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- From: agough@sedona.intel.com (Andy Gough~)
- Newsgroups: rec.video,rec.photo,rec.arts.books
- Subject: Re: Photo CD
- Date: 23 Jan 1993 00:14:45 GMT
- Organization: "Intel Corporation"
- Lines: 168
- Sender: agough@sedona (Andy Gough~)
- Distribution: world
- Message-ID: <1jq2llINN9hc@chnews.intel.com>
- References: <1gr4nmINNc1t@darkstar.UCSC.EDU> <PD.92Dec20184108@horus.sics.se> <92359.000218I18BC@CUNYVM.BITNET> <C0Czyn.H23@athena.cs.uga.edu>
- Reply-To: agough@sedona.intel.com
- NNTP-Posting-Host: tasmania.intel.com
- Originator: agough@sedona
-
-
- In article <C0Czyn.H23@athena.cs.uga.edu>, fuller@athena.cs.uga.edu (James P. H. Fuller) writes:
- > CUNY/Spartacus <I18BC@CUNYVM.BITNET> writes:
- >
- > >>Digital (mostly magnetic) media seems to go out of fashion very fast.
- > >>Have you tried to read a 7-channel tape lately? A punched tape?
- > >>Can we be certain that somebody a hundred years from now can read a
- > >>PhotoCD?
- > >
- > >Sorry Per,
- > > But you ought to know better than that being a computer person.
- > >If its digital, it can be transfered to many different digital mediums.
- > >Just like transfering an old text file from a 160k 5 1/4 floppy
- > >to a 2.88mb 3 1/2 floppy. Or uploading my floppy file to 3380
- > >mainframe diskpack or digital tape. etc etc etc...etc
- > >
- > >The resolution argument I understand, but this?
- >
- >
- > Sure, it *could* be transferred, but what if nobody bothers to transfer
- > it until all the devices that can read it are junked? I happen to have a
- > recording of my grandfather's voice that I can't play. It's a *wire*
- > recording. Right, like a tape recorder only the stuff on the reels is a
- > strand of wire. Dates from early 1940s, I think. You got anything that
- > will read this? Or consider the contortions I had to go through when I
- > recently wanted to get a file from a 140K Apple II disk, circa 1980, onto
- > my 486. Locate ancient Apple, blow off cobwebs, clean and lubricate disk II
- > drive (whoopee, it still works!), locate vendor of serial port cards for
- > ancient Apple (whoopee, one or two still exist), rig up null modem, ftp
- > Apple II kermit and Unix C-kermit from Columbia to my work host, transfer
- > both to 486 via zmodem, compile C-kermit for SysV, get Apple kermit *to*
- > the Apple *without* a comm program to receive it (a nice trick), get it
- > working, dream up a gettydefs entry for 486 serial port to the Apple, start
- > Apple kermit, log into Unix from Apple, invoke C-kermit server, shoot file
- > over. It took almost a week of evenings just to teleport this old file
- > forward a mere 13 years.
- >
- > I'd like very much to play with some of the IMMENSE amount of data that
- > has been generated by satellites and other space probes over the years but
- > I can't because almost all of it is archived offline on reels of tape that
- > nobody is EVER going to bother to transcribe onto more recent media. It
- > might as well never have been collected.
- >
- > I've bellowed the following in this forum before: COMPUTERS ARE NOT A
- > SUBSTITUTE FOR BOOKS. If you want to be sure some archive is readable a
- > hundred (let alone a thousand) years hence, you better make sure it's written
- > on something that's human-readable *without* any doodads or technical infra-
- > structure.
- >
- > -- jf
-
- This view surprised me when I read it, as I had recently been thinking
- a lot that Photo CD would be ideal for long-term (generational) archival
- storage of photographs.
-
- The advantages I see are:
- 1) No degredation of the image over time (due to digital encoding)
- 2) Compact storage (takes up less space than prints+negatives)
- 3) Ability to create computer database that references photos on PhotoCD
- 4) Ability to download images to my computer's hard disk, edit them
- (cropping, color correction, special effects), and eventually be able
- to transfer them back to PhotoCD (hopefully).
- 5) Digital data makes it easy to update to next storage technology.
- 6) Possible use of error correcting codes and redundancy.
- 7) Backups of the same quality can be made.
-
- So, I feel that PhotoCD will allow me to gather up all my old family photographs
- and create PhotoCD albums for my descendents--so they can know what their great
- great great grandfather looked like. Granted, when they view it, it may not be on
- a "PhotoCD" anymore--it may be stored in a protein crystal--but it will be the same
- quality that I see today.
-
- The disadvantages I see are:
- 1) Current cost of transferring single slides onto PhotoCD
- 2) The need to transfer the data to new storage mediums in the
- future.
- 3) Currently no way to add edited images back onto the PhotoCD
-
- Storage Obsolescence:
- ~~~~~~~~~~~~~~~~~~~~
- While one doens't usually think of it at the time, the choice of a storage
- medium also carries an implicit choice on how long you want to store something.
- Some storage media last longer than others. "Post-It" notes are for very short-term
- storage. An etched gold plate is for extremely long-term storage.
- So, I think that if one wants to preserve old information, the transfer should
- take place when you adopt the new technology. Note also that most data and books
- aren't worth saving for 100 years.
-
- Film Storage:
- ~~~~~~~~~~~~
- Film degrades over time due to chemical reactions and ultraviolet radiation.
- Specifically, the color dyes in color film fade over time. To slow this, one can
- store the negatives in a humidity-controlled refrigerator.
- To store film images for a long time, one needs to use black and white film,
- which doesn't degrade as fast as color film. Note that one can store separate
- b&w images for the red, green, and blue portions of a color image--this will last
- longer.
-
- Paper Storage:
- ~~~~~~~~~~~~~
- Paper can obviously last a long time. One should use acid-free paper and
- good ink. This helps prevent the paper falling apart and the ink fading.
- I don't know how long photocopier toner particles will stick to the paper.
- Paper has some disadvantages, of course. It tends to be degraded the more
- it is handled (rips, smudges, creases, etc.). It's also bulky and heavy.
-
- CD Storage:
- ~~~~~~~~~~
- There has been a lot of controversy on the lifetime of Compact Discs. Properly
- manufactured, they should last a long time (decades), but they won't last forever.
- The principle mechanism of degradation appears to be chemical change of the
- aluminum reflecting layer. Oxygen, water, and other reactants (I assume), diffuse
- through the lacquer coating (or through a pinhole) and react with the aluminum, to
- form Al2O3 (otherwise know as safire) that is translucent and not as reflective.
- Thermal cycle stress (due to different coefficients of thermal expansion between the
- aluminum, lacquer, and polycarbonate) introduces cracks that can 1) facillitate
- contaminant diffusion, 2) act on the bit data itself.
- One can greatly extend the life of a CD by:
- 1) using gold (Au) as the reflective layer, as gold is less reactive
- 2) a thick, pinhole-free, lacquer coating
- 3) inks with low diffusion constants through the lacquer.
- 4) storing the CD at low temperature and low humidity, with a slow ramp-up
- to room temperature before use.
-
- I saw some data from Mobil Fidelity (makers of the UltraDisc series) that compared
- an UltraDisc (a well manufactured disc, with a gold reflecting layer) to a regular
- CD through two types of stress test: steam and temperature cycling. As I remember
- it, the regular CD lasted only two or three cycles before substantial error rates were
- present. The UltraDisc sailed right through, with little degradation--orders of magnitude
- less. I suppose one can still get the data from Mobil Fidelity.
- Now, if one is concerned about future generations being able to read the "lost
- knowledge of our era" from a degraded compact disk (i.e., in 20,000 years), I would
- assume that, if the disc is intact, that an electron microscope could be used to read
- the presence/absence of pits in the aluminum layer. This could be kindof slow.
-
- The Arrhenius Equation:
- ~~~~~~~~~~~~~~~~~~~~~~
- t1 = t2 * exp[(Ea/K)*(1/T1 - 1/T2)]
- where:
- t1 = mean time to failure at T1
- t2 = mean time to failure at T2
- K = Boltzmann's constant (8.62E-5 eV/K)
- T1 = temperature 1 (in Kelvins)
- T2 = temperature 2 (in Kelvins)
- Ea = thermal activation energy (eV)
-
- To me, the bottom line for preserving film and compact discs is to store them at
- low temperature--say in a refrigerator at 50 'F. The equation above shows that the
- rate of a chemical reaction will decrease exponentially as temperature is decreased. So,
- one can apply this knowledge and extend the life of a compact disc (say, normally 40 years
- at room temperature) and by storing it at low temperature multiply its lifetime by two
- or three orders of magnitude.
- Of course, with low temperature storage, one must be careful that:
- 1) Humidity is controlled in the refrigerator
- 2) No water condensation occurs on the disc during cool down or warm-up
- 3) That the disc is gradually cooled and warmed up (to reduce thermal stress)
-
- This is more work than most people will be willing to put up with, though.
-
- Regards,
- Andy
- --
- Andy Gough | Internet: agough@sedona.intel.com
- Intel Corporation CH3-36 | agough@az.intel.com
- 5000 W. Chandler Blvd. | "Knowledge is power."
- Chandler, AZ 85226 | -- Francis Bacon
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