick veil which had concealed
- her from recognition and looked calmly into his face.
- "And then," said Diggory sadly, "I came away, for her
- history as Tamsin Yeobright was over."
-
- "I offered to go," said Mrs. Yeobright regretfully.
- "But she said it was not necessary."
-
- "Well, it is no matter," said the reddleman. "The thing
- is done at last as it was meant to be at first, and God
- send her happiness. Now I'll wish you good morning."
-
- He placed his cap on his head and went out.
-
- From that instant of leaving Mrs. Yeobright's door,
- the reddleman was seen no more in or about Egdon Heath
- for a space of many months. He vanished entirely.
- The nook among the brambles where his van had been
- standing was as vacant as ever the next morning,
- and scarcely a sign remained to show that he had been there,
- excepting a few straws, and a little redness on the turf,
- which was washed away by the next storm of rain.
-
- The report that Diggory had brought of the wedding,
- correct as far as it went, was deficient in one
- significant particular, which had escaped him through his
- being at some distance back in the church. When Thomasin
- was tremblingly engaged in signing her name Wildeve
- had flung towards Eustacia a glance that said plainly,
- "I have punished you now." She had replied in a low
- tone--and he little thought how truly--"You mistake;
- it gives me sincerest pleasure to see her your wife today."
-
-
-
- book three
-
- THE FASCINATION
-
-
-
- 1 - "My Mind to Me a Kingdom Is"
-
-
- In Clym Yeobright's face could be dimly seen the typical
- countenance of the future. Should there be a classic period
- to art hereafter, its Pheidias may produce such faces.
- The view of life as a thing to be put up with, replacing that
- zest for existence which was so intense in early civilizations,
- must ultimately enter so thoroughly into the constitution
- of the advanced races that its facial expression will become
- accepted as a new artistic departure. People already feel
- that a man who lives without disturbing a curve of feature,
- or setting a mark of mental concern anywhere upon himself,
- is too far removed from modern perceptiveness to be a
- modern type. Physically beautiful men--the glory of the
- race when it was young--are almost an anachronism now;
- and we may wonder whether, at some time or other,
- physically beautiful women may not be an anachronism likewise.
-
- The truth seems to be that a long line of disillusive
- centuries has permanently displaced the Hellenic idea
- of life, or whatever it may be called. What the Greeks
- only suspected we know well; what their Aeschylus
- imagined our nursery children feel. That old-fashioned
- revelling in the general situation grows less and less
- possible as we uncover the defects of natural laws,
- and see the quandary that man is in by their operation.
-
- The lineaments which will get embodied in ideals based
- upon this new recognition will probably be akin to
- those of Yeobright. The observer's eye was arrested,
- not by his face as a picture, but by his face as a page;
- not by what it was, but by what it recorded. His features
- were attractive in the light of symbols, as sounds
- intrinsically common become attractive in language,
- and as shapes intrinsically simple become interesting
- in writing.
-
- He had been a lad of whom something was expected.
- Beyond this all had been chaos. That he would be
- successful in an original way, or that he would go to
- the dogs in an original way, seemed equally probable.
- The only absolute certainty about him was that he would
- not stand still in the circumstances amid which he was born.
-
- Hence, when his name was casually mentioned by neighbouring
- yeomen, the listener said, "Ah, Clym Yeobright--what is he
- doing now?" When the instinctive question about a person is,
- What is he doing? it is felt that he will be found to be,
- like most of us, doing nothing in particular. There is
- an indefinite sense that he must be invading some region
- of singularity, good or bad. The devout hope is that he
- is doing well. The secret faith is that he is making
- a mess of it. Half a dozen comfortable market-men, who
- were habitual callers at the Quiet Woman as they passed
- by in their carts, were partial to the topic. In fact,
- though they were not Egdon men, they could hardly avoid
- it while they sucked their long clay tubes and regarded
- the heath through the window. Clym had been so inwoven
- with the heath in his boyhood that hardly anybody could
- look upon it without thinking of him. So the subject
- recurred: if he were making a fortune and a name,
- so much the better for him; if he were making a tragical
- figure in the world, so much the better for a narrative.
-
- The fact was that Yeobright's fame had spread to an awkward
- extent before he left home. "It is bad when your fame
- outruns your means," said the Spanish Jesuit Gracian.
- At the age of six he had asked a Scripture riddle: "Who
- was the first man known to wear breeches?" and applause
- had resounded from the very verge of the heath. At seven
- he painted the Battle of Waterloo with tiger-lily pollen
- and black-currant juice, in the absence of water-colours. By
- the time he reached twelve he had in this manner been heard
- of as artist and scholar for at least two miles round.
- An individual whose fame spreads three or four thousand
- yards in the time taken by the fame of others similarly
- situated to travel six or eight hundred, must of necessity
- have something in him. Possibly Clym's fame, like Homer's,
- owed something to the accidents of his situation;
- nevertheless famous he was.
-
- He grew up and was helped out in life. That waggery
- of fate which started Clive as a writing clerk,
- Gay as a linen-draper, Keats as a surgeon, and a thousand
- others in a thousand other odd ways, banished the wild
- and ascetic heath lad to a trade whose sole concern was
- with the especial symbols of self-indulgence and vainglory.
-
- The details of this choice of a business for him it is not
- necessary to give. At the death of his father a neighbouring
- gentleman had kindly undertaken to give the boy a start,
- and this assumed the form of sending him to Budmouth.
- Yeobright did not wish to go there, but it was the only
- feasible opening. Thence he went to London; and thence,
- shortly after, to Paris, where he had remained till now.
-
- Something being expected of him, he had not been at home
- many days before a great curiosity as to why he stayed
- on so long began to arise in the heath. The natural
- term of a holiday had passed, yet he still remained.
- On the Sunday morning following the week of Thomasin's
- marriage a discussion on this subject was in progress
- at a hair-cutting before Fairway's house. Here the local
- barbering was always done at this hour on this day,
- to be followed by the great Sunday wash of the inhabitants
- at noon, which in its turn was followed by the great
- Sunday dressing an hour later. On Egdon Heath Sunday
- proper did not begin till dinner-time, and even then it
- was a somewhat battered specimen of the day.
-
- These Sunday-morning hair-cuttings were performed by Fairway;
- the victim sitting on a chopping-block in front of the house,
- without a coat, and the neighbours gossiping around,
- idly observing the locks of hair as they rose upon the wind
- after the snip, and flew away out of sight to the four
- quarters of the heavens. Summer and winter the scene was
- the same, unless the wind were more than usually blusterous,
- when the stool was shifted a few feet round the corner.
- To complain of cold in sitting out of doors, hatless
- and coatless, while Fairway told true stories between
- the cuts of the scissors, would have been to pronounce
- yourself no man at once. To flinch, exclaim, or move
- a muscle of the face at the small stabs under the ear
- received from those instruments, or at scarifications
- of the neck by the comb, would have been thought a gross
- breach of good manners, considering that Fairway did it
- all for nothing. A bleeding about the poll on Sunday
- afternoons was amply accounted for by the explanation.
- "I have had my hair cut, you know."
-
- The conversation on Yeobright had been started by a
- distant view of the young man rambling leisurely across
- the heath before them.
-
- "A man who is doing well elsewhere wouldn't bide
- here two or three weeks for nothing," said Fairway.
- "He's got some project in 's head--depend upon that."
-
- "Well, 'a can't keep a diment shop here," said Sam.
-
- "I don't see why he should have had them two heavy boxes
- home if he had not been going to bide; and what there
- is for him to do here the Lord in heaven knows."
-
- Before many more surmises could be indulged in Yeobright
- had come near; and seeing the hair-cutting group he turned
- aside to join them. Marching up, and looking critically
- at their faces for a moment, he said, without introduction,
- "Now, folks, let me guess what you have been talking about."
-
- "Ay, sure, if you will," said Sam.
-
- "About me."
-
- "Now, it is a thing I shouldn't have dreamed of doing,
- otherwise," said Fairway in a tone of integrity; "but since
- you have named it, Master Yeobright, I'll own that we was
- talking about 'ee. We were wondering what could keep you home
- here mollyhorning about when you have made such a world-wide
- name for yourself in the nick-nack trade--now, that's the truth o't."
-
- "I'll tell you," said Yeobright. with unexpected earnestness.
- "I am not sorry to have the opportunity. I've come
- home because, all things considered, I can be a trifle less
- useless here than anywhere else. But I have only lately
- found this out. When I first got away from home I thought
- this place was not worth troubling about. I thought our
- life here was contemptible. To oil your boots instead
- of blacking them, to dust your coat with a switch instead
- of a brush--was there ever anything more ridiculous? I said."
-
- "So 'tis; so 'tis!"
-
- "No, no--you are wrong; it isn't."
-
- "Beg your pardon, we thought that was your maning?"
-
- "Well, as my views changed my course became very depressing.
- I found that I was trying to be like people who had hardly
- anything in common with myself. I was endeavouring
- to put off one sort of life for another sort of life,
- which was not better than the life I had known before.
- It was simply different."
-
- "True; a sight different," said Fairway.
-
- "Yes, Paris must be a taking place," said Humphrey.
- "Grand shop-winders, trumpets, and drums; and here be we
- out of doors in all winds and weathers--"
-
- "But you mistake me," pleaded Clym. "All this was
- very depressing. But not so depressing as something I
- next perceived--that my business was the idlest, vainest,
- most effeminate business that ever a man could be put to.
- That decided me--I would give it up and try to follow
- some rational occupation among the people I knew best,
- and to whom I could be of most use. I have come home;
- and this is how I mean to carry out my plan. I shall
- keep a school as near to Egdon as possible, so as to be
- able to walk over here and have a night-school in my
- mother's house. But I must study a little at first,
- to get properly qualified. Now, neighbours, I must go."
-
- And Clym resumed his walk across the heath.
-
- "He'll never carry it out in the world," said Fairway.
- "In a few weeks he'll learn to see things otherwise."
-
- "'Tis good-hearted of the young man," said another.
- "But, for my part, I think he had better mind his business."
-
-
-
- 2 - The New Course Causes Disappointment
-
-
- Yeobright loved his kind. He had a conviction that the
- want of most men was knowledge of a sort which brings
- wisdom rather than affluence. He wished to raise
- the class at the expense of individuals rather than
- individuals at the expense of the class. What was more,
- he was ready at once to be the first unit sacrificed.
-
- In passing from the bucolic to the intellectual life
- the intermediate stages are usually two at least,
- frequently many more; and one of those stages is almost
- sure to be worldly advanced. We can hardly imagine
- bucolic placidity quickening to intellectual aims without
- imagining social aims as the transitional phase.
- Yeobright's local peculiarity was that in striving at high
- thinking he still cleaved to plain living--nay, wild and
- meagre living in many respects, and brotherliness with clowns.
-
- He was a John the Baptist who took ennoblement rather than
- repentance for his text. Mentally he was in a provincial future,
- that is, he was in many points abreast with the central
- town thinkers of his date. Much of this development he
- may have owed to his studious life in Paris, where he
- had become acquainted with ethical systems popular at the time.
-
- In consequence of this relatively advanced position,
- Yeobright might have been called unfortunate.
- The rural world was not ripe for him. A man should
- be only partially before his time--to be completely
- to the vanward in aspirations is fatal to fame.
- Had Philip's warlike son been intellectually so far ahead
- as to have attempted civilization without bloodshed,
- he would have been twice the godlike hero that he seemed,
- but nobody would have heard of an Alexander.
-
- In the interests of renown the forwardness should lie chiefly
- in the capacity to handle things. Successful propagandists
- have succeeded because the doctrine they bring into form
- is that which their listeners have for some time felt
- without being able to shape. A man who advocates aesthetic
- effort and deprecates social effort is only likely to be
- understood by a class to which social effort has become
- a stale matter. To argue upon the possibility of culture
- before luxury to the bucolic world may be to argue truly,
- but it is an attempt to disturb a sequence to which
- humanity has been long accustomed. Yeobright preaching
- to the Egdon eremites that they might rise to a serene
- comprehensiveness without going through the process
- of enriching themselves was not unlike arguing to ancient
- Chaldeans that in ascending from earth to the pure empyrean
- it was not necessary to pass first into the intervening heaven
- of ether.
-
- Was Yeobright's mind well-proportioned? No. A well
- proportioned mind is one which shows no particular bias;
- one of which we may safely say that it will never cause
- its owner to be confined as a madman, tortured as a heretic,
- or crucified as a blasphemer. Also, on the other hand,
- that it will never cause him to be applauded as
- a prophet, revered as a priest, or exalted as a king.
- Its usual blessings are happiness and mediocrity.
- It produces the poetry of Rogers, the paintings of West,
- the statecraft of North, the spiritual guidance of Tomline;
- enabling its possessors to find their way to wealth,
- to wind up well, to step with dignity off the stage,
- to die comfortably in their beds, and to get the decent
- monument which, in many cases, they deserve. It never
- would have allowed Yeobright to do such a ridiculous thing
- as throw up his business to benefit his fellow-creatures.
-
- He walked along towards home without attending to paths.
- If anyone knew the heath well it was Clym. He was permeated
- with its scenes, with its substance, and with its odours.
- He might be said to be its product. His eyes had first
- opened thereon; with its appearance all the first images ,
- of his memory were mingled, his estimate of life had
- been coloured by it: his toys had been the flint knives
- and arrow-heads which he found there, wondering why
- stones should "grow" to such odd shapes; his flowers,
- the purple bells and yellow furze: his animal kingdom,
- the snakes and croppers; his society, its human haunters.
- Take all the varying hates felt by Eustacia Vye towards
- the heath, and translate them into loves, and you have the
- heart of Clym. He gazed upon the wide prospect as he walked,
- and was glad.
-
- To many persons this Egdon was a place which had slipped
- out of its century generations ago, to intrude as an
- uncouth object into this. It was an obsolete thing,
- and few cared to study it. How could this be otherwise
- in the days of square fields, plashed hedges,
- and meadows watered on a plan so rectangular that on a
- fine day they looked like silver gridirons? The farmer,
- in his ride, who could smile at artificial grasses,
- look with solicitude at the coming corn, and sigh
- with sadness at the fly-eaten turnips, bestowed upon
- the distant upland of heath nothing better than a frown.
- But as for Yeobright, when he looked from the heights
- on his way he could not help indulging in a barbarous
- satisfaction at observing that, in some of the attempts
- at reclamation from the waste, tillage, after holding
- on for a year or two, had receded again in despair,
- the ferns and furze-tufts stubbornly reasserting themselves.
-
- He descended into the valley, and soon reached his home
- at Blooms-End. His mother was snipping dead leaves from
- the window-plants. She looked up at him as if she did
- not understand the meaning of his long stay with her;
- her face had worn that look for several days. He could
- perceive that the curiosity which had been shown by the
- hair-cutting group amounted in his mother to concern.
- But she had asked no question with her lips, even when
- the arrival of his trunk suggested that he was not going
- to leave her soon. Her silence besought an explanation
- of him more loudly than words.
-
- "I am not going back to Paris again, Mother," he said.
- "At least, in my old capacity. I have given up the business."
-
- Mrs. Yeobright turned in pained surprise. "I thought
- something was amiss, because of the boxes. I wonder you
- did not tell me sooner."
-
- "I ought to have done it. But I have been in doubt
- whether you would be pleased with my plan. I was not
- quite clear on a few points myself. I am going to take
- an entirely new course."
-
- "I am astonished, Clym. How can you want to do better
- than you've been doing?"
-
- "Very easily. But I shall not do better in the way
- you mean; I suppose it will be called doing worse.
- But I hate that business of mine, and I want to do some
- worthy thing before I die. As a schoolmaster I think
- to do it--a school-master to the poor and ignorant,
- to teach them what nobody else will."
-
- "After all the trouble that has been taken to give you
- a start, and when there is nothing to do but to keep
- straight on towards affluence, you say you will be a poor
- man's schoolmaster. Your fancies will be your ruin, Clym."
-
- Mrs. Yeobright spoke calmly, but the force of feeling
- behind the words was but too apparent to one who knew
- her as well as her son did. He did not answer.
- There was in his face that hopelessness of being understood
- which comes when the objector is constitutionally beyond
- the reach of a logic that, even under favouring conditions,
- is almost too coarse a vehicle for the subtlety of the argument.
-
- No more was said on the subject till the end of dinner.
- His mother then began, as if there had been no interval
- since the morning. "It disturbs me, Clym, to find
- that you have come home with such thoughts as those.
- I hadn't the least idea that you meant to go backward
- in the world by your own free choice. Of course,
- I have always supposed you were going to push straight on,
- as other men do--all who deserve the name--when they have
- been put in a good way of doing well."
-
- "I cannot help it," said Clym, in a troubled tone.
- "Mother, I hate the flashy business. Talk about men
- who deserve the name, can any man deserving the name
- waste his time in that effeminate way, when he sees half
- the world going to ruin for want of somebody to buckle
- to and teach them how to breast the misery they are born
- to? I get up every morning and see the whole creation
- groaning and travailing in pain, as St. Paul says,
- and yet there am I, trafficking in glittering splendours
- with wealthy women and titled libertines, and pandering
- to the meanest vanities--I, who have health and strength
- enough for anything. I have been troubled in my mind
- about it all the year, and the end is that I cannot do it
- any more."
-
- "Why can't you do it as well as others?"
-
- "I don't know, except that there are many things other
- people care for which I don't; and that's partly why I
- think I ought to do this. For one thing, my body does
- not require much of me. I cannot enjoy delicacies;
- good things are wasted upon me. Well, I ought to turn
- that defect to advantage, and by being able to do without
- what other people require I can spend what such things
- cost upon anybody else."
-
- Now, Yeobright, having inherited some of these very
- instincts from the woman before him, could not fail
- to awaken a reciprocity in her through her feelings,
- if not by arguments, disguise it as she might for his good.
- She spoke with less assurance. "And yet you might
- have been a wealthy man if you had only persevered.
- Manager to that large diamond establishment--what better
- can a man wish for? What a post of trust and respect!
- I suppose you will be like your father; like him,
- you are getting weary of doing well."
-
- "No," said her son, "I am not weary of that, though I am
- weary of what you mean by it. Mother, what is doing well?"
-
- Mrs. Yeobright was far too thoughtful a woman to be
- content with ready definitions, and, like the "What
- is wisdom?" of Plato's Socrates, and the "What is truth?"
- of Pontius Pilate, Yeobright's burning question received
- no answer.
-
- The silence was broken by the clash of the garden gate,
- a tap at the door, and its opening. Christian Cantle
- appeared in the room in his Sunday clothes.
-
- It was the custom on Egdon to begin the preface to a story
- before absolutely entering the house, so as to be well
- in for the body of the narrative by the time visitor
- and visited stood face to face. Christian had been
- saying to them while the door was leaving its latch,
- "To think that I, who go from home but once in a while,
- and hardly then, should have been there this morning!"
-
- "'Tis news you have brought us, then, Christian?"
- said Mrs. Yeobright.
-
- "Ay, sure, about a witch, and ye must overlook my time o'
- day; for, says I, 'I must go and tell 'em, though they
- won't have half done dinner.' I assure ye it made me shake
- like a driven leaf. Do ye think any harm will come o't?"
-
- "Well--what?"
-
- "This morning at church we was all standing up,
- and the pa'son said, 'Let us pray.' 'Well,' thinks I,
- 'one may as well kneel as stand'; so down I went; and,
- more than that, all the rest were as willing to oblige
- the man as I. We hadn't been hard at it for more than a
- minute when a most terrible screech sounded through church,
- as if somebody had just gied up their heart's blood.
- All the folk jumped up and then we found that Susan
- Nunsuch had pricked Miss Vye with a long stocking-needle,
- as she had threatened to do as soon as ever she could
- get the young lady to church, where she don't come
- very often. She've waited for this chance for weeks,
- so as to draw her blood and put an end to the bewitching
- of Susan's children that has been carried on so long.
- Sue followed her into church, sat next to her, and as soon
- as she could find a chance in went the stocking-needle
- into my lady's arm."
-
- "Good heaven, how horrid!" said Mrs. Yeobright.
-
- "Sue pricked her that deep that the maid fainted away;
- and as I was afeard there might be some tumult among us,
- I got behind the bass viol and didn't see no more.
- But they carried her out into the air, 'tis said;
- but when they looked round for Sue she was gone.
- What a scream that girl gied, poor thing! There were the
- pa'son in his surplice holding up his hand and saying,
- 'Sit down, my good people, sit down!' But the deuce a bit
- would they sit down. O, and what d'ye think I found out,
- Mrs. Yeobright? The pa'son wears a suit of clothes under his
- surplice!--I could see his black sleeves when he held up
- his arm."
-
- "'Tis a cruel thing," said Yeobright.
-
- "Yes," said his mother.
-
- "The nation ought to look into it," said Christian.
- "Here's Humphrey coming, I think."
-
- In came Humphrey. "Well, have ye heard the news?
- But I see you have. 'Tis a very strange thing that
- whenever one of Egdon folk goes to church some rum job
- or other is sure to be doing. The last time one of us
- was there was when neighbour Fairway went in the fall;
- and that was the day you forbad the banns, Mrs. Yeobright."
-
- "Has this cruelly treated girl been able to walk home?"
- said Clym.
-
- "They say she got better, and went home very well.
- And now I've told it I must be moving homeward myself."
-
- "And I," said Humphrey. "Truly now we shall see if there's
- anything in what folks say about her."
-
- When they were gone into the heath again Yeobright said
- quietly to his mother, "Do you think I have turned teacher
- too soon?"
-
- "It is right that there should be schoolmasters,
- and missionaries, and all such men," she replied.
- "But it is right, too, that I should try to lift you out
- of this life into something richer, and that you should
- not come back again, and be as if I had not tried at all."
-
-
- Later in the day Sam, the turf-cutter, entered.
- "I've come a-borrowing, Mrs. Yeobright. I suppose you
- have heard what's been happening to the beauty on the hill?"
-
- "Yes, Sam: half a dozen have been telling us."
-
- "Beauty?" said Clym.
-
- "Yes, tolerably well-favoured," Sam replied. "Lord! all
- the country owns that 'tis one of the strangest things
- in the world that such a woman should have come to live
- up there."
-
- "Dark or fair?"
-
- "Now, though I've seen her twenty times, that's a thing
- I cannot call to mind."
-
- "Darker than Tamsin," murmured Mrs. Yeobright.
-
- "A woman who seems to care for nothing at all, as you
- may say."
-
- "She is melancholy, then?" inquired Clym.
-
- "She mopes about by herself, and don't mix in with the people."
-
- "Is she a young lady inclined for adventures?"
-
- "Not to my knowledge."
-
- "Doesn't join in with the lads in their games, to get
- some sort of excitement in this lonely place?"
-
- "No."
-
- "Mumming, for instance?"
-
- "No. Her notions be different. I should rather say her
- thoughts were far away from here, with lords and ladies
- she'll never know, and mansions she'll never see again."
-
- Observing that Clym appeared singularly interested
- Mrs. Yeobright said rather uneasily to Sam, "You see
- more in her than most of us do. Miss Vye is to my
- mind too idle to be charming. I have never heard
- that she is of any use to herself or to other people.
- Good girls don't get treated as witches even on Egdon."
-
- "Nonsense--that proves nothing either way," said Yeobright.
-
- "Well, of course I don't understand such niceties,"
- said Sam, withdrawing from a possibly unpleasant argument;
- "and what she is we must wait for time to tell us.
- The business that I have really called about is this,
- to borrow the longest and strongest rope you have.
- The captain's bucket has dropped into the well,
- and they are in want of water; and as all the chaps
- are at home today we think we can get it out for him.
- We have three cart-ropes already, but they won't reach to
- the bottom."
-
- Mrs. Yeobright told him that he might have whatever ropes
- he could find in the outhouse, and Sam went out to search.
- When he passed by the door Clym joined him, and accompanied
- him to the gate.
-
- "Is this young witch-lady going to stay long at Mistover?"
- he asked.
-
- "I should say so."
-
- "What a cruel shame to ill-use her, She must have suffered
- greatly--more in mind than in body."
-
- "'Twas a graceless trick--such a handsome girl, too.
- You ought to see her, Mr. Yeobright, being a young man
- come from far, and with a little more to show for your
- years than most of us."
-
- "Do you think she would like to teach children?"
- said Clym.
-
- Sam shook his head. "Quite a different sort of body
- from that, I reckon."
-
- "O, it was merely something which occurred to me.
- It would of course be necessary to see her and talk it
- over--not an easy thing, by the way, for my family and hers
- are not very friendly."
-
- "I'll tell you how you mid see her, Mr. Yeobright,"
- said Sam. "We are going to grapple for the bucket at six
- o'clock tonight at her house, and you could lend a hand.
- There's five or six coming, but the well is deep, and another
- might be useful, if you don't mind appearing in that shape.
- She's sure to be walking round."
-
- "I'll think of it," said Yeobright; and they parted.
-
- He thought of it a good deal; but nothing more was
- said about Eustacia inside the house at that time.
- Whether this romantic martyr to superstition and the
- melancholy mummer he had conversed with under the full
- moon were one and the same person remained as yet a problem.
-
-
-
- 3 - The First Act in a Timeworn Drama
-
-
- The afternoon was fine, and Yeobright walked on the heath
- for an hour with his mother. When they reached the lofty
- ridge which divided the valley of Blooms-End from the
- adjoining valley they stood still and looked round.
- The Quiet Woman Inn was visible on the low margin of
- the heath in one direction, and afar on the other hand
- rose Mistover Knap.
-
- "You mean to call on Thomasin?" he inquired.
-
- "Yes. But you need not come this time," said his mother.
-
- "In that case I'll branch off here, Mother. I am going
- to Mistover."
-
- Mrs. Yeobright turned to him inquiringly.
-
- "I am going to help them get the bucket out of the
- captain's well," he continued. "As it is so very deep
- I may be useful. And I should like to see this Miss
- Vye--not so much for her good looks as for another reason."
-
- "Must you go?" his mother asked.
-
- "I thought to."
-
- And they parted. "There is no help for it," murmured Clym's
- mother gloomily as he withdrew. "They are sure to see
- each other. I wish Sam would carry his news to other
- houses than mine."
-
- Clym's retreating figure got smaller and smaller
- as it rose and fell over the hillocks on his way.
- "He is tender-hearted," said Mrs. Yeobright to herself
- while she watched him; "otherwise it would matter little.
- How he's going on!"
-
- He was, indeed, walking with a will over the furze,
- as straight as a line, as if his life depended upon it.
- His mother drew a long breath, and, abandoning the visit
- to Thomasin, turned back. The evening films began to make
- nebulous pictures of the valleys, but the high lands
- still were raked by the declining rays of the winter sun,
- which glanced on Clym as he walked forward, eyed by every
- rabbit and field-fare around, a long shadow advancing in
- front of him.
-
- On drawing near to the furze-covered bank and ditch which
- fortified the captain's dwelling he could hear voices within,
- signifying that operations had been already begun.
- At the side-entrance gate he stopped and looked over.
-
- Half a dozen able-bodied men were standing in a line from the
- well-mouth, holding a rope which passed over the well-roller
- into the depths below. Fairway, with a piece of smaller
- rope round his body, made fast to one of the standards,
- to guard against accidents, was leaning over the opening,
- his right hand clasping the vertical rope that descended
- into the well.
-
- "Now, silence, folks," said Fairway.
-
- The talking ceased, and Fairway gave a circular motion
- to the rope, as if he were stirring batter. At the end
- of a minute a dull splashing reverberated from the bottom
- of the well; the helical twist he had imparted to the rope
- had reached the grapnel below.
-
- "Haul!" said Fairway; and the men who held the rope began
- to gather it over the wheel.
-
- "I think we've got sommat," said one of the haulers-in.
-
- "Then pull steady," said Fairway.
-
- They gathered up more and more, till a regular dripping
- into the well could be heard below. It grew smarter
- with the increasing height of the bucket, and presently
- a hundred and fifty feet of rope had been pulled in.
-
- Fairway then lit a lantern, tied it to another cord,
- and began lowering it into the well beside the first:
- Clym came forward and looked down. Strange humid leaves,
- which knew nothing of the seasons of the year,
- and quaint-natured mosses were revealed on the wellside
- as the lantern descended; till its rays fell upon a
- confused mass of rope and bucket dangling in the dank,
- dark air.
-
- "We've only got en by the edge of the hoop--steady,
- for God's sake!" said Fairway.
-
- They pulled with the greatest gentleness, till the wet
- bucket appeared about two yards below them, like a dead
- friend come to earth again. Three or four hands were
- stretched out, then jerk went the rope, whizz went the wheel,
- the two foremost haulers fell backward, the beating
- of a falling body was heard, receding down the sides
- of the well, and a thunderous uproar arose at the bottom.
- The bucket was gone again.
-
- "Damn the bucket!" said Fairway.
-
- "Lower again," said Sam.
-
- "I'm as stiff as a ram's horn stooping so long,"
- said Fairway, standing up and stretching himself till
- his joints creaked.
-
- "Rest a few minutes, Timothy," said Yeobright.
- "I'll take your place."
-
- The grapnel was again lowered. Its smart impact upon
- the distant water reached their ears like a kiss,
- whereupon Yeobright knelt down, and leaning over the well
- began dragging the grapnel round and round as Fairway
- had done.
-
- "Tie a rope round him--it is dangerous!" cried a soft
- and anxious voice somewhere above them.
-
- Everybody turned. The speaker was a woman, gazing down
- upon the group from an upper window, whose panes blazed
- in the ruddy glare from the west. Her lips were parted
- and she appeared for the moment to forget where she was.
-
- The rope was accordingly tied round his waist, and the
- work proceeded. At the next haul the weight was not heavy,
- and it was discovered that they had only secured a coil
- of the rope detached from the bucket. The tangled
- mass was thrown into the background. Humphrey took
- Yeobright's place, and the grapnel was lowered again.
-
- Yeobright retired to the heap of recovered rope in a
- meditative mood. Of the identity between the lady's voice
- and that of the melancholy mummer he had not a moment's doubt.
- "How thoughtful of her!" he said to himself.
-
- Eustacia, who had reddened when she perceived the effect
- of her exclamation upon the group below, was no longer
- to be seen at the window, though Yeobright scanned
- it wistfully. While he stood there the men at the well
- succeeded in getting up the bucket without a mishap.
- One of them went to inquire for the captain, to learn
- what orders he wished to give for mending the well-tackle.
- The captain proved to be away from home, and Eustacia
- appeared at the door and came out. She had lapsed into
- an easy and dignified calm, far removed from the intensity
- of life in her words of solicitude for Clym's safety.
-
- "Will it be possible to draw water here tonight?"
- she inquired.
-
- "No, miss; the bottom of the bucket is clean knocked out.
- And as we can do no more now we'll leave off, and come
- again tomorrow morning."
-
- "No water," she murmured, turning away.
-
- "I can send you up some from Blooms-End," said Clym,
- coming forward and raising his hat as the men retired.
-
- Yeobright and Eustacia looked at each other for one instant,
- as if each had in mind those few moments during
- which a certain moonlight scene was common to both.
- With the glance the calm fixity of her features sublimed
- itself to an expression of refinement and warmth;
- it was like garish noon rising to the dignity of sunset
- in a couple of seconds.
-
- "Thank you; it will hardly be necessary," she replied.
-
- "But if you have no water?"
-
- "Well, it is what I call no water," she said, blushing,
- and lifting her long-lashed eyelids as if to lift them
- were a work requiring consideration. "But my grandfather
- calls it water enough. I'll show you what I mean."
-
- She moved away a few yards, and Clym followed. When she
- reached the corner of the enclosure, where the steps
- were formed for mounting the boundary bank, she sprang up
- with a lightness which seemed strange after her listless
- movement towards the well. It incidentally showed
- that her apparent languor did not arise from lack of force.
-
- Clym ascended behind her, and noticed a circular burnt
- patch at the top of the bank. "Ashes?" he said.
-
- "Yes," said Eustacia. "We had a little bonfire here
- last Fifth of November, and those are the marks of it."
-
- On that spot had stood the fire she had kindled
- to attract Wildeve.
-
- "That's the only kind of water we have," she continued,
- tossing a stone into the pool, which lay on the outside
- of the bank like the white of an eye without its pupil.
- The stone fell with a flounce, but no Wildeve appeared
- on the other side, as on a previous occasion there.
- "My grandfather says he lived for more than twenty years
- at sea on water twice as bad as that," she went on,
- "and considers it quite good enough for us here on
- an emergency."
-
- "Well, as a matter of fact there are no impurities
- in the water of these pools at this time of the year.
- It has only just rained into them."
-
- She shook her head. "I am managing to exist in a wilderness,
- but I cannot drink from a pond," she said.
-
- Clym looked towards the well, which was now deserted,
- the men having gone home. "It is a long way to send
- for spring-water," he said, after a silence.
- "But since you don't like this in the pond, I'll try
- to get you some myself." He went back to the well.
- "Yes, I think I could do it by tying on this pail."
-
- "But, since I would not trouble the men to get it,
- I cannot in conscience let you."
-
- "I don't mind the trouble at all."
-
- He made fast the pail to the long coil of rope, put it over
- the wheel, and allowed it to descend by letting the rope slip
- through his hands. Before it had gone far, however, he checked it.
-
- "I must make fast the end first, or we may lose the whole,"
- he said to Eustacia, who had drawn near. "Could you hold
- this a moment, while I do it--or shall I call your servant?"
-
- "I can hold it," said Eustacia; and he placed the rope
- in her hands, going then to search for the end.
-
- "I suppose I may let it slip down?" she inquired.
-
- "I would advise you not to let it go far," said Clym.
- "It will get much heavier, you will find."
-
- However, Eustacia had begun to pay out. While he was
- tying she cried, "I cannot stop it!"
-
- Clym ran to her side, and found he could only check the
- rope by twisting the loose part round the upright post,
- when it stopped with a jerk. "Has it hurt you?"
-
- "Yes," she replied.
-
- "Very much?"
-
- "No; I think not." She opened her hands. One of them
- was bleeding; the rope had dragged off the skin.
- Eustacia wrapped it in her handkerchief.
-
- "You should have let go," said Yeobright. "Why didn't you?"
-
- "You said I was to hold on....This is the second time
- I have been wounded today."
-
- "Ah, yes; I have heard of it. I blush for my native Egdon.
- Was it a serious injury you received in church, Miss Vye?"
-
- There was such an abundance of sympathy in Clym's tone
- that Eustacia slowly drew up her sleeve and disclosed
- her round white arm. A bright red spot appeared on its
- smooth surface, like a ruby on Parian marble.
-
- "There it is," she said, putting her finger against the spot.
-
- "It was dastardly of the woman," said Clym. "Will not
- Captain Vye get her punished?"
-
- "He is gone from home on that very business. I did
- not know that I had such a magic reputation."
-
- "And you fainted?" said Clym, looking at the scarlet
- little puncture as if he would like to kiss it and make
- it well.
-
- "Yes, it frightened me. I had not been to church for
- a long time. And now I shall not go again for ever so
- long--perhaps never. I cannot face their eyes after this.
- Don't you think it dreadfully humiliating? I wished
- I was dead for hours after, but I don't mind now."
-
- "I have come to clean away these cobwebs," said Yeobright.
- "Would you like to help me--by high-class teaching? We
- might benefit them much."
-
- "I don't quite feel anxious to. I have not much love
- for my fellow-creatures. Sometimes I quite hate them."
-
- "Still I think that if you were to hear my scheme you might
- take an interest in it. There is no use in hating people--if
- you hate anything, you should hate what produced them."
-
- "Do you mean Nature? I hate her already. But I shall
- be glad to hear your scheme at any time."
-
- The situation had now worked itself out, and the next
- natural thing was for them to part. Clym knew this
- well enough, and Eustacia made a move of conclusion;
- yet he looked at her as if he had one word more to say.
- Perhaps if he had not lived in Paris it would never have
- been uttered.
-
- "We have met before," he said, regarding her with rather
- more interest than was necessary.
-
- "I do not own it," said Eustacia, with a repressed,
- still look.
-
- "But I may think what I like."
-
- "Yes."
-
- "You are lonely here."
-
- "I cannot endure the heath, except in its purple season.
- The heath is a cruel taskmaster to me."
-
- "Can you say so?" he asked. "To my mind it is most
- exhilarating, and strengthening, and soothing. I would
- rather live on these hills than anywhere else in the world."
-
- "It is well enough for artists; but I never would learn
- to draw."
-
- "And there is a very curious druidical stone just out there."
- He threw a pebble in the direction signified. "Do you
- often go to see it?"
-
- "I was not even aware there existed any such curious
- druidical stone. I am aware that there are boulevards
- in Paris."
-
- Yeobright looked thoughtfully on the ground.
- "That means much," he said.
-
- "It does indeed," said Eustacia.
-
- "I remember when I had the same longing for town bustle.
- Five years of a great city would be a perfect cure
- for that."
-
- "Heaven send me such a cure! Now, Mr. Yeobright,
- I will go indoors and plaster my wounded hand."
-
- They separated, and Eustacia vanished in the increasing shade.
- She seemed full of many things. Her past was a blank,
- her life had begun. The effect upon Clym of this
- meeting he did not fully discover till some time after.
- During his walk home his most intelligible sensation
- was that his scheme had somehow become glorified.
- A beautiful woman had been intertwined with it.
-
- On reaching the house he went up to the room which was to
- be made his study, and occupied himself during the evening
- in unpacking his books from the boxes and arranging them
- on shelves. From another box he drew a lamp and a can
- of oil. He trimmed the lamp, arranged his table,
- and said, "Now, I am ready to begin."
-
- He rose early the next morning, read two hours before
- breakfast by the light of his lamp--read all the morning,
- all the afternoon. Just when the sun was going down his
- eyes felt weary, and he leant back in his chair.
-
- His room overlooked the front of the premises and the valley
- of the heath beyond. The lowest beams of the winter
- sun threw the shadow of the house over the palings,
- across the grass margin of the heath, and far up the vale,
- where the chimney outlines and those of the surrounding
- tree-tops stretched forth in long dark prongs. Having been
- seated at work all day, he decided to take a turn upon
- the hills before it got dark; and, going out forthwith,
- he struck across the heath towards Mistover.
-
- It was an hour and a half later when he again appeared at
- the garden gate. The shutters of the house were closed,
- and Christian Cantle, who had been wheeling manure about
- the garden all day, had gone home. On entering he found
- that his mother, after waiting a long time for him,
- had finished her meal.
-
- "Where have you been, Clym?" she immediately said.
- "Why didn't you tell me that you were going away at
- this time?"
-
- "I have been on the heath."
-
- "You'll meet Eustacia Vye if you go up there."
-
- Clym paused a minute. "Yes, I met her this evening,"
- he said, as though it were spoken under the sheer necessity
- of preserving honesty.
-
- "I wondered if you had."
-
- "It was no appointment."
-
- "No; such meetings never are."
-
- "But you are not angry, Mother?"
-
- "I can hardly say that I am not. Angry? No. But when I
- consider the usual nature of the drag which causes men
- of promise to disappoint the world I feel uneasy."
-
- "You deserve credit for the feeling, Mother. But I can
- assure you that you need not be disturbed by it on my account."
-
- "When I think of you and your new crotchets," said Mrs. Yeobright,
- with some emphasis, "I naturally don't feel so comfortable
- as I did a twelvemonth ago. It is incredible to me
- that a man accustomed to the attractive women of Paris
- and elsewhere should be so easily worked upon by a girl
- in a heath. You could just as well have walked another way."
-
- "I had been studying all day."
-
- "Well, yes," she added more hopefully, "I have been thinking
- that you might get on as a schoolmaster, and rise that way,
- since you really are determined to hate the course you
- were pursuing."
-
- Yeobright was unwilling to disturb this idea, though his
- scheme was far enough removed from one wherein the education
- of youth should be made a mere channel of social ascent.
- He had no desires of that sort. He had reached the stage
- in a young man's life when the grimness of the general
- human situation first becomes clear; and the realization
- of this causes ambition to halt awhile. In France it
- is not uncustomary to commit suicide at this stage;
- in England we do much better, or much worse, as the case
- may be.
-
- The love between the young man and his mother was
- strangely invisible now. Of love it may be said,
- the less earthly the less demonstrative. In its absolutely
- indestructible form it reaches a profundity in which all
- exhibition of itself is painful. It was so with these.
- Had conversations between them been overheard,
- people would have said, "How cold they are to each other!"
-
- His theory and his wishes about devoting his future
- to teaching had made an impression on Mrs. Yeobright.
- Indeed, how could it be otherwise when he was a part
- of her--when their discourses were as if carried on
- between the right and the left hands of the same body?
- He had despaired of reaching her by argument; and it
- was almost as a discovery to him that he could reach her
- by a magnetism which was as superior to words as words are to yells.
-
- Strangely enough he began to feel now that it would
- not be so hard to persuade her who was his best friend
- that comparative poverty was essentially the higher
- course for him, as to reconcile to his feelings the act
- of persuading her. From every provident point of view
- his mother was so undoubtedly right, that he was not
- without a sickness of heart in finding he could shake her.
-
- She had a singular insight into life, considering that she
- had never mixed with it. There are instances of persons who,
- without clear ideas of the things they criticize have
- yet had clear ideas of the relations of those things.
- Blacklock, a poet blind from his birth, could describe
- visual objects with accuracy; Professor Sanderson,
- who was also blind, gave excellent lectures on colour,
- and taught others the theory of ideas which they had and
- he had not. In the social sphere these gifted ones are
- mostly women; they can watch a world which they never saw,
- and estimate forces of which they have only heard.
- We call it intuition.
-
- What was the great world to Mrs. Yeobright? A multitude whose
- tendencies could be perceived, though not its essences.
- Communities were seen by her as from a distance;
- she saw them as we see the throngs which cover the
- canvases of Sallaert, Van Alsloot, and others of that
- school--vast masses of beings, jostling, zigzagging,
- and processioning in definite directions, but whose features
- are indistinguishable by the very comprehensiveness of the view.
-
- One could see that, as far as it had gone, her life was
- very complete on its reflective side. The philosophy of
- her nature, and its limitation by circumstances, was almost
- written in her movements. They had a majestic foundation,
- though they were far from being majestic; and they had
- a ground-work of assurance, but they were not assured.
- As her once elastic walk had become deadened by time,
- so had her natural pride of life been hindered in its
- blooming by her necessities.
-
- The next slight touch in the shaping of Clym's destiny
- occurred a few days after. A barrow was opened on the heath,
- and Yeobright attended the operation, remaining away
- from his study during several hours. In the afternoon
- Christian returned from a journey in the same direction,
- and Mrs. Yeobright questioned him.
-
- "They have dug a hole, and they have found things like flowerpots
- upside down, Mis'ess Yeobright; and inside these be real
- charnel bones. They have carried 'em off to men's houses;
- but I shouldn't like to sleep where they will bide.
- Dead folks have been known to come and claim their own.
- Mr. Yeobright had got one pot of the bones, and was going
- to bring 'em home--real skellington bones--but 'twas
- ordered otherwise. You'll be relieved to hear that he gave
- away his pot and all, on second thoughts; and a blessed thing
- for ye, Mis'ess Yeobright, considering the wind o' nights."
-
- "Gave it away?"
-
- "Yes. To Miss Vye. She has a cannibal taste for such
- churchyard furniture seemingly."
-
- "Miss Vye was there too?"
-
- "Ay, 'a b'lieve she was."
-
- When Clym came home, which was shortly after, his mother said,
- in a curious tone, "The urn you had meant for me you
- gave away."
-
- Yeobright made no reply; the current of her feeling
- was too pronounced to admit it.
-
- The early weeks of the year passed on. Yeobright certainly
- studied at home, but he also walked much abroad,
- and the direction of his walk was always towards
- some point of a line between Mistover and Rainbarrow.
-
- The month of March arrived, and the heath showed its first
- signs of awakening from winter trance. The awakening
- was almost feline in its stealthiness. The pool outside
- the bank by Eustacia's dwelling, which seemed as dead
- and desolate as ever to an observer who moved and made
- noises in his observation, would gradually disclose
- a state of great animation when silently watched awhile.
- A timid animal world had come to life for the season.
- Little tadpoles and efts began to bubble up through
- the water, and to race along beneath it; toads made noises
- like very young ducks, and advanced to the margin in twos
- and threes; overhead, bumblebees flew hither and thither
- in the thickening light, their drone coming and going
- like the sound of a gong.
-
- On an evening such as this Yeobright descended into
- the Blooms-End valley from beside that very pool,
- where he had been standing with another person quite
- silently and quite long enough to hear all this puny stir
- of resurrection in nature; yet he had not heard it.
- His walk was rapid as he came down, and he went with a
- springy trend. Before entering upon his mother's premises
- he stopped and breathed. The light which shone forth
- on him from the window revealed that his face was flushed
- and his eye bright. What it did not show was something
- which lingered upon his lips like a seal set there.
- The abiding presence of this impress was so real that he
- hardly dared to enter the house, for it seemed as if his
- mother might say, "What red spot is that glowing upon
- your mouth so vividly?"
-
- But he entered soon after. The tea was ready, and he sat
- down opposite his mother. She did not speak many words;
- and as for him, something had been just done and some
- words had been just said on the hill which prevented him
- from beginning a desultory chat. His mother's taciturnity
- was not without ominousness, but he appeared not to care.
- He knew why she said so little, but he could not remove
- the cause of her bearing towards him. These half-silent
- sittings were far from uncommon with them now. At last
- Yeobright made a beginning of what was intended to strike
- at the whole root of the matter.
-
- "Five days have we sat like this at meals with scarcely
- a word. What's the use of it, Mother?"
-
- "None," said she, in a heart-swollen tone. "But there
- is only too good a reason."
-
- "Not when you know all. I have been wanting to speak
- about this, and I am glad the subject is begun. The reason,
- of course, is Eustacia Vye. Well, I confess I have seen
- her lately, and have seen her a good many times."
-
- "Yes, yes; and I know what that amounts to. It troubles
- me, Clym. You are wasting your life here; and it is solely
- on account of her. If it had not been for that woman
- you would never have entertained this teaching scheme at all."
-
- Clym looked hard at his mother. "You know that is not it,"
- he said.
-
- "Well, I know you had decided to attempt it before you
- saw her; but that would have ended in intentions. It was
- very well to talk of, but ridiculous to put in practice.
- I fully expected that in the course of a month or two
- you would have seen the folly of such self-sacrifice,
- and would have been by this time back again to Paris
- in some business or other. I can understand objections
- to the diamond trade--I really was thinking that it
- might be inadequate to the life of a man like you
- even though it might have made you a millionaire.
- But now I see how mistaken you are about this girl
- I doubt if you could be correct about other things."
-
- "How am I mistaken in her?"
-
- "She is lazy and dissatisfied. But that is not all of it.
- Supposing her to be as good a woman as any you can find,
- which she certainly is not, why do you wish to connect
- yourself with anybody at present?"
-
- "Well, there are practical reasons," Clym began, and then
- almost broke off under an overpowering sense of the weight
- of argument which could be brought against his statement.
-
- "If I take a school an educated woman would be invaluable
- as a help to me."
-
- "What! you really mean to marry her?"
-
- "It would be premature to state that plainly. But consider
- what obvious advantages there would be in doing it. She----"
-
- "Don't suppose she has any money. She hasn't a farthing."
-
- "She is excellently educated, and would make a good
- matron in a boarding-school. I candidly own that I
- have modified my views a little, in deference to you;
- and it should satisfy you. I no longer adhere to my
- intention of giving with my own mouth rudimentary education
- to the lowest class. I can do better. I can establish
- a good private school for farmers' sons, and without
- stopping the school I can manage to pass examinations.
- By this means, and by the assistance of a wife like her----"
-
- "Oh, Clym!"
-
- "I shall ultimately, I hope, be at the head of one
- of the best schools in the county."
-
- Yeobright had enunciated the word "her" with a fervour which,
- in conversation with a mother, was absurdly indiscreet.
- Hardly a maternal heart within the four seas could
- in such circumstances, have helped being irritated at
- that ill-timed betrayal of feeling for a new woman.
-
- "You are blinded, Clym," she said warmly. "It was
- a bad day for you when you first set eyes on her.
- And your scheme is merely a castle in the air built
- on purpose to justify this folly which has seized you,
- and to salve your conscience on the irrational situation
- you are in."
-
- "Mother, that's not true," he firmly answered.
-
- "Can you maintain that I sit and tell untruths, when all
- I wish to do is to save you from sorrow? For shame,
- Clym! But it is all through that woman--a hussy!"
-
- Clym reddened like fire and rose. He placed his hand
- upon his mother's shoulder and said, in a tone which hung
- strangely between entreaty and command, "I won't hear it.
- I may be led to answer you in a way which we shall
- both regret."
-
- His mother parted her lips to begin some other vehement truth,
- but on looking at him she saw that in his face which led her
- to leave the words unsaid. Yeobright walked once or twice
- across the room, and then suddenly went out of the house.
- It was eleven o'clock when he came in, though he had
- not been further than the precincts of the garden.
- His mother was gone to bed. A light was left burning
- on the table, and supper was spread. Without stopping
- for any food he secured the doors and went upstairs.
-
-
-
- 4 - An Hour of Bliss and Many Hours of Sadness
-
-
- The next day was gloomy enough at Blooms-End. Yeobright
- remained in his study, sitting over the open books;
- but the work of those hours was miserably scant.
- Determined that there should be nothing in his conduct
- towards his mother resembling sullenness, he had occasionally
- spoken to her on passing matters, and would take no notice
- of the brevity of her replies. With the same resolve to keep
- up a show of conversation he said, about seven o'clock
- in the evening, "There's an eclipse of the moon tonight.
- I am going out to see it." And, putting on his overcoat,
- he left her.
-
- The low moon was not as yet visible from the front of the house,
- and Yeobright climbed out of the valley until he stood
- in the full flood of her light. But even now he walked on,
- and his steps were in the direction of Rainbarrow.
-
- In half an hour he stood at the top. The sky was clear from
- verge to verge, and the moon flung her rays over the whole heath,
- but without sensibly lighting it, except where paths and
- water-courses had laid bare the white flints and glistening
- quartz sand, which made streaks upon the general shade.
- After standing awhile he stooped and felt the heather.
- It was dry, and he flung himself down upon the barrow,
- his face towards the moon, which depicted a small image
- of herself in each of his eyes.
-
- He had often come up here without stating his purpose
- to his mother; but this was the first time that he had been
- ostensibly frank as to his purpose while really concealing it.
- It was a moral situation which, three months earlier,
- he could hardly have credited of himself. In returning
- to labour in this sequestered spot he had anticipated
- an escape from the chafing of social necessities;
- yet behold they were here also. More than ever he
- longed to be in some world where personal ambition was
- not the only recognized form of progress--such, perhaps,
- as might have been the case at some time or other in the
- silvery globe then shining upon him. His eye travelled
- over the length and breadth of that distant country--over
- the Bay of Rainbows, the sombre Sea of Crises, the Ocean
- of Storms, the Lake of Dreams, the vast Walled Plains,
- and the wondrous Ring Mountains--till he almost felt
- himself to be voyaging bodily through its wild scenes,
- standing on its hollow hills, traversing its deserts,
- descending its vales and old sea bottoms, or mounting
- to the edges of its craters.
-
- While he watched the far-removed landscape a tawny stain
- grew into being on the lower verge--the eclipse had begun.
- This marked a preconcerted moment--for the remote celestial
- phenomenon had been pressed into sublunary service as
- a lover's signal. Yeobright's mind flew back to earth
- at the sight; he arose, shook himself and listened.
- Minute after minute passed by, perhaps ten minutes passed,
- and the shadow on the moon perceptibly widened.
- He heard a rustling on his left hand, a cloaked figure
- with an upturned face appeared at the base of the Barrow,
- and Clym descended. In a moment the figure was in his arms,
- and his lips upon hers.
-
- "My Eustacia!"
-
- "Clym, dearest!"
-
- Such a situation had less than three months brought forth.
-
- They remained long without a single utterance, for no
- language could reach the level of their condition--words
- were as the rusty implements of a by-gone barbarous epoch,
- and only to be occasionally tolerated.
-
- "I began to wonder why you did not come," said Yeobright,
- when she had withdrawn a little from his embrace.
-
- "You said ten minutes after the first mark of shade
- on the edge of the moon, and that's what it is now."
-
- "Well, let us only think that here we are."
-
- Then, holding each other's hand, they were again silent,
- and the shadow on the moon's disc grew a little larger.
-
- "Has it seemed long since you last saw me?" she asked.
-
- "It has seemed sad."
-
- "And not long? That's because you occupy yourself, and so
- blind yourself to my absence. To me, who can do nothing,
- it has been like living under stagnant water."
-
- "I would rather bear tediousness, dear, than have time
- made short by such means as have shortened mine."
-
- "In what way is that? You have been thinking you wished
- you did not love me."
-
- "How can a man wish that, and yet love on? No, Eustacia."
-
- "Men can, women cannot."
-
- "Well, whatever I may have thought, one thing is certain--I
- do love you--past all compass and description. I love you
- to oppressiveness--I, who have never before felt more than
- a pleasant passing fancy for any woman I have ever seen.
- Let me look right into your moonlit face and dwell on
- every line and curve in it! Only a few hairbreadths make
- the difference between this face and faces I have seen
- many times before I knew you; yet what a difference--the
- difference between everything and nothing at all.
- One touch on that mouth again! there, and there, and there.
- Your eyes seem heavy, Eustacia."
-
- "No, it is my general way of looking. I think it arises
- from my feeling sometimes an agonizing pity for myself
- that I ever was born."
-
- "You don't feel it now?"
-
- "No. Yet I know that we shall not love like this always.
- Nothing can ensure the continuance of love. It will
- evaporate like a spirit, and so I feel full of fears."
-
- "You need not."
-
- "Ah, you don't know. You have seen more than I,
- and have been into cities and among people that I have
- only heard of, and have lived more years than I; but yet
- I am older at this than you. I loved another man once,
- and now I love you."
-
- "In God's mercy don't talk so, Eustacia!"
-
- "But I do not think I shall be the one who wearies first.
- It will, I fear, end in this way: your mother will find out
- that you meet me, and she will influence you against me!"
-
- "That can never be. She knows of these meetings already."
-
- "And she speaks against me?"
-
- "I will not say."
-
- "There, go away! Obey her. I shall ruin you. It is foolish
- of you to meet me like this. Kiss me, and go away forever.
- Forever--do you hear?--forever!"
-
- "Not I."
-
- "It is your only chance. Many a man's love has been
- a curse to him."
-
- "You are desperate, full of fancies, and wilful;
- and you misunderstand. I have an additional reason
- for seeing you tonight besides love of you. For though,
- unlike you, I feel our affection may be eternal.
- I feel with you in this, that our present mode of existence
- cannot last."
-
- "Oh! 'tis your mother. Yes, that's it! I knew it."
-
- "Never mind what it is. Believe this, I cannot let
- myself lose you. I must have you always with me.
- This very evening I do not like to let you go.
- There is only one cure for this anxiety, dearest--you must
- be my wife."
-
- She started--then endeavoured to say calmly, "Cynics say
- that cures the anxiety by curing the love."
-
- "But you must answer me. Shall I claim you some day--I
- don't mean at once?"
-
- "I must think," Eustacia murmured. "At present speak
- of Paris to me. Is there any place like it on earth?"
-
- "It is very beautiful. But will you be mine?"
-
- "I will be nobody else's in the world--does that satisfy you?"
-
- "Yes, for the present."
-
- "Now tell me of the Tuileries, and the Louvre,"
- she continued evasively.
-
- "I hate talking of Paris! Well, I remember one sunny room
- in the Louvre which would make a fitting place for you to live
- in--the Galerie d'Apollon. Its windows are mainly east;
- and in the early morning, when the sun is bright,
- the whole apartment is in a perfect blaze of splendour.
- The rays bristle and dart from the encrustations of gilding
- to the magnificent inlaid coffers, from the coffers to
- the gold and silver plate, from the plate to the jewels
- and precious stones, from these to the enamels, till there
- is a perfect network of light which quite dazzles the eye.
- But now, about our marriage----"
-
- "And Versailles--the King's Gallery is some such
- gorgeous room, is it not?"
-
- "Yes. But what's the use of talking of gorgeous rooms?
- By the way, the Little Trianon would suit us beautifully
- to live in, and you might walk in the gardens in the
- moonlight and think you were in some English shrubbery;
- It is laid out in English fashion."
-
- "I should hate to think that!"
-
- "Then you could keep to the lawn in front of the Grand Palace.
- All about there you would doubtless feel in a world
- of historical romance."
-
- He went on, since it was all new to her, and described
- Fontainebleau, St. Cloud, the Bois, and many other
- familiar haunts of the Parisians; till she said--
-
- "When used you to go to these places?"
-
- "On Sundays."
-
- "Ah, yes. I dislike English Sundays. How I should chime
- in with their manners over there! Dear Clym, you'll go
- back again?"
-
- Clym shook his head, and looked at the eclipse.
-
- "If you'll go back again I'll--be something,"
- she said tenderly, putting her head near his breast.
- "If you'll agree I'll give my promise, without making
- you wait a minute longer."
-
- "How extraordinary that you and my mother should be
- of one mind about this!" said Yeobright. "I have vowed
- not to go back, Eustacia. It is not the place I dislike;
- it is the occupation."
-
- "But you can go in some other capacity."
-
- "No. Besides, it would interfere with my scheme.
- Don't press that, Eustacia. Will you marry me?"
-
- "I cannot tell."
-
- "Now--never mind Paris; it is no better than other spots.
- Promise, sweet!"
-
- "You will never adhere to your education plan, I am
- quite sure; and then it will be all right for me;
- and so I promise to be yours for ever and ever."
-
- Clym brought her face towards his by a gentle pressure
- of the hand, and kissed her.
-
- "Ah! but you don't know what you have got in me," she said.
- "Sometimes I think there is not that in Eustacia Vye
- which will make a good homespun wife. Well, let it go--see
- how our time is slipping, slipping, slipping!" She pointed
- towards the half-eclipsed moon.
-
- "You are too mournful."
-
- "No. Only I dread to think of anything beyond the present.
- What is, we know. We are together now, and it is unknown
- how long we shall be so; the unknown always fills my mind
- with terrible possibilities, even when I may reasonably
- expect it to be cheerful....Clym, the eclipsed moonlight
- shines upon your face with a strange foreign colour,
- and shows its shape as if it were cut out in gold.
- That means that you should be doing better things
- than this."
-
- "You are ambitious, Eustacia--no, not exactly ambitious,
- luxurious. I ought to be of the same vein, to make
- you happy, I suppose. And yet, far from that, I could
- live and die in a hermitage here, with proper work to do."
-
- There was that in his tone which implied distrust of his
- position as a solicitous lover, a doubt if he were acting
- fairly towards one whose tastes touched his own only
- at rare and infrequent points. She saw his meaning,
- and whispered, in a low, full accent of eager assurance
- "Don't mistake me, Clym--though I should like Paris,
- I love you for yourself alone. To be your wife and live
- in Paris would be heaven to me; but I would rather live
- with you in a hermitage here than not be yours at all.
- It is gain to me either way, and very great gain.
- There's my too candid confession."
-
- "Spoken like a woman. And now I must soon leave you.
- I'll walk with you towards your house."
-
- "But must you go home yet?" she asked. "Yes, the sand has
- nearly slipped away, I see, and the eclipse is creeping
- on more and more. Don't go yet! Stop till the hour has
- run itself out; then I will not press you any more.
- You will go home and sleep well; I keep sighing in my
- sleep! Do you ever dream of me?"
-
- "I cannot recollect a clear dream of you."
-
- "I see your face in every scene of my dreams, and hear
- your voice in every sound. I wish I did not. It is
- too much what I feel. They say such love never lasts.
- But it must! And yet once, I remember, I saw an officer
- of the Hussars ride down the street at Budmouth,
- and though he was a total stranger and never spoke to me,
- I loved him till I thought I should really die of love--
- but I didn't die, and at last I left off caring for him.
- How terrible it would be if a time should come when I could
- not love you, my Clym!"
-
- "Please don't say such reckless things. When we see such
- a time at hand we will say, 'I have outlived my faith
- and purpose,' and die. There, the hour has expired--now
- let us walk on."
-
- Hand in hand they went along the path towards Mistover.
- When they were near the house he said, "It is too late
- for me to see your grandfather tonight. Do you think he
- will object to it?"
-
- "I will speak to him. I am so accustomed to be my own
- mistress that it did not occur to me that we should have
- to ask him."
-
- Then they lingeringly separated, and Clym descended
- towards Blooms-End.
-
- And as he walked further and further from the charmed
- atmosphere of his Olympian girl his face grew sad with
- a new sort of sadness. A perception of the dilemma in
- which his love had placed him came back in full force.
- In spite of Eustacia's apparent willingness to wait
- through the period of an unpromising engagement, till he
- should be established in his new pursuit, he could not
- but perceive at moments that she loved him rather as a
- visitant from a gay world to which she rightly belonged
- than as a man with a purpose opposed to that recent past
- of his which so interested her. It meant that, though she
- made no conditions as to his return to the French capital,
- this was what she secretly longed for in the event of marriage;
- and it robbed him of many an otherwise pleasant hour.
- Along with that came the widening breach between himself
- and his mother. Whenever any little occurrence had brought
- into more prominence than usual the disappointment that he
- was causing her it had sent him on lone and moody walks;
- or he was kept awake a great part of the night by the
- turmoil of spirit which such a recognition created.
- If Mrs. Yeobright could only have been led to see what a
- sound and worthy purpose this purpose of his was and how
- little it was being affected by his devotions to Eustacia,
- how differently would she regard him!
-
- Thus as his sight grew accustomed to the first
- blinding halo kindled about him by love and beauty,
- Yeobright began to perceive what a strait he was in.
- Sometimes he wished that he had never known Eustacia,
- immediately to retract the wish as brutal. Three antagonistic
- growths had to be kept alive: his mother's trust in him,
- his plan for becoming a teacher, and Eustacia's happiness.
- His fervid nature could not afford to relinquish one
- of these, though two of the three were as many as he
- could hope to preserve. Though his love was as chaste
- as that of Petrarch for his Laura, it had made fetters
- of what previously was only a difficulty. A position which
- was not too simple when he stood whole-hearted had become
- indescribably complicated by the addition of Eustacia.
- Just when his mother was beginning to tolerate one scheme
- he had introduced another still bitterer than the first,
- and the combination was more than she could bear.
-
-
-
- 5 - Sharp Words Are Spoken, and a Crisis Ensues
-
-
- When Yeobright was not with Eustacia he was sitting slavishly
- over his books; when he was not reading he was meeting her.
- These meetings were carried on with the greatest secrecy.
-
- One afternoon his mother came home from a morning visit
- to Thomasin. He could see from a disturbance in the lines
- of her face that something had happened.
-
- "I have been told an incomprehensible thing,"
- she said mournfully. "The captain has let out
- at the Woman that you and Eustacia Vye are engaged to be married."
-
- "We are," said Yeobright. "But it may not be yet
- for a very long time."
-
- "I should hardly think it WOULD be yet for a very
- long time! You will take her to Paris, I suppose?"
- She spoke with weary hopelessness.
-
- "I am not going back to Paris."
-
- "What will you do with a wife, then?"
-
- "Keep a school in Budmouth, as I have told you."
-
- "That's incredible! The place is overrun with schoolmasters.
- You have no special qualifications. What possible chance
- is there for such as you?"
-
- "There is no chance of getting rich. But with my system
- of education, which is as new as it is true, I shall
- do a great deal of good to my fellow-creatures."
-
- "Dreams, dreams! If there had been any system left to be
- invented they would have found it out at the universities
- long before this time."
-
- "Never, Mother. They cannot find it out, because their
- teachers don't come in contact with the class which
- demands such a system--that is, those who have had no
- preliminary training. My plan is one for instilling high
- knowledge into empty minds without first cramming them
- with what has to be uncrammed again before true study begins."
-
- "I might have believed you if you had kept yourself free
- from entanglements; but this woman--if she had been
- a good girl it would have been bad enough; but being----"
-
- "She is a good girl."
-
- "So you think. A Corfu bandmaster's daughter! What has
- her life been? Her surname even is not her true one."
-
- "She is Captain Vye's granddaughter, and her father merely
- took her mother's name. And she is a lady by instinct."
-
- "They call him 'captain,' but anybody is captain."
-
- "He was in the Royal Navy!"
-
- "No doubt he has been to sea in some tub or other.
- Why doesn't he look after her? No lady would rove about
- the heath at all hours of the day and night as she does.
- But that's not all of it. There was something queer between
- her and Thomasin's husband at one time--I am as sure of it
- as that I stand here."
-
- "Eustacia has told me. He did pay her a little
- attention a year ago; but there's no harm in that.
- I like her all the better."
-
- "Clym," said his mother with firmness, "I have no
- proofs against her, unfortunately. But if she makes
- you a good wife, there has never been a bad one."
-
- "Believe me, you are almost exasperating,"
- said Yeobright vehemently. "And this very day I had
- intended to arrange a meeting between you. But you
- give me no peace; you try to thwart my wishes in everything."
-
- "I hate the thought of any son of mine marrying badly! I
- wish I had never lived to see this; it is too much for
- me--it is more than I dreamt!" She turned to the window.
- Her breath was coming quickly, and her lips were pale,
- parted, and trembling.
-
- "Mother," said Clym, "whatever you do, you will always
- be dear to me--that you know. But one thing I have a
- right to say, which is, that at my age I am old enough
- to know what is best for me."
-
- Mrs. Yeobright remained for some time silent and shaken,
- as if she could say no more. Then she replied, "Best? Is it
- best for you to injure your prospects for such a voluptuous,
- idle woman as that? Don't you see that by the very fact
- of your choosing her you prove that you do not know
- what is best for you? You give up your whole thought--you
- set your whole soul--to please a woman."
-
- "I do. And that woman is you."
-
- "How can you treat me so flippantly!" said his mother,
- turning again to him with a tearful look.
- "You are unnatural, Clym, and I did not expect it."
-
- "Very likely," said he cheerlessly. "You did not know
- the measure you were going to mete me, and therefore did
- not know the measure that would be returned to you again."
-
- "You answer me; you think only of her. You stick to her
- in all things."
-
- "That proves her to be worthy. I have never yet supported
- what is bad. And I do not care only for her. I care
- for you and for myself, and for anything that is good.
- When a woman once dislikes another she is merciless!"
-
- "O Clym! please don't go setting down as my fault what is
- your obstinate wrongheadedness. If you wished to connect
- yourself with an unworthy person why did you come home
- here to do it? Why didn't you do it in Paris?--it is more
- the fashion there. You have come only to distress me,
- a lonely woman, and shorten my days! I wish that you
- would bestow your presence where you bestow your love!"
-
- Clym said huskily, "You are my mother. I will say no
- more--beyond this, that I beg your pardon for having thought
- this my home. I will no longer inflict myself upon you;
- I'll go." And he went out with tears in his eyes.
-
- It was a sunny afternoon at the beginning of summer,
- and the moist hollows of the heath had passed from their
- brown to their green stage. Yeobright walked to the edge
- of the basin which extended down from Mistover and Rainbarrow.
-
- By this time he was calm, and he looked over the landscape.
- In the minor valleys, between the hillocks which
- diversified the contour of the vale, the fresh young
- ferns were luxuriantly growing up, ultimately to reach
- a height of five or six feet. He descended a little way,
- flung himself down in a spot where a path emerged from one
- of the small hollows, and waited. Hither it was that he
- had promised Eustacia to bring his mother this afternoon,
- that they might meet and be friends. His attempt had utterly failed.
-
- He was in a nest of vivid green. The ferny vegetation
- round him, though so abundant, was quite uniform--it
- was a grove of machine-made foliage, a world of green
- triangles with saw-edges, and not a single flower.
- The air was warm with a vaporous warmth, and the stillness
- was unbroken. Lizards, grasshoppers, and ants were
- the only living things to be beheld. The scene seemed
- to belong to the ancient world of the carboniferous period,
- when the forms of plants were few, and of the fern kind;
- when there was neither bud nor blossom, nothing but a
- monotonous extent of leafage, amid which no bird sang.
-
- When he had reclined for some considerable time,
- gloomily pondering, he discerned above the ferns a
- drawn bonnet of white silk approaching from the left,
- and Yeobright knew directly that it covered the head
- of her he loved. His heart awoke from its apathy to a
- warm excitement, and, jumping to his feet, he said aloud,
- "I knew she was sure to come."
-
- She vanished in a hollow for a few moments, and then
- her whole form unfolded itself from the brake.
-
- "Only you here?" she exclaimed, with a disappointed air,
- whose hollowness was proved by her rising redness and her
- half-guilty low laugh. "Where is Mrs. Yeobright?"
-
- "She has not come," he replied in a subdued tone.
-
- "I wish I had known that you would be here alone,"
- she said seriously, "and that we were going to have such
- an idle, pleasant time as this. Pleasure not known
- beforehand is half wasted; to anticipate it is to double it.
- I have not thought once today of having you all to myself
- this afternoon, and the actual moment of a thing is so soon gone."
-
- "It is indeed."
-
- "Poor Clym!" she continued, looking tenderly into his face.
- "You are sad. Something has happened at your home.
- Never mind what is--let us only look at what seems."
-
- "But, darling, what shall we do?" said he.
-
- "Still go on as we do now--just live on from meeting
- to meeting, never minding about another day. You, I know,
- are always thinking of that--I can see you are. But you
- must not--will you, dear Clym?"
-
- "You are just like all women. They are ever content to build
- their lives on any incidental position that offers itself;
- whilst men would fain make a globe to suit them.
- Listen to this, Eustacia. There is a subject I have
- determined to put off no longer. Your sentiment on
- the wisdom of Carpe diem does not impress me today.
- Our present mode of life must shortly be brought to an end."
-
- "It is your mother!"
-
- "It is. I love you none the less in telling you;
- it is only right you should know."
-
- "I have feared my bliss," she said, with the merest motion
- of her lips. "It has been too intense and consuming."
-
- "There is hope yet. There are forty years of work in me yet,
- and why should you despair? I am only at an awkward turning.
- I wish people wouldn't be so ready to think that there
- is no progress without uniformity."
-
- "Ah--your mind runs off to the philosophical side of it.
- Well, these sad and hopeless obstacles are welcome in
- one sense, for they enable us to look with indifference
- upon the cruel satires that Fate loves to indulge in.
- I have heard of people, who, upon coming suddenly
- into happiness, have died from anxiety lest they should
- not live to enjoy it. I felt myself in that whimsical
- state of uneasiness lately; but I shall be spared it now.
- Let us walk on."
-
- Clym took the hand which was already bared for him--it
- was a favourite way with them to walk bare hand in bare
- hand--and led her through the ferns. They formed a very
- comely picture of love at full flush, as they walked along
- the valley that late afternoon, the sun sloping down on
- their right, and throwing their thin spectral shadows,
- tall as poplar trees, far out across the furze and fern.
- Eustacia went with her head thrown back fancifully,
- a certain glad and voluptuous air of triumph pervading her
- eyes at having won by her own unaided self a man who was
- her perfect complement in attainment, appearance, and age.
- On the young man's part, the paleness of face which he had
- brought with him from Paris, and the incipient marks of time
- and thought, were less perceptible than when he returned,
- the healthful and energetic sturdiness which was his by
- nature having partially recovered its original proportions.
- They wandered onward till they reached the nether
- margin of the heath, where it became marshy and merged
- in moorland.
-
- "I must part from you here, Clym," said Eustacia.
-
- They stood still and prepared to bid each other farewell.
- Everything before them was on a perfect level.
- The sun, resting on the horizon line, streamed across
- the ground from between copper-coloured and lilac clouds,
- stretched out in flats beneath a sky of pale soft green.
- All dark objects on the earth that lay towards the sun
- were overspread by a purple haze, against which groups
- of wailing gnats shone out, rising upwards and dancing about
- like sparks of fire.
-
- "O! this leaving you is too hard to bear!"
- exclaimed Eustacia in a sudden whisper of anguish.
- "Your mother will influence you too much; I shall not be
- judged fairly, it will get afloat that I am not a good girl,
- and the witch story will be added to make me blacker!"
-
- "They cannot. Nobody dares to speak disrespectfully
- of you or of me."
-
- "Oh how I wish I was sure of never losing you--that you
- could not be able to desert me anyhow!"
-
- Clym stood silent a moment. His feelings were high,
- the moment was passionate, and he cut the knot.
-
- "You shall be sure of me, darling," he said, folding her
- in his arms. "We will be married at once."
-
- "O Clym!"
-
- "Do you agree to it?"
-
- "If--if we can."
-
- "We certainly can, both being of full age. And I have
- not followed my occupation all these years without having
- accumulated money; and if you will agree to live in a tiny
- cottage somewhere on the heath, until I take a house in
- Budmouth for the school, we can do it at a very little expense."
-
- "How long shall we have to live in the tiny cottage, Clym?"
-
- "About six months. At the end of that time I shall
- have finished my reading--yes, we will do it, and this
- heart-aching will be over. We shall, of course, live in
- absolute seclusion, and our married life will only begin
- to outward view when we take the house in Budmouth,
- where I have already addressed a letter on the matter.
- Would your grandfather allow you?"
-
- "I think he would--on the understanding that it should
- not last longer than six months."
-
- "I will guarantee that, if no misfortune happens."
-
- "If no misfortune happens," she repeated slowly.
-
- "Which is not likely. Dearest, fix the exact day."
-
- And then they consulted on the question, and the day
- was chosen. It was to be a fortnight from that time.
-
- This was the end of their talk, and Eustacia left him.
- Clym watched her as she retired towards the sun.
- The luminous rays wrapped her up with her increasing distance,
- and the rustle of her dress over the sprouting sedge
- and grass died away. As he watched, the dead flat of
- the scenery overpowered him, though he was fully alive
- to the beauty of that untarnished early summer green
- which was worn for the nonce by the poorest blade.
- There was something in its oppressive horizontality
- which too much reminded him of the arena of life; it gave
- him a sense of bare equality with, and no superiority to,
- a single living thing under the sun.
-
- Eustacia was now no longer the goddess but the woman to him,
- a being to fight for, support, help, be maligned for.
- Now that he had reached a cooler moment he would have
- preferred a less hasty marriage; but the card was laid,
- and he determined to abide by the game. Whether Eustacia
- was to add one other to the list of those who love too hotly
- to love long and well, the forthcoming event was certainly
- a ready way of proving.
-
-
-
- 6 - Yeobright Goes, and the Breach Is Complete
-
-
- All that evening smart sounds denoting an active packing up
- came from Yeobright's room to the ears of his mother downstairs.
-
- Next morning he departed from the house and again proceeded
- across the heath. A long day's march was before him,
- his object being to secure a dwelling to which he might
- take Eustacia when she became his wife. Such a house,
- small, secluded, and with its windows boarded up, he had
- casually observed a month earlier, about two miles beyond
- the village of East Egdon, and six miles distant altogether;
- and thither he directed his steps today.
-
- The weather was far different from that of the evening before.
- The yellow and vapoury sunset which had wrapped up
- Eustacia from his parting gaze had presaged change.
- It was one of those not infrequent days of an English June
- which are as wet and boisterous as November. The cold clouds
- hastened on in a body, as if painted on a moving slide.
- Vapours from other continents arrived upon the wind,
- which curled and parted round him as he walked on.
-
- At length Clym reached the margin of a fir and beech
- plantation that had been enclosed from heath land in
- the year of his birth. Here the trees, laden heavily
- with their new and humid leaves, were now suffering
- more damage than during the highest winds of winter,
- when the boughs are especially disencumbered to do battle
- with the storm. The wet young beeches were undergoing
- amputations, bruises, cripplings, and harsh lacerations,
- from which the wasting sap would bleed for many a day
- to come, and which would leave scars visible till the day
- of their burning. Each stem was wrenched at the root,
- where it moved like a bone in its socket, and at every
- onset of the gale convulsive sounds came from the branches,
- as if pain were felt. In a neighbouring brake a finch
- was trying to sing; but the wind blew under his feathers
- till they stood on end, twisted round his little tail,
- and made him give up his song.
-
- Yet a few yards to Yeobright's left, on the open heath,
- how ineffectively gnashed the storm! Those gusts which
- tore the trees merely waved the furze and heather in a
- light caress. Egdon was made for such times as these.
-
- Yeobright reached the empty house about midday.
- It was almost as lonely as that of Eustacia's grandfather,
- but the fact that it stood near a heath was disguised
- by a belt of firs which almost enclosed the premises.
- He journeyed on about a mile further to the village in which
- the owner lived, and, returning with him to the house,
- arrangements were completed, and the man undertook that one
- room at least should be ready for occupation the next day.
- Clym's intention was to live there alone until Eustacia
- should join him on their wedding-day.
-
- Then he turned to pursue his way homeward through the
- drizzle that had so greatly transformed the scene.
- The ferns, among which he had lain in comfort yesterday,
- were dripping moisture from every frond, wetting his legs
- through as he brushed past; and the fur of the rabbits
- leaping before him was clotted into dark locks by the same
- watery surrounding.
-
- He reached home damp and weary enough after his ten-
- mile walk. It had hardly been a propitious beginning,
- but he had chosen his course, and would show no swerving.
- The evening and the following morning were spent in
- concluding arrangements for his departure. To stay at
- home a minute longer than necessary after having once
- come to his determination would be, he felt, only to give
- new pain to his mother by some word, look, or deed.
-
- He had hired a conveyance and sent off his goods
- by two o'clock that day. The next step was to get
- some furniture, which, after serving for temporary use
- in the cottage, would be available for the house at
- Budmouth when increased by goods of a better description.
- A mart extensive enough for the purpose existed at Anglebury,
- some miles beyond the spot chosen for his residence,
- and there he resolved to pass the coming night.
-
- It now only remained to wish his mother good-bye. She was
- sitting by the window as usual when he came downstairs.
-
- "Mother, I am going to leave you," he said, holding out
- his hand.
-
- "I thought you were, by your packing," replied Mrs. Yeobright
- in a voice from which every particle of emotion was painfully
- excluded.
-
- "And you will part friends with me?"
-
- "Certainly, Clym."
-
- "I am going to be married on the twenty-fifth."
-
- "I thought you were going to be married."
-
- "And then--and then you must come and see us. You will
- understand me better after that, and our situation
- will not be so wretched as it is now."
-
- "I do not think it likely I shall come to see you."
-
- "Then it will not be my fault or Eustacia's, Mother.
- Good-bye!"
-
- He kissed her cheek, and departed in great misery, which was
- several hours in lessening itself to a controllable level.
- The position had been such that nothing more could be
- said without, in the first place, breaking down a barrier;
- and that was not to be done.
-
- No sooner had Yeobright gone from his mother's house than
- her face changed its rigid aspect for one of blank despair.
- After a while she wept, and her tears brought some relief.
- During the rest of the day she did nothing but walk up and
- down the garden path in a state bordering on stupefaction.
- Night came, and with it but little rest. The next day,
- with an instinct to do something which should reduce
- prostration to mournfulness, she went to her son's room,
- and with her own hands arranged it in order, for an imaginary
- time when he should return again. She gave some attention
- to her flowers, but it was perfunctorily bestowed, for they
- no longer charmed her.
-
- It was a great relief when, early in the afternoon,
- Thomasin paid her an unexpected visit. This was not the first
- meeting between the relatives since Thomasin's marriage;
- and past blunders having been in a rough way rectified,
- they could always greet each other with pleasure and ease.
-
- The oblique band of sunlight which followed her through
- the door became the young wife well. It illuminated her
- as her presence illuminated the heath. In her movements,
- in her gaze, she reminded the beholder of the feathered
- creatures who lived around her home. All similes and
- allegories concerning her began and ended with birds.
- There was as much variety in her motions as in their flight.
- When she was musing she was a kestrel, which hangs
- in the air by an invisible motion of its wings.
- When she was in a high wind her light body was blown
- against trees and banks like a heron's. When she was
- frightened she darted noiselessly like a kingfisher.
- When she was serene she skimmed like a swallow, and that is
- how she was moving now.
-
- "You are looking very blithe, upon my word, Tamsie,"
- said Mrs. Yeobright, with a sad smile. "How is Damon?"
-
- "He is very well."
-
- "Is he kind to you, Thomasin?" And Mrs. Yeobright observed
- her narrowly.
-
- "Pretty fairly."
-
- "Is that honestly said?"
-
- "Yes, Aunt. I would tell you if he were unkind."
- She added, blushing, and with hesitation, "He--I don't
- know if I ought to complain to you about this, but I am
- not quite sure what to do. I want some money, you know,
- Aunt--some to buy little things for myself--and he
- doesn't give me any. I don't like to ask him; and yet,
- perhaps, he doesn't give it me because he doesn't know.
- Ought I to mention it to him, Aunt?"
-
- "Of course you ought. Have you never said a word
- on the matter?"
-
- "You see, I had some of my own," said Thomasin evasively,
- "and I have not wanted any of his until lately. I did
- just say something about it last week; but he seems--not
- to remember."
-
- "He must be made to remember. You are aware that I have
- a little box full of spade-guineas, which your uncle put
- into my hands to divide between yourself and Clym whenever
- I chose. Perhaps the time has come when it should be done.
- They can be turned into sovereigns at any moment."
-
- "I think I should like to have my share--that is, if you
- don't mind."
-
- "You shall, if necessary. But it is only proper that
- you should first tell your husband distinctly that you
- are without any, and see what he will do."
-
- "Very well, I will....Aunt, I have heard about Clym.
- I know you are in trouble about him, and that's why I
- have come."
-
- Mrs. Yeobright turned away, and her features worked
- in her attempt to conceal her feelings. Then she ceased
- to make any attempt, and said, weeping, "O Thomasin,
- do you think he hates me? How can he bear to grieve me so,
- when I have lived only for him through all these years?"
-
- "Hate you--no," said Thomasin soothingly. "It is only
- that he loves her too well. Look at it quietly--do.
- It is not so very bad of him. Do you know, I thought
- it not the worst match he could have made. Miss Vye's
- family is a good one on her mother's side; and her father
- was a romantic wanderer--a sort of Greek Ulysses."
-
- "It is no use, Thomasin; it is no use. Your intention
- is good; but I will not trouble you to argue. I have gone
- through the whole that can be said on either side times,
- and many times. Clym and I have not parted in anger;
- we have parted in a worse way. It is not a passionate
- quarrel that would have broken my heart; it is the steady
- opposition and persistence in going wrong that he has shown.
- O Thomasin, he was so good as a little boy--so tender
- and kind!"
-
- "He was, I know."
-
- "I did not think one whom I called mine would grow up
- to treat me like this. He spoke to me as if I opposed
- him to injure him. As though I could wish him ill!"
-
- "There are worse women in the world than Eustacia Vye."
-
- "There are too many better that's the agony of it.
- It was she, Thomasin, and she only, who led your husband
- to act as he did--I would swear it!"
-
- "No," said Thomasin eagerly. "It was before he knew me
- that he thought of her, and it was nothing but a mere flirtation."
-
- "Very well; we will let it be so. There is little use
- in unravelling that now. Sons must be blind if they will.
- Why is it that a woman can see from a distance what a man
- cannot see close? Clym must do as he will--he is nothing
- more to me. And this is maternity--to give one's best
- years and best love to ensure the fate of being despised!"
-
- "You are too unyielding. Think how many mothers there
- are whose sons have brought them to public shame by real
- crimes before you feel so deeply a case like this."
-
- "Thomasin, don't lecture me--I can't have it. It is
- the excess above what we expect that makes the force
- of the blow, and that may not be greater in their case
- than in mine--they may have foreseen the worst....I am
- wrongly made, Thomasin," she added, with a mournful smile.
- "Some widows can guard against the wounds their children
- give them by turning their hearts to another husband
- and beginning life again. But I always was a poor, weak,
- one-idea'd creature--I had not the compass of heart nor
- the enterprise for that. Just as forlorn and stupefied
- as I was when my husband's spirit flew away I have sat
- ever since--never attempting to mend matters at all.
- I was comparatively a young woman then, and I might have
- had another family by this time, and have been comforted
- by them for the failure of this one son."
-
- "It is more noble in you that you did not."
-
- "The more noble, the less wise."
-
- "Forget it, and be soothed, dear Aunt. And I shall
- not leave you alone for long. I shall come and see you
- every day."
-
- And for one week Thomasin literally fulfilled her word.
- She endeavoured to make light of the wedding; and brought
- news of the preparations, and that she was invited
- to be present. The next week she was rather unwell,
- and did not appear. Nothing had as yet been done about
- the guineas, for Thomasin feared to address her husband
- again on the subject, and Mrs. Yeobright had insisted
- upon this.
-
-
- One day just before this time Wildeve was standing at
- the door of the Quiet Woman. In addition to the upward
- path through the heath to Rainbarrow and Mistover,
- there was a road which branched from the highway a short
- distance below the inn, and ascended to Mistover by a
- circuitous and easy incline. This was the only route
- on that side for vehicles to the captain's retreat.
- A light cart from the nearest town descended the road,
- and the lad who was driving pulled up in front of the inn
- for something to drink.
-
- "You come from Mistover?" said Wildeve.
-
- "Yes. They are taking in good things up there. Going to
- be a wedding." And the driver buried his face in his mug.
-
- Wildeve had not received an inkling of the fact before,
- and a sudden expression of pain overspread his face.
- He turned for a moment into the passage to hide it.
- Then he came back again.
-
- "Do you mean Miss Vye?" he said. "How is it--that she
- can be married so soon?"
-
- "By the will of God and a ready young man, I suppose."
-
- "You don't mean Mr. Yeobright?"
-
- "Yes. He has been creeping about with her all the spring."
-
- "I suppose--she was immensely taken with him?"
-
- "She is crazy about him, so their general servant
- of all work tells me. And that lad Charley that looks
- after the horse is all in a daze about it. The stun-
- poll has got fond-like of her."
-
- "Is she lively--is she glad? Going to be married so soon--well!"
-
- "It isn't so very soon."
-
- "No; not so very soon."
-
- Wildeve went indoors to the empty room, a curious heartache
- within him. He rested his elbow upon the mantelpiece
- and his face upon his hand. When Thomasin entered
- the room he did not tell her of what he had heard.
- The old longing for Eustacia had reappeared in his
- soul--and it was mainly because he had discovered
- that it was another man's intention to possess her.
-
- To be yearning for the difficult, to be weary of that offered;
- to care for the remote, to dislike the near; it was Wildeve's
- nature always. This is the true mark of the man of sentiment.
- Though Wildeve's fevered feeling had not been elaborated
- to real poetical compass, it was of the standard sort.
- His might have been called the Rousseau of Egdon.
-
-
-
- 7 - The Morning and the Evening of a Day
-
-
- The wedding morning came. Nobody would have imagined from
- appearances that Blooms-End had any interest in Mistover
- that day. A solemn stillness prevailed around the house
- of Clym's mother, and there was no more animation indoors.
- Mrs. Yeobright, who had declined to attend the ceremony,
- sat by the breakfast table in the old room which communicated
- immediately with the porch, her eyes listlessly directed
- towards the open door. It was the room in which,
- six months earlier, the merry Christmas party had met,
- to which Eustacia came secretly and as a stranger.
- The only living thing that entered now was a sparrow;
- and seeing no movements to cause alarm, he hopped boldly round
- the room, endeavoured to go out by the window, and fluttered
- among the pot-flowers. This roused the lonely sitter,
- who got up, released the bird, and went to the door.
- She was expecting Thomasin, who had written the night
- before to state that the time had come when she would wish
- to have the money and that she would if possible call
- this day.
-
- Yet Thomasin occupied Mrs. Yeobright's thoughts but
- slightly as she looked up the valley of the heath,
- alive with butterflies, and with grasshoppers whose
- husky noises on every side formed a whispered chorus.
- A domestic drama, for which the preparations were now
- being made a mile or two off, was but little less vividly
- present to her eyes than if enacted before her. She tried
- to dismiss the vision, and walked about the garden plot;
- but her eyes ever and anon sought out the direction of the
- parish church to which Mistover belonged, and her excited fancy
- clove the hills which divided the building from her eyes.
- The morning wore away. Eleven o'clock struck--could
- it be that the wedding was then in progress? It must
- be so. She went on imagining the scene at the church,
- which he had by this time approached with his bride.
- She pictured the little group of children by the gate
- as the pony carriage drove up in which, as Thomasin
- had learnt, they were going to perform the short journey.
- Then she saw them enter and proceed to the chancel and kneel;
- and the service seemed to go on.
-
- She covered her face with her hands. "O, it is a mistake!"
- she groaned. "And he will rue it some day, and think
- of me!"
-
- While she remained thus, overcome by her forebodings,
- the old clock indoors whizzed forth twelve strokes.
- Soon after, faint sounds floated to her ear from afar
- over the hills. The breeze came from that quarter,
- and it had brought with it the notes of distant bells,
- gaily starting off in a peal: one, two, three, four, five.
- The ringers at East Egdon were announcing the nuptials of
- Eustacia and her son.
-
- "Then it is over," she murmured. "Well, well! and life
- too will be over soon. And why should I go on scalding my
- face like this? Cry about one thing in life, cry about all;
- one thread runs through the whole piece. And yet we say,
- 'a time to laugh!'"
-
- Towards evening Wildeve came. Since Thomasin's marriage
- Mrs. Yeobright had shown him that grim friendliness which
- at last arises in all such cases of undesired affinity.
- The vision of what ought to have been is thrown aside in
- sheer weariness, and browbeaten human endeavour listlessly
- makes the best of the fact that is. Wildeve, to do
- him justice, had behaved very courteously to his wife's aunt;
- and it was with no surprise that she saw him enter now.
-
- "Thomasin has not been able to come, as she promised to do,"
- he replied to her inquiry, which had been anxious,
- for she knew that her niece was badly in want of money.
-
- "The captain came down last night and personally pressed
- her to join them today. So, not to be unpleasant,
- she determined to go. They fetched her in the pony-chaise,
- and are going to bring her back."
-
- "Then it is done," said Mrs. Yeobright. "Have they gone
- to their new home?"
-
- "I don't know. I have had no news from Mistover since
- Thomasin left to go."
-
- "You did not go with her?" said she, as if there might
- be good reasons why.
-
- "I could not," said Wildeve, reddening slightly.
- "We could not both leave the house; it was rather
- a busy morning, on account of Anglebury Great Market.
- I believe you have something to give to Thomasin? If
- you like, I will take it."
-
- Mrs. Yeobright hesitated, and wondered if Wildeve knew
- what the something was. "Did she tell you of this?"
- she inquired.
-
- "Not particularly. She casually dropped a remark about
- having arranged to fetch some article or other."
-
- "It is hardly necessary to send it. She can have it
- whenever she chooses to come."
-
- "That won't be yet. In the present state of her health
- she must not go on walking so much as she has done."
- He added, with a faint twang of sarcasm, "What wonderful
- thing is it that I cannot be trusted to take?"
-
- "Nothing worth troubling you with."
-
- "One would think you doubted my honesty," he said,
- with a laugh, though his colour rose in a quick
- resentfulness frequent with him.
-
- "You need think no such thing," said she drily.
- "It is simply that I, in common with the rest of the world,
- feel that there are certain things which had better be
- done by certain people than by others."
-
- "As you like, as you like," said Wildeve laconically.
- "It is not worth arguing about. Well, I think I must turn
- homeward again, as the inn must not be left long in charge
- of the lad and the maid only."
-
- He went his way, his farewell being scarcely so courteous
- as his greeting. But Mrs. Yeobright knew him thoroughly
- by this time, and took little notice of his manner,
- good or bad.
-
- When Wildeve was gone Mrs. Yeobright stood and considered
- what would be the best course to adopt with regard to
- the guineas, which she had not liked to entrust to Wildeve.
- It was hardly credible that Thomasin had told him
- to ask for them, when the necessity for them had arisen
- from the difficulty of obtaining money at his hands.
- At the same time Thomasin really wanted them, and might be
- unable to come to Blooms-End for another week at least.
- To take or send the money to her at the inn would be impolite,
- since Wildeve would pretty surely be present, or would
- discover the transaction; and if, as her aunt suspected,
- he treated her less kindly than she deserved to be treated,
- he might then get the whole sum out of her gentle hands.
- But on this particular evening Thomasin was at Mistover,
- and anything might be conveyed to her there without the
- knowledge of her husband. Upon the whole the opportunity was
- worth taking advantage of.
-
- Her son, too, was there, and was now married.
- There could be no more proper moment to render him his
- share of the money than the present. And the chance
- that would be afforded her, by sending him this gift,
- of showing how far she was from bearing him ill-will,
- cheered the sad mother's heart.
-
- She went upstairs and took from a locked drawer a little box,
- out of which she poured a hoard of broad unworn guineas
- that had lain there many a year. There were a hundred
- in all, and she divided them into two heaps, fifty in each.
- Tying up these in small canvas bags, she went down to the
- garden and called to Christian Cantle, who was loitering
- about in hope of a supper which was not really owed him.
- Mrs. Yeobright gave him the moneybags, charged him to go
- to Mistover, and on no account to deliver them into any one's
- hands save her son's and Thomasin's. On further thought
- she deemed it advisable to tell Christian precisely what
- the two bags contained, that he might be fully impressed
- with their importance. Christian pocketed the moneybags,
- promised the greatest carefulness, and set out on his way.
-
- "You need not hurry," said Mrs. Yeobright. "It will
- be better not to get there till after dusk, and then
- nobody will notice you. Come back here to supper,
- if it is not too late."
-
- It was nearly nine o'clock when he began to ascend the vale
- towards Mistover; but the long days of summer being at
- their climax, the first obscurity of evening had only just
- begun to tan the landscape. At this point of his journey
- Christian heard voices, and found that they proceeded from
- a company of men and women who were traversing a hollow
- ahead of him, the tops only of their heads being visible.
-
- He paused and thought of the money he carried. It was almost
- too early even for Christian seriously to fear robbery;
- nevertheless he took a precaution which ever since his
- boyhood he had adopted whenever he carried more than
- two or three shillings upon his person--a precaution
- somewhat like that of the owner of the Pitt Diamond when
- filled with similar misgivings. He took off his boots,
- untied the guineas, and emptied the contents of one little
- bag into the right boot, and of the other into the left,
- spreading them as flatly as possible over the bottom
- of each, which was really a spacious coffer by no means
- limited to the size of the foot. Pulling them on again
- and lacing them to the very top, he proceeded on his way,
- more easy in his head than under his soles.
-
- His path converged towards that of the noisy company,
- and on coming nearer he found to his relief that they
- were several Egdon people whom he knew very well,
- while with them walked Fairway, of Blooms-End.
-
- "What! Christian going too?" said Fairway as soon as he
- recognized the newcomer. "You've got no young woman nor
- wife to your name to gie a gown-piece to, I'm sure."
-
- "What d'ye mean?" said Christian.
-
- "Why, the raffle. The one we go to every year.
- Going to the raffle as well as ourselves?"
-
- "Never knew a word o't. Is it like cudgel playing or
- other sportful forms of bloodshed? I don't want to go,
- thank you, Mister Fairway, and no offence."
-
- "Christian don't know the fun o't, and 'twould be a fine
- sight for him," said a buxom woman. "There's no danger
- at all, Christian. Every man puts in a shilling apiece,
- and one wins a gown-piece for his wife or sweetheart
- if he's got one."
-
- "Well, as that's not my fortune there's no meaning in it
- to me. But I should like to see the fun, if there's
- nothing of the black art in it, and if a man may look
- on without cost or getting into any dangerous wrangle?"
-
- "There will be no uproar at all," said Timothy.
- "Sure, Christian, if you'd like to come we'll see there's
- no harm done."
-
- "And no ba'dy gaieties, I suppose? You see, neighbours,
- if so, it would be setting father a bad example, as he
- is so light moral'd. But a gown-piece for a shilling,
- and no black art--'tis worth looking in to see, and it
- wouldn't hinder me half an hour. Yes, I'll come, if you'll
- step a little way towards Mistover with me afterwards,
- supposing night should have closed in, and nobody else
- is going that way?"
-
- One or two promised; and Christian, diverging from his
- direct path, turned round to the right with his companions
- towards the Quiet Woman.
-
- When they entered the large common room of the inn
- they found assembled there about ten men from among
- the neighbouring population, and the group was
- increased by the new contingent to double that number.
- Most of them were sitting round the room in seats divided
- by wooden elbows like those of crude cathedral stalls,
- which were carved with the initials of many an illustrious
- drunkard of former times who had passed his days and his
- nights between them, and now lay as an alcoholic cinder
- in the nearest churchyard. Among the cups on the long
- table before the sitters lay an open parcel of light
- drapery--the gown-piece, as it was called--which was
- to be raffled for. Wildeve was standing with his back
- to the fireplace smoking a cigar; and the promoter of
- the raffle, a packman from a distant town, was expatiating
- upon the value of the fabric as material for a summer dress.
-
- "Now, gentlemen," he continued, as the newcomers drew up
- to the table, "there's five have entered, and we want
- four more to make up the number. I think, by the faces
- of those gentlemen who have just come in, that they are
- shrewd enough to take advantage of this rare opportunity
- of beautifying their ladies at a very trifling expense."
-
- Fairway, Sam, and another placed their shillings
- on the table, and the man turned to Christian.
-
- "No, sir," said Christian, drawing back, with a quick gaze
- of misgiving. "I am only a poor chap come to look on,
- an it please ye, sir. I don't so much as know how you
- do it. If so be I was sure of getting it I would put
- down the shilling; but I couldn't otherwise."
-
- "I think you might almost be sure," said the pedlar.
- "In fact, now I look into your face, even if I can't say
- you are sure to win, I can say that I never saw anything
- look more like winning in my life."
-
- "You'll anyhow have the same chance as the rest of us,"
- said Sam.
-
- "And the extra luck of being the last comer," said another.
-
- "And I was born wi' a caul, and perhaps can be no more
- ruined than drowned?" Christian added, beginning to give way.
-
- Ultimately Christian laid down his shilling, the raffle began,
- and the dice went round. When it came to Christian's turn
- he took the box with a trembling hand, shook it fearfully,
- and threw a pair-royal. Three of the others had thrown
- common low pairs, and all the rest mere points.
-
- "The gentleman looked like winning, as I said," observed the
- chapman blandly. "Take it, sir; the article is yours."
-
- "Haw-haw-haw!" said Fairway. "I'm damned if this isn't
- the quarest start that ever I knowed!"
-
- "Mine?" asked Christian, with a vacant stare from his
- target eyes. "I--I haven't got neither maid, wife,
- nor widder belonging to me at all, and I'm afeard it
- will make me laughed at to ha'e it, Master Traveller.
- What with being curious to join in I never thought of that!
- What shall I do wi' a woman's clothes in MY bedroom,
- and not lose my decency!"
-
- "Keep 'em, to be sure," said Fairway, "if it is only
- for luck. Perhaps 'twill tempt some woman that thy poor
- carcase had no power over when standing empty-handed."
-
- "Keep it, certainly," said Wildeve, who had idly watched
- the scene from a distance.
-
- The table was then cleared of the articles, and the men
- began to drink.
-
- "Well, to be sure!" said Christian, half to himself.
- "To think I should have been born so lucky as this,
- and not have found it out until now! What curious creatures
- these dice be--powerful rulers of us all, and yet at my
- command! I am sure I never need be afeared of anything
- after this." He handled the dice fondly one by one.
- "Why, sir," he said in a confidential whisper to Wildeve,
- who was near his left hand, "if I could only use this power
- that's in me of multiplying money I might do some good
- to a near relation of yours, seeing what I've got about me
- of hers--eh?" He tapped one of his money-laden boots upon
- the floor.
-
- "What do you mean?" said Wildeve.
-
- "That's a secret. Well, I must be going now." He looked
- anxiously towards Fairway.
-
- "Where are you going?" Wildeve asked.
-
- "To Mistover Knap. I have to see Mrs. Thomasin there--
- that's all."
-
- "I am going there, too, to fetch Mrs. Wildeve. We can
- walk together."
-
- Wildeve became lost in thought, and a look of inward
- illumination came into his eyes. It was money for his
- wife that Mrs. Yeobright could not trust him with.
- "Yet she could trust this fellow," he said to himself.
- "Why doesn't that which belongs to the wife belong to the
- husband too?"
-
- He called to the pot-boy to bring him his hat, and said,
- "Now, Christian, I am ready."
-
- "Mr. Wildeve," said Christian timidly, as he turned to
- leave the room, "would you mind lending me them wonderful
- little things that carry my luck inside 'em, that I
- might practise a bit by myself, you know?" He looked
- wistfully at the dice and box lying on the mantlepiece.
-
- "Certainly," said Wildeve carelessly. "They were only cut
- out by some lad with his knife, and are worth nothing."
- And Christian went back and privately pocketed them.
-
- Wildeve opened the door and looked out. The night was
- warm and cloudy. "By Gad! 'tis dark," he continued.
- "But I suppose we shall find our way."
-
- "If we should lose the path it might be awkward,"
- said Christian. "A lantern is the only shield that will
- make it safe for us."
-
- "Let's have a lantern by all means." The stable lantern
- was fetched and lighted. Christian took up his gownpiece,
- and the two set out to ascend the hill.
-
- Within the room the men fell into chat till their
- attention was for a moment drawn to the chimney-corner.
- This was large, and, in addition to its proper recess,
- contained within its jambs, like many on Egdon,
- a receding seat, so that a person might sit there
- absolutely unobserved, provided there was no fire to light
- him up, as was the case now and throughout the summer.
- From the niche a single object protruded into the light
- from the candles on the table. It was a clay pipe,
- and its colour was reddish. The men had been attracted
- to this object by a voice behind the pipe asking for a light.
-
- "Upon my life, it fairly startled me when the man spoke!"
- said Fairway, handing a candle. "Oh--'tis the reddleman!
- You've kept a quiet tongue, young man."
-
- "Yes, I had nothing to say," observed Venn. In a few
- minutes he arose and wished the company good night.
-
- Meanwhile Wildeve and Christian had plunged into the heath.
-
- It was a stagnant, warm, and misty night, full of all the
- heavy perfumes of new vegetation not yet dried by hot sun,
- and among these particularly the scent of the fern.
- The lantern, dangling from Christian's hand, brushed the
- feathery fronds in passing by, disturbing moths and
- other winged insects, which flew out and alighted upon
- its horny panes.
-
- "So you have money to carry to Mrs. Wildeve?"
- said Christian's companion, after a silence. "Don't you
- think it very odd that it shouldn't be given to me?"
-
- "As man and wife be one flesh, 'twould have been all
- the same, I should think," said Christian. "But my strict
- documents was, to give the money into Mrs. Wildeve's
- hand--and 'tis well to do things right."
-
- "No doubt," said Wildeve. Any person who had known the
- circumstances might have perceived that Wildeve was mortified
- by the discovery that the matter in transit was money,
- and not, as he had supposed when at Blooms-End, some fancy
- nick-nack which only interested the two women themselves.
- Mrs. Yeobright's refusal implied that his honour was not
- considered to be of sufficiently good quality to make
- him a safer bearer of his wife's property.
-
- "How very warm it is tonight, Christian!" he said,
- panting, when they were nearly under Rainbarrow.
- "Let us sit down for a few minutes, for Heaven's sake."
-
- Wildeve flung himself down on the soft ferns;
- and Christian, placing the lantern and parcel on
- the ground, perched himself in a cramped position hard by,
- his knees almost touching his chin. He presently thrust
- one hand into his coat-pocket and began shaking it about.
-
- "What are you rattling in there?" said Wildeve.
-
- "Only the dice, sir," said Christian, quickly withdrawing
- his hand. "What magical machines these little things be,
- Mr. Wildeve! 'Tis a game I should never get tired of.
- Would you mind my taking 'em out and looking at 'em for
- a minute, to see how they are made? I didn't like to look
- close before the other men, for fear they should think it
- bad manners in me." Christian took them out and examined
- them in the hollow of his hand by the lantern light.
- "That these little things should carry such luck,
- and such charm, and such a spell, and such power in 'em,
- passes all I ever heard or zeed," he went on, with a
- fascinated gaze at the dice, which, as is frequently
- the case in country places, were made of wood, the points
- being burnt upon each face with the end of a wire.
-
- "They are a great deal in a small compass, You think?"
-
- "Yes. Do ye suppose they really be the devil's playthings,
- Mr. Wildeve? If so, 'tis no good sign that I be such
- a lucky man."
-
- "You ought to win some money, now that you've got them.
- Any woman would marry you then. Now is your time,
- Christian, and I would recommend you not to let it slip.
- Some men are born to luck, some are not. I belong to the
- latter class."
-
- "Did you ever know anybody who was born to it besides myself?"
-
- "O yes. I once heard of an Italian, who sat down at a gaming
- table with only a louis, (that's a foreign sovereign),
- in his pocket. He played on for twenty-four hours,
- and won ten thousand pounds, stripping the bank he had
- played against. Then there was another man who had lost
- a thousand pounds, and went to the broker's next day
- to sell stock, that he might pay the debt. The man to
- whom he owed the money went with him in a hackney-coach;
- and to pass the time they tossed who should pay the fare.
- The ruined man won, and the other was tempted to continue
- the game, and they played all the way. When the coachman
- stopped he was told to drive home again: the whole thousand
- pounds had been won back by the man who was going to sell."
-
- "Ha--ha--splendid!" exclaimed Christian. "Go on--go on!"
-
- "Then there was a man of London, who was only a waiter at
- White's clubhouse. He began playing first half-crown stakes,
- and then higher and higher, till he became very rich,
- got an appointment in India, and rose to be Governor
- of Madras. His daughter married a member of Parliament,
- and the Bishop of Carlisle stood godfather to one of
- the children."
-
- "Wonderfull wonderfull"
-
- "And once there was a young man in America who gambled till
- he had lost his last dollar. He staked his watch and chain,
- and lost as before; staked his umbrella, lost again;
- staked his hat, lost again; staked his coat and stood in his
- shirt-sleeves, lost again. Began taking off his breeches,
- and then a looker-on gave him a trifle for his pluck.
- With this he won. Won back his coat, won back his hat,
- won back his umbrella, his watch, his money, and went
- out of the door a rich man."
-
- "Oh, 'tis too good--it takes away my breath! Mr. Wildeve,
- I think I will try another shilling with you, as I am one
- of that sort; no danger can come o't, and you can afford
- to lose."
-
- "Very well," said Wildeve, rising. Searching about
- with the lantern, he found a large flat stone, which he
- placed between himself and Christian, and sat down again.
- The lantern was opened to give more light, and it's rays
- directed upon the stone. Christian put down a shilling,
- Wildeve another, and each threw. Christian won.
- They played for two, Christian won again.
-
- "Let us try four," said Wildeve. They played for four.
- This time the stakes were won by Wildeve.
-
- "Ah, those little accidents will, of course, sometimes happen,
- to the luckiest man," he observed.
-
- "And now I have no more money!" explained Christian excitedly.
- "And yet, if I could go on, I should get it back again,
- and more. I wish this was mine." He struck his boot upon
- the ground, so that the guineas chinked within.
-
- "What! you have not put Mrs. Wildeve's money there?"
-
- "Yes. 'Tis for safety. Is it any harm to raffle with a
- married lady's money when, if I win, I shall only keep
- my winnings, and give her her own all the same; and if
- t'other man wins, her money will go to the lawful owner?"
-
- "None at all."
-
- Wildeve had been brooding ever since they started on the mean
- estimation in which he was held by his wife's friends;
- and it cut his heart severely. As the minutes passed he
- had gradually drifted into a revengeful intention without
- knowing the precise moment of forming it. This was to
- teach Mrs. Yeobright a lesson, as he considered it to be;
- in other words, to show her if he could that her niece's
- husband was the proper guardian of her niece's money.
-
- "Well, here goes!" said Christian, beginning to unlace
- one boot. "I shall dream of it nights and nights,
- I suppose; but I shall always swear my flesh don't crawl
- when I think o't!"
-
- He thrust his hand into the boot and withdrew one
- of poor Thomasin's precious guineas, piping hot.
- Wildeve had already placed a sovereign on the stone.
- The game was then resumed. Wildeve won first,
- and Christian ventured another, winning himself this time.
- The game fluctuated, but the average was in Wildeve's favour.
- Both men became so absorbed in the game that they took
- no heed of anything but the pigmy objects immediately
- beneath their eyes, the flat stone, the open lantern,
- the dice, and the few illuminated fern-leaves which lay
- under the light, were the whole world to them.
-
- At length Christian lost rapidly; and presently,
- to his horror, the whole fifty guineas belonging
- to Thomasin had been handed over to his adversary.
-
- "I don't care--I don't care!" he moaned, and desperately
- set about untying his left boot to get at the other fifty.
- "The devil will toss me into the flames on his three-pronged
- fork for this night's work, I know! But perhaps I shall
- win yet, and then I'll get a wife to sit up with me o'
- nights and I won't be afeard, I won't! Here's another for'ee,
- my man!" He slapped another guinea down upon the stone,
- and the dice-box was rattled again.
-
- Time passed on. Wildeve began to be as excited as
- Christian himself. When commencing the game his intention
- had been nothing further than a bitter practical joke on
- Mrs. Yeobright. To win the money, fairly or otherwise,
- and to hand it contemptuously to Thomasin in her
- aunt's presence, had been the dim outline of his purpose.
- But men are drawn from their intentions even in the course
- of carrying them out, and it was extremely doubtful,
- by the time the twentieth guinea had been reached,
- whether Wildeve was conscious of any other intention
- than that of winning for his own personal benefit.
- Moreover, he was now no longer gambling for his wife's money,
- but for Yeobright's; though of this fact Christian,
- in his apprehensiveness, did not inform him till afterwards.
-
- It was nearly eleven o'clock, when, with almost a shriek,
- Christian placed Yeobright's last gleaming guinea upon
- the stone. In thirty seconds it had gone the way of
- its companions.
-
- Christian turned and flung himself on the ferns
- in a convulsion of remorse, "O, what shall I do
- with my wretched self?" he groaned. "What shall
- I do? Will any good Heaven hae mercy upon my wicked soul?"
-
- "Do? Live on just the same."
-
- "I won't live on just the same! I'll die! I say you
- are a--a----"
-
- "A man sharper than my neighbour."
-
- "Yes, a man sharper than my neighbour; a regular sharper!"
-
- "Poor chips-in-porridge, you are very unmannerly."
-
- "I don't know about that! And I say you be unmannerly!
- You've got money that isn't your own. Half the guineas
- are poor Mr. Clym's."
-
- "How's that?"
-
- "Because I had to gie fifty of 'em to him. Mrs. Yeobright
- said so."
-
- "Oh?...Well, 'twould have been more graceful of her
- to have given them to his wife Eustacia. But they
- are in my hands now."
-
- Christian pulled on his boots, and with heavy breathings,
- which could be heard to some distance, dragged his
- limbs together, arose, and tottered away out of sight.
- Wildeve set about shutting the lantern to return to the house,
- for he deemed it too late to go to Mistover to meet his wife,
- who was to be driven home in the captain's four-wheel.
- While he was closing the little horn door a figure rose
- from behind a neighbouring bush and came forward into
- the lantern light. It was the reddleman approaching.
-
-
-
- 8 - A New Force Disturbs the Current
-
-
- Wildeve stared. Venn looked coolly towards Wildeve, and,
- without a word being spoken, he deliberately sat himself
- down where Christian had been seated, thrust his hand into
- his pocket, drew out a sovereign, and laid it on the stone.
-
- "You have been watching us from behind that bush?"
- said Wildeve.
-
- The reddleman nodded. "Down with your stake," he said.
- "Or haven't you pluck enough to go on?"
-
- Now, gambling is a species of amusement which is much more
- easily begun with full pockets than left off with the same;
- and though Wildeve in a cooler temper might have prudently
- declined this invitation, the excitement of his recent
- success carried him completely away. He placed one of
- the guineas on a slab beside the reddleman's sovereign.
- "Mine is a guinea," he said.
-
- "A guinea that's not your own," said Venn sarcastically.
-
- "It is my own," answered Wildeve haughtily. "It is my
- wife's, and what is hers is mine."
-
- "Very well; let's make a beginning." He shook the box,
- and threw eight, ten, and nine; the three casts amounted
- to twenty-seven.
-
- This encouraged Wildeve. He took the box; and his
- three casts amounted to forty-five.
-
- Down went another of the reddleman's sovereigns against
- his first one which Wildeve laid. This time Wildeve threw
- fifty-one points, but no pair. The reddleman looked grim,
- threw a raffle of aces, and pocketed the stakes.
-
- "Here you are again," said Wildeve contemptuously.
- "Double the stakes." He laid two of Thomasin's guineas,
- and the reddleman his two pounds. Venn won again.
- New stakes were laid on the stone, and the gamblers proceeded
- as before.
-
- Wildeve was a nervous and excitable man, and the game
- was beginning to tell upon his temper. He writhed,
- fumed, shifted his seat, and the beating of his heart
- was almost audible. Venn sat with lips impassively closed
- and eyes reduced to a pair of unimportant twinkles;
- he scarcely appeared to breathe. He might have been an Arab,
- or an automaton; he would have been like a red sandstone
- statue but for the motion of his arm with the dice-box.
-
- The game fluctuated, now in favour of one, now in favour
- of the other, without any great advantage on the side
- of either. Nearly twenty minutes were passed thus.
- The light of the candle had by this time attracted
- heath-flies, moths, and other winged creatures of night,
- which floated round the lantern, flew into the flame,
- or beat about the faces of the two players.
-
- But neither of the men paid much attention to these things,
- their eyes being concentrated upon the little flat stone,
- which to them was an arena vast and important as a battlefield.
- By this time a change had come over the game; the reddleman
- won continually. At length sixty guineas--Thomasin's
- fifty, and ten of Clym's--had passed into his hands.
- Wildeve was reckless, frantic, exasperated.
-
- "'Won back his coat,'" said Venn slily.
-
- Another throw, and the money went the same way.
-
- "'Won back his hat,'" continued Venn.
-
- "Oh, oh!" said Wildeve.
-
- "'Won back his watch, won back his money, and went out
- of the door a rich man,'" added Venn sentence by sentence,
- as stake after stake passed over to him.
-
- "Five more!" shouted Wildeve, dashing down the money.
- "And three casts be hanged--one shall decide."
-
- The red automaton opposite lapsed into silence, nodded,
- and followed his example. Wildeve rattled the box,
- and threw a pair of sixes and five points. He clapped
- his hands; "I have done it this time--hurrah!"
-
- "There are two playing, and only one has thrown,"
- said the reddleman, quietly bringing down the box.
- The eyes of each were then so intently converged upon
- the stone that one could fancy their beams were visible,
- like rays in a fog.
-
- Venn lifted the box, and behold a triplet of sixes
- was disclosed.
-
- Wildeve was full of fury. While the reddleman was grasping
- the stakes Wildeve seized the dice and hurled them, box and all,
- into the darkness, uttering a fearful imprecation.
- Then he arose and began stamping up and down like a madman.
-
- "It is all over, then?" said Venn.
-
- "No, no!" cried Wildeve. "I mean to have another chance yet.
- I must!"
-
- "But, my good man, what have you done with the dice?"
-
- "I threw them away--it was a momentary irritation.
- What a fool I am! Here--come and help me to look for
- them--we must find them again."
-
- Wildeve snatched up the lantern and began anxiously
- prowling among the furze and fern.
-
- "You are not likely to find them there,"
- said Venn, following. "What did you do such a crazy
- thing as that for? Here's the box. The dice can't be far off."
-
- Wildeve turned the light eagerly upon the spot where Venn
- had found the box, and mauled the herbage right and left.
- In the course of a few minutes one of the dice was found.
- They searched on for some time, but no other was to
- be seen.
-
- "Never mind," said Wildeve; "let's play with one."
-
- "Agreed," said Venn.
-
- Down they sat again, and recommenced with single guinea stakes;
- and the play went on smartly. But Fortune had unmistakably
- fallen in love with the reddleman tonight. He won steadily,
- till he was the owner of fourteen more of the gold pieces.
- Seventy-nine of the hundred guineas were his, Wildeve
- possessing only twenty-one. The aspect of the two opponents
- was now singular. Apart from motions, a complete diorama
- of the fluctuations of the game went on in their eyes.
- A diminutive candle-flame was mirrored in each pupil,
- and it would have been possible to distinguish therein
- between the moods of hope and the moods of abandonment,
- even as regards the reddleman, though his facial muscles
- betrayed nothing at all. Wildeve played on with the
- recklessness of despair.
-
- "What's that?" he suddenly exclaimed, hearing a rustle;
- and they both looked up.
-
- They were surrounded by dusky forms between four and
- five feet high, standing a few paces beyond the rays
- of the lantern. A moment's inspection revealed that
- the encircling figures were heath-croppers, their heads
- being all towards the players, at whom they gazed intently.
-
- "Hoosh!" said Wildeve, and the whole forty or fifty animals
- at once turned and galloped away. Play was again resumed.
-
- Ten minutes passed away. Then a large death's head moth
- advanced from the obscure outer air, wheeled twice round
- the lantern, flew straight at the candle, and extinguished
- it by the force of the blow. Wildeve had just thrown,
- but had not lifted the box to see what he had cast;
- and now it was impossible.
-
- "What the infernal!" he shrieked. "Now, what shall we
- do? Perhaps I have thrown six--have you any matches?"
-
- "None," said Venn.
-
- "Christian had some--I wonder where he is. Christian!"
-
- But there was no reply to Wildeve's shout, save a mournful
- whining from the herons which were nesting lower down
- the vale. Both men looked blankly round without rising.
- As their eyes grew accustomed to the darkness they
- perceived faint greenish points of light among the grass
- and fern. These lights dotted the hillside like stars
- of a low magnitude.
-
- "Ah--glowworms," said Wildeve. "Wait a minute.
- We can continue the game."
-
- Venn sat still, and his companion went hither and thither
- till he had gathered thirteen glowworms--as many as he could
- find in a space of four or five minutes--upon a fox-glove
- leaf which he pulled for the purpose. The reddleman vented
- a low humorous laugh when he saw his adversary return
- with these. "Determined to go on, then?" he said drily.
-
- "I always am!" said Wildeve angrily. And shaking the
- glowworms from the leaf he ranged them with a trembling hand
- in a circle on the stone, leaving a space in the middle
- for the descent of the dice-box, over which the thirteen
- tiny lamps threw a pale phosphoric shine. The game was
- again renewed. It happened to be that season of the year
- at which glowworms put forth their greatest brilliancy,
- and the light they yielded was more than ample for
- the purpose, since it is possible on such nights to read
- the handwriting of a letter by the light of two or three.
-
- The incongruity between the men's deeds and their
- environment was great. Amid the soft juicy vegetation
- of the hollow in which they sat, the motionless and the
- uninhabited solitude, intruded the chink of guineas,
- the rattle of dice, the exclamations of the reckless players.
-
- Wildeve had lifted the box as soon as the lights were obtained,
- and the solitary die proclaimed that the game was still
- against him.
-
- "I won't play any more--you've been tampering with the dice,"
- he shouted.
-
- "How--when they were your own?" said the reddleman.
-
- "We'll change the game: the lowest point shall win
- the stake--it may cut off my ill luck. Do you refuse?"
-
- "No--go on," said Venn.
-
- "O, there they are again--damn them!" cried Wildeve,
- looking up. The heath-croppers had returned noiselessly,
- and were looking on with erect heads just as before,
- their timid eyes fixed upon the scene, as if they were
- wondering what mankind and candlelight could have to do in
- these haunts at this untoward hour.
-
- "What a plague those creatures are--staring at me so!"
- he said, and flung a stone, which scattered them;
- when the game was continued as before.
-
- Wildeve had now ten guineas left; and each laid five.
- Wildeve threw three points; Venn two, and raked in the coins.
- The other seized the die, and clenched his teeth upon
- it in sheer rage, as if he would bite it in pieces.
- "Never give in--here are my last five!" he cried,
- throwing them down.
-
- "Hang the glowworms--they are going out. Why don't you burn,
- you little fools? Stir them up with a thorn."
-
- He probed the glowworms with a bit of stick, and rolled
- them over, till the bright side of their tails was upwards.
-
- "There's light enough. Throw on," said Venn.
-
- Wildeve brought down the box within the shining circle
- and looked eagerly. He had thrown ace. "Well done!--I
- said it would turn, and it has turned." Venn said nothing;
- but his hand shook slightly.
-
- He threw ace also.
-
- "O!" said Wildeve. "Curse me!"
-
- The die smacked the stone a second time. It was ace again.
- Venn looked gloomy, threw--the die was seen to be lying
- in two pieces, the cleft sides uppermost.
-
- "I've thrown nothing at all," he said.
-
- "Serves me right--I split the die with my teeth.
- Here--take your money. Blank is less than one."
-
- "I don't wish it."
-
- "Take it, I say--you've won it!" And Wildeve threw the stakes
- against the reddleman's chest. Venn gathered them up,
- arose, and withdrew from the hollow, Wildeve sitting stupefied.
-
- When he had come to himself he also arose, and, with the
- extinguished lantern in his hand, went towards the highroad.
- On reaching it he stood still. The silence of night
- pervaded the whole heath except in one direction; and that
- was towards Mistover. There he could hear the noise of
- light wheels, and presently saw two carriagelamps descending
- the hill. Wildeve screened himself under a bush and waited.
-
- The vehicle came on and passed before him. It was a
- hired carriage, and behind the coachman were two persons
- whom he knew well. There sat Eustacia and Yeobright,
- the arm of the latter being round her waist.
- They turned the sharp corner at the bottom towards
- the temporary home which Clym had hired and furnished,
- about five miles to the eastward.
-
- Wildeve forgot the loss of the money at the sight
- of his lost love, whose preciousness in his eyes was
- increasing in geometrical progression with each new
- incident that reminded him of their hopeless division.
- Brimming with the subtilized misery that he was capable
- of feeling, he followed the opposite way towards the inn.
-
- About the same moment that Wildeve stepped into the
- highway Venn also had reached it at a point a hundred
- yards further on; and he, hearing the same wheels,
- likewise waited till the carriage should come up.
- When he saw who sat therein he seemed to be disappointed.
- Reflecting a minute or two, during which interval the
- carriage rolled on, he crossed the road, and took a short
- cut through the furze and heath to a point where the
- turnpike road bent round in ascending a hill. He was now
- again in front of the carriage, which presently came up
- at a walking pace. Venn stepped forward and showed himself.
-
- Eustacia started when the lamp shone upon him, and Clym's
- arm was involuntarily withdrawn from her waist. He said,
- "What, Diggory? You are having a lonely walk."
-
- "Yes--I beg your pardon for stopping you," said Venn.
- "But I am waiting about for Mrs. Wildeve: I have something
- to give her from Mrs. Yeobright. Can you tell me if she's
- gone home from the party yet?"
-
- "No. But she will be leaving soon. You may possibly meet
- her at the corner."
-
- Venn made a farewell obeisance, and walked back to his
- former position, where the byroad from Mistover joined
- the highway. Here he remained fixed for nearly half an hour,
- and then another pair of lights came down the hill.
- It was the old-fashioned wheeled nondescript belonging to
- the captain, and Thomasin sat in it alone, driven by Charley.
-
- The reddleman came up as they slowly turned the corner.
- "I beg pardon for stopping you, Mrs. Wildeve," he said.
- "But I have something to give you privately from Mrs. Yeobright."
- He handed a small parcel; it consisted of the hundred
- guineas he had just won, roughly twisted up in a piece
- of paper.
-
- Thomasin recovered from her surprise, and took the packet.
- "That's all, ma'am--I wish you good night," he said,
- and vanished from her view.
-
- Thus Venn, in his anxiety to rectify matters, had placed
- in Thomasin's hands not only the fifty guineas which
- rightly belonged to her, but also the fifty intended
- for her cousin Clym. His mistake had been based upon
- Wildeve's words at the opening of the game, when he
- indignantly denied that the guinea was not his own.
- It had not been comprehended by the reddleman that at
- halfway through the performance the game was continued
- with the money of another person; and it was an error
- which afterwards helped to cause more misfortune
- than treble the loss in money value could have done.
-
- The night was now somewhat advanced; and Venn plunged deeper
- into the heath, till he came to a ravine where his van was
- standing--a spot not more than two hundred yards from the site
- of the gambling bout. He entered this movable home of his,
- lit his lantern, and, before closing his door for the night,
- stood reflecting on the circumstances of the preceding hours.
- While he stood the dawn grew visible in the northeast quarter
- of the heavens, which, the clouds having cleared off,
- was bright with a soft sheen at this midsummer time,
- though it was only between one and two o'clock. Venn,
- thoroughly weary, then shut his door and flung himself
- down to sleep.
-
-